Echo (2024) s01e03 Episode Script
Tuklo
1
(SKULLY SPEAKING)
Your grandmother could
trace your roots to
(IN CHOCTAW) the first Choctaw.
(WILLIAM SPEAKING)
You have to learn
to jump
between two worlds.
You're my family.
(MOTORCYCLE ROARS)
BONNIE: Maya is here?
Biscuits, where is she?
You look familiar. How come?
(PHONE KEYS CLICKING)
Maya's back.
Encourage her to pass through town
without causing any trouble.
(TRAIN HORN)
(RAPID BEEPING)
(EXPLOSION)
You're starting a war.
There's already a war.
(GUN SHOTS)
(FILM PROJECTOR SPINNING)
(ROUSING MUSIC PLAYING)
(HORSE HOOVES CLOPPING)
(SAD MUSIC PLAYING)
(RUNNING WATER)
(PENSIVE MUSIC PLAYING)
(ROUSING MUSIC SWELLING)
(SUSPENSEFUL MUSIC PLAYING)
(SUSPENSEFUL MUSIC INTENSIFIES)
(RUNNING WATER)
(SOUND AND MUSIC SLOWLY INTENSIFY)
(DISCORDANT SOUNDS AND MUSIC)
(GUN SHOTS)
(WAR CRY)
(MEN GRUNTING)
(HEROIC MUSIC PLAYING)
(BODY THUDS)
- (WAR CRIES)
- (MAN GRUNTS)
(GUN FIRES)
(GROANS)
(WAR CRY)
(FILM FLUTTERING OUT)
(BURNING BY YEAH YEAH YEAHS PLAYING)
SINGER: Believer ♪
Took me over like a fever ♪
Caught you hiding
in the smoke, smoke, smoke ♪
Like a meteor I glow, glow, glow ♪
What you gonna do
when you get to the water? ♪
Well, I'll release her ♪
From the bindings of her teachers ♪
What they're hiding there
is broke, broke, broke ♪
Like the River Styx
I flow, flow, flow ♪
What you gonna do
when you get to the water? ♪
What you gonna do
when you get to the water? ♪
Into the sea, out of fire ♪
All that burning ♪
Into the sea, out of fire ♪
All that burning ♪
(BURNING FADES)
(DOORBELL RINGING)
(BUZZER SOUNDS)
Yakoke.
(DREAMER BY JOYCE HARRIS
PLAYING ON STEREO)
(SKULLY CLEARS THROAT)
Don't give me that look.
Well, halito to you too, Chula.
(SPEAKING CHOCTAW) How are you?
Well, you could do better than that.
Why don't we, uh,
go into my office?
(SPEAKING CHOCTAW) Do you want to eat?
I didn't come here to get leg-humped
by some old rez dog like you.
Ah, you used to melt like butter
when I talked Indian to you.
That was a long time ago.
Doesn't have to be like that now.
Maya's back.
Yeah, I thought that might
have something to do with it.
Come on in.
Go sit over there.
But that old chair hurts
my back, you know?
(GROANS SOFTLY) What's this?
CHULA: Biscuits near totaled my truck
doing who knows what.
He's covering for Maya.
She's bringing trouble with her.
And now Biscuits is caught up in it.
She's too much like her father.
You don't know that.
You don't even know her.
And you do?
You haven't seen her any more
than I have in the last 20 years.
(SCOFFS) Oh really?
What's she up to, then?
(CLEARS THROAT) Not for me to say.
Why don't you ask her?
Not likely.
- (CLICKS)
- (MUSIC STOPS)
You know, you two are exactly alike.
We are not alike.
Everything I've done has
been to protect my family,
however much it hurt.
You lost your daughter.
Why don't you just swallow your pride
before you lose your granddaughter, too?
I can't talk to her now.
I got nothing to say.
(SIGHS)
Well, maybe you shouldn't talk to her.
Maybe you should just listen for once.
(EMOTIONAL MUSIC PLAYING)
- (DOOR OPENS AND CLOSES)
- (SIGHS)
ZANE: (OVER PHONE)
Don't disappoint me, Vickie.
Your intel won't be worth
jack shit if she's gone.
Zane, I promise you, man. Maya's here.
We're still a few hours out.
Tonight, have her ready.
Wait for my call.
