10DANCE (2025) Movie Script
["Fuego" by Gigi Rosa
Dancelife Orchestra playing]
[man 1] A dancer once said
that love sometimes takes
an unexpected shape
and suddenly appears before you.
Hidden longings.
Passion without words.
Graceful and serene.
At times, fierce and wild.
With a subtle game of give and take.
- [gentle piano music playing]
- [applause]
[gentle piano music continues]
[man 1] To whom do we whisper our love?
How do we feel when our hands are joined?
[man 2] Okay!
[speaking Spanish]
[man 1 in English] Maybe dance itself
is the vessel we need.
A perfect way to nurture our love.
The steps are perfect.
The form, flawless.
But this man's dance
is missing something crucial.
A year ago,
I found out what it was.
[applause]
[emcee] The 31st
All Japan Dance Championships,
Latin American division champions,
Shinya Suzuki and Aki Tajima.
And now, the ballroom division champions,
Shinya Sugiki and Fusako Yagami.
[man in crowd] Sugiki-sensei!
[emcee] Please give
a big round of applause
to our "Emperor of Dance," who won
[Suzuki] I hate this guy.
[applause]
[Suzuki] Just seeing him pisses me off
for no reason.
[crowd cheering]
[emcee] And now,
our two magnificent champion pairs
will perform an honor dance.
Champions, please.
[man 2 in crowd] Bravo, bravo!
[applause]
[crowd shouting indistinctly]
[Suzuki] In competitive dance,
there are two different styles.
Ballroom dance,
which Shinya Sugiki specializes in.
The waltz, tango, Viennese waltz,
slow foxtrot, and quickstep.
They compete in all five dances.
["Nocturne" playing]
[crowd cheering]
[crowd shouting indistinctly]
[Suzuki] I specialize in the other styles,
Latin American.
Cha-cha-cha, samba,
rumba, Paso doble, and jive.
We compete in all five.
[applause fades]
["Devil's Inside" by The Fake Arts
& Matthew Simon Clark]
Something broke in me that day
So away
[applause]
Get back at you
Stood here dying on my feet
Feeling cold
Feeling weak
And it seems right
I only meet you in the moonlight
I know the Devil's inside
[Suzuki] The dancers of these two styles
never compete against each other,
with one exception.
[applause]
[applause continues]
[emcee] 10 Dance.
[crowd cheering]
[classical guitar music playing]
[Suzuki] The World Cup of Dance
is where dancers
who have mastered both ballroom and Latin
compete in all ten dances.
You need to have the stamina
to dance 40 songs in one day,
with completely different
rhythms and steps.
Mentally, you've gotta stay focused
for hours.
Both your body and mind
are pushed to the limit.
It may look glamorous,
but it's basically a triathlon.
That's the exception.
10 Dance.
[guests cheering]
- [guest 1] Top form!
- [guest 2] Bravo!
[guest 3] You were incredible.
[reporter] It's been a while since
you competed in Japan.
Does it feel good to perform
for a home audience?
[Sugiki] Yes, it's very good
to be back home.
And Shinya Sugiki and Fusako Yagami wanted
to show a new side of ourselves.
He wins as soon as he comes back.
I knew he would.
Shinya Suzuki hardly compares.
- [Aki] Thank you.
- [man 1] Shinya Suzuki and Shinya Sugiki.
[guest 4] Congratulations.
[man 1] Only a two-letter difference
in their names,
but Latin and ballroom
are totally different styles.
And they're in
completely different classes.
- Let's go.
- Yes, sir.
[sighs]
[gentle violin music playing
in background]
Hello?
[Aki] What?
What do you mean
Shinya Sugiki invited us to the 10 Dance?
When?
- Just now.
- What?
I said no.
You said no?
Wait, but it means that Shinya Sugiki
is offering to teach us himself, right?
- You care?
- Huh?
What's the big deal?
- Doesn't matter.
- What do you mean it doesn't matter?
[Suzuki] Do you know what
the 10 Dance takes?
Know how many dances you do in a day?
Five ballroom, five Latin,
and you've gotta dance 'em four times.
First round, second round,
semis, and finals.
- [Aki grunts]
- That's 40 songs.
We usually only dance 20 songs at most.
That's double what we do. Double.
[Aki] But, you know,
even if it's just practice,
I'd love to be led by Shinya Sugiki
at least once.
I don't care.
I mean, I'm always playing the role
of a slut who gets dumped by a man,
or a cheating woman,
or something like that.
Oh, really? You're the one who said
you can't pull off a princess.
No, I didn't.
Whatever. We're the national champions,
and they're the world champions.
- [Sugiki] Second.
- That's it.
We took second in the World Championships.
I've never been first
at the World Championships.
[Suzuki] I know why you're always
second place in the world.
Asians can't be number one...
I wonder when they'll finally see you
for who you are.
A champion
who could compete at the Worlds,
and yet gives it up time and again.
I'm just a little fish
who likes being number one.
I'm good.
A little fish
who's king of his little pond.
[Suzuki sighs]
[Sugiki] I guess I was wrong about you.
[pensive music playing]
You have the perfect style and physique,
but that's all.
[Sugiki tuts]
What is it?
- You wanna fight?
- I thought you had a fighting spirit.
[sighs]
But I see you're not even a rival.
You running away?
All right, I'll do it.
You're not gonna break on me, are ya?
Sure you can handle it?
Don't ditch when I get serious.
[Sugiki sighs]
Do your worst.
I'll lead you all the way to the final.
Latino.
[dramatic piano music playing]
[Aki] What did he say? Huh?
Hey, Shinya!
[dramatic piano music continues]
[Suzuki] He's right.
I've got Latin blood coursing
through my veins.
[crowd cheering]
[Suzuki] Somewhere deep down,
it drives me.
It feeds my dancing, my burning passion
[music fades]
[door opens]
[door closes]
[footsteps approaching]
[Aki] Hey, wake up.
I said wake up!
[woman 1 moans]
- [twangy jaunty music playing]
- [woman 2] Good morning.
- [Aki] Put some clothes on.
- [woman 2] It's too early.
[Aki] Wanna catch a cold?
Here, which one's yours? This?
- [woman 2] Thank you.
- Morning. Here, put some clothes on.
- Mm, thanks.
- Come on, let's go!
Jeez.
What a mess.
[Aki groans]
[Suzuki sighs]
Put on some fucking clothes!
All right! Let's go!
Hurry!
[twangy jaunty music continues]
[indistinct chattering]
[Aki] Hey, buddy. [Chuckles]
[Aki sighs]
What the hell is going on with you?
Are you gonna do it or not?
You are going to do it, right?
And sure, you'd be taking a chance,
but they say the true champion
is the one who can win the 10 Dance.
If you teach them the Latin dances
and Sugiki teaches us ballroom in return
Then I think we can compete at the Worlds.
[Suzuki] It's not that.
It's not about the Worlds
or any of that crap.
- [Aki] Hmm?
- [Suzuki sighs]
It's those eyes of his, staring at me.
Drives me nuts!
You don't have to shout like that.
[laughs]
[Aki groans]
[Aki] Come on! Hurry up!
Faster!
I said hurry up!
- You know where it is?
- Yeah.
You know,
I bet Fusako Yagami is a total bitch.
She seems really scary, almost dangerous.
- Dangerous, huh?
- I'm scared!
- [horn honks]
- Come on.
[footsteps approaching]
[Aki] Wow.
This is amazing.
[subtle, enchanting music playing]
[music fades]
Good evening.
You're more than 30 minutes late.
Get your partner into a skirt. Hurry.
- [sighs]
- [Aki] We're sorry.
- I'll show you the dressing room.
- [Aki] Oh.
Come in.
Whoa, it's huge.
Use anything you like.
Ah, thanks.
Wow.
Okay.
- I can take your coat.
- Oh, that would be great.
Thanks.
So think they'll be able to get along?
I wouldn't worry.
"I really need Mr. Suzuki for Latin."
He kept whining and going on about that.
[gasps]
You're saying he whines all the time too?
[chuckles]
[laughs]
Why don't we check your hold
while we're waiting?
Okay.
How familiar are you
with ballroom dancing?
- I am a professional.
- I see.
Then you'll take the lead,
and I'll follow.
[twangy jaunty music playing]
Lower your sense of contact.
From the stomach down to the knees.
One, two, three.
One, two, natural turn.
The waltz was originally
a courtship dance,
but the hold is like wearing handcuffs.
Graceful on the surface,
but with restraint and control.
[feet stomp]
[door opens]
[Aki] Sorry to keep you waiting.
What is it? Something wrong?
He rubbed his dick on me.
[Aki] I'm so sorry about this.
It's fine.
Shall we get started, then?
Yes.
- In ballroom, you're D Class?
- Yes.
Take my contact.
- Let it sink into your body.
- Okay.
What do you wanna do?
Do we stop or continue?
[Fusako] One, two, three. One, two, three.
You can quit if you want.
[Fusako] Running spin turn.
One, two, three.
One, two, three.
One Good.
One, two, and three.
One, two, and three.
One, two, spin, turn.
One, two, three.
One, whisk.
One, two, three.
One, two, three.
[twangy jaunty music playing]
- Stretch your arm out, like this.
- [Suzuki] Two, three, four.
[Fusako] Your shoulder blades
move with your pelvis.
Hockey stick. Two, three, four.
Two, three, New York.
- [Aki] Catch it inside.
- Two, three, four.
- [Aki] Shoulder turn.
- Two, and three, and four.
[Fusako] Both arms?
- Two, three, four.
- [Aki] Yes, like an undulation.
Two, and three, and four.
Two, three, four.
- [Aki] Pelvis moves too.
- Two, and three, and four.
Okay, that's enough.
How was it?
- Terrible.
- [Aki] The same for the left.
Your hip movement is so fake.
Look.
Watch how my body moves.
[Velcro rips]
[exhales]
[breathy] Four.
Two, and three, and four.
See that?
It's not just in the hips.
When you do it,
your body's not undulating.
Three and four.
Feel the weight moving.
You've gotta feel it
from the spine
through the shoulder blades
Into the arm movements.
Two, three, four.
Two, three, four.
Two, and three, and four.
See this? It's sweat.
- Yes.
- Do you get it?
Yes, I understand.
Your hip movement is amazing.
It's my job to shake my hips.
[laughs]
- [Aki] Think you can do it?
- Got it?
- Just copy what I do.
- Right.
Come here. Put your hands right here.
- [Aki] Shorten it.
- On your hips.
- [Aki] Make it smaller.
- [Fusako] A little smaller?
[Aki] That's right.
A bit more. Yeah, like that.
[Suzuki] Two, and three, and four.
- [Aki] Now squeeze, squeeze, squeeze.
- Two, three, four.
- Move less.
- [Aki] That's it.
Two, three, and four.
[Aki] Mm-hmm.
- [Suzuki] Two, three, four.
- [Aki] That's it. That's it.
Two, three, four.
- [Aki] Two, three, four.
- Two, three, four.
[Suzuki] Two, and three, and four.
Aki, keep counting.
- [Aki] Two, three, four.
- Three, four.
- [Aki] Two, three, four.
- [Suzuki snaps fingers]
[Aki] Two, three, four.
If the waltz is an elegant courtship
[Aki] Two, three, four.
then Latin dance is raw eroticism.
[Aki] three, four.
[intriguing ethereal music playing]
Arouse them, seduce them.
Don't stop till you make 'em wet.
- [laughs]
- [Aki] Two, three, four.
