Jurassic Predator (2018) Movie Script
1
[dramatic music]
[lively rock music]
[door rattling]
All right, mate.
Can I have an Americano
ma-cause, is it-- Is that it?
Jesus, have you just
got normal coffee
with black coffee
with milk in it, yeah?
We got flat white.
Yeah, whatever, take away, yeah.
Do you want demi, grande,
venti, trenti, or tall?
What?
for that, mate.
It's just the sizes of the cups.
Make it a large, help
me get over the trauma
of ordering the bloody thing.
[Barrista] Uh--
What's the name?
Whatchu want that for?
We write the names on the cups
so we don't get the
orders mixed up.
"Organs", the name's "Organs".
-[cup taps on counter]
-All right.
Be right with you.
Yeah, step on it, Samson.
[tense music]
[tense music continues]
-[tense music continues]
-All right.
That will be 2.40, please.
[Hawkins]
2.40? That's not even a large!
Bloody daylight
robbery in here, mate.
Yeah, here's a 10-spot.
Keep the change,
get your hair cut.
[tense music continues]
[door rattling]
[door rattles shut]
[tense music continues]
[vehicles whooshing]
[tense music continues]
-[woman gasps]
-[Robber] Stay there.
Stay there, stay there!
Okay, everybody,
stay calm, stay calm,
that's it, that's it.
Okay, everybody, stay calm,
nobody's gonna get hurt.
Come on, come on, come on.
Come on, wallet please,
ma'am, that's it.
Wallets, mother, that's it.
That's it, come on, hurry
up, hurry up, hurry up!
You have any money, huh?
Check your pockets.
Where's your money?!
That's it, come on!
Okay, everybody stay calm.
All right, yeah? Yeah?
Everybody happy?
That's it, that's it.
Good.
You, out.
Come on!
-Don't have time for this shit.
-[woman gasps]
Stay there!
Right, open the till!
I can't.
-[Robber] Open the--
-He can't!
Oy! Shut up!
Open the till up or I'll
blow your fucking head off!
I can't!
What are you talking about?
The till can only be opened
if there's a cash
or card transaction.
Oh, for fuck's sake!
Here,
here,
just make like you
would a kid, mate,
and I'll have one of those
grand cappuccinos [giggles].
[door squeaking]
Fuck.
Where the hell
did you come from?
[door squeaking and rattling]
Stay where you are or
I'll blow your head off!
[Hawkins] I just wanna tell you
where I came from, old cocker.
-[woman grunts]
-[Robber] Fuck.
[Hawkins] I just came from
anger management class.
Oh, good for you, now sit down.
Yeah, got assigned
there by the courts.
Been getting into a few scrapes
since my last tour
of duty ended.
Ex-wife suggested that.
I picked up some
pretty good techniques
on how to control my anger.
Do you wanna know what
the top three are?
Shut up and sit down.
No, I can't recall that
one being in there.
But I'll tell you, number one
is think before you speak.
Sit down or I'll put a
bullet through your head.
How's that?
Number two is to identify
possible solutions
instead of trying to go
back to what made you angry.
Try resolving the
situation at hand,
and remember, anger
only makes things worse.
The fuck?
This is your last chance.
[Hawkins]
Number three, count to 10.
It's always good to take time
out in a needed situation.
You better have your arse parked
in that seat in 10 seconds
or it's good night, Irene.
Well that, me old cocker,
is not gonna happen.
-[Robber] Oh yeah?
-[woman yelps]
Sit down or the bitch gets it.
[woman exclaims]
-[Hawkins] No she won't.
-Oh yeah?
I'll do it, man,
I'll fucking do it.
You're not gonna do it.
Shall I tell you why?
[Robber] Why?
Because all I hear is a threat.
It's not a threat, it's a fact.
I'm not convinced.
So, I'm gonna educate you.
On the count of three,
I'm gonna stamp my
authority on this.
[tense music]
ON the count of three,
I'm gonna shoot
you, my old mucker.
One,
-two,
-[tense music continues]
three.
-[woman grunts]
-[robber exclaims]
[gun shoots]
-[robber grunts]
-[dramatic music]
Now, when I said, "on
the count of three
I'm gonna shoot you",
that was a threat.
When I actually shot
you, it became a fact.
Perhaps now you
know the difference.
-[kick thuds]
-[robber yells]
[siren blaring]
[dramatic music]
[dramatic music continues]
[dramatic music continues]
[lock clicks]
[door rattles]
Professor Massey on
Saturday the 21st,
first session commencing
with subject AL312
at 10:22 a.m.
On first observation, the
subject seems heavily subdued,
a precaution necessary
for the safety
of everyone at the facility.
And the offer is genuine?
Yes, I spoke with
them an hour ago.
The offer is three millions.
And what did they
expect for that?
Well, they don't need
the creature to be alive,
but they do expect the vital
organs to be preserved.
Okay, so if I facilitate
this for you, what's my cut?
One million.
Come on now, Professor.
I thought we were
partners in this.
Make it a million, five.
1.2.
A million, three, and
you've got yourself a deal.
Fine, 1.3 it is.
[clears throat]
[creature growling]
[tense music]
[creature growling]
[tense music continues]
[light clicks]
[tense music continues]
[creature growling]
-[tense music continues]
-[creature growling]
[Myers] Major Harris and I have
been discussing the project,
and with all due respect, we
don't feel like the attempt
to psychologically
analyze the subject
is in our best interest.
I mean--
We feel like we could learn so
much more from dissecting it.
And do you feel the
same way, Major?
I feel it's far too dangerous
for the creature
to remain alive.
Perhaps it's time we took over
the decision-making process.
Well, with all due respect,
this is not a
military operation.
This is a scientific operation,
you are here to assist.
This is a military operation
and I am the final word here.
What exactly has your
approach achieved?
What, I have only just begun!
Long term, I hope to
develop understanding.
Professor Damas has
proved that it's possible
to bring a species
back from extinction
after millions of years.
Studying one alive
could bring us knowledge
that fossils could
never provide.
Yes, but as Major Harris said,
it's just way too dangerous
to keep the creature alive.
I really feel like this
is the wrong option.
Professor Massey, this
project under your supervision
lacks clear direction and
places all of us in danger.
This is preposterous!
It isn't open for debate.
[Harris] I will order my men to
destroy the creature
and turn the remains
over to Professor Myers
so they can be
dissected and studied.
Your presence at this facility
is no longer required.
[clears throat]
[tense music]
-[glass breaks]
-[creature roaring]
[door creaking]
[tense music continues]
[tense music continues]
[creature growling]
[tense music continues]
-[creature growling]
-[solider screaming]
[Announcer] Please
evacuate this building.
[alarm buzzing]
Please evacuate this building.
[Myers] Major, what's happening?