(CALL DISCONNECTS)
(OMINOUS MUSIC PLAYING)
(BIRDS CHIRPING)
(FOOTSTEPS)
(GASPS)
- (DISCORDANT MUSIC)
- (MYSTERIOUS SOUNDS)
(INDISTINCT SOUND)
(GRUNTING)
(MYSTERIOUS MUSIC PLAYING)
(RATTLING)
(GRUNTS)
(SOUNDS AND MUSIC SLOWLY FADE)
(SINGLE HEART BEATING)
- (SINGLE HEART BEAT CONTINUES)
- (INAUDIBLE CONVERSATION)
VICKIE: One, two, three.
- GRACE: God, give me a hand.
- VICKIE: I am.
(SCOFFS)
- VICKIE: One of youse gotta babysit her.
- GRACE: Or you could.
No. I gotta be out front
when he gets here.
I'm the man on the inside.
All you gotta do is sit outside that
door. What are you, scared?
BRIGITTE: I will babysit her
since you two are too chickenshit.
GRACE: Fine. Have fun.
(TENSE MUSIC BUILDING)
(CRICKETS CHIRPING)
(DOOR RATTLES)
(KNOCKING)
(KNOCKING CONTINUES)
Hello?
- (MUFFLED SCREAM)
- Shut up. Shut up.
(DOOR GROANS)
Uncle Henry?
Uncle Henry?
- Hey.
- Hey. I tried the front.
Yeah. Sorry.
Um, not a good time. Pretty busy.
I won't take very long. I
I just have some questions I wanna ask.
- Uh, privately.
- How about you call me tomorrow?
The rink's being audited by the IRS,
and I'm just swimming in paperwork.
LEAVE NOW.
Yikes, the IRS?
Is there anything I can do?
GO.
No no no. I'm good.
Probably shouldn't have deducted
all that mileage on all
those pairs of skates.
(BONNIE CHUCKLES)
I'll, uh I'll leave you to it.
Appreciate it. Night, Bonnie.
(DOOR OPENS AND CLOSES)
What the hell was that? Huh? Did
you know she was coming around?
- Uh-uh.
- Are more people coming around here? Go.
(SUSPENSEFUL MUSIC PLAYING)
(WALKIE TALKIE BEEP)
Dispatch? Dispatch, this (GASPS)
(CHAINS RATTLE)
(TENSE MUSIC PLAYING)
(DOOR OPENING)
VICKIE: Get in here.
(BONNIE GROANS)
(DOOR SHUTTING)
(SIGHS)
(SCOFFS)
(HIDDEN BLADE OPENING)
(DETERMINED MUSIC PLAYING)
You okay?
I will be.
BRIGITTE: I'm doin' it.
I'm doin' it. Whoa.
Looks like they're in no hurry.
What are they waiting for?
Stop.
Stop looking for a way out of here?
You know
what I mean.
Look.
I'm just here for work stuff.
No sense disrupting your life
if I'm not going to be here long.
Bullshit.
You can't even
look me in the eye.
I waited for you.
Every night
for years.
And you still couldn't be bothered
to send one message.
We drifted apart.
It happens.
We didn't drift.
All those emails, texts.
Nothing ever came back.
You didn't text
me back after
your dad died.
I would have been there.
Come on, Vickie. Let me
smooth things out with Maya.
Tell her it was a misunderstanding.
That way, if you leave now,
you got nothing to worry about.
Only person with anything
to worry about is her.
What did you do?
No. Maya brought this on herself,
coming home.
Alls I did was accelerate the process.
You called someone?
Yeah, well, here's the thing, Henry.
I ain't taking orders no more.
Not from you.
There's still a chance
for you to get out of this alive.
You really think he's gonna pay you
and then just let you walk out of here?
If I was you, Henry,
I would have turned her in myself,
collect that bounty.
You left it up for grabs
and I'm grabbing.
GRACE: Vickie!
Come on, Vickie.
I swear I heard something.
They might be loose.
VICKIE: Alright. Quickly, though.
He's almost here.
(SOUNDS AND MUSIC SLOWLY FADE)
(SINGLE HEART BEATING)
(SOUND RETURNS)
GRACE: Her zip ties.
Told you I heard something.
VICKIE: Whoa, whoa whoa whoa.
Don't shoot her.
If she's dead when they get here,
we ain't getting paid.
Hey. Guns down.
I can talk to her.
Please.
Gun down, Grace!
Come on.
GRACE: Tell your gimpy friend
to put her zip ties back on.
Someone is coming
to pay them for you.
VICKIE: Hey, hey!
BRIGITTE: Do not assume incompetence
What do we do?
VICKIE: Wh-What is she saying to her?
I'm going to punch you.
VICKIE: They weren't supposed
to be fighting each other.
