Homo Argentum (2025) Movie Script
[main music]
[music ends]
[soft music]
[man 1] Your daughter went to
live in Spain, right?
[woman 1]
Yes, he left three weeks ago.
And here we are, as we can.
-[woman 2] So small.
Are you 22? 23?
-[woman 1] Twenty.
[man 1] Did he leave with work
or are you going to search there?
No, not specific work, but
It was with some contacts.
Lola has many friends there,
and surely you already
They are going to get something.
It's going to end
adapting for sure.
It's going to be hard for Lola
and for us.
And, of course. Obvious.
How are we naturalizing that
our children leave, flee.
It's tremendous.
Yes, in Ezeiza you see families
saying goodbye to his boys.
I came from Paris last week
passed and saw it. Very sad.
What a reversal.
And they make you a thousand
problems with papers
even if it's to work
as a waiter or babysitter.
That's very bad.
Because the Spanish forget
that we receive three
millions of Spaniards
who were fleeing from the
war and famine.
-Italians too.
-[man 2] More.
We received four
millions of Italians.
Now it's the other way around.
The kids here don't see a future.
Be careful that outside
It's not that simple.
They have their things too.
Well, in the countries
that work,
there are things that already
They are not discussed.
For me, we have no solution.
No, well, no,
group, no. It's true.
But, individually,
the argentinian
he passes the rag to anyone.
It seems like a clich, but
no. It's true.
The Argentine alone, like
individual, always stands out.
It's creative.
Solve any problem
with nothing. It's familiar.
We are supportive.
We have values.
I can't understand
how can we not
get ahead as a country.
[party music]
Well...
Well, the party is on.
I'm going to smoke outside.
[party music continues]
[street sounds]
[street sounds continue]
[man screams]
[man screams]
[woman] Help!
[man]
Call an ambulance.
-[woman] Oh my God!
What happened?
-[man] Don't move, skinny!
[man] Stay still.
Call an ambulance.
[woman] Help!
[street sounds continue]
[screams continue]
[party music in background]
[party music increases]
[door closes]
[party music fades]
[party music]
[ambulance]
[honks]
[ambulance continues]
[party music]
[party music ends]
[radio]
But now he steals the ball
in the center of
Australian countryside.
[radio]Frontal shot
for the player's appearance
who enters the area.
[radio]Kick Goal!
[radio]
Goal! Goal from Australia!
[radio]
Goal, goal, goal from Australia.
[radio]Incredibly.
[radio]Please! Terrible!
[radio]Australia three.
Argentina two.
[radio]
We are out of the World Cup.
[guard] Barrientos.
[soft music]
[radio continues]
-How is it going?
-What do you say, friend?
-All good?
-Nice night, huh?
-Well.
-Let him rest. See you tomorrow.
Thank you. See you tomorrow.
You fucking idiot!
Conchudo! You are a fat!
You are a fat!
Shit!
It's the same thing all fucking day!
Same thing all fucking day!
Hey?
Fat!
[distant barking]
[rolls down the car window]
-Is everything okay, ma'am?
-I? Excellent. You?
I thought I needed something.
I don't know... Say...
Tell me if I can help you.
Open me.
But tell me where we are going.
Wherever you go.
I'm freezing cold.
Do you turn on the heating?
It doesn't walk.
But take my jacket.
I want to die.
Should I take her somewhere?
Do you want to go back home?
I wish that was my house!
It's not my house.
How can you be so shady?
How can you be
so son of a bitch?
Die, damn it!
You don't see me anymore!
[woman sighs
deep and sobs]
I'm hungry.
Take me to eat something.
I don't have the same weight, huh?
Hello, Adela.
You're going to have to excuse me.
I need that too at night
stay taking care of mom.
An unforeseen event arose.
They asked me to
take an overshift
and surely I will
to arrive very late.
You stay calm.
I'm going to recognize the
hours with a plus.
I was starving.
Where are we?
Is this a province now?
No. Liniers.
Tell me something about yourself.
-Where do you work?
-Very close to
where I raised you.
-Oh really?
-Yes, in Madero 1700.
That's the block from my house.
Bah, well.
The house of the... bad guy.
I am at the gate
security.
There half a block.
You make a living working.
make a living
working is a man.
You must be ten times more
man that guy.
What do I know...
The guy supports his ex-wife.
He buys her new tits,
new ass
In fucking life I saw him work.
Where does the money come from?
Do you think I'm stupid?
It has to come from somewhere.
No idea.
-No one knows.
-Nobody.
Now if you ask me...
Do you have a life?
Is he happy?
-I don't know.
-And... who knows.
[soft music]
Pueyrredn and Las Heras
is it close?
No.
It's more like where we come from.
Shall I take you there?
How cute you are.
[energetic electronic music]
[electronic music continues]
[music fades]
Come on, come on. Don't be shy.
No.
[elevator door closes]
-Hi friend.
-How is it going? How are you?
-How is it going? Hello.
-Hello.
He is...
Panter, my friend.
-Nice to meet you.
-Delighted.
Exotic.
-Come in. Come in. Forward.
-Permission.
-Yes please.
-Ah!
You don't drink much, do you?
Uh... No.
When I take a little too much,
my head hurts.
[friend nods]
And where do you know each other from?
-Well...
-Life brought us together.
Yes.
-Ah, well.
-Yeah.
Did you see when you look
someone in the eyes
for the first time
and do you understand everything?
Something like that, right?
-Could be.
-No, "it may be" no.
-It's like that.
-It's like that. That's how it was.
Yes.
Doesn't it have a nice cut of
face? Look what it is.
-Yes, very virile.
-Yeah?
Yes, I don't know. It's like it has
something like... man.
I think it's the mustache
that makes him kind of macho.
-Look how jealous I am.
-No.
And what are you, then?
Friends? A couple? Couple?
-No... I don't know.
-We are connected beings.
There it goes.
-Are you fucking him,freaky?
-No no.
No...
Don't be jealous.
Furthermore, there is for
share for everyone.
[women moan]
Come here.
Uhh. Well.
[women laugh]
-There?
-Yeah.
[women moan]
Ah! Come. Let's go to the room.
[women laugh]
Very good.
[laughter continues]
[woman] Come in.
[women moan]
[moans intensify]
[moans continue]
[woman]Panter!
[woman]Panter?
-[woman]Panter!
-[friend]Panter!
[woman]Panter!
No...
[woman]
Give it. Let's see if you're so macho.
[laughs]
-[woman]Panter!
-Here...
-[woman]Come on, Panter.
-[friend] Dale.
[soft music]
[soft music continues]
[soft music increases]
[music ends]
[bird chirping]
Take your jacket. Thank you.
Oh. I think I caught a cold last night.
I hope I haven't
past no plague.
Pass me whatever you want.
Bye, handsome.
[car door closes]
[house door opens]
[bird chirping continues]
[house door closes]
[bird chirping continues]
-What do you say, Barrientos?
-Ah...
All good.
-Well, here, everything is calm.
No news.
-Well.
-See you tomorrow
God willing.
-Dale.
[soft music]
[soft music increasing]
[music ends]
[intrigue music]
[intrigue music continues]
It may be. Yes.
It would have to be studied.
I'm not very
frankly convinced.
I don't feel like it either
for the topic to spread,
did you see?
Do we agree?
Aha.
Coordinate everything with Milena.
It is she who has the link
with the ministry people.
And I leave you because
I'm already at the restaurant.
I have dinner with the people of
Canadian laboratory.
And, well, we talked about it this week.
Next time if you like, eh?
Give it. Hug.
[ambient music]
[elevator arrives]
-Please.
-Thank you.
Does it go up?
Yes.
Oh, are you also going to 54?
To the restaurant?
Yes.
Sorry.
You are Felipe Keller, right?
That's how it is.
-I recognized him by the
magazine cover.
-Ah.
What a nice family he has.
Thanks a lot.
[intrigue music]
Listen to me well.
I want 50,000 dollars
or I go down screaming
that you wanted to rape me.
-Ah. You are totally crazy.
-For.
Don't worry, Keller.
Treat it like a business
with its costs and benefits.
I call the police
in a second,
and this ends immediately.
-You're sure?
-Yeah.
-Yeah?
-Yeah.
Think what people are going to say
let him see me leave
from the elevator shouting:
"Oh, please.
Help me. "He wanted to rape me."
[intrigue music continues]
You're making a big mistake, baby.
Tomorrow, the actions...
Huge headlines:
"They accuse Felipe Keller
of sexual abuse".
It's going to be the scandal of the year.
-You're getting into
a serious problem.
-Yes, it can be.
Yes. But for you it goes
to be very late.
You're going to lose everything
even your family.
I saw photos of you in the magazine
wife and your children.
Beautiful.
It really makes you want to vomit.
You already lost. Realize.
My alias is anita.91.
You're going to transfer me right now.
It can't be done
that transfer.
They are high amounts that do not...
There are validations that...
I know you can.
Don't take me for an idiot.
You are crazy.
And, well. We will have to continue the journey
and pay the consequences.
[intrigue music increasing]
What a fucking millionaire.
It's 50,000 dollars,
or your life goes to hell.
you have time
to 54, Keller.
Forty-eight.
Forty-nine.
Fifty.
Stop it.
How nice to do business
with people like you.
Anita.91.
Ready.
I put "okay"
and I'll send you your $50,000.
No. You know what?
The price increased.
Now there are 100,000.
It's 100,000, rat.
For you it's nothing.
[intrigue music increases]
[music stops]
It's over.
I'm not going to accept this madness.
Do what you want.
I don't mind.
Okay. Perfect.
In a few seconds,
the life you knew
You're going to go to hell.
[Philip Keller
take a deep breath]
[elevator sign]
[screams] Help me, please!
This son of a bitch loved me
rape! Do something!
-No no.
-Do something!
-No, please. It's not true.
-Son of a bitch! Disgusting!
-How do you say...?
-Sick fucking rapist!
-It's a lie!
-What did you do?
[elevator sign]
[ambient music]
Does it go up?
No.
I better climb the ladder,
like this under the tummy.
[elevator sign]
[upbeat music]
[music ends]
Change. Dollar.
Euro. Real. Change.
Dollars. Real. Euros.
Change. Change. Change.
Change. Change. Hey!
[in English] The best rate of
change of the world.
[in English] The best! No?
[in English] Okay.
Change.
Change, change.
Dollars, real.
Change.
Dollars. Real.
[in Portuguese] How cute that one is.
Let's keep walking and looking.
[in Portuguese]
Hey! Brazilians?
-Yeah.
-Hey! Come on!
We are Brazilians.
[in Portuguese] I have the best
change of the city.
-[in Portuguese] From the city?
-From the city.
-[in Portuguese]
Come with me. Change?
-Yeah.
What city are they from?
-Sao Paulo.
-Sao Paulo.
[in Portuguese] A city
big. Big money.
[in Portuguese] Powerful city.
Great buildings.
-Do you know So Paulo?
-No, I don't know.
[beep of the
bill counter]
[bill counter]
[bleep]
[in Portuguese]
Perfect. Ready, William.
The dollars?
Friend.
Perfect.
[in Portuguese]
Small change for purchases...
-Small purchases.
-Thank you.
[in Portuguese]
Big bills...
Perfect.
[coughs]
Excellent.
[in Portuguese]
I would like to give you a gift.
[in Portuguese]
A gift? How nice.
-Do you like to dance tango?
-Yeah!
-Clear!
[in Portuguese]
We love tango.
This is a tanguera
extraordinary.
[in Portuguese]
The best in the world.
15 percent discount.
It's in San Telmo.
I will gladly give them to you.
[in Portuguese]
How good. Thank you.
[in Portuguese]
How good. Thank you.
I have another gift to give you.
Not for you, Guillermo.
It's for Marisa.
Here. Look what this is.
The Argentine Papita.
[in Portuguese]
How cute! Thank you.
-Please. A pleasure.
Just one question.
Marisa and Guillermo.
Pel, Maradona or Messi?
[in Portuguese]
It's a difficult question.
But, for me, Messi.
Messi, Guillermo. Marisa?
[in Portuguese]
Messi too. I love it.
He is a very boy
humble, very loved.
[in Portuguese] For me, Pel.
Pele is the best
world player.
Maradona was a great player,
but a goal with
the hand is cheating.
As an Argentinian,
I can't allow it.
And Messi is a great player.
It's brilliant.
But it's more Spanish
How Argentinian.
For me, Pel is everything.
His appearance. He nodded.
He played with both legs.
Excellent.
And the conduct, impeccable!
[in Portuguese]
But Messi is a genius.
[in Portuguese] Marisa, do you
Do you like leather jackets?
[in Portuguese]
I love leather.
[in Portuguese] But now let's go
to walk, to go for a walk.
[in Portuguese]
Before we left, we passed.
[in Portuguese]
Not now. Another day.
-Not now.
-Thank you so much.
-I'll accompany you.
-Thank you.
[Guillermo] How nice!
Hello. Brazilian marriage.
Him, blue jacket.
She, green jacket.
The weights are distributed
in the backpack, the wallet
and the coats.
He also has dollars in him
right pants pocket.
Oh! Bye! One second.
-Thank you! Kisses! Bye!
-Bye!
Thank you, very kind.
Enjoy!
Welcome to Buenos Aires.
[instrumental tango music]
[man] Hello. Well, that,
guys. Let's be gentle, huh?
Thank you.
[tango music increases]
[music ends]
[playful music]
-What are you doing?
-I'm going to drink water.
[playful music continues]
[moans]
[man] Oh!
Shall we wake you up, daddy?
No, son.
I was going to drink a little water.
My mother's shell.
Phew. I can't believe this.
One thing...
Will it be possible?
A family house.
But he shits on everything.
Disgusting shit.
Oh, Nancy, what just happened to me
pass. The fucking mother.
-What happened?