[Harris] Quiet.
[alarm buzzing]
[creature roaring]
[Myers screaming]
[body thuds]
[creature growling]
[alarm buzzing]
[Announcer] Please
evacuate this building.
-Please evacuate this building.
-[door creaking]
Please evacuate this building.
-[door creaking]
-Please evacuate this building.
-[alarm buzzing]
-Please evacuate this building.
Please evacuate this building.
Please evacuate this building.
[alarm fades down]
Organs,
you've been bailed.
[footsteps echoing]
Do you like touching
me, sweetheart?
In there.
I thought I'd been bailed.
You have, someone wants
to talk to you first.
Who?
Well get in there and find out.
[door rattles]
[door creaks and thuds]
Who are you then?
The name's Exley.
I work for a government
agency who would like
to hire you for a
special mission.
Oh really?
You oughta tell your lot
they booked me on an
illegal firearms charge.
The charge has been
dropped, Mr. Hawkins.
Has it now?
What you want?
In there, you'll find a
lot of useful information
relating to what I'm
about to tell you.
Whether you accept my
offer or not, I ask
that you keep this matter
strictly confidential.
My lips are sealed.
There's a top-secret
research lab operating
out of the town
of Devil's Creek.
For the past few years, they've
been continuing the work
of Miguel Damas, a professor
who through a combination
of DNA taken from fossils
and the cloning of
several living reptiles
managed to resurrect a dinosaur.
A what-then? [laughs]
I'm very serious. Mr. Hawkins.
The experiments at
the research facility
resulted in a fully
cloned tyrannosaurus rex.
Trouble is, the
beast has escaped.
Thankfully, the research
facility is surrounded by acres
of rural territory, far
from any residential
or commercial properties.
But the longer the
creature is out there,
the more risk it's
reaching towns or cities
and endangering people's lives.
What's this gotta do with me?
[Exley] I want you to lead a
team into Devil's Creek
to find the creature.
You won't be asked
to kill it alone.
Once you've located it,
we'll send in air support
to assist with
the extermination.
You and your men would be our
eyes and ears on the ground.
Why me, old chum?
Well, you're considered one
of the most daring soldiers ever
to have served in
the British army.
Stories of your heroism
have spread far and wide.
But let me be blunt
with you, Mr. Hawkins.
You've been deprived
of many promotions
because of your
unorthodox methods,
so further progression up
the chain seems unlikely.
Time is ticking for you now,
there won't be many
tours left at your age,
so what are you going
to do with your life?
If you succeed in this mission,
you'll earn a substantial sum.
A sum I am confident
you will accept
considering your
uncertain future.
It could make life a
lot easier for you.
How much easier?
The fee would be
500,000.00, tax-free.
All right,
I'll do it.
I'll do it on one condition.
What's that?
I get to pick my own men.
[crowd murmuring]
-[combatants grunting]
-[blows thudding]
[crowd murmuring]
-[combatants grunting]
-[blows thudding]
[blows thudding]
[crowd murmuring]
-[combatants grunting]
-[blows thudding]
[crowd murmuring]
[crowd member] That's some
horse shit!
-[crowd member] What?
-[crowd member] Okay!
Come on.
[dramatic music]
See, now this is what
I'm talking about.
This is what you
get when you book
these bleeding gypsy gigs.
Do you ever stop bitching?
Oh, I'll stop bitching
when you start
being a proper bloody manager.
[tense music]
You know if you carry
on, you won't have
to worry about these guys
'cause I'm gonna knock you out.
Oh yeah?
Well come on. Let's
see what you got.
Don't test me, Bellend.
I'll squash your head
like a grapefruit.
[chuckles] Well, I don't
see anybody stopping you.
-You want some?
-Yeah, I want some.
Right, let's go for it then,
me and you right now.
[tense music continues]
Now have you boys ever
come across someone
that you shouldn't have messed
with every once in a while?
Well today, you met two of 'em.
Now what's the odds
on that, Stahl?
[Stahl]
You could get 25-to-1 on that.
That ain't a bad
score, is it, eh?
Not bad at all.
Then get out of the way.
[tense music continues]
So how much you get, 500 quid?
Is that it?
It's not bad, is it?
It's not good enough, is it?
Risk versus reward,
you know what I mean?
I'll get brain damage
doing this shit.
Yeah, but who would notice?
Very good, very funny.
I'm being serious.
Lloyd Whitaker and Mickey Stahl.
-[Whitaker] Who wants to know?
-Frank Hawkins,
he'd like to speak to you.
[birds chirping]
[smooth jazz music]
[Rachael]
You were great, Vince.
Mm, thanks, T-- Rachael.
No one makes me
feel like you do.
Well, you gotta give
yourself some credit,
takes two to tango.
I think we got that
special connection.
We do, don't we?
We are gonna be so happy.
[door creaking]
-Oh no, my husband's back.
-[record scratches]
I thought you said he
was away all weekend!
Obviously not, you've
gotta get out of here.
I'll be right down.
-[door shuts]
-There isn't time, just get out.
There isn't time, he's coming.
But what about my clothes.
[Rachael]
There isn't time, just get out.
Oh, this is so romantic.
[footsteps tapping]
[footsteps crunching]
[vehicles whooshing]
[guitar strumming]
As I walk to the gallows
I see your face
in the shadows
Face of a girl I loved
lives and lives ago
She smiles as she sees me
For she promised to meet me
-[upbeat rock music]
-[indistinct singing]
The first time I saw her
Fell in love with the
wild preacher's daughter
Dancing in a wood,
roses in her hair
She said I've waited
some lifetimes
You promised to be mine
Put away the gun,
come on take my hands
-[upbeat rock music]
-[indistinct singing]
I took her hand
and she drifted on
[upbeat rock music continues]
I see her standing there,
just walking hand in hand
Did you think
that I'd leave you
I promise we'll be true
Put away the gun
-[upbeat rock music]
-[indistinct singing]
-[upbeat rock music]
-[indistinct singing]
My past came to claim me
The posse to take me
-[upbeat rock music]
-[indistinct singing]
It was there that I saw her
The wild magic's daughter
Lying in the dirt, blood
streams on her gown
You sure you're in
the right place, mate?
I'll have a whiskey, and
make it a double, sweetheart.
-[upbeat rock music]
-[indistinct singing]
[audience member clapping]
-Hello, buddy.
-[Rankin] Hello, Redders,
-how you doing?
-[Redgrave] I'm all right.
You look nice.
Been out dancing, eh? [laughs]
All right, mate.
Yeah, we're all packed up.
Good.
So, you know, just
one thing; the money?
Ah, right, well, not many
customers in tonight,
so not enough to pay
the band, I'm afraid.
[Rankin] That's your
problem, not mine.
