Cut (2000) Movie Script
1
[OWL HOOTING]
KIDS, I'VE PUT YOUR
DINNER ON THE STOVE.
Boy: OK, MOM.
DON'T FORGE TO LOCK UP, CHLOE.
Chloe: I WON'T. BYE, MOM.
Man on radio:
THIS IS 2SW,
ROCKING YOU
THROUGH THE EIGHTIES,
WITH SPLIT ENZ--
I GOT YOU.
[I GOT YOUPLAYING]
FREDDIE...
YOU GETTING TIRED?
JUST DON'T GET ANY
FLEAS ON THE BED, OK?
Radio:
SOMETIMES WE SHOU BUT THAT'S NO PROBLEM
I DON'T KNOW WHY
SOMETIMES I GET FRIGHTENED
YOU CAN SEE MY EYES
YOU CAN TELL
THAT I'M NOT LYIN'
LOOK AT YOU
MOM, ARE YOU THERE?
[HISSING]
[WIND BLOWING]
TELL ME, FREDDIE...
WHY DO LITTLE BROTHERS
LIKE TO FREAK OU THEIR SISTERS?
YOU ASLEEP ALREADY?
WELL, YOU'RE JUS GOING TO HAVE TO MOVE,
'CAUSE I NEED MY PILLOW.
AAH! AAH!
[RINGING]
HELLO?
Man on telephone:
NOW YOU DIE.
[GASPING]
[POUNDING ON DOOR]
HELP!
HELP!
SOMEONE HELP ME!
[POUNDING ON DOOR
CONTINUES]
[GLASS SHATTERS]
[CHLOE SCREAMS]
STAY AWAY.
I MEAN IT.
STAY AWAY FROM ME!
I'LL CALL
THE POLICE!
I MEAN IT.
YOU TOUCH ME,
AND YOU'RE GONE!
[BLADES SCRAPING]
STAY AWAY FROM ME!
Woman: CUT!
CUT!
CUT. CUT IT.
CUT IT.
YOU IDIOT!
I TOLD YOU NOT TO GO FOR
THE THROAT STRAIGHTAWAY.
YOU'VE GOT TO RIP
HER BLOUSE OFF FIRST,
LIKE IN REHEARSALS,
REMEMBER?
I FORGOT.
HEY, EVERYONE,
ROBERT DE NIRO HERE
FORGOT...
ONCE AGAIN.
OK, WE'RE GOING
TO CALL IT A NIGHT.
AND YOU CAN THANK
OUR GENIUS THESPIAN HERE
FOR YOUR 3 HOURS'
OVERTIME.
FUCKIN' LOSER.
WHAT'S HER PROBLEM?
YOU, YOU DUMB DICKHEAD!
TOUCH MY TITS ONE MORE TIME,
I'LL KICK YOUR BALLS IN,
UNDERSTAND?
LOSSMAN!
LOSSMAN,
WHERE'S MY COKE?
I WANT MY COKE
IN MY HAND, WITH ICE,
THE SECOND
SHE CALLS WRAP, OK?
[TAPPING]
YEAH?
IT'S YOU.
WHAT DO YOU WANT?
YOU...MADE ME LOOK
STUPID TONIGH IN FRONT OF
ALL MY FRIENDS.
NO, I DIDN'T,
SWEETHEART.
YOU DID THA ALL BY YOURSELF.
AND I'LL LET YOU IN
ON A LITTLE SECRET.
YOU DON'T HAVE
ANY FRIENDS.
THE FACT IS,
YOU'RE REPLACEABLE
IN THAT MASK.
I COULD PUT A MONKEY
IN THAT SUIT,
AND HE'D DO
A BETTER JOB.
ANYWAY,
I'VE HAD ENOUGH.
I'M GOING TO SPEAK
WITH JIM,
AND HE CAN
SORT IT OUT.
WHAT DO YOU MEAN?
I MEAN, MY PRODUCER WILL
SPEAK WITH YOUR AGEN ABOUT DISCONTINUING
YOUR SERVICES.
DO YOU UNDERSTAND
THAT?
OH...
NICE TOUCH.
FOR THE FIRST TIME,
YOU ACTUALLY
FRIGHTENED ME.
LOOK, EVERYONE'S
GOT THEIR LEVEL,
AND MINE IS MAKING
INTELLIGEN FAMILY DRAMA,
AND YOURS IS DOING
CHEESY CLOWN ACTS
IN SHOPPING MALLS.
I'M SORRY,
BUT YOU JUST CAN' CUT IT IN FEATURES.
HILARY, LOOK.
[BLADES SCRAPING]
GET OUT OF HERE.
TAKE ONE STEP CLOSER,
AND I'LL SCREAM.
IT'S HARD TO SCREAM...
WITHOUT A TONGUE.
[HILARY SCREAMING]
JUST PUT THOSE IN THE CAR.
I GOT TO GO TALK TO MEIN FUHRER.
[HIGH-PITCHED WAILING]
[KNOCKING ON DOOR]
HILARY, IT'S VANESSA.
OH, MY GOD!
AAH!
WHAT DO YOU WANT?
SEX? DO YOU MEAN YOU WAN TO HAVE SEX WITH ME?
SEX?
YEAH. SURE.
WELL, OK. LET'S GO.
YOU'RE GOING TO HAVE TO TAKE
THAT SILLY MASK OFF.
UNH!
[SCREAMING]
VANESSA?
SO, TO ANSWER YOUR
QUESTION, RAFFY,
THAT'S WHY
I DON'T INCLUDE
THE SLASHER GENRE
IN MY COURSE.
FAIR ENOUGH?
SO, MR. LOSSMAN,
WHAT HAPPENED TO THE FILM?
HOT BLOODED?
IT WAS
NEVER FINISHED.
THERE'S
A CUT WORKPRIN IN THE ARCHIVE,
I BELIEVE.
WOULD IT BE POSSIBLE
TO SEE IT?
FOR WHAT PURPOSE,
RAFFY?
WELL, WE HAVE TO DO
A GRADUATION FILM, RIGHT?
WHAT BETTER PROJEC THAN TO FINISH THAT FILM?
AND IT COULD ALSO MAKE
A SHITLOAD OF MONEY.
ARE THE RIGHTS AVAILABLE?
HESTER,
FULL MARKS FOR
YOUR ENTREPRENEURIAL
SPIRIT,
BUT I DON' THINK SO.
WHY NOT?
BECAUSE THAT MOVIE
WAS A NIGHTMARE,
AND YOU DON'T GO PLAYING
WITH NIGHTMARES.
I'LL SEE YOU ALL
NEXT WEEK.
HEY, HE SHOULD HAVE
KILLED LOSSMAN, EH?
YEAH.
MR. LOSSMAN,
WE WERE SERIOUS
ABOUT THE MOVIE.
AND SO WAS I, RAFFY.
LOOK, YOU TWO HAVE MORE
IMPORTANT THINGS TO SAY.
DON'T WASTE YOUR TIME
DOING TRASH.
BUT IT'S NOT TRASH.
A HORROR FILM CAN BE
JUST AS POLITICAL
AS PRISCILLA
OR THE PIANO.
LOOK,
EVEN IF IT'S NOT,
WHAT'S WRONG WITH
MAKING A SCARY FILM,
GIVING PEOPLE
A BIT OF A FRIGHT?
A FEW YEARS BACK,
A DIRECTOR,
A YOUNG KID
OUT OF VIDEO CLIPS,
DID JUST THAT.
THE PRODUCER HIRED HIM
TO COMPLETE HOT BLOODED.
IT WAS THE FIRST TIME
THE PRIN HAD BEEN SCREENED
SINCE THE MURDER
OF HILARY JACOBS.
WHAT HAPPENED NEX IS TOTALLY BIZARRE.
THE KID WAS BUTCHERED,
BUT THE POLICE NEVER
FOUND THE KILLER.
THE CREEPY THING IS,
THE PROJECTIONIS WAS THE ONLY ONE
WITH ACCESS
TO THE SCREENING ROOM,
AND HE WAS CLEARED.
Raffy: SO WHA YOU'RE SAYING IS,
THERE'S SOME SORT OF
A CURSE ON THIS FILM.
ALL I'M SAYING IS
THAT THIS IS SOMETHING
BEST LEFT ALONE.
THOUGHT IS DEED.
WHAT DO YOU MEAN?
IF YOU READ
EASTERN PHILOSOPHY,
THE ANCIENTS SAY
THAT WHAT YOU THINK,
YOU CREATE.
HOT BLOODEDWAS
A LOATHSOME PIECE
OF SHIT THAT NEVER
SHOULD'VE BEEN MADE
IN THE FIRST PLACE.
SO WHAT'S THE STORY
WITH THE PRODUCER?
HE TRIED
TO FINISH THE FILM
SO THAT HE COULD SAVE
HIS INVESTMENT.
ONE NIGHT, WHILE HE WAS
IN THE EDITING ROOM,
HE WAS ELECTROCUTED.
Raffy: IT WAS AN ACCIDENT.
ACCIDENTS HAPPEN.
LOOK,
I'M NOT SUPERSTITIOUS,
AND I DON'T BELIEVE IN
CURSES OR WHAT HAVE YOU.
LISTEN,
YOU KIDS HAVE A GIFT.
DON'T WASTE
YOUR COMBINED TALENTS
ON THIS UGLY
PIECE OF SHIT.
SO WHAT DO YOU THINK?
I THINK IT'D BE COOL.
LET'S DO IT.
YEAH.
[COMPUTER MODEM BUZZING]
[HEAVY METAL BAND SINGING]
MMM! MMM!
WELL DONE!
I CAN GET THE RIGHTS
FOR NEXT TO NOTHING.
I JUST SPOKE TO
THE PRODUCER'S WIFE--
OR SHOULD I SAY
HIS WIDOW.
AND GET THIS--
SHE SAID SHE'S PREPARED
TO PUT IN SOME MONEY
TO SEE IT FINISHED.
GOOD GIRL!
WHAT'S THE STORY
WITH CASTING?
WELL, THE GIRL
WHO PLAYED THE SISTER,
HER NAME'S
VANESSA TURNBILL,
AND SHE LIVES IN L.A.,
AND SHE'S DONE A COUPLE
OF B-GRADE MOVIES,
AND SHE'S DOING DAYTIME
SOAP AT THE MOMENT,
SO I THINK
WE CAN GET HER.
I CAN MARKET THAT.
UM, HI.
WHAT ABOU ALL THESE PEOPLE
WHO KEEP...
SORT OF...DYING,
TRYING TO MAKE
THIS FILM?
YOU GONNA MARKET THAT,
DO YOU THINK,
MISS PRODUCER, OR...
PROBABLY.
YEAH?
THAT'S PROMISING.
SO...WHO'S IN?
WHO WANTS TO MAKE
A MAINSTREAM SLASHER MOVIE?
BIGGER THAN HALLOWEEN,
CREEPIER THAN
FRIDAY THE 13th,
MORE BLOOD AND GUTS THAN
TEXAS CHAIN SAW MASSACRE!
MORE SEX
THAN DEEP THROAT.
YOU'RE SO BAD.
IT'S TIME WE GRADUATED INTO
POP CULTURE, BOYS AND GIRLS.
SO WHAT SAY YOU?
WHO'S IN?
YES.
YEP.
YES.
[HEAVY METAL BAND
SINGING]
IT'S A LOUSY DEAL,
UNBELIEVABLY LOUSY,
BUT I SEE SOME MERIT.
OH, YEAH?
WHAT KIND OF MERIT?
I DONE SOME CHECKING.
WORD AROUND TOWN IS
THEY'RE THE NEXT BIG THING,
PARTICULARLY
THE DIRECTOR--
THIS KID CALLED RAFFY.
THEY SAY SHE'S
THE NEXT JANE CAMPION.
LISTEN TO ME.
THIS COULD BE
THE NEXT HI AT SUNDANCE,
THIS KIND OF MOVIE.
LOOK WHAT SCREAMDID
FOR COURTENEY COX.
GIVE ME A BREAK.
SHE WAS A MILLIONAIRE ALREADY.
I JUST DON'T KNOW
IF I CAN DO IT, JERRY.
IT'S GOING TO DREDGE UP
ALL KINDS OF OLD SHIT.
BESIDES, THERE'S
A CELEBRITY GOLF TOURNAMEN IN LAS VEGAS NEXT WEEK.
NESSIE, BABY,
I'LL BE ABLE TO WORK THE
BEJESUS OUT OF THIS.
ARE YOU KIDDING ME?
"SLASHER MOVIE GONE
HORRIBLY WRONG,
BURIED FOR YEARS."
"VANESSA TURNBILL
GOES BACK
TO FACE HER DEMONS."
YOU CAN'T BUY
PUBLICITY LIKE THIS.
E!,
ENTERTAINMENT TONIGHT,
ACCESS HOLLYWOOD--
THEY'LL GO CRAZY.
SWEETHEART, I DON' WANT TO BE READING
THE TRADES ONE MORNING,
SEE THIS MOVIE GROSSING
100 MILL,
AND YOU NO A PART OF IT.
DO YOU AND ME A FAVOR.
FLY COACH TO AUSTRALIA.
OOH! HEY!
COACH?!
[MAN ANNOUNCING FLIGHTS
OVER P.A.]
[HORN HONKING]
HI. VANESSA.
I'M RAFFY.
I'M THE DIRECTOR.
AND THIS IS HESTER.
SHE'S THE PRODUCER.
SORRY WE'RE LATE.
WE RAN OUT OF PETROL, AND...
I'LL HELP YOU WITH THESE.
OK, WE GOT A PRESS
CONFERENCE IN AN HOUR.
WOULD YOU LIKE
TO FRESHEN UP?
SO AM I BOOKED
IN A HOTEL,
OR AM I SLEEPING
AT YOUR HOUSE?
[SMASH]
MISS TURNBILL, WHY HAVE YOU
COME BACK TO FINISH THE MOVIE?
WELL, IT'S EXTREMELY
RARE THAT YOU FIND
REALLY GOOD PARTS
FOR WOMEN,
SO WHEN I FIND ONE,
I JUST JUMP AT THE CHANCE.
MISS TURNBILL,
HOLLY JONES
REPORTING LIVE,
CHANNEL 5.
ARE YOU WORRIED
ABOUT THE CURSE?
WHAT CURSE?
EVERY TIME
THERE'S AN ATTEMP TO FINISH THIS FILM,
SOMEONE DIES.
THERE'S A SPECIAL CLAUSE
IN MY CONTRACT.
IF I DIE, I GET PAID EXTRA.
AREN'T YOU
CONCERNED AT ALL
THAT IT WILL BRING BACK
BAD MEMORIES, MISS TURNBILL,
DOING THIS FILM?
ALL OF THAT HAPPENED
A LONG TIME AGO,
AND I'VE PUT ALL THA BEHIND ME.
SO IT'S WONDERFUL
TO BE BACK IN AUSTRALIA.
ANYWAY, I WOULD HAVE KILLED
THESE TWO IF THEY LEFT ME OUT.
I ONLY JUST ARRIVED,
SO IF YOU'LL EXCUSE ME...
VANESSA!
VANESSA!
THANK YOU VERY MUCH.
THAT WILL BE ALL.
I GOT TO GET SOME SLEEP.
CAN YOU TAKE ME
BACK TO THE HOTEL?
YOUR ROOM WON'T BE
READY TILL 2:00.
THEY'RE STILL CLEANING.
YOU WANT A COFFEE?
Hester: HER HUSBAND
MUST HAVE DONE WELL
OUT OF SLASHER FILMS.
I'LL BE FRANK WITH YOU.
THE ONLY REASON
I AM DOING THIS...
BECAUSE I NEED THE MONEY.
MY LATE HUSBAND AND I HAVE
A FIRST DOLLAR
GROSS POSITION,
WHICH MEANS NOTHING
UNLESS THE FILM IS
FINISHED AND ON-SOLD.
HOPEFULLY, THIS WILL BE
MY LITTLE NEST EGG.
SIGN THAT.
WHAT IS IT?
IT'S AN INDEMNITY.
FROM NOW ON,
I'M NOT RESPONSIBLE
FOR ANYTHING THAT HAPPENS.
IT'S ON YOUR HEADS.
IT'S CALLED
BLOOD MONEY, GIRLS.
BLOOD MONEY.
HI, BOBBY.
HI.
ARE YOU DOING
THIS MOVIE?
UH, YEAH.
WELL, PRODUCTION
ON MAD MAX 4
GOT PUSHED BACK
A FEW WEEKS, SO...
I GOT A WINDOW.
COOL.
HEY, LOOK,
LET'S MEET UP LATER
AND GO OVER
THE MAKEUP, YEAH?
YEAH, SURE.
ISN'T THIS WHERE
THAT GUY GOT MURDERED?
