Berlin (2023) s01e08 Episode Script

Un elefante en peligro de extinción

1
[TENSE MUSIC PLAYING]
[MUSIC BUILDING]
[GASPS]
Hold your fire!
All units, fall back.
[MUSIC FADES]
[TENSE MUSIC RISES]
This is Inspector Lavelle!
Put down your weapons, and
come out with your hands up!
[CONTROL BEEPS]
[MACHINERY WHIRRING]
[FEEDBACK SQUEALS]
[SUSPENSEFUL MUSIC PLAYING]
- [RADIO BEEPS]
- We won't give up our guns.
[ON MEGAPHONE] If you want
the jewels, come get them.
I'll give you one good reason. I
don't have 'em, so you need me alive.
Here's another good reason.
If you come in, we're gonna die,
but we're gonna take out
three or four of you.
I have nothing to lose, and
you have everything to gain.
It's best we negotiate.
And what exactly do
you want to negotiate?
- Give me five minutes to think about it.
- [RADIO BEEPS]
For starters, those four
guys behind the red truck?
I want them gone.
Team three, pull back immediately.
[CAMERA WHIRRING]
- [CONTROL BEEPS]
- [MECHANICAL ARM WHIRS]
EMERGENCY ROOM
[TENSE MUSIC CONTINUES]
Attention, everyone! Clear the premises.
[ON MEGAPHONE] This is not a drill.
This is an emergency.
Clear the premises.
Let me say it again.
[VENTILATOR HISSING]
Coming through. This is not
a drill. It's an emergency.
Evacuate immediately.
C'mon, c'mon, c'mon. Outta the way!
[TENSE MUSIC BUILDING]
[PATROL CAR DOOR OPENS]
[GENTLE INSTRUMENTAL MUSIC PLAYING]
[ECHOING] Bruce?
[GENTLE MUSIC BUILDING]
[BRUCE, GENTLY] Hey! It's time to go.
Keep an eye on them, okay?
[TENSE MUSIC RISES]
[ENERGETIC ROCK MUSIC PLAYING]
[BRUCE] Anesthesiologist?
Official business.
- Hang on!
- [TIRES SQUEAL]
- Bruce?
- We're leaving.
[ROCK MUSIC ENDS]
[SOMBER INSTRUMENTAL MUSIC PLAYING]
[DOOR CLOSES]
[ELEVATOR BELL DINGS]
[MUSIC FADES]
How many minutes so far?
I'm not sure. Three minutes.
Maybe three and a half.
Hey! You inside the RV,
your five minutes are up.
[ON RADIO] I need proof
that you're willing to
collaborate with us.
- [CONTROL BEEPS]
- [WHIRRING]
[ROI ON MEGAPHONE] Okay, Inspector.
I'll tell you where half the jewels are.
They're in a letter box at
33 Maxime Girald in Paris.
- Check it out. Call me.
- [RADIO BEEPS]
I want a team at that
address immediately.
Yes, ma'am.
Have you noticed how the
megaphone comes in and out
at exactly the same spot each time?
That's precisely what
I was thinking myself.
[GUN COCKS]
- [CAMERON] Shit, Roi. They're moving in!
- [ROI] It doesn't matter. Run!
[TENSE MUSIC BUILDING]
[TENSE MUSIC SUBSIDES]
[ELECTRICITY CRACKLES]
[SCOFFS]
How wonderful. They put on
a puppet show just for us.
These are blanks.
[MECHANICAL WHIRRING]
[SUSPENSEFUL MUSIC PLAYING]
[HATCH SQUEAKS]
[SOFTLY] Wow.
- [MUSIC SWELLS, FADES]
- ["BULLETS AND FLOWERS" PLAYING]
True love and flowers ♪
Bullets instead ♪
Breaking through my chest ♪
Would you ever cry for me? ♪
There is no other way ♪
There is nothing I can say ♪
Gonna pray for all I did ♪
I will beg down on my knees ♪
Never knew to draw the line ♪
Too many troubles on my mind ♪
No regret that I can give ♪
But someday, I will forgive ♪
Myself ♪
[THEME SONG FADES]
[ELEVATOR MUSIC PLAYING]
[BELL DINGS]
[INDISTINCT CHATTER]
[WEDDING BAND PLAYING "COMO
YO TE AMO" IN DISTANCE]
[BERLIN, IN SPANISH]
The way I love you ♪
The way I love you ♪
Forget it ♪
Nobody will love you ♪
Nobody will love you, no ♪
Nobody ♪
[BOTH] Because I love you ♪
With the force of the seas ♪
I love you with the
vehemence of the wind ♪
I love you across distance ♪
And across time ♪
- [MUSIC DISTORTS]
- I love you with all my soul and body ♪
I love you like a
boy loves his future ♪
I love you like a
man loves his memory ♪
I love you ♪
[SUSPENSEFUL MUSIC PLAYING]
[BOTH PANTING]
This way!