- GRACE: Hurry up, go.
- VICKIE: No, we need her alive.
Let's get out of here. Come on.
(GASPING)
(BREATHING HEAVILY) I think we
gotta go back in and hog-tie her.
No, it's not worth the trouble.
- (PHONE VIBRATES)
- BRIDGETTE: The door's locked anyway.
They're here.
Okay
- Throw her back in there, too?
- No. She's coming with us.
Come on.
- Alright. Have fun.
- Let's go. I got her. I got her.
(PANTING)
(ROUSING MUSIC PLAYING)
You're the guy, then?
Yeah, I'm the guy. Vickie.
Vickie? Nice to see your face
at last, I guess.
We come a very long way.
So, for your sake,
I hope the information
you've been texting is legit.
See, uh
I don't like being played with, Vickie.
Guaranteed, it's the real deal.
Assuming you brought that money.
Oh. No. We got protocols, right?
I keeps the money safe
while I assesses the situation.
You don't think I'd walk in
with the money, do you?
'Course not.
You work here?
VICKIE: Yeah.
Wow. It's lush.
You are a lucky bastard.
I tell you what, boys, when the
gig's done, Ring Pops on me.
You can hook us up, right, brah?
Fan out, boys. She's here somewhere.
See, I was thinking, you
show me that money first
and make sure it's all there.
- Like, I need to know that you have it.
- (INDISTINCT CHATTER)
(ROUSING MUSIC RESUMES)
(LASER TRILLS)
(WHIRS)
WOMAN: (ON VIDEO)
for their own safety
and self-defense in
an uncertain America.
Today, hostage negotiations.
I'll jump right in.
You need to keep yourself alert
and aware of your surroundings
and any and all potential
threats at all times.
And remember, do not assume incompetence
when dealing with an unknown kidnapper.
Instead, take precautions on a number
of levels to protect yourself
(CHAIR SQUEAKS)
and any bystanders from a
multitude of deadly possibilities.
What does your kidnapper
- (GLASS SHATTERING)
- (GASPING)
or her path without
doing further harm.
Signing off.
This is Esther of Militia Mommies.
Please smash "like"
and "subscribe" below.
Where you at?
Come on, now. Don't make
What the
- (WHOOSHING)
- (GRUNTS AND YELLS)
(THUDS)
Okay, so, here's what I'm thinking.
Um, so, you grab the money, and then
Vickie. What the hell, man?
We're supposed to be makin' a deal,
not giving them the grand tour.
Can you let me handle this, Grace?
Looks like you're lettin'
this guy handle it.
What's up, kitty cat?
Ah, looky, looky. Is that
Henry Black Crow Lopez?
Surprised to see me?
Look at you all tied up.
Let me talk. It'll be okay.
How'd you get jammed up like this?
You got something to spill? Huh?
Where's that niece of yours, huh?
Maya Lopez. Lopez who
blew up the armory.
We're actually not at liberty to say
until we get our money.
(GROWLS)
I'm so tired of all this yappin'.
(CELL PHONE VIBRATES)
- I'm gonna go check on somethin'.
- Yeah.
Matter of fact, she probably
needs a hand with that,
so I'm gonna head out,
and then I'll be right
ZANE: Is something wrong?
No. What?
We still got a deal.
So how about let's all go out
and you show me that money?
You catch that, brothers?
What? Look, there's no problem.
Vickie wants to go out.
So, take him out.
No. Oh no, no, no. No.
(GUN FIRES)
- (GROANS)
- ZANE: Oh!
Thanks again, Vickie, for the hot tip.
Would have been nice if
she were, you know, here.
(DOOR CLOSES)
The sister's headed for the parking lot.
Let her go.
I got who I wants here.
You's the one who's gonna give me
the answers to my question.
Where is Maya Lopez?
(DRAGULA BY ROB ZOMBIE PLAYING LOUDLY)
I slam in the back of my Dragula ♪
Dig through the ditches ♪
Circuit breaker's in the laser tag area.
ZANE: What are you waiting for?
Go find her!
(INDISTINCT SHOUTING)
Where is she? Get in the circuit!
Boys, pivot!
ZANE: Lopez!
(DRAGULA CONTINUES MUFFLED)
(GRUNTS)
(SWITCHES CLICKING)
(ELECTRICAL ZAP)
- (CHUCKLES)
- CARTER: Shut up!
(DRAGULA CONTINUES)
She's got the place rigged.
Everyone, eyes up! Lopez is here!