YOU KNOW, WATCHING
THIS SAME PRINT?
WHAT GUY?
WELL--
YOU GUYS GOT A SECOND?
YOU KNOW
A COUPLE DAYS AGO,
WE WERE TALKING ABOU THE POSSIBILITY OF...
JESUS CHRIST.
HAS SOMEBODY BEEN
SMOKING IN HERE?
I HEARD SHE ALWAYS
GETS OFF WITH HER COSTAR.
WHAT ABOU WHEN SHE DID
THAT TV REMAKE
OF LASSIE?
HAVEN'T YOU EVER HEARD
OF SECONDHAND SMOKE?
HI. I'M BOBBY DUKE.
I'M YOUR COSTAR.
I'M PLAYING
SCARMAN--
PSYCHO KILLER GUY.
GOOD CASTING.
[LAUGHTER]
RIGHT.
HELLO? HI.
HOT BLOODED.
OOH, DADDY, NO THESE CANS AGAIN.
I THOUGHT THEY'D
BEEN DESTROYED.
YOU
RAFFY CARRUTHERS?
YEAH.
LOVED YOUR SHORT.
BLOODY BRILLIANT.
EXCEPT THA LAST SHOT WAS
STRAIGHT OU OF SHOCK CORRIDOR,
YOU DERIVATIVE
LITTLE THING, YOU.
LISTEN, I'VE WRITTEN
A SCREENPLAY.
YOU WANT TO READ IT?
YOU SEEN THIS?
YEAH,
I SCREENED IT ONCE.
BEST THING THE
DIRECTOR EVER DID.
YEAH. BIT OF A HACK
SHE WAS, THOUGH,
YOU KNOW?
OR SHOULD I SAY SHE
WAS A BIT HACKED,
YOU KNOW?
LAST TIME
I SCREENED THIS,
A KID SA AT THE FRONT.
GOT HIS THROAT SLI BY SOME
PSYCHO CLEANER.
IT'S A FUNNY THING,
YOU KNOW?
YOU'VE SEEN
SO MANY
MURDERS
ON THE SCREEN.
YOU SEE
THE REAL THING,
HEY,
IT'S NO BIG DEAL.
THEN YOU GET THESE
GENDER-SPECIFIC
ASSHOLES
THAT THINK THA SCREEN VIOLENCE
IS GOING
TO TURN US ALL
INTO MASS MURDERERS.
WELL, THAT'S CRAP.
I'VE SEEN HUNDREDS
OF MURDERS.
I'VE SEEN THOUSANDS
OF MURDERS.
NEXT TIME
SOMEBODY GOES
INTO McDONALD'S,
SHOOTS UP 20 PEOPLE
WITH AN UZI,
AND THEY FIND A STEVEN SEAGAL
VIDEO IN HIS BACK POCKET,
YOU KNOW WHA THEY OUGHT TO DO?
THEY OUGHT TO RING
60 MINUTES,
GET THEM TO DO ONE
OF THEIR CHECKBOOK BULLSHI JOURNALISM STORIES ON ME,
BECAUSE I'M
A WALKING ADVERTISEMEN FOR LIBERALIZING
X-RATED EVERYTHING,EH?
YOU KNOW WHAT I MEAN?
ART IS ART, EH?
Hester: OK, EVERYONE,
LET THE HORROR BEGIN.
[RICK LAUGHING EVILLY]
Hester: SHUT UP, RICK.
WHAT?
KIDS, I'VE PUT YOUR
DINNER ON THE STOVE.
OK, MOM.
DON'T FORGE TO LOCK UP, CHLOE.
FREDDIE...
[CAT MEOWS]
YOU GETTING TIRED?
WHAT'S WRONG?
I THOUGH I HEARD SOMETHING.
[HISSING]
[WIND BLOWING]
Chloe: TELL ME, FREDDIE...
WHY DO LITTLE BROTHERS LIKE
TO FREAK OUT THEIR SISTERS?
YOU ASLEEP ALREADY?
WELL, YOU'RE JUS GOING TO HAVE TO MOVE.
[SCREAMING]
[TELEPHONE RINGING]
HELLO?
Man on telephone:
NOW YOU DIE.
[BLADES SCRAPING]
STAY AWAY FROM ME!
Hilary: CUT! CUT!
CUT. CUT IT.
CUT!
THAT WAS HER VOICE.
DID YOU HEAR HER VOICE?
HES.
HES, WAKE UP.
HES...
[SCREAMING]
[MAN GROWLING]
[CRYING]
BOBBY,
THAT'S ENOUGH.
IT'S CRUEL.
[LAUGHTER]
Rick: SUCKED IN!
Bobby: DID I PASS
THE AUDITION?
WITH FLYING COLORS,
SIR.
I DID THE MAKEUP.
NOT BAD FOR A QUICKIE
IN THE DARK, EH, RAFF?
THAT'S YOUR SPECIALITY,
ISN'T IT, JULES--
QUICKIES IN THE DARK?
YOU'RE A RETARD,
PAULIE.
I DIDN'T BUY
INTO IT, RAFF.
YOU'RE ALL A BUNCH
OF FUCKWITS!
Hester: COME ON.
BUS LEAVES
AT 7 A.M. SHARP.
CHECK YOUR GEAR,
PLEASE.
Paulie: I DIDN'T MEAN--
Damien: FUCK OFF,
PAULIE. GROW UP.
IT'S FUNNY.
Bobby: DON'T THINK
I WENT TOO FAR, DO YOU?
HELLO?
HELLO?
1, 2
1, 2, 3, 4
SO OUR STAR ISN' TRAVELING WITH US, THEN?
VANESSA?
YEAH.
NO. WE SPRUNG
FOR A DRIVER.
OF COURSE.
HAS ANYONE
SEEN RAFF?
EVERYONE OFF THE BUS!
HOW ARE WE SUPPOSED
TO MAKE THIS FILM
WITHOUT OUR FAMOUS DIRECTOR?
MAYBE DAMIEN COULD TAKE OVER,
LIKE HE DID IN THE SHORT.
SHUT UP, PAULIE.
THAT'S BULLSHIT,
AND YOU KNOW IT.
HEY, WE WERE ALL THERE, MATE,
AND YOU'RE NOT TALKING
TO THE CINEMA PAPERS
NOW, LOVER BOY.
RAFF, I'M SORRY.
WE'RE ALL SORRY.
IT WAS MEANT TO BE A JOKE.
DID YOU PICK UP
THE PRINT?
YEAH. IT'S IN THE BACK.
Raffy: GUESS WE BROKE
THE CURSE, HUH?
WE SCREENED IT WITHOU ANYONE GETTING KILLED.
YEAH, I GUESS.
COME, MY LITTLE VENUS
WRAPPED IN SHADOWS
YEAH, YOU'RE ONE OF US
I HEAR THE FOOTSTEPS
INSIDE YOUR HEAD
WALKING, TRYING
TO FIND YOURSELF
YOU'VE DONE WELL,
NESSIE.
BUT I KNEW YOU WOULD.
AND I ALWAYS KNEW
YOU'D END UP TEACHING.
[LAUGHS]
HEY, YOU GOT ANY
DIET COKE IN HERE?
[LAUGHS]
OH, YEAH
SO COME, MY LITTLE VENUS
COME, MY LITTLE VENUS
THANK YOU.
NUMBER 6.
THIS IS THE PLACE.
WHAT PLACE?
THE PLACE WHERE CASSIE AND I
ARE FINALLY GOING TO CONSUMMATE
OUR BLOSSOMING RELATIONSHIP.
[LAUGHS]
IN YOUR WET DREAMS,
BUDDY.
SHE'S GOT HER EYE
ON DAMIEN.
YEAH, BUT DAMIEN'S GO A THING FOR RAFFY.
HAND OFF IT, NOW.
RAFFY'S GOT THE HOTS
FOR BOBBY.
NO WAY! BOBBY'S GO A THING FOR JULES.
JULES IS
PORKING JIM.
JULES AND JIM?
ARE YOU SERIOUS?
YES.
I THOUGHT JIM WAS
PORKING HESTER.
HESTER'S A DYKE,
YOU DORK.
PLUS, SHE'S GO THE HOTS FOR RAFFY.
WHAT ABOU RAFFY AND BOBBY?
RAFFY AND BOBBY IS
UNREQUITED SO FAR,
BUT RAFFY HAS SHOWN
AN INTEREST IN...
MOI.
YOU?
YEAH.
WAS SHE SHITFACED?
ONE OF THESE DAYS,
YOU ARE GOING
TO IMPLODE WITH ENVY,
YOU POOR, PATHETIC
LITTLE CREATURE.
HEY, I CAN'T HELP I THAT I'M ENDOWED
LIKE THAT GUY
OUT OF BOOGIE NIGHTS.
WHAT, WITH A FAKE DICK?
THEY'VE
GOT TO BE KIDDING.
IT'S ONLY
FOR A FEW DAYS.
THIS BED'S
GOT BUGS IN IT.
I CAN TELL
JUST BY LOOKING AT IT.
IF I SPEND ONE NIGH IN THIS THING,
I'M GOING TO NEED
A MASSEUSE.
I SWEAR TO GOD.
I DID A COURSE IN REIKI.
REIKI?
NO SHIT?
Rick: SO THIS IS
THE HOUSE OF HORRORS?
Man: WATCH YOUR FEET.
I DON'T WANT MUD EVERYWHERE.
ARE YOU GOING
TO PUT SOMETHING DOWN?
I DON'T WANT A HERD
OF ELEPHANTS
TRAMPING DIR THROUGH HERE, YOU KNOW.
YES, MR. DRIVETT,
WE'LL BE REALLY CAREFUL.
I'LL MAKE SURE
THEY TREAT I LIKE IT WAS
MY OWN HOUSE.
THAT'S NO COMFORT TO ME,
YOUNG LADY.
YOU LOOK LIKE
YOU'D LIVE IN A DUMP.
HEY! HEY! PUT THAT DOWN, SON!
THAT'S BONE CHINA, FROM CHINA!
Rick: REALLY? I THOUGH IT WAS FROM BONE. HA HA.
NOW THE RULES ARE THESE:
NO DRUGS, NO LOUD MUSIC,
NO EATING OR DRINKING
IN THE HOUSE.
I'VE DISCONNECTED THE PHONE,
SO YOU CAN'T MAKE
ANY PERSONAL CALLS.
Raffy: CAN I ASK ONE,
SMALL FAVOR?
WELL, YOU CAN CERTAINLY ASK.
WE HAVE THE ORIGINAL
PRINT OF THE FILM
IN THE BUS OUTSIDE,
AND I WAS WONDERING
IF WE COULD PUT I IN A SAFE PLACE
INSIDE THE HOUSE.
CERTAINLY, YOUNG LADY,
YOU CAN, UH,
KEEP IT UPSTAIRS
IN MY BEDROOM.
IT'LL BE SAFE THERE.
NOW, YOU,
COME WITH ME.
I WANT TO TALK ABOU THE LOCATION FEES.
Rick: I WANT TO CHECK OU THE KITCHEN, TOO.
WE'VE GOT SOME SHOTS
IN THERE. PAULIE!
Cassie: RICK!
YOU IDIOT!
CASSIE,
YOU'VE DEBONED THE CHINA!
YOU'RE A MORON,
RICK.
OH, I HATE YOU!
SOMEHOW,
I DOUBT THAT.
Raffy: RICK, NEXT TIME
YOU DO SOMETHING LIKE THAT,
YOU TWO CAN GO HOME.
PROMISE?YES.
I DIDN'T DO IT.
WHERE THE HELL IS
OUR EXPENSIVE IMPORT?
[PHONE BEEPS]
OH, GREAT! NO SIGNAL.
BAD LUCK, HUH?
THAT MUST HAVE BEEN
WHERE SHE WAS MURDERED.
WHO?
HILARY JACOBS,
THE DIRECTOR.
THEY SAID IT WAS
A SWISS CHALET.
IT ALWAYS SOUNDED
SO WEIRD.
WHO SAID?
CAN'T USE YOUR PHONE, HUH?
HOW WILL YOU COPE?
Raffy: OK, EVERYBODY,
CAN I JUST HAVE
A FEW SECONDS
OF YOUR TIME, PLEASE?
Rick: OK,
EVERYONE, COME ON.
SHHH SHHH!
Raffy: OK, THE BACK STORY
GOES SOMETHING LIKE THIS:
WHEN THEY WERE KIDS,
THEIR PARENTS WENT OU AND LEFT THEM
ON THEIR OWN IN THE HOUSE
AND THE HOUSE
CAUGHT ON FIRE.
NOW, CHARLIE GOT HORRIBLY BURNED
AND SCARRED FOR LIFE,
BUT HIS BEAUTIFUL SISTER
CHLOE GOT OUT UNSCATHED.
NOW, HE HATES HER FOR THA AND HE HATES HIS MUM AND DAD
FOR DOING THIS TO HIM.
HIS DAD IS
THE FIRST TO GO.
HE WENT IN REEL 2.
THEN, AN ASSORTED RANGE
OF VICTIMS
UNTIL WE GET TO REEL 9.
WHICH IS WHERE THE FILM STOPPED
AS HE KILLS HIS SISTER.
NOW, THE SCENES
WE'RE ABOUT TO FILM
ARE WHERE THE MOTHER
GETS KILLED,
WHO WILL BE PLAYED
BY VANESSA,
AND THIS IS THE CLIMAX
OF THE FILM,
SO I DON'T NEED TO TELL YOU
HOW IMPORTANT IT IS.
NOW, DOES ANYBODY HAVE
ANY QUESTIONS?
YEAH, DO THEY SELL ANY TOFU
AROUND HERE?
SCARE YOU?
HURT YOU?
[BOBBY GROANS]
[KIDS SPEAKING
INDISTINCTLY]
Julie: ARE YOU READY, BOBBY?
OK, YOU'VE GO THE FRONT PART OF THAT.
YUP, JUST GET THAT ON.
GREAT.
HOW'S THAT FEEL?
CAN YOU BREATHE? YUP.
LET'S MAKE SURE
THAT'S FINE
THERE IN THE COLLAR.
Bobby: AH, STUPID!
YOU ALL RIGHT,
BOBBY?
HERE, LET'S GET THIS
FIXED UP. OK...
I'LL JUST POP
THE COLLAR
UNDERNEATH
THERE.
THERE YOU GO.
[SHOUTS]
ALL RIGHT!
[SOFTLY]
NOW YOU DIE.
Paulie: ALL RIGHT,
I'LL GO SET UP.
AHHH, THAT'S THE TICKET.
BOBBY, YOU--
LOOK...WHY DON' YOU PRACTICE
YOUR METHOD BULLSHI ON, I DON'T KNOW,
SOMEONE ELSE, MATE.
DICKHEAD!
JUST GO BACK
TO YOUR WINNEBAGO
AND ACT LIKE A TREE!
YOU MUST BE
THE UNSCARIEST VILLAIN
I'VE EVER SEEN!
Rick: BLOODY ACTORS
WITH SO MUCH SPARE TIME
ON THEIR HANDS.
WHAT ARE YOU DOING
WATCHING ME PISS, ANYWAY?
PREFER A POLAROID?
[ENGINE REVVING,
CAR LURCHING]
Raffy: VANESSA,
KEEP YOUR FOOT OFF THE BRAKE.
DON'T ACCELERATE TOO MUCH.
Damien: SLOWER, JIMMY,
SLOWER.
TAKE YOUR TIMING
FROM THE CAR.
Jimmy: YEAH, EXCEP IT CHANGES EVERY TAKE
'CAUSE THE BIMBO
CAN'T DRIVE.
Vanessa: NOBODY TOLD ME
I HAD TO DRIVE A GODDAMN CAR,
AND THE STEERING WHEEL'S
ON THE WRONG SIDE!
IT REALLY AFFECTED YOU,
DIDN'T IT--THE KILLING?
YES, IT DID.
YOU KNOW, HORROR MOVIES
AREN'T THAT BAD, MR. LOSSMAN.
YOU THINK ABOUT IT.
THEY CAN BE CATHARTIC
FOR YOUNG KIDS.
I MEAN, IT'S ALL ABOU LETTING GO OF YOUR FEAR.
HOW DO YOU MEAN?
WELL, YOU GO TO THE MOVIES
AND THERE'S A PSYCHO KILLER
OUT IN THE BUSH
WOOD-CHIPPING PEOPLE.
SUDDENLY, THE THINGS
YOU'RE SCARED OF
DON'T SEEM
SO IMPORTANT ANYMORE.
LIKE THE CRATERS
ON YOUR FACE,
THE SIZE OF YOUR ASS,
OR WILL THAT CUTE GUY
ASK YOU OUT--
THAT SORT OF STUFF.
HORROR MOVIES PUT THA INTO PERSPECTIVE.
