Hawaii Five-O (1968) s11e13 Episode Script
Number One with a Bullet (2)
[DISCO MUSIC PLAYING ON SPEAKERS.]
Bernie, just listen to me, huh? Bernie, this is your last chance to take Hawaiian Restaurant Supply Services - before the price goes up.
- Go up? Can I tell you what I wanna do? Take on the laundry service.
And you'll take on something else too.
- Just name it, Ray.
- A new partner.
I'm worried about this case.
I've got a hunch that what we've uncovered so far is just the tip of a very dirty iceberg.
Discos need everything.
You know, like laundry services, restaurant supplies, vending machines and plenty booze.
Yeah.
What you're saying is that the syndicate's always been very big in these areas, huh? Ray, I wasn't too pleased with the way you dealt with that Texan.
You know, Bernie Adams? I just want your assurance that this time, you won't attract any more unnecessary attention.
You got it.
I'd love to have her on the show, but I can't.
Not as long as you're with her.
Me? Johnny, you got a powerful enemy.
That's the Kumu, all right.
Sonny Kanekoa's already got himself a new partner.
Alika brought in this guy from New York named, uh, Ray Santoro He used to handle the Colombo family's music interests.
Yeah, Ray Santoro from the East.
Now, Mr.
Francis, what are We going to do? I don't know yet.
But you can bet your tail on one thing: We're gonna do something.
Sonny, how could you? You wanna see me like Adams? I mean, you like funerals or something, Yvonne? You gotta wake up, little sister.
Because right now, the Kumu's on the top.
So I'm with them.
[GRUNTS.]
[GUITAR PLAYING NEARBY.]
Okay, you're getting it.
Ahem.
But you're coming in a bit late on the chorus.
I want you to listen to this again.
GUITARIST: All right.
- Give me that part again, all right? It's about the fifth bar.
[DISCO MUSIC PLAYING ON SPEAKERS.]
PHIL: Okay, now here it comes.
- Right there.
- Okay, I got it.
PHIL: All right, let's try it.
Hey, Phil, I'm really getting kind of burned out.
- Think We could take a break? - Yeah.
Let's take a full ten.
Adrienne, get me some black, will you? [MUSIC STOPS.]
All this time and you still don't take a break, huh, man? - Johnny.
How are you? - How are you doing? - Good.
Good.
- Good to see you.
You look great.
You look really terrific.
Wish I could say the same.
What happened? On, nothing, just a little accident.
- What's it been? What, four years? - Uh, try about Six.
- No.
- Yeah.
Well, you know, they go by quick.
What's so hot you spend your money to come to L.
A.
just to See me? It's just piano and vocal.
She's an Island girl.
Her name is Yvonne Kanekoa.
But I'm telling you, she's pure platinum, Phil.
- That's it? - That's enough.
Take a listen to it.
- This better not be "Tiny Bubbles.
" - Come on, play it.
[PIANO PLAYING ON SPEAKERS.]
GIRL [SINGING ON SPEAKERS.]
: it's an uphill climb To get on top And not to stop and never fall It takes so much time Just to be secure You're never sure if itâs Worth it all - She's good, Johnny.
- Worth it all But I don't need any girls right now.
[MUSIC STOPS.]
You see that? Those are demos.
All girls.
I got a stack twice that size in my office.
Yeah, but they don't have what she has.
To you she's special.
To me [SIGHS.]
To tell you the truth, Johnny, I'd like to help you out just for old time's sake, but I got a partner who He's not all that sentimental.
That's who I really wanna see, Phil.
You'd be the first company to really put out for a local artist.
You'll have no trouble becoming a power in the islands.
How much business could there be? What is there, 800,000 on all the islands? But what about the tourists? You know, last year there were two, maybe three, discos in Honolulu.
Now there's 15, 20, I don't even know any more.
And they're jam-packed every night.
You know the kind of cash that goes through those businesses? Phil, isn't this the guy that turned down a promising career by refusing to do things our way? Because I didn't think it was up to me to pay off my manager's debts? Johnny, it was your name on the markers.
Now, wait a minute, wait a minute.
There's a lot of time passed.
Uh, what is it made you, uh, change your mind? I stopped being an idealist.
Besides, things are the same in the islands.
They call themselves "the Kumu" instead of "the Company.
" So since you can't beat them, you decided to join us again? Mr.
Francis, you're gonna be the one who benefits the most from this.
I'm telling you that the disco and music business in the islands - is gonna do nothing but get bigger.
- Yeah? Well, let me think about it.
You find yourself a nice room, we'll pick up the tab.
Please, think about it, Mr.
Francis.
I promise you, you won't be sorry.
weâll keep in touch.
We gave it a shot, huh, pal? Thanks for your time.
Sorry, Mr.
Francis.
Thought it was a good idea.
It was.
It was.
Yeah.
[LAUGHING.]
Yeah.
Hi, Sally.
How's she doing? She's shook up.
Scared.
Go easy on her, Steve.
- Give this to her? - Sure.
Thank you.
Hi.
Here's some coffee, compliments of the house.
I'm glad you decided to cooperate, Ms.
Kanekoa.
Sally said you could help Johnny and me.
Johnny? What do you mean, Johnny? [SIGHS.]
He said not to tell anyone, but some men beat him up the other night.
Santoro`s men? Yes.
Did Johnny report it to H.
P.
D.
? No, he said he'd handle it himself.
- How? How would he handle it? - I don't know.
Whereâs Johnny now? He went to the mainland to see a friend about getting us a recording contract.
But when Santoro finds out, I'm afraid heâll do something worse to Johnny than he did before.
Well, then only Johnny can make a case against him.
When will he be back? [SIGHS.]
This afternoon.
I'm picking him up.
No.
You're not going to pick him up.
- Yes, I'd like to do that-- - No, I'm sorry.
I'll have one of my men pick him up in case Santoro plans a homecoming of his own.
What flight is he on? Uh, United's 3:00 flight from L.
A.
How come Steve hasn't pulled in Sonny yet? Sounds to me like he's right in the middle.
Steve thinks he's just a pawn.
And We already know everything he can tell us.
Besides, he'd just run to Santoro.
I guess you're right.
Here they come.
Duke, is that who I think it is? DUKE: Allie Francis.
What's Johnny doing with him? I don't know, but keep your eye on them.
You know, this is like any other airport.
It might as well be Detroit.
What did you expect, girls in grass skirts throwing leis over everybody? They haven't done that for years.
Just for tour groups.
Too bad.
It was a nice touch.
The Ilikai.
- Allie Francis? DANNY [OVER PHONE.]
: Yeah.
The head of the West Coast mob? Are you sure it was he, Danno? DANNY [OVER PHONE.]
: Positive.
Boy.
Did you recognize any of the others? Just Johnny Munroe.
Francis had a couple of soldiers with him.
Probably his bodyguards.
And there was another guy about Johnny's age.
Could it have been a friend of Johnny's in the record business? But what are they doing with Allie Francis? Maybe Francis is in the record business.
He's in everything else.
You still want to bring Johnny in? Yeah, more than ever.
More than ever.
- But, Danno? Wait until he's alone.
DAN NY: Right, Steve.
I don't want Francis to know we've spotted him.
The freer he thinks he is, the more likely he'll be to make a mistake.
McGARRETT: I didn't say anything about an arrest.
- I just wanted a talk with you.
