The Leftovers (2014) s03e04 Episode Script
G'Day, Melbourne
1 [Music playing.]
Goin' out of my mind Don't even know my own name half the time How'd I get so blind that I couldn't see What was right in front of me? Wish I was wrong I wish that you were right here lyin' in my arms Deep down inside I got to face the truth That you're not comin' home This love Is over This love is over This love is over This love is over Woman over P.
A.
: Final boarding call for flight 87 [Continues indistinctly.]
Final boarding call for flight 87.
You two together? Yes, we are.
Australia, huh? Long trip.
Yes, it is.
I have Global Entry.
Where's the pre-check line? It is right over there, ma'am.
Leave your shoes on.
No need to take your laptop out.
Oh, is it all right if I go with her? I'm a cop, so-- Do you have Global Entry? - No.
- Then you can't go with her.
I'll just see you on the other side, okay? Sir? Yeah Woman: This way, please.
Single file.
[Scanner beeps.]
[Scanner beeps.]
Arms up, please.
[Wand squealing.]
[High-pitched whine.]
- Your watch.
- Oh, shit.
Sorry.
Just walk on down, come back through.
- Enjoy your flight.
- Thank you.
Man: Come on.
Hey, give it back! You can't take it, no.
- Look, no, no-- No, you can't take it.
- Man #2: Sir.
- It's my suit.
No, look.
- Is there a problem, sir? It's not on the list of restricted items.
Okay, look, there's gonna be a nuclear event and I'm entitled to protect myself from fallout.
Okay? I'm missing my flight! I need to get to Antarctica! I need to get to Antarctica! But be aware that it takes courage and strife Another one bites the dust.
Expand your mind, don't let it wither and die You'll find it lifts your spirits high to the sky So, meditate Come on, let's contemplate - Hey! - Hi.
Everything go okay? Yeah, absolutely.
- You? - Great.
What are you smuggling? Sorry? You either didn't wanna wait in line with me for an extra five minutes or you're smuggling something.
So, what is it? Heroin? I have $20,000 in cash strapped to my body.
- Lock the door.
- What are you doing? I borrowed your duct tape.
They would've seen it if I walked through the scanner.
Sorry.
Why? It's illegal to travel out of the country with more than 10 grand.
Why didn't you just give me half? Huh.
Help me get the tape off? Ooh! Ooh.
You hiding anything else you wanna tell me about? Maybe.
[Gasps, panting.]
[Gasps.]
[Grunts, panting.]
[Moaning.]
- Kevin: How many? - Nora: 119.
- Jesus.
- They made these testimonials.
They're standing there holding a newspaper like a hostage video.
They-- they gave their name, so I looked them up just to see if any of them were still around after they supposedly got into this thing.
Kevin: The-- the thing that zaps them with the radiation? Nora: Yes, honey, the thing that zaps them with the radiation.
And were they? - Still there? - No.
Every single one of them is unaccounted for.
- Where'd they go? - Nowhere.
Well, I mean, they have to go somewhere.
- Not if they're being cremated.
- [P.
A.
chimes.]
Man over P.
A.
: Ladies and gentlemen, the seat belt sign is now turned off and you are free to move about the cabin.
So, it's a sting operation.
You give them the money, they show you the thing, you see that it torches people, then you bust them.
Right.
But you don't have any jurisdiction in Australia.
That is technically true.
The DSD didn't send you.
So, you've gone rogue? The DSD has their hands full with the coming apocalypse.
These assholes invited me personally, so I can take them down myself.
They didn't know you were a fraud investigator? No, they knew.
They knew pretty much everything, actually.
Well, then they know about me.
I'm sure they do.
And they still think you're gonna get into this thing? And what if they ask why I came down here with you? I'll say that you've come to see me off because we're in a toxic codependent relationship and we've both come to realize that we're better off apart than together.
[Music playing.]
Nora: You gonna look your dad up? - Look him up? - Yeah.
I thought that's why you wanted to come down here.
No, I came down here to be with you.
Yeah, but if he's close by-- Honey, I don't know where he is.
And if he wanted me to know, he would've fucking told me.
Gotcha.
[Opera playing in background.]
You brought your book.
It's not my book.
It's Matt's.
- But it's about you.
- Uh-huh.
Are you finally gonna read it? - I already did.
- Really? When? On the plane when you were asleep.
- The whole thing? - The whole thing.
[Clears throat.]
"And so He left the bridge and the hangman behind.
And when He went into the woods, he lifted the girl to His shoulder and she slept, she pressed to Him and He to her.
" He capitalizes your Hs.
"Now the sun rose and they had come to a well, and He placed the girl down upon its edge and" What? If you read the whole thing, what happens next? He pushed her in.
Jesus.
Where does Matt come up with this stuff? [Phone ringing.]
Shit, shit, shit, shit, shit, shit, shit! Fuck! That's them.
- Yes? - Woman: Is this Nora? Yes, it is.
Who's this? There's a bus stop across the street from the hotel.
The 570 will arrive in about 15 minutes.
Take it to the last stop.
Don't miss it.
- We won't wait.
Good-bye, Miss Durst.
- What? I-- I don't-- [Beeping.]
- That was them.
I have to go.
- Where? I don't know.
They want me to get on a bus.
- You want me to go with you? - I'll be fine.
Are you gonna follow me, Kevin? Yeah.
[Sighs.]
Look, I have to do this alone, okay? Okay.
Just take your nap.
I'll be safe.
Okay.
Dinner later? Yeah, sure.
I'll be back soon.
[Opera continues.]
God, motherfucker.
G'day, Melbourne! It's a beautiful Tuesday, and I'm Pam Jolly.
And I'm Bruce Quartermain.
Today is October 9th, and I have to say I'm a bit groggy.
Pam: Oh, how was your night, Bruce? Oh, I had a big night last night.
- Pam: Did you go to the party? - Well, I went to Melbourne's Spring Fashion Ball last night.
Pam: Tell us, tell us.
Did you wear a costume? [Bruce chuckles.]
Well, the theme this year was under the sea Man over phone: Good morning.
Front desk.
Yeah, I can't turn off my television.
- I can't see where it's plugged in.
- Yeah, so sorry about that.
It's powered from the wall.
Happens sometimes.
I can reset it from down here.
It'll just be a moment, Mr.
Durst.
- Uh, it's Mr.
Garvey.
- Oh, so sorry.
Would you like us to add your name to the room so you can have access to all the guest amenities? Yes, that would be great.
Thank you.
Well, I'm ashamed to say that I did, Pam, but at least I get to be having pancakes with you here this morning, right? - Do you like pancakes, Bruce? - Well, now, who doesn't like pancakes? Pam: Well, no one in their right mind, that's what I say, which is why we are having a pancake cook-off today right here in the studio.
