Face Off (2011) s06e10 Episode Script

It's a black hole of original thought.
It's an awesome makeup.
It's kind of like bondage Rambo.
Previously on Face Off Daran's multiple-faced victim brought him his third win Thank you, thank you, thank you.
and Corinne was sent home.
Now, seven artists remain.
Tonight they dive into a world of whimsical beasts.
- Never-seen-before characters.
- Cool.
I'm ready to embrace anything that's on the immature side.
But some struggle to bring their creations to life.
If you have the time, do a cowl.
- It could only help you.
- That's fucking risky, dude.
Everything we do is risky.
I think your character needs a little more power to it.
I keep looking at it and I'm like, "Oh, shit, he's right.
" Head to toe, you've really done a beautiful job.
It doesn't feel like a predator.
It feels more like it would be subject to gang beatings.
In the end, only one will win a VIP trip from Kryolan Professional Makeup to one of their a brand-new and $100,000.
Who will be the next great name in movie magic? Face Off! Welcome toFace Off.
I can't believe that you and Corinne were on the bottom.
I didn't want either one of you guys goin'.
Being on the bottom for the first time and just seeing the red lights, it was weird and not a position I want to be in again.
Corinne's an awesome artist, and I thought I was gonna go home.
It was very frightening, and it's not a place I want to be at again.
There's less than half of us.
- We started with 15 people.
- Mm-hmm.
This far in a competition means you have to dig deep because any little mistake can send you home.
What do we got now? - Hm, Kidspace.
- Kidspace.
I love kids.
We're walkin' up to the Kidspace Museum.
Ooh.
What is this? There's all sorts of cool learning contraptions.
- Nice.
- Oh, cool.
Oh.
Oh, there she is.
There's McKenzie standin' next to a giant box of crayons.
- Hey, guys.
- Hey.
And I'm ready to embrace anything that's on the immature side.
Welcome to Kidspace Museum in Pasadena, it's a place for children to explore their creativity and learn in a fun, hands-on way.
I brought you here because like your next challenge, it was designed to inspire the imagination.
Good.
Today, we'll be entering the whimsical world - of children's books - Ooh.
Which have been the source of some of Hollywood's most successful films, like Charlie And The Chocolate Factory, The Fantastic Mr.
Fox, and James And The Giant Peach.
Oh, nice.
All of these sprang from the mind of best-selling children's author Roald Dahl.
- Wow, nice.
- Oh.
It touches me in a way 'cause I've opened my creativity so much reading Roald Dahl's books as a kid.
We are lucky enough to have someone here with us today who's very close to the source.
Please welcome author, screenwriter, and Roald Dahl's daughter, Lucy Dahl.
- Cool.
- Amazing.
It's really an honor to have a daughter of the guy that we all loved as a kid.
- Lucy, hello.
- Hi.
Thank you so much for being here with us.
Thank you for having me.
Well, this year is the 50th anniversary of Charlie And The Chocolate Factory.
Yes.
Why do you think this has resonated so profoundly with people? Chocolate.
Being able to go into a world that you don't really think that you can ever normally go into, like a chocolate factory with chocolate rivers.
Actually, one of my first memories was going into the real chocolate room in the first film, which was amazing.
Oh, awesome.
While we will never forget characters like Willy Wonka, Miss Trunchbull, and the Oompa Loompas, not all of Dahl's creations have come to life on the silver screen.
The Oompa Loompa-eating Whangdoodle, Hornswogglers, Vermicious Knids, and Snozzwangers have fascinated my father's fan base for years, but they've never been seen on-screen.
He only described them as living in the thickest of jungles and the most dangerous beasts in the world.
Each crayon in this box contains the name of one of these unseen beasts.
Your spotlight challenge is to select one of them and use its name to inspire a wild and whimsical beast that would feel right at home in the world of Roald Dahl.
Oh, yes.
- Nice.
- All right.
Graham, you're up first.
Snozzwanger.
Hornswogglers.
Vermicious Knids? Vermicious Knids.
Hornswogglers.
Whangdoodle.
We're both Whangdoodles.
And I'm very happy to report that Lucy will be joining us on the reveal stage this week.
What should these guys keep in mind while working on their designs? Exaggeration of the truth.
If you're nice, you're really nice.
If you're horrible, you're really horrible.
If you're spoiled, you're really spoiled.
Just imagine what would eat an Oompa Loompa.