- About what? Let's start with those bruises on your face.
Where did you get them? I, uh, had a disagreement with somebody.
As in somebody from the syndicate? Who told you that? She's worried about you, Johnny.
Look, I can take care of myself.
You're naive.
They play dirty, Johnny.
They're deadly.
Don't ever take them lightly.
Oh, I would never take the Kumu lightly.
Is that why you brought in Allie Francis and his boys? Mr.
Francis is partners with a friend of mine in a record company in Los Angeles.
And he came here to hear Yvonne sing.
Johnny, why would a big record-company executive like Francis come all the way to Hawaii to hear an unknown girl sing when you could have just mailed him a demo tape and a photo? Answer me that.
I don't know.
Maybe he wanted to write-off a vacation to Hawaii.
I mean, lots of businesspeople do that.
Do you realize what could happen when the local syndicate find out that Allie Francis is in Honolulu? - What? - You figure it out.
Okay, you may go.
Thanks for stopping in, Johnny.
McGarrett? What if they would completely wipe each other out? What would be so bad about that? Just the innocent people they might take down with them, that's all.
[DOOR CLOSES.]
Danno, contact L.
A.
P.
D.
Request information on any of Allie Francis' soldiers coming this way.
Then have our police department confirm their arrivals.
You think Francis will bring in the troops? Yeah.
Yeah, unless they changed the rules, that's the way they operate.
- You think it really is Francis? - He checked in at the Ilikai.
The chauffeur of the limousine that he took is a friend of mine.
Well, maybe he's just here for a vacation.
Johnny Munroe was with him.
I know Johnny brought Francis in because of Sonny's sister.
[LAUGHS.]
You think Francis would make such a blatant move because of some girl singer? Well, it sure looks that way, doesn't it? Ah, she's just an excuse.
There has to be another reason.
Sonny, this, uh This ex-partner of yours, Bernie Adams, what did you really know about him? [CHUCKLES.]
He had plenty of money, that's all I needed to know.
Right? Ha, na.
He ever tell you where it came from? Did you ever ask? You don't, uh, think that Bernie was one of them? What do you think, Sonny? Wait a second.
Wait a second.
You mean to tell me We blew away one of Allie Francis' soldiers? - I'll kill you.
I'll kill you.
SONNY: Wait! Wait, please! Wait! ALIKA: Get him off.
Get him off! Get him off! SANTORO: Kill you before the day's-- - Shut up.
You're not gonna do anything.
Either one of you.
You're gonna do business as usual, and I'm gonna handle this.
I'm sorry, Tony.
I didn't know.
I had no idea.
It's all right, it's over, it's done.
Forget it.
The next move is ours.
He made his move by coming into our territory.
Now it's our turn.
I said not to tell anybody.
Well, I was worried about you, and I was worried about Santoro-- You don't have to worry about Santoro.
You don't have to worry about that creep ever again.
Well, I hope you're right.
Yvonne, trust me, will you? I know what I'm doing.
Hey.
Did you miss me? You know I did.
You know what? [SIGHS.]
I missed you too.
What did you say? I thought about a lot.
I realized that I've wasted all this time working like hell trying to get back something I used to have when I don't even really-- I don't even really want it any more.
What do you want? I want you.
I didn't realize how much until I was about to lose you.
Then I was afraid to tell you because you'd think I was trying to hang on, to keep from losing you to Santoro.
You never had to worry about that.
Ever since the first day, I've never wanted anybody but you.
Why didn't you tell me? I'm telling you now.
I love you, Johnny.
I love you too, Yvonne.
[DISCO MUSIC PLAYING ON SPEAKER.]
Well, this is it.
Oh, yeah, it's a nice place.
[WHISTLES.]
Beautiful people.
[WHOOPS.]
Have a seat over here.
- You know, it's like this every night.
- Oh, yeah? Uh, where's the guy that owns it? Uh, he's at the bar.
Bring him over.
Adams is right about this place being a gold mine.
Yeah, too bad he got the wrong guy to run it.
Sonny, this is Mr.
Francis.
Welcome to Sonny K's, Mr.
Francis.
Can We go to your office? Yeah, sure.
They'll be right back.
You can fill all the museums with art, but nothing compares with the real thing.
[CHUCKLES.]
Hey, uh, you know who I am? Yeah.
I mean, I think I do.
What happened to Bernie Adams? [PHONE RINGS.]
McGarrett.
JOEY [OVER PHONE.]
: Mr.
McGarrett? It's Joey Lee.
Joey, what have you got? I just thought you might like to know Johnny Munroe just now came in with four men.
Do you know any of them? JOEY [OVER PHONE.]
: No, but they're all haoles.
Sonny took one of them into his office.
What did the man look like, the one he took into his office? Mean.
Real mean.
He was at least, uh, 50.
I tell you, Sonny looked like he was awful scared of him.
Well, thank you, Joey.
Thank you.
You've been a big help.
Aloha, Mr.
Francis.
You're a real good tour guide, Johnny.
I really had a good time.
Good, good.
Was I, uh, right about the potential? I don't know.
Give me time to think.
I'll let you know.
You are coming to see Yvonne sing, though? - Sure, but that's gonna be on Friday? - Yeah.
I'll be there.
Phil, come here.
I wanna talk to you.
JOHNNY: Bye.
PHIL: Wait.
I'll be back.
See you later, Johnny.
You know, I had a talk with Sonny boy.
He confirmed my suspicions that this guy, Ray Santoro, they brought him from New York to run their disco nightclub operations.
The guy who was trying to push Johnny out.
Yeah.
He's the guy that had Adams blown off.
But don't you worry about it.
I'll take care of it.
So, what do you think? You think Sonny is putting us on to something good? The girl is gonna be a star.
Wait till you hear her.
Oh, yeah? Did you meet her? No, but I heard some more tapes.
What about that disco? I don't know.
ls it really worth the trouble? I mean, the local people, they're not just gonna cave in.
Look what happened to Adams.
Yeah, but nobody knew who he was or where he came from.
It's up to you, but 3,000 miles is 3,000 miles, and I've never really been comfortable doing business by telephone.
Yeah, well, I think I'd like to do it.
I like that place.
it's cute.
I had a lot of fun.
I'll bet a lot of celebrities go there too.
You know, when I was a kid in New York, you'd be surprised.
I used to go to see, oh, maybe 12, even 13 pictures a week.
- It's your money.
- Yeah.
Okay, I'm gonna go take a shower.
- I'll see you in the morning.
- For breakfast? Okay.
FRANCIS: Hey! Hey! Hey! Hey, who the hell put that there, huh? Who put that there? You know I nearly had a heart attack.
- That's the Kumu.
- The Kumu? JOHNNY: it's, uh it's their signature.
You know, I've heard of this before.
It's a warning.
Yeah? - Get L.
A.
on the phone.
- It's 5 in the morning.
I don't care what time it is! I want a bunch of troops on the next plane.
JOEY: When Johnny Munroe and the other men left, Sonny seemed awfully scared.
He had a few drinks at the bar, then started calling all over town looking for Ray Santoro.
- And did he find him? JOEY: I'm sure he did.
Um, soon afterwards Ray Santoro came waltzing in.
It was late.
Sonny was still at the bar.
- What did they talk about? - I'm not exactly sure.
All I heard Was, uh, Sonny tell Santoro that Allie Francis himself had been in the place.