Now, how are you with a spatula? - You know, can you flip 'em? - What kind of question is that? Bruce: Well, it's tricky.
[Choir singing.]
[No audible dialogue.]
Pam: And I sure hope no one watching is named Kevin.
Bruce: Why is that, Pam? Well, apparently, there's not one, but two missing Kevins in the Melbourne area.
Chief Inspector Kevin Yarborough's police cruiser was found abandoned outside his home in Makarra.
Meanwhile, this man, Kevin Garvey, an American holidaying down under, was last seen wandering the road near Kurripa nearly a month ago.
If you have any information on the whereabouts of either of these men, please contact the police.
Right, let's get to those pancakes! - Are you ready, Georgie? - Oh, yes, I am, Pam.
Come on over.
[Gasps.]
Okay, now, tell us about the batter.
Well, we've actually got three batters, George.
The, um-- the first one is a plain buttermilk.
All right.
Mm, that's good.
Yeah, I like the classic pancake myself.
- Pam: Because you're so boring! - Aw, that's not all true.
Georgie: The second one is banana.
Pam: Oh, yum.
That's definitely for me.
Georgie: And the third one, of course, is chocolate chip.
- Something different.
- Pam: Oh, Bruce, you'll have - Can you hear me? - [TV turns off.]
Fuck! [Tone, speed dialing.]
Man over phone: Good morning.
Front desk.
Yeah, I need you to turn my television back on right now.
Oh, sorry, Mr.
Durst.
I just reset it.
- Just give it a few minutes.
- "G'Day Melbourne," is that show live? - Sorry? - Are they shooting it right now? - Uh, yes, sir.
I believe so.
- Where? Taxi! [Tires squealing.]
[Quiet chatter.]
[Bell ringing.]
Do you know when the bus is supposed to get here? Uh, any minute now.
Excuse me, miss? Are you a mother? - Yes.
- Thank God! I have a job interview in that cafe.
My sitter didn't show up this morning.
If I go in there with a baby, then they're never gonna hire me.
Could you please watch her? - Just for five minutes.
- I'm waiting for a bus.
Please! I'll be in and out, I swear.
I really need this job.
Please.
- Um - I'm begging you.
Uh, okay.
- Okay.
- God bless you! There we go.
Thank you.
Shh, shh, shh, shh, shh.
Well, you're a good person, taking a stranger's baby.
She could run off right now, you'd never see her again.
Desperate times are these.
Just six days left, right? Here's hoping.
Hey.
[Chuckles.]
[Bus approaches.]
Oh.
Oh.
Um, excuse me, when's the next bus? Man: Uh, should be another one in about 45 minutes.
Um [panting.]
Please wait! I'll be right back.
Wait! Oh! I'm so sorry.
I have to go.
Discrimination is illegal.
- Serves you right to suffer - Shit! Serves you right to be alone Wait! Hey! Stop! - Hey! Stop! - Serves you right to suffer [Panting.]
Serves you right to be alone Because you're still livin' The day done packed and gone Serves you right to suffer Serves you right to be alone [Crowd clamoring.]
Serves you right to suffer Serves you right to be alone - [Clamoring continues.]
- Hey.
That's why, that's why, that's why - Excuse me, excuse me.
- You can't keep from crying Flip it like that.
Just like-- - Oh! - [Laughter.]
Got a man down.
Pancake down-- ah! Pam: Just when I thought you were getting the hang of it.
Doing my best here, Pam.
- [Clamoring continues.]
- Serves you right to suffer Serves you right to be alone Your doctor put you on Milk, cream, and alcohol You can't sleep at night [Horn honking.]
[Horn honking.]
Kevin: Hey! Evie! Evie? What do you want? - What? - Just tell me what you fucking want.
Why is this happening again? 'Cause I fucking finished this.
So, what do you want? Did Patti send you? [Arabic accent.]
Who is Patti? I saw you on my TV.
You were looking right fucking at me.
Man: Everything right? Yeah.
Yeah.
I'm fine.
Is he bothering you, miss? You could see her? Just step back, mate.
You're real? Do you know him? I've never seen this man before in my life.
That's bullshit.
I know her.
Her name is Evie Murphy.
You know me.
My name is Daniah Moabizzi.
Why are you doing this? - Step back.
- Hey! Relax.
- Do you hear me? Oi! - [Camera shutter clicks.]
Get the fuck off me, asshole.
I know her! I fucking-- [Door hissing.]
[Wind whistling.]
Miss Durst.
Yes? Go on up.
They're waiting for you.
[Piano playing.]
[Music continues.]
[Women speaking dutch.]
- "Take On Me.
" - Ja.
From? - A-ha.
- A-ha! Miss Durst.
I am so sorry.
I did not hear you come in.
I'm Dr.
Eden.
And that is Dr.
Bekker.
Hi.
Dr.
Eden: Thank you for coming all this way.
We are sorry about the building.
It's a little bit creepy, no? [Speaking dutch.]
- What'd she say? - Oh, don't worry about her.
Um, let's go downstairs, shall we? Okay.
This is Bernard.
If you would not mind removing your clothes, Bernard will conduct a brief medical examination.
We have a gown for you.
What kind of medical examination? [Speaking dutch.]
It's very routine.
It's noninvasive.
And once you're done, Dr.
Bekker and I, we will just ask you a few questions and then we can move on to the next step.
If you're a doctor, why aren't you doing the exam? Oh, sadly, I'm a physicist.
But Bernard is very professional.
I promise you're in good hands.
Okay.
Great! Well, we will see you in a bit.
Laurie over earpiece: She was ready to go.
She was ready to go and she wishes she could've told you.
John: She was ready to go and she wishes she could've told you, but she just couldn't.
Laurie over earpiece: It was a stroke.
She was in a coma for three months before he pulled the plug.
Tell him he set her free.
Three months is a long time, man.
Uh-huh.
And she's grateful that you set her free.
Thank you.
Thank you so much.
- [Man sighs.]
- My pleasure.
No, but while I'm here, could you kindly try to contact my sister? - I'll pay extra.
- No, no, no.
That's okay.
Uh, what was her name? Margery Prentiss.
[Keyboard clacking.]
There's five Margery Prentisses.
I need a DOB.
John: What was her birthday? Man: March 17th.
[Keyboard clacking.]
Oh, shit.
She's a departure.
Abort.
Abort.
Sir, did your sister disappear on October 14th? Yes.
Why? I'm so sorry, but I can't make a connection with those who departed.
They're in a different space, man.
[Phone buzzing.]