[Charlie] Well what can I say?
Better luck next time.
[Rankin sighs]
-[headbutt thuds]
-[Charlie grunts]
-[Rankin] You wanna drink?
-[Redgrave] I'd love one.
[Charlie moaning]
Yeah, that's your favorite?
Don't say I never take you out.
-All right.
-[Charlie continues moaning]
You all right, Charlie?
Right, the fee, yeah,
we talking, yeah?
Yeah, take it, it's there.
-[Rankin] You sure?
-Talk it all, yeah.
-[Rankin] Can I trust you?
-Yeah.
[indistinct murmuring]
-[kicks thudding]
-[Charlie grunting]
[Rankin] Come on, I'm taking
you to the Bamboree.
[Exley] Vincent Redgrave
and Matty Rankin!
-Yeah?
-[Exley] I'm a government
official working with a former
colleague of yours;
Frank Hawkins.
He'd like to recruit
you to his team.
You'll parachute into the
north side of Devil's Creek,
deep in rural territory.
Your mission here is simply
to locate the creature
and call it in.
Then we'll send
air support to aid
in the extermination
of the beast.
Considering the pace
the creature is estimated
to move at,
we have just 24 hours
before he reaches
the residential area
of Grover's Bend.
So, you're going to be
dropped into Devil's Creek
immediately after this briefing.
Any questions?
Yeah, yeah.
-I've got a few questions.
-Yes?
[Rankin] This is a top-secret
mission, right?
-That's correct.
-And you are obviously
a high-ranking government
official, yeah?
Indeed.
And we are providing
a unique giant lizard
catching service, are we not?
Yes, what's your point?
[Rankin] Well, I mean, we're
doing you such a massive favor,
don't you think you could
do us a few in return?
[Exley]
You don't think a six-figure fee
per man sufficient reward?
Well, money's all right,
but I mean, we've seen more.
We've stolen more, haven't we?
No, I just think that you
government bods could just do
a few things for us, yeah?
What do you want?
Well,
cancel tax.
What about it?
I don't know if I
wanna pay it again!
Aye, I don't think any of
us around this table should!
Um--
Well, I'll see what I can do.
You know what else,
Council only pick up three
black bags every other week.
It's rubbish.
[Stahl chortling]
So what do you suggest?
[Whitaker] Well, they should
pick up an unlimited number
of rubbish bags from
all our addresses.
I'll look into it.
What about insurance?
What about it?
[Whitaker] Well, insurance is
there if something happens,
right?
So if something doesn't happen,
shouldn't I get my money back?
That's not how it works.
[Stahl] Maybe it should?
Yep, and another thing,
I want all calls from
telemarketers to be made illegal
Or at the very least,
if anyone calls my ass
offering me a new boiler or PPI,
it should be made perfectly
legal for me to trace that call,
go to the call center,
and shove that--
All right, all
right! That's enough.
This is getting silly now.
You men have got a mission
and it's time-sensitive.
I suggest we get going!
[Hawkins]
All right, all right.
Can you give us a minute so
I can speak to my men alone?
Fine.
Cheers.
What are you boys like?
[group laughing]
All right, all right,
all right, all right.
This is serious.
We've had our fun with
Mr. Stiff out there,
but when we land in
Devil's Creek, boys,
that fun stops.
Now I know we all need the money
and that's the main reason
why we're doing this,
but it's not the money
that's gonna save us
in a tight spot, now, is it?
It's each other.
Mark my words, gentlemen,
we have not faced a
battle like this before.
We're not fighting for
freedom and democracy.
We're fighting for the right
to exist, the right to survive.
[dramatic music]
We're getting older, some
of us sooner than others,
but I'm still
willing to fight this
Because I know
that's what life is.
Now check out the guy
next to you, go on,
and you'll see a man that's
willing to fight for his team,
to die for his team,
because he knows when
it comes down to it,
you'd do exactly
the same for him
because that's what
it's about; teamwork.
Now, we either go out
fighting as a team
or we die as individuals.
So what's it gonna be, eh?
[Group] Yeah!
[Hawkins] Come on!
Come on!
I love this shit!
[driving rock music]
[plan whirring]
[driving rock music continues]
[Hawkins] All right lads,
welcome to Devil's Creek.
[footsteps crunching]
[birds chirping]
Where's Rankin?
Oh, bloody hell.
Lads, give us a hand, eh?
Redgrave, go get him.
Ah, not again, Sarge.
Bloody hell! Every time!
-[tense music]
-[birds cawing]
[birds chirping]
[tense music continues]
[footsteps crunching]
Think you've gotta be worried
about civilians out here?
Nah, no one would
be stupid enough
to be this deep in the woods
with all that's going on.
Yeah, right.
-[tense music continues]
-[birds chirping]
[kisses smacking]
I don't want this moment to end.
Neither do I.
[dog barking]
[kisses smacking]
[Bonnie] That dog sounds upset!
He's a dog, they like barking.
It's all right.
[lips smack]
Go check on him, now.
[dog barking]
I'm gonna kill that dog!
-[keys jingling]
-[dog barking]
-Otto!
-[tense music continues]
-[door thuds]
-[dog barking]
[birds chirping]
[tense music continues]
Jesus, what's taking so long?
[woman screaming]
-[fist impacts on dash]
-Cut!
[car beeping]
-[Bonnie groans]
-[car door thuds]
Really, Dom?
What was wrong with that take?
[Bonnie] "What was wrong with
that take"?
Have you seen that monster?
-[Dom] What's wrong with it?
-[Bonnie] What's wrong?
Have you seen it up close?
[Dom] It's fine; it just
needs more slime.
[Bonnie] More slime? Oh my God!
[Dom] Look, I know your
expectations were high,
-but on a low-budget film,
-[Bonnie] "Expectations", Dom?
On a low-budget film,
we have to compromise.
I am meant to be a
Shakespearean actress,
not this tacky
horror movie stuff.
[Daniel] Sorry, guys, I was
actually the back end of the ass
in "A Midsummer's Night
Dream," so I can train her up.
[Dom]
Stay out of this, Daniel.
Look, if you want to do
Shakespeare and go on
to win awards and stuff,
you need to
gimme a better performance.
I'll give you a better
performance when you give me a--
-A-- oh--
-[rumbling]
-[actress gasps]
-[echoes booming]
-[actress screaming]
-[dramatic music]
That's perfect, that's exactly
what I'm talking about,
you do that exact same
thing, but in the--
[dinosaur roaring]
[tense music]
[dinosaur growling]
Now that's productive value.
[dinosaur roaring]
[tense music continues]
[birds chirping]
[tense music continues]
[Hawkins] Freeze!
All right, calm yourself
down, calm yourself down,
take a breath, take a breath.
What are you running from then?