All right, guys, you have the extraordinary opportunity to give fans all over the world a first glimpse of these never-seen-before characters.
I'm going to leave you here while you work on your designs.
When you're done, you can head back to the lab and get started.
- Good luck.
- Thank you.
- Good-bye.
- Bye.
Ooh.
This place is awesome.
I feel like a little kid.
There's all these really cool bugs and oversized game pieces.
It's crazy.
Working on this Whangdoodle definitely brings out the child in me because Willy Wonka And The Chocolate Factory was one of my favorite movies growing up.
For years, I wondered what these creatures looked like.
And now, I'm actually gettin' the chance to design one of 'em.
I'm thinkin' Whangdoodles has got to have some kind of split personality.
Very yin and yang.
Whang would be the serious side.
Hard-edged, straight lines.
And the Doodle has to be the silly side, swirly lines and circles.
If he catches an Oompa Loompa and they sing a song that he likes, he'll let 'em go, and if they don't, he'll eat 'em.
Designing this character is a real honor because nobody has seen these guys before.
There's no images of this, no reference, and I'm nervous because I want to do it justice.
So I start drawing a rabbit creature, but it has this horrific mouth with teeth coming out of his chest.
He lures the Oompa Loompas in and then eats 'em up.
Snozz sounded like "Schnoz," so I thought big elephant nose and a huge, scary monster mouth.
It lays traps filled with Snozzberries for the Oompa Loompas, and then uses its huge nose to sniff them out.
The first thing that comes to me is a Venus flytrap.
I'm thinking this little creature that's like-- It's a very whimsical plant.
It's gonna be brightly colored with a lot of teeth, and it pops out of the forest to eat these little orange men.
I got Whangdoodle.
Doodle, noodle, worms, insect, and then bam.
These giant earth worm things that would come out and snatch the Oompa Loompas and suck 'em back in.
I can't wait to get in the lab.
- I gotta make this thing.
- All right, guys.
Let's go back to the lab.
So soon? We get to the lab.
We have six hours.
First, we choose our model.
I start sculpting my Hornswoggler's face.
So at first, he's not gonna look scary.
He's just cute and silly.
He's gonna have really big horns in the back and big eyes on the side, and a big smile with big teeth.
But if he sees an Oompa Loompa, he becomes this vicious, evil monster eater.
I'm not actually used to doin' whimsical-type characters, sometimes when I get in a little bit of a jam or get stuck, I just scribble on a piece of paper and try to get images out of whatever I'm scribblin'.
Since it's a Hornswoggler, it needs to have horns and a big mouth so it can eat the Oompa Loompas.
For some reason, it's comin' out lizard-y or froggy, and I know kids love both, so I'm gonna go with it.
I'm lookin' at my Snozzwanger design, and I'm thinking, this thing is so silly-looking.
It'll probably be the weirdest makeup that I've ever done.
The way that this prosthetic is designed, the nose is actually on the forehead, so it needs to have an armature inside to help the clay to stay where I want it.
And the armature has to be removable so that I can cut off the end of the nose, remove that, and then mold that separately.
So the model will be looking through the nostrils of the nose.
I would like to win this challenge to show the judges, "Hey, like, you kept me around.
I'll show you somethin' else that's really cool.
" I'm sculpting my Whangdoodle, and I'm tryin' to think of how I'm gonna make these teeth.
So I end up grabbing 32 claws that we have in the lab, and I'm poppin' 'em in.
I'm like, "All right.
This is awesome.
" These look cool.
So I'm sculpting this Vermicious Knid, and I'm realizing as I'm doing it that it's just not working.
I'm just kind of pushing around clay.
I'm just not sure what I want on this Loompa-eater, so I wipe out what I have and start sculpting more of a flytrap this way with leaves behind it.
Hopefully, this works.
Hey, guys.
We're here to check on you.
- Hello.
- How are ya? Hey.
And so, he's gonna have some big eyes over here on the side, and then I've got some horns that are gonna go up the center.
I think you're catchin' it.
- I really do.
- Am I on track? This character could be salivating thinking of Oompa Loompas.
Put a little K-Y jelly or something in there to really juicy-up that lip and even-- - Keep Ve from touchin' it? - Yeah.
I'm not sure what I want to do with the mouth yet.
I would do somethin'-- like something round.
Like, so if you were lookin'-- actually looking into a flower, 'cause then that could all - be painted one color - Right.
and-- and washed over the top of it.