Wish I could help you out, but I can't.
I'm sorry.
I'm gonna take this.
Give him a hug and tell him the dead wife wants him to move on.
- Hey.
- Laurie, it's Kevin.
Are you alone? What? Are you alone? Is John with you? He's-- he's downstairs.
You okay? I just saw Evie.
- What? - Evie.
Evangeline Murphy.
She's alive.
She's in fucking Melbourne, Australia.
You're-- you're in Australia? Yeah.
Nora had to come here for work.
It doesn't matter.
She's here.
She's here.
I talked to her, Laurie.
Okay.
Okay, Kevin.
I just-- I need you to slow down and explain to me exactly what you think you saw.
No, I don't think I saw anything.
I had a fucking conversation with her.
She's-- she's here.
She's-- I need you to do that thing that you do on your computer with the-- you know, go on Facebook.
I need you to find her.
She's in Melbourne and she's using a different name.
She's using, um, Daniah Moabizzi.
Daniah Moabizzi.
I-- I took a picture on my phone.
I'm gonna send that to you, okay? Hang on, hang on.
Daniah.
Did you see her at the Melbourne Library? - Why? Does she work there? - [Phone chimes.]
Did you get the picture? Yeah, I got it.
It's her.
I know it's her.
Did you talk to Nora about this? Nora's not here right now.
And why did you say she was at the library? Hey [Clears throat.]
Kevin under no circumstances should you approach Evie again, okay? It might scare her off.
We just-- we need to figure out what we're gonna do about this, okay? - We need to-- - [Hangs up.]
Kevin? Kevin?! Excuse me.
Excuse me! You know where the public library is? [Air pumping.]
[Air hissing.]
120/80.
Optimal.
- [Sighs.]
- Almost done.
Just need to draw some blood.
Why? Anemia, glucose, potassium, heavy metals, and pregnancy.
Well, I'm definitely not pregnant.
Oh, right.
Your IUD.
You'll need to have it removed before you go through.
- We can refer you to a-- - How did you know I had an IUD? It's in your medical records.
Just gonna affix some sensors for an electrocardiogram.
Oh.
Would you mind lowering your gown, please? The event chamber of the device requires an intense period of confinement.
So we're gonna simulate that now while we're monitoring you just to see how well you hold up.
It'll just be for a few minutes.
There's plenty of air in there.
I am gonna close the lid, but you can get out at any time.
If you wanna take your money in the box with you, that's fine.
Some folks worry that we're gonna run off with it while they're inside.
No, I trust you.
One, two, three four! [Music playing.]
Hi.
Hey.
Uh, is Daniah working today? Who? Uh, Daniah or Daneeah.
- "Danyah"? - "Danyah," yes.
I'm not sure.
Is there something I can do for you, sir? Yeah, she was helping me look for a book.
What book was it? Um, uh, "Assassins.
" "Assassins," I think.
The title is "Assassins"? No.
If you call her, she could probably help me.
We don't have a book by that title.
I'm sorry.
I know that-- I know.
But if you just get ahold of Daniah, then I think she could help me.
So, if you just do that, that'd be fucking great, please.
[Dings.]
Leonard? Oh, uh, no.
I He's being weird.
That so? No! Um, I just-- I don't want any trouble.
- I was just-- - Fantastic.
Let's take a walk, mate.
I need to get a book that I was looking-- You're leaving.
Daniah: It's okay, Leonard.
You know this bloke, Danni? Yes.
I know him.
Let's talk, Kevin.
[Door closes.]
I am Evie Murphy.
I have started a new life.
I am asking you not to tell anyone that you have seen me.
Not my mother, my father, my brother.
I just need you to leave me alone.
John's my friend.
He thinks you're dead.
I have started a new life.
You don't have the right to take that away from me.
Then you need to tell me why you're doing this.
Because there is no family.
Then why are you still using that accent? - I have to go.
- No, no.
[Whimpers.]
What the fuck is going on? [Speaking arabic.]
What? I have compassion for you because you are ill.
I wanted to help.
She told me to tell you that I was who you thought I was and then you'd go away.
Who told you? Mm-mm.
No, no.
[Music playing in background.]
This one's on me.
Well, I hope you don't have any expectations because you took me out to dinner, young lady.
- I wouldn't dare.
- [Both chuckling.]
[Phone buzzing.]
- Who is it? - Shit.
- It's Kevin.
- Call him back.
I, um-- I think I have to take this.
He's in Australia.
- He's where? - Just give me-- give me a minute.
- Kevin? - What the fuck did you do? Okay.
I just-- I need you to calm down and just tell me what happened.
What happened is that I went to see Evie and she told me that you fucking called her.
- Where are you? - The library.
With her? Is she there? Did you know about this? Did you know that she was down here? Okay, Kevin, I need you to listen to me.
I need you to-- to leave and go back to the hotel, okay? Go back to Nora and call me later, okay? She told me that you said that I was ill.
What the fuck does that mean, Laurie?! Remember when you were seeing Patti and I told you that-- I'm not seeing anybody.
She's right fucking here! You were seeing Patti and I told you that you never tell someone in the midst of a psychotic break that they are in the midst of a psychotic break.
Remember? You need to indulge that person's delusion and find common ground.
Otherwise, it's very likely that they will hurt themselves.
I don't-- I don't want you to hurt yourself, Kevin.
Just leave Evie, okay? Just leave her and go back to the hotel, okay? Or I hang up this phone right now and I call John and I tell him that you just spoke to his daughter.
[Knocking on glass.]
[No audible dialogue.]
Kevin: Laurie, you there? - [Sighs.]
- Hello? I need you to pull up that photo you sent me.
What? The photo that you took of Evie.
I need you to pull it up on your phone.
Can you do that for me, please? Okay, I did it.
What? I want you to listen to me.
Okay? I need you to listen to me very carefully.
You could've called anybody you wanted when this happened, but you called me because I think you knew that I could help you.
I'm gonna give you that help now.
This isn't real.
That girl is not Evie.
[Music playing.]
Look at the photo again.
I'm leaving now.
[Door opens.]
[Closes.]
I don't understand what's happening.
I think that you projected Evie onto a stranger.
And I think you chose Evie because you understood why she did what she did.
Why she left her family.
Why she escaped.
I think a part of you wants to escape, Kevin.
No, I-- I don't want to escape.
Then why are you in Australia? You are chief of police.
You have responsibilities here.
It is less than a week away from the seventh anniversary and you just ran away without telling anybody.
No, I-- I came to be with Nora.
She's the one that needed to be here.
I-- She's the one that ran away.
Kevin, are you and Nora okay? Ask John about the fucking book he wrote about me.
Welcome back.