WHEN YOU THINK ABOUT I LIKE THAT,
THEY'VE ACTUALLY GOT,
KIND OF, A SOCIAL VALUE.
SHIT!
I'M IN
CHARACTER!
BOBBY!
EXCUSE ME.
Vanessa: CUT IT! CUT IT!
I NEED A STUNT DRIVER!
[PROJECTOR RUNNING]
Man: WHAT HAVE YOU GOT?
TIME OF DEATH,
I PUT ABOUT 28 HOURS AGO,
PLUS OR MINUS.
DECEASED WAS PART-TIME,
SINGLE.
NO ONE NOTICED HIM MISSING.
WEAPON APPEARS TO BE
A SINGLE BLADE
ABOUT 30 Cs,
VERY SHARP.
HE WAS DISEMBOWELED
LIKE IT WAS SOME SOR OF RITUAL SLAYING.
TA.
SO WHO WAS LAS IN THE THEATER?
A GROUP
OF FILM SCHOOL STUDENTS.
MADE A BOOKING,
CAME IN LAST NIGHT.
I NEED A STUNT DRIVER!
VANESSA,
YOU READ THE SCRIPT.
YOU KNEW
YOU HAD TO DRIVE.
EVERY MOVIE I'VE EVER DONE,
I'VE ALWAYS HAD A STUNT DRIVER!
BUT IF YOU TOLD US--
DO YOU THINK
I'M FUCKING SLY STALLONE,
FUCKING JACKIE CHAN?
I DON'T DO MY OWN STUNTS!
WHERE'S LOSSMAN?!
Cassie: PAULIE...
PAULIE, PLEASE, WAIT.
CASS, COME ON.
PAULIE, NO, NOT HERE.
LOOK, I'VE GO TO GET BACK
AND SO DO YOU.
I TOLD RICK I HAD TO
GO BACK TO TOWN,
GET SOME EXTRA BATTERIES.
I TOLD HES
YOU WERE FEELING SICK
AND HAD TO GO BACK
AND HAVE A LIE DOWN.
YOU BASTARD.
[WHISPERING]
So we've got all night.
Cassie: BOBBY!
WHAT, BOBBY?
COME ON!
GET OFF! GET OFF!
PAULIE! PAULIE!
YOU WANT IT. CASSIE?
NO!
WHAT'S WRONG?
[CASSIE SCREAMING]
OH, SHIT!
[CRYING]
WHY?!
BOBBY? BOBBY,
IS THAT YOU?
GET AWAY FROM ME!
GET AWAY FROM ME!
AAAH, GET AWAY FROM ME!
[CRYING]
WHAT DO YOU WANT OF ME?
WHAT DO YOU WANT?
WHAT DO YOU WANT?
CUT IT!
Hester: LET'S CALL IT A NIGHT?
EVERYONE'S TIRED.
WE COULD PICK UP TOMORROW.
YEP.
SO, ARE YOU GOING
TO ASK ME TO RIDE
A GODDAMN HORSE
TOMORROW?
NO. TOMORROW YOU DIE.
[SARCASTICALLY]
OH, I CAN HARDLY WAIT.
Julie: VANESSA, CAN I JUST GRAB
A COUPLE POLAROIDS OF YOU?
FUCK OFF!OH...
WE'RE MISSING 3.
CASSIE
WENT BACK SICK?
SO DID MY ASSHOLE
OF A BOOMIE.
FUNNY ABOUT THAT.
YEAH.
WHERE'S BOBBY?
WHERE HAVE YOU BEEN
ALL NIGHT?
JUST DOING THE METHOD.
Rick: YEAH, MEANING
SCARING THE SHIT OUT OF PEOPLE.
I'M STILL WET,
BY THE WAY.
WHAT?
OH, YOU FAKE SINCERITY
SO WELL.
IT'S THE SECRE OF GOOD ACTING, MATE.
YEAH!
DUH!
HAPPY WITH WHAT YOU GOT?
YEAH, IT WAS ALL RIGHT.
DAMIEN'S GREAT.
HOW IS OUR STAR?
WELL, SHE CAN PLAY
HYSTERICAL REALLY WELL.
DO YOU WANT TO HAVE
A DRINK TONIGHT,
BEFORE BED?
THANKS, HES,
BUT I'M PRETTY TIRED.
YEAH, I UNDERSTAND.
[MUSIC BEGINS]
AND YOU'RE RUNNING FAR AWAY
HMM HMM HMM HMM
[INDISTINCT SINGING]
LOOKIN' FOR A GOOD TIME
KEEP A LIGHT ON
FOR THE LAST ROUNDS
THAT WILL KEEP AWAY
[MUSIC FADES OUT]
SHIT!
[RAFFY TURNS WATER OFF]
HELLO?
IS SOMEONE THERE?
AAAH!
WHAT ARE YOU
DOING HERE?
SORRY,
I THOUGHT YOU MIGH WANT SOME COMPANY.
YOU STILL GE NIGHTMARES?
UH-HUH, AND YOU?
OH, YEAH.
MY THERAPY BILL
AT THE END
OF EACH MONTH IS HUGE.
SOMETIMES, I WAKE UP
IN THE MIDDLE
OF THE NIGHT SCREAMING.
I USED TO TAKE UPPERS
FOR YEARS
TO KEEP
FROM GOING TO SLEEP.
I STILL CAN'T WALK
INTO A BUILDING
LATE AT NIGHT WITHOU GETTING THE SHAKES.
HOW ABOUT YOU?
SAME.
I REMEMBER YOUR FACE,
LOOKING AT ME.
I'LL NEVER FORGET THAT.
FLYING IN COACH
FOR 14 HOURS
MAKES YOU THINK.
WHY DID I DO THIS?
WHY DID I COME BACK?
I DON'T KNOW.
I GUESS I JUST NEEDED
TO FACE IT,
ONCE AND FOR ALL.
I'M SCARED.
SCARED OF WHAT?
THOSE SCENES TOMORROW.
DON'T WORRY.
YOU'LL BE FINE.
I'LL BE THERE.
YOU KNOW, I DON' GET IT, RAFF.
THIS FILM--
YOU COULD HAVE DONE
WHATEVER YOU WANTED,
LOSSMAN THINKS
YOU'RE GOD.
YEAH, BUT I WANTED
TO DO THIS FILM.
HMPH. WHY?
YOU THINK IT'S
GOING TO SET YOU UP
AS A COMMERCIAL
DIRECTOR?
IS THAT IT?
NO, IT'S NOT.
IT'S A LITTLE MORE
PERSONAL THAN THAT.
HA! WHAT'S PERSONAL
ABOUT A HORROR MOVIE?
I'VE JUST GOT TO
FINISH THIS FILM.
HESTER RYAN?
YES.
WHO ARE YOU?
I'M SENIOR DETECTIVE
IAN HOLLANDER
FROM SPECIAL
CRIME SQUAD,
AND THIS IS
DETECTIVE CARTER.
CAN WE HAVE
A WORD, PLEASE?
SURE.
SO DID YOU NOTICE
ANYTHING UNUSUAL
AT THE THEATER?
Hollander: YOU NOTICE
ANYONE STRANGE
HANGING AROUND
THE SET AT ALL?
NO.
ANYTHING UNUSUAL
THAT YOU CAN THINK OF?
Hester: NOTHING.
NO ONE. NOTHING
OUT OF THE ORDINARY.
I SUPPOSE YOU'VE HEARD
ABOUT THIS CURSE.
MISS, WE KNOW
THAT 7 YEARS AGO
ONE ANGELO--
ZABRIKI.
ZABRIKI...
WAS KILLED
IN THAT SAME THEATER
WATCHING
THE SAME FILM,
AND WE'RE INVESTIGATING
THE POSSIBILITY
THAT THERE'S
A CONNECTION
BETWEEN THE TWO.
BUT AT THE MOMENT,
WE'RE INVESTIGATING
AS IF THEY'RE
SEPARATE INCIDENTS.
YOU SEE,
WE DON'T THINK
THE PROJECTIONIS WAS KILLED BY A CURSE,
MISS CARRUTHERS.
WE BELIEVE HE WAS
KILLED BY ONE OR MORE
VERY SICK INDIVIDUALS
WHO ARE QUITE CAPABLE
OF BEING APPREHENDED
BY POLICE OFFICERS
SUCH AS OURSELVES.
DO YOU HAVE
ANY IDEA
WHY SOMEONE WOULD
WANT TO STOP
THIS FILM
BEING MADE?
BEATS ME.
WELL, IF YOU CAN
THINK OF ANYTHING,
GIVE US A CALL.
AND IF YOU COULD
GIVE US THE DETAILS
OF WHERE YOU'RE FILMING,
THAT WOULD BE OF HELP.
SURE.
[KNOCK AT DOOR]
YEAH?
CAN I COME IN?
SURE.
YOU OK?
I DON'T KNOW.
I DON'T KNOW
WHAT'S HAPPENING.
LOOK, SOMEONE GO MURDERED,
AND IT'S AWFUL
AND TRAGIC,
BUT IT HAS NOTHING
TO DO WITH US
OR WHAT WE'RE
DOING HERE.
YOU BELIEVE THAT?
I DON'T KNOW
WHAT TO BELIEVE.
WHAT I'M WORRIED ABOU NOW IS THE OTHERS.
I DON'T THINK
WE SHOULD TELL ANYONE.
I DON'T WAN RICK GETTING SPOOKED,
PULLING A NUMBER,
STOPPING THE SHOOT.
WHAT DO YOU THINK?
I THINK PAULIE AND CASSIE
DIDN'T COME HOME LAST NIGHT,
BECAUSE RICK CHECKED
THEIR BEDS,
AND THEY HAVEN' BEEN SLEPT IN.
WHAT? YOU THINK
THERE'S A CONNECTION?
I DON'T KNOW, BUT IT'S
A LITTLE BIT CREEPY.
YOU KNOW THOSE TWO.
THEY PROBABLY GO SHIT-FACED,
BONKED ALL NIGHT,
AND FELL ASLEEP
IN ONE OF THE OLD SHEDS.
RAFF, THIS ISN'T LIFE
IMITATING ART.
THE PROJECTIONIS GOT MURDERED.
FACT IS,
HE WAS A WACKO.
I DON'T BELIEVE THERE'S
SOME CRACKED KILLER
OUT THERE STALKING US
LIKE WE'RE IN THE PLO FROM BRIDE OF CHUCKY 7
OR WHATEVER.
LIFE DOESN'T WORK
LIKE THAT.
IF CASS AND PAULIE DON' TURN UP BY CREW CALL,
I'LL CALL THE COPS, OK?
OK.
YOU ARE BRILLIANT...
AND YOU'RE GOING TO
MAKE A BRILLIANT MOVIE.
WE JUST GOT TO KEEP I ALL ON THE RAILS.
[ROCK MUSIC PLAYING]
NO WONDER I CAN' SLEEP AT NIGHT
NO WONDER I CAN' SLEEP AT NIGHT
NO WONDER I CAN' SLEEP AT NIGHT
NO WONDER I CAN' SLEEP AT NIGHT
[INDISTINCT TALKING
AND LAUGHING]
MR. DRIVETT.
WE'RE BACK.
[ANIMAL YELPING]
MR. DRIVETT,
IS IT ALL RIGH IF WE SET UP
IN THE LIVING ROOM?
HEY, HES, HAVE YOU
GOT A MINUTE?
OH, WHAT'S WRONG?
SO THIS IS THE ONLY
ONE WE'VE GOT, YEAH?
JULES, CAN YOU TELL HESTER
WHAT THE PROBLEM IS, PLEASE?
CASSIE PUT ALL OF SCARMAN'S
WARDROBE HERE, YEAH,
ALL THE DOUBLES,
INCLUDING THE MASKS,
BUT THEY'RE GONE.
YOU KNOW WHA HAPPENED TO THEM?
WHAT, DO YOU THINK
I NICKED THEM?
I'LL ASK AROUND.
THANKS.
THERE ARE NO DOUBLES
OF YOUR WARDROBE,
SO DON'T MAKE A MESS
TONIGHT, ALL RIGHT?
KILLING'S A MESSY BUSINESS.
[SIGHS]
OK, BOBBY.
WE NEED TO PUNCH IN
A FEW MORE LIGHTS
THROUGH THOSE WINDOWS.
ANY MORE, WE'RE GOING TO
MELT THE CIRCUITS.
THE WIRING IN THIS PLACE
IS ANCIENT.
ANY CHANCE OF SCORING
A GENERATOR?
CAN'T PHONE OU FROM HERE, CAN WE?
NO.
OK.
I'LL TAKE THE BUS,
SEE IF WE CAN'T FIND
A FRIENDLY FARMER.
[CHUCKLES]
THANKS, MATE.
I'M HEADING OFF, MAN.
YOU BETTER HOP OUT.
BOBBY, DON'T GIVE ME THIS
CHARACTER MOTIVATION BULLSHIT.
GET YOUR ASS OFF THIS BUS.
I'VE GOT TO GET MOVING.
HEY.
HEY, SOME OF US
HAVE GOT WORK TO DO.
HA HA HA HA.
HA HA! BOBBY, MAN...
YOU'RE A LOSER.
GET OUT OF HERE.
OH, MY GOD.
[CHOKING AND GURGLING]
OK, WHEN YOU COME
INTO THE LIVING ROOM,
YOU'RE NOT GOING TO
SEE SCARMAN
STANDING BEHIND THE COLUMN
WITH HIS SHEARS UP.
WHERE'S BOBBY?
I DRESSED HIM
ABOUT AN HOUR AGO.
WAS HE ANY GOOD?
CRETIN.
[HEAVY BREATHING]
UM, LOOK,
WHAT WE'LL DO IS
WE'LL DOLLY INTO
A TWO-SHOT,
THEN WE JUST PUSH IN
TO A CLOSEUP
OF VANESSA.
CLOSEUP?
BOBBY,
GOT YOUR SHEARS?
ALL RIGHT, DO YOU
WANT TO MOVE OVER
NEXT TO
THE WALL HERE,
AND IF YOU CAN
HIDE BEHIND HERE
AND WAI FOR HER TO COME.
WE'LL DO A LINEUP
ON THAT SHO IF YOU WAN TO GO BACK
TO FIRST POSITIONS,
THANKS, VANESSA.
GOING FOR
A REHEARSAL.
OK, AND ACTION.
OW!
HEY! GET OFF!
WHAT ARE YOU DOING?
THIS IS A REHEARSAL, MAN,
NOT A TAKE!
IF WE'RE MOVING
THAT FAST,
I'M GOING TO NEED
SOME LUBRICAN FOR THE TRACK.
YOU'D HAVE SOME OF THA LEFT OVER FROM LAST NIGHT,
WOULDN'T YOU,
SWEET CHEEKS?
HEY, COME ON, GUYS!
HEY, BREAK IT UP!
ONE MORE LINE LIKE THAT,
AND YOU CAN REALLY GO HOME.
SOUNDS LOVELY.
UM, SHOULD WE JUS SET UP FOR A TAKE?
DO YOU WANT TO DO
SOMETHING ABOUT THE MASK?
IT DOESN'T LOOK RIGHT.
NOW, HOW TIGH IS THIS CLOSEUP?
ARE WE TALKING
CROW'S FEET?
[CELLULAR PHONE BEEPS]
HELLO, POLICE?
DAMN IT!
AAAAAH!
AAAAAAH!
EW! AAH!
AAH! AAH! UGH!
[GROWLS]
UH! AAH! UH!
[PANTING]
[GASPS]
[HESTER WHIMPERS]
NO!
OH!
AAAH!
NO!
NO! UH!
UH! KEEP AWAY FROM ME!
AAH! UH!
N--
NO.
NO! NO! NO-AAAH!
NOOOOAAAAH!
[THUMP]
IS JIM BACK YET?
I ASKED HIM TO GO
GET A GENERATOR.
MAYBE HE'S
FOUND A PLACE
THAT SELLS TOFU.
HOW THE HELL AM I
SUPPOSED TO MAKE A FILM
WHEN MY ENTIRE CREW
GO WALKABOUT?
YOU GUYS KEEP AT IT,
AND I'LL GO FIND HIM.
JIM?
AAAH!
SORRY. I DIDN'T MEAN
TO FRIGHTEN YOU.
NO, THAT'S ALL RIGHT.
I'M JUST A BIT ON EDGE
TONIGHT, THAT'S ALL.
I WANTED TO
ASK YOU SOMETHING
AWAY FROM EVERYONE ELSE.
YEAH?
WHY THIS MOVIE?
I TOLD YOU ALREADY.
IT WOULDN'T HAVE
SOMETHING TO DO
WITH YOUR MOTHER,
WOULD IT?
MY MOTHER?
HILARY JACOBS?
SHE WAS YOUR MOTHER, RIGHT?