It's, it's--
All right, just calm yourself
down, calm yourself down,
take a breath, take a breath.
Want a sip of this, darling?
[Bonnie mumbles]
[mutters] It's a
creature, it's a creature.
What are you doing out
here on your own then?
I'm an actress. I--
We were filming a movie
and this creature, this--
Oh yeah, filming, are you?
Where's the rest of you then?
I don't know.
I don't know, we scattered.
You got any shelter nearby?
[Bonnie] Yeah, yeah, we
rented a farm house,
it's five minutes away.
It's Kennedy Road, it's
just through this, just--
Let's go back to the house.
Yeah, I bet you would, Casanova.
Look, I can't afford
to lose any men yet,
so I'll give you a choice.
You either walk back to
that farmhouse on your own.
-[Bonnie] No way.
-Or you're sticking
with us, what's it gonna be?
We gotta get out!
There's a crea--
[Hawkins]
What's it gonna be?
I'll go with you.
Good girl.
All right, men,
let's go.
[footsteps crunching]
[birds chirping]
[vehicles whooshing]
Ah, Professor
Massey, take a seat.
I'll stand, thank you.
As you wish.
The reason I've
called you here is
I've been informed
you have an issue
with the handling of this case.
I'd like to know
why Professor Myers
and Major Harris fired
me from the project
in the first place.
I'm afraid I can't answer
that; they're both dead.
I'm well aware of that.
And I'm aware you've been
making a few accusations.
There aren't many staff left
but those who remain are
rather disturbed by allegations
of bribery, care
to enlighten me?
I have reason to believe
that Professor Myers
and Major Harris
accepted a bribe
to have me kicked
off the project
and sell the subject to a
certain government agency.
I'm sure you know who
I'm talking about.
Well, as someone who works
for a certain government agency,
I can assure you no
such deal was in place.
I'm told Major Harris
and Professor Myers
felt your handling
of the case was substandard.
That was the reason
they fired you.
I beg to differ.
I see, so what do you intend
to do with this information?
I want to be reinstated,
continue with the project,
finish my research.
I'm afraid that
won't be possible.
This project is set to be
terminated after the massacre,
all funding has been withdrawn.
Well still, the people
have a right to know
what really transpired here.
This could seriously
damage my career.
People need to know that my
dismissal was due to corruption
and not incompetence.
I put it to you that all of
you are rather incompetent.
You allowed the creature
to escape after all.
I've had just about
enough of this.
If I can speak frankly to you,
By all means,
get it off your chest
while you still can.
Well, what's that
supposed to mean?
Nothing, I just hate for
you to make a rash decision.
It could be very costly.
I'm not afraid of you.
Maybe not, but you
know what they say,
"it's the quiet ones
you should watch".
I don't have to stand here and
take thinly veiled threats.
You'll be lucky to keep your
job once I start talking.
[door thuds]
Code Name Cherry,
Professor Oliver Massey,
effective immediately.
[birds chirping]
[door rattling]
[door thuds]
[car explodes]
[fire crackling]
[tense music]
[Bonnie screaming]
[Hawkins]
Redgrave, go after that.
[footsteps clomp away]
He's gonna want
touches of that anyway.
[Redgrave] Bonnie, Bonnie!
[tense music]
[Bonnie crying]
Bonnie, Bonnie, you all right?
You're all right, you're okay.
We'll keep you safe, you're
fine, you're all right.
Listen to me, listen to me.
You are safe. You are okay.
-[dinosaur roaring]
-[tense music]
[dinosaur roaring]
[Bonnie screaming]
[tense music continues]
[Stahl] Fuck!
Son of a bitch.
Alright lads, that
thing's close.
We've gotta stay
sharp and stay ready.
How come it didn't wait
here for the rest of us?
The thrill of the hunt.
So that creature
chasing its meal
is just as satisfying as you.
So we're not hunting
him; he's hunting us.
-That's right.
-Great, that's just great.
So what's our next move?
Actually gave me a
file on the T-Rex.
They have large olfactory
bulbs and nerves.
Now this suggests the creature
has a great sense of smell,
allowing it to sniff out a
corpse from a great distance.
They also have great
binocular vision,
giving the creature
good depth perception,
but they can't see in a
wider range of fields.
So, if we create our
vantage points wide enough
and create a
central distraction,
maybe, just maybe,
we'll be able to corner
the son of a bitch.
So what's the plan?
[Hawkins]
All right, Whitaker, Stahl,
we'll have you back
there on the left,
Rankin on the right.
In the middle of the forest,
between our vantage points,
we'll place what's left
of Bonnie and Redgrave.
Now if I'm right, the
creature should be able
to sniff out the remains.
As it gets close,
we give it what for.
Is it really necessary to
use what's left of Redgrave?
[Hawkins] I do not like this
either, any more than you are,
but it's all we
can do right now.
If we don't trap that thing
fast, we're just sitting ducks.
Are we on board with this?
Yeah.
All right, let's get those
remains and get into position.
[tense music]
[tense music continues]
[tense music continues]
[birds chirping]
[tense music continues]
-[dramatic music]
-[dinosaur roaring]
-[dinosaur growls]
-[gun shoots]
[tense music continues]
[dinosaur roars]
[guns shooting]
[dinosaur roaring]
-[tense music continues]
-[dinosaur roaring]
[dinosaur roaring]
[tense music continues]
[dinosaur roars]
[dramatic music]
[water flowing]
All right, thank you, mate.
There's the farmhouse
up ahead, look.
Quick sprint through the fields.
Keep sharp.
-You ready?
-[Rankin] Yeah.
[Hawkins]
One, two, three, let's go.
[tense music]
[water flowing]
[tense music continues]
[door rattling]
Go upstairs, clear
the space there.
All right.
Hello!
Hello!
Hello?
Hello?
All clear, gov.
Whit and Stahl.
Yeah, I know, mate.
You think he's followed us?
He knows where he is, it's
just a matter of time.
Time. So, what's next?
We've done all we
can here, mate.
I'm gonna give Exley a call.
It's time for the
government to step in.
[Rankin breathing heavily]
All right, Frank.
You all right Rankin?
Ah, fuck it.
Cheers, bro.
Anytime.
You know I love this shit.
Yeah.
[Hawkins breathing]
[vehicles whooshing]
[radio static pops]
Hawkins, have you
located the creature?
[radio static pops]
That son of a bitch has
killed three of my men.
[radio static pops]
You should have called sooner.
Can you identify your location?
[radio static pops]
Rankin and I are in a farmhouse
just off Kennedy Road,
west of the woodland.
The creature's very close by.
It's just a matter of time
until he finds us, you got that?
[radio static pops]
Okay, I'll send in
the air support.
They'll take out the creature,
then rescue you
and Private Rankin.