Your heart is very calm.
What? Your heart rate.
- It's very even.
- [Grunts.]
Most people panic after a few minutes.
Oh, thanks.
Let's have a chat, shall we? Okay.
Mr.
Linn-Baker enjoyed talking to you in St.
Louis.
Where is Mr.
Linn-Baker? He went through.
Through the machine? - Yes.
- Is it here in this building? [Chuckles.]
No, it's not here.
I'm happy to answer any other questions you may have about the device, technical or otherwise.
Why haven't you used it? Everything I need is here.
What about you? I don't like the odds.
Odds? All we know for certain is that we are sending people to the exact same destination the others went seven years ago.
The odds that this destination has a sustainable environment with a breathable atmosphere and ample food supply are very, very low, so it is more likely there are 140 million corpses floating out there in space somewhere.
You make it sound so appealing.
Actually, several of our colleagues did go through.
- Dr.
Van Eeghen, the man who-- - [Snorts.]
The man who designed the device, he was one of the first people to use it.
Oh, yes.
And if you see him, tell him we said hello and that Finland won the World Cup.
[Speaking dutch.]
[Speaking dutch.]
What did she say? [Speaking dutch.]
Dr.
Bekker is [Sighs.]
Dr.
Bekker thinks you have no intention of using the device.
Um, she believes that you're curious, but once the time comes, you will get-- uh, how do you say-- cold feet.
I won't get cold feet.
Good.
So, do you want my money now? No, not yet.
We have a question for you first.
Just one.
You wanna know why I brought Kevin with me.
My boyfriend.
You know everything else about me, so I just figured you'd be worried-- We know who Kevin is and we're not worried.
Okay.
What's your question? Two infant twins are born.
One of them will grow up to cure cancer, but only if the other one dies now.
You don't have to kill the baby yourself, but you do have to nod to make it happen.
Do you nod? If I nod, how will the baby be killed? Will it suffer or is it gonna be quick and painless? Quick and painless.
- Are they mine, the twins? - Irrelevant.
It's relevant if you want me to answer your fucking question.
They're not yours.
She was working for you.
- [Chuckles.]
- Sorry? The woman at the bus stop who gave me her baby.
That was a test, right? We have no idea what you're talking about.
Mm, sure you don't.
Please just answer the question.
Kids die every day.
What's one more? And I get to cure cancer? [Scoffs.]
Of course I nod.
That's it? Yes, Miss Durst.
That's it.
So, how does this work? You give me a name, I go to a hotel room, explain what Low Amplitude Denziger Radiation is, and then what? Do I come back here or what? That won't be necessary.
What? Why? I'm afraid we will not be proceeding any further.
What? What, did I answer your stupid question wrong?! Oh ho ho, I get it.
I get it! You turn me down and then you want me to beg you to take my money, right? Keep your money.
[Door opens.]
No.
No.
Wait! - Stop! - [Car door closes.]
Go home, Miss Durst.
This isn't for you.
- [Crying.]
- [Car door closes.]
[Whimpering.]
[Opera music playing.]
George.
George Brevity.
This is Nora Durst calling for him.
Yeah, I know! I am a fraud investigator and I need to talk to him because I've uncovered a massive fraud.
Mm, well, then-- well, then give me his home number because it's an emergency.
No, I-- I will not hol-- - God damn it! - [Phone shatters.]
[Lighter clicks.]
- [Nora exhales.]
- Hi.
Hi.
What happened to your head? - Are you smoking? - Yeah, you want one? - What happened? - They turned me down.
[Chuckles.]
- Who? - The people who invited me here.
They-- they told me that I wouldn't be proceeding any further.
- Did they take your money? - No.
[Scoffs.]
- I thought it was a scam.
- Yeah! And they must've known that I knew it was a scam and that's why they fucking ran.
But I'm gonna find them.
I'm gonna find them and I'm gonna fucking destroy them.
Are you okay? Yeah, I'm fine.
Kevin.
What's wrong? You can tell me anything.
No, I can't.
Why not? The last time I told you everything, I woke up handcuffed to a bed and you were gone.
Kevin.
[Sighs.]
I didn't know how to handle you talking to a dead person.
Oh, Jesus.
Is it happening again? - I, uh-- we need to call Laurie.
- What? I told her I would come back here and we would call her.
When did you talk to Laurie? - I needed help.
- With what? I saw some-- I thought that I saw someone.
- I needed to make sure-- - Who did you see? That doesn't matter.
You won't tell me, but you'll tell Laurie? Who else? Matt? 'Cause if you're having visions, he's gonna wanna put it in your fucking book.
It's not my fucking book! No? I think you like it.
I think you wanna be Jesus Christ fucking Superstar because it makes you feel important.
Like it? I fucking love it! It's riveting! I've read it fucking cover to fucking cover! [Pages tearing.]
- [Bottles rattle.]
- [Lighter clicks.]
There you go.
Book's gone.
We never have to talk about it again, because that's what we do.
We don't fucking talk about anything! What do you wanna talk about? What do you wanna talk about? Why didn't you stop me? Stop you from what? From giving her away-- Lily.
I didn't stop you because you decided you wanted to do it, and you did it.
You never even asked me what I wanted.
And if I had, Kevin, what would you have said? You were relieved.
Just say it! And now you want a new baby.
Are you fucking insane? Are you afraid you're gonna give that one away, too? You can't have a kid, because then you'd have no excuse.
You couldn't be a victim anymore.
You'd have to be okay.
No one would feel sorry for you.
I do not want people to feel sorry for me.
Well, then how long, Nora? How long before you move past it? Move past what? That you lost your kids.
I did not lose them! My kids are not dead.
They are gone.
They are just gone.
Then you should go be with them.
[Opera music continues.]
[Fire alarm blaring.]
[Alarm and opera continue.]
- [Alarm continues.]
- [Chatter.]
- [Radio chatter.]
- [Sirens wailing.]
- I need a taxi.
- No taxis, sir.
Why not? The explosion.
Yes, hi Kevin Sr.
: I'll be back.
[Door closes.]
Jesus.
I can't believe you're actually here.
[Chuckles.]
I saw you on the TV in the window.
I turned to my friend, I said, "Holy shit! That's my boy.
" We called the local hotels and here you goddamn are.
Hey there.
Son, that's Grace.
Is this real? Of course it's fucking real.
- Where are you going, anyway? - Home.
You didn't see the news? All flights grounded.
Are you alone here? Yes.
Well, you're not alone anymore.
- Come on.
- [Music playing.]
