I Love Lucy (1951) s03e27 Episode Script
Tennessee Ernie Visits
("I Love Lucy" theme song playing) Hi.
Oh, hi, Fred.
This special-delivery letter just came for you.
Oh, thanks.
You're welcome.
Don't you want to know what it's about? It looks important.
You've got the wrong Mertz.
You're thinking about the Buttinsky branch of the family.
I'll go tell Ethel to put on her earphones and stand by for a news flash.
Okay.
Ricky! Ricky! Special delivery! Huh? Who is it from? My mother.
Now, Ricky.
It must be important.
It can't be important to me.
She doesn't even know I'm alive.
Oh, honey, she does, too.
She always writes to both of us.
Yeah? Sure.
Who's that letter addressed to? "Miss Lucy McGillicuddy.
" Uh-huh.
Well, honey, you know how mothers are.
To Mama, I'll always be her little daughter Lucy McGillicuddy.
But she knows who I'm married to.
Yeah? Then why does she always write: "Dear Lucy, How are you, and how is what's-his-name?" Oh, honey.
"Dear Lucy, How are you, and how is Xavier?" Xavier? Well, honey, she knows I'm married to a Latin-American bandleader.
She just doesn't know which one.
Well, that's true.
She's getting warmer all the time.
"I love the pictures of the baby, and I'm relieved to see that he looks just like you.
" Instead of Xavier.
Oh Now, honey.
"The real reason I'm writing "is because I went to my club meeting yesterday.
"You remember Flo Pauline Lopis, "the club recording secretary.
"Well, it seems that "Flo Pauline's old college roommate, Ella Scott Porter, "has a cousin who married a man named Ford and went to live in a little town in Tennessee.
" Wake me up when you get to the spicy stuff.
"Well, it seems this cousin has a boy named Ernest.
"She has an older boy named George "and a younger boy named Roger.
"Ernest is her middle boy.
Well, to make a long story short " It's too late.
"To make a long story short, "Ernest is on his way to New York, "and I told Flo Pauline "to tell Ella to tell her cousin to tell Ernest that you'd be glad to entertain him.
" Wait a minute.
Wait a minute.
She just caught my interest.
Uh, "of course I don't know Ernest personally, "but any friend of Flo Pauline's roommate's cousin "is a friend of mine.
Love, mother.
" Now, look, you write to your mother right away and you tell her that we're going out of town.
Oh, honey, sh-she says he's on his way.
There isn't time to write her.
Oh, great.
Another visitor.
Just what I needed! That makes three of them this month.
What's the matter, doesn't anybody ever stay home anymore? Now, honey, it won't hurt us to be nice to him.
After all, it's my mother's friend's roommate's cousin's middle boy.
Oh, I didn't realize that.
That's different.
Now, now, honey, will you be nice to him? Look, I'll tell you what I'll do.
I'll take him out to dinner once, and I'll have him down at the club as my guest once, and that's the end of it.
Well, that's fine.
I think Mother would be very happy about that.
There you are.
And that's 12, 14, 15.
"L-u-c-k-e-I.
" "Luckel.
" Luckel? That's not a word.
It is, too! Well, I never heard it.
Use it in a sentence.
Well, like, uh when you take a ride in a Fifth Avenue bus, you can either take the 'spress or the luckel.
That is "local.
" That's what I said, luckel.
And for your information, it's spelled I-o-c-a-I.
Now take that back.
Wait till I get you in a jai alai game.
Oh, for heaven's sake.
(doorbell buzzing Luckel.
Who's that? I don't know.
Howdy, folks.
How do you do? I'm Ernest Ford.
I'm looking for the Rickerdos.
LUCY: Well, uh Uh, we're the Ricardos.
Come in.
You must be Cousin Lucy.
And there's Cousin Ricky, too.
How are you? Did you say "cousin"? Oh, yeah.
It's just a habit.
Down in Tennessee, everybody calls everybody else "cousin.
" Oh.
'Course down in Tennessee, everybody is everybody else's cousin.
Well, I'm glad glad to meet you.