YEAH, YEAH, SHE WAS.
SO, THAT'S WHY YOU WAN TO FINISH THE FILM.
EVERYBODY THOUGHT THA SHE WAS A HACK DIRECTOR,
BUT SHE WASN'T,
MR. LOSSMAN,
SHE WAS SO MUCH
MORE THAN THAT.
YOU CAN TELL BY LOOKING
AT THIS FILM.
SHE WAS NOT A HACK,
BELIEVE ME.
SHE HAD TO BE SMARTER
AND TOUGHER THAN ALL OF THEM.
AND SHE WAS.
MY GOD.
THEY'VE BEEN SLASHED.
WHO WOULD DO
SOMETHING LIKE THIS?
KIDS, MAYBE. LOCALS.
I DON'T KNOW.
MY CAR, TOO.
YOU DON'T THINK THAT--
THAT THIS COULD BE...
WHAT?
NAH, DON'T WORRY
ABOUT IT.
BY THE WAY,
HAVE YOU SEEN HES?
[BREATHING HEAVILY]
[EXHALES LOUDLY]
JESUS CHRIST!
RICK.
YOU HAD ME GOING THERE
FOR A SEC, MAN.
YOU'RE GOING TO PUT ME
OUT OF A JOB, BRO.
HA HA.
I'VE GOT ONE
OF THOSE, TOO.
FACE-OFF...
WES CRAVEN STYLE.
UH! U-UH!
AAH!
[CHOKING]
[GASPS]
I'LL SHOW YOU
HOW TO SHIMMY.
THAT'S GREAT.
OK, LET'S GO
FOR A TAKE.
CAN I GE THE CAST IN?
YEAH, SURE.
TA.
OK, BOBBY, TIME TO
DO SOME KILLING.
COME ON.
OK, BOBBY,
THESE ARE THE SHEARS
YOU'RE GOING TO
BE USING.
THEY'RE A SPECIAL
EFFECT NUMBER, SO...
AS YOU CAN SEE.
NOW, WHEN YOU KILL HER,
I WANT YOU TO STAB HER
IN THE STOMACH AND...
BRING IT UP
INTO HER RIB CAGE.
HEY, VANESSA.
Rick: SORRY.
MY FAULT.
OK, LIKE THIS.
IN AND UP.
THAT DIDN'T HURT.
SO YOU CAN DO I QUITE HARD, ALL RIGHT?
YOU GROPE ME,
YOU'RE HISTORY.
Raffy: ANY QUESTIONS?
Man: NOPE.
THEN WE'LL GO
FOR A TAKE.
JULES, DO YOU WAN TO DO FINAL CHECKS?
YOU RIGHT WITH THAT,
RICK? YEAH? DAMIEN?
[CAR HORN HONKING]
OK, WHEN YOU'RE
READY, JULES.
THANKS.
YEAH, YEAH,
YEAH. RIGHT.
AND...ROLL SOUND.
[CLICK]
SPEED.
MARK IT.
11, TAKE ONE.
[HORN HONKING]
WHO THE HELL
IS THAT?
I'LL TAKE CARE OF IT.
THANK YOU.
[HONK HONK]
Martha: THE POLICE HAVE
BEEN TO SEE ME.
YOU MUST STOP.
YOU MUST STOP AT ONCE.
WHAT'S WRONG?
WHAT'S HAPPENED?
THE EVIL IS BACK.
OH, I KNEW
THIS WOULD HAPPEN.
Raffy: OK,
STAND BY TO SHOOT.
OK.
ROLL SOUND.
SPEED.
Rick: MARK IT.
Julie: 11, TAKE ONE.
AND ACTION.
OW! CUT! CAN WE CUT?
CUT IT!
WHAT'S THE PROBLEM?
I HAVE THIS LASH
THAT'S COME LOOSE.
YOU'RE GOING TO SEE I IN THE CLOSE UP.
AND THAT'S TOO HARD,
ALL RIGHT.
CAN YOU BACK OFF?
JULIE, WOULD YOU
LIKE TO FIX
VANESSA'S FALSE
EYELASH FOR HER?
YEAH,
YEAH, SURE.
AS QUICK AS POSSIBLE,
THANKS,
AND WE'LL GO
FOR ANOTHER ONE.
WHERE IS THE ORIGINAL
PRINT OF THE FILM?
I DON'T KNOW.
IT'S UPSTAIRS,
I THINK. WHY?
MR. LOSSMAN, THERE IS
A FORCE AT WORK HERE.
IT IS NOT HUMAN,
AND IT IS
UNSPEAKABLY EVIL.
YOU MUST DESTROY
THAT FILM AT ONCE,
OR YOU WILL ALL DIE.
OK, ROLL SOUND.
UH, SPEED.
MARK IT.
11, TAKE 2.
AND ACTION.
CUT IT! CUT IT!
RUN! GET AWAY FROM HIM!
BOBBY, WHAT THE HELL
ARE YOU DOING?
THAT'S NOT BOBBY!
AAH!
COME ON, QUICK!
RUN!
Lossman:
WHERE'S DAMIEN?
AAAAH!
WHERE'S THE OLD LADY?
SHE'S THERE!
Rick: JUST LEAVE HER!
COME ON, LET'S GO!
SHE'S GOT THE KEYS,
YOU IDIOT!
WAIT HERE.
VANESSA, WHERE
ARE YOU GOING?
GET IN THE CAR!
I'VE KILLED HIM ONCE,
I CAN KILL HIM AGAIN!
Raffy: AAAH! DAMIEN!
YOU KNOW, JULES,
I'VE NEVER SAID THIS
BEFORE, BUT...
I'VE ALWAYS FOUND YOU
VERY ATTRACTIVE.
OH, FUCK OFF!
OK.
DID YOU SEE
WHERE HE WENT?
[STAIR CREAKS]
[WOMAN SCREAMS]
[ANIMAL YELPS]
WE NEED WEAPONS.
DAMN IT!
I KNEW I SHOULD HAVE
BROUGHT MY HANDGUN.
[RADIO PLAYING]
AAH!
WHAT? WHAT?
HE WAS JUST HERE!
WHERE?
JUST HERE!
WHAT DO YOU MEAN?
AAAH! AAH!
AAAH!
OH, THE DOORS!
[POUNDING DOOR]
[PANTING]
[POUNDING STOPS]
[METAL SCRAPING]
OH!
WHAT'S HE DOING?
IT'S PETROL.
OH, MY GOD, HE'S GOING
TO BURN US ALIVE.
Rick: AAH! AAH!
SHOULD WE RUN FOR IT?
RICK, WHAT DO YOU THINK?
SHOULD WE RUN FOR IT?
AAH!
GET HELP, JULES!
I CAN'T MOVE!
I CAN'T DO IT, RICK!
I'M NOT GOING.
HELP ME.
NO! AAH!
AAH!
NO! NO!
AAAH! AAH!
NO! NO! NO!
NO!
HEY! HEY!
NO!
LET'S GE THE SON OF A BITCH.
AAAH!
AAAH!
RAFFY, I'M SORRY.
DON'T GO IN THERE.
[GASPS]
Raffy: MR. DRIVETT.
[GROANS]
SHE FOUND THE BODY.
I THINK SHE'S HAD A STROKE.
I'VE BEEN TRYING
TO REVIVE HER.
SHE'S STILL ALIVE?
[DOG YELPS]
[GASP]
Vanessa:
NOT ANYMORE.
COME ON, LET'S GO.
WHAT ARE YOU DOING?
Raffy: WHY THE FILM?
THIS SOUNDS
REALLY WEIRD,
BUT IT SORT OF
MAKES SENSE.
MARTHA BELIEVED THA WE CREATED THE KILLER.
HOW?
HE'S THE CHARACTER
IN THE FILM.
THE ONLY WAY
TO DESTROY HIM
IS TO DESTROY
THE FILM.
HE'S NO EVEN HUMAN?
I DON'T THINK SO.
HE'S THE SUM TOTAL
OF ALL THE CREATIVE ENERGY
THAT'S GONE
INTO THE FILM.
BELIEVE ME, THERE WAS
NO CREATIVE ENERGY
THAT WENT INTO
THAT PIECE OF SHIT.
I'VE GOT THE KEYS.
COME ON.
UH!
AH!
AAH!
AAH!
YOU ALL RIGHT?
YEAH.
LET'S BURN
THESE BASTARDS.
MR. LOSSMAN, BEHIND YOU!
AAH!
AAH!
AAH!
AAH!
Vanessa: OH, MY GOD.
HEY, UGLY!
IT'S ME YOU WANT,
ISN'T IT?
I'M THE ONE
THAT KILLED YOU.
[LOSSMAN GURGLING]
LOOK AT YOU!
YOU'RE DISGUSTING.
YOU MAKE ME WAN TO VOMIT.
COME ON,
MR. MOVIE STAR,
YOU WAN TO KILL ME? HUH?
COME ON.
LET'S GO!
WELL, THIS MUST BE
THE PLACE.
[POUNDING]
YOU STAY AWAY FROM ME.
Carter: AH, SHIT.
IS THAT THE GIRL?
IT SURE IS.
BK 35 TO CENTRAL.
COME IN, CENTRAL.
[HOWLING]
[SCREAMING]
HEY, GIRLIE!
GET AWAY FROM THERE!
HEY!
LEAVE ME ALONE!
HEY, HEY, HEY,
HEY, HEY!
NO, DON'T, PLEASE!
[SCREAMING AND HOWLING]
...HELP ME
TO DESTROY THE FILM!
YOU TAKE CARE OF HER,
I'LL GO CHECK INSIDE.
IT'S OK.
CALM DOWN.
[GROANING]
NO, YOU DON'T UNDERSTAND.
IT'S EVIL!
IT'S OK.
NO!
AAAH!
[SCREAMING]
HOLD IT RIGHT THERE!
[WHEEZING]
I SAID, "HOLD I RIGHT THERE!"
I SAID...
AAAAH!
BLOODY. ..
HUH!
DON'T MOVE.
I'VE DONE NOTHING
WRONG, OFFICER.
I'M JUST A SIMPLE
SHOPKEEPER FROM CROMPTON
HERE ON HOLIDAYS
WITH MY FAMILY.
GET IN THE CAR!
EVERYTHING'S ALL RIGHT!
PUT DOWN THE KNIFE.
IT'S NOT A KNIFE.
IT'S ONLY A PAIR
OF GARDEN SHEARS
SIMPLY MODIFIED SO I CAN
DO INTERESTING THINGS LIKE...
CUT OFF HEADS.
JUST DROP IT!
[LAUGHING MANIACALLY]
SHIT.
THE MAGIC OF MOVIES.
[CLICK]
[CLICK CLICK]
DON'T MOVE.
PLEASE!
STAY CALM.
PLEASE!
STAY CALM.
I'LL BE BACK SOON.
[DOOR CREAKS]
AAH!
RRRARGH!
AAH! AAH!
AAH! UH-AAH!
AAH-HA!
NO! AAAH!
DON'T YOU
JUST HATE THAT?
I DON'T KNOW
WHO YOU ARE,
BUT YOU BETTER LE GO OF ME RIGHT NOW!
OR ELSE WHAT?
YOU'LL LOCK ME UP?
AAH!
I'M SOMETHING
SPECIAL, HUH?
LET ME OUT.
SCOOT.
AAAH!
AAAH!
UGH.
UGH...
[GRUNTS]
[FOOTSTEPS APPROACHING]
NOW, WHERE WERE WE?
AAAH!
[THUD]
NO!
UH! NO! NO!
[GRUNTS]
DU-AAAH!
[GRUNTS]
[SCREAMS]
NO! NO!
AAAH!
NO! STOP! NO! AAH!
NO! NO!
RRRARGH!
AAH! AAH!
PLEASE DON'T!
NO!
YEAH.
NO!
[GRUNTS]
[SCREAMS]
DIE, YOU BASTARD.
[HOWLS]
DIE!
GRRR!
[SCREAMS]
AAAH!
UH!
AAH!
[GROANING]
AAH! AAH!
GRRRGH!
COME ON,
WHAT'S WRONG?
YOU A BIT TIRED?
COME ON!
[MOANING]
NOT FEELING SO GOOD,
EH? COME ON!
YOU'RE FINISHED,
YOU B-GRADE
PIECE OF SHIT!
[RAFFY TAUNTS SCARMAN]
AAH!
[SCREAMS]
[SCREAMS]
[GROANING]
HEY.
HEY.
[CRYING]
IT'S DOWN HERE.
COR, DID YOU SEE THAT?
RIGHT OVER THERE.
HEY, VANESSA,
HOW ARE YOU?
HI, VANESSA.
HI. HI.
YOU'RE LOOKING
MUCH BETTER.
OH, THANKS.
OW! AHH!
OOH, SORRY. SORRY.
SO, ARE YOU SURE HE'S DEAD?
Lossman:
HE ONLY EXISTED
WITHIN THE CONTEX OF THE FILM.
WHEN THAT WAS
DESTROYED,
SO WAS HE.
THANK GOD.
MAYBE NOW I CAN
SLEEP AT NIGHT.
Woman: WE ARE
SO LUCKY TODAY.
WE'RE LUCKY
BECAUSE WE'RE HERE
TO SEE THE MOS EXCITING SCREENING
OF A VERY RARE FILM.
YOU MAY HAVE READ ABOUT I IN THE NEWSPAPERS,
BECAUSE THERE WAS
THIS SO-CALLED CURSE
ON THE FILM,
AND THAT WAS THA EVERY TIME ANYBODY TRIED
TO COMPLETE THE FILM,
SOMEONE DIED.
IN ANY CASE,
THIS PRINT IS
THE ONLY PRIN IN EXISTENCE,
AND WE ARE REALLY LUCKY
TO BE ABLE TO SEE IT TODAY.
ALL RIGHT,
NOTHING MORE TO SAY.
HERE WE GO.
LET'S ROLL IT.
[PROJECTOR HUMS]
CAPTIONING MADE POSSIBLE BY
TRIMARK PICTURES
CAPTIONED BY THE NATIONAL
AHHHHH, YO
AHHHHH, YO
I SENSE INSIDE
THE NEED TO RES YOU'RE SCRAPING CLAWS
OVER MY CHES A BAD DESIRE
SOME...
I PRAY AT NIGH FORGIVE MY SIN
NO WONDER
I CAN'T SLEEP AT NIGHT
NO WONDER
I CAN'T SLEEP AT NIGHT
NO WONDER
I CAN'T SLEEP AT NIGHT
NO WONDER
I CAN'T SLEEP AT NIGHT
IN MY HEAD
I'M HEADING DOWN
TOWARD THE DARK
BENEATH THE GROUND
I FEEL THE PRESENCE
OF THE DEAD
THAT COME TO LIFE
INSIDE MY HEAD
NO WONDER
I CAN'T SLEEP AT NIGHT
[NEW SONG BEGINS]
STOP THE ROCK
[MECHANICAL VOICE]
STOP THE ROCK
STOP THE ROCK
STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK
STOP THE ROCK
STOP THE ROCK
STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP
SHAKE THAT PARANOIA
CAN'T STOP THE ROCK
SHAKE THAT PARANOIA
CAN'T STOP THE ROCK
SHAKE THAT PARANOIA
CAN'T STOP THE ROCK
SHAKE THAT PARANOIA
CAN'T STOP THE ROCK,
YOU CAN'T
SHAKE THAT PARANOIA
COME MOVE ME, MOVE ME
DANCING LIKE MADONNA
INTO THE GROOVY
SHAKE THAT PARANOIA,
COME MOVE ME, MOVE ME
DANCING LIKE MADONNA
INTO THE GROOVY
STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP
LET'S GET DOWN
AND DIRTY, BABE
COME ON, GET DOWN
AND DIRTY, BABE
COME ON, GET DOWN
AND DIRTY, BABY
COME ON, GET DOWN
AND DIRTY, BABE
DOWN AND DIRTY, BABY
DOWN AND DIRTY, BABY
DOWN AND DIRTY, BABY
DOWN AND DIRTY, BABY
SHAPE THE ROCK
LIKE HENRY MOORE
APHRODITE AT THE WATER HOLE
SHAPE THE ROCK
LIKE HENRY MOORE
APHRODITE AT THE WATER HOLE,
COME ON
CAN'T STOP
YOU CAN'T STOP
YOU CAN'T STOP
CAN'T STOP THE ROCK,
YOU CAN'T STOP THE ROCK
CAN'T STOP THE ROCK,
YOU CAN'T STOP THE ROCK
CAN'T STOP THE ROCK,
YOU CAN'T STOP THE ROCK
CAN'T STOP THE ROCK,
YOU CAN'T STOP THE ROCK
CAN'T STOP THE ROCK,
YOU CAN'T STOP
[OWL HOOTING]
KIDS, I'VE PUT YOUR
DINNER ON THE STOVE.