Santoro told him to keep his voice down and they went into the back office.
When they came out, they were laughing and joking.
Sounds like Santoro's planning some kind of move.
Why don't We bring Sonny in and sweat it out of him? Oh, no, Danno.
No.
No.
My guess is that Sonny Kanekoa's just a front.
Santoro would never tell him much.
I'm sorry.
I wish there was more I can do.
McGARRETT: There is, Joey.
Go back to the disco, do your job, and keep your eyes open.
Yes, sir.
Yeah, Duke? What do you got? Here's another pair of airport arrivals, courtesy of H.
P.
D.
That makes eight.
Eight in the past two days.
Duke, ask H.
P.
D.
to keep taking pictures and making IDs for us.
Right, Steve.
This is becoming a full-scale invasion, Danno.
Eight We know about in the last two days and who knows how many more slipped in.
Why does he wanna see me? I already told you everything Francis said.
Will you relax? Mr.
Alika only Wants to hear it for himself, that's all.
Enjoy the ride, will you? [TIRES SCREECHING.]
Sonny! Damn.
FRANCIS: Well, Mr.
McGarrett, to what do We owe the pleasure of your company? I mean, Sit down.
What's this all about? McGARRETT: it's about a car.
A car riddled with buckshot.
It's also about two men in the prison ward of General Hospital in the same condition.
I hope this isn't some kind of tropical disease.
Hey, hey, hey, show a little respect.
Yeah, it's a disease, all right.
A disease We have every intention of curing, with surgery, if necessary.
Well, look, McGarrett, first of all, nobody got wasted.
And besides, for the record, I don't know anything about this shootout.
It's a miracle that some innocent bystander wasn't killed or maimed.
And also for the record, Mr.
Francis, this island is not going to be turned into a combat zone by you, Alika, or anyone else.
I never met this gentleman, Alika, but I agree with you.
Hawaiiâs a good place to live and I'd like to see it stay that way, sure.
Well, you can guarantee that it'll stay that way.
Yeah? How? By reserving a seat on the next plane to the mainland.
Now here's a complete flight schedule, compliments of the State of Hawaii.
If you're wise you'll use it, Mr.
Francis.
Uh, Mr.
McGarrett, I wanna ask you something.
You're a good cop, McGarrett.
I got a lot of respect for you.
I mean, you got style, you got guts, and I think that you got enough smarts to understand that the public, I mean, the people you swore to serve and defend, they don't give a darn about me, what happens to me.
You know, after you and me, we're gone, there'll still be somebody sitting in that chair, talking to another cop, nothing will have changed.
So, what I wanna know is why do you stick your neck out? I mean, what's in it for you? I'll tell you what's in it for me.
When I was 13 years old, I stood in a rainy cemetery one morning, holding my mother's hand, and watched my father's body lowered into a wet grave.
It took my mother 20 years of backbreaking work to bring us up and educate us.
Well, uh, everybody dies, McGarrett.
Yeah, but not at 42.
On his way home from work, three days before that, my father was run down and killed by some bastard like you, who had just held up a supermarket and was making his getaway.
I never even had a chance to say goodbye.
Standing in the rain that morning, I knew right then I wanted to be a cop.
And since then, I've had a hundred better reasons.
And each one of them had a name and a face and dirty hands, just like you.
So when I tell you to get your tail off this island, mister, you better believe me.
- I got a feeling you're threatening me.
- Yeah.
That's right.
And you got a witness.
YVONNE [SINGING.]
: it's an uphill climb T o get on top, not to stop Never falling It takes so much time Just to be secure You're never sure if itâs worth it all Worth it all But tonight Whether it's wrong or right I can't tell Because I don? know you AH that we!! Can't trust everybody you meet Out here on the streets You might want to test your charms In a stranger's arms It's a lonely town Fancy cops Private box Desperate souls It's so upside-down And the dream you're in Could truly spin Out of control But tonight Whether it's wrong or right I can't tell Because I don? know you AH that we!! You can't trust everybody you meet Out here on the street You might want to test your charms In a stranger's arms Stranger's arms Arms [CROWD CHEERING AND APPLAUDING.]
[CROWD WHISTLING.]
- Johnny, you were right.
- Wait till you hear the new one We did.
I tell you, it's number one with a bullet, for sure.
What do you think, Phil? She's solid platinum.
Well, sign her up.
But remember, Johnny still owes a debt.
[KNOCKING ON DOOR.]
Come on in.
- Hi, Yvonne.
- Hi, Joey.
I just brought this in for Johnny.
It's from Sonny.
One of your demo tapes.
He's out front in a big meeting with a record producer.
I think we're gonna make a deal.
Oh, that's terrific.
Leave it with me.
He'll be in in a minute.
Thanks.
Yvonne, I wish you all the luck in the world.
- Thanks.
- I'll see you later.
Okay, bye.
- What is this? - Stay where you are.
- We're H.
P.
D.
Narcotics.
- What do you want? Did you just receive a package from this man? - Joey, what is this? - I swear, I don't know.
- Whereâs the package? - There.
it's just a tape cassette.
Come on.
That's some cassette.
Sorry, miss, you're under arrest.
What the hell's going on here? These two are under arrest for possession of cocaine.
- Coke? You gotta be kidding? - We got a tip.
A good one.
Yvonne, I don't understand.
I brought it, Johnny.
I didn't know what it was.
- Where did you get it? - From Sonny.
- At least, Ray said it was from Sonny.
- Come on.
Let's go.
Johnny? Johnny, We gotta do something.
Johnny? Johnny.
- Where the hell did you go? - Ray.
- I got everybody looking for you.
- Ray, you know Hey, Ray, I want you to do me a favor.
- I Want you to buy me out of the disco.
- What? Yeah, I just gotta get out of these islands, ha, ha.
You gotta get out of the way of whatever's coming down.
You're not kidding me.
Anyway you want it.
I just want out, Ray.
I need you to run the disco.
You stay.
[KNOCKING ON DOOR.]
What is this? What am I throwing, a party here? Get out of here.
What are you, crazy? Get out of here! The narcs just hauled off Yvonne to jail for possession of cocaine.
What? I don't know about no coke.
Get out of here! The hell you don't! You sent the package.
Sonny? He said it was from you.
Then he tipped the narcs where they could be big heroes real cheap.
You scum.
Why did you involve her? Why? All right, Mr.
Hotshot-Songwriter.
It wasn't for her, it was meant for you.
But what the hell, she's with you and you're the enemy.
Wake up, Mr.
Munroe.
This is war.
Don't you know the innocent always suffer the most? Not this time.
Now don't do nothing stupid now.
You shoot me, you gotta shoot Sonny too.
I don't think so.
Sonny's a survivor.
I think heâll find a way to change sides again.
Johnny? You know I'm not part of this either way.
Ray.
[WHIMPERING.]
You didn't have to kill him, man.
You wanted money to get off the islands? Well, here it is.
- I want you out of town fast.
Fast.
- Yeah.
Yeah.
Okay, for the last time, Joey.
You said Santoro gave you the package.
- Yes.
- Can you swear to that? Yes.
He said it was from Sonny.
I didn't think anything was wrong.
Johnny did leave some cassettes with Sonny.
Oh, God, I feel bad.
- I guess I just didn't think.
- "You didn't think.
" I've heard that a thousand times after the damage is done.
You're out, Joey.
You can pick your stuff up at the desk.