[TENSE MUSIC RESUMES]
- [TENSE MUSIC PLAYING]
- [CAMERON GRUNTS]
[BOTH PANTING]
[ROI] You see that store?
I need you to go inside and
find us a glue gun for carpets.
Don't speak to anyone. Okay?
Off you go.
We've been through a half mile
of sewers. We'll keep searching.
[ON PHONE] There's only one tunnel.
[CELL PHONE RINGS]
[CALL CONNECTS]
- Inspector Lavelle.
- Inspector, I think we've found something.
[ON SPEAKER] The forensics
team analyzed these holes
they found scattered across
Polignac's apartment.
We found one hidden in
one of his indoor plants.
I think someone did
their best to hide them.
- All identical, all nine millimeter.
- Can I?
So what do you make of it?
From what I read in the
report, I believe they were used
to hide surveillance cameras.
If the report is correct
and Polignac's apartment
was, in fact, under surveillance,
then it's safe to assume that
he is no longer a suspect.
Thanks.
I've spoken with some
forensics colleagues in Spain.
There's only one
nine-millimeter camera available
that uses wireless technology
to record sound and pictures.
It has a maximum range of 100 meters.
So the people that
were spying on Polignac
must have been in the same building.
Or how about somewhere
right across the street.
The Gioconda Hotel.
A perfect spot if you
want to spy on someone.
You come and go as you please.
But they also have CCTV everywhere.
I'll see you at the hotel.
[ENERGETIC MUSIC PLAYING]
Team three, team five, move out!
[ENERGETIC MUSIC FADES]
Put your feet under this bar.
And grab that one as hard as you can.
Roi, what exactly are we doing?
- A tarp sandwich.
- What?
- So Cameron, how are your abs?
- Bad.
[SUSPENSEFUL MUSIC CONTINUES]
[ROI] Try to breathe slowly.
We need to lower our heart rate.
We have a long journey ahead of us.
[SUSPENSEFUL MUSIC FADES]
Simón is the thief.
What did you find?
He had two telescopes
pointing over here.
He had a model of the auction house.
And photos of the jewels,
and there was a gun.
Oh my God.
So, what now?
Yeah, what now?
I'll call the police. [SIGHS]
[DIAL TONE BUZZES]
[LINE RINGS]
- [OPERATOR] Paris police department.
- Hello.
My name is Camille Polignac.
I need to speak with Inspector Lavelle.
Um about the jewelry robbery.
Please hold.
[SIGHS]
[HOLD MUSIC PLAYING ON SPEAKERPHONE]
I would've trusted that man
with my life. I swear, Susi.
We've come to return your husband's
documents and personal items.
I have to ask you to open that safe.
[CAMILLE] I don't know the combination.
I've been living with a stranger.
I didn't know the combination.
I've said those words far
too often these past few days.
[SOMBER MUSIC PLAYING]
- Where did he keep all this stuff?
- He kept it all in a safe in his office.
The police had to blow it up
'cause I didn't know the code.
THE LAST EVENING I SAW YOU,
I SPENT IT LISTENING TO
"YOU KNOW I'M NO GOOD."
- [MAN ON SPEAKER] Madame Polignac?
- Hello, yes.
- I'm still here.
- I'm Deputy Inspector Laurent.
Inspector Lavelle is out of the
office. We're trying to contact her.
- Please stay on the line.
- Thank you.
[SOMBER MUSIC BUILDING]
[SOMBER MUSIC SWELLS]
François has a child with someone else?
And I've been asking him to have
a child for the last eight years.
[SUSI] You don't deserve any of this.
And who's this lady?
His mother-in-law.
His other one.
The kid looks just like François.
He's a bastard, your François.
[ON SPEAKER] Inspector Lavelle speaking.
- [TENSE MUSIC PLAYING]
- [CAMILLE SIGHS]
[SUSI GASPS]
- I got cut off. Call them back.
- Yes, ma'am.
[BERLIN] Thank you.
That woman stole the
key card to your room.
