100 Code (2015) s01e05 Episode Script

The First Blush

1 [SOFT MUSIC.]
- - - - - - - - - - [SPEAKING RUSSIAN.]
[SPEAKING RUSSIAN.]
[DRAMATIC MUSIC.]
[SPEAKING RUSSIAN.]
Spasibo - - - - - - - - - - - - - - - - [DRAMATIC MUSIC.]
[DRAMATIC MUSIC.]
Hard time forgiving Even harder forgetting Before you do something You might won't let me in Hard time forgiving Even harder forgetting Before you do something You might regret friend Hard time forgiving Even harder forgetting Before you do something You might regret friend This time I will be Louder than my words Shadows will be found I will hunt them down [GUNSHOT.]
- - [DRAMATIC MUSIC.]
[SCOFFS.]
Tastes like motor oil and bird shit.
Some people think Swedish coffee is the best in the world.
Some people think Abba was a real band.
Abba was a real band.
They have their own museum you know? It hurts me to know that.
May I pour you some bird shit? I'd love some.
I don't get the joke, bird shit is often white, so it doesn't quite translate? No, he's right you should've said motor oil, I mean you guys have free health care but you're kind of lacking in the comedy department.
Yes, yes.
- - Alright what do we got? Phille has broke the flash drive.
I'm thinking yeah baby, come to papa, but papa didn't get what he wanted, the only thing we got were these fucking quotes.
When the soul is repressed it rebels.
If you think it you should do it, or resist your impulse and it poisons your soul.
There is nothing that is moral or immoral there is only that which fulfills you.
Josephine's doing search on all of them, no exact matches.
Why put this on the flash drive it's already on the message board? Just another layer encryption.
See here, the flash drives have a half gig of memory taken up, but the quotes only take up like 39 kilobytes data at rest.
So there's something underneath the quotes we can't see? What do we have to do to get it? I have to get the password.
Can you get it? [PHILLE.]
I can do anything, just give me time.
Kevin Sundqvist the copy cat, they have his real name and address.
[EKLUND.]
Great.
Marcus Dilly no record.
Lived with his mother Lena Dilly.
- She been notified? - Yeah the local police an hour ago.
The father died when he was a boy.
No male role model, can either turn out to be a serial killer or a cop.
Which one are you? Actually I had a male role model, he was just a drunken prick.
[JOHNSSON.]
Preek What? It's like a dot.
- Sure.
- [JOHNSSON.]
Come on let's go.
Marcus was always a wonderful child, the son any mother would wanted, but all of a sudden he changed, no, not like that, he had lots of friends, I mean he was brilliant at school, terrible at socializing, but he was never a loner, he became that.
What happened? You see when my husband died Marcus was the only person I knew how to live with.
So what he did, or what you say he did, I think I'm also to blame for that.
He started to disappear into his room for hours, days, spending all his time on internet.
How long ago was this? Three, no four, four years ago, and if I tried to reach to him he would get ugly.
Even hit me once, and that's when I kicked him out.
Was it you who killed him? Lena.
No, I killed him.
He was gonna kill me.
I killed him.
You know, sometimes after days in that room he would come out and be happy, just as if he suddenly found a purpose, and I got really scared.
I don't know why but it really frightened me.
Okay, I kicked him out like I said, but I didn't kick him far.
He stayed out back, in the shed.
[DRAMATIC MUSIC.]
Jesus, super Swede.
Pretty jazzy curtain for such a shit hole, don't you think? Shit.
[DRAMATIC MUSIC.]
One of the quotes from the flash drive.
When the soul is repressed it rebels.
[CONLEY.]
So that's the last thing he reads at night, and the first thing he reads in the morning.
[EBBA.]
I found his computer.
[DRAMATIC MUSIC.]
Marcus Dilly was 38 years old, that's too late.
Can't understand why I didn't catch it before, it wasn't the camera or filming that bothers me, it's the age.
Professor was 41 right? - Yeah, - Dentist 40, most serial killers start in their late teens, early 20s, late 20s at the latest, but late 30s? That's too late, it's not right.
L.
H.
What, L.
H.
what? He's the difference.
Without him people like this keep the fantasies for themselves, they don't cross the line into reality.
L.
H.
tells them to do it, they're right to do it, not to repress themselves and they believe it.
If we don't stop L.
H.
, we don't stop the killing.
[DRAMATIC MUSIC.]
[KNOCKING.]
Andrej Grinko? [ANDREJ.]
Yes.
Thank you.
[DRAMATIC MUSIC.]
[PHONE CHIMING.]
[DRAMATIC MUSIC.]
Can I make a suggestion? Only if you must.
She's turning 18 right? 18, yeah.
Whatever you're thinking of getting her, get her the opposite.
Are you really giving me advice? This from the man who bought her a chess set? And you have how many daughters? I have no daughters that I know of.
Thank God.