[radio static pops]
Yeah, you just step on
the gas, Exley-boy.
The clocks are ticking.
[radio static pops]
I will.
[radio static pops]
[radio thunks]
All right.
Location is a farmhouse
on Kennedy Road,
south of the woodland.
The creature has taken
out most of the unit
and is now roaming in the woods.
He's likely to be heading
for the farmhouse.
[water flowing]
To the fallen.
Yeah,
to the fallen.
You know, I got this
one wrong, Rankin.
I never should have
taken on this bloody job.
I got seduced by the money.
No, it wasn't just
the money, was it?
We had other reasons
for signing on for this.
And what are they then?
To feel that thrill again.
[scoffs]
You know what it's like,
out there, the ordinary world,
it has a way of
grinding you down.
Ya, oy. [sniffs]
When I'm with you and the boys
out there on the battlefield,
I feel alive again.
Yeah, you wanna tell
that to the boys
who lost their lives today?
[Rankin scoffs]
They knew the risks.
This is war.
We're soldiers, yeah?
Better to die fighting
than go out with a whimper.
Because that's what we're doing
on Civvy Street, isn't it?
We're nobodies, yet together
again, we're somebodies.
Yeah? It's what we do!
You know when I hear
that bloody word,
"civilians".
Bloody Civvy Street.
It reminds me of something.
You know?
Back before any of
us fought together,
I did my first tour in Iraq
with a guy called Sean Grady,
Old Graders.
We were just kids at the time.
The tour ended,
Sean came back home,
he called his parents up.
He said, "Ma, Dad,
I'm coming home.
"But I wanna ask
you something first.
"I've got a friend here with
me who I'd like to bring back."
His parents said,
"Yeah, no problem,
"bring your boy back.
We'd love to meet him."
Sean said, "There's something
I wanna ask you first.
"My friend, he got badly
injured in the fighting.
"He stepped on a landmine
and he lost an arm and a leg.
"He has nowhere to
go, so I'd like him
"to come back with me."
His father said,
"Yeah, tell you what.
"We can help him find
somewhere to live."
Sean said, "No, you
don't understand me, Dad.
"I want him to come
home and live with us."
"Son, you do not know
what you're asking.
"Someone with a
disability like that,
"they'd be a terrible
burden on us.
"We have our own lives to lead."
With that, Sean
hung up the phone.
They never heard
from their boy again.
A few days later, the police
called 'round Sean's parents
to tell 'em that
their boy had died
from falling off a building.
Suicide, they said it was,
[dramatic music]
bloody suicide.
Sean's parents had to go
down to the city morgue
and identify their boy.
They recognized him all right,
but they learned
something, see, Rankin.
Sean only had one
arm and one leg.
[dramatic music continues]
You know, Rankin,
I was there when he
stepped on that landmine.
Every time I think
about Civvy Street
or hearing the word "civilian",
it reminds me of Sean.
[dramatic music continues]
And I think
no one will really understand
the burden we carry.
I'm not just talking
about the physical,
[dramatic music continues]
I'm talking about
up here, you know?
Do you know what appealed to me
about getting all that money?
I thought that maybe it'd help
get rid of the
nightmares, you know,
just for a little while.
[dramatic music continues]
But money's not gonna do that.
It's gotta come from within.
[Hawkins sighs and sniffs]
God, look at me.
What would the boys say?
Can't say nothing, Frank.
They're fucking dead.
[dinosaur growling]
[dramatic music]
[dinosaur footsteps booming]
[dramatic music continues]
-Psst.
-Dammit!
[dinosaur footsteps booming]
[dramatic music continues]
Here come the cavalry!
Yes.
-[dinosaur growling]
-[helicopter whirring]
[dramatic music continues]
[dinosaur roaring]
[Radio voice] Take it down.
[dramatic music continues]
[Radio] Go, go, go.
[helicopter whirring]
-[bullet hits]
-[munitions exploding]
[Pilot] Enemy down.
-[dramatic music continues]
-[helicopter whirring]
[munitions exploding]
What the hell are they doing?
No,
they're getting rid of
any witnesses, mate.
[munitions exploding]
[dramatic music continues]
Dirty boilers!
Rankin, get yourself outta here.
You won't go?
I led us into this mission
and three of my men died.
I'm dying here with them.
Oh, you're talking crap.
Look, you're a great leader.
We all think so-- thought so.
You know, stuff happens.
Yeah, it wasn't your fault
out there, all of it.
Just go.
Sod it, I'm staying.
You wanna give up, I'm
staying here, too, yeah?
I'll give up with you.
What was all that
crap you gave us
about we go forward as a team,
yeah, or die as individuals?
All right, so three of us
are dead? It's still us two!
We are a team, yeah?
So let's go forward, hey?
[helicopter whirring]
[Radio] Go, go, go.
Come on, Frank!
What's it gonna be?
Sod it.
[laughing] I love this shit!
[helicopter whirring]
[munitions explode]
[somber music]
[fire crackling]
[somber music continues]
[helicopter whirring]
[radio chattering]
[Radio] We'll send
in the clean-up crew.
Should be back to
normal by tomorrow.
-[somber music continues]
-[fire crackling]
-[somber music continues]
-[fire crackling]
[somber music continues]
[keyboard tapping]
Afternoon, Exley.
-[laptop thuds]
-Hawkins!
Rankin! T hank God you're okay.
You didn't want
any witnesses, eh?
What?
Oh, come on, what
do you take us for?
Wet, soggy biscuits?
We're not stupid, son.
Yeah, your men, they
totaled that place
after they'd done the T-Rex.
Me and my men, we were always
considered expendable,
weren't we?
I was just doing my job, okay.
Now you fellas
did your job, too,
so our agreement still stands.
Shove it up your ass!
[Hawkins] We don't want
your blood money, mate.
So what do you want?
Well, ideally I'd love to
have my men back alive,
but I'm not gonna
get there, am I?
I should warn you, gentlemen,
that if you touch me,
you will be prosecuted to the
fullest extent of the law.
And should you violate
a confidentiality deal,
there will be even
worse consequences.
Rankin, mate, was that a threat?
[laughing] It was trying.
It's not a threat,
gentlemen, it's a fact.
Do you know the difference
between a threat and a fact?
Oh, I think I do.
No,
I really don't think you do,
which is why I'm gonna
teach you a lesson, son.
Now, on the count of
three, I'm gonna shoot you.
[dramatic music]
One,
two,
three.
-[gun shoots]
-[Exley grunts]
Now, when I said on the count
of three, I'm gonna shoot you,
that was a threat.
When I shot you,
it became a fact.
You're gonna pray for this!
[Hawkins] Yeah, we thought you'd
say something like that,
which is why we've placed
a few golden nuggets
of information sealed tightly
in an envelope with
our legal eagle.