So when you look into there, you're looking into the inside of a flower.
Okay.
I'm thinking of yellowish-orange tones.
If it's comin' up out of the ground, you shoot it with a little water first, hit it with brown hairspray, and it just starts to drip, 'cause then it would look like he's comin' up out of the ground-- and he's been wet, and dirty, and-- Perfect.
Whang is more like the serious side, and Doodle is more of the silly side.
What are you doing for color? I want to play on a day and night theme, this side be brighter and then this side darker.
- And a really good transition.
- Oh, yeah, of course.
Paint be-- be-- between the two.
I didn't want to do a cowl separate, and a chest, and a back, so it's gonna be a whole suit.
With something this big, you can let your imagination go wild on a skin texture, either with polka dot or striped even, because that becomes part of this fantasy camouflage.
Is this gonna be able to move at all? Or is this gonna stay stationary? This part is gonna move up and down, so that'll be kind of neat.
Clever idea too, coming off the top of the head with it.
It's calling out for scoring from the inside here, and just cutting through it, not pulling any out, so it will kind of accordion.
Oh, that's a good idea.
I like that.
Great.
He's gonna be kind of friendly, like, "How are you? I'm beautiful," you know? And all of a sudden, like-- For what the challenge is, I think your character needs a little more power to it.
You know, whimsical can't be subtle.
You need to exaggerate as opposed to making it too human-like.
Mr.
Westmore says I need to go with something bigger than life, something exaggerated.
I keep looking at it, and I'm like, "Oh, shit, he's right.
" I gotta come up with something.
Otherwise, I'm gonna be in big trouble.
- Coming up - Go, daddy, go.
If I don't finish this, I'm not gonna have anything.
Fuck.
There is this much clay in the top of the mold.
Damn, you did a great job.
It's almost freaky how you channeled my father.
You're better than what I see here.
Your character needs a little more power to it.
It's day one of our Roald Dahl challenge.
Mr.
Westmore thinks my sculpture doesn't feel big enough for a character like this.
Whimsical can't be subtle.
You need to exaggerate as opposed to making it too human-like.
I agree with Mr.
Westmore.
I need to go with something that is bigger than life, so I have to resculpt this whole thing.
But I gotta speed this up 'cause I don't have much time to finish this.
All right, guys.
Have fun with this.
- All right.
- See you soon.
Thank you, guys.
For my Snozzwanger, I have to do two molds because the nose curves in such a way that I wouldn't be able to clean it out.
So I remove most of it, and I'll mold that separately in silicone.
I know the judges are gonna hate it because it has no anatomical function.
It's just this wacky, childlike monster, but I think it looks so cool that you can't help but like it.
That's gonna be creepy as hell.
The only thing I'm worried about is the profile.
If I just leave it like this, it's just gonna look unfinished.
I mean, if you have the time, do a cowl 'cause it could only help you.
No, that's fucking risky, dude.
Everything we do is risky.
Just gotta make sure you do it and you do it good.
I'm feeling a little bit uneasy because I'm not doing a lot.
So tomorrow, I'll sculpt the cowl.
And hopefully, I'll have a good piece.
You should have two static arms.
Maybe I'll put like five on there.
I'm really trying to go all out, having this character really act like a worm and kind of doing all these crazy movements.
So I'm sculpting two arms just to give it more motion and the sense of something that can come up and snatch something and bring it back.
It's comin' along.
That's time, guys.
I definitely wish that things would have gone a little bit faster today Opa.
but I've nailed down my concept, and I'm ready to go forward on it.
It's day two, we got 9 1/2 hours.
And for my Snozzwanger, the cowl needs to be real big 'cause it's this huge elephant head with giant ears, fat rolls around its neck, and the eyes are gonna be coming off of the head.
Yeah, big, goofy ears, right? Yeah, dude.
Today, I need to focus on these giant worms coming off this cowl piece.
And they need to be lightweight, so instead of sculpting out of clay, I feed little foam rings onto a wire and I bend it.
I'm like, "This is it.
This is the shape I need.
" That is so cool.
Even though I still need to sculpt the cowl, I'm worried, because Lucy Dahl said that in her father's books, everything is an exaggeration of the truth.
So I'm adding some more leaves, adding all of my detail.
I think it's an opportunity to sculpt something crazy and take a lot of risks.