We're talking away I don't know what I'm to say I'll say it anyway Today's another day to find you Shying away I'll be coming for your love, okay? - Take on me - Take on me - Take me on - Take on me I'll be gone In a day or two
Goin' out of my mind Don't even know my own name half the time How'd I get so blind that I couldn't see What was right in front of me? Wish I was wrong I wish that you were right here lyin' in my arms Deep down inside I got to face the truth That you're not comin' home This love Is over This love is over This love is over This love is over Woman over P.
A.
: Final boarding call for flight 87 [Continues indistinctly.]
Final boarding call for flight 87.
You two together? Yes, we are.
Australia, huh? Long trip.
Yes, it is.
I have Global Entry.
Where's the pre-check line? It is right over there, ma'am.
Leave your shoes on.
No need to take your laptop out.
Oh, is it all right if I go with her? I'm a cop, so-- Do you have Global Entry? - No.
- Then you can't go with her.
I'll just see you on the other side, okay? Sir? Yeah Woman: This way, please.
Single file.
[Scanner beeps.]
[Scanner beeps.]
Arms up, please.
[Wand squealing.]
[High-pitched whine.]
- Your watch.
- Oh, shit.
Sorry.
Just walk on down, come back through.
- Enjoy your flight.
- Thank you.
Man: Come on.
Hey, give it back! You can't take it, no.
- Look, no, no-- No, you can't take it.
- Man #2: Sir.
- It's my suit.
No, look.
- Is there a problem, sir? It's not on the list of restricted items.
Okay, look, there's gonna be a nuclear event and I'm entitled to protect myself from fallout.
Okay? I'm missing my flight! I need to get to Antarctica! I need to get to Antarctica! But be aware that it takes courage and strife Another one bites the dust.
Expand your mind, don't let it wither and die You'll find it lifts your spirits high to the sky So, meditate Come on, let's contemplate - Hey! - Hi.
Everything go okay? Yeah, absolutely.
- You? - Great.
What are you smuggling? Sorry? You either didn't wanna wait in line with me for an extra five minutes or you're smuggling something.
So, what is it? Heroin? I have $20,000 in cash strapped to my body.
- Lock the door.
- What are you doing? I borrowed your duct tape.
They would've seen it if I walked through the scanner.
Sorry.
Why? It's illegal to travel out of the country with more than 10 grand.
Why didn't you just give me half? Huh.
Help me get the tape off? Ooh! Ooh.
You hiding anything else you wanna tell me about? Maybe.
[Gasps, panting.]
[Gasps.]
[Grunts, panting.]
[Moaning.]
- Kevin: How many? - Nora: 119.
- Jesus.
- They made these testimonials.
They're standing there holding a newspaper like a hostage video.
They-- they gave their name, so I looked them up just to see if any of them were still around after they supposedly got into this thing.
Kevin: The-- the thing that zaps them with the radiation? Nora: Yes, honey, the thing that zaps them with the radiation.
And were they? - Still there? - No.
Every single one of them is unaccounted for.
- Where'd they go? - Nowhere.
Well, I mean, they have to go somewhere.
- Not if they're being cremated.
- [P.
A.
chimes.]
Man over P.
A.
: Ladies and gentlemen, the seat belt sign is now turned off and you are free to move about the cabin.
So, it's a sting operation.
You give them the money, they show you the thing, you see that it torches people, then you bust them.
Right.
But you don't have any jurisdiction in Australia.
That is technically true.
The DSD didn't send you.
So, you've gone rogue? The DSD has their hands full with the coming apocalypse.
These assholes invited me personally, so I can take them down myself.
They didn't know you were a fraud investigator? No, they knew.
They knew pretty much everything, actually.
Well, then they know about me.
I'm sure they do.
And they still think you're gonna get into this thing? And what if they ask why I came down here with you? I'll say that you've come to see me off because we're in a toxic codependent relationship and we've both come to realize that we're better off apart than together.
[Music playing.]
Nora: You gonna look your dad up? - Look him up? - Yeah.
I thought that's why you wanted to come down here.
No, I came down here to be with you.
Yeah, but if he's close by-- Honey, I don't know where he is.
And if he wanted me to know, he would've fucking told me.
Gotcha.
[Opera playing in background.]
You brought your book.
It's not my book.
It's Matt's.
- But it's about you.
- Uh-huh.
Are you finally gonna read it? - I already did.
- Really? When? On the plane when you were asleep.
- The whole thing? - The whole thing.
[Clears throat.]
"And so He left the bridge and the hangman behind.
And when He went into the woods, he lifted the girl to His shoulder and she slept, she pressed to Him and He to her.
" He capitalizes your Hs.
"Now the sun rose and they had come to a well, and He placed the girl down upon its edge and" What? If you read the whole thing, what happens next? He pushed her in.
Jesus.
Where does Matt come up with this stuff? [Phone ringing.]
Shit, shit, shit, shit, shit, shit, shit! Fuck! That's them.
- Yes? - Woman: Is this Nora? Yes, it is.
Who's this? There's a bus stop across the street from the hotel.
The 570 will arrive in about 15 minutes.
Take it to the last stop.
Don't miss it.
- We won't wait.
Good-bye, Miss Durst.
- What? I-- I don't-- [Beeping.]
- That was them.
I have to go.
- Where? I don't know.
They want me to get on a bus.
- You want me to go with you? - I'll be fine.
Are you gonna follow me, Kevin? Yeah.
[Sighs.]
Look, I have to do this alone, okay? Okay.
Just take your nap.
I'll be safe.
Okay.
Dinner later? Yeah, sure.
I'll be back soon.
[Opera continues.]
God, motherfucker.
G'day, Melbourne! It's a beautiful Tuesday, and I'm Pam Jolly.
And I'm Bruce Quartermain.
Today is October 9th, and I have to say I'm a bit groggy.
Pam: Oh, how was your night, Bruce? Oh, I had a big night last night.
- Pam: Did you go to the party? - Well, I went to Melbourne's Spring Fashion Ball last night.
Pam: Tell us, tell us.
Did you wear a costume? [Bruce chuckles.]
Well, the theme this year was under the sea Man over phone: Good morning.
Front desk.
Yeah, I can't turn off my television.
- I can't see where it's plugged in.
- Yeah, so sorry about that.
It's powered from the wall.
Happens sometimes.
I can reset it from down here.
It'll just be a moment, Mr.
Durst.
- Uh, it's Mr.
Garvey.
- Oh, so sorry.
Would you like us to add your name to the room so you can have access to all the guest amenities? Yes, that would be great.
Thank you.
Well, I'm ashamed to say that I did, Pam, but at least I get to be having pancakes with you here this morning, right? - Do you like pancakes, Bruce? - Well, now, who doesn't like pancakes? Pam: Well, no one in their right mind, that's what I say, which is why we are having a pancake cook-off today right here in the studio.