-I found him hanging out.
In the living room.
You don't know the image. For God's sake.
You can't laugh.
I want to kill myself. The most reputable
mother who gave birth to me.
Give it. Turn off.
But what...
-[Nancy takes a deep breath]
-[man] Oh...
[beats on bed]
Uhh. Another fuck is going to happen.
What a disgrace. He is 40 years old.
He's 39, Oscar.
It's the same, Nancy.
Don't tease me.
I'm not kidding you.
I agree.
But somehow
we are guilty
We consent to it all our lives.
Well, that's it. Enough.
can't continue
living in this house.
Every time we hint at it,
he acted stupid, so...
Well. Look, look. Go on.
Pam, pam, pam!
I'm going tomorrow
to grab and it's over.
[thumping on the bed accelerates]
[Nancy exhales]
[blows on the
bed intensify]
[moans]
[moans and blows
in bed they end]
It's over.
[playful music]
Here it comes.
Don't be hard on him, huh?
-Hello good.
-[Oscar] Huh. How are you? Good?
-[Oscar] Okay?
-[Nancy] Hello.
[Oscar laughs]
[playful music continues]
Did the girl leave?
He left early.
Oh. a little strong
What happened last night, right?
Sorry. My bad.
It started with a...
a dabble,
a furious groping...
No need to give details,
but it was strong.
Is something wrong?
No. It will happen,
but something nice, right?
Yes.
It's going to be very
good for everyone.
[Nancy] Yes. Yes. Totally.
Dad wants to tell you something.
Dad and mom.
-Dad and mom. Yes.
-Dad and mom.
[Oscar] Yes.
Look, Ariel.
I'm going straight and without turns.
We think you have you
than go live alone.
[playful music continues]
-Why?
-And...
because you are almost 40 years old, son.
You lived your whole life
with us.
I think it will
be very good
that you have the
experience of living alone.
[Oscar] It's nice.
I understand that not
It is the most normal.
-It's not the most normal thing.
-And what is the most normal?
Leave at 20, 30, 40?
Those are pure mandates.
Here I am... I'm a phenomenon.
You also have to
think about mom and dad.
We want to do
our own life too.
Do I bother you that much?
-No, son.
-No! Zero.
Where will I be
better care than here?
It is not about
care or not care.
It's not about that.
It is about
you can move...
the experience of
be alone in one place,
in an area, in a house.
In a...
Have your privacy.
I don't have the money either
to go live alone.
They know it.
That's not the problem.
We will always help you.
Always? At first.
Not always.
You have the theme
of money. Hmm?
But think about it, Ariel. It's a...
It's a great experience
what we are proposing to you.
Eye.
You are not going to have the
look of two old men
that monitor you
all the time
Let's see what you did,
If you peed on the toilet board,
If you left your clothes lying around...
Whatever you want do.
Total independence.
The freedom.
[music ends]
[tick]
It's okay.
[Nancy and Oscar
they exhale surprised]
Let's try.
Oh, love of my life.
Let it be known that I
here I am perfect.
But, of course, we know.
[melancholic music]
[Nancy]
You left without the guitar.
Bye, daddy.
Bye.
Be good, huh?
Come on. Come on.
[melancholic music continues]
Do you have me, friend?
There it is.
Bye, da.
Bye, my son.
Bye.
[music ends]
[tick]
[footsteps approach]
What are you doing awake?
I miss the fat man.
Stupid.
[melancholic music]
[news music]
The neighbors are gathered here
demanding more security.
Let's try to talk
with some of them.
Sir, a grandfather was robbed today.
A lifelong neighbor.
[drags the R]
Poor Don Roco.
[drags the R]
They didn't just rob him.
They left his face
like a moron
How far are we going
to continue with this?
[drags the R]
They robbed the parish
four bottles.
Nobody says anything.
It's tremendous, sir.
This is a liberated zone.
The neighbors...
-Sons of bitches.
-[police siren]
-[neighbor 1] No shame!
-[neighbor 2] Take it, cobani!
-[neighbor] Now they appear.
-[neighbor] Look.
Clear. They pass because they see
a camera
and they start the car as if
nothing.
[drags the R]
The jet has to know.
You come into my house,
what do I do? Boom, boom, boom!
-I'll kill you
-Come on, old man.
Where are you old facho?
Go to hell...
-Calm down.
-Come here.
-Calm down.
-"Old faco" he told me.
Oh my God.
Sir, I don't know how much more it can take.
That's why I suggest
let us neighbors get together
and crime ends.
[drags the R]
I tell the jet:
Jump over the dividing wall, dammit.
Jump.
I'll wait for you sitting like this.
You came into my house,
boom, boom, boom!
I'll kill you.
[drags the R]
Bye, gush.
-It's over. Or not?
-[neighbor] You're right.
-Security!
-Security!
-Security!
-Security!
And so they manifest
the residents of Villa Ballester
in the San Martn party
against insecurity
in the neighborhood.
-Security!
-Security!
[drags the R]
They entered the Carranzas.
Peace lasted a week.
[drags the R]
They stole again.
-Oh, yes?
-Fucking mother.
[drags the R]
The hardware store told me
that they robbed him
the house, Gladys.
They ate all his food,
They took I don't know how many wines.
And one screwed up
above the dining room table.
Oh, stop it, please.
We are eating.
As if it were my fault.
You already know.
If I'm not there and they come in,
the joint is
in the wood duck.
You give them to them and, thus, they
spurts go fast.
Well, enough.
I already know everything, Hannibal.
Can we eat
talking about something else?
Yes, of course, of course. Yes, yes, yes.
But you already know.
If they come in when I'm there...
Boom, boom, boom!
[crickets]
[snore]
[tick]
[intruder noises
in the distance]
[thud]
[barking in the distance]
[dry blows]
[tension music]
[indistinct voices]
[thud]
[forced entry noises]
[window opens]
[indistinct voices]
Have it. Come on, come on, come on.
[thief 1] Look there.
[thief 2] No, there is nothing here.
-There is no one, idiot.
-They are all sleeping.
[tension music]
[indistinct objects]
Let's see, come. Come on, come on.
Wake up!
[thief 1]
Where is the money?
[Gladys sobs]
[Gladys]
In the duck, the wood duck.
[thief 1]
What duck are you talking about? Give it.
[thief 2]Collaborate.
[Gladys]There. In that ornament.
[Gladys]That duck!
[thief 1]Here is the duck.
Where is the money?
-[thief 1]Where is he?
-[Gladys]Inside the duck!
[thief 1]Lock her up.
-[Gladys]No!
-[thief 2]Move forward, old woman!
[thief 2]
Give me the ring, old woman!
[Gladys] Yes.
[thief 2]
You stay quiet.
[Gladys] Yes.
[thief 1] Lock her up!
[door slam]
[tension music increases]
[thief 1] Take the TV.
[Gladys]Hannibal!
[Gladys]
What are you doing? Where are you?
[knocks on the door]
[Gladys]Hannibal!
Sons of bitches!
They don't come back here again!
[three shots]
[barks]
[drags the R]
Squirts of shit!
[shot]
[barking continues]
[shot]
It's me, Gladys.
It's me. Peaceful. It's me.
Did they hurt you?
-I told them about the duck.
-You did very well.
I shot them. Forget it.
[drags the R] Jets of
shit. They don't fuck anymore.
They will think twice
before entering a house.
[drags the R]
The terrified face they made.
You don't have an idea.
You know how I am, Gladys.
I don't doubt.
Lois I looked. Boom!
I shot him in the leg
one of them.
I hit the other one in the shoulder.
They trembled with fear.
[drags the R]
They ran away.
[Hannibal breathes heavily]
Boom, boom, boom!
[drags the R]
Bye, squirts.
[tension music]
[drags the R]
Bye, squirts.
[Hannibal cries]
[tension music increases]
[swollen]
Argentina! Argentina!
It is the dream prison
for any kid,
for any boy who
learned to
play in the wastelands,
on the street
There goes our Gonzalo.
[triumphant music]
Our gladiator.
At a firm and safe pace
in the long and
lonely walk
heading to the decisive moment.
Today you become
into a hero, kid.
Please, I ask you.
If you convert,
after 36 years,
Argentina is world champion.
There it goes. There goes our Don Quixote.
Maradona is lighting you up
From heaven, kid.
In your right boot,
you carry your heart and soul
of 45 million Argentines.
Come on, kid, for God's sake!
Come on. Grab the ball.
Messi crosses himself.
Look at the sky.
Lloris looks at him steadily.
Montiel places the ball
at the penalty spot.
Come on. Take career.
Take a deep breath. Come on, Gonzalo.
Please, I ask you.
[whistle]
Goal!
Goal!
[triumphant music continues]
Goal!
Argentina world champion!
Argentina with...
Argentina champion of...
[swollen]
Argentina! Argentina!
[swollen]
Argentina! Argentina!
[inspirational music]
[employee] Are you ready for
know your car?
[inspirational music continues]
The steering wheel is
lined in leather.
Behind him he has the
cam control.
It is used to pass
from automatic to manual.
[employee] There you go
the multimedia screen,
touchscreen,
that comes with voice
Built-in control.
[employee] The information
on-board computer
you will see it projected in the form of
hologram on the windshield.
[employee] For example, pressure
of tires, fuel.
[employee]
The GPS issue is central.
You can see it on the screen.
[employee] You can too
synchronize with your cell phone.
[employee] Or use thesoftware
of the vehicle which is very good.
Sir, are you listening?
Yes dear.
Here there is...
a lot of personal effort,
a lot of work
and a lot of sacrifice.
-[employee] I congratulate you.
-Thank you.
[employee]
He has a great car.
And now... the time has come.
Yes.
[employee] "Start".
[engine starts]
[upbeat music]
[computer]
What is the message?
Love, I'm five blocks away.
Go down
I'll show you the ship.
[computer] I am sending you
your message to Monica.
[notification
from the computer]
[car approaches]
[car crashes]
Oh! Ah!
Oh, my mother's pussy!
Oh, the fucking mother
that remil gave birth to you,
son of a bitch.
-You made my car shit.
-Sorry.
Fucking asshole.
I was left without brakes.
Shit lining.
The original painting never
the more it recovers.
Sorry. Sorry.
Not even in twenty lives can you
buy this car,
shit shit
Look at the poronga
in which you walk.
Give me the insurance,
the fucking mother who gave birth to you.
Eh... I don't have insurance.
How come you don't have insurance?
shit lumpen,
irresponsible?
[insistent honks]
Hey...
Forgive me.
-Hey?
-You're not Herrera?
[insistent honks]
Yes, Sergio Herrera.
[honks continue]
[honks continue]
No.
Ernest?
Ernesto Antonuzi? No!
Oh, idiot!
[insistent honks]
How are you doing?
Oh! I can't believe you!
Son of a bitch.
With the beard... You look the same.
How can I be the same?
Fifty years have passed, Sergio.
-[driver] Move it!
-Stop a little. There are "you, you."
[driver]
The whore who gave birth to you!
You go to
the whore who gave birth to you.
-Your mother's pussy.
-Are you in a hurry?
[Sergio] The car crashed into me.
And you keep bitching. Bancmela.
I always remember
when they caught us
with all arms
macheted
-Do you remember?
-How not? We were two savages.
You made the first
year with me.
Then you
You changed schools.
I went to Avellaneda. AND
I think we didn't see each other again there.
-Are you still drawing?
-No no.
Unclogging and plumbing.
-Ah. You are with this.
-Yes, yes.
And do you work with the car?
I worked. Look how it turned out.
Don't worry. No.
I'm going to say
that I braked suddenly.
You accidentally wore me.
I mean, it's my fault.
my insurance
It's going to catch you. Forget it.
-And can that be done?
-It's going to be done.
I thank you very much, Sergio.
You're crazy, Ernesto.
How wonderful.
Tell me about yourself.
Nothing.
What do I know... What...
[Sergio] I got married
with a companion
the faculty, Monica.
[Sergio]
I was going home now. And you?
[honks and
insults continue]
[Ernesto] It's a long story
that one day I will tell you.
[upbeat music]
[honks and
insults continue]
[music fades]
[employee]
Let me park it.
[man] Thank you.
[ambient music]
[cell phone vibrates]
[young man] Excuse me.
Don't you have some money?
so can I eat something?
[joking waiter] Hey, kid.
Excuse me, don.
Don't you have some money?
like something?
I told you a thousand times
that can't be done here.
Don't worry, Beto. All good.
Come on.
What is your name?
Axel.
Are you hungry, Axel?
[cell phone vibrates]
Sit down.
Don't worry. Sit down. Alright.
[man] Really.
[cell phone vibrates]
Beto, bring me a menu.
Thank you.
Order whatever you want.
Whatever you want?
[cell phone vibrates]
And what is your day like?
Do you get up in the morning
and you go out to ask?
Yes to my mom
he gets a job,
I take my little brother
to the dining room.
I help her with cardboard sometimes.
But if not, I'll take the train
here in the center... to order.
[cell phone vibrates]
What a shit country.
My mother's shell.
[cell phone vibrates]
I'm going to turn this off or I'm going to
break balls all day.
And what do you do?
What do I do?
What do I do? Business.
We buy medium-sized companies
falls, we inflate them
and we sell them more expensive.
And then I'm involved in everything
everything related to the crypto world.
I have a partner, Lucas,
friend and brother of life.
And do you have children?
Two.
One is about your age.
You are on the street all day.
And he would tell you that he never set foot
the sidewalk My God.
Country life.
And, let's see, tell me, Axel.
What is your dream?
Hey...
Sneakers.
Is that your dream?
Yes. Sneakers.
[triumphant music]
Good shoes.
Take them. Take them.
Take them to your
little brothers too.
[triumphant music continues]
Do you want a cell phone?
Oh really?
But leave it to me.
[seller] Good afternoon.