Thanks.
Thank you, Mr.
McGarrett.
Don't thank me.
Thank the system.
Uh, where's Yvonne, Danno? She went to pieces when she heard what happened to Johnny.
- Where is she now? - Sally took her to Johnny's apartment.
Any word on Santoro? We put out an APB on him more than six hours ago.
Nobody's seen him since.
But we've got the airport covered.
Santoro probably ran straight to Alika.
- Now what about Yvonne's brother? - Duke's been looking for him all night.
When they're hard to find, they usually know something, don't they? Put out an APB on him too.
And send Duke to the airport.
Right.
And, Danno, pick up Allie Francis and meet me at Alika's estate.
And bring Francis there alone.
- He's not gonna like that.
- That's tough.
[PHONE RINGS.]
- Five-0.
McGARRETT: Luana? Yes, Mr.
McGarrett? I have to talk to the governor as soon as possible.
Please find him wherever he is.
And one more thing: Ask, uh, Franklyn Kowdan, at the Federal Building to call me in my car.
LUANA: Franklyn Kowdan? - Yeah.
- Tell him, the word is "go.
" - Right away.
I don't want anybody to do anything, I just want everybody to be ready.
You understand? Right.
Right.
Can you get a bug in the old man's room? Fine.
I want a report every hour.
Every hour.
SANTORO: It was an accident.
He had a gun, We fought for it and it went off.
What was I supposed to do, let him shoot me? Maybe it would've been better after all.
I'll get Sonny back.
He'll tell you what happened.
No.
Because then he could do the same thing for McGarrett.
That's the one thing you did get right.
Ray, I swear I swear, Ray, if I could offer you as a sacrifice, if I could offer you as a peace offering, to Francis, I would do it.
I just don't want the Kumu to look weak.
I'll do whatever you say.
You want me off the island, I'm on my way.
No.
You started this, you're gonna finish it.
You're gonna see it through.
Yeah, I'm running a little late.
I'll be right there.
Okay.
Bye-bye.
Now what's this, huh? What? A Warrant? For What, double parking? Suspicion of conspiracy to extort.
Suspicion of conspiracy to commit murder.
Let's go.
Hold on.
I got a right to call my lawyer first, right? Wrong.
You have a right to call your lawyer after you've been booked.
This wouldn't even hold up in a Boy Scout meeting.
You can tell McGarrett that.
I got a better idea.
Why don't you tell him yourself? Come on.
DUKE: Hold it.
- I quit.
I quit.
I quit.
Okay, okay.
DUKE [OVER RADIO.]
: Steve? - Yeah, what have you got? We collared Sonny at the airport.
He was trying to make a flight to L.
A.
Good work.
Good work, Duke.
Will he talk? He's pretty scared, Steve.
I think he's ready.
- Book him and meet me at Alika's.
DUKE: Right, Steve.
Well I wanted you to tell me where We could find him, but it isn't necessary now.
- You're under arrest, Santoro.
- For what? McGARRETT': For the murder of Johnny Munroe.
But we've also got extortion, fraud and a few others to add to your list.
What are you talking about? What is he talking about? McGARRETT: You know what I'm talking about.
We just arrested your partner, Sonny Kanekoa, at the airport.
Now, he witnessed Munroe's murder.
And I'm sure We can convince him to testify.
- Tony, you gotta do something.
- You idiot, like what? Get me out of this, or I'll tell you what I'll do.
I'll tell McGarrett about you and the Kumus.
I'll spill my guts all over the place.
Because if I go down, you go down with me.
You better get some expensive legal talent down here.
You keep your cool, Ray, you idiot.
Hold your tongue.
There's nothing you could say to this cop he hasnât heard before.
Isn't it lovely to see the rats scrambling? You can't make it stand up in court, McGarrett, without corroborative evidence, and you know that.
Oh, We might just have what We need this time.
He's all yours, Duke.
Book him.
Make it murder one.
Come on in, Mr.
Francis.
- What's he doing here? - He came for the meeting.
- Meeting? What meeting? - The meeting I called.
What are you trying to do, get me killed? - Where can We talk? - Out back.
Okay, lead the way.
Okay, pal, just the three of us.
All right, what's the problem? I told you both before and I'm gonna tell you again for the last time.
I will not have you bringing your hoods to Honolulu and turning this place into a shooting gallery.
You got me wrong, McGarrett.
I'm a businessman.
I'm here on vacation.
Sure.
We all know that.
It may also interest you to know that the governor has authorized all the manpower, all the funds that We need to shut you both down for good.
Has he authorized all the evidence you're gonna need to do that? You can't touch me, McGarrett.
I didn't commit no crime.
And that warrant for me, that's a joke.
McGARRETT: Yeah? Well, don't laugh too soon, Mr.
Francis.
You're a known racketeer.
I can go to court and get authorization to tap your phones.
I can put you under I've already got some of your hoods in jail and I can keep putting them back there, as fast as your shyster lawyers can spring them.
You're very good at conversation, and, you know, I think that's exactly what this is.
A lot of hot air.
Maybe.
Maybe We'll see.
I'll tell you something, I had a premonition that your time was coming, and sooner than you think.
Now that goes for both of you.
Aloha, gentlemen.
"Aloha" means goodbye.
Cop talk.
We've both heard that before.
All right, Mr.
Francis, there's no point in our both being lo-lo about this.
Maybe it's time We had a little talk after all.
We lost? We don't take them in? McGARRETT: We don't have to take them in, Danno.
DANNY: Who's that? Looks like the feds.
McGARRETT: They are.
Remember how they got AI Capone? DANNY: Income tax evasion, wasn't it? Right.
After Sonny Kanekoa and Santoro get through talking to us, we'll have enough material about Francis and Alika's extortion money and skimming for the IRS to write a book on the fine points of tax evasion.
If you still make house calls, gentlemen, you'll find them both out by the pool, celebrating their victory over a stupid Irish cop.
Now, have you got your warrant? Go get them.
And that wraps it up.
No, I've still got one visit to make, Danno.
Just one.
[KNOCKING ON DOOR.]
McGARRETT: I know you're in there, Yvonne.
Go away, McGarrett, and leave me alone.
McGARRETT: I'm not going to go away.
I'd like to see you.
You got a minute for a tough old cop? Sit down a minute, I wanna talk to you.
If you don't sing, if you don't pick up the pieces and go on with your career, it means that they've won.
Now, Johnny would've told you the same thing.
It's gonna take a lot of guts, but I know you've got them.
What do you say? [CROWD CHEERING.]
ANNOUNCER: And now for a real treat, making her first concert appearance, a lady who's going to be the next superstar of rock music.
Hawaiiâs own Yvonne Kanekoa.
[CROWD CHEERING AND WHISTLING.]
This is a nice way for it to end, huh? I don't think it's an end, Danno.
I think it's just the beginning.
Thank you.
I wouldn't be here if it weren't for a great singer and songwriter named Johnny Munroe.
I would like to start off with something just for him.
[BAND PLAYING "I CAN'T GET YOU OUT OF MY MIND".]
[SINGING.]
I look at you And you look at me Trying not to want what can't be You're with my friend And she holds your hand Wasn't that supposed to be me? Oh, baby I can't get you out of my mind I don't know why You came into my life I can't get you out of my mind Hard as I try You're there all the time You never said And I never asked How was I to know You weren't free? She spoke of you But I never knew That the other woman was me Oh, baby I can't get you out of my mind I don't know why You came into my life
Bernie, just listen to me, huh? Bernie, this is your last chance to take Hawaiian Restaurant Supply Services - before the price goes up.