Boy: OK, MOM.
DON'T FORGE TO LOCK UP, CHLOE.
Chloe: I WON'T. BYE, MOM.
Man on radio:
THIS IS 2SW,
ROCKING YOU
THROUGH THE EIGHTIES,
WITH SPLIT ENZ--
I GOT YOU.
[I GOT YOUPLAYING]
FREDDIE...
YOU GETTING TIRED?
JUST DON'T GET ANY
FLEAS ON THE BED, OK?
Radio:
SOMETIMES WE SHOU BUT THAT'S NO PROBLEM
I DON'T KNOW WHY
SOMETIMES I GET FRIGHTENED
YOU CAN SEE MY EYES
YOU CAN TELL
THAT I'M NOT LYIN'
LOOK AT YOU
MOM, ARE YOU THERE?
[HISSING]
[WIND BLOWING]
TELL ME, FREDDIE...
WHY DO LITTLE BROTHERS
LIKE TO FREAK OU THEIR SISTERS?
YOU ASLEEP ALREADY?
WELL, YOU'RE JUS GOING TO HAVE TO MOVE,
'CAUSE I NEED MY PILLOW.
AAH! AAH!
[RINGING]
HELLO?
Man on telephone:
NOW YOU DIE.
[GASPING]
[POUNDING ON DOOR]
HELP!
HELP!
SOMEONE HELP ME!
[POUNDING ON DOOR
CONTINUES]
[GLASS SHATTERS]
[CHLOE SCREAMS]
STAY AWAY.
I MEAN IT.
STAY AWAY FROM ME!
I'LL CALL
THE POLICE!
I MEAN IT.
YOU TOUCH ME,
AND YOU'RE GONE!
[BLADES SCRAPING]
STAY AWAY FROM ME!
Woman: CUT!
CUT!
CUT. CUT IT.
CUT IT.
YOU IDIOT!
I TOLD YOU NOT TO GO FOR
THE THROAT STRAIGHTAWAY.
YOU'VE GOT TO RIP
HER BLOUSE OFF FIRST,
LIKE IN REHEARSALS,
REMEMBER?
I FORGOT.
HEY, EVERYONE,
ROBERT DE NIRO HERE
FORGOT...
ONCE AGAIN.
OK, WE'RE GOING
TO CALL IT A NIGHT.
AND YOU CAN THANK
OUR GENIUS THESPIAN HERE
FOR YOUR 3 HOURS'
OVERTIME.
FUCKIN' LOSER.
WHAT'S HER PROBLEM?
YOU, YOU DUMB DICKHEAD!
TOUCH MY TITS ONE MORE TIME,
I'LL KICK YOUR BALLS IN,
UNDERSTAND?
LOSSMAN!
LOSSMAN,
WHERE'S MY COKE?
I WANT MY COKE
IN MY HAND, WITH ICE,
THE SECOND
SHE CALLS WRAP, OK?
[TAPPING]
YEAH?
IT'S YOU.
WHAT DO YOU WANT?
YOU...MADE ME LOOK
STUPID TONIGH IN FRONT OF
ALL MY FRIENDS.
NO, I DIDN'T,
SWEETHEART.
YOU DID THA ALL BY YOURSELF.
AND I'LL LET YOU IN
ON A LITTLE SECRET.
YOU DON'T HAVE
ANY FRIENDS.
THE FACT IS,
YOU'RE REPLACEABLE
IN THAT MASK.
I COULD PUT A MONKEY
IN THAT SUIT,
AND HE'D DO
A BETTER JOB.
ANYWAY,
I'VE HAD ENOUGH.
I'M GOING TO SPEAK
WITH JIM,
AND HE CAN
SORT IT OUT.
WHAT DO YOU MEAN?
I MEAN, MY PRODUCER WILL
SPEAK WITH YOUR AGEN ABOUT DISCONTINUING
YOUR SERVICES.
DO YOU UNDERSTAND
THAT?
OH...
NICE TOUCH.
FOR THE FIRST TIME,
YOU ACTUALLY
FRIGHTENED ME.
LOOK, EVERYONE'S
GOT THEIR LEVEL,
AND MINE IS MAKING
INTELLIGEN FAMILY DRAMA,
AND YOURS IS DOING
CHEESY CLOWN ACTS
IN SHOPPING MALLS.
I'M SORRY,
BUT YOU JUST CAN' CUT IT IN FEATURES.
HILARY, LOOK.
[BLADES SCRAPING]
GET OUT OF HERE.
TAKE ONE STEP CLOSER,
AND I'LL SCREAM.
IT'S HARD TO SCREAM...
WITHOUT A TONGUE.
[HILARY SCREAMING]
JUST PUT THOSE IN THE CAR.
I GOT TO GO TALK TO MEIN FUHRER.
[HIGH-PITCHED WAILING]
[KNOCKING ON DOOR]
HILARY, IT'S VANESSA.
OH, MY GOD!
AAH!
WHAT DO YOU WANT?
SEX? DO YOU MEAN YOU WAN TO HAVE SEX WITH ME?
SEX?
YEAH. SURE.
WELL, OK. LET'S GO.
YOU'RE GOING TO HAVE TO TAKE
THAT SILLY MASK OFF.
UNH!
[SCREAMING]
VANESSA?
SO, TO ANSWER YOUR
QUESTION, RAFFY,
THAT'S WHY
I DON'T INCLUDE
THE SLASHER GENRE
IN MY COURSE.
FAIR ENOUGH?
SO, MR. LOSSMAN,
WHAT HAPPENED TO THE FILM?
HOT BLOODED?
IT WAS
NEVER FINISHED.
THERE'S
A CUT WORKPRIN IN THE ARCHIVE,
I BELIEVE.
WOULD IT BE POSSIBLE
TO SEE IT?
FOR WHAT PURPOSE,
RAFFY?
WELL, WE HAVE TO DO
A GRADUATION FILM, RIGHT?
WHAT BETTER PROJEC THAN TO FINISH THAT FILM?
AND IT COULD ALSO MAKE
A SHITLOAD OF MONEY.
ARE THE RIGHTS AVAILABLE?
HESTER,
FULL MARKS FOR
YOUR ENTREPRENEURIAL
SPIRIT,
BUT I DON' THINK SO.
WHY NOT?
BECAUSE THAT MOVIE
WAS A NIGHTMARE,
AND YOU DON'T GO PLAYING
WITH NIGHTMARES.
I'LL SEE YOU ALL
NEXT WEEK.
HEY, HE SHOULD HAVE
KILLED LOSSMAN, EH?
YEAH.
MR. LOSSMAN,
WE WERE SERIOUS
ABOUT THE MOVIE.
AND SO WAS I, RAFFY.
LOOK, YOU TWO HAVE MORE
IMPORTANT THINGS TO SAY.
DON'T WASTE YOUR TIME
DOING TRASH.
BUT IT'S NOT TRASH.
A HORROR FILM CAN BE
JUST AS POLITICAL
AS PRISCILLA
OR THE PIANO.
LOOK,
EVEN IF IT'S NOT,
WHAT'S WRONG WITH
MAKING A SCARY FILM,
GIVING PEOPLE
A BIT OF A FRIGHT?
A FEW YEARS BACK,
A DIRECTOR,
A YOUNG KID
OUT OF VIDEO CLIPS,
DID JUST THAT.
THE PRODUCER HIRED HIM
TO COMPLETE HOT BLOODED.
IT WAS THE FIRST TIME
THE PRIN HAD BEEN SCREENED
SINCE THE MURDER
OF HILARY JACOBS.
WHAT HAPPENED NEX IS TOTALLY BIZARRE.
THE KID WAS BUTCHERED,
BUT THE POLICE NEVER
FOUND THE KILLER.
THE CREEPY THING IS,
THE PROJECTIONIS WAS THE ONLY ONE
WITH ACCESS
TO THE SCREENING ROOM,
AND HE WAS CLEARED.
Raffy: SO WHA YOU'RE SAYING IS,
THERE'S SOME SORT OF
A CURSE ON THIS FILM.
ALL I'M SAYING IS
THAT THIS IS SOMETHING
BEST LEFT ALONE.
THOUGHT IS DEED.
WHAT DO YOU MEAN?
IF YOU READ
EASTERN PHILOSOPHY,
THE ANCIENTS SAY
THAT WHAT YOU THINK,
YOU CREATE.
HOT BLOODEDWAS
A LOATHSOME PIECE
OF SHIT THAT NEVER
SHOULD'VE BEEN MADE
IN THE FIRST PLACE.
SO WHAT'S THE STORY
WITH THE PRODUCER?
HE TRIED
TO FINISH THE FILM
SO THAT HE COULD SAVE
HIS INVESTMENT.
ONE NIGHT, WHILE HE WAS
IN THE EDITING ROOM,
HE WAS ELECTROCUTED.
Raffy: IT WAS AN ACCIDENT.
ACCIDENTS HAPPEN.
LOOK,
I'M NOT SUPERSTITIOUS,
AND I DON'T BELIEVE IN
CURSES OR WHAT HAVE YOU.
LISTEN,
YOU KIDS HAVE A GIFT.
DON'T WASTE
YOUR COMBINED TALENTS
ON THIS UGLY
PIECE OF SHIT.
SO WHAT DO YOU THINK?
I THINK IT'D BE COOL.
LET'S DO IT.
YEAH.
[COMPUTER MODEM BUZZING]
[HEAVY METAL BAND SINGING]
MMM! MMM!
WELL DONE!
I CAN GET THE RIGHTS
FOR NEXT TO NOTHING.
I JUST SPOKE TO
THE PRODUCER'S WIFE--
OR SHOULD I SAY
HIS WIDOW.
AND GET THIS--
SHE SAID SHE'S PREPARED
TO PUT IN SOME MONEY
TO SEE IT FINISHED.
GOOD GIRL!
WHAT'S THE STORY
WITH CASTING?
WELL, THE GIRL
WHO PLAYED THE SISTER,
HER NAME'S
VANESSA TURNBILL,
AND SHE LIVES IN L.A.,
AND SHE'S DONE A COUPLE
OF B-GRADE MOVIES,
AND SHE'S DOING DAYTIME
SOAP AT THE MOMENT,
SO I THINK
WE CAN GET HER.
I CAN MARKET THAT.
UM, HI.
WHAT ABOU ALL THESE PEOPLE
WHO KEEP...
SORT OF...DYING,
TRYING TO MAKE
THIS FILM?
YOU GONNA MARKET THAT,
DO YOU THINK,
MISS PRODUCER, OR...
PROBABLY.
YEAH?
THAT'S PROMISING.
SO...WHO'S IN?
WHO WANTS TO MAKE
A MAINSTREAM SLASHER MOVIE?
BIGGER THAN HALLOWEEN,
CREEPIER THAN
FRIDAY THE 13th,
MORE BLOOD AND GUTS THAN
TEXAS CHAIN SAW MASSACRE!
MORE SEX
THAN DEEP THROAT.
YOU'RE SO BAD.
IT'S TIME WE GRADUATED INTO
POP CULTURE, BOYS AND GIRLS.
SO WHAT SAY YOU?
WHO'S IN?
YES.
YEP.
YES.
[HEAVY METAL BAND
SINGING]
IT'S A LOUSY DEAL,
UNBELIEVABLY LOUSY,
BUT I SEE SOME MERIT.
OH, YEAH?
WHAT KIND OF MERIT?
I DONE SOME CHECKING.
WORD AROUND TOWN IS
THEY'RE THE NEXT BIG THING,
PARTICULARLY
THE DIRECTOR--
THIS KID CALLED RAFFY.
THEY SAY SHE'S
THE NEXT JANE CAMPION.
LISTEN TO ME.
THIS COULD BE
THE NEXT HI AT SUNDANCE,
THIS KIND OF MOVIE.
LOOK WHAT SCREAMDID
FOR COURTENEY COX.
GIVE ME A BREAK.
SHE WAS A MILLIONAIRE ALREADY.
I JUST DON'T KNOW
IF I CAN DO IT, JERRY.
IT'S GOING TO DREDGE UP
ALL KINDS OF OLD SHIT.
BESIDES, THERE'S
A CELEBRITY GOLF TOURNAMEN IN LAS VEGAS NEXT WEEK.
NESSIE, BABY,
I'LL BE ABLE TO WORK THE
BEJESUS OUT OF THIS.
ARE YOU KIDDING ME?
"SLASHER MOVIE GONE
HORRIBLY WRONG,
BURIED FOR YEARS."
"VANESSA TURNBILL
GOES BACK
TO FACE HER DEMONS."
YOU CAN'T BUY
PUBLICITY LIKE THIS.
E!,
ENTERTAINMENT TONIGHT,
ACCESS HOLLYWOOD--
THEY'LL GO CRAZY.
SWEETHEART, I DON' WANT TO BE READING
THE TRADES ONE MORNING,
SEE THIS MOVIE GROSSING
100 MILL,
AND YOU NO A PART OF IT.
DO YOU AND ME A FAVOR.
FLY COACH TO AUSTRALIA.
OOH! HEY!
COACH?!
[MAN ANNOUNCING FLIGHTS
OVER P.A.]
[HORN HONKING]
HI. VANESSA.
I'M RAFFY.
I'M THE DIRECTOR.
AND THIS IS HESTER.
SHE'S THE PRODUCER.
SORRY WE'RE LATE.
WE RAN OUT OF PETROL, AND...
I'LL HELP YOU WITH THESE.
OK, WE GOT A PRESS
CONFERENCE IN AN HOUR.
WOULD YOU LIKE
TO FRESHEN UP?
SO AM I BOOKED
IN A HOTEL,
OR AM I SLEEPING
AT YOUR HOUSE?
[SMASH]
MISS TURNBILL, WHY HAVE YOU
COME BACK TO FINISH THE MOVIE?
WELL, IT'S EXTREMELY
RARE THAT YOU FIND
REALLY GOOD PARTS
FOR WOMEN,
SO WHEN I FIND ONE,
I JUST JUMP AT THE CHANCE.
MISS TURNBILL,
HOLLY JONES
REPORTING LIVE,
CHANNEL 5.
ARE YOU WORRIED
ABOUT THE CURSE?
WHAT CURSE?
EVERY TIME
THERE'S AN ATTEMP TO FINISH THIS FILM,
SOMEONE DIES.
THERE'S A SPECIAL CLAUSE
IN MY CONTRACT.
IF I DIE, I GET PAID EXTRA.
AREN'T YOU
CONCERNED AT ALL
THAT IT WILL BRING BACK
BAD MEMORIES, MISS TURNBILL,
DOING THIS FILM?
ALL OF THAT HAPPENED
A LONG TIME AGO,
AND I'VE PUT ALL THA BEHIND ME.
SO IT'S WONDERFUL
TO BE BACK IN AUSTRALIA.
ANYWAY, I WOULD HAVE KILLED
THESE TWO IF THEY LEFT ME OUT.
I ONLY JUST ARRIVED,
SO IF YOU'LL EXCUSE ME...
VANESSA!
VANESSA!
THANK YOU VERY MUCH.
THAT WILL BE ALL.
I GOT TO GET SOME SLEEP.
CAN YOU TAKE ME
BACK TO THE HOTEL?
YOUR ROOM WON'T BE
READY TILL 2:00.
THEY'RE STILL CLEANING.
YOU WANT A COFFEE?
Hester: HER HUSBAND
MUST HAVE DONE WELL
OUT OF SLASHER FILMS.
I'LL BE FRANK WITH YOU.
THE ONLY REASON
I AM DOING THIS...
BECAUSE I NEED THE MONEY.
MY LATE HUSBAND AND I HAVE
A FIRST DOLLAR
GROSS POSITION,
WHICH MEANS NOTHING
UNLESS THE FILM IS
FINISHED AND ON-SOLD.
HOPEFULLY, THIS WILL BE
MY LITTLE NEST EGG.
SIGN THAT.
WHAT IS IT?
IT'S AN INDEMNITY.
FROM NOW ON,
I'M NOT RESPONSIBLE
FOR ANYTHING THAT HAPPENS.
IT'S ON YOUR HEADS.
IT'S CALLED
BLOOD MONEY, GIRLS.
BLOOD MONEY.
HI, BOBBY.
HI.
ARE YOU DOING
THIS MOVIE?
UH, YEAH.
WELL, PRODUCTION
ON MAD MAX 4
GOT PUSHED BACK
A FEW WEEKS, SO...
I GOT A WINDOW.
COOL.
HEY, LOOK,
LET'S MEET UP LATER
AND GO OVER
THE MAKEUP, YEAH?
YEAH, SURE.
ISN'T THIS WHERE
THAT GUY GOT MURDERED?
YOU KNOW, WATCHING
THIS SAME PRINT?