What are they looking for?
A phone for him.
Something good, huh? Latest.
Do you want something else?
[music ends]
What an iron, huh?
Yes. Tremendous.
He didn't need to take me.
No. You have all the bags.
Besides, I don't
costs nothing. Forget it.
I have a curiosity.
Do you take drugs?
-Faso.
-Faso?
Yes he paints.
But I'm hungry, so...
What do I know?
-Not something else.
-It's very nice.
And you?
A joint, yes.
Yes, at night, with a little wine,
with my wife, looking at the lake.
I like it. It places me.
It's good.
You will think that I am
a millionaire, right?
With this truck, what can I do?
buy what I want.
You don't have the slightest idea
how lucky you are.
Because?
The twine,
when you cross a limit,
it plays against you.
I don't know. You want more.
you become a slave
of all that.
Instead, you...
You do what you sing
ass from morning to night.
It's wonderful.
If you give me a choice,
I prefer the twine, eh?
Let's be honest. Yes indeed.
But...
Yours is nice too.
[man laughs]
[reggaeton music]
[barks]
-Leave me in that corner.
-No, I'll take you.
Better not to enter the neighborhood
with this truck.
Ah, okay, okay.
[reggaeton continues]
Well, Axel.
It's a pleasure to have met you.
give me the key
and get out of the car.
Give me the key and get off,
old idiot
Joke.
With everything he bought me.
See if I'm going to steal from you.
Bye.
[car door closes]
[trunk beep]
[reggaeton continues]
[reggaeton intensifies]
[music stops]
[engine starts]
[message tone]
[man]Hello, Lucas, friend.
Forgive me.
I hung up on you all afternoon.
I just turned off the phone and
I'm only now seeing the messages.
I lived an experience
extraordinary, stupid.
You don't know.
With a kid from the street,
those who are asking.
Do you know what I did, idiot?
I invited him to morph.
No. No. I almost died.
I chatted.
Then I took him shopping.
At one point, I told him:
"Buy what
you want, kid."
You don't know the face he made.
But it blew my mind
experience.
Flashe, idiot. Oh really.
And do you know how much it cost me?
I don't know. If I take it to dollars...
Less than four lucas, idiot.
Less than four lucas.
Nothing. I'm happy.
I wanted to tell you. Bye, bye.
Ah!
[message tone]
Luke, I forgot.
Did you talk to him
fat son of a bitch
of the financial?
What the hell happened to him?
Five and a half wants to collect?
But what was smoked
that idiot?
He's crazy.
Cut off its legs.
Did he say that without consulting?
Let him go to hell.
We are?
Hug.
I had forgotten. Look.
Son of a bitch.
[Argentine National Anthem]
[announcer]
According to what is established
by article 75
of law 26,522
audiovisual communication,
from this moment on,
they broadcast National Radio
and Public Television
together with all the stations
that make up the national chain
radio and
television throughout the country
on the occasion of the transmission
from the first message
to the Argentine people
of the brand new president-elect.
[announcer]Speak to the country,
Mr. President
of the nation
Dr. Jos Luis Estrada.
[National Anthem
Argentino ends]
Good night.
[coughs in the distance]
[Estrada swallows]
Get me out of here!
The whore
mother who gave birth to them.
[Estrada] Everyone leave
to his mother's shell.
[door slam]
[announcer]He spoke to the country
Mr. President
of the nation,
Dr. Jos Luis Estrada.
[announcer]
From this moment on,
all radio stations and
country television
they continue with their
usual programming.
[announcer]Thank you very much.
[Argentine National Anthem]
[National Anthem
Argentino ends]
-[father] Good.
-[daughter] Enough.
[son 1] Bravo!
[whistle approvingly]
[son 2] Opa, oppa!
[father] Let's see, let's see, let's see.
Wow! I miss the point, right?
-[son 1] That one!
-[applause]
[applause continues]
[soft instrumental music]
[music ends]
Well, guys. Hey...
The truth is that
I invited them here, home,
because I need to tell you something.
Are you sick, dad?
-Oh, no, daughter, please.
-Oh.
No, I'm better than
never, my love. No.
On the contrary, what I love them
counting is a nice thing.
Well.
Get out, old man.
What a nerve. Come on, talk, dad.
Well...
As you already know,
two months ago it was fulfilled
one year of
mother's death.
-[daughter nods]
-Huh?
And I want you to know that she
it will always be
the love of my life.
And he gave me the most important thing,
you.
Oh, do you have a girlfriend, dad?
Yes, dear.
Liquid.
[son 2 laughs nervously]
Well... Who... who is it?
You do want to tell us, right?
-Do we know her?
-Yes, Mati.
Who?
Eliana.
-Hey?
-[daughter sighs]
[daughter] No.
-What?
-No.
-[father] Yes.
-Dad!
Eli?
Dad.
Eliana,
can you come for a moment?
No, stop, dad. Oh ok.
Well.
Well, now yes.
I present to you,
Formally, to my girlfriend.
-[Matas laughs nervously]
-[daughter sighs]
Congratulations to the couple.
Congratulations.
Yes, congratulations.
Thank you.
This deserves a little champagne,
right?
-I'm going to look for it.
-No no.
I'm going. I'm going.
-Eli.
-[daughter] Eli.
-Where did you live?
-[Eliana] In Moreno.
In the province.
But now Antonio asks me
May I stay here more days.
But you are...
you are from here You are...
Bah... Are you Argentine, let's say?
-Listen to me something.
-No problem.
It doesn't bother me.
[Eliana]
I understand that for you
This may be a little strange.
And, yes, I am Argentine,
from Clorinda, Formosa.
And has it been a long time
Are they dating or...?
-[daughter] Bah, I don't know.
Are they a couple?
[Antonio] Permission.
-[soft instrumental music]
-[nervous laughs]
-Well.
-[son 1] A little champagne.
[Antonio] Come on. Oops! Uh-oh.
[Eliana] These are the
cleaning products.
[Eliana]
With these cupboards, you must have
be very careful because
They are very delicate.
Always clean them
with a chamois
and never with brushes
because they get scratched.
-Yes, ma'am.
-It's important.
Oh. Sorry. Hello.
-Good afternoon.
-Good afternoon.
Rosa, this is Antonio, my boyfriend.
-How are you doing?
-Nice to meet you.
My love, do you want me to book
in Marcelo
for dinner in Puerto Madero?
[bell]
Ring at this time. How odd.
-Hello! And this surprise?
-[son 1] Old man. How are you?
-Good.
-[Matas] Daddy.
[Antonio] Hello. How are you?
-[daughter] What are you doing, dad?
-Hi sweetheart. How are they?
-Well, you?
-How nice to see them.
How are you? What are they doing here?
-Nothing. I want to see you.
-Ah. Very good.
-Is Eliana here?
-Yes, with the new maid.
Look. New maid.
You're skinnier, dad.
Or it's the clothes, right?
No, skinnier, no. Eli me... me
The costumes changed a little.
This little kangaroo, the zapas.
-Are you doing
something on the face?
No, not in the face.
-No. How am I going to...? Daughter!
-[daughter] Well.
What's up guys,
that came suddenly?
Did something happen?
No, nothing happened. We wanted...
talk a little with you.
A topic that we were
meditating a lot.
And... well, we
seems like an option...
smart, bah,
reasonable more than anything.
[daughter] We believe that there are things
What better to foresee and...
We think that...
it would be good...
let's put
all your assets...
in our name.
It's about saving us
a lot of quilombos
that can come
in a succession in the future.
Aha.
Well, they're killing me.
-[son 1] No, dad, please.
-[daughter] No, no.
It would be like a way of...
shield
the heritage
which is family.
Very good.
And why the rush?
Is it because of Eli?
-No!
-No, dad!
It is that the sequences
They can be very... intricate.
[Matas] So, for
save us all that fuss.
Look.
You make a transfer during life
and you guarantee
the usufruct of everything.
The idea is that
you continue living
exactly the same
that as until now.
You are going to continue collecting
garage rentals,
the locals.
-All.
In practice,
It's going to be the same for you.
[hose sprays water]
[Eliana]Beyond.
Everything there. That's very good.
-[Eliana] There, no, no.
-[maid] Are those?
[Eliana]
You're flooding everything. No.
Uh... well.
Okay. Yes, yes. It stands to reason.
The procedures...
of succession are cumbersome,
yes, they are.
I can't lie to you.
they make me feel
I have one foot in the box.
-No!
-No, daddy!
And how do you plan to distribute this?
Well, there are three of us.
A third for each one.
What the law dictates.
Aha.
[Antonio] Good.
Let's go forward.
What there is not
not to forget either...
is the joint of
the safe deposit box.
That...? What joint?
And, the dollars, Lucas.
-Dollars?
-How much? How much?
A stick.
There is a million dollars.
But, excuse me,
when did you make so much money?
But... a stick?
You worked a bank, dad.
No, son.
It's fifty years
work, Lucas.
When I was promoted, I
They gave shares in the company.
We sold grandpa's house.
I didn't know that
you had done so much.
It's a lot.
Which doesn't seem fair to me
It is the way of distributing.
No, no, no.
I think the most fair thing would be
sixty percent
for Lucas.
thirty percent
For you, Mati.
And ten percent
For you, Jime.
But why?
Well because, with your mother,
and be careful, I take charge
of the part that touches me,
we always feel like we didn't go
very equitable
with the three. No.
We always benefit you more,
Jime. Lifetime.
Emotionally and economically.
Because you were the girl.
We also gave you
very much, Mati,
but much less than Jime.
The injured party was you,
Lucas.
Lifetime.
you were always
tucked inside.
You didn't communicate anything.
You didn't ask for anything.
And so it continued. Instead,
for you,
all moral and material.
That's why it doesn't seem fair to me.
distribute it this way.
It has to be sixty percent
cent for Lucas.
Thirty percent for Matas.
And ten percent for you.
No, no, no. But you
you are asking
that I compensate Lucas.
How divine my little sister, right?
Do you think I didn't realize
which they absolutely did
all for you?
[Luke]
The car, the apartment.
They made you study outside.
Not only that. The new house.
We help you with a lot of money.
I didn't put it
a gun to anyone's head.
I didn't do anything
to be a second-class son.
you never were
a second class son.
No, yes I was. Yes I was.
And I don't know if it was because you were
the center of gravity
of this house. No?
[Luke]
The little princess
And, here, the conflicted one.
And, on top of that,gay. Did you know?
It's perfect
what the old man says.
Sixty, thirty, ten.
For.
There is something about what dad says
Which I believe is true.
[Matas] I also feel that no
there was balance
and that, now,
we could make up for it.
I don't know if in that proportion.
It seems to me
than fifty
percent is enough
as if to make it up to Lucas.
Ten for Jime
and forty for me.
-You're a jerk, idiot.
-[Lucas] No, no.
Let's listen to dad.
He knows how everything was here.
They are two sons of bitches.
I'm not going to accept this in the slightest.
I'll let you know.
I'm going to put a
army of lawyers
-I'm going to break their ortho.
-[Lucas] How scary!
[Matas] Put it on, you idiot.
Fifty is fair,
forty, ten.
[Lucas] No, no.
For you, not one more point.
No no. For advantageous.
And you, nothing, rat.
Close the ortho, sick.
They screwed me all my life.
You'll see.
[Matas] Shut up!
[Jimena]
Shut your mouth, asshole.
Enough. Enough.
Enough!
The three sit down.
Guys.
The million thing
dollars is a lie.
Because all this shit
It's for Eliana.
Or do you think I was born yesterday?
They are afraid that it is
with me out of interest.
What a shame. My children.
What is this?
Look what they became.
Did they hear each other?
I never imagined seeing in you
something like that...
of miserable.
[soft instrumental music]
-[Jimena] Bye, Eli.
-[Matas] Bye.
Thanks for the visit.
-Bye.
-Bye.
Could you tell them
that they are going to have a little brother?
Not yet.
I didn't find the opportunity.
Do you think they leave
to make happy?
Very happy.
What good children you raised,
Antonio.
Excellent.
[instrumental music
soft continues]
[Antonio sighs]
[train]
[train horn]
Thank you, father. Very kind.
[background cumbia]
-Thank you, father.
-Enjoy.
[indistinct background voices]
Thank you very much, father.
[cumbia continues]
[priest] Wait.
Please wait. Hmm?
Before eating this dish of
food, let's thank God.
[priest]
Huh? You are poor.
But know that there is no
poverty greater than that of
the one who lacks God,
even if I have money.
That is the worst of poverty.
Instead,
your poverty
It has enormous virtue.
builds them
as free beings.
[priest] You don't walk
behind the last phone,
of the new car,
of the house in the country.
Because? Because they are free.
Our Pope,
who I had the
privilege to know
walking this same neighborhood,
said several years ago:
"It is of little use
wealth of pockets
when there is
poverty in the heart."
[priest] You,
dear brothers and sisters,
They are the face of Jesus.
And we must learn from you.
-The poor...
-[man] Sorry.
With all due respect, huh.
I'm starving myself.
-Oh.
Do you mind if we eat first?
And then he keeps telling us
the advantages of being poor?
No, please.
Eat, eat.
[truck horn in the distance]
Che.
I'm going to miss them.
Us too, daughter.
Linda.
[dramatic music]
You are going to love Madrid.
You'll see.
You are doing very well. Yes.
[father]
Take good care of yourself, daughter. Hey?
Write me when
you are on the plane.
Yes.
-And as soon as you arrive.
-Yeah.
You're going to be great.
I love you very much.
-You already know that...
-I know.
-If I don't like it or miss it...
-We are always waiting for you here. Hey?
[dramatic music increasing]
[dramatic music continues]
Come on, come on.
Come on, come on, come on.
[dramatic music continues]
[music fades]
[sustained tone]
[tone fades]
Shall I throw a roast
grilled now?