Now, how are you with a spatula? - You know, can you flip 'em? - What kind of question is that? Bruce: Well, it's tricky.
[Choir singing.]
[No audible dialogue.]
Pam: And I sure hope no one watching is named Kevin.
Bruce: Why is that, Pam? Well, apparently, there's not one, but two missing Kevins in the Melbourne area.
Chief Inspector Kevin Yarborough's police cruiser was found abandoned outside his home in Makarra.
Meanwhile, this man, Kevin Garvey, an American holidaying down under, was last seen wandering the road near Kurripa nearly a month ago.
If you have any information on the whereabouts of either of these men, please contact the police.
Right, let's get to those pancakes! - Are you ready, Georgie? - Oh, yes, I am, Pam.
Come on over.
[Gasps.]
Okay, now, tell us about the batter.
Well, we've actually got three batters, George.
The, um-- the first one is a plain buttermilk.
All right.
Mm, that's good.
Yeah, I like the classic pancake myself.
- Pam: Because you're so boring! - Aw, that's not all true.
Georgie: The second one is banana.
Pam: Oh, yum.
That's definitely for me.
Georgie: And the third one, of course, is chocolate chip.
- Something different.
- Pam: Oh, Bruce, you'll have - Can you hear me? - [TV turns off.]
Fuck! [Tone, speed dialing.]
Man over phone: Good morning.
Front desk.
Yeah, I need you to turn my television back on right now.
Oh, sorry, Mr.
Durst.
I just reset it.
- Just give it a few minutes.
- "G'Day Melbourne," is that show live? - Sorry? - Are they shooting it right now? - Uh, yes, sir.
I believe so.
- Where? Taxi! [Tires squealing.]
[Quiet chatter.]
[Bell ringing.]
Do you know when the bus is supposed to get here? Uh, any minute now.
Excuse me, miss? Are you a mother? - Yes.
- Thank God! I have a job interview in that cafe.
My sitter didn't show up this morning.
If I go in there with a baby, then they're never gonna hire me.
Could you please watch her? - Just for five minutes.
- I'm waiting for a bus.
Please! I'll be in and out, I swear.
I really need this job.
Please.
- Um - I'm begging you.
Uh, okay.
- Okay.
- God bless you! There we go.
Thank you.
Shh, shh, shh, shh, shh.
Well, you're a good person, taking a stranger's baby.
She could run off right now, you'd never see her again.
Desperate times are these.
Just six days left, right? Here's hoping.
Hey.
[Chuckles.]
[Bus approaches.]
Oh.
Oh.
Um, excuse me, when's the next bus? Man: Uh, should be another one in about 45 minutes.
Um [panting.]
Please wait! I'll be right back.
Wait! Oh! I'm so sorry.
I have to go.
Discrimination is illegal.
- Serves you right to suffer - Shit! Serves you right to be alone Wait! Hey! Stop! - Hey! Stop! - Serves you right to suffer [Panting.]
Serves you right to be alone Because you're still livin' The day done packed and gone Serves you right to suffer Serves you right to be alone [Crowd clamoring.]
Serves you right to suffer Serves you right to be alone - [Clamoring continues.]
- Hey.
That's why, that's why, that's why - Excuse me, excuse me.
- You can't keep from crying Flip it like that.
Just like-- - Oh! - [Laughter.]
Got a man down.
Pancake down-- ah! Pam: Just when I thought you were getting the hang of it.
Doing my best here, Pam.
- [Clamoring continues.]
- Serves you right to suffer Serves you right to be alone Your doctor put you on Milk, cream, and alcohol You can't sleep at night [Horn honking.]
[Horn honking.]
Kevin: Hey! Evie! Evie? What do you want? - What? - Just tell me what you fucking want.
Why is this happening again? 'Cause I fucking finished this.
So, what do you want? Did Patti send you? [Arabic accent.]
Who is Patti? I saw you on my TV.
You were looking right fucking at me.
Man: Everything right? Yeah.
Yeah.
I'm fine.
Is he bothering you, miss? You could see her? Just step back, mate.
You're real? Do you know him? I've never seen this man before in my life.
That's bullshit.
I know her.
Her name is Evie Murphy.
You know me.
My name is Daniah Moabizzi.
Why are you doing this? - Step back.
- Hey! Relax.
- Do you hear me? Oi! - [Camera shutter clicks.]
Get the fuck off me, asshole.
I know her! I fucking-- [Door hissing.]
[Wind whistling.]
Miss Durst.
Yes? Go on up.
They're waiting for you.
[Piano playing.]
[Music continues.]
[Women speaking dutch.]
- "Take On Me.
" - Ja.
From? - A-ha.
- A-ha! Miss Durst.
I am so sorry.
I did not hear you come in.
I'm Dr.
Eden.
And that is Dr.
Bekker.
Hi.
Dr.
Eden: Thank you for coming all this way.
We are sorry about the building.
It's a little bit creepy, no? [Speaking dutch.]
- What'd she say? - Oh, don't worry about her.
Um, let's go downstairs, shall we? Okay.
This is Bernard.
If you would not mind removing your clothes, Bernard will conduct a brief medical examination.
We have a gown for you.
What kind of medical examination? [Speaking dutch.]
It's very routine.
It's noninvasive.
And once you're done, Dr.
Bekker and I, we will just ask you a few questions and then we can move on to the next step.
If you're a doctor, why aren't you doing the exam? Oh, sadly, I'm a physicist.
But Bernard is very professional.
I promise you're in good hands.
Okay.
Great! Well, we will see you in a bit.
Laurie over earpiece: She was ready to go.
She was ready to go and she wishes she could've told you.
John: She was ready to go and she wishes she could've told you, but she just couldn't.
Laurie over earpiece: It was a stroke.
She was in a coma for three months before he pulled the plug.
Tell him he set her free.
Three months is a long time, man.
Uh-huh.
And she's grateful that you set her free.
Thank you.
Thank you so much.
- [Man sighs.]
- My pleasure.
No, but while I'm here, could you kindly try to contact my sister? - I'll pay extra.
- No, no, no.
That's okay.
Uh, what was her name? Margery Prentiss.
[Keyboard clacking.]
There's five Margery Prentisses.
I need a DOB.
John: What was her birthday? Man: March 17th.
[Keyboard clacking.]
Oh, shit.
She's a departure.
Abort.
Abort.
Sir, did your sister disappear on October 14th? Yes.
Why? I'm so sorry, but I can't make a connection with those who departed.
They're in a different space, man.
[Phone buzzing.]
Wish I could help you out, but I can't.
I'm sorry.