You're not sexy, guy.
- [Aki] Two, three, four.
- Four.
Two, and three, and four.
[Sugiki] One, two, three.
One, two, three.
One, two, three.
[Aki] Sorry. Suzuki can be
a little rough around the edges.
[Fusako] Don't worry.
So you two together?
[Aki chuckles]
Well, there was something there
at one point, I guess.
But now, I just want to go further
as dance partners.
How about you and Mr. Sugiki?
There's love in your dancing.
Mr. Sugiki took me as a partner
when I was nothing.
He's brought me so far.
I trust him with everything
and just follow his lead.
I've never felt loved by him at all,
and I don't think I need to.
[music fades]
[Sugiki] We still have some time
before the first train.
You can rest a little longer.
Do you do this every day?
I can't stand it.
I won't be second again.
[Sugiki exhales]
I'm not the type to try to make
an audience boo judges' decisions.
[sighs]
I recall
you said you liked being number one,
didn't you?
I also like being at the top of the pack.
- I'm only at the top of my turf, right?
- [Sugiki] Are you going to go all in?
Doesn't it look like it?
[Sugiki sighs]
You be the judge of that.
[groans]
[sighs]
["Bandolera" playing]
[Suzuki] God, it felt like the wind
had gone right through me.
It stirred my soul.
It felt like
that hot wind of Havana.
["Bandolera" continues]
My soul is still in Havana.
It's the kingdom of sun, music, and dance.
[plane engine roars]
[music fades]
[Suzuki] Doesn't matter how small
the world may be,
I sure as hell can't see Havana from here.
four.
- [Suzuki] Two, three, four.
- [Aki] Two, three, four.
- [Suzuki] Two, and three, and four.
- [Aki] Two, three, four.
[Sugiki] One, two, three.
One, two, three.
- [Fusako] Face right.
- [Sugiki] One, two, three.
One, full count.
One, two, three.
One, two, three.
One.
Okay, one more time.
[exhales]
[Suzuki] Just a minute.
- Can I put some music on?
- [Sugiki] You're not ready.
- Let me put some music.
- I said no, you're not ready for it yet.
- [keyboard clacking]
- This thing's not even working.
My method is to drill the counts
into your body,
without even the slightest distraction.
- [Suzuki] God, I want music.
- Okay, let's go.
- [Fusako] All right.
- [Suzuki sighs]
[Sugiki] Two, three.
One, two, three.
One, two, and three.
One, two, three.
One, two, three.
[clears throat]
[Suzuki] What?
Your lead is uncomfortable.
- Your holds are self-centered
- Hold on.
- and unreliable.
- Hey.
- Quit complaining. Move the way I steer.
- If I give in, I feel like I'm in danger.
What is it?
You're waltzing like you're a servant.
What does that mean?
The waltz is danced
by ladies and gentlemen.
It looks very elegant,
but it's also relentless.
The woman must dance in those high heels,
twisting her waist for hours on end.
The pain is pure torture.
And in such a state,
she will not yield
to a rough and vulgar man.
- What the hell?
- You should try being the woman for once.
Lower your shoulder blades
and turn out your arms.
That part is the same as the man's.
Now, keep your hips there,
but rotate only your chest to the left.
Your shoulders to the right.
Stretch your neck.
Stretch it away from your right.
Up to the left. That's it.
Now, get up on your toes.
- [Suzuki grunts]
- Higher.
Hold it right there. Stay.
[grunts]
[grunts]
Your stance is beautiful.
Without me,
just standing is hard, isn't it?
During hardship, the gentleman
offers his hand to support his partner.
That's how it works in ballroom dance.
"Move the way I steer you," right?
[groans]
[Sugiki] Natural turn.
Running spin turn.
Chass roll.
["The Blue Danube,
Waltz Opus 314" playing]
[Sugiki] Left whisk.
Standing spin.
Syncopated running finish.
[music intensifies]
Throwaway.
Oversway.
How was that?
Did you feel like a princess?
[music ends]
[footsteps approaching]
[Sugiki] Let's go get something to eat.
[gentle orchestral music playing]
[Suzuki] Hmm?
What's that?
- Thank you.
- This is coronation chicken.
Served at Queen Elizabeth's coronation
in 1953.
[sniffles]
Mmm.
The apricots you just tasted
were arranged
to resemble scattered jewels.
Britain was victorious,
but they were still rationing at the time,
and this dish astonished guests
from around the world.
Elbows off the table.
That's how a dog eats.
I'm eating like this 'cause it's good.
You get it, right?
It's good.
Tastes like curry.
More wine. Mm.
You shouldn't hold the glass
while it's being poured.
[scoffs]
When you're at a banquet,
you don't hold it by the bowl
but lower on the stem, like this.
I got it.
- [chuckles]
- Hmm?
What does any of this
have to do with ballroom dancing?
I know how to eat, man.
Imagine this scenario.
You manage to beat every other 10 dancer
and rise to the top of the world.
After your honor dance,
you get an invitation
from someone who loved your performance.
This is not a wrap party
at a dance school.
Big-time sponsors and patrons
the envy of all dancers
will be waiting for you.
[sniffles] I get it now.
So this is another lesson for me?
Okay, guy.
[phone keypad beeping]
I have a lesson for you.
["Son de la Loma"
by Trio Congri Cubano playing]
[people cheering]
So, you like it?
[Sugiki] Yes.
[Suzuki] It's the real taste of Cuba.
Drink.
Come on, drink!
Break!
Take a break!
He's boring!
[people booing]
- Let's get him drinking!
- So you're the "Emperor," huh?
It's fantastic!
- [man] Salud!
- Salud!
Salud!
- [Suzuki] Salud.
- Salud.
Hey, Sugiki, let's go!
- Huh?
- Come on!
- Smile!
- What?
Just smile, man!
Fake it if you have to!
Just smile!
Come on! Come on! Come on!
Come on! Come on! Come on!
[cheers of encouragement]
[laughing]
Don't think about it! Don't
Don't count with this. Make some noise!
Latin is about
making your body the instrument.
[gentle piano music playing]
[Suzuki] At around the same time
Queen Elizabeth II
was serving coronation chicken,
Castro was starting his revolution
in Cuba.
That's probably how big
the difference was between us as well.
SUZUKI DANCE SCHOOL
[Suzuki] It's almost like a wave
[gentle piano music continues]
right through his fingertips.
While holding his hand, I can
I feel his emotions, you know?
You get it?
Like superiority.
Possessiveness.
The urge to control.
And sometimes I can feel gentleness.
Expectation.
I don't even know how
to explain it properly.
I mean, it's like
I can feel everything he's feeling.
You know? [Chuckles]
You sound like you're in love.
Huh?
Don't be stupid.
- [chuckles]
- [phone ringing]
- [Suzuki grunts]
- [phone ringing]
- [Suzuki] Look.
- Hmm?
Sugiki. [Chuckles]
- [people cheering]
- [Suzuki] Hey, what's up?
Are you there?
You there? Can't hear you.
[emcee] This is
the UK's Best Dance Championships
The UK's Best?
Professional Latin semifinal.
The Paso doble.
You're in the UK?
[Sugiki] Didn't I tell you?
That night we went out,
I thought I mentioned
I was leaving the next day.
- No, you didn't.
- All right.
It's a competition I enter every year.
You must've known.
That's not the point.
["Espaa Ca" playing]
I'm next. Gotta go.
Wait, hold on. Hold on.
Yes?
Just come back soon.
- [music continues]
- [crowd clapping]
[disconnect tone]
[sighs]
[phone thuds]
[Aki] What did he say?
This year's Open,
we're gonna move up two in the rankings.
Huh?
And keep the All-Japan Champion title.
[pensive music playing]
Then
In 10 Dance
We'll beat Sugiki.
[emcee] Ladies and gentlemen,
we now come to
the Professional Ballroom semifinal.
Twelve couples have been recalled.
Please welcome them to the floor.
[cheering, clapping]
[emcee] All present and correct.
Your first dance, the slow waltz.
[slow waltz music playing]
[indistinct chattering]
There's Ms. Martha.
[man 2] She's the president of the WDL,
isn't she?
[man 1] She's a mentor devoted
to fostering Asian dancers.
Sugiki's her prize student.
He's indispensable
in their Asian market strategy.
I thought they were extraordinary.
They seem to be flourishing,
although I wonder
perhaps a different combination.
[classical music playing]
[Martha] What is
with that ridiculously exaggerated hold
you seem to insist on doing?
All you are doing
is placing a strain on Fusako.
There is absolutely no unity
in your dancing.
[Sugiki sighs]
It's best to retire
at the height of your glory.
Have you ever imagined
what it would be like
when the audience grows tired of you?
Martha.
Alberto Boemer has been crowned
World Latin Champion 11 years in a row.
I haven't even been champion once.
[Martha] Dance is neither
about technique nor stamina.
Love is what makes it whole, but
I don't feel any love
in the way you dance.
[Martha] Hm.
[Sugiki] Watch your frame.
Make the adjustment.
[Fusako] Yes, beautiful.
[Sugiki] That's it.
[Fusako] Very nice.
Stretch your arms even more.
Yes, very nice.
[Sugiki] Yes, that's good.
Good work today.
- [man] Thank you.
- [woman] Thank you.
When did you get back?
- Thank you for coming.
- See you next time.
Thank you.
[Sugiki] Let's try it with music today.
["River Flows in You" playing]
Two, three. One, two, three.
One, two, three.
One, two, three.
One, two, three.
One, two, three.
One, two, three.
One, two, three.
Careful. Two, three.
One, full count.
Two, three. One.
[music intensifies]
- [Suzuki] Can I ask you something?
- [Sugiki] Hmm?
[Suzuki] Did you grow up
in Martha Milton's house?
[Suzuki] Yes.
[sniffles] My mother was
with me, too, at first.
[music fades]
It felt like I had two mothers.
One day,
Martha took me to the Blackpool Tower.
I saw a large framed photograph there.
Martha and a man
who was as dour as the Grim Reaper.
They looked like
they were ascending into the heavens.
[poignant piano music playing]
[Martha] Do you want to dance like this?
Then,
Shinya,
become a man.
Become the kind of man admired by all.
The finest gentleman.
[poignant piano music continues]
[Suzuki] So you admired him
and wanted to be just like him?
[Sugiki] No.
I think I wanted to take his place,
to be beautiful and terrifying.
[music fades]
Until I was consumed by fear.
[melodic string music playing]
Cuba, what's it really like?
- [Suzuki] Cuba?
- Yes.
It's music.
Dance.
Love.
Romance and the sea.
Cubans fall in love so easily.
Then they marry.
My mom was like that.
Every time we moved to a new place,
it happened.
[tender piano music playing]
Is the sky blue?
[Suzuki chuckles]
[laughs]
It's so blue.
The beaches are always empty,
so when you fall in love,
you go to the beach.
[music fades]
No one disturbs you there.
It's just the two of you
under the palm trees.
[chuckles]
Hm.
[exhales]
["Besame Mucho" by Ballroom Orchestra
and singers playing]
[in Spanish] Kiss me
Kiss me deeply
As if tonight were
Our very last
Kiss me
Kiss me deeply
For I'm afraid I might lose you
Once it's passed
Kiss me
Kiss me deeply
As if tonight were
Our very last
Kiss me
Kiss me deeply
For I'm afraid I might lose you
Once it's passed
- ["Tango Brujo" playing]
- [in English] Slow, slow.
Quick, quick.
Hold it there.
Breathe in.