WHAT GUY?
WELL--
YOU GUYS GOT A SECOND?
YOU KNOW
A COUPLE DAYS AGO,
WE WERE TALKING ABOU THE POSSIBILITY OF...
JESUS CHRIST.
HAS SOMEBODY BEEN
SMOKING IN HERE?
I HEARD SHE ALWAYS
GETS OFF WITH HER COSTAR.
WHAT ABOU WHEN SHE DID
THAT TV REMAKE
OF LASSIE?
HAVEN'T YOU EVER HEARD
OF SECONDHAND SMOKE?
HI. I'M BOBBY DUKE.
I'M YOUR COSTAR.
I'M PLAYING
SCARMAN--
PSYCHO KILLER GUY.
GOOD CASTING.
[LAUGHTER]
RIGHT.
HELLO? HI.
HOT BLOODED.
OOH, DADDY, NO THESE CANS AGAIN.
I THOUGHT THEY'D
BEEN DESTROYED.
YOU
RAFFY CARRUTHERS?
YEAH.
LOVED YOUR SHORT.
BLOODY BRILLIANT.
EXCEPT THA LAST SHOT WAS
STRAIGHT OU OF SHOCK CORRIDOR,
YOU DERIVATIVE
LITTLE THING, YOU.
LISTEN, I'VE WRITTEN
A SCREENPLAY.
YOU WANT TO READ IT?
YOU SEEN THIS?
YEAH,
I SCREENED IT ONCE.
BEST THING THE
DIRECTOR EVER DID.
YEAH. BIT OF A HACK
SHE WAS, THOUGH,
YOU KNOW?
OR SHOULD I SAY SHE
WAS A BIT HACKED,
YOU KNOW?
LAST TIME
I SCREENED THIS,
A KID SA AT THE FRONT.
GOT HIS THROAT SLI BY SOME
PSYCHO CLEANER.
IT'S A FUNNY THING,
YOU KNOW?
YOU'VE SEEN
SO MANY
MURDERS
ON THE SCREEN.
YOU SEE
THE REAL THING,
HEY,
IT'S NO BIG DEAL.
THEN YOU GET THESE
GENDER-SPECIFIC
ASSHOLES
THAT THINK THA SCREEN VIOLENCE
IS GOING
TO TURN US ALL
INTO MASS MURDERERS.
WELL, THAT'S CRAP.
I'VE SEEN HUNDREDS
OF MURDERS.
I'VE SEEN THOUSANDS
OF MURDERS.
NEXT TIME
SOMEBODY GOES
INTO McDONALD'S,
SHOOTS UP 20 PEOPLE
WITH AN UZI,
AND THEY FIND A STEVEN SEAGAL
VIDEO IN HIS BACK POCKET,
YOU KNOW WHA THEY OUGHT TO DO?
THEY OUGHT TO RING
60 MINUTES,
GET THEM TO DO ONE
OF THEIR CHECKBOOK BULLSHI JOURNALISM STORIES ON ME,
BECAUSE I'M
A WALKING ADVERTISEMEN FOR LIBERALIZING
X-RATED EVERYTHING,EH?
YOU KNOW WHAT I MEAN?
ART IS ART, EH?
Hester: OK, EVERYONE,
LET THE HORROR BEGIN.
[RICK LAUGHING EVILLY]
Hester: SHUT UP, RICK.
WHAT?
KIDS, I'VE PUT YOUR
DINNER ON THE STOVE.
OK, MOM.
DON'T FORGE TO LOCK UP, CHLOE.
FREDDIE...
[CAT MEOWS]
YOU GETTING TIRED?
WHAT'S WRONG?
I THOUGH I HEARD SOMETHING.
[HISSING]
[WIND BLOWING]
Chloe: TELL ME, FREDDIE...
WHY DO LITTLE BROTHERS LIKE
TO FREAK OUT THEIR SISTERS?
YOU ASLEEP ALREADY?
WELL, YOU'RE JUS GOING TO HAVE TO MOVE.
[SCREAMING]
[TELEPHONE RINGING]
HELLO?
Man on telephone:
NOW YOU DIE.
[BLADES SCRAPING]
STAY AWAY FROM ME!
Hilary: CUT! CUT!
CUT. CUT IT.
CUT!
THAT WAS HER VOICE.
DID YOU HEAR HER VOICE?
HES.
HES, WAKE UP.
HES...
[SCREAMING]
[MAN GROWLING]
[CRYING]
BOBBY,
THAT'S ENOUGH.
IT'S CRUEL.
[LAUGHTER]
Rick: SUCKED IN!
Bobby: DID I PASS
THE AUDITION?
WITH FLYING COLORS,
SIR.
I DID THE MAKEUP.
NOT BAD FOR A QUICKIE
IN THE DARK, EH, RAFF?
THAT'S YOUR SPECIALITY,
ISN'T IT, JULES--
QUICKIES IN THE DARK?
YOU'RE A RETARD,
PAULIE.
I DIDN'T BUY
INTO IT, RAFF.
YOU'RE ALL A BUNCH
OF FUCKWITS!
Hester: COME ON.
BUS LEAVES
AT 7 A.M. SHARP.
CHECK YOUR GEAR,
PLEASE.
Paulie: I DIDN'T MEAN--
Damien: FUCK OFF,
PAULIE. GROW UP.
IT'S FUNNY.
Bobby: DON'T THINK
I WENT TOO FAR, DO YOU?
HELLO?
HELLO?
1, 2
1, 2, 3, 4
SO OUR STAR ISN' TRAVELING WITH US, THEN?
VANESSA?
YEAH.
NO. WE SPRUNG
FOR A DRIVER.
OF COURSE.
HAS ANYONE
SEEN RAFF?
EVERYONE OFF THE BUS!
HOW ARE WE SUPPOSED
TO MAKE THIS FILM
WITHOUT OUR FAMOUS DIRECTOR?
MAYBE DAMIEN COULD TAKE OVER,
LIKE HE DID IN THE SHORT.
SHUT UP, PAULIE.
THAT'S BULLSHIT,
AND YOU KNOW IT.
HEY, WE WERE ALL THERE, MATE,
AND YOU'RE NOT TALKING
TO THE CINEMA PAPERS
NOW, LOVER BOY.
RAFF, I'M SORRY.
WE'RE ALL SORRY.
IT WAS MEANT TO BE A JOKE.
DID YOU PICK UP
THE PRINT?
YEAH. IT'S IN THE BACK.
Raffy: GUESS WE BROKE
THE CURSE, HUH?
WE SCREENED IT WITHOU ANYONE GETTING KILLED.
YEAH, I GUESS.
COME, MY LITTLE VENUS
WRAPPED IN SHADOWS
YEAH, YOU'RE ONE OF US
I HEAR THE FOOTSTEPS
INSIDE YOUR HEAD
WALKING, TRYING
TO FIND YOURSELF
YOU'VE DONE WELL,
NESSIE.
BUT I KNEW YOU WOULD.
AND I ALWAYS KNEW
YOU'D END UP TEACHING.
[LAUGHS]
HEY, YOU GOT ANY
DIET COKE IN HERE?
[LAUGHS]
OH, YEAH
SO COME, MY LITTLE VENUS
COME, MY LITTLE VENUS
THANK YOU.
NUMBER 6.
THIS IS THE PLACE.
WHAT PLACE?
THE PLACE WHERE CASSIE AND I
ARE FINALLY GOING TO CONSUMMATE
OUR BLOSSOMING RELATIONSHIP.
[LAUGHS]
IN YOUR WET DREAMS,
BUDDY.
SHE'S GOT HER EYE
ON DAMIEN.
YEAH, BUT DAMIEN'S GO A THING FOR RAFFY.
HAND OFF IT, NOW.
RAFFY'S GOT THE HOTS
FOR BOBBY.
NO WAY! BOBBY'S GO A THING FOR JULES.
JULES IS
PORKING JIM.
JULES AND JIM?
ARE YOU SERIOUS?
YES.
I THOUGHT JIM WAS
PORKING HESTER.
HESTER'S A DYKE,
YOU DORK.
PLUS, SHE'S GO THE HOTS FOR RAFFY.
WHAT ABOU RAFFY AND BOBBY?
RAFFY AND BOBBY IS
UNREQUITED SO FAR,
BUT RAFFY HAS SHOWN
AN INTEREST IN...
MOI.
YOU?
YEAH.
WAS SHE SHITFACED?
ONE OF THESE DAYS,
YOU ARE GOING
TO IMPLODE WITH ENVY,
YOU POOR, PATHETIC
LITTLE CREATURE.
HEY, I CAN'T HELP I THAT I'M ENDOWED
LIKE THAT GUY
OUT OF BOOGIE NIGHTS.
WHAT, WITH A FAKE DICK?
THEY'VE
GOT TO BE KIDDING.
IT'S ONLY
FOR A FEW DAYS.
THIS BED'S
GOT BUGS IN IT.
I CAN TELL
JUST BY LOOKING AT IT.
IF I SPEND ONE NIGH IN THIS THING,
I'M GOING TO NEED
A MASSEUSE.
I SWEAR TO GOD.
I DID A COURSE IN REIKI.
REIKI?
NO SHIT?
Rick: SO THIS IS
THE HOUSE OF HORRORS?
Man: WATCH YOUR FEET.
I DON'T WANT MUD EVERYWHERE.
ARE YOU GOING
TO PUT SOMETHING DOWN?
I DON'T WANT A HERD
OF ELEPHANTS
TRAMPING DIR THROUGH HERE, YOU KNOW.
YES, MR. DRIVETT,
WE'LL BE REALLY CAREFUL.
I'LL MAKE SURE
THEY TREAT I LIKE IT WAS
MY OWN HOUSE.
THAT'S NO COMFORT TO ME,
YOUNG LADY.
YOU LOOK LIKE
YOU'D LIVE IN A DUMP.
HEY! HEY! PUT THAT DOWN, SON!
THAT'S BONE CHINA, FROM CHINA!
Rick: REALLY? I THOUGH IT WAS FROM BONE. HA HA.
NOW THE RULES ARE THESE:
NO DRUGS, NO LOUD MUSIC,
NO EATING OR DRINKING
IN THE HOUSE.
I'VE DISCONNECTED THE PHONE,
SO YOU CAN'T MAKE
ANY PERSONAL CALLS.
Raffy: CAN I ASK ONE,
SMALL FAVOR?
WELL, YOU CAN CERTAINLY ASK.
WE HAVE THE ORIGINAL
PRINT OF THE FILM
IN THE BUS OUTSIDE,
AND I WAS WONDERING
IF WE COULD PUT I IN A SAFE PLACE
INSIDE THE HOUSE.
CERTAINLY, YOUNG LADY,
YOU CAN, UH,
KEEP IT UPSTAIRS
IN MY BEDROOM.
IT'LL BE SAFE THERE.
NOW, YOU,
COME WITH ME.
I WANT TO TALK ABOU THE LOCATION FEES.
Rick: I WANT TO CHECK OU THE KITCHEN, TOO.
WE'VE GOT SOME SHOTS
IN THERE. PAULIE!
Cassie: RICK!
YOU IDIOT!
CASSIE,
YOU'VE DEBONED THE CHINA!
YOU'RE A MORON,
RICK.
OH, I HATE YOU!
SOMEHOW,
I DOUBT THAT.
Raffy: RICK, NEXT TIME
YOU DO SOMETHING LIKE THAT,
YOU TWO CAN GO HOME.
PROMISE?YES.
I DIDN'T DO IT.
WHERE THE HELL IS
OUR EXPENSIVE IMPORT?
[PHONE BEEPS]
OH, GREAT! NO SIGNAL.
BAD LUCK, HUH?
THAT MUST HAVE BEEN
WHERE SHE WAS MURDERED.
WHO?
HILARY JACOBS,
THE DIRECTOR.
THEY SAID IT WAS
A SWISS CHALET.
IT ALWAYS SOUNDED
SO WEIRD.
WHO SAID?
CAN'T USE YOUR PHONE, HUH?
HOW WILL YOU COPE?
Raffy: OK, EVERYBODY,
CAN I JUST HAVE
A FEW SECONDS
OF YOUR TIME, PLEASE?
Rick: OK,
EVERYONE, COME ON.
SHHH SHHH!
Raffy: OK, THE BACK STORY
GOES SOMETHING LIKE THIS:
WHEN THEY WERE KIDS,
THEIR PARENTS WENT OU AND LEFT THEM
ON THEIR OWN IN THE HOUSE
AND THE HOUSE
CAUGHT ON FIRE.
NOW, CHARLIE GOT HORRIBLY BURNED
AND SCARRED FOR LIFE,
BUT HIS BEAUTIFUL SISTER
CHLOE GOT OUT UNSCATHED.
NOW, HE HATES HER FOR THA AND HE HATES HIS MUM AND DAD
FOR DOING THIS TO HIM.
HIS DAD IS
THE FIRST TO GO.
HE WENT IN REEL 2.
THEN, AN ASSORTED RANGE
OF VICTIMS
UNTIL WE GET TO REEL 9.
WHICH IS WHERE THE FILM STOPPED
AS HE KILLS HIS SISTER.
NOW, THE SCENES
WE'RE ABOUT TO FILM
ARE WHERE THE MOTHER
GETS KILLED,
WHO WILL BE PLAYED
BY VANESSA,
AND THIS IS THE CLIMAX
OF THE FILM,
SO I DON'T NEED TO TELL YOU
HOW IMPORTANT IT IS.
NOW, DOES ANYBODY HAVE
ANY QUESTIONS?
YEAH, DO THEY SELL ANY TOFU
AROUND HERE?
SCARE YOU?
HURT YOU?
[BOBBY GROANS]
[KIDS SPEAKING
INDISTINCTLY]
Julie: ARE YOU READY, BOBBY?
OK, YOU'VE GO THE FRONT PART OF THAT.
YUP, JUST GET THAT ON.
GREAT.
HOW'S THAT FEEL?
CAN YOU BREATHE? YUP.
LET'S MAKE SURE
THAT'S FINE
THERE IN THE COLLAR.
Bobby: AH, STUPID!
YOU ALL RIGHT,
BOBBY?
HERE, LET'S GET THIS
FIXED UP. OK...
I'LL JUST POP
THE COLLAR
UNDERNEATH
THERE.
THERE YOU GO.
[SHOUTS]
ALL RIGHT!
[SOFTLY]
NOW YOU DIE.
Paulie: ALL RIGHT,
I'LL GO SET UP.
AHHH, THAT'S THE TICKET.
BOBBY, YOU--
LOOK...WHY DON' YOU PRACTICE
YOUR METHOD BULLSHI ON, I DON'T KNOW,
SOMEONE ELSE, MATE.
DICKHEAD!
JUST GO BACK
TO YOUR WINNEBAGO
AND ACT LIKE A TREE!
YOU MUST BE
THE UNSCARIEST VILLAIN
I'VE EVER SEEN!
Rick: BLOODY ACTORS
WITH SO MUCH SPARE TIME
ON THEIR HANDS.
WHAT ARE YOU DOING
WATCHING ME PISS, ANYWAY?
PREFER A POLAROID?
[ENGINE REVVING,
CAR LURCHING]
Raffy: VANESSA,
KEEP YOUR FOOT OFF THE BRAKE.
DON'T ACCELERATE TOO MUCH.
Damien: SLOWER, JIMMY,
SLOWER.
TAKE YOUR TIMING
FROM THE CAR.
Jimmy: YEAH, EXCEP IT CHANGES EVERY TAKE
'CAUSE THE BIMBO
CAN'T DRIVE.
Vanessa: NOBODY TOLD ME
I HAD TO DRIVE A GODDAMN CAR,
AND THE STEERING WHEEL'S
ON THE WRONG SIDE!
IT REALLY AFFECTED YOU,
DIDN'T IT--THE KILLING?
YES, IT DID.
YOU KNOW, HORROR MOVIES
AREN'T THAT BAD, MR. LOSSMAN.
YOU THINK ABOUT IT.
THEY CAN BE CATHARTIC
FOR YOUNG KIDS.
I MEAN, IT'S ALL ABOU LETTING GO OF YOUR FEAR.
HOW DO YOU MEAN?
WELL, YOU GO TO THE MOVIES
AND THERE'S A PSYCHO KILLER
OUT IN THE BUSH
WOOD-CHIPPING PEOPLE.
SUDDENLY, THE THINGS
YOU'RE SCARED OF
DON'T SEEM
SO IMPORTANT ANYMORE.
LIKE THE CRATERS
ON YOUR FACE,
THE SIZE OF YOUR ASS,
OR WILL THAT CUTE GUY
ASK YOU OUT--
THAT SORT OF STUFF.
HORROR MOVIES PUT THA INTO PERSPECTIVE.