(SCREAMS)
and burn through the witches ♪
I slam in the back of my Dragula ♪
Be on the lookout. She's
around here somewhere.
(THUD)
Do it, baby do it, baby ♪
Burn like an animal ♪
(THUDDING)
- (CRASHING)
- (MAN GRUNTS)
(DRAGULA FADES)
(MAN GRUNTS)
- (GUNSHOT)
- (MAN GRUNTS)
(SOUNDS AND MUSIC SLOWLY FADE)
(SINGLE HEART BEATING)
(ROUSING MUSIC PLAYING)
(GUN CLICKS)
(GLASS SHATTERING)
(GLASS SHATTERING)
(GUNFIRE)
(MEN GRUNTING)
(WHIP CRACKS)
(INDISTINCT YELLING)
PAH!
Oh.
(CHUCKLING)
(BALL HITTING THE FLOOR)
(VIDEO GAME LOSING SOUNDS)
(DANGEROUS MUSIC PLAYING)
(GRUNTS)
No!
(CELL PHONE VIBRATES)
(NEW YORK MINUTE BY DON HENLEY PLAYING)
Everything can change
in a New York Minute ♪
Things can get ♪
Aye?
Well, I thought
Yeah. I understand.
I'm sorry, I Let me just
(CALL DISCONNECTS)
(FOREBODING MUSIC PLAYING)
(EXHALES)
Let's go.
(GASPS)
(FOREBODING MUSIC INTENSIFIES)
(DOOR SLAMMING SHUT)
Does it hurt?
You could have broken something.
Sorry. Had to look real.
Listen.
You need to go.
(CAR DOOR OPENING AND SLAMMED SHUT)
Go?
We have to wait for the police.
(CAR DOOR SLAMMED SHUT)
No police. I can't have police.
Please.
Do you think they'll come back?
I won't let anyone hurt you.
I promise.
They were here for me.
Not you.
I need you to go home, Bonnie.
We'll talk soon, I promise.
You promise?
(CAR DOOR OPENING)
(SIGHS)
(CAR DOOR SLAMMING SHUT)
(TRUCK ENGINE STARTS)
What the hell just happened?
Which part?
The part
where we
were kidnapped by the guy
who cleans my skates?
Or
the part where we
almost die
because there's a price
on your head?
We wouldn't be here
if someone hadn't called off
Zane and his dogs.
There's
only one
person who
could have.
I shot him in the face.
Look
tonight
things
caught up to us both.
If
the offer
still stands
I'm helping you.
(WHEN WE REMAIN
BY SAMANTHA CRAIN PLAYING)
Tamaha chito okla imihaksi tuko ♪
I foni aiyokli ahoba hapiachi kiyo ♪
Vpi ahoba osh ohmi tamaha ♪
- (GUN CLICKS)
- (DOOR OPENS)
Okla il vbachike ♪
Okla e maya momakma ♪
Tamaha chito okla imihaksi tuko ♪
I foni aiyokli ahoba hapiachi kiyo ♪
(WHEN WE REMAIN FADES)
You
don't
like it.
I just prefer
a simpler look.
That's all.
Hello!
You live in
New York.
You represent
your people.
That means
(SPEAKING CHOCTAW) a Choctaw Warrior
But
if you
don't like it,
I could
paint it
matte black.
Leave it as is.
I'll just wear
my pants over it.
I'm just teasing.
Now, you know
I don't
get in
family business.
Since your
grandmother
and I
not together
no more.
But
you won't
go see her?
She doesn't wanna see me.
Her heart was broken
when you left.
She left
this place
like it was.
Like a museum.
She could've reached out any time.
She never did.
I guess
we all
do things
we wish
were different.
(CLICKS)
(DOOR OPENS AND CLOSES)
(EMOTIONAL MUSIC SWELLS)
(CHOIR SINGING VBA ISHT TALOA #121
IN CHOCTAW)
Chihowa ushi mak hosh ♪
Vba ya ♪
Mihintishke ♪
Nan isht a ♪
Holitopa ♪
Moma ilia ♪
Eshi hosh ♪
Vba ya ♪
Mihintishke ♪
Nan uha ♪
Im vlhtaha ♪
Holitopa ♪
Ai ahlit ♪
Vba ya ♪
Mihintishke ♪
(VBA ISHT TALOA #121 FADES)
(GENTLE WIND CHIMES)
(GASPS)
(OMINOUS MUSIC PLAYING)
(OMINOUS MUSIC BUILDING)
(FERAL LOVE BY CHELSEA WOLFE PLAYING)
(SKULLY SPEAKING)
Your grandmother could
trace your roots to
(IN CHOCTAW) the first Choctaw.