- What do you think she's doing now?
- I don't care. We have a copy.
We have to move fast.
I'll bet she's calling the police to
get her husband released from jail.
I'm not sure she'll do it.
She'll think about it first.
That might be our chance
to get out of here.
Ten minutes.
- Fifteen at the most.
- [BELL DINGS]
[CAMERA BEEPING]
[UNDER BREATH] I don't
know. I don't know.
We're making a big mistake.
We have to get outta Paris.
[KEY CARD READER BEEPS]
There's no point in leaving if
we leave a trail of evidence.
Our only chance for staying
free for the rest of our lives
is if there isn't a shred
of evidence leading to us.
[ENERGETIC MUSIC PLAYING]
AMMONIUM CHLORIDE
[OFFICER ON RADIO] Inspector, we
have a young man and young woman
who fit the profile.
Both are Spanish, around 30 years old.
They've stolen a police
car at the local hospital.
Two agents are being held in Nevers.
- Do you have any photos?
- Negative.
I want roadblocks established
within a 30-kilometer radius.
And I want aerial
surveillance immediately.
[DISPATCHER] Attention, all units.
We are searching for car 224-R.
Two agents are being held hostage.
The vehicle was last seen on
highway A-77 at Saint Eloi.
Every police unit in the
country's looking for us.
Time to change cars.
[ENGINE REVS]
[TIRES SQUEAL]
RIVER POR
That way. Maybe we can steal a boat.
Careful with the guns.
[BRAKES SCREECH]
[MUSIC FADES]
[ENERGETIC MUSIC PLAYING]
[BRUCE] Perfect.
- [BRUCE] Let's go. C'mon!
- [KEILA] Faster.
[OFFICER 1 GRUNTING]
Relax, man. I know what I'm doin', okay?
There's eight milligrams of propofol
and eight milligrams
of diazepam per person.
That's the same dose you
get for open-heart surgery.
[OFFICER 1 SNIFFLES]
- [OFFICER 2 SHOUTING]
- Shh! Shh.
For the next ten hours,
you're gonna sleep like a baby.
Sweet dreams.
Thank you so much.
If you hadn't picked me up, I
probably wouldn't be alive right now.
Shh. I hope that you'll get some rest
and that, um, you don't
end up suffering from PTSD.
Goodbye.
I'm gonna try to steal
one of these boats.
I'll take care of the car. Take these.
[DRAMATIC ORCHESTRAL MUSIC PLAYING]
[ENGINE STARTS]
[DRAMATIC MUSIC BUILDING]
[MUSIC ENDS]
[PANTING]
[ENERGETIC ROCK MUSIC PLAYING]
I hope they've got good insurance.
Yeah, they should.
[MOTOR REVS]
- [ROCK MUSIC FADES]
- [TENSE MUSIC PLAYING]
[DRIVER GRUNTS]
[ENGINE STARTS]
The truck's moving.
[ROI CHUCKLES]
[TENSE MUSIC BUILDING]
[BRAKES SQUEAL]
[BOTH BREATHING SHAKILY]
Stop the engine.
What's going on?
Step down from the vehicle
and open the trailer.
[TENSE MUSIC SWELLS]
[DOOR OPENS]
It's empty. I'm not
carrying anything, sir.
Police inspection.
Grab onto the bar, and
put your head on top.
[ROI GRUNTS]
- When I tell you, arch your body.
- [CAMERON GRUNTS]
- [ROI] Now.
- [DOOR CLANGS]
I told you, it's empty.
[BARS CREAKING]
[BOTH PANTING]
Okay, close it up.
Thank you, sir.
[BOTH EXHALE]
[TENSE MUSIC SWELLS]
They're comin' back.
Opposite way. Underneath the bar.
- Now!
- [BOTH STRAIN]
[CAMERON INHALES SHARPLY]
[SOFTLY] I can't.
Hold on. You can do it, Cameron.
[TENSE MUSIC RISES]
[BOTH PANTING]
[OFFICER] There's nothing, sir.
All right. You can leave now.
- [BOTH SIGH]
- [BRIGHT INSTRUMENTAL MUSIC PLAYING]
[ENGINE STARTS]
[ROI CHUCKLES SOFTLY]
[QUIETLY] We're moving again.
[EXHALES DEEPLY]
[BRIGHT MUSIC BUILDING]
- [MUSIC FADES]
- We're done. Let's go.
- [SIRENS APPROACHING]
- Hold on. The police just arrived.