WHEN YOU THINK ABOUT I LIKE THAT,
THEY'VE ACTUALLY GOT,
KIND OF, A SOCIAL VALUE.
SHIT!
I'M IN
CHARACTER!
BOBBY!
EXCUSE ME.
Vanessa: CUT IT! CUT IT!
I NEED A STUNT DRIVER!
[PROJECTOR RUNNING]
Man: WHAT HAVE YOU GOT?
TIME OF DEATH,
I PUT ABOUT 28 HOURS AGO,
PLUS OR MINUS.
DECEASED WAS PART-TIME,
SINGLE.
NO ONE NOTICED HIM MISSING.
WEAPON APPEARS TO BE
A SINGLE BLADE
ABOUT 30 Cs,
VERY SHARP.
HE WAS DISEMBOWELED
LIKE IT WAS SOME SOR OF RITUAL SLAYING.
TA.
SO WHO WAS LAS IN THE THEATER?
A GROUP
OF FILM SCHOOL STUDENTS.
MADE A BOOKING,
CAME IN LAST NIGHT.
I NEED A STUNT DRIVER!
VANESSA,
YOU READ THE SCRIPT.
YOU KNEW
YOU HAD TO DRIVE.
EVERY MOVIE I'VE EVER DONE,
I'VE ALWAYS HAD A STUNT DRIVER!
BUT IF YOU TOLD US--
DO YOU THINK
I'M FUCKING SLY STALLONE,
FUCKING JACKIE CHAN?
I DON'T DO MY OWN STUNTS!
WHERE'S LOSSMAN?!
Cassie: PAULIE...
PAULIE, PLEASE, WAIT.
CASS, COME ON.
PAULIE, NO, NOT HERE.
LOOK, I'VE GO TO GET BACK
AND SO DO YOU.
I TOLD RICK I HAD TO
GO BACK TO TOWN,
GET SOME EXTRA BATTERIES.
I TOLD HES
YOU WERE FEELING SICK
AND HAD TO GO BACK
AND HAVE A LIE DOWN.
YOU BASTARD.
[WHISPERING]
So we've got all night.
Cassie: BOBBY!
WHAT, BOBBY?
COME ON!
GET OFF! GET OFF!
PAULIE! PAULIE!
YOU WANT IT. CASSIE?
NO!
WHAT'S WRONG?
[CASSIE SCREAMING]
OH, SHIT!
[CRYING]
WHY?!
BOBBY? BOBBY,
IS THAT YOU?
GET AWAY FROM ME!
GET AWAY FROM ME!
AAAH, GET AWAY FROM ME!
[CRYING]
WHAT DO YOU WANT OF ME?
WHAT DO YOU WANT?
WHAT DO YOU WANT?
CUT IT!
Hester: LET'S CALL IT A NIGHT?
EVERYONE'S TIRED.
WE COULD PICK UP TOMORROW.
YEP.
SO, ARE YOU GOING
TO ASK ME TO RIDE
A GODDAMN HORSE
TOMORROW?
NO. TOMORROW YOU DIE.
[SARCASTICALLY]
OH, I CAN HARDLY WAIT.
Julie: VANESSA, CAN I JUST GRAB
A COUPLE POLAROIDS OF YOU?
FUCK OFF!OH...
WE'RE MISSING 3.
CASSIE
WENT BACK SICK?
SO DID MY ASSHOLE
OF A BOOMIE.
FUNNY ABOUT THAT.
YEAH.
WHERE'S BOBBY?
WHERE HAVE YOU BEEN
ALL NIGHT?
JUST DOING THE METHOD.
Rick: YEAH, MEANING
SCARING THE SHIT OUT OF PEOPLE.
I'M STILL WET,
BY THE WAY.
WHAT?
OH, YOU FAKE SINCERITY
SO WELL.
IT'S THE SECRE OF GOOD ACTING, MATE.
YEAH!
DUH!
HAPPY WITH WHAT YOU GOT?
YEAH, IT WAS ALL RIGHT.
DAMIEN'S GREAT.
HOW IS OUR STAR?
WELL, SHE CAN PLAY
HYSTERICAL REALLY WELL.
DO YOU WANT TO HAVE
A DRINK TONIGHT,
BEFORE BED?
THANKS, HES,
BUT I'M PRETTY TIRED.
YEAH, I UNDERSTAND.
[MUSIC BEGINS]
AND YOU'RE RUNNING FAR AWAY
HMM HMM HMM HMM
[INDISTINCT SINGING]
LOOKIN' FOR A GOOD TIME
KEEP A LIGHT ON
FOR THE LAST ROUNDS
THAT WILL KEEP AWAY
[MUSIC FADES OUT]
SHIT!
[RAFFY TURNS WATER OFF]
HELLO?
IS SOMEONE THERE?
AAAH!
WHAT ARE YOU
DOING HERE?
SORRY,
I THOUGHT YOU MIGH WANT SOME COMPANY.
YOU STILL GE NIGHTMARES?
UH-HUH, AND YOU?
OH, YEAH.
MY THERAPY BILL
AT THE END
OF EACH MONTH IS HUGE.
SOMETIMES, I WAKE UP
IN THE MIDDLE
OF THE NIGHT SCREAMING.
I USED TO TAKE UPPERS
FOR YEARS
TO KEEP
FROM GOING TO SLEEP.
I STILL CAN'T WALK
INTO A BUILDING
LATE AT NIGHT WITHOU GETTING THE SHAKES.
HOW ABOUT YOU?
SAME.
I REMEMBER YOUR FACE,
LOOKING AT ME.
I'LL NEVER FORGET THAT.
FLYING IN COACH
FOR 14 HOURS
MAKES YOU THINK.
WHY DID I DO THIS?
WHY DID I COME BACK?
I DON'T KNOW.
I GUESS I JUST NEEDED
TO FACE IT,
ONCE AND FOR ALL.
I'M SCARED.
SCARED OF WHAT?
THOSE SCENES TOMORROW.
DON'T WORRY.
YOU'LL BE FINE.
I'LL BE THERE.
YOU KNOW, I DON' GET IT, RAFF.
THIS FILM--
YOU COULD HAVE DONE
WHATEVER YOU WANTED,
LOSSMAN THINKS
YOU'RE GOD.
YEAH, BUT I WANTED
TO DO THIS FILM.
HMPH. WHY?
YOU THINK IT'S
GOING TO SET YOU UP
AS A COMMERCIAL
DIRECTOR?
IS THAT IT?
NO, IT'S NOT.
IT'S A LITTLE MORE
PERSONAL THAN THAT.
HA! WHAT'S PERSONAL
ABOUT A HORROR MOVIE?
I'VE JUST GOT TO
FINISH THIS FILM.
HESTER RYAN?
YES.
WHO ARE YOU?
I'M SENIOR DETECTIVE
IAN HOLLANDER
FROM SPECIAL
CRIME SQUAD,
AND THIS IS
DETECTIVE CARTER.
CAN WE HAVE
A WORD, PLEASE?
SURE.
SO DID YOU NOTICE
ANYTHING UNUSUAL
AT THE THEATER?
Hollander: YOU NOTICE
ANYONE STRANGE
HANGING AROUND
THE SET AT ALL?
NO.
ANYTHING UNUSUAL
THAT YOU CAN THINK OF?
Hester: NOTHING.
NO ONE. NOTHING
OUT OF THE ORDINARY.
I SUPPOSE YOU'VE HEARD
ABOUT THIS CURSE.
MISS, WE KNOW
THAT 7 YEARS AGO
ONE ANGELO--
ZABRIKI.
ZABRIKI...
WAS KILLED
IN THAT SAME THEATER
WATCHING
THE SAME FILM,
AND WE'RE INVESTIGATING
THE POSSIBILITY
THAT THERE'S
A CONNECTION
BETWEEN THE TWO.
BUT AT THE MOMENT,
WE'RE INVESTIGATING
AS IF THEY'RE
SEPARATE INCIDENTS.
YOU SEE,
WE DON'T THINK
THE PROJECTIONIS WAS KILLED BY A CURSE,
MISS CARRUTHERS.
WE BELIEVE HE WAS
KILLED BY ONE OR MORE
VERY SICK INDIVIDUALS
WHO ARE QUITE CAPABLE
OF BEING APPREHENDED
BY POLICE OFFICERS
SUCH AS OURSELVES.
DO YOU HAVE
ANY IDEA
WHY SOMEONE WOULD
WANT TO STOP
THIS FILM
BEING MADE?
BEATS ME.
WELL, IF YOU CAN
THINK OF ANYTHING,
GIVE US A CALL.
AND IF YOU COULD
GIVE US THE DETAILS
OF WHERE YOU'RE FILMING,
THAT WOULD BE OF HELP.
SURE.
[KNOCK AT DOOR]
YEAH?
CAN I COME IN?
SURE.
YOU OK?
I DON'T KNOW.
I DON'T KNOW
WHAT'S HAPPENING.
LOOK, SOMEONE GO MURDERED,
AND IT'S AWFUL
AND TRAGIC,
BUT IT HAS NOTHING
TO DO WITH US
OR WHAT WE'RE
DOING HERE.
YOU BELIEVE THAT?
I DON'T KNOW
WHAT TO BELIEVE.
WHAT I'M WORRIED ABOU NOW IS THE OTHERS.
I DON'T THINK
WE SHOULD TELL ANYONE.
I DON'T WAN RICK GETTING SPOOKED,
PULLING A NUMBER,
STOPPING THE SHOOT.
WHAT DO YOU THINK?
I THINK PAULIE AND CASSIE
DIDN'T COME HOME LAST NIGHT,
BECAUSE RICK CHECKED
THEIR BEDS,
AND THEY HAVEN' BEEN SLEPT IN.
WHAT? YOU THINK
THERE'S A CONNECTION?
I DON'T KNOW, BUT IT'S
A LITTLE BIT CREEPY.
YOU KNOW THOSE TWO.
THEY PROBABLY GO SHIT-FACED,
BONKED ALL NIGHT,
AND FELL ASLEEP
IN ONE OF THE OLD SHEDS.
RAFF, THIS ISN'T LIFE
IMITATING ART.
THE PROJECTIONIS GOT MURDERED.
FACT IS,
HE WAS A WACKO.
I DON'T BELIEVE THERE'S
SOME CRACKED KILLER
OUT THERE STALKING US
LIKE WE'RE IN THE PLO FROM BRIDE OF CHUCKY 7
OR WHATEVER.
LIFE DOESN'T WORK
LIKE THAT.
IF CASS AND PAULIE DON' TURN UP BY CREW CALL,
I'LL CALL THE COPS, OK?
OK.
YOU ARE BRILLIANT...
AND YOU'RE GOING TO
MAKE A BRILLIANT MOVIE.
WE JUST GOT TO KEEP I ALL ON THE RAILS.
[ROCK MUSIC PLAYING]
NO WONDER I CAN' SLEEP AT NIGHT
NO WONDER I CAN' SLEEP AT NIGHT
NO WONDER I CAN' SLEEP AT NIGHT
NO WONDER I CAN' SLEEP AT NIGHT
[INDISTINCT TALKING
AND LAUGHING]
MR. DRIVETT.
WE'RE BACK.
[ANIMAL YELPING]
MR. DRIVETT,
IS IT ALL RIGH IF WE SET UP
IN THE LIVING ROOM?
HEY, HES, HAVE YOU
GOT A MINUTE?
OH, WHAT'S WRONG?
SO THIS IS THE ONLY
ONE WE'VE GOT, YEAH?
JULES, CAN YOU TELL HESTER
WHAT THE PROBLEM IS, PLEASE?
CASSIE PUT ALL OF SCARMAN'S
WARDROBE HERE, YEAH,
ALL THE DOUBLES,
INCLUDING THE MASKS,
BUT THEY'RE GONE.
YOU KNOW WHA HAPPENED TO THEM?
WHAT, DO YOU THINK
I NICKED THEM?
I'LL ASK AROUND.
THANKS.
THERE ARE NO DOUBLES
OF YOUR WARDROBE,
SO DON'T MAKE A MESS
TONIGHT, ALL RIGHT?
KILLING'S A MESSY BUSINESS.
[SIGHS]
OK, BOBBY.
WE NEED TO PUNCH IN
A FEW MORE LIGHTS
THROUGH THOSE WINDOWS.
ANY MORE, WE'RE GOING TO
MELT THE CIRCUITS.
THE WIRING IN THIS PLACE
IS ANCIENT.
ANY CHANCE OF SCORING
A GENERATOR?
CAN'T PHONE OU FROM HERE, CAN WE?
NO.
OK.
I'LL TAKE THE BUS,
SEE IF WE CAN'T FIND
A FRIENDLY FARMER.
[CHUCKLES]
THANKS, MATE.
I'M HEADING OFF, MAN.
YOU BETTER HOP OUT.
BOBBY, DON'T GIVE ME THIS
CHARACTER MOTIVATION BULLSHIT.
GET YOUR ASS OFF THIS BUS.
I'VE GOT TO GET MOVING.
HEY.
HEY, SOME OF US
HAVE GOT WORK TO DO.
HA HA HA HA.
HA HA! BOBBY, MAN...
YOU'RE A LOSER.
GET OUT OF HERE.
OH, MY GOD.
[CHOKING AND GURGLING]
OK, WHEN YOU COME
INTO THE LIVING ROOM,
YOU'RE NOT GOING TO
SEE SCARMAN
STANDING BEHIND THE COLUMN
WITH HIS SHEARS UP.
WHERE'S BOBBY?
I DRESSED HIM
ABOUT AN HOUR AGO.
WAS HE ANY GOOD?
CRETIN.
[HEAVY BREATHING]
UM, LOOK,
WHAT WE'LL DO IS
WE'LL DOLLY INTO
A TWO-SHOT,
THEN WE JUST PUSH IN
TO A CLOSEUP
OF VANESSA.
CLOSEUP?
BOBBY,
GOT YOUR SHEARS?
ALL RIGHT, DO YOU
WANT TO MOVE OVER
NEXT TO
THE WALL HERE,
AND IF YOU CAN
HIDE BEHIND HERE
AND WAI FOR HER TO COME.
WE'LL DO A LINEUP
ON THAT SHO IF YOU WAN TO GO BACK
TO FIRST POSITIONS,
THANKS, VANESSA.
GOING FOR
A REHEARSAL.
OK, AND ACTION.
OW!
HEY! GET OFF!
WHAT ARE YOU DOING?
THIS IS A REHEARSAL, MAN,
NOT A TAKE!
IF WE'RE MOVING
THAT FAST,
I'M GOING TO NEED
SOME LUBRICAN FOR THE TRACK.
YOU'D HAVE SOME OF THA LEFT OVER FROM LAST NIGHT,
WOULDN'T YOU,
SWEET CHEEKS?
HEY, COME ON, GUYS!
HEY, BREAK IT UP!
ONE MORE LINE LIKE THAT,
AND YOU CAN REALLY GO HOME.
SOUNDS LOVELY.
UM, SHOULD WE JUS SET UP FOR A TAKE?
DO YOU WANT TO DO
SOMETHING ABOUT THE MASK?
IT DOESN'T LOOK RIGHT.
NOW, HOW TIGH IS THIS CLOSEUP?
ARE WE TALKING
CROW'S FEET?
[CELLULAR PHONE BEEPS]
HELLO, POLICE?
DAMN IT!
AAAAAH!
AAAAAAH!
EW! AAH!
AAH! AAH! UGH!
[GROWLS]
UH! AAH! UH!
[PANTING]
[GASPS]
[HESTER WHIMPERS]
NO!
OH!
AAAH!
NO!
NO! UH!
UH! KEEP AWAY FROM ME!
AAH! UH!
N--
NO.
NO! NO! NO-AAAH!
NOOOOAAAAH!
[THUMP]
IS JIM BACK YET?
I ASKED HIM TO GO
GET A GENERATOR.
MAYBE HE'S
FOUND A PLACE
THAT SELLS TOFU.
HOW THE HELL AM I
SUPPOSED TO MAKE A FILM
WHEN MY ENTIRE CREW
GO WALKABOUT?
YOU GUYS KEEP AT IT,
AND I'LL GO FIND HIM.
JIM?
AAAH!
SORRY. I DIDN'T MEAN
TO FRIGHTEN YOU.
NO, THAT'S ALL RIGHT.
I'M JUST A BIT ON EDGE
TONIGHT, THAT'S ALL.
I WANTED TO
ASK YOU SOMETHING
AWAY FROM EVERYONE ELSE.
YEAH?
WHY THIS MOVIE?
I TOLD YOU ALREADY.
IT WOULDN'T HAVE
SOMETHING TO DO
WITH YOUR MOTHER,
WOULD IT?
MY MOTHER?
HILARY JACOBS?
SHE WAS YOUR MOTHER, RIGHT?
YEAH, YEAH, SHE WAS.