- [Sugiki] Right here.
- Okay.
[Sugiki] Like that.
[Fusako] Quick.
[Sugiki] That's it.
I just need a drink of water. Sorry.
[Sugiki] That's it.
Very good.
A little more open.
That's it.
Very good.
You know, Shinya's been crazy
about Mr. Sugiki for a while too.
Yeah?
[Aki] A few years ago,
he happened to see a video.
He said, "He's the perfect dancer."
But then he said, "It looks
like he's in pain," which is weird.
[Sugiki] Keep going like that. Okay.
Quick, quick.
Use your leg for support.
I think you wore a black dress?
You were dancing the tango, right?
I don't think that was me.
- [Sugiki] Quick, quick.
- Huh?
I've never worn
a black dress in a competition.
[Sugiki] And again.
Shall we continue?
Hm.
[Sugiki] Support it.
Wide, wide. Quick, quick.
- "[El Tango Gordo" playing]
- Walk, walk.
Position.
Neck.
Quick.
Don't rush. Don't rush. Don't rush.
Slow.
Frame, frame. Keep your frame.
Don't break it.
Rotation. Rotation.
Together. Do it together.
Don't try to dance on your own!
[Sugiki huffs, tuts]
Take a break.
- Aki, why don't you get some water?
- Okay.
[music stops abruptly]
[door opens]
[Suzuki breathes heavily]
[door closes]
[breathing heavily]
What's different between our leads?
[Aki] Mm well
With Mr. Sugiki,
I know exactly where I should be.
No matter what the movement is,
it never varies.
And the balance
between force and gentleness,
it makes my body want to follow his lead.
And, then, with you,
it's more like,
"I'm having fun, so you must be, too."
[ethereal pensive music playing]
Sometimes that works for me,
and sometimes it doesn't.
Hmm?
[sighs]
Fusako said that when she and Mr. Sugiki
entered their first competition,
he said to her
[both] "Ms. Yagami."
- [Aki] "Now that you're"
- Now that you're my partner
I will make you dance
more beautifully than anyone.
Every dancer in the world will say,
"Fusako Yagami is beautiful."
"I want to be Fusako Yagami."
That will be my ultimate joy.
Jeez.
I wish someone would say that to me.
You know, have that kind of caring?
- You don't have it.
- Caring?
- Caring.
- No way.
- You should try it sometime.
- It's sentimental crap.
[Aki chuckles]
- Oh, hey. By the way
- [sighs]
that video you sent over to me
the other day?
- Yeah?
- [door opens]
That wasn't Fusako dancing.
[door closes]
You sure?
She told me
she never wore black while competing.
Or something like that.
[sighs]
["Nadie Sabe" playing]
[man] Havana salad and a beer?
[indistinct chattering]
- Hey!
- [Suzuki] Hey.
I don't know what's going on.
I can't dance anymore.
He's the one in control.
I thought I was the one using him, but
I'm the one being used.
Keeps throwing me off my game
and keeping me on edge.
I mean, what am I to him?
Sounds like love.
- [both laugh]
- What are you talking about?
Do you want him?
[both laughing]
Seriously, do you?
Guys can be attracted
to other guys, right?
Ah, come on!
[bartender 1] If you're cool
with someone else stealing him, back off.
Let someone else take a shot.
[laughing]
[singer, in Spanish] Love me
And kiss me
If not, forget about me
No one knows what the future holds
We have to live in the moment
Please smile and accept me
Because we only live once
No one knows what the future holds
We have to live in the moment
[indistinct chattering]
["Swingle Bells" playing in background]
[singer, in English]
Jingle all the way
Oh, what fun it is to ride
In a one-horse open sleigh
Jingle bells, jingle bells
Jingle all the way
Oh, what fun it is to ride
In a one-horse open sleigh
Dashing through the snow
In a one-horse-open sleigh
O'er the fields we go
Laughing all the way
Bells on bobtails ring
Making spirits bright
What fun it is to ride and sing
A sleighing song tonight
Jingle bells, jingle bells
Jingle all the way
Oh, what fun it is to ride
In a one-horse open sleigh
Jingle bells, jingle bells
Jingle all the way
[music fades]
[jaunty music playing]
[jaunty music continues]
You gonna die if you don't dance?
Will you?
[music fades]
[indistinct chattering]
Here.
Thank you. Cheers.
[sniffles]
[sighs]
Can I ask you something?
Sure.
About three years ago,
when you were at the Worlds
Who was the woman
in the black dress you were dancing with?
It wasn't Fusako.
[sniffles] She told Aki it wasn't.
I'm sure she'd rather forget.
No.
Maybe she really can't remember
what happened.
What you saw, Mr. Suzuki,
was the World Championships in England.
[applause]
[Sugiki] We hadn't been dancing together
for very long.
The audience really seemed to be fixated
on my new partner.
["Dancing in the Darkness"
by Suzanne Goodheart playing]
[Sugiki] That day,
the atmosphere was so tense.
It happened during
the last dance of the semifinals.
- We were dancing the quickstep.
- [upbeat music]
[singer] Don't let me snooze
I was born to wear these shoes
[grunts, groans]
Are you okay?
[woman groans]
[Sugiki] Are you all right?
[Sugiki] It's not unusual
for dancers to fall,
but I'd never been associated
with such a bad fall before.
Wake me up to dance, dance
- [music fades]
- [Sugiki] That was when it started.
[Fusako breathing raggedly]
[melancholy music playing]
[Sugiki] She began to unravel.
Years earlier, at a different competition,
she was dancing with another partner,
and a similar thing happened.
She began to suffer
from post-traumatic stress.
I knew she was going through that,
but I still got her in that dress
and made her compete in the final.
[music fades]
["Fuego" by Gigi Rosa
Dancelife Orchestra playing]
How did I make her dance, you ask?
I yelled at and berated her relentlessly.
["Fuego" continues]
[Sugiki] Even as her body froze,
her face still reacted to my words,
and her feet did exactly as I commanded.
[Sugiki] Your frame, it's loose.
[crowd clapping]
[Sugiki] Right side up.
Keep it. I said keep it.
Your frame is loose.
It's too loose!
You're heavy!
[clapping intensifies]
Lift your body up. Higher.
Keep it.
Keep it.
[Sugiki] I kept pushing her
until the end of the competition.
[ethereal pensive music playing]
And then,
to my shame,
I found myself liking her in that state.
[sighs]
That's the kind of man I am, I suppose.
[scoffs]
Not a gentleman.
More of a Grim Reaper.
[Sugiki exhales]
[Suzuki] Why did I ask him about it?
I have caused Ms. Yagami so much pain.
Please keep this between us, okay?
[Suzuki] Was it a confession I wanted?
Did I wanna hear him reveal weakness?
[scoffs]
Lame, man.
[train rumbles in distance]
[poignant piano music playing]
[distant siren wailing]
[panting]
I'll stop if you want.
[heartfelt music playing]
[Suzuki] Before I knew it,
my body was moving on its own.
All I could do was give in to it.
Surrender to the gods of dance.
[indistinct chattering]
[music fades]
Hang onto that persona of yours.
You can be the Grim Reaper.
[gentle piano music playing]
I'll be the angel who defeats
the Grim Reaper of Blackpool.
[gentle piano music continues]
[Suzuki] When I beat you,
you'll finally be free
of all that suffering.
[Sugiki] I really admire you, you know.
[music fades]
[stirring string music playing]
[phone buzzing]
[Sugiki] Let's go overseas together
next time.
We'll enter as two pairs
in the World Championship at Blackpool.
I will unveil you to the world.
It'll be your debut.
["Double or Nothing"
by Chris Egan playing]
["Double or Nothing" continues]
[music ends]
[Sugiki] How are you?
[indistinct chattering]
That's Martha, the president of the WDL.
And he's a former world champion
who won the Carl Alan Award.
That's the tournament director,
and that's a big-shot businessman
who got a medal
for his contributions to the dance world.
- Hello.
- Hi.
[Sugiki] Hello, Nino.
Fabio, good to see you.
- [man] Fusako. [Laughs]
- Hi.
- [Sugiki] Oh, hi, Catherine.
- Nice to see you.
Let me introduce you.
This is our choreographer, Nino,
and our designer, Fabio.
And this is our hair
and makeup artist, Catherine.
They're my European tour team.
Absolutely. Yes.
Hi, guys.
So you're the other Shinya? [Laughs]
- Very nice to meet you. A real pleasure.
- Nice to meet you.
So cute. [Chuckles]
[Nino] And that's Aki, I think.
[Aki] Yes.
[Aki, Nino laugh]
- Hi.
- [Aki] Hi.
- Very nice to meet you.
- [Nino] Enjoy yourself.
- [Sugiki] Let's go.
- Thank you.
- [Fusako] See you soon.
- [Nino] Hi.
[guest 3] Alberto!
[guest 4] Alberto!
[guest 3] So nice to see you!
That's Alberto, the Latin champion.
[indistinct chattering]
Excuse me.
Shinya.
He's the ballroom world champion.
Giulio.
It's been a while.
Happy to see you made it.
[Fusako] And that's Giulio's partner,
the queen of the dance world, Liana.
She's also Mr. Sugiki's ex-girlfriend.
[twangy jaunty music playing]
[Giulio] I'm here to tell you something.
Liana and I
are getting married after the competition.
Thank you for coming over here to tell me.
[Giulio] I have your blessing?
[Sugiki] Of course.
Congratulations.
[Suzuki] It's okay, Sugiki.
I'll make sure you see no one but me.
Mr. Moretti.
Nice to meet you.
My name is Shinya Suzuki,
and I plan on taking
first place in ballroom
at the next world championship.
I've been a fan for a long time.
Make sure you remember my face.
[Suzuki] Sugiki, you coming?
[Sugiki] Yes.
[twangy jaunty music continues]
[knocking at door]
Yeah?
[distant siren wailing]
How are you feeling?
[door closes]
Here's the schedule for tomorrow.
[clears throat]
I want to try more than Latin.
I wanted to give ballroom a shot.
Look, we've been over this.
Keep the fact that you also
do ballroom secret till 10 Dance.
Hmm?
You just wanna settle things
with Giulio, right?
Just do as you're told, okay?
You like pushing people around.
Fusako.
And me?
[poignant piano music playing]
Could be you're the fool in the scenario.
That's why your girl was stolen from you.
[sighs]
Just focus on the competition for now.
Understood?
[music fades]
[stirring string music playing]
I've decided to stop dancing with you
And pair up with Giulio instead.
I need to choose the path
that will make me a champion.
And if I stay with you,
I will never become a world champion.
I'm sure of it.
[Sugiki] How could she be so sure
that I could never win?
If it is true, why do I keep striving?
[sighs]
[Martha] Dance is neither
about technique nor stamina.
Love is what makes it whole.
Love won't make me win.
[tender piano music playing]
[music fades]
Thank you.
- Go on in. Upstairs and to the right.
- Straight up the stairs.
Enjoy yourselves.
Thank you.
[indistinct chattering]
[singer] Tension rising
Breath is tight
You pull me close, I hold you
[Suzuki] The World Championships
are just that.
Over 200 of the world's top pairs
come to compete.
[cheering]
One by one, they're eliminated,
like some blood sport.
Those who survive, the chosen few,
go at it tooth and nail
for the ultimate titles
of ballroom and Latin world champions.
[indistinct chattering]
You look beautiful.
- Thanks. You too.
- [Aki chuckles]
[Fusako] You know, Mr. Sugiki
was seriously thinking of retiring
not too long ago.