- Go up? Can I tell you what I wanna do? Take on the laundry service.
And you'll take on something else too.
- Just name it, Ray.
- A new partner.
I'm worried about this case.
I've got a hunch that what we've uncovered so far is just the tip of a very dirty iceberg.
Discos need everything.
You know, like laundry services, restaurant supplies, vending machines and plenty booze.
Yeah.
What you're saying is that the syndicate's always been very big in these areas, huh? Ray, I wasn't too pleased with the way you dealt with that Texan.
You know, Bernie Adams? I just want your assurance that this time, you won't attract any more unnecessary attention.
You got it.
I'd love to have her on the show, but I can't.
Not as long as you're with her.
Me? Johnny, you got a powerful enemy.
That's the Kumu, all right.
Sonny Kanekoa's already got himself a new partner.
Alika brought in this guy from New York named, uh, Ray Santoro He used to handle the Colombo family's music interests.
Yeah, Ray Santoro from the East.
Now, Mr.
Francis, what are We going to do? I don't know yet.
But you can bet your tail on one thing: We're gonna do something.
Sonny, how could you? You wanna see me like Adams? I mean, you like funerals or something, Yvonne? You gotta wake up, little sister.
Because right now, the Kumu's on the top.
So I'm with them.
[GRUNTS.]
[GUITAR PLAYING NEARBY.]
Okay, you're getting it.
Ahem.
But you're coming in a bit late on the chorus.
I want you to listen to this again.
GUITARIST: All right.
- Give me that part again, all right? It's about the fifth bar.
[DISCO MUSIC PLAYING ON SPEAKERS.]
PHIL: Okay, now here it comes.
- Right there.
- Okay, I got it.
PHIL: All right, let's try it.
Hey, Phil, I'm really getting kind of burned out.
- Think We could take a break? - Yeah.
Let's take a full ten.
Adrienne, get me some black, will you? [MUSIC STOPS.]
All this time and you still don't take a break, huh, man? - Johnny.
How are you? - How are you doing? - Good.
Good.
- Good to see you.
You look great.
You look really terrific.
Wish I could say the same.
What happened? On, nothing, just a little accident.
- What's it been? What, four years? - Uh, try about Six.
- No.
- Yeah.
Well, you know, they go by quick.
What's so hot you spend your money to come to L.
A.
just to See me? It's just piano and vocal.
She's an Island girl.
Her name is Yvonne Kanekoa.
But I'm telling you, she's pure platinum, Phil.
- That's it? - That's enough.
Take a listen to it.
- This better not be "Tiny Bubbles.
" - Come on, play it.
[PIANO PLAYING ON SPEAKERS.]
GIRL [SINGING ON SPEAKERS.]
: it's an uphill climb To get on top And not to stop and never fall It takes so much time Just to be secure You're never sure if itâs Worth it all - She's good, Johnny.
- Worth it all But I don't need any girls right now.
[MUSIC STOPS.]
You see that? Those are demos.
All girls.
I got a stack twice that size in my office.
Yeah, but they don't have what she has.
To you she's special.
To me [SIGHS.]
To tell you the truth, Johnny, I'd like to help you out just for old time's sake, but I got a partner who He's not all that sentimental.
That's who I really wanna see, Phil.
You'd be the first company to really put out for a local artist.
You'll have no trouble becoming a power in the islands.
How much business could there be? What is there, 800,000 on all the islands? But what about the tourists? You know, last year there were two, maybe three, discos in Honolulu.
Now there's 15, 20, I don't even know any more.
And they're jam-packed every night.
You know the kind of cash that goes through those businesses? Phil, isn't this the guy that turned down a promising career by refusing to do things our way? Because I didn't think it was up to me to pay off my manager's debts? Johnny, it was your name on the markers.
Now, wait a minute, wait a minute.
There's a lot of time passed.
Uh, what is it made you, uh, change your mind? I stopped being an idealist.
Besides, things are the same in the islands.
They call themselves "the Kumu" instead of "the Company.
" So since you can't beat them, you decided to join us again? Mr.
Francis, you're gonna be the one who benefits the most from this.
I'm telling you that the disco and music business in the islands - is gonna do nothing but get bigger.
- Yeah? Well, let me think about it.
You find yourself a nice room, we'll pick up the tab.
Please, think about it, Mr.
Francis.
I promise you, you won't be sorry.
weâll keep in touch.
We gave it a shot, huh, pal? Thanks for your time.
Sorry, Mr.
Francis.
Thought it was a good idea.
It was.
It was.
Yeah.
[LAUGHING.]
Yeah.
Hi, Sally.
How's she doing? She's shook up.
Scared.
Go easy on her, Steve.
- Give this to her? - Sure.
Thank you.
Hi.
Here's some coffee, compliments of the house.
I'm glad you decided to cooperate, Ms.
Kanekoa.
Sally said you could help Johnny and me.
Johnny? What do you mean, Johnny? [SIGHS.]
He said not to tell anyone, but some men beat him up the other night.
Santoro`s men? Yes.
Did Johnny report it to H.
P.
D.
? No, he said he'd handle it himself.
- How? How would he handle it? - I don't know.
Whereâs Johnny now? He went to the mainland to see a friend about getting us a recording contract.
But when Santoro finds out, I'm afraid heâll do something worse to Johnny than he did before.
Well, then only Johnny can make a case against him.
When will he be back? [SIGHS.]
This afternoon.
I'm picking him up.
No.
You're not going to pick him up.
- Yes, I'd like to do that-- - No, I'm sorry.
I'll have one of my men pick him up in case Santoro plans a homecoming of his own.
What flight is he on? Uh, United's 3:00 flight from L.
A.
How come Steve hasn't pulled in Sonny yet? Sounds to me like he's right in the middle.
Steve thinks he's just a pawn.
And We already know everything he can tell us.
Besides, he'd just run to Santoro.
I guess you're right.
Here they come.
Duke, is that who I think it is? DUKE: Allie Francis.
What's Johnny doing with him? I don't know, but keep your eye on them.
You know, this is like any other airport.
It might as well be Detroit.
What did you expect, girls in grass skirts throwing leis over everybody? They haven't done that for years.
Just for tour groups.
Too bad.
It was a nice touch.
The Ilikai.
- Allie Francis? DANNY [OVER PHONE.]
: Yeah.
The head of the West Coast mob? Are you sure it was he, Danno? DANNY [OVER PHONE.]
: Positive.
Boy.
Did you recognize any of the others? Just Johnny Munroe.
Francis had a couple of soldiers with him.
Probably his bodyguards.
And there was another guy about Johnny's age.
Could it have been a friend of Johnny's in the record business? But what are they doing with Allie Francis? Maybe Francis is in the record business.
He's in everything else.
You still want to bring Johnny in? Yeah, more than ever.
More than ever.
- But, Danno? Wait until he's alone.
DAN NY: Right, Steve.
I don't want Francis to know we've spotted him.
The freer he thinks he is, the more likely he'll be to make a mistake.
McGARRETT: I didn't say anything about an arrest.
- I just wanted a talk with you.
- About what? Let's start with those bruises on your face.
Where did you get them? I, uh, had a disagreement with somebody.