Oh, I'm tired.
Well, you must be, coming all that distance.
When did you get in? Well, the bus got here at noon, and I've been a-tryin' to find your place.
It took you eight hours to get here? We only live ten minutes from the bus depot.
Not the way I come.
What do you mean? Well, down on the street, I asked a fella how to get to the Rickerdos'.
Well, he said, "Take the subway.
" LUCY: Uh-huh.
Well, he pointed over there to a hole in the ground with some steps a-going down in it.
Mm-hmm.
I went down in there, and do you know what I saw? What? Nothing.
A bunch of people a-standing there looking in a ditch.
Well, that was the subway.
Oh.
Well, here come two streetcars hooked up together.
Uh-huh.
And I turned around to ask the fella how to get here and, boy, somebody let the gap down then.
All that bunch of people come a- steamin' up there pushed me through that door, shut it up, and we took off like a scalded gander.
Well, what happened then? Well, sir, we drove and drove and drove and do you know what? What? That driver never got that thing out of that hole.
Well, now it wasn't so funny.
We stopped once and they opened that door and I caught a little daylight in my eye and I shot out of there like a burnt rabbit and I got up on top of the ground again and I was in some place called Long Island and I walked here.
You walked all the way from Long Island? Yep.
Ding-donged if it ain't.
What? A long island.
Well, you must be tired.
Yeah, I'm a mite tuckered, I am.
Oh, well, that's too bad.
Hi.
You ready? Oh, hello, Fred and Ethel.
Oh, I didn't know you had company.
Yeah, this is Fred and Ethel Mertz.
Ernie Ford.
How do you do? Oh, how do you do? How do you do, sir? Yeah, Ernie came all the way from Tennessee.
Oh, yes, Lucy told us she was expecting you.
Yeah, he just dropped in to say hello.
Wasn't that nice? Yes.
How do you like New York? Oh, it's all right.
It ain't got much on Bent Fork, though.
Bent Fork? Bent Fork? Bent Fork, Tennessee.
That's, that's where I'm from.
It's just a hoe handle from Nashville.
FRED: Oh.
Well, I'll declare.
Do you know what time it is? It's after 9:00.
I ought to have been in bed an hour ago.
Oh, well, we sure don't want to keep you up, Ernie.
Yeah.
It was sure nice of you to stop by as soon as you got in town.
Where do I sleep? Uh where do you sleep? Yeah.
Now, now, don't you put yourselves out.
I can sleep a-hanging on a nail.
Well, uh, um Uh, uh, uh, uh Look here, old man.
We'd love to have you stay here with us, but, uh, we-we only got one bedroom and a little nursery for the baby.
We don't have a bed for you.
No.
I don't need a bed.
Anybody using this davenette? Well, uh, you couldn't sleep here.
This is hard as a board.
Oh, no, this is the cat's pole here.
Just give me a little kivver and I'll be as comfy as a wet dog behind the kitchen stove.
Oh, well, you you really can't sleep here, Ernie.
Uh, Fred, do you still have that rollaway bed? Sure.
Now, wait a minute.
I don't want to lay down on anything that's gonna be a- gallavantin' around the room all night.
Well, no, you-you don't understand, Ernie.
You see, they call it a rollaway bed because you can roll it away in the closet.
Well, I'll be sheep-dipped.
Well, do you want me to get it? Yeah, would you get it, please, Fred? I'll help you, Fred.
All right.
Thank you.
Well, I may as well get ready to hit the hay, I reckon.
Where's he going? I don't know.
Ernie? Don't call him.
Maybe he's goin' back to Tennessee.
Oh, honey.
Through the bedroom.
You mean it's in the house? Well, wait till I write Mama about this.
Well, your sweet little mother has done it again.
Oh, well, now, honey, he's really kind of cute, and besides, it's only for one night.
Tomorrow we'll get him a room in a hotel.
Yeah, on the other side of town.
Now, honey, remember, he's my mother's friend's roommate's cousin's middle boy.
Middle boy.
I know.
Yeah.