After he and Liana broke up,
he couldn't find a partner
who was at his level.
The ones he did find couldn't keep up
with his strict training.
The only option he had
was picking me, the dropout.
He thinks the only way
he can win the title
is by pushing himself
to the breaking point.
I just want to see
what we can accomplish together.
[crowd cheering]
[exhales]
["The Majestic Tango"
by Dancelife / DJ Sylz playing]
[crowd clapping]
[crowd shouting indistinctly]
[indistinct shouting continues]
[indistinct shouting continues]
[crowd cheering, clapping]
[indistinct shouting continues]
[indistinct shouting continues]
[music stops]
[crowd cheering, clapping]
[emcee] Our next competition
is the Professional Latin final.
Please welcome our finalists to the floor.
[cheering]
[emcee] Your first dance, the cha-cha-cha.
["Sway" by Ross Mitchell
His Band and Singers playing]
[crowd whistling, cheering]
[singer] When marimba rhythms
Start to play
Dance with me
Make me sway
Like a lazy ocean hugs the shore
Hold me close
Sway me more
Like a flower bending in the breeze
Bend with me
Sway with ease
When we dance you have a way with me
[Sugiki] The finest dancers
tell stories with their bodies.
[music fades]
They can show the strength
and stoicism of an ancient tree,
or they can show lightness and air
as if wings had magically sprouted
from their ankles.
[tender piano music playing]
[crowd cheering]
[man 1] Wow, number 23. Who is that?
[man 2] His name's
Shinya Suzuki, apparently.
- [man 1] Shinya Suzuki?
- [man 2] Have you ever heard of this guy?
[man 3] No, never. Must be an amateur.
- [man 2] I guess.
- [man 3] He's really good.
[crowd continues cheering]
[Sugiki] The story his body was telling
was pure inspiration.
Suddenly,
I could see a way forward.
["Sway" resumes]
I can hear the sound of violins
Long before
[crowd cheering, clapping]
[woman 3] Oh God, I didn't know
anyone could dance like that.
[man 5] Who is that?
Is that the Japanese guy?
Wow.
[man 6] This is not a dance competition.
It's like a brawl.
The judge will likely take marks off,
but it sure is captivating.
[cheering, clapping continues]
[emcee] We come now to the result
of the 73rd World Championship,
ballroom division.
Into first place,
Giulio Moretti and Liana Javalanka.
[crowd cheering, clapping continues]
[emcee] Into second place,
Shinya Sugiki and Fusako Yagami.
[crowd cheering, clapping continues]
Third, Dusan Novak and Valeria Orlova.
[Nino] I remember
when he and Liana danced together
before he paired up with Fusako.
Their tango was so
[inhales sharply] passionate.
Uh, I mean, it was obvious
that Shinya was crazy about Liana.
But when he proposed to her,
something got in the way.
[Fabio] So I hear.
Giulio and Shinya's attack
is very similar.
Their ability is evenly matched,
or perhaps maybe there's just
the narrowest of margins between them.
But the one who gets to stand
at the top of the podium is who?
- Giulio.
- [Nino] Giulio.
[Fabio] Shinya doesn't have what it takes
to overcome that slight margin.
- I'm sorry, Nino.
- No. I don't agree, Fabio. No, no, no.
Everyone is here to see
his obsessive determination.
[Fabio] I know.
[Nino] And everyone comes here
to see him valiantly struggle
[sighs]
just to end up losing again.
[Fabio] Yes.
[Nino] The only person here
who thinks he has a chance of winning
is probably Shinya himself.
What the hell are you saying?
- Excuse me?
- Don't just say that.
Do something about it!
That "slight margin" you mentioned,
you mean Sugiki's
actually a better dancer, right?
- So help him win!
- Easy, calm down. Come on, Shinya, please.
You guys have the power to do that,
don't you?
No, I I don't know.
- I'm telling you, let him fucking win!
- Hey. Whoa, whoa!
- [Fabio] Calm down.
- [Nino] Hey, hey, hey, hey.
- [Fabio] Easy.
- [Nino] Sorry
- That's bullshit!
- [Nino] I'm sorry.
- But there's nothing we can do.
- I I'm so sorry. So sorry.
[emcee] Ladies and gentlemen,
next we have a very special honor dance.
Please welcome to the floor
Liana and Shinya.
[crowd cheering, clapping]
- [man 7] Swapping partners?
- [man 8] A switch!
- Shinya and Liana? That's fantastic!
- [man 7] That's fantastic!
[crowd cheering]
- [spectator 1] Shinya!
- [spectator 2] Shinya!
[clapping subsides]
["Anticipation" by Cantaluna playing]
[crowd cheering, clapping]
[Fabio] This is a total charade,
but look at him.
[Nino] Mm.
Sugiki plays the part
of the perfect gentleman.
- You know, even I wanna be like him.
- [Nino] I know what you mean.
[Fabio] He's the ideal lover
that everyone wants to be.
[Nino] So true. So true.
[clapping continues]
[crowd cheering]
[cheering]
[music fades]
[poignant music playing]
[poignant music continues]
[knocking at door]
[knocking at door]
[music fades]
[Sugiki] That was a wonderful debut.
Where is Ms. Tajima?
- [Suzuki] I don't know.
- [Sugiki] I see.
[Suzuki sighs]
[Suzuki sniffles]
[Suzuki sighs]
Didn't that bug you today?
Ah.
No, not at all.
Liana and I were done a long time ago.
You haven't moved on though.
- [liquid pouring]
- I can't stand that kinda thing.
Being deceived.
Betrayed.
I can't forgive that.
So you think I'm still in love with Liana?
That I've never even looked
at another woman?
That I've remained totally devoted to her?
Is that what you saw?
Well?
[Sugiki scoffs]
If the audience saw a reunion
between two lovers,
then tonight's show was a success.
No one was watching Giulio's performance
after that, were they?
[Suzuki tuts]
What do you mean?
What?
What the hell are you saying?
You're really okay with it?
I'm asking if that's really good enough
- [glass shatters]
- for you!
You said you wouldn't settle
for anything but first place.
[exhales sharply]
[moans]
[exhales sharply]
[breathing heavily]
[Suzuki] What's wrong?
What is it?
[breathing heavily]
[groans]
[grunts]
[gasping]
[Suzuki grunts, breathes heavily]
[Sugiki] I can't be with you anymore.
If we go any further, it could destroy me.
[Suzuki breathing heavily]
What the fuck?
- That's not it.
- No, stop! You're my enemy now.
That's not true.
[poignant piano music playing]
In the end
You and I can never become one.
[door opens]
[door closes]
[music fades]
[dog barks]
[melancholy music playing]
Shit.
[groans]
[sniffles]
[music fades]
[vehicle approaching]
[car door opens, closes]
Shinya.
Shinya.
[breathes deeply]
I realized something.
I think I can do more for you.
We can do more. I just know it.
And even if it's just you
[sniffles]
you can go far!
You could go as far as you want.
[Aki sniffles]
[sniffles]
Let's go.
[Aki] Huh?
What?
[gentle piano music playing]
[man] The yellow is very nice.
[Aki] Isn't is amazing?
[man] This and
[Aki] Ah!
[man] Hmm, no, no, no.
Red.
I wanna see you in red.
- [Suzuki] So you're gonna go with that?
- [Aki] Yeah. Isn't it cool?
[chuckles]
Now, do we want it parted to this side?
Or to that side?
[man] Neater and more polished.
[man 2] So I want to show you
the beginning of Alemana.
We're going to do four to six.
Let's do sliding doors.
Just the beginning.
[uplifting music playing]
[groans]
[music subsides]
[gentle piano music playing]
[train rumbles in distance]
["River Flows in You" playing]
[applause]
[man] This is the first time
a dance competition in Japan
has gotten this much media attention,
isn't it?
[man 2] Yeah, seems so.
It's too bad Giulio and Alberto
aren't here though.
They backed out.
Said they had a show to do.
I say first place will go to Shinya.
He'll place third at best.
What?
Well, why do you think the federation
put up the money
and brought in so many foreign dancers?
They're going to want
some kind of payback, you know?
That's the dance world for ya, huh?
[energetic samba music playing]
[melodic waltz music playing]
Mr. Sugiki is the guest, right?
So, he's here.
I won't ever see him again
outside of competition.
[Suzuki groans]
When I saw him in Blackpool, it
It wasn't just dancing.
The crowd and the other dancers
They were blown away by it.
[distant cheering, clapping]
I wanna move the audience like that
every time.
[man 3] Five-minute call
for the finalists!
Can I get everyone
to come together, please?
All finalists, please come this way.
[distant clapping]
[emcee] The next event will be
the Professional Latin American final.
[crowd cheering, clapping]
So close, and yet so far.
["Gold Top" by Chris Egan playing]
[crowd cheering]
[cheering continues]
[Martha] Dance is neither
about technique nor stamina.
Love is what makes it whole.
[cheering fades]
And once again,
here are the 2026 Asian Cup
ballroom champions,
Leonardo Fontana and Sofia Rossi!
[crowd cheering]
[emcee] And the 2026
Asian Cup Latin champions,
Alessandro Leon and Annamaria Valentini!
[crowd cheering]
[emcee] Please give our champions
another big round of applause.
[crowd cheering]
[emcee] They will be back later
to perform an honor dance for us.
And now, we have a demonstration
by our special guests,
the UK ballroom champions,
Shinya Sugiki and Fusako Yagami.
[crowd cheering, clapping]
[cheering, clapping subsides]
[indistinct chattering]
[crowd murmuring]
Will you do me the honor?
[crowd murmuring]
["Lasso the Moon" playing]
If I were a carpenter
I'd build a world of love
Where we would always be
Together
If I were the captain of
[emcee] The first dance is the waltz.
A beautiful slow waltz.
["Tango Brujo" playing]
[crowd clapping]
[emcee] The tango.
An exciting tango!
Only in New York
On Fifth Avenue
[emcee] The slow foxtrot.
An elegant slow foxtrot.
Dripping with pearls
Oh, what a view
The subway crawls
From the street with walls
To Harlem, where music plays
["Takeoff" by Ballroom Orchestra
and Singers ft. Gigi Rosa]
We go, take off, take off
Runway clear
Click, step, ready, shoot that beer
Slide to the side
[emcee] The quick step!
The fourth dance is the quick step!
Let's go
[crowd cheering]
When marimba rhythms start to play
Dance with me
[emcee] The cha-cha-cha.
Feel the rhythm of the cha-cha-cha.
Hugs the shore
Hold me close
Sway me more
[crowd cheering]
["Bailando en Las Calles de Rio"
by Gigi Rosa / Dancelife Orchestra]
[emcee] The samba!
Shake your body to the samba!
[crowd cheering, clapping]
["Sin Tu Amor" by Ballroom Orchestra
and Singers ft. Gigi Rosa]
[emcee] The rumba.
A dance for love, the rumba.
["Espaa Ca" playing]
[emcee] The Paso doble.
Feel the passion!
The Paso doble.
[crowd rhythmically clapping]
["Gold Top" by Chris Egan playing]
[emcee] The jive!
Let's swing together.
Here comes the jive!
[crowd cheering]
["Minute Waltz" playing]
[emcee] The Viennese waltz.
The last dance is the Viennese waltz.
I'll see you at the 10 Dance.
- [emcee] 10 Dance.