Hey? What do you think?
In Spain, they don't have that, eh?
-Yes they have.
-It's not the same.
[dramatic music continues]
It's not the same.
[dramatic music increasing]
[dramatic music continues]
[dramatic music ends]
[upbeat instrumental music]
[instrumental music
cheerful continues]
Grandpa! Grandfather!
Uri! How are you doing, my love?
I just landed
and I came running to look for you.
Is that for me?
Of course. What I
you asked.
Straight from Miami!
Look. And well...
It's very good. Thank you.
Let's go home. Your mom
wait to have a snack.
Can we take Santi?
-Aren't they coming to look for you?
-No. I come and go alone.
Well.
Come on, there's the car.
It's great, isn't it? Tremendous.
Yes. It's great. I have it.
-How do you have it?
-Yes of course.
-Oh really?
-Yes, yes.
Do you have the same robot?
Yes, the same.
No, I don't think it's the same.
Yes, I have it.
-What was your name?
-Santi.
Look, Santi, I'm telling you the truth.
I don't think you have
the same robot.
But I have it.
What happens is that this robot
It is not in Argentina.
I bought it in the
United States.
It's a special edition
that just came out.
But, sir, I have it.
Santi, it cost me 250 dollars.
Oh, I don't even know that.
But I have it.
Look.
Let's do something, Santi.
When we get to your house,
you go down
and you bring the robot
and you show it to us.
Come on?
But I don't know
Yes I'm going to find it.
You don't worry.
We are waiting for you.
Go look for it when you arrive.
Stop, boo.
No... No...
Seriously, I don't know
Yes I'm going to find it.
And... you look for it.
Look for it calmly. We
We wait until you return.
Don't worry.
Well.
[car door closes]
Why do you have that face?
Have a cookie. Give it.
Do you want to know what
What about your friend?
Yes.
Grandpa is going to explain it to you.
There are many people
who feel bad, poor things,
because they can't have
what
the other people have.
And that makes them angry, sad.
It's called resentment, Uriel.
They don't have a grandfather like
you have that can go to Miami,
who buys him a
grandson's expensive toy.
And that makes them angry and
they do anything
to ruin your joy.
They are so resentful.
I want to go home.
He will explain to you the
Grandpa, what's going to happen?
He is going to come and tell me:
"I didn't find it."
Or "It broke."
Or will you have to
admit that he lied to you.
And there it will be exposed
he alone with the lie.
Tomorrow you play
as if nothing had happened.
They start laughing together.
You can even lend him the robot
for him to play
also with you.
But he will realize
that the lesson...
They are the same.
-But what a son of a bitch.
-They are the same. Fight.
Ah... son of...
[robot sounds]
That's it... Well... Come on, no...
We don't have all day, Uriel.
Come on, come on.
Come on, come on. Come on!
-Well. Bye, Uri.
-Bye.
[horn]
[upbeat music]
[upbeat music continues]
[music fades]
-It's unbearable.
-But today or always?
Always... Oops. Here it comes.
Here it comes, guys. Hello, I will say.
What it took them to
put two lights, man.
You can't believe it.
four hours ago
I'm in themotorhome.
Look at this.
[director] What people. My God.
The fucking mother who gave birth to me.
Can I make you
a little question?
Don't swell my balls. Come on.
[bird chirping]
What a slow way
of making films. God.
[fly]
[bird chirping]
Cut!
It doesn't work.
Not a fucking fly landed on it.
Not one fucking mother.
I can't believe it.
You can't work like that.
They are a disaster.
Hear me.
Look at this stupid Indian.
Why are you laughing?
You don't have to laugh.
It's a sad story, idiot.
Get serious. Serious.
And this other one with the basket.
For continuity you have to
have in the other arm. Come on.
Look at the other one with the spear.
He's screwing around.
Leave her on the ground, idiot.
There it is.
These Arawis Indians, when
Columbus came,
They were backward.
And five hundred ago
years remain the same.
The fucking mother.
Hey, you, the one with the boom!
What the hell are you doing there?
Go over there.
Where is the girl who...?
Come here, baby.
Listen to me.
-Smear it well. More honey.
-You have enough, eh?
"Has enough"? Are you stupid
or don't you listen to me when I speak?
I want more.
I need the
fly lands on the face.
-Do you want to stay...
-One more day here?
-No.
I don't want to stay.
Come on. Smear it well.
[director] More honey.
That! That!
Smear it.
[director] More! Put more.
[assistant] Attention.
Let's record.
Eighty-four,
five, eleventh.
[flies]
Come on, baby! Come on!
[director] Get rid of the flies.
There it goes. There it goes. There it goes.
Go now. Go!
[flies]
[director] Concentrate.
You are a sad Indian.
[director] An Indian woman with
many problems.
[director] Dad died and
mom. A bear ate them.
[fly buzzing continues]
[director]
So helpless, baby.
[director]
That. There it goes. There it goes. So.
[director] There it is.
A fly stopped there.
[director] Great.
Still, baby. Quiet. Quietita.
[director]
That fly is spectacular.
The fucking mother!
[director]
Still, baby. Quiet.
[director]
That. Don't move. Don't breathe.
Done! Done! Come on!
Ladies and gentlemen,
this was the last shot
of the filming. We're done.
Come on, damn it.
[applause]
I stayed here one more minute,
he shot me.
Get me out of this place right now
Shit, please, come on.
[ceremony music]
[presenter in German] And the
winner in the category
Best Movie is...
[in Spanish]
To the rescue of the Arawis.
[applause and ovation]
[in German] This movie
director Ivn Gutirrez,
with a lot of humanity,
compassion and empathy,
count the
tribe problems
Arawi in Argentina.
[presenter in German]
Without a doubt, a necessary film.
[in German] Give this prize
top level
the president
of the International Association
of Film Academies,
Gianluca Mengoli.
[applause and ovation]
[ceremony music ends]
[applause continues]
I'm going to speak in Spanish.
I didn't expect it.
I appreciate
infinitely this prize,
but I can't
be happy and celebrate
when the world is the way it is.
climate change,
anti-immigration policies,
hate speeches.
My film represents what
opposite: empathy,
commitment, humanity.
I hope they serve
so that the world
know and value
to the Arawi indigenous community.
[applause]
My days with the Arawis
They have allowed me to check
his ancestral wisdom,
your sensitivity
and his human quality.
We must protect them
of this criminal capitalism.
[applause and ovation]
I want to thank this award
to the love of my life.
Robert.
I love you, Roberto.
You are everything to me.
Your ethics, your conduct of life.
That...
He marked the path for me to take
out this movie.
I love you.
I love you.
The Arawis
need, gentlemen.
[audience murmur]
[audience astonishment]
We are all Arawis!
[ovation]
[ceremony music]
[ceremony music continues]
[ovation continues]
[ceremony music
fades]
[instrumental music
soft Italian]
TOO SWEE[soft music
Italian continues]
[church bells]
[Italian music fades out]
-[in Italian] Good morning.
-[in Italian] Good morning.
[in Italian]
Lord, I am searching
to the Muscarella family.
-Muscarella.
-Yeah.
[in Italian] I'm going to show you
my grandfather's photo.
Giuseppe Muscarella.
[in Italian] I want to know the
my family's town.
I come from Argentina.
I have done twelve thousand kilometers.
[in Italian]
Do you know where the house is?
-[in Italian] Take this street.
-Yeah.
When crossing the second street,
turn right.
-[in Spanish] To the right.
-Go straight.
-Arrive at a viewpoint.
-[in Italian] Yes, sir.
[in Italian]
Continue a little to the left.
In front is the house
of the Muscarella family.
To recognize it,
The door has horns.
[in Spanish]
Is there a horn on the door?
Yes.
Why?
[in Italian]
I don't know what to say. I don't know.
[in Italian]
Good. Thank you very much, sir.
[instrumental music
soft Italian]
[soft music
Italian continues]
[soft music
Italian fades]
[in Italian] Good morning,
madam. Muscarella family?
-[in Italian] Who are you?
-I am Fabio Muscarella.
The grandson of
Giuseppe Muscarella.
I come from Argentina.
-Uncle Giuseppe!
-Yeah!
I can't believe it!
What happiness!
Ana, look who came!
Come in, come in!
Happens! Look who came.
A relative has arrived from America!
-Come in, come in!
-Permission.
-Welcome!
-What a pleasure!
-Thank you.
-What a pleasure!
-A relative from America!
-Welcome.
[in Spanish] Thank you very much.
What a joy!
I can't believe it!
[in Italian]
I brought two very Argentine things.
[in Spanish]
A Malbec wine. Extraordinary.
And alfajores.
Typical Argentine sweet.
[in Spanish]
It has dulce de leche.
-Caramel sauce?
-Caramel sauce.
-Thank you. It wasn't necessary.
-No!
-Thank you.
-Thank you.
Please.
-Did you notice?
-Hey?
has the same
eyes than Carmelo.
The eyes?
-It's true.
-It's true.
They are the same.
You are a Muscarella
one hundred percent.
[in Spanish] Obviously.
And what about the pasta? Hey?
Tina, what are you doing?
Elisabetta was my mother.
She was the younger sister
by Giuseppe.
The youngest
I remember it as a
tall, strong man,
with blonde hair.
[in Spanish] Uh... How cute.
The Muscarella brothers
There were eight.
Four women
and four men.
Four men.
He was the bravest
and adventurous.
That's why he went to America.
I wanted to go to New York.
But, I don't know how,
the ship that took
took him to Argentina.
[in Spanish]
It is that millions of Italians
They immigrated to Argentina.
I saw some
photos from Argentina.
-It's beautiful.
-Very beautiful.
With its beaches
with tall palm trees.
The giant Christ
over the hill.
[in Spanish]
No, what Christ? The obelisk.
[in Spanish] I always dreamed of
come here.
[in Spanish]
And, for one thing or another,
for work
It was always difficult for me to come.
-Do you understand when I speak?
-Yeah.
[in Spanish]
I could never come and, well,
now I could...
fulfill the dream of knowing
the town...
[in Italian] from my grandfather.
[in Spanish] What was it?
always... me... me...
-Can I see your watch?
-Do you like it?
-Do you want to see it? Yes.
-Rocco!
-Yeah. Can I try it on?
-No. All good.
Please let me try it.
[in Spanish] There it is.
Rocco!
Rocco! Give me the watch!
Come here!
-Rocco.
-Don't make me get up, Rocco!
[Fabio laughs]
[in Spanish] All good. It doesn't happen
nothing. He's going to bring it to me.
-Fabio.
-Yeah?
Tell me a little about yourself.
What do you work on in Argentina?
[in Spanish] What job?
I am an engineer.
-That?
-Engineer.
[in Spanish] Yes. I have one
construction company.
Do you have a company
construction?
Yeah.
You earn well, right?
[in Spanish] It's not bad for me.
-Fabio?
-Yeah?
Maybe you can help us.
[in Spanish] Help?
We need to buy a chair
wheels
new for Francesca.
But electric, you understand?
Because the one you have is very
old, very difficult to carry.
[in Spanish] Sure.
But we don't have the money
to buy a new one.
Poor Francesca.
He was born to suffer.
My treasure, suffer in silence.
The money for the chair
It's going to change your life.
-Yeah.
-[in Spanish] Sure. Yes, yes.
The new chair...
It costs a thousand euros.
Oops!
Now you are part of the family.
If you want to help us,
It would be a blessing.
-A blessing.
-Yeah.
[in Spanish] Well, well. Yes
I can collaborate...
With great pleasure.
I'll check at the hotel...
what I have and I make them one
transfer, whatever you can.
But you don't have cash?
[in Spanish]
No, I don't have that money on me.
Look at the wallet. Look.
-No, I don't have one.
-Look to see if there is anything.
Look.
No, but it is
I don't have that money.
-Look.
-Come on, look!
I'm sure you have something in mind
cash. Look.
[in Spanish] Surely, not.
[in Spanish]
Because I have Argentine money,
and I have nothing more than...
No, but...
Did you see what you have?
You have 600 euros.
Then look
if you have something else.
[man] Francesca.
You have to thank
because he is your relative.
Say: "Thank you, Fabio."
Thanks, Fabio.
[in Spanish] No, please,
Francesca. All good.
It's a pleasure.
Fabio.
You are a lucky person.
You were able to make money.
and that you have
decided to come to Sicily
to discover the
origins of your family
It is very important,
for that very reason,
You have to give us a hand.
Because you have money.
We don't.
[in Spanish] But me too
It's hard for me to earn that money.
In Sicily,
There are two very important things:
respect and honor.
And you have this
to take into account.
Understood?
[Fabio nods doubtfully]
[instrumental music
voltage]
[instrumental music
voltage]
Coffee?
[in Spanish] No, no.
[in Spanish] Thank you very much.
I have to be... at the hotel.
[in Spanish] Can I go to the bathroom?
Clear.
I accompany you.
I show you where it is.
[in Spanish] Good. Thank you.
-[in Spanish] Permission.
-Please.
This one has money. Attention.
[in Spanish] Hey. What's happening?
[in Spanish]
Why do you do this? No.
Help me escape
from this shitty town.
From this family of monsters.
There is no future here.
-Take me.
-[in Spanish] Calm down
-I'll do whatever you want.
-No.
-What are you doing?
-Giulia!
Julia! What are you doing?
-Don Carlo, it was the little one!
-Open!
-Go away because it kills you.
-Where to?
Giulia! What are you doing?
Giulia!
[Italian happy music]
[church bells]
Did you find the house?
[church bells continue]
[in Spanish] Grandpa Giuseppe
and the reputable mother
that remil gave birth to you.
[chase music]
[in Spanish]
The whore who gave birth to you!
[Fabio in Spanish]
Son of a bitch!
Shitty Argentinian!
[chase music ends]
[opens a alfajor]
How is it, grandmother?