I'm gonna take this.
Give him a hug and tell him the dead wife wants him to move on.
- Hey.
- Laurie, it's Kevin.
Are you alone? What? Are you alone? Is John with you? He's-- he's downstairs.
You okay? I just saw Evie.
- What? - Evie.
Evangeline Murphy.
She's alive.
She's in fucking Melbourne, Australia.
You're-- you're in Australia? Yeah.
Nora had to come here for work.
It doesn't matter.
She's here.
She's here.
I talked to her, Laurie.
Okay.
Okay, Kevin.
I just-- I need you to slow down and explain to me exactly what you think you saw.
No, I don't think I saw anything.
I had a fucking conversation with her.
She's-- she's here.
She's-- I need you to do that thing that you do on your computer with the-- you know, go on Facebook.
I need you to find her.
She's in Melbourne and she's using a different name.
She's using, um, Daniah Moabizzi.
Daniah Moabizzi.
I-- I took a picture on my phone.
I'm gonna send that to you, okay? Hang on, hang on.
Daniah.
Did you see her at the Melbourne Library? - Why? Does she work there? - [Phone chimes.]
Did you get the picture? Yeah, I got it.
It's her.
I know it's her.
Did you talk to Nora about this? Nora's not here right now.
And why did you say she was at the library? Hey [Clears throat.]
Kevin under no circumstances should you approach Evie again, okay? It might scare her off.
We just-- we need to figure out what we're gonna do about this, okay? - We need to-- - [Hangs up.]
Kevin? Kevin?! Excuse me.
Excuse me! You know where the public library is? [Air pumping.]
[Air hissing.]
120/80.
Optimal.
- [Sighs.]
- Almost done.
Just need to draw some blood.
Why? Anemia, glucose, potassium, heavy metals, and pregnancy.
Well, I'm definitely not pregnant.
Oh, right.
Your IUD.
You'll need to have it removed before you go through.
- We can refer you to a-- - How did you know I had an IUD? It's in your medical records.
Just gonna affix some sensors for an electrocardiogram.
Oh.
Would you mind lowering your gown, please? The event chamber of the device requires an intense period of confinement.
So we're gonna simulate that now while we're monitoring you just to see how well you hold up.
It'll just be for a few minutes.
There's plenty of air in there.
I am gonna close the lid, but you can get out at any time.
If you wanna take your money in the box with you, that's fine.
Some folks worry that we're gonna run off with it while they're inside.
No, I trust you.
One, two, three four! [Music playing.]
Hi.
Hey.
Uh, is Daniah working today? Who? Uh, Daniah or Daneeah.
- "Danyah"? - "Danyah," yes.
I'm not sure.
Is there something I can do for you, sir? Yeah, she was helping me look for a book.
What book was it? Um, uh, "Assassins.
" "Assassins," I think.
The title is "Assassins"? No.
If you call her, she could probably help me.
We don't have a book by that title.
I'm sorry.
I know that-- I know.
But if you just get ahold of Daniah, then I think she could help me.
So, if you just do that, that'd be fucking great, please.
[Dings.]
Leonard? Oh, uh, no.
I He's being weird.
That so? No! Um, I just-- I don't want any trouble.
- I was just-- - Fantastic.
Let's take a walk, mate.
I need to get a book that I was looking-- You're leaving.
Daniah: It's okay, Leonard.
You know this bloke, Danni? Yes.
I know him.
Let's talk, Kevin.
[Door closes.]
I am Evie Murphy.
I have started a new life.
I am asking you not to tell anyone that you have seen me.
Not my mother, my father, my brother.
I just need you to leave me alone.
John's my friend.
He thinks you're dead.
I have started a new life.
You don't have the right to take that away from me.
Then you need to tell me why you're doing this.
Because there is no family.
Then why are you still using that accent? - I have to go.
- No, no.
[Whimpers.]
What the fuck is going on? [Speaking arabic.]
What? I have compassion for you because you are ill.
I wanted to help.
She told me to tell you that I was who you thought I was and then you'd go away.
Who told you? Mm-mm.
No, no.
[Music playing in background.]
This one's on me.
Well, I hope you don't have any expectations because you took me out to dinner, young lady.
- I wouldn't dare.
- [Both chuckling.]
[Phone buzzing.]
- Who is it? - Shit.
- It's Kevin.
- Call him back.
I, um-- I think I have to take this.
He's in Australia.
- He's where? - Just give me-- give me a minute.
- Kevin? - What the fuck did you do? Okay.
I just-- I need you to calm down and just tell me what happened.
What happened is that I went to see Evie and she told me that you fucking called her.
- Where are you? - The library.
With her? Is she there? Did you know about this? Did you know that she was down here? Okay, Kevin, I need you to listen to me.
I need you to-- to leave and go back to the hotel, okay? Go back to Nora and call me later, okay? She told me that you said that I was ill.
What the fuck does that mean, Laurie?! Remember when you were seeing Patti and I told you that-- I'm not seeing anybody.
She's right fucking here! You were seeing Patti and I told you that you never tell someone in the midst of a psychotic break that they are in the midst of a psychotic break.
Remember? You need to indulge that person's delusion and find common ground.
Otherwise, it's very likely that they will hurt themselves.
I don't-- I don't want you to hurt yourself, Kevin.
Just leave Evie, okay? Just leave her and go back to the hotel, okay? Or I hang up this phone right now and I call John and I tell him that you just spoke to his daughter.
[Knocking on glass.]
[No audible dialogue.]
Kevin: Laurie, you there? - [Sighs.]
- Hello? I need you to pull up that photo you sent me.
What? The photo that you took of Evie.
I need you to pull it up on your phone.
Can you do that for me, please? Okay, I did it.
What? I want you to listen to me.
Okay? I need you to listen to me very carefully.
You could've called anybody you wanted when this happened, but you called me because I think you knew that I could help you.
I'm gonna give you that help now.
This isn't real.
That girl is not Evie.
[Music playing.]
Look at the photo again.
I'm leaving now.
[Door opens.]
[Closes.]
I don't understand what's happening.
I think that you projected Evie onto a stranger.
And I think you chose Evie because you understood why she did what she did.
Why she left her family.
Why she escaped.
I think a part of you wants to escape, Kevin.
No, I-- I don't want to escape.
Then why are you in Australia? You are chief of police.
You have responsibilities here.
It is less than a week away from the seventh anniversary and you just ran away without telling anybody.
No, I-- I came to be with Nora.
She's the one that needed to be here.
I-- She's the one that ran away.
Kevin, are you and Nora okay? Ask John about the fucking book he wrote about me.
Welcome back.
Your heart is very calm.
What? Your heart rate.