- [music ends]
[jaunty music playing]
[music fades]
[stirring melodic music playing]
[music fades]
[heartfelt string music playing]
[music fades]
Dancelife Orchestra playing]
[man 1] A dancer once said
that love sometimes takes
an unexpected shape
and suddenly appears before you.
Hidden longings.
Passion without words.
Graceful and serene.
At times, fierce and wild.
With a subtle game of give and take.
- [gentle piano music playing]
- [applause]
[gentle piano music continues]
[man 1] To whom do we whisper our love?
How do we feel when our hands are joined?
[man 2] Okay!
[speaking Spanish]
[man 1 in English] Maybe dance itself
is the vessel we need.
A perfect way to nurture our love.
The steps are perfect.
The form, flawless.
But this man's dance
is missing something crucial.
A year ago,
I found out what it was.
[applause]
[emcee] The 31st
All Japan Dance Championships,
Latin American division champions,
Shinya Suzuki and Aki Tajima.
And now, the ballroom division champions,
Shinya Sugiki and Fusako Yagami.
[man in crowd] Sugiki-sensei!
[emcee] Please give
a big round of applause
to our "Emperor of Dance," who won
[Suzuki] I hate this guy.
[applause]
[Suzuki] Just seeing him pisses me off
for no reason.
[crowd cheering]
[emcee] And now,
our two magnificent champion pairs
will perform an honor dance.
Champions, please.
[man 2 in crowd] Bravo, bravo!
[applause]
[crowd shouting indistinctly]
[Suzuki] In competitive dance,
there are two different styles.
Ballroom dance,
which Shinya Sugiki specializes in.
The waltz, tango, Viennese waltz,
slow foxtrot, and quickstep.
They compete in all five dances.
["Nocturne" playing]
[crowd cheering]
[crowd shouting indistinctly]
[Suzuki] I specialize in the other styles,
Latin American.
Cha-cha-cha, samba,
rumba, Paso doble, and jive.
We compete in all five.
[applause fades]
["Devil's Inside" by The Fake Arts
& Matthew Simon Clark]
Something broke in me that day
So away
[applause]
Get back at you
Stood here dying on my feet
Feeling cold
Feeling weak
And it seems right
I only meet you in the moonlight
I know the Devil's inside
[Suzuki] The dancers of these two styles
never compete against each other,
with one exception.
[applause]
[applause continues]
[emcee] 10 Dance.
[crowd cheering]
[classical guitar music playing]
[Suzuki] The World Cup of Dance
is where dancers
who have mastered both ballroom and Latin
compete in all ten dances.
You need to have the stamina
to dance 40 songs in one day,
with completely different
rhythms and steps.
Mentally, you've gotta stay focused
for hours.
Both your body and mind
are pushed to the limit.
It may look glamorous,
but it's basically a triathlon.
That's the exception.
10 Dance.
[guests cheering]
- [guest 1] Top form!
- [guest 2] Bravo!
[guest 3] You were incredible.
[reporter] It's been a while since
you competed in Japan.
Does it feel good to perform
for a home audience?
[Sugiki] Yes, it's very good
to be back home.
And Shinya Sugiki and Fusako Yagami wanted
to show a new side of ourselves.
He wins as soon as he comes back.
I knew he would.
Shinya Suzuki hardly compares.
- [Aki] Thank you.
- [man 1] Shinya Suzuki and Shinya Sugiki.
[guest 4] Congratulations.
[man 1] Only a two-letter difference
in their names,
but Latin and ballroom
are totally different styles.
And they're in
completely different classes.
- Let's go.
- Yes, sir.
[sighs]
[gentle violin music playing
in background]
Hello?
[Aki] What?
What do you mean
Shinya Sugiki invited us to the 10 Dance?
When?
- Just now.
- What?
I said no.
You said no?
Wait, but it means that Shinya Sugiki
is offering to teach us himself, right?
- You care?
- Huh?
What's the big deal?
- Doesn't matter.
- What do you mean it doesn't matter?
[Suzuki] Do you know what
the 10 Dance takes?
Know how many dances you do in a day?
Five ballroom, five Latin,
and you've gotta dance 'em four times.
First round, second round,
semis, and finals.
- [Aki grunts]
- That's 40 songs.
We usually only dance 20 songs at most.
That's double what we do. Double.
[Aki] But, you know,
even if it's just practice,
I'd love to be led by Shinya Sugiki
at least once.
I don't care.
I mean, I'm always playing the role
of a slut who gets dumped by a man,
or a cheating woman,
or something like that.
Oh, really? You're the one who said
you can't pull off a princess.
No, I didn't.
Whatever. We're the national champions,
and they're the world champions.
- [Sugiki] Second.
- That's it.
We took second in the World Championships.
I've never been first
at the World Championships.
[Suzuki] I know why you're always
second place in the world.
Asians can't be number one...
I wonder when they'll finally see you
for who you are.
A champion
who could compete at the Worlds,
and yet gives it up time and again.
I'm just a little fish
who likes being number one.
I'm good.
A little fish
who's king of his little pond.
[Suzuki sighs]
[Sugiki] I guess I was wrong about you.
[pensive music playing]
You have the perfect style and physique,
but that's all.
[Sugiki tuts]
What is it?
- You wanna fight?
- I thought you had a fighting spirit.
[sighs]
But I see you're not even a rival.
You running away?
All right, I'll do it.
You're not gonna break on me, are ya?
Sure you can handle it?
Don't ditch when I get serious.
[Sugiki sighs]
Do your worst.
I'll lead you all the way to the final.
Latino.
[dramatic piano music playing]
[Aki] What did he say? Huh?
Hey, Shinya!
[dramatic piano music continues]
[Suzuki] He's right.
I've got Latin blood coursing
through my veins.
[crowd cheering]
[Suzuki] Somewhere deep down,
it drives me.
It feeds my dancing, my burning passion
[music fades]
[door opens]
[door closes]
[footsteps approaching]
[Aki] Hey, wake up.
I said wake up!
[woman 1 moans]
- [twangy jaunty music playing]
- [woman 2] Good morning.
- [Aki] Put some clothes on.
- [woman 2] It's too early.
[Aki] Wanna catch a cold?
Here, which one's yours? This?
- [woman 2] Thank you.
- Morning. Here, put some clothes on.
- Mm, thanks.
- Come on, let's go!
Jeez.
What a mess.
[Aki groans]
[Suzuki sighs]
Put on some fucking clothes!
All right! Let's go!
Hurry!
[twangy jaunty music continues]
[indistinct chattering]
[Aki] Hey, buddy. [Chuckles]
[Aki sighs]
What the hell is going on with you?
Are you gonna do it or not?
You are going to do it, right?
And sure, you'd be taking a chance,
but they say the true champion
is the one who can win the 10 Dance.
If you teach them the Latin dances
and Sugiki teaches us ballroom in return
Then I think we can compete at the Worlds.
[Suzuki] It's not that.
It's not about the Worlds
or any of that crap.
- [Aki] Hmm?
- [Suzuki sighs]
It's those eyes of his, staring at me.
Drives me nuts!
You don't have to shout like that.
[laughs]
[Aki groans]
[Aki] Come on! Hurry up!
Faster!
I said hurry up!
- You know where it is?
- Yeah.
You know,
I bet Fusako Yagami is a total bitch.
She seems really scary, almost dangerous.
- Dangerous, huh?
- I'm scared!
- [horn honks]
- Come on.
[footsteps approaching]
[Aki] Wow.
This is amazing.
[subtle, enchanting music playing]
[music fades]
Good evening.
You're more than 30 minutes late.
Get your partner into a skirt. Hurry.
- [sighs]
- [Aki] We're sorry.
- I'll show you the dressing room.
- [Aki] Oh.
Come in.
Whoa, it's huge.
Use anything you like.
Ah, thanks.
Wow.
Okay.
- I can take your coat.
- Oh, that would be great.
Thanks.
So think they'll be able to get along?
I wouldn't worry.
"I really need Mr. Suzuki for Latin."
He kept whining and going on about that.
[gasps]
You're saying he whines all the time too?
[chuckles]
[laughs]
Why don't we check your hold
while we're waiting?
Okay.
How familiar are you
with ballroom dancing?
- I am a professional.
- I see.
Then you'll take the lead,
and I'll follow.
[twangy jaunty music playing]
Lower your sense of contact.
From the stomach down to the knees.
One, two, three.
One, two, natural turn.
The waltz was originally
a courtship dance,
but the hold is like wearing handcuffs.
Graceful on the surface,
but with restraint and control.
[feet stomp]
[door opens]
[Aki] Sorry to keep you waiting.
What is it? Something wrong?
He rubbed his dick on me.
[Aki] I'm so sorry about this.
It's fine.
Shall we get started, then?
Yes.
- In ballroom, you're D Class?
- Yes.
Take my contact.
- Let it sink into your body.
- Okay.
What do you wanna do?
Do we stop or continue?
[Fusako] One, two, three. One, two, three.
You can quit if you want.
[Fusako] Running spin turn.
One, two, three.
One, two, three.
One Good.
One, two, and three.
One, two, and three.
One, two, spin, turn.
One, two, three.
One, whisk.
One, two, three.
One, two, three.
[twangy jaunty music playing]
- Stretch your arm out, like this.
- [Suzuki] Two, three, four.
[Fusako] Your shoulder blades
move with your pelvis.
Hockey stick. Two, three, four.
Two, three, New York.
- [Aki] Catch it inside.
- Two, three, four.
- [Aki] Shoulder turn.
- Two, and three, and four.
[Fusako] Both arms?
- Two, three, four.
- [Aki] Yes, like an undulation.
Two, and three, and four.
Two, three, four.
- [Aki] Pelvis moves too.
- Two, and three, and four.
Okay, that's enough.
How was it?
- Terrible.
- [Aki] The same for the left.
Your hip movement is so fake.
Look.
Watch how my body moves.
[Velcro rips]
[exhales]
[breathy] Four.
Two, and three, and four.
See that?
It's not just in the hips.
When you do it,
your body's not undulating.
Three and four.
Feel the weight moving.
You've gotta feel it
from the spine
through the shoulder blades
Into the arm movements.
Two, three, four.
Two, three, four.
Two, and three, and four.
See this? It's sweat.
- Yes.
- Do you get it?
Yes, I understand.
Your hip movement is amazing.
It's my job to shake my hips.
[laughs]
- [Aki] Think you can do it?
- Got it?
- Just copy what I do.
- Right.
Come here. Put your hands right here.
- [Aki] Shorten it.
- On your hips.
- [Aki] Make it smaller.
- [Fusako] A little smaller?
[Aki] That's right.
A bit more. Yeah, like that.
[Suzuki] Two, and three, and four.
- [Aki] Now squeeze, squeeze, squeeze.
- Two, three, four.
- Move less.
- [Aki] That's it.
Two, three, and four.
[Aki] Mm-hmm.
- [Suzuki] Two, three, four.
- [Aki] That's it. That's it.
Two, three, four.
- [Aki] Two, three, four.
- Two, three, four.
[Suzuki] Two, and three, and four.
Aki, keep counting.
- [Aki] Two, three, four.
- Three, four.
- [Aki] Two, three, four.
- [Suzuki snaps fingers]
[Aki] Two, three, four.
If the waltz is an elegant courtship
[Aki] Two, three, four.
then Latin dance is raw eroticism.
[Aki] three, four.
[intriguing ethereal music playing]
Arouse them, seduce them.
Don't stop till you make 'em wet.
- [laughs]
- [Aki] Two, three, four.
You're not sexy, guy.
- [Aki] Two, three, four.