Too sweet.
[main music]
[music ends]
[soft music]
[man 1] Your daughter went to
live in Spain, right?
[woman 1]
Yes, he left three weeks ago.
And here we are, as we can.
-[woman 2] So small.
Are you 22? 23?
-[woman 1] Twenty.
[man 1] Did he leave with work
or are you going to search there?
No, not specific work, but
It was with some contacts.
Lola has many friends there,
and surely you already
They are going to get something.
It's going to end
adapting for sure.
It's going to be hard for Lola
and for us.
And, of course. Obvious.
How are we naturalizing that
our children leave, flee.
It's tremendous.
Yes, in Ezeiza you see families
saying goodbye to his boys.
I came from Paris last week
passed and saw it. Very sad.
What a reversal.
And they make you a thousand
problems with papers
even if it's to work
as a waiter or babysitter.
That's very bad.
Because the Spanish forget
that we receive three
millions of Spaniards
who were fleeing from the
war and famine.
-Italians too.
-[man 2] More.
We received four
millions of Italians.
Now it's the other way around.
The kids here don't see a future.
Be careful that outside
It's not that simple.
They have their things too.
Well, in the countries
that work,
there are things that already
They are not discussed.
For me, we have no solution.
No, well, no,
group, no. It's true.
But, individually,
the argentinian
he passes the rag to anyone.
It seems like a clich, but
no. It's true.
The Argentine alone, like
individual, always stands out.
It's creative.
Solve any problem
with nothing. It's familiar.
We are supportive.
We have values.
I can't understand
how can we not
get ahead as a country.
[party music]
Well...
Well, the party is on.
I'm going to smoke outside.
[party music continues]
[street sounds]
[street sounds continue]
[man screams]
[man screams]
[woman] Help!
[man]
Call an ambulance.
-[woman] Oh my God!
What happened?
-[man] Don't move, skinny!
[man] Stay still.
Call an ambulance.
[woman] Help!
[street sounds continue]
[screams continue]
[party music in background]
[party music increases]
[door closes]
[party music fades]
[party music]
[ambulance]
[honks]
[ambulance continues]
[party music]
[party music ends]
[radio]
But now he steals the ball
in the center of
Australian countryside.
[radio]Frontal shot
for the player's appearance
who enters the area.
[radio]Kick Goal!
[radio]
Goal! Goal from Australia!
[radio]
Goal, goal, goal from Australia.
[radio]Incredibly.
[radio]Please! Terrible!
[radio]Australia three.
Argentina two.
[radio]
We are out of the World Cup.
[guard] Barrientos.
[soft music]
[radio continues]
-How is it going?
-What do you say, friend?
-All good?
-Nice night, huh?
-Well.
-Let him rest. See you tomorrow.
Thank you. See you tomorrow.
You fucking idiot!
Conchudo! You are a fat!
You are a fat!
Shit!
It's the same thing all fucking day!
Same thing all fucking day!
Hey?
Fat!
[distant barking]
[rolls down the car window]
-Is everything okay, ma'am?
-I? Excellent. You?
I thought I needed something.
I don't know... Say...
Tell me if I can help you.
Open me.
But tell me where we are going.
Wherever you go.
I'm freezing cold.
Do you turn on the heating?
It doesn't walk.
But take my jacket.
I want to die.
Should I take her somewhere?
Do you want to go back home?
I wish that was my house!
It's not my house.
How can you be so shady?
How can you be
so son of a bitch?
Die, damn it!
You don't see me anymore!
[woman sighs
deep and sobs]
I'm hungry.
Take me to eat something.
I don't have the same weight, huh?
Hello, Adela.
You're going to have to excuse me.
I need that too at night
stay taking care of mom.
An unforeseen event arose.
They asked me to
take an overshift
and surely I will
to arrive very late.
You stay calm.
I'm going to recognize the
hours with a plus.
I was starving.
Where are we?
Is this a province now?
No. Liniers.
Tell me something about yourself.
-Where do you work?
-Very close to
where I raised you.
-Oh really?
-Yes, in Madero 1700.
That's the block from my house.
Bah, well.
The house of the... bad guy.
I am at the gate
security.
There half a block.
You make a living working.
make a living
working is a man.
You must be ten times more
man that guy.
What do I know...
The guy supports his ex-wife.
He buys her new tits,
new ass
In fucking life I saw him work.
Where does the money come from?
Do you think I'm stupid?
It has to come from somewhere.
No idea.
-No one knows.
-Nobody.
Now if you ask me...
Do you have a life?
Is he happy?
-I don't know.
-And... who knows.
[soft music]
Pueyrredn and Las Heras
is it close?
No.
It's more like where we come from.
Shall I take you there?
How cute you are.
[energetic electronic music]
[electronic music continues]
[music fades]
Come on, come on. Don't be shy.
No.
[elevator door closes]
-Hi friend.
-How is it going? How are you?
-How is it going? Hello.
-Hello.
He is...
Panter, my friend.
-Nice to meet you.
-Delighted.
Exotic.
-Come in. Come in. Forward.
-Permission.
-Yes please.
-Ah!
You don't drink much, do you?
Uh... No.
When I take a little too much,
my head hurts.
[friend nods]
And where do you know each other from?
-Well...
-Life brought us together.
Yes.
-Ah, well.
-Yeah.
Did you see when you look
someone in the eyes
for the first time
and do you understand everything?
Something like that, right?
-Could be.
-No, "it may be" no.
-It's like that.
-It's like that. That's how it was.
Yes.
Doesn't it have a nice cut of
face? Look what it is.
-Yes, very virile.
-Yeah?
Yes, I don't know. It's like it has
something like... man.
I think it's the mustache
that makes him kind of macho.
-Look how jealous I am.
-No.
And what are you, then?
Friends? A couple? Couple?
-No... I don't know.
-We are connected beings.
There it goes.
-Are you fucking him,freaky?
-No no.
No...
Don't be jealous.
Furthermore, there is for
share for everyone.
[women moan]
Come here.
Uhh. Well.
[women laugh]
-There?
-Yeah.
[women moan]
Ah! Come. Let's go to the room.
[women laugh]
Very good.
[laughter continues]
[woman] Come in.
[women moan]
[moans intensify]
[moans continue]
[woman]Panter!
[woman]Panter?
-[woman]Panter!
-[friend]Panter!
[woman]Panter!
No...
[woman]
Give it. Let's see if you're so macho.
[laughs]
-[woman]Panter!
-Here...
-[woman]Come on, Panter.
-[friend] Dale.
[soft music]
[soft music continues]
[soft music increases]
[music ends]
[bird chirping]
Take your jacket. Thank you.
Oh. I think I caught a cold last night.
I hope I haven't
past no plague.
Pass me whatever you want.
Bye, handsome.
[car door closes]
[house door opens]
[bird chirping continues]
[house door closes]
[bird chirping continues]
-What do you say, Barrientos?
-Ah...
All good.
-Well, here, everything is calm.
No news.
-Well.
-See you tomorrow
God willing.
-Dale.
[soft music]
[soft music increasing]
[music ends]
[intrigue music]
[intrigue music continues]
It may be. Yes.
It would have to be studied.
I'm not very
frankly convinced.
I don't feel like it either
for the topic to spread,
did you see?
Do we agree?
Aha.
Coordinate everything with Milena.
It is she who has the link
with the ministry people.
And I leave you because
I'm already at the restaurant.
I have dinner with the people of
Canadian laboratory.
And, well, we talked about it this week.
Next time if you like, eh?
Give it. Hug.
[ambient music]
[elevator arrives]
-Please.
-Thank you.
Does it go up?
Yes.
Oh, are you also going to 54?
To the restaurant?
Yes.
Sorry.
You are Felipe Keller, right?
That's how it is.
-I recognized him by the
magazine cover.
-Ah.
What a nice family he has.
Thanks a lot.
[intrigue music]
Listen to me well.
I want 50,000 dollars
or I go down screaming
that you wanted to rape me.
-Ah. You are totally crazy.
-For.
Don't worry, Keller.
Treat it like a business
with its costs and benefits.
I call the police
in a second,
and this ends immediately.
-You're sure?
-Yeah.
-Yeah?
-Yeah.
Think what people are going to say
let him see me leave
from the elevator shouting:
"Oh, please.
Help me. "He wanted to rape me."
[intrigue music continues]
You're making a big mistake, baby.
Tomorrow, the actions...
Huge headlines:
"They accuse Felipe Keller
of sexual abuse".
It's going to be the scandal of the year.
-You're getting into
a serious problem.
-Yes, it can be.
Yes. But for you it goes
to be very late.
You're going to lose everything
even your family.
I saw photos of you in the magazine
wife and your children.
Beautiful.
It really makes you want to vomit.
You already lost. Realize.
My alias is anita.91.
You're going to transfer me right now.
It can't be done
that transfer.
They are high amounts that do not...
There are validations that...
I know you can.
Don't take me for an idiot.
You are crazy.
And, well. We will have to continue the journey
and pay the consequences.
[intrigue music increasing]
What a fucking millionaire.
It's 50,000 dollars,
or your life goes to hell.
you have time
to 54, Keller.
Forty-eight.
Forty-nine.
Fifty.
Stop it.
How nice to do business
with people like you.
Anita.91.
Ready.
I put "okay"
and I'll send you your $50,000.
No. You know what?
The price increased.
Now there are 100,000.
It's 100,000, rat.
For you it's nothing.
[intrigue music increases]
[music stops]
It's over.
I'm not going to accept this madness.
Do what you want.
I don't mind.
Okay. Perfect.
In a few seconds,
the life you knew
You're going to go to hell.
[Philip Keller
take a deep breath]
[elevator sign]
[screams] Help me, please!
This son of a bitch loved me
rape! Do something!
-No no.
-Do something!
-No, please. It's not true.
-Son of a bitch! Disgusting!
-How do you say...?
-Sick fucking rapist!
-It's a lie!
-What did you do?
[elevator sign]
[ambient music]
Does it go up?
No.
I better climb the ladder,
like this under the tummy.
[elevator sign]
[upbeat music]
[music ends]
Change. Dollar.
Euro. Real. Change.
Dollars. Real. Euros.
Change. Change. Change.
Change. Change. Hey!
[in English] The best rate of
change of the world.
[in English] The best! No?
[in English] Okay.
Change.
Change, change.
Dollars, real.
Change.
Dollars. Real.
[in Portuguese] How cute that one is.
Let's keep walking and looking.
[in Portuguese]
Hey! Brazilians?
-Yeah.
-Hey! Come on!
We are Brazilians.
[in Portuguese] I have the best
change of the city.
-[in Portuguese] From the city?
-From the city.
-[in Portuguese]
Come with me. Change?
-Yeah.
What city are they from?
-Sao Paulo.
-Sao Paulo.
[in Portuguese] A city
big. Big money.
[in Portuguese] Powerful city.
Great buildings.
-Do you know So Paulo?
-No, I don't know.
[beep of the
bill counter]
[bill counter]
[bleep]
[in Portuguese]
Perfect. Ready, William.
The dollars?
Friend.
Perfect.
[in Portuguese]
Small change for purchases...
-Small purchases.
-Thank you.
[in Portuguese]
Big bills...
Perfect.
[coughs]
Excellent.
[in Portuguese]
I would like to give you a gift.
[in Portuguese]
A gift? How nice.
-Do you like to dance tango?
-Yeah!
-Clear!
[in Portuguese]
We love tango.
This is a tanguera
extraordinary.
[in Portuguese]
The best in the world.
15 percent discount.
It's in San Telmo.
I will gladly give them to you.
[in Portuguese]
How good. Thank you.
[in Portuguese]
How good. Thank you.
I have another gift to give you.
Not for you, Guillermo.
It's for Marisa.
Here. Look what this is.
The Argentine Papita.
[in Portuguese]
How cute! Thank you.
-Please. A pleasure.
Just one question.
Marisa and Guillermo.
Pel, Maradona or Messi?
[in Portuguese]
It's a difficult question.
But, for me, Messi.
Messi, Guillermo. Marisa?
[in Portuguese]
Messi too. I love it.
He is a very boy
humble, very loved.
[in Portuguese] For me, Pel.
Pele is the best
world player.
Maradona was a great player,
but a goal with
the hand is cheating.
As an Argentinian,
I can't allow it.
And Messi is a great player.
It's brilliant.
But it's more Spanish
How Argentinian.
For me, Pel is everything.
His appearance. He nodded.
He played with both legs.
Excellent.
And the conduct, impeccable!
[in Portuguese]
But Messi is a genius.
[in Portuguese] Marisa, do you
Do you like leather jackets?
[in Portuguese]
I love leather.
[in Portuguese] But now let's go
to walk, to go for a walk.
[in Portuguese]
Before we left, we passed.
[in Portuguese]
Not now. Another day.
-Not now.
-Thank you so much.
-I'll accompany you.
-Thank you.
[Guillermo] How nice!
Hello. Brazilian marriage.
Him, blue jacket.
She, green jacket.
The weights are distributed
in the backpack, the wallet
and the coats.
He also has dollars in him
right pants pocket.
Oh! Bye! One second.
-Thank you! Kisses! Bye!
-Bye!
Thank you, very kind.
Enjoy!
Welcome to Buenos Aires.
[instrumental tango music]
[man] Hello. Well, that,
guys. Let's be gentle, huh?
Thank you.
[tango music increases]
[music ends]
[playful music]
-What are you doing?
-I'm going to drink water.
[playful music continues]
[moans]
[man] Oh!
Shall we wake you up, daddy?
No, son.
I was going to drink a little water.
My mother's shell.
Phew. I can't believe this.
One thing...
Will it be possible?
A family house.
But he shits on everything.
Disgusting shit.
Oh, Nancy, what just happened to me
pass. The fucking mother.
-What happened?
-I found him hanging out.
In the living room.