(WILLIAM SPEAKING)
You have to learn
to jump
between two worlds.
You're my family.
(MOTORCYCLE ROARS)
BONNIE: Maya is here?
Biscuits, where is she?
You look familiar. How come?
(PHONE KEYS CLICKING)
Maya's back.
Encourage her to pass through town
without causing any trouble.
(TRAIN HORN)
(RAPID BEEPING)
(EXPLOSION)
You're starting a war.
There's already a war.
(GUN SHOTS)
(FILM PROJECTOR SPINNING)
(ROUSING MUSIC PLAYING)
(HORSE HOOVES CLOPPING)
(SAD MUSIC PLAYING)
(RUNNING WATER)
(PENSIVE MUSIC PLAYING)
(ROUSING MUSIC SWELLING)
(SUSPENSEFUL MUSIC PLAYING)
(SUSPENSEFUL MUSIC INTENSIFIES)
(RUNNING WATER)
(SOUND AND MUSIC SLOWLY INTENSIFY)
(DISCORDANT SOUNDS AND MUSIC)
(GUN SHOTS)
(WAR CRY)
(MEN GRUNTING)
(HEROIC MUSIC PLAYING)
(BODY THUDS)
- (WAR CRIES)
- (MAN GRUNTS)
(GUN FIRES)
(GROANS)
(WAR CRY)
(FILM FLUTTERING OUT)
(BURNING BY YEAH YEAH YEAHS PLAYING)
SINGER: Believer ♪
Took me over like a fever ♪
Caught you hiding
in the smoke, smoke, smoke ♪
Like a meteor I glow, glow, glow ♪
What you gonna do
when you get to the water? ♪
Well, I'll release her ♪
From the bindings of her teachers ♪
What they're hiding there
is broke, broke, broke ♪
Like the River Styx
I flow, flow, flow ♪
What you gonna do
when you get to the water? ♪
What you gonna do
when you get to the water? ♪
Into the sea, out of fire ♪
All that burning ♪
Into the sea, out of fire ♪
All that burning ♪
(BURNING FADES)
(DOORBELL RINGING)
(BUZZER SOUNDS)
Yakoke.
(DREAMER BY JOYCE HARRIS
PLAYING ON STEREO)
(SKULLY CLEARS THROAT)
Don't give me that look.
Well, halito to you too, Chula.
(SPEAKING CHOCTAW) How are you?
Well, you could do better than that.
Why don't we, uh,
go into my office?
(SPEAKING CHOCTAW) Do you want to eat?
I didn't come here to get leg-humped
by some old rez dog like you.
Ah, you used to melt like butter
when I talked Indian to you.
That was a long time ago.
Doesn't have to be like that now.
Maya's back.
Yeah, I thought that might
have something to do with it.
Come on in.
Go sit over there.
But that old chair hurts
my back, you know?
(GROANS SOFTLY) What's this?
CHULA: Biscuits near totaled my truck
doing who knows what.
He's covering for Maya.
She's bringing trouble with her.
And now Biscuits is caught up in it.
She's too much like her father.
You don't know that.
You don't even know her.
And you do?
You haven't seen her any more
than I have in the last 20 years.
(SCOFFS) Oh really?
What's she up to, then?
(CLEARS THROAT) Not for me to say.
Why don't you ask her?
Not likely.
- (CLICKS)
- (MUSIC STOPS)
You know, you two are exactly alike.
We are not alike.
Everything I've done has
been to protect my family,
however much it hurt.
You lost your daughter.
Why don't you just swallow your pride
before you lose your granddaughter, too?
I can't talk to her now.
I got nothing to say.
(SIGHS)
Well, maybe you shouldn't talk to her.
Maybe you should just listen for once.
(EMOTIONAL MUSIC PLAYING)
- (DOOR OPENS AND CLOSES)
- (SIGHS)
ZANE: (OVER PHONE)
Don't disappoint me, Vickie.
Your intel won't be worth
jack shit if she's gone.
Zane, I promise you, man. Maya's here.
We're still a few hours out.
Tonight, have her ready.
Wait for my call.