- Four.
Two, and three, and four.
[Sugiki] One, two, three.
One, two, three.
One, two, three.
[Aki] Sorry. Suzuki can be
a little rough around the edges.
[Fusako] Don't worry.
So you two together?
[Aki chuckles]
Well, there was something there
at one point, I guess.
But now, I just want to go further
as dance partners.
How about you and Mr. Sugiki?
There's love in your dancing.
Mr. Sugiki took me as a partner
when I was nothing.
He's brought me so far.
I trust him with everything
and just follow his lead.
I've never felt loved by him at all,
and I don't think I need to.
[music fades]
[Sugiki] We still have some time
before the first train.
You can rest a little longer.
Do you do this every day?
I can't stand it.
I won't be second again.
[Sugiki exhales]
I'm not the type to try to make
an audience boo judges' decisions.
[sighs]
I recall
you said you liked being number one,
didn't you?
I also like being at the top of the pack.
- I'm only at the top of my turf, right?
- [Sugiki] Are you going to go all in?
Doesn't it look like it?
[Sugiki sighs]
You be the judge of that.
[groans]
[sighs]
["Bandolera" playing]
[Suzuki] God, it felt like the wind
had gone right through me.
It stirred my soul.
It felt like
that hot wind of Havana.
["Bandolera" continues]
My soul is still in Havana.
It's the kingdom of sun, music, and dance.
[plane engine roars]
[music fades]
[Suzuki] Doesn't matter how small
the world may be,
I sure as hell can't see Havana from here.
four.
- [Suzuki] Two, three, four.
- [Aki] Two, three, four.
- [Suzuki] Two, and three, and four.
- [Aki] Two, three, four.
[Sugiki] One, two, three.
One, two, three.
- [Fusako] Face right.
- [Sugiki] One, two, three.
One, full count.
One, two, three.
One, two, three.
One.
Okay, one more time.
[exhales]
[Suzuki] Just a minute.
- Can I put some music on?
- [Sugiki] You're not ready.
- Let me put some music.
- I said no, you're not ready for it yet.
- [keyboard clacking]
- This thing's not even working.
My method is to drill the counts
into your body,
without even the slightest distraction.
- [Suzuki] God, I want music.
- Okay, let's go.
- [Fusako] All right.
- [Suzuki sighs]
[Sugiki] Two, three.
One, two, three.
One, two, and three.
One, two, three.
One, two, three.
[clears throat]
[Suzuki] What?
Your lead is uncomfortable.
- Your holds are self-centered
- Hold on.
- and unreliable.
- Hey.
- Quit complaining. Move the way I steer.
- If I give in, I feel like I'm in danger.
What is it?
You're waltzing like you're a servant.
What does that mean?
The waltz is danced
by ladies and gentlemen.
It looks very elegant,
but it's also relentless.
The woman must dance in those high heels,
twisting her waist for hours on end.
The pain is pure torture.
And in such a state,
she will not yield
to a rough and vulgar man.
- What the hell?
- You should try being the woman for once.
Lower your shoulder blades
and turn out your arms.
That part is the same as the man's.
Now, keep your hips there,
but rotate only your chest to the left.
Your shoulders to the right.
Stretch your neck.
Stretch it away from your right.
Up to the left. That's it.
Now, get up on your toes.
- [Suzuki grunts]
- Higher.
Hold it right there. Stay.
[grunts]
[grunts]
Your stance is beautiful.
Without me,
just standing is hard, isn't it?
During hardship, the gentleman
offers his hand to support his partner.
That's how it works in ballroom dance.
"Move the way I steer you," right?
[groans]
[Sugiki] Natural turn.
Running spin turn.
Chass roll.
["The Blue Danube,
Waltz Opus 314" playing]
[Sugiki] Left whisk.
Standing spin.
Syncopated running finish.
[music intensifies]
Throwaway.
Oversway.
How was that?
Did you feel like a princess?
[music ends]
[footsteps approaching]
[Sugiki] Let's go get something to eat.
[gentle orchestral music playing]
[Suzuki] Hmm?
What's that?
- Thank you.
- This is coronation chicken.
Served at Queen Elizabeth's coronation
in 1953.
[sniffles]
Mmm.
The apricots you just tasted
were arranged
to resemble scattered jewels.
Britain was victorious,
but they were still rationing at the time,
and this dish astonished guests
from around the world.
Elbows off the table.
That's how a dog eats.
I'm eating like this 'cause it's good.
You get it, right?
It's good.
Tastes like curry.
More wine. Mm.
You shouldn't hold the glass
while it's being poured.
[scoffs]
When you're at a banquet,
you don't hold it by the bowl
but lower on the stem, like this.
I got it.
- [chuckles]
- Hmm?
What does any of this
have to do with ballroom dancing?
I know how to eat, man.
Imagine this scenario.
You manage to beat every other 10 dancer
and rise to the top of the world.
After your honor dance,
you get an invitation
from someone who loved your performance.
This is not a wrap party
at a dance school.
Big-time sponsors and patrons
the envy of all dancers
will be waiting for you.
[sniffles] I get it now.
So this is another lesson for me?
Okay, guy.
[phone keypad beeping]
I have a lesson for you.
["Son de la Loma"
by Trio Congri Cubano playing]
[people cheering]
So, you like it?
[Sugiki] Yes.
[Suzuki] It's the real taste of Cuba.
Drink.
Come on, drink!
Break!
Take a break!
He's boring!
[people booing]
- Let's get him drinking!
- So you're the "Emperor," huh?
It's fantastic!
- [man] Salud!
- Salud!
Salud!
- [Suzuki] Salud.
- Salud.
Hey, Sugiki, let's go!
- Huh?
- Come on!
- Smile!
- What?
Just smile, man!
Fake it if you have to!
Just smile!
Come on! Come on! Come on!
Come on! Come on! Come on!
[cheers of encouragement]
[laughing]
Don't think about it! Don't
Don't count with this. Make some noise!
Latin is about
making your body the instrument.
[gentle piano music playing]
[Suzuki] At around the same time
Queen Elizabeth II
was serving coronation chicken,
Castro was starting his revolution
in Cuba.
That's probably how big
the difference was between us as well.
SUZUKI DANCE SCHOOL
[Suzuki] It's almost like a wave
[gentle piano music continues]
right through his fingertips.
While holding his hand, I can
I feel his emotions, you know?
You get it?
Like superiority.
Possessiveness.
The urge to control.
And sometimes I can feel gentleness.
Expectation.
I don't even know how
to explain it properly.
I mean, it's like
I can feel everything he's feeling.
You know? [Chuckles]
You sound like you're in love.
Huh?
Don't be stupid.
- [chuckles]
- [phone ringing]
- [Suzuki grunts]
- [phone ringing]
- [Suzuki] Look.
- Hmm?
Sugiki. [Chuckles]
- [people cheering]
- [Suzuki] Hey, what's up?
Are you there?
You there? Can't hear you.
[emcee] This is
the UK's Best Dance Championships
The UK's Best?
Professional Latin semifinal.
The Paso doble.
You're in the UK?
[Sugiki] Didn't I tell you?
That night we went out,
I thought I mentioned
I was leaving the next day.
- No, you didn't.
- All right.
It's a competition I enter every year.
You must've known.
That's not the point.
["Espaa Ca" playing]
I'm next. Gotta go.
Wait, hold on. Hold on.
Yes?
Just come back soon.
- [music continues]
- [crowd clapping]
[disconnect tone]
[sighs]
[phone thuds]
[Aki] What did he say?
This year's Open,
we're gonna move up two in the rankings.
Huh?
And keep the All-Japan Champion title.
[pensive music playing]
Then
In 10 Dance
We'll beat Sugiki.
[emcee] Ladies and gentlemen,
we now come to
the Professional Ballroom semifinal.
Twelve couples have been recalled.
Please welcome them to the floor.
[cheering, clapping]
[emcee] All present and correct.
Your first dance, the slow waltz.
[slow waltz music playing]
[indistinct chattering]
There's Ms. Martha.
[man 2] She's the president of the WDL,
isn't she?
[man 1] She's a mentor devoted
to fostering Asian dancers.
Sugiki's her prize student.
He's indispensable
in their Asian market strategy.
I thought they were extraordinary.
They seem to be flourishing,
although I wonder
perhaps a different combination.
[classical music playing]
[Martha] What is
with that ridiculously exaggerated hold
you seem to insist on doing?
All you are doing
is placing a strain on Fusako.
There is absolutely no unity
in your dancing.
[Sugiki sighs]
It's best to retire
at the height of your glory.
Have you ever imagined
what it would be like
when the audience grows tired of you?
Martha.
Alberto Boemer has been crowned
World Latin Champion 11 years in a row.
I haven't even been champion once.
[Martha] Dance is neither
about technique nor stamina.
Love is what makes it whole, but
I don't feel any love
in the way you dance.
[Martha] Hm.
[Sugiki] Watch your frame.
Make the adjustment.
[Fusako] Yes, beautiful.
[Sugiki] That's it.
[Fusako] Very nice.
Stretch your arms even more.
Yes, very nice.
[Sugiki] Yes, that's good.
Good work today.
- [man] Thank you.
- [woman] Thank you.
When did you get back?
- Thank you for coming.
- See you next time.
Thank you.
[Sugiki] Let's try it with music today.
["River Flows in You" playing]
Two, three. One, two, three.
One, two, three.
One, two, three.
One, two, three.
One, two, three.
One, two, three.
One, two, three.
Careful. Two, three.
One, full count.
Two, three. One.
[music intensifies]
- [Suzuki] Can I ask you something?
- [Sugiki] Hmm?
[Suzuki] Did you grow up
in Martha Milton's house?
[Suzuki] Yes.
[sniffles] My mother was
with me, too, at first.
[music fades]
It felt like I had two mothers.
One day,
Martha took me to the Blackpool Tower.
I saw a large framed photograph there.
Martha and a man
who was as dour as the Grim Reaper.
They looked like
they were ascending into the heavens.
[poignant piano music playing]
[Martha] Do you want to dance like this?
Then,
Shinya,
become a man.
Become the kind of man admired by all.
The finest gentleman.
[poignant piano music continues]
[Suzuki] So you admired him
and wanted to be just like him?
[Sugiki] No.
I think I wanted to take his place,
to be beautiful and terrifying.
[music fades]
Until I was consumed by fear.
[melodic string music playing]
Cuba, what's it really like?
- [Suzuki] Cuba?
- Yes.
It's music.
Dance.
Love.
Romance and the sea.
Cubans fall in love so easily.
Then they marry.
My mom was like that.
Every time we moved to a new place,
it happened.
[tender piano music playing]
Is the sky blue?
[Suzuki chuckles]
[laughs]
It's so blue.
The beaches are always empty,
so when you fall in love,
you go to the beach.
[music fades]
No one disturbs you there.
It's just the two of you
under the palm trees.
[chuckles]
Hm.
[exhales]
["Besame Mucho" by Ballroom Orchestra
and singers playing]
[in Spanish] Kiss me
Kiss me deeply
As if tonight were
Our very last
Kiss me
Kiss me deeply
For I'm afraid I might lose you
Once it's passed
Kiss me
Kiss me deeply
As if tonight were
Our very last
Kiss me
Kiss me deeply
For I'm afraid I might lose you
Once it's passed
- ["Tango Brujo" playing]
- [in English] Slow, slow.
Quick, quick.
Hold it there.
Breathe in.
- [Sugiki] Right here.