[BRAKES SQUEAK]
[OMINOUS MUSIC PLAYING]
I just got here.
- [SIGHS]
- [BELL DINGS]
Just two cars for now.
- It seems your mistress turned us in.
- No. No, no, no. That's the good news.
If she had turned us in, there'd
be a lot more than just two cars.
But obviously they're here
to follow up on something.
They'll wanna check the CCTV.
We'll have to stay here for the moment.
- [OMINOUS MUSIC FADES]
- [LINE RINGING]
[CELL PHONE RINGING]
- Berlin?
- Keila?
I need you to hack the hotel's CCTV.
- I already did. It's deleted.
- The police are in the lobby.
Turn off the corridor
cameras so we can leave.
Then erase the hard drives,
including the wedding reception.
I can't. I'm in a boat on a river,
running from the police right now.
If you don't do this in four
minutes, Damián and I are dead men.
[TAKES A DEEP BREATH]
What's goin' on?
I need a better signal!
Inspector Lavelle,
Criminal Investigation.
We are looking for two suspects
who may have stayed in this hotel
last week, or maybe even longer.
We don't know how many stayed,
but we do know they're Spanish.
It's possible they were guests
at the hotel, but I'm not sure.
- Yeah.
- [RECEPTIONIST] Hey, wait
She looks like the
woman who stayed in 313.
Let me check.
[ERROR MESSAGES BEEPING]
[KEILA] The signal's too weak!
Can you go faster? We
need to find another relay.
You got it.
- [MOTOR REVS]
- [ENERGETIC MUSIC PLAYING]
This is unusual.
Some guest files have been deleted.
And from what I can see,
it's that Spanish group.
If I may, we've had a
Spanish group staying with us
for the past 17 days.
Five of them checked out a few days ago.
One of the guests just returned today.
He's staying with the
last member of that group.
Quite a strange man, actually.
He would never let us
in to clean his room.
They're upstairs in 503.
Call the backup units.
Fred, no one can leave.
Got it.
Hey, do you have a monitor room where
I can check the security cameras?
Yes, we do.
I'll take care of the CCTV.
Follow me.
And I need you to get your master key.
Keila, what the hell is going on?
It's really slow. The signal's too weak.
We need to get out of the
canyon. Bruce, can you go faster?
This is as fast as it goes.
- [GUN CLICKS]
- You two, the stairs. Go, go!
[OFFICER] Sorry, it's an emergency.
Excuse me. It's an emergency.
- What's going on?
- We're almost out of the canyon!
- Bruce, faster!
- [MOTOR REVS]
[TENSE MUSIC PLAYING]
[TENSE MUSIC SWELLS, FADES]
These are all the
security cameras you have?
[GUARD] Mm-hmm.
[EPIC MUSIC PLAYING]
We're almost there. You
should have a signal!
- [LAPTOP CHIMES]
- We're good! It's working!
- Dammit, Andrés. Come on.
- [KEILA] I'm on the server.
I have to specify and select
the recordings where you appear.
Otherwise, it'll look suspicious.
Erase it all. Everything. And
disconnect the cameras on our floor.
Done! Now the cameras.
I don't know which
cameras are on your floor.
- I can only see numbers!
- Take them all down!
[ELEVATOR BELL DINGS]
Police emergency. Sorry.
[MONITOR CLICKS OFF]
Somebody's taking down all
the cameras in real time.
Give me the master key.
Hurry up!
Cameras are disconnected!
Let's go.
We're almost there.
[GUNS COCK]
[ELEVATOR BELL DINGS]
[TENSE MUSIC FADES]
[ENERGETIC MUSIC PLAYING]
Police, open up!
[LOCK CLICKS OPEN]
[ENERGETIC MUSIC CONTINUES]
Forget it. They left.
[DAMIÁN SIGHS]
[LAVELLE COUGHS]
[SIERRA COUGHS]
[ENERGETIC MUSIC CONTINUES]
[GARAGE OPENER BEEPS]
They're still in the hotel.
Lock down the hotel!
Emergency exits and parking!
[RHYTHMIC, ENERGETIC MUSIC CONTINUES]
[SIREN WAILS]
[OFFICER ON RADIO] No
sign of the suspects.
- [UNDER BREATH] Shit.
- [ENERGETIC MUSIC ENDS]
- [SOMBER MUSIC PLAYING]
- [CAMILLE SIGHS]
Sweetie, I've said nothing
because I'm your friend.