I'm trying to give you some advice.
Asshole.
Shit.
You're stalking me? Stalked worse.
Saw you last night outside my bar.
Usually people want to meet me they come inside, order a drink, we chat.
If I like him we chat some more.
[CONLEY.]
Yeah, maybe I'll do that.
Yeah, maybe you should.
Maybe you shouldn't talk to strangers.
What happened? Stabbed in the arm by serial killer.
Oh, I hate when that happens.
It's the worst.
What's your name? Conley.
Conley.
Only people refer to themselves by one name are cops and assholes.
Guilty.
Hate me yet? Love cops.
I'll have to check you out.
You won't like what you find.
You got a lot going on in that head don't you? More than you know sweetheart.
What do you got going on here at Toonsburtle? [LAUGHS.]
No it's.
Hang on, hang on, I'll get it.
Ter.
.
terds blettle? - Turnbrodsrolle - Stupid language I guess it won't be ordering one of those.
Stop in again Conley, first one's on me.
Goddam.
Another chess set? A gun.
Ha ha.
LH is the target, what do we know we know? We know that LH is using internet to manipulate potential killers into realizing their fantasies.
Or maybe his? And maybe his, what else? We know that they have kill kits with owls on them.
Sent or given to them by LH.
We need to find out how he's making physical contact with people in the real world, that's where he'll slip up, that's how we'll catch him.
What else? I've been studying these message boards and it seems like LH's conversational pattern is very consistent and very, very calculated.
A user posts a threat, LH responds, then LH starts asking deeper, stronger questions.
Kind of testing the level of conviction of the users desires.
So for instance a guy named Vlad posted he wants to be Dracula and drink the blood of virgins, and then LH starts asking details like, what the blood would taste like? And Vlad answers he hadn't thought of that, and then LH calls him out as a fraud because of course if Vlad is serious he would have thought about it, dreamed about it, so that's the pattern.
How many pass the test? - [TOMAS.]
None.
- So only the frauds - are still on the board? - Yeah.
He's sending the ones who pass the test to another board, or chatroom, or finds another way of making contact.
That's why there's no history with the Professor, the Dentist, or the Copycat, even the message boards are a dead end.
It's like we're fishing for an eel in the ocean.
But how do you catch an eel? Throw a net in the water.
Or a hook.
Make a fake profile.
Not yet though, let me talk to Quantico, if I'm gonna catch this guy we need a psychological profile - he'll believe in.
- Well let's get that profile.
- [JOSEPHINE.]
Mikael? - Huh? Something just came up here should I pull it up? - [EKLUND.]
Yeah.
- OK.
A trucking company lost contact with one of their drivers three days ago outside Umea at a rest stop of the E4.
This morning around 6:45 the body of the driver of the truck was found in a ravine also off the E4, 470 kilometers away in Gavle.
And? At 8:45 this morning two hunters found another body in a ravine south of Gavle again, near the E4, here.
[EKLUND.]
And this concerns us because? [JOSEPHINE.]
The first victim had a needle stick mark on his neck.
[CONLEY.]
Let's check it out.
[DRAMATIC MUSIC.]
- - - - - - - - What did she say? She said he's missing his shoes, and missing one arm.
Wow, she's some cop.
[EKLUND.]
Heavy rain last night, so let's see if we can find anything.
There's something let's check the other side.
[EKLUND.]
Do you see that? Oh, oh shit.
Alright, here's what I think.
Whoever did this, parked the truck up there, threw the body in the ravine, stuffed it into this pipe.
It rained yesterday so the body swept away with the flooding, came out on the other side and landed in the ravine.
Sounds about right.
[PHONE RINGING.]
Josephine? - - [DRAMATIC MUSIC.]
[CHILDREN CHATTER.]
[DRAMATIC MUSIC.]
[CRYING.]
[SOFT MUSIC.]
These guys come in grab a bite to eat and then go outside and sleep in the cabin, and the next morning they're gone, but this one was here too long.
- How long? - All night, that's why I checked it out.
Shame about the driver.
You remember him? [OWNER.]
There is a 100 of them a night, I'm just saying it's shame in general.
[CONLEY.]
How tall you make the trucker in the ravine? Was about this high, why? Seat pushed all the way forward, as far as it can go.
I've never seen a dwarf trucker, how the hell would he get out of the cab? This place have surveillance? - [OWNER.]
It does.
- Show me.
- - - - What the fuck? Who fucking smokes now and days? - [EKLUND.]
Rewind it.
- Alright.
Get out of your truck, let's get a look at you.
Come on move.
Move, move, move, it's the longest fucking truck in history! Alright, if you scream a bit louder he will hear you, so stop.
[CONLEY.]
I got it, I got it.
Play it again, play it again.
Hang on, hang on.
Is that? Yeah, yeah, wait, that our guy? [EKLUND.]
I don't know.
[CONLEY.]