- Okay.
[Sugiki] Like that.
[Fusako] Quick.
[Sugiki] That's it.
I just need a drink of water. Sorry.
[Sugiki] That's it.
Very good.
A little more open.
That's it.
Very good.
You know, Shinya's been crazy
about Mr. Sugiki for a while too.
Yeah?
[Aki] A few years ago,
he happened to see a video.
He said, "He's the perfect dancer."
But then he said, "It looks
like he's in pain," which is weird.
[Sugiki] Keep going like that. Okay.
Quick, quick.
Use your leg for support.
I think you wore a black dress?
You were dancing the tango, right?
I don't think that was me.
- [Sugiki] Quick, quick.
- Huh?
I've never worn
a black dress in a competition.
[Sugiki] And again.
Shall we continue?
Hm.
[Sugiki] Support it.
Wide, wide. Quick, quick.
- "[El Tango Gordo" playing]
- Walk, walk.
Position.
Neck.
Quick.
Don't rush. Don't rush. Don't rush.
Slow.
Frame, frame. Keep your frame.
Don't break it.
Rotation. Rotation.
Together. Do it together.
Don't try to dance on your own!
[Sugiki huffs, tuts]
Take a break.
- Aki, why don't you get some water?
- Okay.
[music stops abruptly]
[door opens]
[Suzuki breathes heavily]
[door closes]
[breathing heavily]
What's different between our leads?
[Aki] Mm well
With Mr. Sugiki,
I know exactly where I should be.
No matter what the movement is,
it never varies.
And the balance
between force and gentleness,
it makes my body want to follow his lead.
And, then, with you,
it's more like,
"I'm having fun, so you must be, too."
[ethereal pensive music playing]
Sometimes that works for me,
and sometimes it doesn't.
Hmm?
[sighs]
Fusako said that when she and Mr. Sugiki
entered their first competition,
he said to her
[both] "Ms. Yagami."
- [Aki] "Now that you're"
- Now that you're my partner
I will make you dance
more beautifully than anyone.
Every dancer in the world will say,
"Fusako Yagami is beautiful."
"I want to be Fusako Yagami."
That will be my ultimate joy.
Jeez.
I wish someone would say that to me.
You know, have that kind of caring?
- You don't have it.
- Caring?
- Caring.
- No way.
- You should try it sometime.
- It's sentimental crap.
[Aki chuckles]
- Oh, hey. By the way
- [sighs]
that video you sent over to me
the other day?
- Yeah?
- [door opens]
That wasn't Fusako dancing.
[door closes]
You sure?
She told me
she never wore black while competing.
Or something like that.
[sighs]
["Nadie Sabe" playing]
[man] Havana salad and a beer?
[indistinct chattering]
- Hey!
- [Suzuki] Hey.
I don't know what's going on.
I can't dance anymore.
He's the one in control.
I thought I was the one using him, but
I'm the one being used.
Keeps throwing me off my game
and keeping me on edge.
I mean, what am I to him?
Sounds like love.
- [both laugh]
- What are you talking about?
Do you want him?
[both laughing]
Seriously, do you?
Guys can be attracted
to other guys, right?
Ah, come on!
[bartender 1] If you're cool
with someone else stealing him, back off.
Let someone else take a shot.
[laughing]
[singer, in Spanish] Love me
And kiss me
If not, forget about me
No one knows what the future holds
We have to live in the moment
Please smile and accept me
Because we only live once
No one knows what the future holds
We have to live in the moment
[indistinct chattering]
["Swingle Bells" playing in background]
[singer, in English]
Jingle all the way
Oh, what fun it is to ride
In a one-horse open sleigh
Jingle bells, jingle bells
Jingle all the way
Oh, what fun it is to ride
In a one-horse open sleigh
Dashing through the snow
In a one-horse-open sleigh
O'er the fields we go
Laughing all the way
Bells on bobtails ring
Making spirits bright
What fun it is to ride and sing
A sleighing song tonight
Jingle bells, jingle bells
Jingle all the way
Oh, what fun it is to ride
In a one-horse open sleigh
Jingle bells, jingle bells
Jingle all the way
[music fades]
[jaunty music playing]
[jaunty music continues]
You gonna die if you don't dance?
Will you?
[music fades]
[indistinct chattering]
Here.
Thank you. Cheers.
[sniffles]
[sighs]
Can I ask you something?
Sure.
About three years ago,
when you were at the Worlds
Who was the woman
in the black dress you were dancing with?
It wasn't Fusako.
[sniffles] She told Aki it wasn't.
I'm sure she'd rather forget.
No.
Maybe she really can't remember
what happened.
What you saw, Mr. Suzuki,
was the World Championships in England.
[applause]
[Sugiki] We hadn't been dancing together
for very long.
The audience really seemed to be fixated
on my new partner.
["Dancing in the Darkness"
by Suzanne Goodheart playing]
[Sugiki] That day,
the atmosphere was so tense.
It happened during
the last dance of the semifinals.
- We were dancing the quickstep.
- [upbeat music]
[singer] Don't let me snooze
I was born to wear these shoes
[grunts, groans]
Are you okay?
[woman groans]
[Sugiki] Are you all right?
[Sugiki] It's not unusual
for dancers to fall,
but I'd never been associated
with such a bad fall before.
Wake me up to dance, dance
- [music fades]
- [Sugiki] That was when it started.
[Fusako breathing raggedly]
[melancholy music playing]
[Sugiki] She began to unravel.
Years earlier, at a different competition,
she was dancing with another partner,
and a similar thing happened.
She began to suffer
from post-traumatic stress.
I knew she was going through that,
but I still got her in that dress
and made her compete in the final.
[music fades]
["Fuego" by Gigi Rosa
Dancelife Orchestra playing]
How did I make her dance, you ask?
I yelled at and berated her relentlessly.
["Fuego" continues]
[Sugiki] Even as her body froze,
her face still reacted to my words,
and her feet did exactly as I commanded.
[Sugiki] Your frame, it's loose.
[crowd clapping]
[Sugiki] Right side up.
Keep it. I said keep it.
Your frame is loose.
It's too loose!
You're heavy!
[clapping intensifies]
Lift your body up. Higher.
Keep it.
Keep it.
[Sugiki] I kept pushing her
until the end of the competition.
[ethereal pensive music playing]
And then,
to my shame,
I found myself liking her in that state.
[sighs]
That's the kind of man I am, I suppose.
[scoffs]
Not a gentleman.
More of a Grim Reaper.
[Sugiki exhales]
[Suzuki] Why did I ask him about it?
I have caused Ms. Yagami so much pain.
Please keep this between us, okay?
[Suzuki] Was it a confession I wanted?
Did I wanna hear him reveal weakness?
[scoffs]
Lame, man.
[train rumbles in distance]
[poignant piano music playing]
[distant siren wailing]
[panting]
I'll stop if you want.
[heartfelt music playing]
[Suzuki] Before I knew it,
my body was moving on its own.
All I could do was give in to it.
Surrender to the gods of dance.
[indistinct chattering]
[music fades]
Hang onto that persona of yours.
You can be the Grim Reaper.
[gentle piano music playing]
I'll be the angel who defeats
the Grim Reaper of Blackpool.
[gentle piano music continues]
[Suzuki] When I beat you,
you'll finally be free
of all that suffering.
[Sugiki] I really admire you, you know.
[music fades]
[stirring string music playing]
[phone buzzing]
[Sugiki] Let's go overseas together
next time.
We'll enter as two pairs
in the World Championship at Blackpool.
I will unveil you to the world.
It'll be your debut.
["Double or Nothing"
by Chris Egan playing]
["Double or Nothing" continues]
[music ends]
[Sugiki] How are you?
[indistinct chattering]
That's Martha, the president of the WDL.
And he's a former world champion
who won the Carl Alan Award.
That's the tournament director,
and that's a big-shot businessman
who got a medal
for his contributions to the dance world.
- Hello.
- Hi.
[Sugiki] Hello, Nino.
Fabio, good to see you.
- [man] Fusako. [Laughs]
- Hi.
- [Sugiki] Oh, hi, Catherine.
- Nice to see you.
Let me introduce you.
This is our choreographer, Nino,
and our designer, Fabio.
And this is our hair
and makeup artist, Catherine.
They're my European tour team.
Absolutely. Yes.
Hi, guys.
So you're the other Shinya? [Laughs]
- Very nice to meet you. A real pleasure.
- Nice to meet you.
So cute. [Chuckles]
[Nino] And that's Aki, I think.
[Aki] Yes.
[Aki, Nino laugh]
- Hi.
- [Aki] Hi.
- Very nice to meet you.
- [Nino] Enjoy yourself.
- [Sugiki] Let's go.
- Thank you.
- [Fusako] See you soon.
- [Nino] Hi.
[guest 3] Alberto!
[guest 4] Alberto!
[guest 3] So nice to see you!
That's Alberto, the Latin champion.
[indistinct chattering]
Excuse me.
Shinya.
He's the ballroom world champion.
Giulio.
It's been a while.
Happy to see you made it.
[Fusako] And that's Giulio's partner,
the queen of the dance world, Liana.
She's also Mr. Sugiki's ex-girlfriend.
[twangy jaunty music playing]
[Giulio] I'm here to tell you something.
Liana and I
are getting married after the competition.
Thank you for coming over here to tell me.
[Giulio] I have your blessing?
[Sugiki] Of course.
Congratulations.
[Suzuki] It's okay, Sugiki.
I'll make sure you see no one but me.
Mr. Moretti.
Nice to meet you.
My name is Shinya Suzuki,
and I plan on taking
first place in ballroom
at the next world championship.
I've been a fan for a long time.
Make sure you remember my face.
[Suzuki] Sugiki, you coming?
[Sugiki] Yes.
[twangy jaunty music continues]
[knocking at door]
Yeah?
[distant siren wailing]
How are you feeling?
[door closes]
Here's the schedule for tomorrow.
[clears throat]
I want to try more than Latin.
I wanted to give ballroom a shot.
Look, we've been over this.
Keep the fact that you also
do ballroom secret till 10 Dance.
Hmm?
You just wanna settle things
with Giulio, right?
Just do as you're told, okay?
You like pushing people around.
Fusako.
And me?
[poignant piano music playing]
Could be you're the fool in the scenario.
That's why your girl was stolen from you.
[sighs]
Just focus on the competition for now.
Understood?
[music fades]
[stirring string music playing]
I've decided to stop dancing with you
And pair up with Giulio instead.
I need to choose the path
that will make me a champion.
And if I stay with you,
I will never become a world champion.
I'm sure of it.
[Sugiki] How could she be so sure
that I could never win?
If it is true, why do I keep striving?
[sighs]
[Martha] Dance is neither
about technique nor stamina.
Love is what makes it whole.
Love won't make me win.
[tender piano music playing]
[music fades]
Thank you.
- Go on in. Upstairs and to the right.
- Straight up the stairs.
Enjoy yourselves.
Thank you.
[indistinct chattering]
[singer] Tension rising
Breath is tight
You pull me close, I hold you
[Suzuki] The World Championships
are just that.
Over 200 of the world's top pairs
come to compete.
[cheering]
One by one, they're eliminated,
like some blood sport.
Those who survive, the chosen few,
go at it tooth and nail
for the ultimate titles
of ballroom and Latin world champions.
[indistinct chattering]
You look beautiful.
- Thanks. You too.
- [Aki chuckles]
[Fusako] You know, Mr. Sugiki
was seriously thinking of retiring
not too long ago.