And I'm also taking quills into the middle of the face to create Venus flytrap teeth so it can eat an Oompa Loompa.
Overall, I'm really excited with the way that this is turning out.
I'm making this Hornswoggler, and I would like to add, like, some really big horns in the back because he's a killer monster that lives in the jungle.
So I cut L200, and I just start placing some pieces on the bodysuit and it looks like a vicious, evil monster eater.
I hope the judges will see that just from Roald Dahl's world.
Today, I'm sculpting the chest.
The chest piece is very important because if it doesn't have that horrific mouth that is gonna eat the Oompa Loompas, it's just the face of a bunny.
And a bunny eating the Oompa Loompas is not whimsical or scary.
It's just a bunny.
Time is flying, and I'm not getting this done.
I want to make more detail on the cowl, but I have to let it go and just go mold it because otherwise I won't finish this.
Let's go.
I'm trying to give myself at least four hours to mold my bodysuit.
I'm really pushing the limits on this a lot because it's big, so I'm taking a lot of risks doing this, but I think it's gonna come out great.
I have a lot of confidence in me.
I think I can do this mold very good.
So on this Hornswoggler, I'll be fabricatin' a cowl.
And I think I'm gonna go with some blue feathers just to add a little more whimsical to it.
I'll try to lay these things to where it looks like hair.
I've never tried the feather trick before, and I'm-- I'm really diggin' it.
All I can do is hope the judges like my idea for feathered hair.
I decided to fabricate my torso because I know I can do it a lot faster than sculpting, molding, running it in foam.
I start blocking out the shape I need.
And then I begin cutting out pieces of L200, pieces of upholstery foam, shapes that match with the face.
The left side is the Doodle side, right side being the Whang side.
So I make sure I work that into the torso as well.
- You crazy, dude.
- I'm crazy! I'm really pushing the limits on this mold.
It's so big that I actually have to get on a step stool to get the top part.
But somehow, I get it done.
And now, I need to open and clean it out.
This mold is 200 pounds.
All right.
I don't know how I'm gonna open this by myself.
Go, daddy, go! If I make one little mistake, it can actually ruin the whole mold.
- Thank you.
- You're welcome.
That man is crazy.
I just hope that this doesn't break.
I'm starting to get really nervous.
I cannot lift this.
The mold is too heavy, and it's starting to crack.
Fuck.
If the mold cracks, I'm not gonna have anything for tomorrow.
It is day two for this Roald Dahl challenge making this Oompa Loompa monster eater.
_ This mold is 200 pounds.
I still have to open it and clean it or I'm not gonna have anything.
Mr.
Rashaad? Can you help me one last time? One, two, three.
So we put this on the floor, and start like trying to crack it and open it and just hope that this doesn't break.
There you go.
Thank God for Rashaad.
Now I have to clean it out before the end of the day.
You and your big molds, man.
I have all my pieces, and I'm like, "All right, let me just start painting everything.
" I remember Mr.
Westmore's advice on taking brown hairspray to create this muddying, dripping effect.
Mr.
Westmore was right.
It looks like-- like muddy dirt.
- He's always right.
- Yay.
It just drips, and it looks amazing.
It looks like wet mud.
- Give me that.
- Don't break my shit.
I'm not gonna break it, Tyler.
It needs to go through a stress test.
Get it going.
- It works.
- It's pretty creepy.
The paint job on this is very important.
I'm going with black and white because they're good colors to put against each other.
This is the Whang, and this is the Doodle side.
- Ooh, nice.
- He catches Oompa Loompas.
And if they don't sing a song that he likes, he eats them.
This is a two-tone paint job, but you can't just have black and white.
All the colors in between have to show as well.
Oh, yes.
I've just sculpted this cowl faster than I've sculpted anything in my entire life, and it's not terrible.
But now, I have to mold it and clean it out before the end of the day.
- Time? - 21 minutes.
If I don't get this cowl done, I'm gonna have to run it in poly foam, which is not a very good option.
All right, guys.
It's time! Fuck.
Time is called, and there is still this much clay stuck in the top of the mold.
Shit.
I'm not happy with the situation that I've put myself in.
I have a lot to do tomorrow, and I think my only saving grace right now would be a good face piece.
- Whoo! - Mm, mm, mm.
All right.
Okay.
It's application day.
We have four hours in the lab.
The first thing I do is make sure all of my pieces are free of seams, fix anything that needs to be patched.