You don't know the image. For God's sake.
You can't laugh.
I want to kill myself. The most reputable
mother who gave birth to me.
Give it. Turn off.
But what...
-[Nancy takes a deep breath]
-[man] Oh...
[beats on bed]
Uhh. Another fuck is going to happen.
What a disgrace. He is 40 years old.
He's 39, Oscar.
It's the same, Nancy.
Don't tease me.
I'm not kidding you.
I agree.
But somehow
we are guilty
We consent to it all our lives.
Well, that's it. Enough.
can't continue
living in this house.
Every time we hint at it,
he acted stupid, so...
Well. Look, look. Go on.
Pam, pam, pam!
I'm going tomorrow
to grab and it's over.
[thumping on the bed accelerates]
[Nancy exhales]
[blows on the
bed intensify]
[moans]
[moans and blows
in bed they end]
It's over.
[playful music]
Here it comes.
Don't be hard on him, huh?
-Hello good.
-[Oscar] Huh. How are you? Good?
-[Oscar] Okay?
-[Nancy] Hello.
[Oscar laughs]
[playful music continues]
Did the girl leave?
He left early.
Oh. a little strong
What happened last night, right?
Sorry. My bad.
It started with a...
a dabble,
a furious groping...
No need to give details,
but it was strong.
Is something wrong?
No. It will happen,
but something nice, right?
Yes.
It's going to be very
good for everyone.
[Nancy] Yes. Yes. Totally.
Dad wants to tell you something.
Dad and mom.
-Dad and mom. Yes.
-Dad and mom.
[Oscar] Yes.
Look, Ariel.
I'm going straight and without turns.
We think you have you
than go live alone.
[playful music continues]
-Why?
-And...
because you are almost 40 years old, son.
You lived your whole life
with us.
I think it will
be very good
that you have the
experience of living alone.
[Oscar] It's nice.
I understand that not
It is the most normal.
-It's not the most normal thing.
-And what is the most normal?
Leave at 20, 30, 40?
Those are pure mandates.
Here I am... I'm a phenomenon.
You also have to
think about mom and dad.
We want to do
our own life too.
Do I bother you that much?
-No, son.
-No! Zero.
Where will I be
better care than here?
It is not about
care or not care.
It's not about that.
It is about
you can move...
the experience of
be alone in one place,
in an area, in a house.
In a...
Have your privacy.
I don't have the money either
to go live alone.
They know it.
That's not the problem.
We will always help you.
Always? At first.
Not always.
You have the theme
of money. Hmm?
But think about it, Ariel. It's a...
It's a great experience
what we are proposing to you.
Eye.
You are not going to have the
look of two old men
that monitor you
all the time
Let's see what you did,
If you peed on the toilet board,
If you left your clothes lying around...
Whatever you want do.
Total independence.
The freedom.
[music ends]
[tick]
It's okay.
[Nancy and Oscar
they exhale surprised]
Let's try.
Oh, love of my life.
Let it be known that I
here I am perfect.
But, of course, we know.
[melancholic music]
[Nancy]
You left without the guitar.
Bye, daddy.
Bye.
Be good, huh?
Come on. Come on.
[melancholic music continues]
Do you have me, friend?
There it is.
Bye, da.
Bye, my son.
Bye.
[music ends]
[tick]
[footsteps approach]
What are you doing awake?
I miss the fat man.
Stupid.
[melancholic music]
[news music]
The neighbors are gathered here
demanding more security.
Let's try to talk
with some of them.
Sir, a grandfather was robbed today.
A lifelong neighbor.
[drags the R]
Poor Don Roco.
[drags the R]
They didn't just rob him.
They left his face
like a moron
How far are we going
to continue with this?
[drags the R]
They robbed the parish
four bottles.
Nobody says anything.
It's tremendous, sir.
This is a liberated zone.
The neighbors...
-Sons of bitches.
-[police siren]
-[neighbor 1] No shame!
-[neighbor 2] Take it, cobani!
-[neighbor] Now they appear.
-[neighbor] Look.
Clear. They pass because they see
a camera
and they start the car as if
nothing.
[drags the R]
The jet has to know.
You come into my house,
what do I do? Boom, boom, boom!
-I'll kill you
-Come on, old man.
Where are you old facho?
Go to hell...
-Calm down.
-Come here.
-Calm down.
-"Old faco" he told me.
Oh my God.
Sir, I don't know how much more it can take.
That's why I suggest
let us neighbors get together
and crime ends.
[drags the R]
I tell the jet:
Jump over the dividing wall, dammit.
Jump.
I'll wait for you sitting like this.
You came into my house,
boom, boom, boom!
I'll kill you.
[drags the R]
Bye, gush.
-It's over. Or not?
-[neighbor] You're right.
-Security!
-Security!
-Security!
-Security!
And so they manifest
the residents of Villa Ballester
in the San Martn party
against insecurity
in the neighborhood.
-Security!
-Security!
[drags the R]
They entered the Carranzas.
Peace lasted a week.
[drags the R]
They stole again.
-Oh, yes?
-Fucking mother.
[drags the R]
The hardware store told me
that they robbed him
the house, Gladys.
They ate all his food,
They took I don't know how many wines.
And one screwed up
above the dining room table.
Oh, stop it, please.
We are eating.
As if it were my fault.
You already know.
If I'm not there and they come in,
the joint is
in the wood duck.
You give them to them and, thus, they
spurts go fast.
Well, enough.
I already know everything, Hannibal.
Can we eat
talking about something else?
Yes, of course, of course. Yes, yes, yes.
But you already know.
If they come in when I'm there...
Boom, boom, boom!
[crickets]
[snore]
[tick]
[intruder noises
in the distance]
[thud]
[barking in the distance]
[dry blows]
[tension music]
[indistinct voices]
[thud]
[forced entry noises]
[window opens]
[indistinct voices]
Have it. Come on, come on, come on.
[thief 1] Look there.
[thief 2] No, there is nothing here.
-There is no one, idiot.
-They are all sleeping.
[tension music]
[indistinct objects]
Let's see, come. Come on, come on.
Wake up!
[thief 1]
Where is the money?
[Gladys sobs]
[Gladys]
In the duck, the wood duck.
[thief 1]
What duck are you talking about? Give it.
[thief 2]Collaborate.
[Gladys]There. In that ornament.
[Gladys]That duck!
[thief 1]Here is the duck.
Where is the money?
-[thief 1]Where is he?
-[Gladys]Inside the duck!
[thief 1]Lock her up.
-[Gladys]No!
-[thief 2]Move forward, old woman!
[thief 2]
Give me the ring, old woman!
[Gladys] Yes.
[thief 2]
You stay quiet.
[Gladys] Yes.
[thief 1] Lock her up!
[door slam]
[tension music increases]
[thief 1] Take the TV.
[Gladys]Hannibal!
[Gladys]
What are you doing? Where are you?
[knocks on the door]
[Gladys]Hannibal!
Sons of bitches!
They don't come back here again!
[three shots]
[barks]
[drags the R]
Squirts of shit!
[shot]
[barking continues]
[shot]
It's me, Gladys.
It's me. Peaceful. It's me.
Did they hurt you?
-I told them about the duck.
-You did very well.
I shot them. Forget it.
[drags the R] Jets of
shit. They don't fuck anymore.
They will think twice
before entering a house.
[drags the R]
The terrified face they made.
You don't have an idea.
You know how I am, Gladys.
I don't doubt.
Lois I looked. Boom!
I shot him in the leg
one of them.
I hit the other one in the shoulder.
They trembled with fear.
[drags the R]
They ran away.
[Hannibal breathes heavily]
Boom, boom, boom!
[drags the R]
Bye, squirts.
[tension music]
[drags the R]
Bye, squirts.
[Hannibal cries]
[tension music increases]
[swollen]
Argentina! Argentina!
It is the dream prison
for any kid,
for any boy who
learned to
play in the wastelands,
on the street
There goes our Gonzalo.
[triumphant music]
Our gladiator.
At a firm and safe pace
in the long and
lonely walk
heading to the decisive moment.
Today you become
into a hero, kid.
Please, I ask you.
If you convert,
after 36 years,
Argentina is world champion.
There it goes. There goes our Don Quixote.
Maradona is lighting you up
From heaven, kid.
In your right boot,
you carry your heart and soul
of 45 million Argentines.
Come on, kid, for God's sake!
Come on. Grab the ball.
Messi crosses himself.
Look at the sky.
Lloris looks at him steadily.
Montiel places the ball
at the penalty spot.
Come on. Take career.
Take a deep breath. Come on, Gonzalo.
Please, I ask you.
[whistle]
Goal!
Goal!
[triumphant music continues]
Goal!
Argentina world champion!
Argentina with...
Argentina champion of...
[swollen]
Argentina! Argentina!
[swollen]
Argentina! Argentina!
[inspirational music]
[employee] Are you ready for
know your car?
[inspirational music continues]
The steering wheel is
lined in leather.
Behind him he has the
cam control.
It is used to pass
from automatic to manual.
[employee] There you go
the multimedia screen,
touchscreen,
that comes with voice
Built-in control.
[employee] The information
on-board computer
you will see it projected in the form of
hologram on the windshield.
[employee] For example, pressure
of tires, fuel.
[employee]
The GPS issue is central.
You can see it on the screen.
[employee] You can too
synchronize with your cell phone.
[employee] Or use thesoftware
of the vehicle which is very good.
Sir, are you listening?
Yes dear.
Here there is...
a lot of personal effort,
a lot of work
and a lot of sacrifice.
-[employee] I congratulate you.
-Thank you.
[employee]
He has a great car.
And now... the time has come.
Yes.
[employee] "Start".
[engine starts]
[upbeat music]
[computer]
What is the message?
Love, I'm five blocks away.
Go down
I'll show you the ship.
[computer] I am sending you
your message to Monica.
[notification
from the computer]
[car approaches]
[car crashes]
Oh! Ah!
Oh, my mother's pussy!
Oh, the fucking mother
that remil gave birth to you,
son of a bitch.
-You made my car shit.
-Sorry.
Fucking asshole.
I was left without brakes.
Shit lining.
The original painting never
the more it recovers.
Sorry. Sorry.
Not even in twenty lives can you
buy this car,
shit shit
Look at the poronga
in which you walk.
Give me the insurance,
the fucking mother who gave birth to you.
Eh... I don't have insurance.
How come you don't have insurance?
shit lumpen,
irresponsible?
[insistent honks]
Hey...
Forgive me.
-Hey?
-You're not Herrera?
[insistent honks]
Yes, Sergio Herrera.
[honks continue]
[honks continue]
No.
Ernest?
Ernesto Antonuzi? No!
Oh, idiot!
[insistent honks]
How are you doing?
Oh! I can't believe you!
Son of a bitch.
With the beard... You look the same.
How can I be the same?
Fifty years have passed, Sergio.
-[driver] Move it!
-Stop a little. There are "you, you."
[driver]
The whore who gave birth to you!
You go to
the whore who gave birth to you.
-Your mother's pussy.
-Are you in a hurry?
[Sergio] The car crashed into me.
And you keep bitching. Bancmela.
I always remember
when they caught us
with all arms
macheted
-Do you remember?
-How not? We were two savages.
You made the first
year with me.
Then you
You changed schools.
I went to Avellaneda. AND
I think we didn't see each other again there.
-Are you still drawing?
-No no.
Unclogging and plumbing.
-Ah. You are with this.
-Yes, yes.
And do you work with the car?
I worked. Look how it turned out.
Don't worry. No.
I'm going to say
that I braked suddenly.
You accidentally wore me.
I mean, it's my fault.
my insurance
It's going to catch you. Forget it.
-And can that be done?
-It's going to be done.
I thank you very much, Sergio.
You're crazy, Ernesto.
How wonderful.
Tell me about yourself.
Nothing.
What do I know... What...
[Sergio] I got married
with a companion
the faculty, Monica.
[Sergio]
I was going home now. And you?
[honks and
insults continue]
[Ernesto] It's a long story
that one day I will tell you.
[upbeat music]
[honks and
insults continue]
[music fades]
[employee]
Let me park it.
[man] Thank you.
[ambient music]
[cell phone vibrates]
[young man] Excuse me.
Don't you have some money?
so can I eat something?
[joking waiter] Hey, kid.
Excuse me, don.
Don't you have some money?
like something?
I told you a thousand times
that can't be done here.
Don't worry, Beto. All good.
Come on.
What is your name?
Axel.
Are you hungry, Axel?
[cell phone vibrates]
Sit down.
Don't worry. Sit down. Alright.
[man] Really.
[cell phone vibrates]
Beto, bring me a menu.
Thank you.
Order whatever you want.
Whatever you want?
[cell phone vibrates]
And what is your day like?
Do you get up in the morning
and you go out to ask?
Yes to my mom
he gets a job,
I take my little brother
to the dining room.
I help her with cardboard sometimes.
But if not, I'll take the train
here in the center... to order.
[cell phone vibrates]
What a shit country.
My mother's shell.
[cell phone vibrates]
I'm going to turn this off or I'm going to
break balls all day.
And what do you do?
What do I do?
What do I do? Business.
We buy medium-sized companies
falls, we inflate them
and we sell them more expensive.
And then I'm involved in everything
everything related to the crypto world.
I have a partner, Lucas,
friend and brother of life.
And do you have children?
Two.
One is about your age.
You are on the street all day.
And he would tell you that he never set foot
the sidewalk My God.
Country life.
And, let's see, tell me, Axel.
What is your dream?
Hey...
Sneakers.
Is that your dream?
Yes. Sneakers.
[triumphant music]
Good shoes.
Take them. Take them.
Take them to your
little brothers too.
[triumphant music continues]
Do you want a cell phone?
Oh really?
But leave it to me.
[seller] Good afternoon.
What are they looking for?
A phone for him.