(CALL DISCONNECTS)
(OMINOUS MUSIC PLAYING)
(BIRDS CHIRPING)
(FOOTSTEPS)
(GASPS)
- (DISCORDANT MUSIC)
- (MYSTERIOUS SOUNDS)
(INDISTINCT SOUND)
(GRUNTING)
(MYSTERIOUS MUSIC PLAYING)
(RATTLING)
(GRUNTS)
(SOUNDS AND MUSIC SLOWLY FADE)
(SINGLE HEART BEATING)
- (SINGLE HEART BEAT CONTINUES)
- (INAUDIBLE CONVERSATION)
VICKIE: One, two, three.
- GRACE: God, give me a hand.
- VICKIE: I am.
(SCOFFS)
- VICKIE: One of youse gotta babysit her.
- GRACE: Or you could.
No. I gotta be out front
when he gets here.
I'm the man on the inside.
All you gotta do is sit outside that
door. What are you, scared?
BRIGITTE: I will babysit her
since you two are too chickenshit.
GRACE: Fine. Have fun.
(TENSE MUSIC BUILDING)
(CRICKETS CHIRPING)
(DOOR RATTLES)
(KNOCKING)
(KNOCKING CONTINUES)
Hello?
- (MUFFLED SCREAM)
- Shut up. Shut up.
(DOOR GROANS)
Uncle Henry?
Uncle Henry?
- Hey.
- Hey. I tried the front.
Yeah. Sorry.
Um, not a good time. Pretty busy.
I won't take very long. I
I just have some questions I wanna ask.
- Uh, privately.
- How about you call me tomorrow?
The rink's being audited by the IRS,
and I'm just swimming in paperwork.
LEAVE NOW.
Yikes, the IRS?
Is there anything I can do?
GO.
No no no. I'm good.
Probably shouldn't have deducted
all that mileage on all
those pairs of skates.
(BONNIE CHUCKLES)
I'll, uh I'll leave you to it.
Appreciate it. Night, Bonnie.
(DOOR OPENS AND CLOSES)
What the hell was that? Huh? Did
you know she was coming around?
- Uh-uh.
- Are more people coming around here? Go.
(SUSPENSEFUL MUSIC PLAYING)
(WALKIE TALKIE BEEP)
Dispatch? Dispatch, this (GASPS)
(CHAINS RATTLE)
(TENSE MUSIC PLAYING)
(DOOR OPENING)
VICKIE: Get in here.
(BONNIE GROANS)
(DOOR SHUTTING)
(SIGHS)
(SCOFFS)
(HIDDEN BLADE OPENING)
(DETERMINED MUSIC PLAYING)
You okay?
I will be.
BRIGITTE: I'm doin' it.
I'm doin' it. Whoa.
Looks like they're in no hurry.
What are they waiting for?
Stop.
Stop looking for a way out of here?
You know
what I mean.
Look.
I'm just here for work stuff.
No sense disrupting your life
if I'm not going to be here long.
Bullshit.
You can't even
look me in the eye.
I waited for you.
Every night
for years.
And you still couldn't be bothered
to send one message.
We drifted apart.
It happens.
We didn't drift.
All those emails, texts.
Nothing ever came back.
You didn't text
me back after
your dad died.
I would have been there.
Come on, Vickie. Let me
smooth things out with Maya.
Tell her it was a misunderstanding.
That way, if you leave now,
you got nothing to worry about.
Only person with anything
to worry about is her.
What did you do?
No. Maya brought this on herself,
coming home.
Alls I did was accelerate the process.
You called someone?
Yeah, well, here's the thing, Henry.
I ain't taking orders no more.
Not from you.
There's still a chance
for you to get out of this alive.
You really think he's gonna pay you
and then just let you walk out of here?
If I was you, Henry,
I would have turned her in myself,
collect that bounty.
You left it up for grabs
and I'm grabbing.
GRACE: Vickie!
Come on, Vickie.
I swear I heard something.
They might be loose.
VICKIE: Alright. Quickly, though.
He's almost here.
(SOUNDS AND MUSIC SLOWLY FADE)
(SINGLE HEART BEATING)
(SOUND RETURNS)
GRACE: Her zip ties.
Told you I heard something.
VICKIE: Whoa, whoa whoa whoa.
Don't shoot her.
If she's dead when they get here,
we ain't getting paid.
Hey. Guns down.
I can talk to her.
Please.
Gun down, Grace!
Come on.
GRACE: Tell your gimpy friend
to put her zip ties back on.
Someone is coming
to pay them for you.
VICKIE: Hey, hey!
BRIGITTE: Do not assume incompetence
What do we do?
VICKIE: Wh-What is she saying to her?
I'm going to punch you.
VICKIE: They weren't supposed
to be fighting each other.