Because we're all free
to live the life we want.
Your husband, though he may
not be a gangster like Simón,
but the bastard's still a fraud.
Are you comparing my husband
with a man who spies
on me with telescopes?
No, of course not. [SIGHS]
But your husband led you to believe
you were living a modern love story.
And that at night,
you could embrace the world
like some bohemian muse
because you were free.
You weren't free at all.
You were alone.
And meanwhile, there he was,
taking selfies at the pyramids
with another woman,
his secret love child,
and a substitute mother-in-law.
And your idea is to get
one bastard out of jail
and put the other one in?
Oh no!
I feel so stupid.
I feel so guilty.
Guilty? Sweetie, not at all. Look at me.
- Did you steal anything?
- No, of course not.
I don't know, do you have,
uh a hidden child somewhere,
uh, that you forgot to mention?
No, but I had an affair.
Sweetie, there's no comparison.
Let me make myself very clear. In
this story, there are two losers.
You, the number one loser, graduated
with honors and distinction.
And the second loser is your husband.
There's only one winner. Simón.
What needs to happen now is that
you become the winner.
Make them the losers.
And how am I supposed to do that?
By taking what he loves. His money.
[SIGHS] No. No, you're crazy.
- Camille, think about it.
- Susi, you're insane.
You want me to take on a man
who's been planning
this robbery for years?
Nobody even knows how he got
in. Maybe he's part of the Mafia.
Who cares about that?
You know the identity of one
of the world's most wanted men.
One phone call from you, and
it's 20 years in jail for him.
But what do we gain from that? Nothing.
And tell me something, Camille.
If you were Simón, wouldn't
you gladly give some cash
to avoid jail?
[TENSE MUSIC PLAYING]
How much is "some"?
If we ask for 20%, we'd
be wasting a good hand.
Sixty percent, we'd be asking for
trouble. Forty percent is reasonable.
I'm feeling dizzy.
[BREATHING SHAKILY]
Let's say that I agree
to your crazy idea.
How do we find Simón?
That's the hard part of the plan.
[TENSE MUSIC SWELLS]
[TENSE MUSIC FADES]
[ENERGETIC, RHYTHMIC MUSIC PLAYING]
[GUY 1] Okay. I'm done. I'm outta here.
- Later, dude.
- [GUY 1] See you guys at 11:00, okay?
[DAMIÁN SIGHS]
Hey, guys. What's up?
It's time to play the Golden Choice.
You have ten seconds to
make the right decision.
I'm offering 15,000 euros for
your bikes. Take it or leave it.
And the clock starts ticking now.
[WATCH BEEPS]
[TENSE, RHYTHMIC MUSIC PLAYING]
- [ROCK MUSIC PLAYING]
- [ENGINES REVVING]
[BERLIN] And that is how we escaped.
Most people think that to escape
is to run away as fast as possible.
- [EXCLAIMS]
- But prisons are full of fast guys.
You have to look to the masters.
Houdini.
Copperfield.
Those who disappear before your
very eyes and leave you pondering,
"How did they do it?"
For their part, Roi and Cameron
traveled, wrapped up in plastic tarp.
An ingenious sleight of hand that
meant no matter how hard they looked,
the police would never see them.
And they traveled that
way for 645 kilometers.
Like it was a sleeping car.
Staring at the stars.
[ENERGETIC ROCK MUSIC FADES]
[CRICKETS CHIRPING]
[SIGHS] Welcome to Spain.
We're in the Pyrenees.
- Where?
- There.
[GENTLE MUSIC PLAYING]
Why do you always wear this glove?
I've had it since I was 13.
My mom died giving birth.
My dad took it pretty bad.
He had to raise me and look after me.
The kid who killed his wife.
I guess life dealt both
of us a shitty hand.
I'd lost my mother, and my dad hated me.
He had lost his wife and hated his son.
[SCOFFS]
I used to be so angry, you know?
Sitting in school all
day was really hard.
So at lunchtime, I'd take off and leave.
[CAMERON SIGHS]
And where would you go?
Abandoned places.
I'd hang out with all
the good boys. [CHUCKLES]
Fuck, we fought for anything back then.
For a ball, for a bike, for a girl.
[CAMERON CHUCKLES]
Then, when I'd get home, the
school had already called.
[SIGHS] My dad, he'd
put me in a chair
And he'd start to get rough with me.
I'm gonna teach you how
to sit still in class.
The self-control method.
[FATHER] The self-control method.