Something good, huh? Latest.
Do you want something else?
[music ends]
What an iron, huh?
Yes. Tremendous.
He didn't need to take me.
No. You have all the bags.
Besides, I don't
costs nothing. Forget it.
I have a curiosity.
Do you take drugs?
-Faso.
-Faso?
Yes he paints.
But I'm hungry, so...
What do I know?
-Not something else.
-It's very nice.
And you?
A joint, yes.
Yes, at night, with a little wine,
with my wife, looking at the lake.
I like it. It places me.
It's good.
You will think that I am
a millionaire, right?
With this truck, what can I do?
buy what I want.
You don't have the slightest idea
how lucky you are.
Because?
The twine,
when you cross a limit,
it plays against you.
I don't know. You want more.
you become a slave
of all that.
Instead, you...
You do what you sing
ass from morning to night.
It's wonderful.
If you give me a choice,
I prefer the twine, eh?
Let's be honest. Yes indeed.
But...
Yours is nice too.
[man laughs]
[reggaeton music]
[barks]
-Leave me in that corner.
-No, I'll take you.
Better not to enter the neighborhood
with this truck.
Ah, okay, okay.
[reggaeton continues]
Well, Axel.
It's a pleasure to have met you.
give me the key
and get out of the car.
Give me the key and get off,
old idiot
Joke.
With everything he bought me.
See if I'm going to steal from you.
Bye.
[car door closes]
[trunk beep]
[reggaeton continues]
[reggaeton intensifies]
[music stops]
[engine starts]
[message tone]
[man]Hello, Lucas, friend.
Forgive me.
I hung up on you all afternoon.
I just turned off the phone and
I'm only now seeing the messages.
I lived an experience
extraordinary, stupid.
You don't know.
With a kid from the street,
those who are asking.
Do you know what I did, idiot?
I invited him to morph.
No. No. I almost died.
I chatted.
Then I took him shopping.
At one point, I told him:
"Buy what
you want, kid."
You don't know the face he made.
But it blew my mind
experience.
Flashe, idiot. Oh really.
And do you know how much it cost me?
I don't know. If I take it to dollars...
Less than four lucas, idiot.
Less than four lucas.
Nothing. I'm happy.
I wanted to tell you. Bye, bye.
Ah!
[message tone]
Luke, I forgot.
Did you talk to him
fat son of a bitch
of the financial?
What the hell happened to him?
Five and a half wants to collect?
But what was smoked
that idiot?
He's crazy.
Cut off its legs.
Did he say that without consulting?
Let him go to hell.
We are?
Hug.
I had forgotten. Look.
Son of a bitch.
[Argentine National Anthem]
[announcer]
According to what is established
by article 75
of law 26,522
audiovisual communication,
from this moment on,
they broadcast National Radio
and Public Television
together with all the stations
that make up the national chain
radio and
television throughout the country
on the occasion of the transmission
from the first message
to the Argentine people
of the brand new president-elect.
[announcer]Speak to the country,
Mr. President
of the nation
Dr. Jos Luis Estrada.
[National Anthem
Argentino ends]
Good night.
[coughs in the distance]
[Estrada swallows]
Get me out of here!
The whore
mother who gave birth to them.
[Estrada] Everyone leave
to his mother's shell.
[door slam]
[announcer]He spoke to the country
Mr. President
of the nation,
Dr. Jos Luis Estrada.
[announcer]
From this moment on,
all radio stations and
country television
they continue with their
usual programming.
[announcer]Thank you very much.
[Argentine National Anthem]
[National Anthem
Argentino ends]
-[father] Good.
-[daughter] Enough.
[son 1] Bravo!
[whistle approvingly]
[son 2] Opa, oppa!
[father] Let's see, let's see, let's see.
Wow! I miss the point, right?
-[son 1] That one!
-[applause]
[applause continues]
[soft instrumental music]
[music ends]
Well, guys. Hey...
The truth is that
I invited them here, home,
because I need to tell you something.
Are you sick, dad?
-Oh, no, daughter, please.
-Oh.
No, I'm better than
never, my love. No.
On the contrary, what I love them
counting is a nice thing.
Well.
Get out, old man.
What a nerve. Come on, talk, dad.
Well...
As you already know,
two months ago it was fulfilled
one year of
mother's death.
-[daughter nods]
-Huh?
And I want you to know that she
it will always be
the love of my life.
And he gave me the most important thing,
you.
Oh, do you have a girlfriend, dad?
Yes, dear.
Liquid.
[son 2 laughs nervously]
Well... Who... who is it?
You do want to tell us, right?
-Do we know her?
-Yes, Mati.
Who?
Eliana.
-Hey?
-[daughter sighs]
[daughter] No.
-What?
-No.
-[father] Yes.
-Dad!
Eli?
Dad.
Eliana,
can you come for a moment?
No, stop, dad. Oh ok.
Well.
Well, now yes.
I present to you,
Formally, to my girlfriend.
-[Matas laughs nervously]
-[daughter sighs]
Congratulations to the couple.
Congratulations.
Yes, congratulations.
Thank you.
This deserves a little champagne,
right?
-I'm going to look for it.
-No no.
I'm going. I'm going.
-Eli.
-[daughter] Eli.
-Where did you live?
-[Eliana] In Moreno.
In the province.
But now Antonio asks me
May I stay here more days.
But you are...
you are from here You are...
Bah... Are you Argentine, let's say?
-Listen to me something.
-No problem.
It doesn't bother me.
[Eliana]
I understand that for you
This may be a little strange.
And, yes, I am Argentine,
from Clorinda, Formosa.
And has it been a long time
Are they dating or...?
-[daughter] Bah, I don't know.
Are they a couple?
[Antonio] Permission.
-[soft instrumental music]
-[nervous laughs]
-Well.
-[son 1] A little champagne.
[Antonio] Come on. Oops! Uh-oh.
[Eliana] These are the
cleaning products.
[Eliana]
With these cupboards, you must have
be very careful because
They are very delicate.
Always clean them
with a chamois
and never with brushes
because they get scratched.
-Yes, ma'am.
-It's important.
Oh. Sorry. Hello.
-Good afternoon.
-Good afternoon.
Rosa, this is Antonio, my boyfriend.
-How are you doing?
-Nice to meet you.
My love, do you want me to book
in Marcelo
for dinner in Puerto Madero?
[bell]
Ring at this time. How odd.
-Hello! And this surprise?
-[son 1] Old man. How are you?
-Good.
-[Matas] Daddy.
[Antonio] Hello. How are you?
-[daughter] What are you doing, dad?
-Hi sweetheart. How are they?
-Well, you?
-How nice to see them.
How are you? What are they doing here?
-Nothing. I want to see you.
-Ah. Very good.
-Is Eliana here?
-Yes, with the new maid.
Look. New maid.
You're skinnier, dad.
Or it's the clothes, right?
No, skinnier, no. Eli me... me
The costumes changed a little.
This little kangaroo, the zapas.
-Are you doing
something on the face?
No, not in the face.
-No. How am I going to...? Daughter!
-[daughter] Well.
What's up guys,
that came suddenly?
Did something happen?
No, nothing happened. We wanted...
talk a little with you.
A topic that we were
meditating a lot.
And... well, we
seems like an option...
smart, bah,
reasonable more than anything.
[daughter] We believe that there are things
What better to foresee and...
We think that...
it would be good...
let's put
all your assets...
in our name.
It's about saving us
a lot of quilombos
that can come
in a succession in the future.
Aha.
Well, they're killing me.
-[son 1] No, dad, please.
-[daughter] No, no.
It would be like a way of...
shield
the heritage
which is family.
Very good.
And why the rush?
Is it because of Eli?
-No!
-No, dad!
It is that the sequences
They can be very... intricate.
[Matas] So, for
save us all that fuss.
Look.
You make a transfer during life
and you guarantee
the usufruct of everything.
The idea is that
you continue living
exactly the same
that as until now.
You are going to continue collecting
garage rentals,
the locals.
-All.
In practice,
It's going to be the same for you.
[hose sprays water]
[Eliana]Beyond.
Everything there. That's very good.
-[Eliana] There, no, no.
-[maid] Are those?
[Eliana]
You're flooding everything. No.
Uh... well.
Okay. Yes, yes. It stands to reason.
The procedures...
of succession are cumbersome,
yes, they are.
I can't lie to you.
they make me feel
I have one foot in the box.
-No!
-No, daddy!
And how do you plan to distribute this?
Well, there are three of us.
A third for each one.
What the law dictates.
Aha.
[Antonio] Good.
Let's go forward.
What there is not
not to forget either...
is the joint of
the safe deposit box.
That...? What joint?
And, the dollars, Lucas.
-Dollars?
-How much? How much?
A stick.
There is a million dollars.
But, excuse me,
when did you make so much money?
But... a stick?
You worked a bank, dad.
No, son.
It's fifty years
work, Lucas.
When I was promoted, I
They gave shares in the company.
We sold grandpa's house.
I didn't know that
you had done so much.
It's a lot.
Which doesn't seem fair to me
It is the way of distributing.
No, no, no.
I think the most fair thing would be
sixty percent
for Lucas.
thirty percent
For you, Mati.
And ten percent
For you, Jime.
But why?
Well because, with your mother,
and be careful, I take charge
of the part that touches me,
we always feel like we didn't go
very equitable
with the three. No.
We always benefit you more,
Jime. Lifetime.
Emotionally and economically.
Because you were the girl.
We also gave you
very much, Mati,
but much less than Jime.
The injured party was you,
Lucas.
Lifetime.
you were always
tucked inside.
You didn't communicate anything.
You didn't ask for anything.
And so it continued. Instead,
for you,
all moral and material.
That's why it doesn't seem fair to me.
distribute it this way.
It has to be sixty percent
cent for Lucas.
Thirty percent for Matas.
And ten percent for you.
No, no, no. But you
you are asking
that I compensate Lucas.
How divine my little sister, right?
Do you think I didn't realize
which they absolutely did
all for you?
[Luke]
The car, the apartment.
They made you study outside.
Not only that. The new house.
We help you with a lot of money.
I didn't put it
a gun to anyone's head.
I didn't do anything
to be a second-class son.
you never were
a second class son.
No, yes I was. Yes I was.
And I don't know if it was because you were
the center of gravity
of this house. No?
[Luke]
The little princess
And, here, the conflicted one.
And, on top of that,gay. Did you know?
It's perfect
what the old man says.
Sixty, thirty, ten.
For.
There is something about what dad says
Which I believe is true.
[Matas] I also feel that no
there was balance
and that, now,
we could make up for it.
I don't know if in that proportion.
It seems to me
than fifty
percent is enough
as if to make it up to Lucas.
Ten for Jime
and forty for me.
-You're a jerk, idiot.
-[Lucas] No, no.
Let's listen to dad.
He knows how everything was here.
They are two sons of bitches.
I'm not going to accept this in the slightest.
I'll let you know.
I'm going to put a
army of lawyers
-I'm going to break their ortho.
-[Lucas] How scary!
[Matas] Put it on, you idiot.
Fifty is fair,
forty, ten.
[Lucas] No, no.
For you, not one more point.
No no. For advantageous.
And you, nothing, rat.
Close the ortho, sick.
They screwed me all my life.
You'll see.
[Matas] Shut up!
[Jimena]
Shut your mouth, asshole.
Enough. Enough.
Enough!
The three sit down.
Guys.
The million thing
dollars is a lie.
Because all this shit
It's for Eliana.
Or do you think I was born yesterday?
They are afraid that it is
with me out of interest.
What a shame. My children.
What is this?
Look what they became.
Did they hear each other?
I never imagined seeing in you
something like that...
of miserable.
[soft instrumental music]
-[Jimena] Bye, Eli.
-[Matas] Bye.
Thanks for the visit.
-Bye.
-Bye.
Could you tell them
that they are going to have a little brother?
Not yet.
I didn't find the opportunity.
Do you think they leave
to make happy?
Very happy.
What good children you raised,
Antonio.
Excellent.
[instrumental music
soft continues]
[Antonio sighs]
[train]
[train horn]
Thank you, father. Very kind.
[background cumbia]
-Thank you, father.
-Enjoy.
[indistinct background voices]
Thank you very much, father.
[cumbia continues]
[priest] Wait.
Please wait. Hmm?
Before eating this dish of
food, let's thank God.
[priest]
Huh? You are poor.
But know that there is no
poverty greater than that of
the one who lacks God,
even if I have money.
That is the worst of poverty.
Instead,
your poverty
It has enormous virtue.
builds them
as free beings.
[priest] You don't walk
behind the last phone,
of the new car,
of the house in the country.
Because? Because they are free.
Our Pope,
who I had the
privilege to know
walking this same neighborhood,
said several years ago:
"It is of little use
wealth of pockets
when there is
poverty in the heart."
[priest] You,
dear brothers and sisters,
They are the face of Jesus.
And we must learn from you.
-The poor...
-[man] Sorry.
With all due respect, huh.
I'm starving myself.
-Oh.
Do you mind if we eat first?
And then he keeps telling us
the advantages of being poor?
No, please.
Eat, eat.
[truck horn in the distance]
Che.
I'm going to miss them.
Us too, daughter.
Linda.
[dramatic music]
You are going to love Madrid.
You'll see.
You are doing very well. Yes.
[father]
Take good care of yourself, daughter. Hey?
Write me when
you are on the plane.
Yes.
-And as soon as you arrive.
-Yeah.
You're going to be great.
I love you very much.
-You already know that...
-I know.
-If I don't like it or miss it...
-We are always waiting for you here. Hey?
[dramatic music increasing]
[dramatic music continues]
Come on, come on.
Come on, come on, come on.
[dramatic music continues]
[music fades]
[sustained tone]
[tone fades]
Shall I throw a roast
grilled now?
Hey? What do you think?