Get on down.
This is the difference between great makeup or goin' home.
I can do this.
After I clean the mold, the first thing that I need to do is create a latex skin in my cowl mold.
And then, I will pour poly foam into it.
I just need everything to work.
Hey, what's up, bro? - What's goin' on? - There you are.
Thank you.
A little patching to do.
I look at my bodysuit, and there's a lot of seaming and patching to do.
And that takes a huge chunk of your time, so I hope I can get everything done.
What we've got here is a bunch of monsters from Loompaland.
I'm workin' on the safari hat because I need these eyes to come up out of the brill of the hat, and I dremel out some nice-sized holes.
And then I give the hat, like, a little bit of wear and tear just so it looks like it's been through the jungle.
Sweet.
What's great about this spandex cowl is that I did coat it with latex.
So now, it's pretty much like a ball cap.
This is great.
It's like a wig.
Yeah, it's like a giant, custom-made wig for this.
This competition is getting stiff, so I think these little details and these little tricks are extremely important.
Holy shit.
I go to check on my mold, and I see that the poly foam has not cured at all.
This is pretty bad.
At this point, I've wasted I can't try it again.
I don't have time.
I gotta let it go.
All right, I'm gonna wash my hands, and then we're gonna start.
I immediately start applying the face.
I've decided to completely scrap the cowl.
I'm gonna pull the hood up and glue moss around it, and I just start painting as quickly as possible.
Perfect.
At this point, I'm applying everything, but I'm still taking a lot of time to seam and patch all those sides, so I'm getting a little bit worried because I'm not gonna have enough time to paint everything.
Ten minutes, guys! I'm moving as fast as I can.
I don't know if I'm gonna have time to finish everything.
But at this point, there's no turning back.
I made the decision to make this bodysuit, so I have to keep painting.
That's time, everybody.
Brushes down.
I need to keep focused and try to do as much as I can in last looks.
If I don't get this done, this is gonna send me home.
Coming up Nice.
I made a full bodysuit, but it looks like a chicken.
I hope this isn't a complete mess.
You knocked it out of the park, well done.
I feel like it would be subject to gang beatings by the Oompa Loompas rather than being able to hunt them.
Whoo-hoo.
- I'm gonna go over here.
- So we get to last looks.
We have one hour to finish our Oompa Loompa monster eaters.
I still need to add the eyes, I still need to add the horns and finish my paint job.
Speed makeup.
I'm goin' from one arm.
Then I do a leg, and it's really comin' together.
This is probably the most fun that I've had painting one of these creatures.
Nice.
I love it.
It's like a dance routine.
I start gluing in all of the quills inside of the Venus flytrap to add detail so I don't have a complete mess.
- Time? - That's ten more minutes, guys.
Holy cow.
That's scary.
That's it, everybody.
Time's up.
Brushes down.
Boo.
Bummer, man.
It might not be enough this time.
Welcome to theFace Offreveal stage.
Tonight, one of you will be eliminated.
First, let's say hello to our talented judges.
Owner of Optic Nerve Makeup Effects Studio, Glenn Hetrick.
- Good evening.
- Hey, Glenn.
Three-time Oscar-winning makeup artist Ve Neill.
Hi, fabulous makeup artists.
Hello, Ve.
Creature and concept designer Neville Page.
- Hi, guys.
- Hey, Neville.
And joining us again tonight is author, screenwriter, and Roald Dahl's daughter, - Lucy Dahl.
- Hi, Lucy.
Great to have you back.
Thank you.
It's a pleasure to be back.
All right, this week, your spotlight challenge was to select one of the unseen creatures from the world of Roald Dahl and use its name to inspire a wild and whimsical beast.
So let's take a look at your creations while the audience at home tweets about their favorites using #FaceOff.
Pretty excited about this.
I just hope it's whimsical enough and scary enough for the judges to like it.
Oh, my gosh, this looks great.
It has a lot of movement, and it really does look like an Oompa Loompa-killer.
It's not what I wanted.
It's not what I envisioned.
It just fell apart.
I'm looking at this Snozzwanger, and it looks so awesome.
I couldn't be more happy with this character.
I'm loving the character.
I love the way he looks, the way he moves.
If I go home, I'm happy about it because this is a great makeup.
It doesn't look evil.
He just looks like a chicken.
I'm actually really worried at this point.
He looks amazing in profile.