After he and Liana broke up,
he couldn't find a partner
who was at his level.
The ones he did find couldn't keep up
with his strict training.
The only option he had
was picking me, the dropout.
He thinks the only way
he can win the title
is by pushing himself
to the breaking point.
I just want to see
what we can accomplish together.
[crowd cheering]
[exhales]
["The Majestic Tango"
by Dancelife / DJ Sylz playing]
[crowd clapping]
[crowd shouting indistinctly]
[indistinct shouting continues]
[indistinct shouting continues]
[crowd cheering, clapping]
[indistinct shouting continues]
[indistinct shouting continues]
[music stops]
[crowd cheering, clapping]
[emcee] Our next competition
is the Professional Latin final.
Please welcome our finalists to the floor.
[cheering]
[emcee] Your first dance, the cha-cha-cha.
["Sway" by Ross Mitchell
His Band and Singers playing]
[crowd whistling, cheering]
[singer] When marimba rhythms
Start to play
Dance with me
Make me sway
Like a lazy ocean hugs the shore
Hold me close
Sway me more
Like a flower bending in the breeze
Bend with me
Sway with ease
When we dance you have a way with me
[Sugiki] The finest dancers
tell stories with their bodies.
[music fades]
They can show the strength
and stoicism of an ancient tree,
or they can show lightness and air
as if wings had magically sprouted
from their ankles.
[tender piano music playing]
[crowd cheering]
[man 1] Wow, number 23. Who is that?
[man 2] His name's
Shinya Suzuki, apparently.
- [man 1] Shinya Suzuki?
- [man 2] Have you ever heard of this guy?
[man 3] No, never. Must be an amateur.
- [man 2] I guess.
- [man 3] He's really good.
[crowd continues cheering]
[Sugiki] The story his body was telling
was pure inspiration.
Suddenly,
I could see a way forward.
["Sway" resumes]
I can hear the sound of violins
Long before
[crowd cheering, clapping]
[woman 3] Oh God, I didn't know
anyone could dance like that.
[man 5] Who is that?
Is that the Japanese guy?
Wow.
[man 6] This is not a dance competition.
It's like a brawl.
The judge will likely take marks off,
but it sure is captivating.
[cheering, clapping continues]
[emcee] We come now to the result
of the 73rd World Championship,
ballroom division.
Into first place,
Giulio Moretti and Liana Javalanka.
[crowd cheering, clapping continues]
[emcee] Into second place,
Shinya Sugiki and Fusako Yagami.
[crowd cheering, clapping continues]
Third, Dusan Novak and Valeria Orlova.
[Nino] I remember
when he and Liana danced together
before he paired up with Fusako.
Their tango was so
[inhales sharply] passionate.
Uh, I mean, it was obvious
that Shinya was crazy about Liana.
But when he proposed to her,
something got in the way.
[Fabio] So I hear.
Giulio and Shinya's attack
is very similar.
Their ability is evenly matched,
or perhaps maybe there's just
the narrowest of margins between them.
But the one who gets to stand
at the top of the podium is who?
- Giulio.
- [Nino] Giulio.
[Fabio] Shinya doesn't have what it takes
to overcome that slight margin.
- I'm sorry, Nino.
- No. I don't agree, Fabio. No, no, no.
Everyone is here to see
his obsessive determination.
[Fabio] I know.
[Nino] And everyone comes here
to see him valiantly struggle
[sighs]
just to end up losing again.
[Fabio] Yes.
[Nino] The only person here
who thinks he has a chance of winning
is probably Shinya himself.
What the hell are you saying?
- Excuse me?
- Don't just say that.
Do something about it!
That "slight margin" you mentioned,
you mean Sugiki's
actually a better dancer, right?
- So help him win!
- Easy, calm down. Come on, Shinya, please.
You guys have the power to do that,
don't you?
No, I I don't know.
- I'm telling you, let him fucking win!
- Hey. Whoa, whoa!
- [Fabio] Calm down.
- [Nino] Hey, hey, hey, hey.
- [Fabio] Easy.
- [Nino] Sorry
- That's bullshit!
- [Nino] I'm sorry.
- But there's nothing we can do.
- I I'm so sorry. So sorry.
[emcee] Ladies and gentlemen,
next we have a very special honor dance.
Please welcome to the floor
Liana and Shinya.
[crowd cheering, clapping]
- [man 7] Swapping partners?
- [man 8] A switch!
- Shinya and Liana? That's fantastic!
- [man 7] That's fantastic!
[crowd cheering]
- [spectator 1] Shinya!
- [spectator 2] Shinya!
[clapping subsides]
["Anticipation" by Cantaluna playing]
[crowd cheering, clapping]
[Fabio] This is a total charade,
but look at him.
[Nino] Mm.
Sugiki plays the part
of the perfect gentleman.
- You know, even I wanna be like him.
- [Nino] I know what you mean.
[Fabio] He's the ideal lover
that everyone wants to be.
[Nino] So true. So true.
[clapping continues]
[crowd cheering]
[cheering]
[music fades]
[poignant music playing]
[poignant music continues]
[knocking at door]
[knocking at door]
[music fades]
[Sugiki] That was a wonderful debut.
Where is Ms. Tajima?
- [Suzuki] I don't know.
- [Sugiki] I see.
[Suzuki sighs]
[Suzuki sniffles]
[Suzuki sighs]
Didn't that bug you today?
Ah.
No, not at all.
Liana and I were done a long time ago.
You haven't moved on though.
- [liquid pouring]
- I can't stand that kinda thing.
Being deceived.
Betrayed.
I can't forgive that.
So you think I'm still in love with Liana?
That I've never even looked
at another woman?
That I've remained totally devoted to her?
Is that what you saw?
Well?
[Sugiki scoffs]
If the audience saw a reunion
between two lovers,
then tonight's show was a success.
No one was watching Giulio's performance
after that, were they?
[Suzuki tuts]
What do you mean?
What?
What the hell are you saying?
You're really okay with it?
I'm asking if that's really good enough
- [glass shatters]
- for you!
You said you wouldn't settle
for anything but first place.
[exhales sharply]
[moans]
[exhales sharply]
[breathing heavily]
[Suzuki] What's wrong?
What is it?
[breathing heavily]
[groans]
[grunts]
[gasping]
[Suzuki grunts, breathes heavily]
[Sugiki] I can't be with you anymore.
If we go any further, it could destroy me.
[Suzuki breathing heavily]
What the fuck?
- That's not it.
- No, stop! You're my enemy now.
That's not true.
[poignant piano music playing]
In the end
You and I can never become one.
[door opens]
[door closes]
[music fades]
[dog barks]
[melancholy music playing]
Shit.
[groans]
[sniffles]
[music fades]
[vehicle approaching]
[car door opens, closes]
Shinya.
Shinya.
[breathes deeply]
I realized something.
I think I can do more for you.
We can do more. I just know it.
And even if it's just you
[sniffles]
you can go far!
You could go as far as you want.
[Aki sniffles]
[sniffles]
Let's go.
[Aki] Huh?
What?
[gentle piano music playing]
[man] The yellow is very nice.
[Aki] Isn't is amazing?
[man] This and
[Aki] Ah!
[man] Hmm, no, no, no.
Red.
I wanna see you in red.
- [Suzuki] So you're gonna go with that?
- [Aki] Yeah. Isn't it cool?
[chuckles]
Now, do we want it parted to this side?
Or to that side?
[man] Neater and more polished.
[man 2] So I want to show you
the beginning of Alemana.
We're going to do four to six.
Let's do sliding doors.
Just the beginning.
[uplifting music playing]
[groans]
[music subsides]
[gentle piano music playing]
[train rumbles in distance]
["River Flows in You" playing]
[applause]
[man] This is the first time
a dance competition in Japan
has gotten this much media attention,
isn't it?
[man 2] Yeah, seems so.
It's too bad Giulio and Alberto
aren't here though.
They backed out.
Said they had a show to do.
I say first place will go to Shinya.
He'll place third at best.
What?
Well, why do you think the federation
put up the money
and brought in so many foreign dancers?
They're going to want
some kind of payback, you know?
That's the dance world for ya, huh?
[energetic samba music playing]
[melodic waltz music playing]
Mr. Sugiki is the guest, right?
So, he's here.
I won't ever see him again
outside of competition.
[Suzuki groans]
When I saw him in Blackpool, it
It wasn't just dancing.
The crowd and the other dancers
They were blown away by it.
[distant cheering, clapping]
I wanna move the audience like that
every time.
[man 3] Five-minute call
for the finalists!
Can I get everyone
to come together, please?
All finalists, please come this way.
[distant clapping]
[emcee] The next event will be
the Professional Latin American final.
[crowd cheering, clapping]
So close, and yet so far.
["Gold Top" by Chris Egan playing]
[crowd cheering]
[cheering continues]
[Martha] Dance is neither
about technique nor stamina.
Love is what makes it whole.
[cheering fades]
And once again,
here are the 2026 Asian Cup
ballroom champions,
Leonardo Fontana and Sofia Rossi!
[crowd cheering]
[emcee] And the 2026
Asian Cup Latin champions,
Alessandro Leon and Annamaria Valentini!
[crowd cheering]
[emcee] Please give our champions
another big round of applause.
[crowd cheering]
[emcee] They will be back later
to perform an honor dance for us.
And now, we have a demonstration
by our special guests,
the UK ballroom champions,
Shinya Sugiki and Fusako Yagami.
[crowd cheering, clapping]
[cheering, clapping subsides]
[indistinct chattering]
[crowd murmuring]
Will you do me the honor?
[crowd murmuring]
["Lasso the Moon" playing]
If I were a carpenter
I'd build a world of love
Where we would always be
Together
If I were the captain of
[emcee] The first dance is the waltz.
A beautiful slow waltz.
["Tango Brujo" playing]
[crowd clapping]
[emcee] The tango.
An exciting tango!
Only in New York
On Fifth Avenue
[emcee] The slow foxtrot.
An elegant slow foxtrot.
Dripping with pearls
Oh, what a view
The subway crawls
From the street with walls
To Harlem, where music plays
["Takeoff" by Ballroom Orchestra
and Singers ft. Gigi Rosa]
We go, take off, take off
Runway clear
Click, step, ready, shoot that beer
Slide to the side
[emcee] The quick step!
The fourth dance is the quick step!
Let's go
[crowd cheering]
When marimba rhythms start to play
Dance with me
[emcee] The cha-cha-cha.
Feel the rhythm of the cha-cha-cha.
Hugs the shore
Hold me close
Sway me more
[crowd cheering]
["Bailando en Las Calles de Rio"
by Gigi Rosa / Dancelife Orchestra]
[emcee] The samba!
Shake your body to the samba!
[crowd cheering, clapping]
["Sin Tu Amor" by Ballroom Orchestra
and Singers ft. Gigi Rosa]
[emcee] The rumba.
A dance for love, the rumba.
["Espaa Ca" playing]
[emcee] The Paso doble.
Feel the passion!
The Paso doble.
[crowd rhythmically clapping]
["Gold Top" by Chris Egan playing]
[emcee] The jive!
Let's swing together.
Here comes the jive!
[crowd cheering]
["Minute Waltz" playing]
[emcee] The Viennese waltz.
The last dance is the Viennese waltz.
I'll see you at the 10 Dance.
- [emcee] 10 Dance.
- [music ends]
[jaunty music playing]
[music fades]
[stirring melodic music playing]
[music fades]
[heartfelt string music playing]
[music fades]