I'll get you one day,
you mark my words.
[dramatic music continues]
-[Exley gasps]
-Maybe you will,
maybe you won't,
but you know what?
Your first concern is get
one of those blue stickers
for your car, mate.
-[gun shoots]
-[Exley exclaims]
Nice shot.
[dramatic music continues]
[Rankin] You know, I've
always fancied Colombia,
or Peru.
[tense music]
[stethoscope jingling]
[plastic rustling]
[tense music continues]
[metal clinks]
[tense music continues]
[upbeat rock music]
But who prays for Satan
Who in 18 centuries has
had the common humanity
To pray for the one sinner
that needed it the most
[upbeat rock music continues]
All his dream, God,
man, the world, the sun
The moon, the
wilderness of stars
A dream, all a dream
They had no existence, nothing
exists save empty space
And you
And you are not you
You are but a thought
A strange, useless
vagrant thought
-[upbeat rock music continues]
-[indistinct singing]
-[upbeat rock music continues]
-[indistinct singing]
Death, judgment,
heaven and hell
The last four things
on which we dwell
Crucifixion, death, and sin
I supplicate myself,
my God, let me in
-[upbeat rock music continues]
-[indistinct singing]
It is true that
which I told you
There is no God, no
universe, no human race
No one can laugh
No heaven, no hell
It's all a dream, a
grotesque and foolish dream
Nothing exists but you
But you're but a thought
A vagrant thought,
a useless thought
A homeless thought
wandering for long
Amongst the empty eternities
Death, judgment,
heaven and hell
The last four things
on which we dwell
Crucifixion, death, and sin
I supplicate myself,
God, let me in
-[upbeat rock music continues]
-[indistinct singing]
-[upbeat rock music continues]
-[indistinct singing]
Death, judgment,
heaven and hell
The last four things
on which we dwell
Crucifixion, death, and sin
I supplicate myself, my God
Return, I'm a stranger
-[upbeat rock music continues]
-[indistinct singing]
[upbeat rock music continues]
[upbeat rock music continues]
I was a dream, God,
man, the world, the sun
The moon, the
wilderness of stars
A dream but not a dream
They had no existence,
nothing exists
Except empty space and ego
-[upbeat rock music continues]
-[indistinct singing]
-[upbeat rock music continues]
-[indistinct singing]
[upbeat rock music continues]
-[upbeat rock music continues]
-[indistinct singing]
[upbeat rock music continues]
See, it ain't those
parts of the Bible
I can't understand
that bothers me
It's the parts that
I do understand
That motherfucking
bothers me
[dramatic flamenco music]
[dramatic flamenco
music continues]
[singer sings in
foreign language]
The faded dreams
and times gone by
I walk the corridors
of whispers
A sea of tears
with no goodbyes
[dramatic flamenco
music continues]
If I could tell
you how I miss you
Well, I could
sleep forevermore
[singer sings in
foreign language]
I walk beside
you 'til you call
[singer sings in
foreign language]
[dramatic flamenco
music continues]
With a darkness in my cry
Do you remember
me in twilight
Or have I lost
the sense of time
[dramatic flamenco
music continues]
Another name upon
the gravestone
Forsaken never to regret
I took the
boulevard to despair
And missed the
road to no regret
[dramatic flamenco
music continues]
[indistinct singing]
[dramatic flamenco
music continues]
[indistinct singing]
[singer singing in
foreign language]
[dramatic flamenco
music continues]
[singer singing in
foreign language]
[dramatic flamenco
music continues]
[dramatic music]
[lively rock music]
[door rattling]
All right, mate.
Can I have an Americano
ma-cause, is it-- Is that it?
Jesus, have you just
got normal coffee
with black coffee
with milk in it, yeah?
We got flat white.
Yeah, whatever, take away, yeah.
Do you want demi, grande,
venti, trenti, or tall?
What?
for that, mate.
It's just the sizes of the cups.
Make it a large, help
me get over the trauma
of ordering the bloody thing.
[Barrista] Uh--
What's the name?
Whatchu want that for?
We write the names on the cups
so we don't get the
orders mixed up.
"Organs", the name's "Organs".
-[cup taps on counter]
-All right.
Be right with you.
Yeah, step on it, Samson.
[tense music]
[tense music continues]
-[tense music continues]
-All right.
That will be 2.40, please.
[Hawkins]
2.40? That's not even a large!
Bloody daylight
robbery in here, mate.
Yeah, here's a 10-spot.
Keep the change,
get your hair cut.
[tense music continues]
[door rattling]
[door rattles shut]
[tense music continues]
[vehicles whooshing]
[tense music continues]
-[woman gasps]
-[Robber] Stay there.
Stay there, stay there!
Okay, everybody,
stay calm, stay calm,
that's it, that's it.
Okay, everybody, stay calm,
nobody's gonna get hurt.
Come on, come on, come on.
Come on, wallet please,
ma'am, that's it.
Wallets, mother, that's it.
That's it, come on, hurry
up, hurry up, hurry up!
You have any money, huh?
Check your pockets.
Where's your money?!
That's it, come on!
Okay, everybody stay calm.
All right, yeah? Yeah?
Everybody happy?
That's it, that's it.
Good.
You, out.
Come on!
-Don't have time for this shit.
-[woman gasps]
Stay there!
Right, open the till!
I can't.
-[Robber] Open the--
-He can't!
Oy! Shut up!
Open the till up or I'll
blow your fucking head off!
I can't!
What are you talking about?
The till can only be opened
if there's a cash
or card transaction.
Oh, for fuck's sake!
Here,
here,
just make like you
would a kid, mate,
and I'll have one of those
grand cappuccinos [giggles].
[door squeaking]
Fuck.
Where the hell
did you come from?
[door squeaking and rattling]
Stay where you are or
I'll blow your head off!
[Hawkins] I just wanna tell you
where I came from, old cocker.
-[woman grunts]
-[Robber] Fuck.
[Hawkins] I just came from
anger management class.
Oh, good for you, now sit down.
Yeah, got assigned
there by the courts.
Been getting into a few scrapes
since my last tour
of duty ended.
Ex-wife suggested that.
I picked up some
pretty good techniques
on how to control my anger.
Do you wanna know what
the top three are?
Shut up and sit down.
No, I can't recall that
one being in there.
But I'll tell you, number one
is think before you speak.
Sit down or I'll put a
bullet through your head.
How's that?
Number two is to identify
possible solutions
instead of trying to go
back to what made you angry.
Try resolving the
situation at hand,
and remember, anger
only makes things worse.
The fuck?
This is your last chance.
[Hawkins]
Number three, count to 10.
It's always good to take time
out in a needed situation.
You better have your arse parked
in that seat in 10 seconds
or it's good night, Irene.