Well, he is.
RICKY: Here comes the bed.
Where do you want this, Rick? I guess we'll have to put it here.
I don't know where else to put it.
Running a rooming house, Shh! all of a sudden.
Honey, now be quiet.
He's liable to hear you.
Now just be quiet.
Well, there it is, all ready.
Clean sheets and everything.
Thanks, Fred.
Wait a minute! I thought we were going to play cards with the Mertzes.
Well, honey, that was before I knew anyone was sleeping in our game room.
Well, say good night to Li'I Abner for me.
See you tomorrow.
Good night, Fred.
All right.
What, uh, what are we supposed to do now? Well, we'll just have to go to bed.
At 9:15? Honey, this is my only night off.
Well, honey, it won't hurt you to go to bed one night.
Oh Now, look, it's only for one night, and and if we're not nice to one of mother's friends, you know we'll never hear the end of this.
Okay, we'll go to bed.
All right.
This my bedstead? Well, uh yes, Ernie.
Uh, is there anything else I can get you? No.
I been a-bedding myself down by myself for years.
Y'all go on to bed.
Good night, Cousin Lucy.
Night-night, Cousin Ricky.
Good night.
Good night.
Good night, honey.
Night-night.
What's the matter, honey? This night is never going to end.
What time is it? I feel like I been in bed for six months.
Lie down and try to go to sleep.
I'm not sleepy.
Listen, honey, is it getting colder? Maybe Ernie hasn't got enough over him out there.
He's all right.
Well I don't know.
I think you ought to take him an extra blanket.
Okay.
It'll help kill the time anyway.
Take that extra one of yours over there on the chair.
All right.
Going to bed at 9:15 at night, ugh! Psst! Psst! Lucy? What? Come here, will you? What? Come here.
I want you to see something.
Come and see what? Just-just come with me, will you, please? Go on.
Listen to the jingle, the rumble and the roar As she glides along the woodland To the hills and by the shore Whoo-hee! (singing continues) The baby's still asleep.
I'll take care of that.
?Que le pasa que toca el guitar at 6:30 in the morning?! Honey, he's our guest.
Now, remember As she glides along the woodland To the hills and by the shore.
Oh, good morning, folks.
Do you know what time it is? Yeah.
It's nigh on to half past 6:00.
I- I don't know what got into me oversleeping like I did.
But I can see that I ain't the only one that's been a-beatin' the sheets.
Uh, did you sleep well, Ernie? I don't know when I've had a better night's rest.
Now at home, generally, I toss and turn, but not in that thing.
Now, look here, old man.
I want to say something to you.
I know what you're going to say.
It's about the "geetar.
" Well, sir, I seen it a-standin' there and my eyes bugged out like a stomped-on toad frog.
Everything just went plukey.
You know, I had one of these geetars, but these bus fares to New York come pretty dear.
You mean you sold your geetar to get to New York? Yep.
Fella give me $27 for it and I come all the way here and I got a little bit left, too.
Wait a minute.
There she is.
expenses here? Your clothes? Your meals? Your? Your, your, your hotel bills? Well, I worried some about that.
I don't anymore.
I come here to the big city alone, no friends, no acquaintances, and you took me to your bosom.
You're, you're, you're just a mama and a papa to me.
You made me feel like I was wanted and that I belonged.
I've got a home.
Oh.
Gee, thanks for helping me home with these, Ethel.
That's all right.
Say, am I wrong or didn't you buy a big load of groceries yesterday? I buy a big load of groceries every day since the bottomless pit arrived.
Can he hear us? No.
He's up on the roof till the noon whistle.
Up on the roof? Yeah.
I think he's getting a suntan.
The tactful way he put it was: "I ain't aiming to get as fish-belly white as you 'uns.
" I just love the way he talks.
Well, he is cute, but oh, gee RICKY: Lucy! Yes, dear? What happened to these? What's the matter with them? What's the matter with them? They don't make no noise! I was rehearsing with them.
I thought I was going deaf! Who did it?! Ernie.
He was only trying to help.