- GRACE: Hurry up, go.
- VICKIE: No, we need her alive.
Let's get out of here. Come on.
(GASPING)
(BREATHING HEAVILY) I think we
gotta go back in and hog-tie her.
No, it's not worth the trouble.
- (PHONE VIBRATES)
- BRIDGETTE: The door's locked anyway.
They're here.
Okay
- Throw her back in there, too?
- No. She's coming with us.
Come on.
- Alright. Have fun.
- Let's go. I got her. I got her.
(PANTING)
(ROUSING MUSIC PLAYING)
You're the guy, then?
Yeah, I'm the guy. Vickie.
Vickie? Nice to see your face
at last, I guess.
We come a very long way.
So, for your sake,
I hope the information
you've been texting is legit.
See, uh
I don't like being played with, Vickie.
Guaranteed, it's the real deal.
Assuming you brought that money.
Oh. No. We got protocols, right?
I keeps the money safe
while I assesses the situation.
You don't think I'd walk in
with the money, do you?
'Course not.
You work here?
VICKIE: Yeah.
Wow. It's lush.
You are a lucky bastard.
I tell you what, boys, when the
gig's done, Ring Pops on me.
You can hook us up, right, brah?
Fan out, boys. She's here somewhere.
See, I was thinking, you
show me that money first
and make sure it's all there.
- Like, I need to know that you have it.
- (INDISTINCT CHATTER)
(ROUSING MUSIC RESUMES)
(LASER TRILLS)
(WHIRS)
WOMAN: (ON VIDEO)
for their own safety
and self-defense in
an uncertain America.
Today, hostage negotiations.
I'll jump right in.
You need to keep yourself alert
and aware of your surroundings
and any and all potential
threats at all times.
And remember, do not assume incompetence
when dealing with an unknown kidnapper.
Instead, take precautions on a number
of levels to protect yourself
(CHAIR SQUEAKS)
and any bystanders from a
multitude of deadly possibilities.
What does your kidnapper
- (GLASS SHATTERING)
- (GASPING)
or her path without
doing further harm.
Signing off.
This is Esther of Militia Mommies.
Please smash "like"
and "subscribe" below.
Where you at?
Come on, now. Don't make
What the
- (WHOOSHING)
- (GRUNTS AND YELLS)
(THUDS)
Okay, so, here's what I'm thinking.
Um, so, you grab the money, and then
Vickie. What the hell, man?
We're supposed to be makin' a deal,
not giving them the grand tour.
Can you let me handle this, Grace?
Looks like you're lettin'
this guy handle it.
What's up, kitty cat?
Ah, looky, looky. Is that
Henry Black Crow Lopez?
Surprised to see me?
Look at you all tied up.
Let me talk. It'll be okay.
How'd you get jammed up like this?
You got something to spill? Huh?
Where's that niece of yours, huh?
Maya Lopez. Lopez who
blew up the armory.
We're actually not at liberty to say
until we get our money.
(GROWLS)
I'm so tired of all this yappin'.
(CELL PHONE VIBRATES)
- I'm gonna go check on somethin'.
- Yeah.
Matter of fact, she probably
needs a hand with that,
so I'm gonna head out,
and then I'll be right
ZANE: Is something wrong?
No. What?
We still got a deal.
So how about let's all go out
and you show me that money?
You catch that, brothers?
What? Look, there's no problem.
Vickie wants to go out.
So, take him out.
No. Oh no, no, no. No.
(GUN FIRES)
- (GROANS)
- ZANE: Oh!
Thanks again, Vickie, for the hot tip.
Would have been nice if
she were, you know, here.
(DOOR CLOSES)
The sister's headed for the parking lot.
Let her go.
I got who I wants here.
You's the one who's gonna give me
the answers to my question.
Where is Maya Lopez?
(DRAGULA BY ROB ZOMBIE PLAYING LOUDLY)
I slam in the back of my Dragula ♪
Dig through the ditches ♪
Circuit breaker's in the laser tag area.
ZANE: What are you waiting for?
Go find her!
(INDISTINCT SHOUTING)
Where is she? Get in the circuit!
Boys, pivot!
ZANE: Lopez!
(DRAGULA CONTINUES MUFFLED)
(GRUNTS)
(SWITCHES CLICKING)
(ELECTRICAL ZAP)
- (CHUCKLES)
- CARTER: Shut up!
(DRAGULA CONTINUES)
She's got the place rigged.
Everyone, eyes up! Lopez is here!