As in somebody from the syndicate? Who told you that? She's worried about you, Johnny.
Look, I can take care of myself.
You're naive.
They play dirty, Johnny.
They're deadly.
Don't ever take them lightly.
Oh, I would never take the Kumu lightly.
Is that why you brought in Allie Francis and his boys? Mr.
Francis is partners with a friend of mine in a record company in Los Angeles.
And he came here to hear Yvonne sing.
Johnny, why would a big record-company executive like Francis come all the way to Hawaii to hear an unknown girl sing when you could have just mailed him a demo tape and a photo? Answer me that.
I don't know.
Maybe he wanted to write-off a vacation to Hawaii.
I mean, lots of businesspeople do that.
Do you realize what could happen when the local syndicate find out that Allie Francis is in Honolulu? - What? - You figure it out.
Okay, you may go.
Thanks for stopping in, Johnny.
McGarrett? What if they would completely wipe each other out? What would be so bad about that? Just the innocent people they might take down with them, that's all.
[DOOR CLOSES.]
Danno, contact L.
A.
P.
D.
Request information on any of Allie Francis' soldiers coming this way.
Then have our police department confirm their arrivals.
You think Francis will bring in the troops? Yeah.
Yeah, unless they changed the rules, that's the way they operate.
- You think it really is Francis? - He checked in at the Ilikai.
The chauffeur of the limousine that he took is a friend of mine.
Well, maybe he's just here for a vacation.
Johnny Munroe was with him.
I know Johnny brought Francis in because of Sonny's sister.
[LAUGHS.]
You think Francis would make such a blatant move because of some girl singer? Well, it sure looks that way, doesn't it? Ah, she's just an excuse.
There has to be another reason.
Sonny, this, uh This ex-partner of yours, Bernie Adams, what did you really know about him? [CHUCKLES.]
He had plenty of money, that's all I needed to know.
Right? Ha, na.
He ever tell you where it came from? Did you ever ask? You don't, uh, think that Bernie was one of them? What do you think, Sonny? Wait a second.
Wait a second.
You mean to tell me We blew away one of Allie Francis' soldiers? - I'll kill you.
I'll kill you.
SONNY: Wait! Wait, please! Wait! ALIKA: Get him off.
Get him off! Get him off! SANTORO: Kill you before the day's-- - Shut up.
You're not gonna do anything.
Either one of you.
You're gonna do business as usual, and I'm gonna handle this.
I'm sorry, Tony.
I didn't know.
I had no idea.
It's all right, it's over, it's done.
Forget it.
The next move is ours.
He made his move by coming into our territory.
Now it's our turn.
I said not to tell anybody.
Well, I was worried about you, and I was worried about Santoro-- You don't have to worry about Santoro.
You don't have to worry about that creep ever again.
Well, I hope you're right.
Yvonne, trust me, will you? I know what I'm doing.
Hey.
Did you miss me? You know I did.
You know what? [SIGHS.]
I missed you too.
What did you say? I thought about a lot.
I realized that I've wasted all this time working like hell trying to get back something I used to have when I don't even really-- I don't even really want it any more.
What do you want? I want you.
I didn't realize how much until I was about to lose you.
Then I was afraid to tell you because you'd think I was trying to hang on, to keep from losing you to Santoro.
You never had to worry about that.
Ever since the first day, I've never wanted anybody but you.
Why didn't you tell me? I'm telling you now.
I love you, Johnny.
I love you too, Yvonne.
[DISCO MUSIC PLAYING ON SPEAKER.]
Well, this is it.
Oh, yeah, it's a nice place.
[WHISTLES.]
Beautiful people.
[WHOOPS.]
Have a seat over here.
- You know, it's like this every night.
- Oh, yeah? Uh, where's the guy that owns it? Uh, he's at the bar.
Bring him over.
Adams is right about this place being a gold mine.
Yeah, too bad he got the wrong guy to run it.
Sonny, this is Mr.
Francis.
Welcome to Sonny K's, Mr.
Francis.
Can We go to your office? Yeah, sure.
They'll be right back.
You can fill all the museums with art, but nothing compares with the real thing.
[CHUCKLES.]
Hey, uh, you know who I am? Yeah.
I mean, I think I do.
What happened to Bernie Adams? [PHONE RINGS.]
McGarrett.
JOEY [OVER PHONE.]
: Mr.
McGarrett? It's Joey Lee.
Joey, what have you got? I just thought you might like to know Johnny Munroe just now came in with four men.
Do you know any of them? JOEY [OVER PHONE.]
: No, but they're all haoles.
Sonny took one of them into his office.
What did the man look like, the one he took into his office? Mean.
Real mean.
He was at least, uh, 50.
I tell you, Sonny looked like he was awful scared of him.
Well, thank you, Joey.
Thank you.
You've been a big help.
Aloha, Mr.
Francis.
You're a real good tour guide, Johnny.
I really had a good time.
Good, good.
Was I, uh, right about the potential? I don't know.
Give me time to think.
I'll let you know.
You are coming to see Yvonne sing, though? - Sure, but that's gonna be on Friday? - Yeah.
I'll be there.
Phil, come here.
I wanna talk to you.
JOHNNY: Bye.
PHIL: Wait.
I'll be back.
See you later, Johnny.
You know, I had a talk with Sonny boy.
He confirmed my suspicions that this guy, Ray Santoro, they brought him from New York to run their disco nightclub operations.
The guy who was trying to push Johnny out.
Yeah.
He's the guy that had Adams blown off.
But don't you worry about it.
I'll take care of it.
So, what do you think? You think Sonny is putting us on to something good? The girl is gonna be a star.
Wait till you hear her.
Oh, yeah? Did you meet her? No, but I heard some more tapes.
What about that disco? I don't know.
ls it really worth the trouble? I mean, the local people, they're not just gonna cave in.
Look what happened to Adams.
Yeah, but nobody knew who he was or where he came from.
It's up to you, but 3,000 miles is 3,000 miles, and I've never really been comfortable doing business by telephone.
Yeah, well, I think I'd like to do it.
I like that place.
it's cute.
I had a lot of fun.
I'll bet a lot of celebrities go there too.
You know, when I was a kid in New York, you'd be surprised.
I used to go to see, oh, maybe 12, even 13 pictures a week.
- It's your money.
- Yeah.
Okay, I'm gonna go take a shower.
- I'll see you in the morning.
- For breakfast? Okay.
FRANCIS: Hey! Hey! Hey! Hey, who the hell put that there, huh? Who put that there? You know I nearly had a heart attack.
- That's the Kumu.
- The Kumu? JOHNNY: it's, uh it's their signature.
You know, I've heard of this before.
It's a warning.
Yeah? - Get L.
A.
on the phone.
- It's 5 in the morning.
I don't care what time it is! I want a bunch of troops on the next plane.
JOEY: When Johnny Munroe and the other men left, Sonny seemed awfully scared.
He had a few drinks at the bar, then started calling all over town looking for Ray Santoro.
- And did he find him? JOEY: I'm sure he did.
Um, soon afterwards Ray Santoro came waltzing in.
It was late.
Sonny was still at the bar.
- What did they talk about? - I'm not exactly sure.
All I heard Was, uh, Sonny tell Santoro that Allie Francis himself had been in the place.
Santoro told him to keep his voice down and they went into the back office.
When they came out, they were laughing and joking.