Well that, me old cocker,
is not gonna happen.
-[Robber] Oh yeah?
-[woman yelps]
Sit down or the bitch gets it.
[woman exclaims]
-[Hawkins] No she won't.
-Oh yeah?
I'll do it, man,
I'll fucking do it.
You're not gonna do it.
Shall I tell you why?
[Robber] Why?
Because all I hear is a threat.
It's not a threat, it's a fact.
I'm not convinced.
So, I'm gonna educate you.
On the count of three,
I'm gonna stamp my
authority on this.
[tense music]
ON the count of three,
I'm gonna shoot
you, my old mucker.
One,
-two,
-[tense music continues]
three.
-[woman grunts]
-[robber exclaims]
[gun shoots]
-[robber grunts]
-[dramatic music]
Now, when I said, "on
the count of three
I'm gonna shoot you",
that was a threat.
When I actually shot
you, it became a fact.
Perhaps now you
know the difference.
-[kick thuds]
-[robber yells]
[siren blaring]
[dramatic music]
[dramatic music continues]
[dramatic music continues]
[lock clicks]
[door rattles]
Professor Massey on
Saturday the 21st,
first session commencing
with subject AL312
at 10:22 a.m.
On first observation, the
subject seems heavily subdued,
a precaution necessary
for the safety
of everyone at the facility.
And the offer is genuine?
Yes, I spoke with
them an hour ago.
The offer is three millions.
And what did they
expect for that?
Well, they don't need
the creature to be alive,
but they do expect the vital
organs to be preserved.
Okay, so if I facilitate
this for you, what's my cut?
One million.
Come on now, Professor.
I thought we were
partners in this.
Make it a million, five.
1.2.
A million, three, and
you've got yourself a deal.
Fine, 1.3 it is.
[clears throat]
[creature growling]
[tense music]
[creature growling]
[tense music continues]
[light clicks]
[tense music continues]
[creature growling]
-[tense music continues]
-[creature growling]
[Myers] Major Harris and I have
been discussing the project,
and with all due respect, we
don't feel like the attempt
to psychologically
analyze the subject
is in our best interest.
I mean--
We feel like we could learn so
much more from dissecting it.
And do you feel the
same way, Major?
I feel it's far too dangerous
for the creature
to remain alive.
Perhaps it's time we took over
the decision-making process.
Well, with all due respect,
this is not a
military operation.
This is a scientific operation,
you are here to assist.
This is a military operation
and I am the final word here.
What exactly has your
approach achieved?
What, I have only just begun!
Long term, I hope to
develop understanding.
Professor Damas has
proved that it's possible
to bring a species
back from extinction
after millions of years.
Studying one alive
could bring us knowledge
that fossils could
never provide.
Yes, but as Major Harris said,
it's just way too dangerous
to keep the creature alive.
I really feel like this
is the wrong option.
Professor Massey, this
project under your supervision
lacks clear direction and
places all of us in danger.
This is preposterous!
It isn't open for debate.
[Harris] I will order my men to
destroy the creature
and turn the remains
over to Professor Myers
so they can be
dissected and studied.
Your presence at this facility
is no longer required.
[clears throat]
[tense music]
-[glass breaks]
-[creature roaring]
[door creaking]
[tense music continues]
[tense music continues]
[creature growling]
[tense music continues]
-[creature growling]
-[solider screaming]
[Announcer] Please
evacuate this building.
[alarm buzzing]
Please evacuate this building.
[Myers] Major, what's happening?
[Harris] Quiet.
[alarm buzzing]
[creature roaring]
[Myers screaming]
[body thuds]
[creature growling]
[alarm buzzing]
[Announcer] Please
evacuate this building.
-Please evacuate this building.
-[door creaking]
Please evacuate this building.
-[door creaking]
-Please evacuate this building.
-[alarm buzzing]
-Please evacuate this building.
Please evacuate this building.
Please evacuate this building.
[alarm fades down]
Organs,
you've been bailed.
[footsteps echoing]
Do you like touching
me, sweetheart?
In there.
I thought I'd been bailed.
You have, someone wants
to talk to you first.
Who?
Well get in there and find out.
[door rattles]
[door creaks and thuds]
Who are you then?
The name's Exley.
I work for a government
agency who would like
to hire you for a
special mission.
Oh really?
You oughta tell your lot
they booked me on an
illegal firearms charge.
The charge has been
dropped, Mr. Hawkins.
Has it now?
What you want?
In there, you'll find a
lot of useful information
relating to what I'm
about to tell you.
Whether you accept my
offer or not, I ask
that you keep this matter
strictly confidential.
My lips are sealed.
There's a top-secret
research lab operating
out of the town
of Devil's Creek.
For the past few years, they've
been continuing the work
of Miguel Damas, a professor
who through a combination
of DNA taken from fossils
and the cloning of
several living reptiles
managed to resurrect a dinosaur.
A what-then? [laughs]
I'm very serious. Mr. Hawkins.
The experiments at
the research facility
resulted in a fully
cloned tyrannosaurus rex.
Trouble is, the
beast has escaped.
Thankfully, the research
facility is surrounded by acres
of rural territory, far
from any residential
or commercial properties.
But the longer the
creature is out there,
the more risk it's
reaching towns or cities
and endangering people's lives.
What's this gotta do with me?
[Exley] I want you to lead a
team into Devil's Creek
to find the creature.
You won't be asked
to kill it alone.
Once you've located it,
we'll send in air support
to assist with
the extermination.
You and your men would be our
eyes and ears on the ground.
Why me, old chum?
Well, you're considered one
of the most daring soldiers ever
to have served in
the British army.
Stories of your heroism
have spread far and wide.
But let me be blunt
with you, Mr. Hawkins.
You've been deprived
of many promotions
because of your
unorthodox methods,
so further progression up
the chain seems unlikely.
Time is ticking for you now,
there won't be many
tours left at your age,
so what are you going
to do with your life?
If you succeed in this mission,
you'll earn a substantial sum.
A sum I am confident
you will accept
considering your
uncertain future.
It could make life a
lot easier for you.
How much easier?
The fee would be
500,000.00, tax-free.
All right,
I'll do it.
I'll do it on one condition.
What's that?
I get to pick my own men.
[crowd murmuring]
-[combatants grunting]
-[blows thudding]
[crowd murmuring]
-[combatants grunting]
-[blows thudding]
[blows thudding]
[crowd murmuring]
-[combatants grunting]
-[blows thudding]
[crowd murmuring]
[crowd member] That's some
horse shit!
-[crowd member] What?
-[crowd member] Okay!
Come on.
[dramatic music]
See, now this is what
I'm talking about.
This is what you
get when you book
these bleeding gypsy gigs.