Help?! Well, he thought they were broken because they rattled inside.
Ay, dios mio! Dios mio, que estupido! My grandfather gave me these maracas when I was ten years old! I know, dear.
Well, that does it.
Out he goes.
Now, Ricky Out! Oh! What about my mother? Never ask me a question like that when I'm in this condition.
Ernesto! Oh, now, Ricky Oh, Lucy, it's better this way.
Oh, I suppose you're right.
One big explosion and get it over with.
Cousin Lucy, where are you at? I'll be right there, Ernie.
I'll see you later.
Okay.
Yes, Ernie? Oh, here you are.
I'm a-writing to Mama and as a speller, I ain't never took no ribbons.
Would you look this over and get the spelling bloopers before I mail it? Sure.
Not that mama can read, but I just don't want her to be embarrassed if she finds somebody to read it to her.
Mm-hmm.
Uh, Ernie? Yeah? Wou-Would you run down to the corner mailbox and, and look and see what time they pick up the mail? All righty.
We want to make sure that we get your mama's letter off on time.
That's a good idea.
Listen to the jingle (humming) Where is he? I sent him down to the corner.
What's the matter with you? You know I want to talk to him.
Honey, I want you to hear this before you talk to him.
Now sit down a minute.
It's a letter to his mother.
All right.
Now just listen to this.
"Dear Ma, "How is my hound dog and how are you? "Ma, you was all wrong about New York.
"I ain't seen hide nor hair "of no wicked city woman like you warned me against "with their painted lips and painted cheeks.
"But if'n I do, I'll mind what you said "and hightail it right back to Bent Fork.
"Cousin Euncey sure done me a good turn "when she sent me to the Ricardos.
"They is two of the finest critters on this earth.
"They is true blue.
"Ma, they give me a bed and all the food I can eat "and every night, before I crawl between the kivvers "and with the bed they give me, this ain't easy- "I get down on my knees and ask the good Lord "to bless cousin Lucy and cousin Ricky, "the two finest people "I ever did know.
Your son, Ernest.
" Now, you still want to have that talk with him? Oh, you know I can't.
What are we going to do? I don't know.
Hey.
I got an idea.
Well, I'm so desperate that I'd like to hear it.
The only thing that would make cousin Ernie leave is a real, live, painted-up, wicked city woman.
"A real, live, painted-up, wicked city woman"? Yeah.
She came down from Birmingham One cold December day As she rolled along the wood line You could hear all the people say She's mighty tall and handsome She's known quite well by all (doorbell buzzing) She's the combination called the Wabash Cannonball (doorbell buzzing) Cousin Lucy, somebody's settin' on your doorbell.
(doorbell buzzing insistently) Oh, all right.
I'll get it.
Hello, big boy.
Howdy-do, ma'am.
What's your name, handsome? I'm Ernest Ford from Bent Fork, Tennessee.
You'll do.
You got quite a hitch in your git-along.
Do you know who I am? Who? I'm a wicked city woman.
No! Like your mother warned you about.
Oh, dear.
Have mercy! What are you fixin' to do? I'm going to vamp you.
You are? Are you a-vampin' me? Uh-huh.
You know what? What? I like it.
You do?! Yeah.
This is more fun than skippin' rocks.
Vamp me some more.
No! Now don't forget what your mother told you.
Oh, she was wrong about that.
She couldn't have meant you.
Yes, she did! Now you stay away from me.
Now you go home! I am home.
I live here.
Oh.
Well, then, I'd better go home.
No.
Come back! Vamp me some more.
No! City woman! Come back here! City woman! City woman, where you at, you little heifer? I'll find you if I have to stay here the rest of my born days.
(screaming) Honey! Honey! It's me, Ricky! Oh, Ricky! What's the matter, honey? Didn't you chase him away? No, he chased me away! He said he was gonna stay here the rest of his born days.
Well, I'll be ding-donged.
("I Love Lucy" theme song playing) ANNOUNCER: Ernie was played by Ernie Ford.
I Love Lucy is a Desilu Production.