He looks amazing from the front.
I'm-- I'm excited.
I'm happy.
Judges, why don't you take a closer look at these Oompa Loompa-eating beasts? Nice eyebrows.
I like the blue feathers too.
The horns are a good idea.
I wish they were different sizes, like this one being a bit smaller.
Oh, that's beautiful right there.
Very expressive for something that thick.
How's that Oompa Loompa tasting? - Delicious.
- Yeah.
Great answer.
Thank you.
There's not much here, is there? What is that supposed to be? It's a bit like a sea urchin's face.
It's so minimal compared to the scope of what other people have done.
I do like the paint work that's going on there.
Thank you.
Can you wiggle your head around? Look, he's got Oompa Loompa skulls, and what's in there? Snozzberry Oompa bait.
- Oh.
- Genius.
It's the skinned bunny.
This transition from these grays into the pink is a really cool idea.
Give us some expression.
Oh, very nice.
Thank you.
Oh, boy.
Talk about biting off more than you could chew.
It's the lack of precision.
I'm not satisfied with this makeup, and I know I'm gonna be in bottom looks.
I really think the judges are gonna send me home.
Who made your favorite whimsical beast? Tell us on Twitter using #FaceOff.
It feels like he's just poking around at ideas for lack of anything solid in terms of direction.
I made a full bodysuit, but it looks like a chicken.
This just feels like a waste of time.
There's nothing there as a design.
- I'm baffled.
- Thank you.
Let's see your hands here.
That looks like that could slit an Oompa Loompa's throat.
To address all of these forms in the time? Really, really difficult.
Definitely a lot of hard work.
- Yeah.
- Thank you.
Lucy, you asked these guys to really use their imagination this week.
How'd they do? I think you did an extraordinary job.
I'm blown away by your talent.
Thank you.
Okay, the judges have scored your creations.
Let's find out what they thought.
Rashaad Daran George Congratulations, because you are all safe and can head back to the makeup room.
Thank you.
The rest of you are the best and the worst this week.
The judges would like to speak with each of you to learn more about your work.
Tyler, please step up.
All right.
Here he comes.
Tell us about your thought process and how it fits into this week's challenge.
I had the Whangdoodle, and my concept is this earthworm, cockroach-type beast that lives under the jungle.
And when Oompa Loompas come by, it grabs 'em and snatches 'em.
This is a very successful makeup.
Thank you.
What I like the most about it, your color denotes an evil character.
And then you were cautiously playful and cartoonish with it.
That's a lot of good decisions that resulted in a really impressive makeup.
Thank you.
He's scary right down to the little touch of Oompa Loompa hair in his mouth.
Yes.
It's very successful, and on top of that, - your paint job is just beautiful.
- Thank you.
The character is so complete from an aesthetic quality and from a performance quality.
You've really done a beautiful job this week.
Thank you.
I really felt that's a monster in Loompaland, and my dad would love that.
- That's great.
- Tyler, thank you very much.
Hey, man, thank you.
Niko, please step up.
Where did you get your inspiration for your Hornswoggler? I wanted to make it silly, and wacky, and funny, but he can turn himself really evil if you tempt him.
It seems to me like you wasted a whole bunch of time trying to create this body for absolutely no reason at all.
I think your time management went someplace funny this week, honey, 'cause I-I don't really see the point to have built these whole arms, which just didn't work for you.
How you're applying it, how you're sculpting the chest, the belly, there's so little here.
Yeah.
All right.
Its goofy, static gaze makes it feel like it would be subject to gang beatings by the Oompa Loompas rather than being able to successfully hunt them, and the paint job has all the finesse of an easter egg coloring gone awry.
- Niko, please step back.
- Thank you.
Chloe.
So tell us about your concept.
I have a Vermicious Knid.
I thought of these little plants that the Oompa Loompas are curious about, and they have this beauty to 'em, but they just snatch 'em up.
I did the cowl this morning, spent most of the morning trying to run it, and I couldn't make it work.
I know that you're better than what I see here, but what we're left with does feel hurried and incomplete.
That's why I spent so much time trying to get the cowl.
Oh, it breaks my heart when stuff like that happens.
I can't imagine how disappointing that must have been for you, but I want you to know that an Oompa Loompa would-- would step on it, and that would be the end of him.
If you would have highlighted and shadowed everything, and-- and showed me some of the layers, it would pop out, but you camouflaged the work behind the moss, and muddled the colors.