You're gonna learn
not to get into fights
or any of that other shit you get into.
Put your hand there.
- Do what I say.
- [HAND SLAMS]
[YOUNG ROI BREATHING SHAKILY]
That's when he would burn my knuckles.
With his cigarette.
[YOUNG ROI PANTING]
And that son of a bitch
would always take his time.
You see? You learned how to sit still.
[ROI] So I ran away from home.
My career as a thief
began at 13. [CHUCKLES]
But with no experience
in the art of thievery,
I'd been to court three
times by the age of 17,
and in and out of reform
schools like a boomerang.
And then I met Berlin.
I'm so sorry.
Why?
There I was, telling you about my
shit, when you had real problems.
And is the goat from back then as well?
That was Berlin's idea.
[CAMERON] Really?
He said, "You and I both
have the devil in us."
"Next time you hear the devil calling,
and you're about to beat
some poor bastard to death,
look at the tattoo."
"And beat the devil to the punch."
Remember the guy from the race?
I just whipped your ass!
[ROI] Another time, I would've
taken a wrench from the trunk
and smashed his head in.
Thanks to Berlin, I looked
at the goat, and I won.
[BRAKES HISS]
We're pulling up. Get ready.
[TENSE MUSIC PLAYING]
- [MUSIC FADES]
- [WHISPERING] Come on.
[TENSE MUSIC PLAYING]
[FUNKY, ENERGETIC MUSIC PLAYING]
[BERLIN] Bruce and Keila
raced 130 nautical miles
on the 300-horsepower speedboat.
And close to Angoulême,
they abandoned it.
Then they traveled 190
kilometers, across country roads,
until they found another
river, the Dordogne.
Every new route acted like a firewall.
Keeping track of them was
getting really complicated.
[ROI GRUNTS]
[BERLIN] Keila had an idea
of how to navigate safely
out of the Gironde estuary.
- Good evening.
- [DOG WHINES]
I'm sorry to bother you,
but are you busy tomorrow?
[GROUP LAUGHS]
[ENERGETIC MUSIC FADES]
[DOG WHIMPERS]
[CALMING INSTRUMENTAL MUSIC PLAYING]
- [RADIO BEEPS]
- [STATIC CRACKLES]
[BERLIN] And from there to Spain
was just a few kilometers by sea.
What could've been a
panic-stricken escape fiasco
turned into a pleasure cruise.
What could be more romantic than
sailing down the rivers of France?
[CALMING MUSIC FADES]
[KEILA SIGHS]
Bruce, can we talk?
Of course. What is it?
[GENTLE MUSIC PLAYING]
[KEILA] I'm not sure how
Um
Thank you for saving me.
That's all.
You know, with the snake and
the hospital and everything.
Thanks.
You're welcome.
Actually, I've also got
something to talk about.
When, um
When I was carrying you on my back,
and I could feel you slipping away.
And later, in the police
car when you held my hand,
and I could no longer feel your
pulse, I thought that I was losing you.
And I realized then
how much it would hurt me
to lose you.
And if I could save you,
I wouldn't settle for us
just having coffee together.
[CHUCKLES] Or calling each
other to say Merry Christmas.
And I know I could spend the
rest of my life hitting on you,
and that a woman like you
would never be interested in me.
[KEILA SIGHS]
I have no idea what's
gonna happen tomorrow.
That's why I'll say this now.
[GENTLY] I think I'm falling in love.
In love with you.
[TENDER MUSIC PLAYING]
[BRUCE] Hey. Shh. Hey. [CHUCKLES]
[TENDER MUSIC BUILDING]
[TENDER MUSIC FADES]
This is where we split.
You take your tins. I'll take mine.
- ["AS LONG AS YOU'RE WITH ME" PLAYING]
- You know how to find the Turkish guy?
Yeah, his name is Burak.
My guy's Turkish too. Ercan. [SIGHS]
If all goes well, I'll
see you in three days.
And you feel all your demons ♪
Take care.
- The world got cold ♪
- You too.
But don't you let go ♪
I'm less afraid ♪
With you by me ♪
Go and let the sea ♪
Go tumblin' ♪
Let the ghost get loud ♪
Let the tears fall down ♪
Yeah, I don't care now ♪
[PIANO MUSIC BUILDING]
Let the ghost get loud ♪
Let the tears fall down ♪
Yeah, I don't care now ♪
I don't care now ♪
[WHISPERING] This can
never happen again.