Lucille Ball and Desi Arnaz will be back next week at this same time.
Oh, hi, Fred.
This special-delivery letter just came for you.
Oh, thanks.
You're welcome.
Don't you want to know what it's about? It looks important.
You've got the wrong Mertz.
You're thinking about the Buttinsky branch of the family.
I'll go tell Ethel to put on her earphones and stand by for a news flash.
Okay.
Ricky! Ricky! Special delivery! Huh? Who is it from? My mother.
Now, Ricky.
It must be important.
It can't be important to me.
She doesn't even know I'm alive.
Oh, honey, she does, too.
She always writes to both of us.
Yeah? Sure.
Who's that letter addressed to? "Miss Lucy McGillicuddy.
" Uh-huh.
Well, honey, you know how mothers are.
To Mama, I'll always be her little daughter Lucy McGillicuddy.
But she knows who I'm married to.
Yeah? Then why does she always write: "Dear Lucy, How are you, and how is what's-his-name?" Oh, honey.
"Dear Lucy, How are you, and how is Xavier?" Xavier? Well, honey, she knows I'm married to a Latin-American bandleader.
She just doesn't know which one.
Well, that's true.
She's getting warmer all the time.
"I love the pictures of the baby, and I'm relieved to see that he looks just like you.
" Instead of Xavier.
Oh Now, honey.
"The real reason I'm writing "is because I went to my club meeting yesterday.
"You remember Flo Pauline Lopis, "the club recording secretary.
"Well, it seems that "Flo Pauline's old college roommate, Ella Scott Porter, "has a cousin who married a man named Ford and went to live in a little town in Tennessee.
" Wake me up when you get to the spicy stuff.
"Well, it seems this cousin has a boy named Ernest.
"She has an older boy named George "and a younger boy named Roger.
"Ernest is her middle boy.
Well, to make a long story short " It's too late.
"To make a long story short, "Ernest is on his way to New York, "and I told Flo Pauline "to tell Ella to tell her cousin to tell Ernest that you'd be glad to entertain him.
" Wait a minute.
Wait a minute.
She just caught my interest.
Uh, "of course I don't know Ernest personally, "but any friend of Flo Pauline's roommate's cousin "is a friend of mine.
Love, mother.
" Now, look, you write to your mother right away and you tell her that we're going out of town.
Oh, honey, sh-she says he's on his way.
There isn't time to write her.
Oh, great.
Another visitor.
Just what I needed! That makes three of them this month.
What's the matter, doesn't anybody ever stay home anymore? Now, honey, it won't hurt us to be nice to him.
After all, it's my mother's friend's roommate's cousin's middle boy.
Oh, I didn't realize that.
That's different.
Now, now, honey, will you be nice to him? Look, I'll tell you what I'll do.
I'll take him out to dinner once, and I'll have him down at the club as my guest once, and that's the end of it.
Well, that's fine.
I think Mother would be very happy about that.
There you are.
And that's 12, 14, 15.
"L-u-c-k-e-I.
" "Luckel.
" Luckel? That's not a word.
It is, too! Well, I never heard it.
Use it in a sentence.
Well, like, uh when you take a ride in a Fifth Avenue bus, you can either take the 'spress or the luckel.
That is "local.
" That's what I said, luckel.
And for your information, it's spelled I-o-c-a-I.
Now take that back.
Wait till I get you in a jai alai game.
Oh, for heaven's sake.
(doorbell buzzing Luckel.
Who's that? I don't know.
Howdy, folks.
How do you do? I'm Ernest Ford.
I'm looking for the Rickerdos.
LUCY: Well, uh Uh, we're the Ricardos.
Come in.
You must be Cousin Lucy.
And there's Cousin Ricky, too.
How are you? Did you say "cousin"? Oh, yeah.
It's just a habit.
Down in Tennessee, everybody calls everybody else "cousin.
" Oh.
'Course down in Tennessee, everybody is everybody else's cousin.
Well, I'm glad glad to meet you.
Oh, I'm tired.
Well, you must be, coming all that distance.