Sounds like Santoro's planning some kind of move.
Why don't We bring Sonny in and sweat it out of him? Oh, no, Danno.
No.
No.
My guess is that Sonny Kanekoa's just a front.
Santoro would never tell him much.
I'm sorry.
I wish there was more I can do.
McGARRETT: There is, Joey.
Go back to the disco, do your job, and keep your eyes open.
Yes, sir.
Yeah, Duke? What do you got? Here's another pair of airport arrivals, courtesy of H.
P.
D.
That makes eight.
Eight in the past two days.
Duke, ask H.
P.
D.
to keep taking pictures and making IDs for us.
Right, Steve.
This is becoming a full-scale invasion, Danno.
Eight We know about in the last two days and who knows how many more slipped in.
Why does he wanna see me? I already told you everything Francis said.
Will you relax? Mr.
Alika only Wants to hear it for himself, that's all.
Enjoy the ride, will you? [TIRES SCREECHING.]
Sonny! Damn.
FRANCIS: Well, Mr.
McGarrett, to what do We owe the pleasure of your company? I mean, Sit down.
What's this all about? McGARRETT: it's about a car.
A car riddled with buckshot.
It's also about two men in the prison ward of General Hospital in the same condition.
I hope this isn't some kind of tropical disease.
Hey, hey, hey, show a little respect.
Yeah, it's a disease, all right.
A disease We have every intention of curing, with surgery, if necessary.
Well, look, McGarrett, first of all, nobody got wasted.
And besides, for the record, I don't know anything about this shootout.
It's a miracle that some innocent bystander wasn't killed or maimed.
And also for the record, Mr.
Francis, this island is not going to be turned into a combat zone by you, Alika, or anyone else.
I never met this gentleman, Alika, but I agree with you.
Hawaiiâs a good place to live and I'd like to see it stay that way, sure.
Well, you can guarantee that it'll stay that way.
Yeah? How? By reserving a seat on the next plane to the mainland.
Now here's a complete flight schedule, compliments of the State of Hawaii.
If you're wise you'll use it, Mr.
Francis.
Uh, Mr.
McGarrett, I wanna ask you something.
You're a good cop, McGarrett.
I got a lot of respect for you.
I mean, you got style, you got guts, and I think that you got enough smarts to understand that the public, I mean, the people you swore to serve and defend, they don't give a darn about me, what happens to me.
You know, after you and me, we're gone, there'll still be somebody sitting in that chair, talking to another cop, nothing will have changed.
So, what I wanna know is why do you stick your neck out? I mean, what's in it for you? I'll tell you what's in it for me.
When I was 13 years old, I stood in a rainy cemetery one morning, holding my mother's hand, and watched my father's body lowered into a wet grave.
It took my mother 20 years of backbreaking work to bring us up and educate us.
Well, uh, everybody dies, McGarrett.
Yeah, but not at 42.
On his way home from work, three days before that, my father was run down and killed by some bastard like you, who had just held up a supermarket and was making his getaway.
I never even had a chance to say goodbye.
Standing in the rain that morning, I knew right then I wanted to be a cop.
And since then, I've had a hundred better reasons.
And each one of them had a name and a face and dirty hands, just like you.
So when I tell you to get your tail off this island, mister, you better believe me.
- I got a feeling you're threatening me.
- Yeah.
That's right.
And you got a witness.
YVONNE [SINGING.]
: it's an uphill climb T o get on top, not to stop Never falling It takes so much time Just to be secure You're never sure if itâs worth it all Worth it all But tonight Whether it's wrong or right I can't tell Because I don? know you AH that we!! Can't trust everybody you meet Out here on the streets You might want to test your charms In a stranger's arms It's a lonely town Fancy cops Private box Desperate souls It's so upside-down And the dream you're in Could truly spin Out of control But tonight Whether it's wrong or right I can't tell Because I don? know you AH that we!! You can't trust everybody you meet Out here on the street You might want to test your charms In a stranger's arms Stranger's arms Arms [CROWD CHEERING AND APPLAUDING.]
[CROWD WHISTLING.]
- Johnny, you were right.
- Wait till you hear the new one We did.
I tell you, it's number one with a bullet, for sure.
What do you think, Phil? She's solid platinum.
Well, sign her up.
But remember, Johnny still owes a debt.
[KNOCKING ON DOOR.]
Come on in.
- Hi, Yvonne.
- Hi, Joey.
I just brought this in for Johnny.
It's from Sonny.
One of your demo tapes.
He's out front in a big meeting with a record producer.
I think we're gonna make a deal.
Oh, that's terrific.
Leave it with me.
He'll be in in a minute.
Thanks.
Yvonne, I wish you all the luck in the world.
- Thanks.
- I'll see you later.
Okay, bye.
- What is this? - Stay where you are.
- We're H.
P.
D.
Narcotics.
- What do you want? Did you just receive a package from this man? - Joey, what is this? - I swear, I don't know.
- Whereâs the package? - There.
it's just a tape cassette.
Come on.
That's some cassette.
Sorry, miss, you're under arrest.
What the hell's going on here? These two are under arrest for possession of cocaine.
- Coke? You gotta be kidding? - We got a tip.
A good one.
Yvonne, I don't understand.
I brought it, Johnny.
I didn't know what it was.
- Where did you get it? - From Sonny.
- At least, Ray said it was from Sonny.
- Come on.
Let's go.
Johnny? Johnny, We gotta do something.
Johnny? Johnny.
- Where the hell did you go? - Ray.
- I got everybody looking for you.
- Ray, you know Hey, Ray, I want you to do me a favor.
- I Want you to buy me out of the disco.
- What? Yeah, I just gotta get out of these islands, ha, ha.
You gotta get out of the way of whatever's coming down.
You're not kidding me.
Anyway you want it.
I just want out, Ray.
I need you to run the disco.
You stay.
[KNOCKING ON DOOR.]
What is this? What am I throwing, a party here? Get out of here.
What are you, crazy? Get out of here! The narcs just hauled off Yvonne to jail for possession of cocaine.
What? I don't know about no coke.
Get out of here! The hell you don't! You sent the package.
Sonny? He said it was from you.
Then he tipped the narcs where they could be big heroes real cheap.
You scum.
Why did you involve her? Why? All right, Mr.
Hotshot-Songwriter.
It wasn't for her, it was meant for you.
But what the hell, she's with you and you're the enemy.
Wake up, Mr.
Munroe.
This is war.
Don't you know the innocent always suffer the most? Not this time.
Now don't do nothing stupid now.
You shoot me, you gotta shoot Sonny too.
I don't think so.
Sonny's a survivor.
I think heâll find a way to change sides again.
Johnny? You know I'm not part of this either way.
Ray.
[WHIMPERING.]
You didn't have to kill him, man.
You wanted money to get off the islands? Well, here it is.
- I want you out of town fast.
Fast.
- Yeah.
Yeah.
Okay, for the last time, Joey.
You said Santoro gave you the package.
- Yes.
- Can you swear to that? Yes.
He said it was from Sonny.
I didn't think anything was wrong.
Johnny did leave some cassettes with Sonny.
Oh, God, I feel bad.
- I guess I just didn't think.
- "You didn't think.
" I've heard that a thousand times after the damage is done.
You're out, Joey.
You can pick your stuff up at the desk.
Thanks.
Thank you, Mr.
McGarrett.
Don't thank me.