Chloe, thank you.
If you'd please step back.
Thank you.
Graham, please step up.
Graham, can you please tell us about the concept of your Snozzwanger? Immediately, in the name, I thought schnoz, but I imagined this sort of safari hunter who hunts and traps Oompa Loompas.
It's almost freaky to me how you channeled my father in this.
I wish my dad was here because he would be delighted.
You knocked it out of the park.
- Well done.
- That means a lot.
Thank you.
The way that you've managed to capture the essence of the challenge makes me think that we made the right decision in saving you a few weeks ago.
- Thank you.
- On top of that, the fact that you used bits and pieces to give the character a history was a brilliant decision.
Thank you.
He's scary, and bizarre, and he's like a kid's nightmare.
Your mouth is like the opening of one of those fun houses where you go in through the thing-- You get scared to death.
Thank you.
Graham, please step back.
Great job.
The judges have heard what you have to say.
If you'd please head back to the makeup room while they deliberate.
Thank you.
All right, judges, let's talk about the looks we like the most tonight.
Let's start with Tyler.
Head to toe, it was really stellar.
On top of looking cool, it worked really cool.
It came out and performed excessively well through a very thick piece, which is not the easiest thing to do.
And the Oompa Loompa hair, he was very obedient with his challenge, so that's what won me over.
All right, let's move on to Graham.
Looked like it could eat the Oompa Loompas, and it was playful, and it really fit the challenge.
I do like the fact that it is childlike and it is whimsy.
He was obviously a big fan of my father's book 'cause he knew about Snozzberry bait.
Now you see someone who really knows the source material takes advantage of it.
I love that.
All right, let's talk about the looks we like the least.
Let's start with Niko.
He saw how badly these body appliances came out, and he just kept goin' with it? That's just dreadful.
He didn't know when to say "When" and stop.
And this deep in the game, very concerned about bad decision-making on that level.
He was leaning towards an alien, more like an ET.
To me, that doesn't belong in a jungle.
All right, let's talk about Chloe.
It lacked a sense of familiarity.
It was so unique as a design choice that I didn't understand what I was supposed to think that that was.
Design-wise, it still looks like the prostitute cousin of Madame Marjory Trash Heap from Fraggle Rock.
Like, it's not a working concept.
I can't imagine how devastating that must have been for her to have every single thing she did completely flop this week.
Okay, judges.
Have you made your decisions? - Yes.
- Let's bring them back out.
Glenn, tell us about the top looks.
Tyler, your sculpting and paint job were both right on, and we were impressed with the overall high level of execution.
Graham, this was a great example of embracing the childlike and whimsical nature of this challenge.
It is great to see you back on top tonight.
So who is the winner of this challenge? Tonight's winner is So who is the winner of this challenge? Tonight's winner is Tyler.
We were wowed by this beast.
It was so well done, it almost seemed like you had a day more than everyone else.
Thank you so much.
Holy cow.
This is amazing.
That means a third win on a makeup that I absolutely love, so I want to keep pushin' myself to the finale.
Tyler, congratulations.
You and Graham can head back to the makeup room.
Thank you.
Thank you.
Unfortunately, that means the two of you are on the bottom this week, and one of you will be eliminated.
Please step forward.
Glenn, tell us about the bottom looks.
Niko, your concept felt unfinished, and your decision to spend so much time on the body instead of the head was detrimental to your character overall.
Chloe, we appreciate that you intended something more with this creature, but what little makeup that you did manage to put in front of us was rough and unfinished.
So who is going home tonight? The person going home tonight is Chloe.
We know you're talented, but the other artists put out some great work this week, and what you gave us just wasn't enough.
That means Niko, you are safe this week and can head back to the makeup room.
Chloe, all the best of luck.
You'll do really well.
You're a really good makeup artist.
- Thank you.
- Chloe, I am so sorry, but you have been eliminated.
It's really been great having you here with us.
If you'd please head back to the makeup room and pack up your kit.
Thank you for all the opportunities.
It's been amazing.
Good luck, Chloe.
I know I have talent.
Today just wasn't my day.
- Aw, man.
- Oh.
I live and breathe makeup.
Just it wasn't enough.
You're a good artist, and this is not the end of the road for you.
I'm proud of myself.
I have no words to explain how inspired I've been by the people that I've been surrounded with.
This has been a once-in-a-lifetime experience.