When did you get in? Well, the bus got here at noon, and I've been a-tryin' to find your place.
It took you eight hours to get here? We only live ten minutes from the bus depot.
Not the way I come.
What do you mean? Well, down on the street, I asked a fella how to get to the Rickerdos'.
Well, he said, "Take the subway.
" LUCY: Uh-huh.
Well, he pointed over there to a hole in the ground with some steps a-going down in it.
Mm-hmm.
I went down in there, and do you know what I saw? What? Nothing.
A bunch of people a-standing there looking in a ditch.
Well, that was the subway.
Oh.
Well, here come two streetcars hooked up together.
Uh-huh.
And I turned around to ask the fella how to get here and, boy, somebody let the gap down then.
All that bunch of people come a- steamin' up there pushed me through that door, shut it up, and we took off like a scalded gander.
Well, what happened then? Well, sir, we drove and drove and drove and do you know what? What? That driver never got that thing out of that hole.
Well, now it wasn't so funny.
We stopped once and they opened that door and I caught a little daylight in my eye and I shot out of there like a burnt rabbit and I got up on top of the ground again and I was in some place called Long Island and I walked here.
You walked all the way from Long Island? Yep.
Ding-donged if it ain't.
What? A long island.
Well, you must be tired.
Yeah, I'm a mite tuckered, I am.
Oh, well, that's too bad.
Hi.
You ready? Oh, hello, Fred and Ethel.
Oh, I didn't know you had company.
Yeah, this is Fred and Ethel Mertz.
Ernie Ford.
How do you do? Oh, how do you do? How do you do, sir? Yeah, Ernie came all the way from Tennessee.
Oh, yes, Lucy told us she was expecting you.
Yeah, he just dropped in to say hello.
Wasn't that nice? Yes.
How do you like New York? Oh, it's all right.
It ain't got much on Bent Fork, though.
Bent Fork? Bent Fork? Bent Fork, Tennessee.
That's, that's where I'm from.
It's just a hoe handle from Nashville.
FRED: Oh.
Well, I'll declare.
Do you know what time it is? It's after 9:00.
I ought to have been in bed an hour ago.
Oh, well, we sure don't want to keep you up, Ernie.
Yeah.
It was sure nice of you to stop by as soon as you got in town.
Where do I sleep? Uh where do you sleep? Yeah.
Now, now, don't you put yourselves out.
I can sleep a-hanging on a nail.
Well, uh, um Uh, uh, uh, uh Look here, old man.
We'd love to have you stay here with us, but, uh, we-we only got one bedroom and a little nursery for the baby.
We don't have a bed for you.
No.
I don't need a bed.
Anybody using this davenette? Well, uh, you couldn't sleep here.
This is hard as a board.
Oh, no, this is the cat's pole here.
Just give me a little kivver and I'll be as comfy as a wet dog behind the kitchen stove.
Oh, well, you you really can't sleep here, Ernie.
Uh, Fred, do you still have that rollaway bed? Sure.
Now, wait a minute.
I don't want to lay down on anything that's gonna be a- gallavantin' around the room all night.
Well, no, you-you don't understand, Ernie.
You see, they call it a rollaway bed because you can roll it away in the closet.
Well, I'll be sheep-dipped.
Well, do you want me to get it? Yeah, would you get it, please, Fred? I'll help you, Fred.
All right.
Thank you.
Well, I may as well get ready to hit the hay, I reckon.
Where's he going? I don't know.
Ernie? Don't call him.
Maybe he's goin' back to Tennessee.
Oh, honey.
Through the bedroom.
You mean it's in the house? Well, wait till I write Mama about this.
Well, your sweet little mother has done it again.
Oh, well, now, honey, he's really kind of cute, and besides, it's only for one night.
Tomorrow we'll get him a room in a hotel.
Yeah, on the other side of town.
Now, honey, remember, he's my mother's friend's roommate's cousin's middle boy.
Middle boy.
I know.
Yeah.
Well, he is.
RICKY: Here comes the bed.