Thank the system.
Uh, where's Yvonne, Danno? She went to pieces when she heard what happened to Johnny.
- Where is she now? - Sally took her to Johnny's apartment.
Any word on Santoro? We put out an APB on him more than six hours ago.
Nobody's seen him since.
But we've got the airport covered.
Santoro probably ran straight to Alika.
- Now what about Yvonne's brother? - Duke's been looking for him all night.
When they're hard to find, they usually know something, don't they? Put out an APB on him too.
And send Duke to the airport.
Right.
And, Danno, pick up Allie Francis and meet me at Alika's estate.
And bring Francis there alone.
- He's not gonna like that.
- That's tough.
[PHONE RINGS.]
- Five-0.
McGARRETT: Luana? Yes, Mr.
McGarrett? I have to talk to the governor as soon as possible.
Please find him wherever he is.
And one more thing: Ask, uh, Franklyn Kowdan, at the Federal Building to call me in my car.
LUANA: Franklyn Kowdan? - Yeah.
- Tell him, the word is "go.
" - Right away.
I don't want anybody to do anything, I just want everybody to be ready.
You understand? Right.
Right.
Can you get a bug in the old man's room? Fine.
I want a report every hour.
Every hour.
SANTORO: It was an accident.
He had a gun, We fought for it and it went off.
What was I supposed to do, let him shoot me? Maybe it would've been better after all.
I'll get Sonny back.
He'll tell you what happened.
No.
Because then he could do the same thing for McGarrett.
That's the one thing you did get right.
Ray, I swear I swear, Ray, if I could offer you as a sacrifice, if I could offer you as a peace offering, to Francis, I would do it.
I just don't want the Kumu to look weak.
I'll do whatever you say.
You want me off the island, I'm on my way.
No.
You started this, you're gonna finish it.
You're gonna see it through.
Yeah, I'm running a little late.
I'll be right there.
Okay.
Bye-bye.
Now what's this, huh? What? A Warrant? For What, double parking? Suspicion of conspiracy to extort.
Suspicion of conspiracy to commit murder.
Let's go.
Hold on.
I got a right to call my lawyer first, right? Wrong.
You have a right to call your lawyer after you've been booked.
This wouldn't even hold up in a Boy Scout meeting.
You can tell McGarrett that.
I got a better idea.
Why don't you tell him yourself? Come on.
DUKE: Hold it.
- I quit.
I quit.
I quit.
Okay, okay.
DUKE [OVER RADIO.]
: Steve? - Yeah, what have you got? We collared Sonny at the airport.
He was trying to make a flight to L.
A.
Good work.
Good work, Duke.
Will he talk? He's pretty scared, Steve.
I think he's ready.
- Book him and meet me at Alika's.
DUKE: Right, Steve.
Well I wanted you to tell me where We could find him, but it isn't necessary now.
- You're under arrest, Santoro.
- For what? McGARRETT': For the murder of Johnny Munroe.
But we've also got extortion, fraud and a few others to add to your list.
What are you talking about? What is he talking about? McGARRETT: You know what I'm talking about.
We just arrested your partner, Sonny Kanekoa, at the airport.
Now, he witnessed Munroe's murder.
And I'm sure We can convince him to testify.
- Tony, you gotta do something.
- You idiot, like what? Get me out of this, or I'll tell you what I'll do.
I'll tell McGarrett about you and the Kumus.
I'll spill my guts all over the place.
Because if I go down, you go down with me.
You better get some expensive legal talent down here.
You keep your cool, Ray, you idiot.
Hold your tongue.
There's nothing you could say to this cop he hasnât heard before.
Isn't it lovely to see the rats scrambling? You can't make it stand up in court, McGarrett, without corroborative evidence, and you know that.
Oh, We might just have what We need this time.
He's all yours, Duke.
Book him.
Make it murder one.
Come on in, Mr.
Francis.
- What's he doing here? - He came for the meeting.
- Meeting? What meeting? - The meeting I called.
What are you trying to do, get me killed? - Where can We talk? - Out back.
Okay, lead the way.
Okay, pal, just the three of us.
All right, what's the problem? I told you both before and I'm gonna tell you again for the last time.
I will not have you bringing your hoods to Honolulu and turning this place into a shooting gallery.
You got me wrong, McGarrett.
I'm a businessman.
I'm here on vacation.
Sure.
We all know that.
It may also interest you to know that the governor has authorized all the manpower, all the funds that We need to shut you both down for good.
Has he authorized all the evidence you're gonna need to do that? You can't touch me, McGarrett.
I didn't commit no crime.
And that warrant for me, that's a joke.
McGARRETT: Yeah? Well, don't laugh too soon, Mr.
Francis.
You're a known racketeer.
I can go to court and get authorization to tap your phones.
I can put you under I've already got some of your hoods in jail and I can keep putting them back there, as fast as your shyster lawyers can spring them.
You're very good at conversation, and, you know, I think that's exactly what this is.
A lot of hot air.
Maybe.
Maybe We'll see.
I'll tell you something, I had a premonition that your time was coming, and sooner than you think.
Now that goes for both of you.
Aloha, gentlemen.
"Aloha" means goodbye.
Cop talk.
We've both heard that before.
All right, Mr.
Francis, there's no point in our both being lo-lo about this.
Maybe it's time We had a little talk after all.
We lost? We don't take them in? McGARRETT: We don't have to take them in, Danno.
DANNY: Who's that? Looks like the feds.
McGARRETT: They are.
Remember how they got AI Capone? DANNY: Income tax evasion, wasn't it? Right.
After Sonny Kanekoa and Santoro get through talking to us, we'll have enough material about Francis and Alika's extortion money and skimming for the IRS to write a book on the fine points of tax evasion.
If you still make house calls, gentlemen, you'll find them both out by the pool, celebrating their victory over a stupid Irish cop.
Now, have you got your warrant? Go get them.
And that wraps it up.
No, I've still got one visit to make, Danno.
Just one.
[KNOCKING ON DOOR.]
McGARRETT: I know you're in there, Yvonne.
Go away, McGarrett, and leave me alone.
McGARRETT: I'm not going to go away.
I'd like to see you.
You got a minute for a tough old cop? Sit down a minute, I wanna talk to you.
If you don't sing, if you don't pick up the pieces and go on with your career, it means that they've won.
Now, Johnny would've told you the same thing.
It's gonna take a lot of guts, but I know you've got them.
What do you say? [CROWD CHEERING.]
ANNOUNCER: And now for a real treat, making her first concert appearance, a lady who's going to be the next superstar of rock music.
Hawaiiâs own Yvonne Kanekoa.
[CROWD CHEERING AND WHISTLING.]
This is a nice way for it to end, huh? I don't think it's an end, Danno.
I think it's just the beginning.
Thank you.
I wouldn't be here if it weren't for a great singer and songwriter named Johnny Munroe.
I would like to start off with something just for him.
[BAND PLAYING "I CAN'T GET YOU OUT OF MY MIND".]
[SINGING.]
I look at you And you look at me Trying not to want what can't be You're with my friend And she holds your hand Wasn't that supposed to be me? Oh, baby I can't get you out of my mind I don't know why You came into my life I can't get you out of my mind Hard as I try You're there all the time You never said And I never asked How was I to know You weren't free? She spoke of you But I never knew That the other woman was me Oh, baby I can't get you out of my mind I don't know why You came into my life