That fucking truck is blocking the view.
[EKLUND.]
Stop! Mail the image to Josephine for improvement.
It's a woman.
Fuck.
[DRAMATIC MUSIC.]
[CRYING.]
[DRAMATIC MUSIC.]
[CRYING.]
[DRAMATIC MUSIC.]
[PHONE RINGING.]
- - - - - - - - - - - - - - - - - - [SOFT MUSIC.]
- - - - [SOFT MUSIC.]
I don't recognize her, but I don't pay much attention the customers.
[CONLEY.]
Okay, who worked last night? Two waitresses, a line cook, and dishwasher.
- You want their names? - How many are here now? All of them are here I guess.
[OWNER.]
Absolutely.
Hello? Can I talk to you for a second? Hang on, hang on.
[KNOCKING.]
Please? Hello.
Speak English? [WOMAN.]
A little.
I just want to talk to you, you're not in any trouble.
What are you doing? Is there a girl in there? It's the waitress from last night.
We question her like that? Yeah, well you know, I go wherever the case leads me.
You can come out you can come out, don't be afraid.
No police, I don't want to talk.
Okay, we don't care about the immigration status we just want to ask you some questions.
He hates police, if he knows that I'm talking to you he'll fire me.
[CONLEY.]
The owner? They'll deport me back home and, please, if I don't have work, I can't go back home please.
Don't worry about the owner he has a truckload of health violations he doesn't want us to check that out.
We aren't gonna deport you, we just wanna know if you've seen this girl? She's in trouble, a little bit like you, did you see her? [WAITRESS.]
I served her.
Last night, she alone? At first she was wearing that sweatshirt when she came in but, then she took it off, she had on a white dress.
[EKLUND.]
You said at first, somebody join her? Yes, a trucker, a big, ugly man.
I've seen him here before once or twice, he's older than her but, not as old as you.
Thank you.
So did they know each other? No, he introduced himself, Young, she didn't say her name, or I didn't hear her, they had a couple of drinks and then they left together.
Okay, I really have to go back to work.
Please, just a couple more questions, they paid cash, credit card? She paid cash and then they left, he told her that his truck was in the back, she had a lot of pain in her eyes.
How old was she? Maybe 23, Josephine.
It's not her, she's not the killer.
All the killers have been men in their late 30s, it makes no sense.
It makes no sense but it still can be her, we can't assume anything.
Alright, let's say it is her, how's she overpowering these guys? I mean look at the size of them, they're monsters.
I don't even think I can take 'em.
She's drugging them, and I'm sure you can take them down.
Benzodiazepine them.
[EKLUND.]
Yeah, maybe.
[DRAMATIC MUSIC.]
[DRAMATIC MUSIC.]
Fuck.
- - [DRAMATIC MUSIC.]
[CHATTER.]
[CONLEY.]
Maggie, wait.
[MAGGIE.]
Hurry up.
You kidding me? Hey, come on, come on, come on.
Son of a bitch where did that come from? We're gonna be late.
You're the one who didn't want to get her dress wet.
I'm not going to my cousin's wedding looking like a wet mop.
You'd look good as a wet mop.
You'd think I'd look good as anything.
You would! Oh you're really are making me fall in love with you.
I love you Tommy, is that a bad thing? No.
Just, That's not with your face says what is it? Nothing.
You love me too, is that what you're trying to say? 'Cause if it is you can say it, I won't hold it against you.
[SOFT MUSIC.]
- Rain's letting up.
- No, wait.
What? Don't say it if you don't mean it.
I love you, I do, I love you Maggie.
Never loved anybody before, that's why I didn't recognize it.
Last call.
For what? [BARTENDER.]
Last call, one more? Sure.
[CHATTER ON TELEVISION.]
What do you call this beer? It's that good? You like it? - Yeah, it works.
- Yeah, good, you know a pints better than time any day.
What's that? [BARTENDER.]
To heal the wounds.
Oh sure.
But it won't fix that jacket.
Know a pretty good seamstress if you'd like her number.
It's an old jacket.
You like football? Football, football, or football soccer? Football soccer.
I can't stand soccer, there's only one game, baseball.
There's only one team that's the Yankees.
Yankees? Well the Sox been kicking your ass the last 10 years or so.
- Is that right? - [BARTENDER.]
Yeah.
I think the baseball gods took pity on you.
We'll see.
Yeah we will see next season when we kick your ass.
[BARTENDER.]
Yeah.
I'm Charlie by the way.
Like it says on the door.
Yeah, you must be some great cop.
Har, har.
[DRAMATIC MUSIC.]
You know, I go to this place most nights after work to unwind.
Are you hungry? Starved, I gotta go, thanks for the drink Charlie.
Welcome.
See you around Conley.
[DRAMATIC MUSIC.]
[DRAMATIC MUSIC.]

Previous EpisodeNext Episode