Where do you want this, Rick? I guess we'll have to put it here.
I don't know where else to put it.
Running a rooming house, Shh! all of a sudden.
Honey, now be quiet.
He's liable to hear you.
Now just be quiet.
Well, there it is, all ready.
Clean sheets and everything.
Thanks, Fred.
Wait a minute! I thought we were going to play cards with the Mertzes.
Well, honey, that was before I knew anyone was sleeping in our game room.
Well, say good night to Li'I Abner for me.
See you tomorrow.
Good night, Fred.
All right.
What, uh, what are we supposed to do now? Well, we'll just have to go to bed.
At 9:15? Honey, this is my only night off.
Well, honey, it won't hurt you to go to bed one night.
Oh Now, look, it's only for one night, and and if we're not nice to one of mother's friends, you know we'll never hear the end of this.
Okay, we'll go to bed.
All right.
This my bedstead? Well, uh yes, Ernie.
Uh, is there anything else I can get you? No.
I been a-bedding myself down by myself for years.
Y'all go on to bed.
Good night, Cousin Lucy.
Night-night, Cousin Ricky.
Good night.
Good night.
Good night, honey.
Night-night.
What's the matter, honey? This night is never going to end.
What time is it? I feel like I been in bed for six months.
Lie down and try to go to sleep.
I'm not sleepy.
Listen, honey, is it getting colder? Maybe Ernie hasn't got enough over him out there.
He's all right.
Well I don't know.
I think you ought to take him an extra blanket.
Okay.
It'll help kill the time anyway.
Take that extra one of yours over there on the chair.
All right.
Going to bed at 9:15 at night, ugh! Psst! Psst! Lucy? What? Come here, will you? What? Come here.
I want you to see something.
Come and see what? Just-just come with me, will you, please? Go on.
Listen to the jingle, the rumble and the roar As she glides along the woodland To the hills and by the shore Whoo-hee! (singing continues) The baby's still asleep.
I'll take care of that.
?Que le pasa que toca el guitar at 6:30 in the morning?! Honey, he's our guest.
Now, remember As she glides along the woodland To the hills and by the shore.
Oh, good morning, folks.
Do you know what time it is? Yeah.
It's nigh on to half past 6:00.
I- I don't know what got into me oversleeping like I did.
But I can see that I ain't the only one that's been a-beatin' the sheets.
Uh, did you sleep well, Ernie? I don't know when I've had a better night's rest.
Now at home, generally, I toss and turn, but not in that thing.
Now, look here, old man.
I want to say something to you.
I know what you're going to say.
It's about the "geetar.
" Well, sir, I seen it a-standin' there and my eyes bugged out like a stomped-on toad frog.
Everything just went plukey.
You know, I had one of these geetars, but these bus fares to New York come pretty dear.
You mean you sold your geetar to get to New York? Yep.
Fella give me $27 for it and I come all the way here and I got a little bit left, too.
Wait a minute.
There she is.
expenses here? Your clothes? Your meals? Your? Your, your, your hotel bills? Well, I worried some about that.
I don't anymore.
I come here to the big city alone, no friends, no acquaintances, and you took me to your bosom.
You're, you're, you're just a mama and a papa to me.
You made me feel like I was wanted and that I belonged.
I've got a home.
Oh.
Gee, thanks for helping me home with these, Ethel.
That's all right.
Say, am I wrong or didn't you buy a big load of groceries yesterday? I buy a big load of groceries every day since the bottomless pit arrived.
Can he hear us? No.
He's up on the roof till the noon whistle.
Up on the roof? Yeah.
I think he's getting a suntan.
The tactful way he put it was: "I ain't aiming to get as fish-belly white as you 'uns.
" I just love the way he talks.
Well, he is cute, but oh, gee RICKY: Lucy! Yes, dear? What happened to these? What's the matter with them? What's the matter with them? They don't make no noise! I was rehearsing with them.
I thought I was going deaf! Who did it?! Ernie.
He was only trying to help.
Help?! Well, he thought they were broken because they rattled inside.