SO, THAT'S WHY YOU WAN TO FINISH THE FILM.
EVERYBODY THOUGHT THA SHE WAS A HACK DIRECTOR,
BUT SHE WASN'T,
MR. LOSSMAN,
SHE WAS SO MUCH
MORE THAN THAT.
YOU CAN TELL BY LOOKING
AT THIS FILM.
SHE WAS NOT A HACK,
BELIEVE ME.
SHE HAD TO BE SMARTER
AND TOUGHER THAN ALL OF THEM.
AND SHE WAS.
MY GOD.
THEY'VE BEEN SLASHED.
WHO WOULD DO
SOMETHING LIKE THIS?
KIDS, MAYBE. LOCALS.
I DON'T KNOW.
MY CAR, TOO.
YOU DON'T THINK THAT--
THAT THIS COULD BE...
WHAT?
NAH, DON'T WORRY
ABOUT IT.
BY THE WAY,
HAVE YOU SEEN HES?
[BREATHING HEAVILY]
[EXHALES LOUDLY]
JESUS CHRIST!
RICK.
YOU HAD ME GOING THERE
FOR A SEC, MAN.
YOU'RE GOING TO PUT ME
OUT OF A JOB, BRO.
HA HA.
I'VE GOT ONE
OF THOSE, TOO.
FACE-OFF...
WES CRAVEN STYLE.
UH! U-UH!
AAH!
[CHOKING]
[GASPS]
I'LL SHOW YOU
HOW TO SHIMMY.
THAT'S GREAT.
OK, LET'S GO
FOR A TAKE.
CAN I GE THE CAST IN?
YEAH, SURE.
TA.
OK, BOBBY, TIME TO
DO SOME KILLING.
COME ON.
OK, BOBBY,
THESE ARE THE SHEARS
YOU'RE GOING TO
BE USING.
THEY'RE A SPECIAL
EFFECT NUMBER, SO...
AS YOU CAN SEE.
NOW, WHEN YOU KILL HER,
I WANT YOU TO STAB HER
IN THE STOMACH AND...
BRING IT UP
INTO HER RIB CAGE.
HEY, VANESSA.
Rick: SORRY.
MY FAULT.
OK, LIKE THIS.
IN AND UP.
THAT DIDN'T HURT.
SO YOU CAN DO I QUITE HARD, ALL RIGHT?
YOU GROPE ME,
YOU'RE HISTORY.
Raffy: ANY QUESTIONS?
Man: NOPE.
THEN WE'LL GO
FOR A TAKE.
JULES, DO YOU WAN TO DO FINAL CHECKS?
YOU RIGHT WITH THAT,
RICK? YEAH? DAMIEN?
[CAR HORN HONKING]
OK, WHEN YOU'RE
READY, JULES.
THANKS.
YEAH, YEAH,
YEAH. RIGHT.
AND...ROLL SOUND.
[CLICK]
SPEED.
MARK IT.
11, TAKE ONE.
[HORN HONKING]
WHO THE HELL
IS THAT?
I'LL TAKE CARE OF IT.
THANK YOU.
[HONK HONK]
Martha: THE POLICE HAVE
BEEN TO SEE ME.
YOU MUST STOP.
YOU MUST STOP AT ONCE.
WHAT'S WRONG?
WHAT'S HAPPENED?
THE EVIL IS BACK.
OH, I KNEW
THIS WOULD HAPPEN.
Raffy: OK,
STAND BY TO SHOOT.
OK.
ROLL SOUND.
SPEED.
Rick: MARK IT.
Julie: 11, TAKE ONE.
AND ACTION.
OW! CUT! CAN WE CUT?
CUT IT!
WHAT'S THE PROBLEM?
I HAVE THIS LASH
THAT'S COME LOOSE.
YOU'RE GOING TO SEE I IN THE CLOSE UP.
AND THAT'S TOO HARD,
ALL RIGHT.
CAN YOU BACK OFF?
JULIE, WOULD YOU
LIKE TO FIX
VANESSA'S FALSE
EYELASH FOR HER?
YEAH,
YEAH, SURE.
AS QUICK AS POSSIBLE,
THANKS,
AND WE'LL GO
FOR ANOTHER ONE.
WHERE IS THE ORIGINAL
PRINT OF THE FILM?
I DON'T KNOW.
IT'S UPSTAIRS,
I THINK. WHY?
MR. LOSSMAN, THERE IS
A FORCE AT WORK HERE.
IT IS NOT HUMAN,
AND IT IS
UNSPEAKABLY EVIL.
YOU MUST DESTROY
THAT FILM AT ONCE,
OR YOU WILL ALL DIE.
OK, ROLL SOUND.
UH, SPEED.
MARK IT.
11, TAKE 2.
AND ACTION.
CUT IT! CUT IT!
RUN! GET AWAY FROM HIM!
BOBBY, WHAT THE HELL
ARE YOU DOING?
THAT'S NOT BOBBY!
AAH!
COME ON, QUICK!
RUN!
Lossman:
WHERE'S DAMIEN?
AAAAH!
WHERE'S THE OLD LADY?
SHE'S THERE!
Rick: JUST LEAVE HER!
COME ON, LET'S GO!
SHE'S GOT THE KEYS,
YOU IDIOT!
WAIT HERE.
VANESSA, WHERE
ARE YOU GOING?
GET IN THE CAR!
I'VE KILLED HIM ONCE,
I CAN KILL HIM AGAIN!
Raffy: AAAH! DAMIEN!
YOU KNOW, JULES,
I'VE NEVER SAID THIS
BEFORE, BUT...
I'VE ALWAYS FOUND YOU
VERY ATTRACTIVE.
OH, FUCK OFF!
OK.
DID YOU SEE
WHERE HE WENT?
[STAIR CREAKS]
[WOMAN SCREAMS]
[ANIMAL YELPS]
WE NEED WEAPONS.
DAMN IT!
I KNEW I SHOULD HAVE
BROUGHT MY HANDGUN.
[RADIO PLAYING]
AAH!
WHAT? WHAT?
HE WAS JUST HERE!
WHERE?
JUST HERE!
WHAT DO YOU MEAN?
AAAH! AAH!
AAAH!
OH, THE DOORS!
[POUNDING DOOR]
[PANTING]
[POUNDING STOPS]
[METAL SCRAPING]
OH!
WHAT'S HE DOING?
IT'S PETROL.
OH, MY GOD, HE'S GOING
TO BURN US ALIVE.
Rick: AAH! AAH!
SHOULD WE RUN FOR IT?
RICK, WHAT DO YOU THINK?
SHOULD WE RUN FOR IT?
AAH!
GET HELP, JULES!
I CAN'T MOVE!
I CAN'T DO IT, RICK!
I'M NOT GOING.
HELP ME.
NO! AAH!
AAH!
NO! NO!
AAAH! AAH!
NO! NO! NO!
NO!
HEY! HEY!
NO!
LET'S GE THE SON OF A BITCH.
AAAH!
AAAH!
RAFFY, I'M SORRY.
DON'T GO IN THERE.
[GASPS]
Raffy: MR. DRIVETT.
[GROANS]
SHE FOUND THE BODY.
I THINK SHE'S HAD A STROKE.
I'VE BEEN TRYING
TO REVIVE HER.
SHE'S STILL ALIVE?
[DOG YELPS]
[GASP]
Vanessa:
NOT ANYMORE.
COME ON, LET'S GO.
WHAT ARE YOU DOING?
Raffy: WHY THE FILM?
THIS SOUNDS
REALLY WEIRD,
BUT IT SORT OF
MAKES SENSE.
MARTHA BELIEVED THA WE CREATED THE KILLER.
HOW?
HE'S THE CHARACTER
IN THE FILM.
THE ONLY WAY
TO DESTROY HIM
IS TO DESTROY
THE FILM.
HE'S NO EVEN HUMAN?
I DON'T THINK SO.
HE'S THE SUM TOTAL
OF ALL THE CREATIVE ENERGY
THAT'S GONE
INTO THE FILM.
BELIEVE ME, THERE WAS
NO CREATIVE ENERGY
THAT WENT INTO
THAT PIECE OF SHIT.
I'VE GOT THE KEYS.
COME ON.
UH!
AH!
AAH!
AAH!
YOU ALL RIGHT?
YEAH.
LET'S BURN
THESE BASTARDS.
MR. LOSSMAN, BEHIND YOU!
AAH!
AAH!
AAH!
AAH!
Vanessa: OH, MY GOD.
HEY, UGLY!
IT'S ME YOU WANT,
ISN'T IT?
I'M THE ONE
THAT KILLED YOU.
[LOSSMAN GURGLING]
LOOK AT YOU!
YOU'RE DISGUSTING.
YOU MAKE ME WAN TO VOMIT.
COME ON,
MR. MOVIE STAR,
YOU WAN TO KILL ME? HUH?
COME ON.
LET'S GO!
WELL, THIS MUST BE
THE PLACE.
[POUNDING]
YOU STAY AWAY FROM ME.
Carter: AH, SHIT.
IS THAT THE GIRL?
IT SURE IS.
BK 35 TO CENTRAL.
COME IN, CENTRAL.
[HOWLING]
[SCREAMING]
HEY, GIRLIE!
GET AWAY FROM THERE!
HEY!
LEAVE ME ALONE!
HEY, HEY, HEY,
HEY, HEY!
NO, DON'T, PLEASE!
[SCREAMING AND HOWLING]
...HELP ME
TO DESTROY THE FILM!
YOU TAKE CARE OF HER,
I'LL GO CHECK INSIDE.
IT'S OK.
CALM DOWN.
[GROANING]
NO, YOU DON'T UNDERSTAND.
IT'S EVIL!
IT'S OK.
NO!
AAAH!
[SCREAMING]
HOLD IT RIGHT THERE!
[WHEEZING]
I SAID, "HOLD I RIGHT THERE!"
I SAID...
AAAAH!
BLOODY. ..
HUH!
DON'T MOVE.
I'VE DONE NOTHING
WRONG, OFFICER.
I'M JUST A SIMPLE
SHOPKEEPER FROM CROMPTON
HERE ON HOLIDAYS
WITH MY FAMILY.
GET IN THE CAR!
EVERYTHING'S ALL RIGHT!
PUT DOWN THE KNIFE.
IT'S NOT A KNIFE.
IT'S ONLY A PAIR
OF GARDEN SHEARS
SIMPLY MODIFIED SO I CAN
DO INTERESTING THINGS LIKE...
CUT OFF HEADS.
JUST DROP IT!
[LAUGHING MANIACALLY]
SHIT.
THE MAGIC OF MOVIES.
[CLICK]
[CLICK CLICK]
DON'T MOVE.
PLEASE!
STAY CALM.
PLEASE!
STAY CALM.
I'LL BE BACK SOON.
[DOOR CREAKS]
AAH!
RRRARGH!
AAH! AAH!
AAH! UH-AAH!
AAH-HA!
NO! AAAH!
DON'T YOU
JUST HATE THAT?
I DON'T KNOW
WHO YOU ARE,
BUT YOU BETTER LE GO OF ME RIGHT NOW!
OR ELSE WHAT?
YOU'LL LOCK ME UP?
AAH!
I'M SOMETHING
SPECIAL, HUH?
LET ME OUT.
SCOOT.
AAAH!
AAAH!
UGH.
UGH...
[GRUNTS]
[FOOTSTEPS APPROACHING]
NOW, WHERE WERE WE?
AAAH!
[THUD]
NO!
UH! NO! NO!
[GRUNTS]
DU-AAAH!
[GRUNTS]
[SCREAMS]
NO! NO!
AAAH!
NO! STOP! NO! AAH!
NO! NO!
RRRARGH!
AAH! AAH!
PLEASE DON'T!
NO!
YEAH.
NO!
[GRUNTS]
[SCREAMS]
DIE, YOU BASTARD.
[HOWLS]
DIE!
GRRR!
[SCREAMS]
AAAH!
UH!
AAH!
[GROANING]
AAH! AAH!
GRRRGH!
COME ON,
WHAT'S WRONG?
YOU A BIT TIRED?
COME ON!
[MOANING]
NOT FEELING SO GOOD,
EH? COME ON!
YOU'RE FINISHED,
YOU B-GRADE
PIECE OF SHIT!
[RAFFY TAUNTS SCARMAN]
AAH!
[SCREAMS]
[SCREAMS]
[GROANING]
HEY.
HEY.
[CRYING]
IT'S DOWN HERE.
COR, DID YOU SEE THAT?
RIGHT OVER THERE.
HEY, VANESSA,
HOW ARE YOU?
HI, VANESSA.
HI. HI.
YOU'RE LOOKING
MUCH BETTER.
OH, THANKS.
OW! AHH!
OOH, SORRY. SORRY.
SO, ARE YOU SURE HE'S DEAD?
Lossman:
HE ONLY EXISTED
WITHIN THE CONTEX OF THE FILM.
WHEN THAT WAS
DESTROYED,
SO WAS HE.
THANK GOD.
MAYBE NOW I CAN
SLEEP AT NIGHT.
Woman: WE ARE
SO LUCKY TODAY.
WE'RE LUCKY
BECAUSE WE'RE HERE
TO SEE THE MOS EXCITING SCREENING
OF A VERY RARE FILM.
YOU MAY HAVE READ ABOUT I IN THE NEWSPAPERS,
BECAUSE THERE WAS
THIS SO-CALLED CURSE
ON THE FILM,
AND THAT WAS THA EVERY TIME ANYBODY TRIED
TO COMPLETE THE FILM,
SOMEONE DIED.
IN ANY CASE,
THIS PRINT IS
THE ONLY PRIN IN EXISTENCE,
AND WE ARE REALLY LUCKY
TO BE ABLE TO SEE IT TODAY.
ALL RIGHT,
NOTHING MORE TO SAY.
HERE WE GO.
LET'S ROLL IT.
[PROJECTOR HUMS]
CAPTIONING MADE POSSIBLE BY
TRIMARK PICTURES
CAPTIONED BY THE NATIONAL
AHHHHH, YO
AHHHHH, YO
I SENSE INSIDE
THE NEED TO RES YOU'RE SCRAPING CLAWS
OVER MY CHES A BAD DESIRE
SOME...
I PRAY AT NIGH FORGIVE MY SIN
NO WONDER
I CAN'T SLEEP AT NIGHT
NO WONDER
I CAN'T SLEEP AT NIGHT
NO WONDER
I CAN'T SLEEP AT NIGHT
NO WONDER
I CAN'T SLEEP AT NIGHT
IN MY HEAD
I'M HEADING DOWN
TOWARD THE DARK
BENEATH THE GROUND
I FEEL THE PRESENCE
OF THE DEAD
THAT COME TO LIFE
INSIDE MY HEAD
NO WONDER
I CAN'T SLEEP AT NIGHT
[NEW SONG BEGINS]
STOP THE ROCK
[MECHANICAL VOICE]
STOP THE ROCK
STOP THE ROCK
STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK
STOP THE ROCK
STOP THE ROCK
STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP
SHAKE THAT PARANOIA
CAN'T STOP THE ROCK
SHAKE THAT PARANOIA
CAN'T STOP THE ROCK
SHAKE THAT PARANOIA
CAN'T STOP THE ROCK
SHAKE THAT PARANOIA
CAN'T STOP THE ROCK,
YOU CAN'T
SHAKE THAT PARANOIA
COME MOVE ME, MOVE ME
DANCING LIKE MADONNA
INTO THE GROOVY
SHAKE THAT PARANOIA,
COME MOVE ME, MOVE ME
DANCING LIKE MADONNA
INTO THE GROOVY
STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP THE ROCK,
CAN'T STOP THE ROCK
YOU CAN'T STOP
LET'S GET DOWN
AND DIRTY, BABE
COME ON, GET DOWN
AND DIRTY, BABE
COME ON, GET DOWN
AND DIRTY, BABY
COME ON, GET DOWN
AND DIRTY, BABE
DOWN AND DIRTY, BABY
DOWN AND DIRTY, BABY
DOWN AND DIRTY, BABY
DOWN AND DIRTY, BABY
SHAPE THE ROCK
LIKE HENRY MOORE
APHRODITE AT THE WATER HOLE
SHAPE THE ROCK
LIKE HENRY MOORE
APHRODITE AT THE WATER HOLE,
COME ON
CAN'T STOP
YOU CAN'T STOP
YOU CAN'T STOP
CAN'T STOP THE ROCK,
YOU CAN'T STOP THE ROCK
CAN'T STOP THE ROCK,
YOU CAN'T STOP THE ROCK
CAN'T STOP THE ROCK,
YOU CAN'T STOP THE ROCK
CAN'T STOP THE ROCK,
YOU CAN'T STOP THE ROCK
CAN'T STOP THE ROCK,
YOU CAN'T STOP