(SCREAMS)
and burn through the witches ♪
I slam in the back of my Dragula ♪
Be on the lookout. She's
around here somewhere.
(THUD)
Do it, baby do it, baby ♪
Burn like an animal ♪
(THUDDING)
- (CRASHING)
- (MAN GRUNTS)
(DRAGULA FADES)
(MAN GRUNTS)
- (GUNSHOT)
- (MAN GRUNTS)
(SOUNDS AND MUSIC SLOWLY FADE)
(SINGLE HEART BEATING)
(ROUSING MUSIC PLAYING)
(GUN CLICKS)
(GLASS SHATTERING)
(GLASS SHATTERING)
(GUNFIRE)
(MEN GRUNTING)
(WHIP CRACKS)
(INDISTINCT YELLING)
PAH!
Oh.
(CHUCKLING)
(BALL HITTING THE FLOOR)
(VIDEO GAME LOSING SOUNDS)
(DANGEROUS MUSIC PLAYING)
(GRUNTS)
No!
(CELL PHONE VIBRATES)
(NEW YORK MINUTE BY DON HENLEY PLAYING)
Everything can change
in a New York Minute ♪
Things can get ♪
Aye?
Well, I thought
Yeah. I understand.
I'm sorry, I Let me just
(CALL DISCONNECTS)
(FOREBODING MUSIC PLAYING)
(EXHALES)
Let's go.
(GASPS)
(FOREBODING MUSIC INTENSIFIES)
(DOOR SLAMMING SHUT)
Does it hurt?
You could have broken something.
Sorry. Had to look real.
Listen.
You need to go.
(CAR DOOR OPENING AND SLAMMED SHUT)
Go?
We have to wait for the police.
(CAR DOOR SLAMMED SHUT)
No police. I can't have police.
Please.
Do you think they'll come back?
I won't let anyone hurt you.
I promise.
They were here for me.
Not you.
I need you to go home, Bonnie.
We'll talk soon, I promise.
You promise?
(CAR DOOR OPENING)
(SIGHS)
(CAR DOOR SLAMMING SHUT)
(TRUCK ENGINE STARTS)
What the hell just happened?
Which part?
The part
where we
were kidnapped by the guy
who cleans my skates?
Or
the part where we
almost die
because there's a price
on your head?
We wouldn't be here
if someone hadn't called off
Zane and his dogs.
There's
only one
person who
could have.
I shot him in the face.
Look
tonight
things
caught up to us both.
If
the offer
still stands
I'm helping you.
(WHEN WE REMAIN
BY SAMANTHA CRAIN PLAYING)
Tamaha chito okla imihaksi tuko ♪
I foni aiyokli ahoba hapiachi kiyo ♪
Vpi ahoba osh ohmi tamaha ♪
- (GUN CLICKS)
- (DOOR OPENS)
Okla il vbachike ♪
Okla e maya momakma ♪
Tamaha chito okla imihaksi tuko ♪
I foni aiyokli ahoba hapiachi kiyo ♪
(WHEN WE REMAIN FADES)
You
don't
like it.
I just prefer
a simpler look.
That's all.
Hello!
You live in
New York.
You represent
your people.
That means
(SPEAKING CHOCTAW) a Choctaw Warrior
But
if you
don't like it,
I could
paint it
matte black.
Leave it as is.
I'll just wear
my pants over it.
I'm just teasing.
Now, you know
I don't
get in
family business.
Since your
grandmother
and I
not together
no more.
But
you won't
go see her?
She doesn't wanna see me.
Her heart was broken
when you left.
She left
this place
like it was.
Like a museum.
She could've reached out any time.
She never did.
I guess
we all
do things
we wish
were different.
(CLICKS)
(DOOR OPENS AND CLOSES)
(EMOTIONAL MUSIC SWELLS)
(CHOIR SINGING VBA ISHT TALOA #121
IN CHOCTAW)
Chihowa ushi mak hosh ♪
Vba ya ♪
Mihintishke ♪
Nan isht a ♪
Holitopa ♪
Moma ilia ♪
Eshi hosh ♪
Vba ya ♪
Mihintishke ♪
Nan uha ♪
Im vlhtaha ♪
Holitopa ♪
Ai ahlit ♪
Vba ya ♪
Mihintishke ♪
(VBA ISHT TALOA #121 FADES)
(GENTLE WIND CHIMES)
(GASPS)
(OMINOUS MUSIC PLAYING)
(OMINOUS MUSIC BUILDING)
(FERAL LOVE BY CHELSEA WOLFE PLAYING)