Ay, dios mio! Dios mio, que estupido! My grandfather gave me these maracas when I was ten years old! I know, dear.
Well, that does it.
Out he goes.
Now, Ricky Out! Oh! What about my mother? Never ask me a question like that when I'm in this condition.
Ernesto! Oh, now, Ricky Oh, Lucy, it's better this way.
Oh, I suppose you're right.
One big explosion and get it over with.
Cousin Lucy, where are you at? I'll be right there, Ernie.
I'll see you later.
Okay.
Yes, Ernie? Oh, here you are.
I'm a-writing to Mama and as a speller, I ain't never took no ribbons.
Would you look this over and get the spelling bloopers before I mail it? Sure.
Not that mama can read, but I just don't want her to be embarrassed if she finds somebody to read it to her.
Mm-hmm.
Uh, Ernie? Yeah? Wou-Would you run down to the corner mailbox and, and look and see what time they pick up the mail? All righty.
We want to make sure that we get your mama's letter off on time.
That's a good idea.
Listen to the jingle (humming) Where is he? I sent him down to the corner.
What's the matter with you? You know I want to talk to him.
Honey, I want you to hear this before you talk to him.
Now sit down a minute.
It's a letter to his mother.
All right.
Now just listen to this.
"Dear Ma, "How is my hound dog and how are you? "Ma, you was all wrong about New York.
"I ain't seen hide nor hair "of no wicked city woman like you warned me against "with their painted lips and painted cheeks.
"But if'n I do, I'll mind what you said "and hightail it right back to Bent Fork.
"Cousin Euncey sure done me a good turn "when she sent me to the Ricardos.
"They is two of the finest critters on this earth.
"They is true blue.
"Ma, they give me a bed and all the food I can eat "and every night, before I crawl between the kivvers "and with the bed they give me, this ain't easy- "I get down on my knees and ask the good Lord "to bless cousin Lucy and cousin Ricky, "the two finest people "I ever did know.
Your son, Ernest.
" Now, you still want to have that talk with him? Oh, you know I can't.
What are we going to do? I don't know.
Hey.
I got an idea.
Well, I'm so desperate that I'd like to hear it.
The only thing that would make cousin Ernie leave is a real, live, painted-up, wicked city woman.
"A real, live, painted-up, wicked city woman"? Yeah.
She came down from Birmingham One cold December day As she rolled along the wood line You could hear all the people say She's mighty tall and handsome She's known quite well by all (doorbell buzzing) She's the combination called the Wabash Cannonball (doorbell buzzing) Cousin Lucy, somebody's settin' on your doorbell.
(doorbell buzzing insistently) Oh, all right.
I'll get it.
Hello, big boy.
Howdy-do, ma'am.
What's your name, handsome? I'm Ernest Ford from Bent Fork, Tennessee.
You'll do.
You got quite a hitch in your git-along.
Do you know who I am? Who? I'm a wicked city woman.
No! Like your mother warned you about.
Oh, dear.
Have mercy! What are you fixin' to do? I'm going to vamp you.
You are? Are you a-vampin' me? Uh-huh.
You know what? What? I like it.
You do?! Yeah.
This is more fun than skippin' rocks.
Vamp me some more.
No! Now don't forget what your mother told you.
Oh, she was wrong about that.
She couldn't have meant you.
Yes, she did! Now you stay away from me.
Now you go home! I am home.
I live here.
Oh.
Well, then, I'd better go home.
No.
Come back! Vamp me some more.
No! City woman! Come back here! City woman! City woman, where you at, you little heifer? I'll find you if I have to stay here the rest of my born days.
(screaming) Honey! Honey! It's me, Ricky! Oh, Ricky! What's the matter, honey? Didn't you chase him away? No, he chased me away! He said he was gonna stay here the rest of his born days.
Well, I'll be ding-donged.
("I Love Lucy" theme song playing) ANNOUNCER: Ernie was played by Ernie Ford.
I Love Lucy is a Desilu Production.
Lucille Ball and Desi Arnaz will be back next week at this same time.