As long as you're with me ♪
Promise me, okay? Swear
it. Please, promise me.
I won't be able to
stop myself next time.
[SOFTLY] I promise.
Not scared of no trouble ♪
Not scared of the thunder ♪
As long as you're with me ♪
Not scared of no trouble ♪
["AS LONG AS YOU'RE WITH ME" FADES]
[BERLIN] In the outskirts of
Paris, a fourth ring of roadblocks
was being set up 60
kilometers from the capital.
SPAIN
[BERLIN] Leaving by road had
suddenly become very complicated.
So we changed costumes
and became those two sporty guys
you see climbing to
the top of the mountain.
And you say to yourself, "Look
at those admirable noblemen."
Riding from peak to peak, it took
us four days to cross France.
[EPIC STRING MUSIC PLAYING]
[BERLIN] Traveling
through rugged terrain.
[BOTH PANTING]
[BERLIN] Without ever
leaving the mountains.
[EPIC STRING MUSIC CONTINUES]
[MUSIC BUILDING]
[BERLIN] We were the last to arrive.
[DRAMATIC MUSIC SWELLS]
[SPEAKING INAUDIBLY]
[BERLIN] We laid low together,
isolated in this wonderful estate,
waiting for the heat to blow over.
Until we were no longer headline news.
Until we were sure there
were no more loose ends
for the police to follow.
[EPIC MUSIC CONTINUES]
[BERLIN] The only loose end left
was in the hands of someone else.
[MUSIC ENDS]
[BIRDS SINGING]
[WOMAN] Ah! Let's plan
a trip to Argentina.
[WOMAN] I really wanna go.
I think you'd love it there.
The landscapes and the
nature are beautiful.
Hello? Where'd you go? We
spent the night together,
but I don't think you were
with me more than ten minutes.
[SOMBER PIANO MUSIC PLAYING]
To be honest, I'm trying
to get over a relationship.
[WOMAN] Mm.
Last night, when I saw you at
the bar, I thought this might be
the last night of my old life
and the beginning of my new life.
But this morning, I felt
once again the same emptiness.
[WOMAN SIGHS SADLY]
[SIGHS] I think it's best
if we go our separate ways.
Yes. I think so too.
[SOMBER MUSIC CONTINUES]
[TENSE MUSIC PLAYING]
[DOORBELL RINGS]
[TENSE MUSIC FADES]
[BREATHING SHAKILY]
[TENSE MUSIC RISES]
I've been hiding there for a week.
At that café you told me about.
[ECHOING] Whenever I'm in Madrid,
I always go to the same place.
The Buenos Aires Café.
[CAMILLE] And yesterday,
I finally saw you.
I wanted to turn you in to the police.
I was so angry I wanted
you to feel that pain.
But when I saw you with that woman,
well my heart skipped a beat.
I realized then that I
was just fooling myself
with my ideas of wanting revenge.
I wanted to see you, Simón.
That's the only thing I wanted.
[SOMBER MUSIC PLAYING]
[BERLIN SIGHS ON HEADSET]
I haven't been able to stop
thinking about you either.
That woman
She was supposed to
help me forget about you.
But I couldn't.
[CAMILLE SIGHS]
How can I believe you? I
saw everything in your room.
The telescopes, the model
of the auction house.
I saw your gun.
And yet, here I am like a fool.
And if you told me now
that you're not a thief
I think I'd believe you.
I can't say it because it's not true.
For a start, my name is
Andrés. Andrés de Fonollosa.
Perfect!
- [BERLIN] I've told you too many lies.
But it's because I didn't
have any other choice.
[SIGHS]
[EXHALES]
I didn't plan it,
but while I was spying on your
husband, I fell in love with you.
Hopelessly in love.
Gotcha!
That's 20 years at least. We've got ya.
At night you'd get up and read.
With an air of sadness.
You'd dance
and sing and devour
the world with your dog.
And I wanted to be that dog, attached
to you for the rest of my life.
But I couldn't just
stop what I was doing.
I couldn't just stop
and tell you the truth.
And there was no way to stop the heist.
[TENDER MUSIC BUILDING]
No, I can't.
I need to use the bathroom.
It's that way.
[TENDER MUSIC FADES]
[TENSE MUSIC PLAYING]
[STATIC CRACKLES]
[TENDER MUSIC RISES]
To hell with it!
[BOTH PANTING]
Of course I can do it!
[TENDER MUSIC SWELLS]
- [TENDER MUSIC FADES SLOWLY]
- [CAMILLE PANTING]
Let's get outta here.