In Spain, they don't have that, eh?
-Yes they have.
-It's not the same.
[dramatic music continues]
It's not the same.
[dramatic music increasing]
[dramatic music continues]
[dramatic music ends]
[upbeat instrumental music]
[instrumental music
cheerful continues]
Grandpa! Grandfather!
Uri! How are you doing, my love?
I just landed
and I came running to look for you.
Is that for me?
Of course. What I
you asked.
Straight from Miami!
Look. And well...
It's very good. Thank you.
Let's go home. Your mom
wait to have a snack.
Can we take Santi?
-Aren't they coming to look for you?
-No. I come and go alone.
Well.
Come on, there's the car.
It's great, isn't it? Tremendous.
Yes. It's great. I have it.
-How do you have it?
-Yes of course.
-Oh really?
-Yes, yes.
Do you have the same robot?
Yes, the same.
No, I don't think it's the same.
Yes, I have it.
-What was your name?
-Santi.
Look, Santi, I'm telling you the truth.
I don't think you have
the same robot.
But I have it.
What happens is that this robot
It is not in Argentina.
I bought it in the
United States.
It's a special edition
that just came out.
But, sir, I have it.
Santi, it cost me 250 dollars.
Oh, I don't even know that.
But I have it.
Look.
Let's do something, Santi.
When we get to your house,
you go down
and you bring the robot
and you show it to us.
Come on?
But I don't know
Yes I'm going to find it.
You don't worry.
We are waiting for you.
Go look for it when you arrive.
Stop, boo.
No... No...
Seriously, I don't know
Yes I'm going to find it.
And... you look for it.
Look for it calmly. We
We wait until you return.
Don't worry.
Well.
[car door closes]
Why do you have that face?
Have a cookie. Give it.
Do you want to know what
What about your friend?
Yes.
Grandpa is going to explain it to you.
There are many people
who feel bad, poor things,
because they can't have
what
the other people have.
And that makes them angry, sad.
It's called resentment, Uriel.
They don't have a grandfather like
you have that can go to Miami,
who buys him a
grandson's expensive toy.
And that makes them angry and
they do anything
to ruin your joy.
They are so resentful.
I want to go home.
He will explain to you the
Grandpa, what's going to happen?
He is going to come and tell me:
"I didn't find it."
Or "It broke."
Or will you have to
admit that he lied to you.
And there it will be exposed
he alone with the lie.
Tomorrow you play
as if nothing had happened.
They start laughing together.
You can even lend him the robot
for him to play
also with you.
But he will realize
that the lesson...
They are the same.
-But what a son of a bitch.
-They are the same. Fight.
Ah... son of...
[robot sounds]
That's it... Well... Come on, no...
We don't have all day, Uriel.
Come on, come on.
Come on, come on. Come on!
-Well. Bye, Uri.
-Bye.
[horn]
[upbeat music]
[upbeat music continues]
[music fades]
-It's unbearable.
-But today or always?
Always... Oops. Here it comes.
Here it comes, guys. Hello, I will say.
What it took them to
put two lights, man.
You can't believe it.
four hours ago
I'm in themotorhome.
Look at this.
[director] What people. My God.
The fucking mother who gave birth to me.
Can I make you
a little question?
Don't swell my balls. Come on.
[bird chirping]
What a slow way
of making films. God.
[fly]
[bird chirping]
Cut!
It doesn't work.
Not a fucking fly landed on it.
Not one fucking mother.
I can't believe it.
You can't work like that.
They are a disaster.
Hear me.
Look at this stupid Indian.
Why are you laughing?
You don't have to laugh.
It's a sad story, idiot.
Get serious. Serious.
And this other one with the basket.
For continuity you have to
have in the other arm. Come on.
Look at the other one with the spear.
He's screwing around.
Leave her on the ground, idiot.
There it is.
These Arawis Indians, when
Columbus came,
They were backward.
And five hundred ago
years remain the same.
The fucking mother.
Hey, you, the one with the boom!
What the hell are you doing there?
Go over there.
Where is the girl who...?
Come here, baby.
Listen to me.
-Smear it well. More honey.
-You have enough, eh?
"Has enough"? Are you stupid
or don't you listen to me when I speak?
I want more.
I need the
fly lands on the face.
-Do you want to stay...
-One more day here?
-No.
I don't want to stay.
Come on. Smear it well.
[director] More honey.
That! That!
Smear it.
[director] More! Put more.
[assistant] Attention.
Let's record.
Eighty-four,
five, eleventh.
[flies]
Come on, baby! Come on!
[director] Get rid of the flies.
There it goes. There it goes. There it goes.
Go now. Go!
[flies]
[director] Concentrate.
You are a sad Indian.
[director] An Indian woman with
many problems.
[director] Dad died and
mom. A bear ate them.
[fly buzzing continues]
[director]
So helpless, baby.
[director]
That. There it goes. There it goes. So.
[director] There it is.
A fly stopped there.
[director] Great.
Still, baby. Quiet. Quietita.
[director]
That fly is spectacular.
The fucking mother!
[director]
Still, baby. Quiet.
[director]
That. Don't move. Don't breathe.
Done! Done! Come on!
Ladies and gentlemen,
this was the last shot
of the filming. We're done.
Come on, damn it.
[applause]
I stayed here one more minute,
he shot me.
Get me out of this place right now
Shit, please, come on.
[ceremony music]
[presenter in German] And the
winner in the category
Best Movie is...
[in Spanish]
To the rescue of the Arawis.
[applause and ovation]
[in German] This movie
director Ivn Gutirrez,
with a lot of humanity,
compassion and empathy,
count the
tribe problems
Arawi in Argentina.
[presenter in German]
Without a doubt, a necessary film.
[in German] Give this prize
top level
the president
of the International Association
of Film Academies,
Gianluca Mengoli.
[applause and ovation]
[ceremony music ends]
[applause continues]
I'm going to speak in Spanish.
I didn't expect it.
I appreciate
infinitely this prize,
but I can't
be happy and celebrate
when the world is the way it is.
climate change,
anti-immigration policies,
hate speeches.
My film represents what
opposite: empathy,
commitment, humanity.
I hope they serve
so that the world
know and value
to the Arawi indigenous community.
[applause]
My days with the Arawis
They have allowed me to check
his ancestral wisdom,
your sensitivity
and his human quality.
We must protect them
of this criminal capitalism.
[applause and ovation]
I want to thank this award
to the love of my life.
Robert.
I love you, Roberto.
You are everything to me.
Your ethics, your conduct of life.
That...
He marked the path for me to take
out this movie.
I love you.
I love you.
The Arawis
need, gentlemen.
[audience murmur]
[audience astonishment]
We are all Arawis!
[ovation]
[ceremony music]
[ceremony music continues]
[ovation continues]
[ceremony music
fades]
[instrumental music
soft Italian]
TOO SWEE[soft music
Italian continues]
[church bells]
[Italian music fades out]
-[in Italian] Good morning.
-[in Italian] Good morning.
[in Italian]
Lord, I am searching
to the Muscarella family.
-Muscarella.
-Yeah.
[in Italian] I'm going to show you
my grandfather's photo.
Giuseppe Muscarella.
[in Italian] I want to know the
my family's town.
I come from Argentina.
I have done twelve thousand kilometers.
[in Italian]
Do you know where the house is?
-[in Italian] Take this street.
-Yeah.
When crossing the second street,
turn right.
-[in Spanish] To the right.
-Go straight.
-Arrive at a viewpoint.
-[in Italian] Yes, sir.
[in Italian]
Continue a little to the left.
In front is the house
of the Muscarella family.
To recognize it,
The door has horns.
[in Spanish]
Is there a horn on the door?
Yes.
Why?
[in Italian]
I don't know what to say. I don't know.
[in Italian]
Good. Thank you very much, sir.
[instrumental music
soft Italian]
[soft music
Italian continues]
[soft music
Italian fades]
[in Italian] Good morning,
madam. Muscarella family?
-[in Italian] Who are you?
-I am Fabio Muscarella.
The grandson of
Giuseppe Muscarella.
I come from Argentina.
-Uncle Giuseppe!
-Yeah!
I can't believe it!
What happiness!
Ana, look who came!
Come in, come in!
Happens! Look who came.
A relative has arrived from America!
-Come in, come in!
-Permission.
-Welcome!
-What a pleasure!
-Thank you.
-What a pleasure!
-A relative from America!
-Welcome.
[in Spanish] Thank you very much.
What a joy!
I can't believe it!
[in Italian]
I brought two very Argentine things.
[in Spanish]
A Malbec wine. Extraordinary.
And alfajores.
Typical Argentine sweet.
[in Spanish]
It has dulce de leche.
-Caramel sauce?
-Caramel sauce.
-Thank you. It wasn't necessary.
-No!
-Thank you.
-Thank you.
Please.
-Did you notice?
-Hey?
has the same
eyes than Carmelo.
The eyes?
-It's true.
-It's true.
They are the same.
You are a Muscarella
one hundred percent.
[in Spanish] Obviously.
And what about the pasta? Hey?
Tina, what are you doing?
Elisabetta was my mother.
She was the younger sister
by Giuseppe.
The youngest
I remember it as a
tall, strong man,
with blonde hair.
[in Spanish] Uh... How cute.
The Muscarella brothers
There were eight.
Four women
and four men.
Four men.
He was the bravest
and adventurous.
That's why he went to America.
I wanted to go to New York.
But, I don't know how,
the ship that took
took him to Argentina.
[in Spanish]
It is that millions of Italians
They immigrated to Argentina.
I saw some
photos from Argentina.
-It's beautiful.
-Very beautiful.
With its beaches
with tall palm trees.
The giant Christ
over the hill.
[in Spanish]
No, what Christ? The obelisk.
[in Spanish] I always dreamed of
come here.
[in Spanish]
And, for one thing or another,
for work
It was always difficult for me to come.
-Do you understand when I speak?
-Yeah.
[in Spanish]
I could never come and, well,
now I could...
fulfill the dream of knowing
the town...
[in Italian] from my grandfather.
[in Spanish] What was it?
always... me... me...
-Can I see your watch?
-Do you like it?
-Do you want to see it? Yes.
-Rocco!
-Yeah. Can I try it on?
-No. All good.
Please let me try it.
[in Spanish] There it is.
Rocco!
Rocco! Give me the watch!
Come here!
-Rocco.
-Don't make me get up, Rocco!
[Fabio laughs]
[in Spanish] All good. It doesn't happen
nothing. He's going to bring it to me.
-Fabio.
-Yeah?
Tell me a little about yourself.
What do you work on in Argentina?
[in Spanish] What job?
I am an engineer.
-That?
-Engineer.
[in Spanish] Yes. I have one
construction company.
Do you have a company
construction?
Yeah.
You earn well, right?
[in Spanish] It's not bad for me.
-Fabio?
-Yeah?
Maybe you can help us.
[in Spanish] Help?
We need to buy a chair
wheels
new for Francesca.
But electric, you understand?
Because the one you have is very
old, very difficult to carry.
[in Spanish] Sure.
But we don't have the money
to buy a new one.
Poor Francesca.
He was born to suffer.
My treasure, suffer in silence.
The money for the chair
It's going to change your life.
-Yeah.
-[in Spanish] Sure. Yes, yes.
The new chair...
It costs a thousand euros.
Oops!
Now you are part of the family.
If you want to help us,
It would be a blessing.
-A blessing.
-Yeah.
[in Spanish] Well, well. Yes
I can collaborate...
With great pleasure.
I'll check at the hotel...
what I have and I make them one
transfer, whatever you can.
But you don't have cash?
[in Spanish]
No, I don't have that money on me.
Look at the wallet. Look.
-No, I don't have one.
-Look to see if there is anything.
Look.
No, but it is
I don't have that money.
-Look.
-Come on, look!
I'm sure you have something in mind
cash. Look.
[in Spanish] Surely, not.
[in Spanish]
Because I have Argentine money,
and I have nothing more than...
No, but...
Did you see what you have?
You have 600 euros.
Then look
if you have something else.
[man] Francesca.
You have to thank
because he is your relative.
Say: "Thank you, Fabio."
Thanks, Fabio.
[in Spanish] No, please,
Francesca. All good.
It's a pleasure.
Fabio.
You are a lucky person.
You were able to make money.
and that you have
decided to come to Sicily
to discover the
origins of your family
It is very important,
for that very reason,
You have to give us a hand.
Because you have money.
We don't.
[in Spanish] But me too
It's hard for me to earn that money.
In Sicily,
There are two very important things:
respect and honor.
And you have this
to take into account.
Understood?
[Fabio nods doubtfully]
[instrumental music
voltage]
[instrumental music
voltage]
Coffee?
[in Spanish] No, no.
[in Spanish] Thank you very much.
I have to be... at the hotel.
[in Spanish] Can I go to the bathroom?
Clear.
I accompany you.
I show you where it is.
[in Spanish] Good. Thank you.
-[in Spanish] Permission.
-Please.
This one has money. Attention.
[in Spanish] Hey. What's happening?
[in Spanish]
Why do you do this? No.
Help me escape
from this shitty town.
From this family of monsters.
There is no future here.
-Take me.
-[in Spanish] Calm down
-I'll do whatever you want.
-No.
-What are you doing?
-Giulia!
Julia! What are you doing?
-Don Carlo, it was the little one!
-Open!
-Go away because it kills you.
-Where to?
Giulia! What are you doing?
Giulia!
[Italian happy music]
[church bells]
Did you find the house?
[church bells continue]
[in Spanish] Grandpa Giuseppe
and the reputable mother
that remil gave birth to you.
[chase music]
[in Spanish]
The whore who gave birth to you!
[Fabio in Spanish]
Son of a bitch!
Shitty Argentinian!
[chase music ends]
[opens a alfajor]
How is it, grandmother?
Too sweet.
[main music]