- It's very even.
- [Grunts.]
Most people panic after a few minutes.
Oh, thanks.
Let's have a chat, shall we? Okay.
Mr.
Linn-Baker enjoyed talking to you in St.
Louis.
Where is Mr.
Linn-Baker? He went through.
Through the machine? - Yes.
- Is it here in this building? [Chuckles.]
No, it's not here.
I'm happy to answer any other questions you may have about the device, technical or otherwise.
Why haven't you used it? Everything I need is here.
What about you? I don't like the odds.
Odds? All we know for certain is that we are sending people to the exact same destination the others went seven years ago.
The odds that this destination has a sustainable environment with a breathable atmosphere and ample food supply are very, very low, so it is more likely there are 140 million corpses floating out there in space somewhere.
You make it sound so appealing.
Actually, several of our colleagues did go through.
- Dr.
Van Eeghen, the man who-- - [Snorts.]
The man who designed the device, he was one of the first people to use it.
Oh, yes.
And if you see him, tell him we said hello and that Finland won the World Cup.
[Speaking dutch.]
[Speaking dutch.]
What did she say? [Speaking dutch.]
Dr.
Bekker is [Sighs.]
Dr.
Bekker thinks you have no intention of using the device.
Um, she believes that you're curious, but once the time comes, you will get-- uh, how do you say-- cold feet.
I won't get cold feet.
Good.
So, do you want my money now? No, not yet.
We have a question for you first.
Just one.
You wanna know why I brought Kevin with me.
My boyfriend.
You know everything else about me, so I just figured you'd be worried-- We know who Kevin is and we're not worried.
Okay.
What's your question? Two infant twins are born.
One of them will grow up to cure cancer, but only if the other one dies now.
You don't have to kill the baby yourself, but you do have to nod to make it happen.
Do you nod? If I nod, how will the baby be killed? Will it suffer or is it gonna be quick and painless? Quick and painless.
- Are they mine, the twins? - Irrelevant.
It's relevant if you want me to answer your fucking question.
They're not yours.
She was working for you.
- [Chuckles.]
- Sorry? The woman at the bus stop who gave me her baby.
That was a test, right? We have no idea what you're talking about.
Mm, sure you don't.
Please just answer the question.
Kids die every day.
What's one more? And I get to cure cancer? [Scoffs.]
Of course I nod.
That's it? Yes, Miss Durst.
That's it.
So, how does this work? You give me a name, I go to a hotel room, explain what Low Amplitude Denziger Radiation is, and then what? Do I come back here or what? That won't be necessary.
What? Why? I'm afraid we will not be proceeding any further.
What? What, did I answer your stupid question wrong?! Oh ho ho, I get it.
I get it! You turn me down and then you want me to beg you to take my money, right? Keep your money.
[Door opens.]
No.
No.
Wait! - Stop! - [Car door closes.]
Go home, Miss Durst.
This isn't for you.
- [Crying.]
- [Car door closes.]
[Whimpering.]
[Opera music playing.]
George.
George Brevity.
This is Nora Durst calling for him.
Yeah, I know! I am a fraud investigator and I need to talk to him because I've uncovered a massive fraud.
Mm, well, then-- well, then give me his home number because it's an emergency.
No, I-- I will not hol-- - God damn it! - [Phone shatters.]
[Lighter clicks.]
- [Nora exhales.]
- Hi.
Hi.
What happened to your head? - Are you smoking? - Yeah, you want one? - What happened? - They turned me down.
[Chuckles.]
- Who? - The people who invited me here.
They-- they told me that I wouldn't be proceeding any further.
- Did they take your money? - No.
[Scoffs.]
- I thought it was a scam.
- Yeah! And they must've known that I knew it was a scam and that's why they fucking ran.
But I'm gonna find them.
I'm gonna find them and I'm gonna fucking destroy them.
Are you okay? Yeah, I'm fine.
Kevin.
What's wrong? You can tell me anything.
No, I can't.
Why not? The last time I told you everything, I woke up handcuffed to a bed and you were gone.
Kevin.
[Sighs.]
I didn't know how to handle you talking to a dead person.
Oh, Jesus.
Is it happening again? - I, uh-- we need to call Laurie.
- What? I told her I would come back here and we would call her.
When did you talk to Laurie? - I needed help.
- With what? I saw some-- I thought that I saw someone.
- I needed to make sure-- - Who did you see? That doesn't matter.
You won't tell me, but you'll tell Laurie? Who else? Matt? 'Cause if you're having visions, he's gonna wanna put it in your fucking book.
It's not my fucking book! No? I think you like it.
I think you wanna be Jesus Christ fucking Superstar because it makes you feel important.
Like it? I fucking love it! It's riveting! I've read it fucking cover to fucking cover! [Pages tearing.]
- [Bottles rattle.]
- [Lighter clicks.]
There you go.
Book's gone.
We never have to talk about it again, because that's what we do.
We don't fucking talk about anything! What do you wanna talk about? What do you wanna talk about? Why didn't you stop me? Stop you from what? From giving her away-- Lily.
I didn't stop you because you decided you wanted to do it, and you did it.
You never even asked me what I wanted.
And if I had, Kevin, what would you have said? You were relieved.
Just say it! And now you want a new baby.
Are you fucking insane? Are you afraid you're gonna give that one away, too? You can't have a kid, because then you'd have no excuse.
You couldn't be a victim anymore.
You'd have to be okay.
No one would feel sorry for you.
I do not want people to feel sorry for me.
Well, then how long, Nora? How long before you move past it? Move past what? That you lost your kids.
I did not lose them! My kids are not dead.
They are gone.
They are just gone.
Then you should go be with them.
[Opera music continues.]
[Fire alarm blaring.]
[Alarm and opera continue.]
- [Alarm continues.]
- [Chatter.]
- [Radio chatter.]
- [Sirens wailing.]
- I need a taxi.
- No taxis, sir.
Why not? The explosion.
Yes, hi Kevin Sr.
: I'll be back.
[Door closes.]
Jesus.
I can't believe you're actually here.
[Chuckles.]
I saw you on the TV in the window.
I turned to my friend, I said, "Holy shit! That's my boy.
" We called the local hotels and here you goddamn are.
Hey there.
Son, that's Grace.
Is this real? Of course it's fucking real.
- Where are you going, anyway? - Home.
You didn't see the news? All flights grounded.
Are you alone here? Yes.
Well, you're not alone anymore.
- Come on.
- [Music playing.]
We're talking away I don't know what I'm to say I'll say it anyway Today's another day to find you Shying away I'll be coming for your love, okay? - Take on me - Take on me - Take me on - Take on me I'll be gone In a day or two