- [TENSE MUSIC PLAYING]
- Hello, Inspector.
- Ah.
- [SIERRA CHUCKLES]
Deputy Inspectors. What brings you here?
Well, who could refuse a trip to Paris?
We're here for an update on
your investigation. Any news?
I'll be quick.
Forensics have analyzed and classified
the DNA samples we got from
the hotel rooms and from the RV.
All in all, they found more
than 2,580 different samples.
It's as if the DNA
remains of every ethnicity
from every continent in the world
is scattered across the crime scene.
And of course, none of the samples
match with any known
criminals we have on file.
These sketches are all we have.
Police sketches we put together
from multiple witnesses.
Well, they may have gotten
away with it for now,
but they'll pull another job.
And the next time it
happens, we'll be ready.
[DOORBELL RINGS]
[BERLIN SIGHS]
There's something important
we need to discuss.
No amount of money can
compensate for the pain
and humiliation you've caused.
Not to mention the collateral
damage of destroying my marriage.
Here's my offer.
In exchange for my silence, we want 40%.
I have information about you
that I'm sure will be of interest
to police around the world.
And what exactly is this information?
Naturally, as a
professional, you are aware
that we've made copies.
["QUE ME COMA EL TIGRE" BY
LOLA FLORES PLAYING ON RECORDER]
[SONG ENDS]
- [SIGHS]
- [WHIMSICAL MUSIC PLAYING]
And here are the three other tapes.
This is the one from your apartment,
the one from the safe, and
the one from the glove box.
All erased, naturally.
And I mustn't forget
this piece of evidence
you left in the bathroom.
The Band-Aid with the
mark of a microphone cable.
I also have something to say to you.
You should thank me, Camille,
for the collateral damages
you've talked about.
I'm not the one who destroyed
your relationship with François.
Your marriage was already
a wreck when I arrived.
Let's just say he was a dance
partner, not your soulmate.
Now, granted, he loved
you in a mediocre way.
But he could never make you happy.
I, on the other hand, reminded
you how happy you could be.
And you, me.
[GENTLE MUSIC PLAYING]
[BERLIN] And you know what?
Our relationship isn't
some trivial affair.
It's real. It's real love.
It's survived intact
these past few months,
despite our separation,
despite the risks
and the distance
and the pain.
Yesterday, why couldn't
we restrain ourselves,
even though, deep down, I
knew you were coming back
to blackmail me?
Because our love is
true. It is unstoppable.
You can't ignore it, no
matter how hard you try.
It's the elephant in the room.
In fact, an elephant
in danger of extinction.
Because most people will
die without ever knowing it.
You tricked me.
- You used me.
- [BERLIN] No, Camille.
I had nothing to gain
from being with you.
In fact, I had everything to lose.
And yet, I wouldn't hesitate to
risk it all to get to know you again.
And another thing.
Even though you no
longer have the evidence
to blackmail me, I accept the extortion.
But first, you have to bear in mind
that all the jewels and precious stones
are currently being transformed
into new pieces in Turkey.
You know, we have to
transform all this stuff
because we can't really leave,
um, incriminating evidence.
So what you see here is the
first payment from Ankara.
3,800,000 euros.
Of course, I'll send you the rest
of the money once I receive it, okay?
- Works for you?
- Yeah.
That works for me.
FRANCE
[MUSIC FADES]
[UPBEAT FRENCH MUSIC PLAYING]
[BERLIN] Who would want convenient love?
[LAUGHING]
[BERLIN] Sometimes, we have no choice.
But you have to agree with me,
the craziness and vertigo of
loving someone you shouldn't
is so much more exciting.
The secrecy.
The thrill of risking your own life.
Going in, all or nothing,
riding the rollercoaster
of desire and pain.
I LOVE YOU.
[BERLIN] Just to feel, even
for the briefest of moments,
like you're driving full
throttle into the unknown.
My dear friends, love is the
only thing worth living for.
Don't forget it.
[FRENCH MUSIC WITH SPANISH
FLAMENCO RHYTHM PLAYING]
[MUSIC FADES]
I'm afraid I've had a few
setbacks, and I've lost my share.
I think we'll need another heist.
Fine by me.
My vacation was starting
to feel a little long.
[UPBEAT SPANISH MUSIC PLAYING]
[FRENCH MUSIC WITH SPANISH
FLAMENCO RHYTHM PLAYING]
[MUSIC ENDS]
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