Do you ever stop bitching?
Oh, I'll stop bitching
when you start
being a proper bloody manager.
[tense music]
You know if you carry
on, you won't have
to worry about these guys
'cause I'm gonna knock you out.
Oh yeah?
Well come on. Let's
see what you got.
Don't test me, Bellend.
I'll squash your head
like a grapefruit.
[chuckles] Well, I don't
see anybody stopping you.
-You want some?
-Yeah, I want some.
Right, let's go for it then,
me and you right now.
[tense music continues]
Now have you boys ever
come across someone
that you shouldn't have messed
with every once in a while?
Well today, you met two of 'em.
Now what's the odds
on that, Stahl?
[Stahl]
You could get 25-to-1 on that.
That ain't a bad
score, is it, eh?
Not bad at all.
Then get out of the way.
[tense music continues]
So how much you get, 500 quid?
Is that it?
It's not bad, is it?
It's not good enough, is it?
Risk versus reward,
you know what I mean?
I'll get brain damage
doing this shit.
Yeah, but who would notice?
Very good, very funny.
I'm being serious.
Lloyd Whitaker and Mickey Stahl.
-[Whitaker] Who wants to know?
-Frank Hawkins,
he'd like to speak to you.
[birds chirping]
[smooth jazz music]
[Rachael]
You were great, Vince.
Mm, thanks, T-- Rachael.
No one makes me
feel like you do.
Well, you gotta give
yourself some credit,
takes two to tango.
I think we got that
special connection.
We do, don't we?
We are gonna be so happy.
[door creaking]
-Oh no, my husband's back.
-[record scratches]
I thought you said he
was away all weekend!
Obviously not, you've
gotta get out of here.
I'll be right down.
-[door shuts]
-There isn't time, just get out.
There isn't time, he's coming.
But what about my clothes.
[Rachael]
There isn't time, just get out.
Oh, this is so romantic.
[footsteps tapping]
[footsteps crunching]
[vehicles whooshing]
[guitar strumming]
As I walk to the gallows
I see your face
in the shadows
Face of a girl I loved
lives and lives ago
She smiles as she sees me
For she promised to meet me
-[upbeat rock music]
-[indistinct singing]
The first time I saw her
Fell in love with the
wild preacher's daughter
Dancing in a wood,
roses in her hair
She said I've waited
some lifetimes
You promised to be mine
Put away the gun,
come on take my hands
-[upbeat rock music]
-[indistinct singing]
I took her hand
and she drifted on
[upbeat rock music continues]
I see her standing there,
just walking hand in hand
Did you think
that I'd leave you
I promise we'll be true
Put away the gun
-[upbeat rock music]
-[indistinct singing]
-[upbeat rock music]
-[indistinct singing]
My past came to claim me
The posse to take me
-[upbeat rock music]
-[indistinct singing]
It was there that I saw her
The wild magic's daughter
Lying in the dirt, blood
streams on her gown
You sure you're in
the right place, mate?
I'll have a whiskey, and
make it a double, sweetheart.
-[upbeat rock music]
-[indistinct singing]
[audience member clapping]
-Hello, buddy.
-[Rankin] Hello, Redders,
-how you doing?
-[Redgrave] I'm all right.
You look nice.
Been out dancing, eh? [laughs]
All right, mate.
Yeah, we're all packed up.
Good.
So, you know, just
one thing; the money?
Ah, right, well, not many
customers in tonight,
so not enough to pay
the band, I'm afraid.
[Rankin] That's your
problem, not mine.
[Charlie] Well what can I say?
Better luck next time.
[Rankin sighs]
-[headbutt thuds]
-[Charlie grunts]
-[Rankin] You wanna drink?
-[Redgrave] I'd love one.
[Charlie moaning]
Yeah, that's your favorite?
Don't say I never take you out.
-All right.
-[Charlie continues moaning]
You all right, Charlie?
Right, the fee, yeah,
we talking, yeah?
Yeah, take it, it's there.
-[Rankin] You sure?
-Talk it all, yeah.
-[Rankin] Can I trust you?
-Yeah.
[indistinct murmuring]
-[kicks thudding]
-[Charlie grunting]
[Rankin] Come on, I'm taking
you to the Bamboree.
[Exley] Vincent Redgrave
and Matty Rankin!
-Yeah?
-[Exley] I'm a government
official working with a former
colleague of yours;
Frank Hawkins.
He'd like to recruit
you to his team.
You'll parachute into the
north side of Devil's Creek,
deep in rural territory.
Your mission here is simply
to locate the creature
and call it in.
Then we'll send
air support to aid
in the extermination
of the beast.
Considering the pace
the creature is estimated
to move at,
we have just 24 hours
before he reaches
the residential area
of Grover's Bend.
So, you're going to be
dropped into Devil's Creek
immediately after this briefing.
Any questions?
Yeah, yeah.
-I've got a few questions.
-Yes?
[Rankin] This is a top-secret
mission, right?
-That's correct.
-And you are obviously
a high-ranking government
official, yeah?
Indeed.
And we are providing
a unique giant lizard
catching service, are we not?
Yes, what's your point?
[Rankin] Well, I mean, we're
doing you such a massive favor,
don't you think you could
do us a few in return?
[Exley]
You don't think a six-figure fee
per man sufficient reward?
Well, money's all right,
but I mean, we've seen more.
We've stolen more, haven't we?
No, I just think that you
government bods could just do
a few things for us, yeah?
What do you want?
Well,
cancel tax.
What about it?
I don't know if I
wanna pay it again!
Aye, I don't think any of
us around this table should!
Um--
Well, I'll see what I can do.
You know what else,
Council only pick up three
black bags every other week.
It's rubbish.
[Stahl chortling]
So what do you suggest?
[Whitaker] Well, they should
pick up an unlimited number
of rubbish bags from
all our addresses.
I'll look into it.
What about insurance?
What about it?
[Whitaker] Well, insurance is
there if something happens,
right?
So if something doesn't happen,
shouldn't I get my money back?
That's not how it works.
[Stahl] Maybe it should?
Yep, and another thing,
I want all calls from
telemarketers to be made illegal
Or at the very least,
if anyone calls my ass
offering me a new boiler or PPI,
it should be made perfectly
legal for me to trace that call,
go to the call center,
and shove that--
All right, all
right! That's enough.
This is getting silly now.
You men have got a mission
and it's time-sensitive.
I suggest we get going!
[Hawkins]
All right, all right.
Can you give us a minute so
I can speak to my men alone?
Fine.
Cheers.
What are you boys like?
[group laughing]
All right, all right,
all right, all right.
This is serious.
We've had our fun with
Mr. Stiff out there,
but when we land in
Devil's Creek, boys,
that fun stops.
Now I know we all need the money
and that's the main reason
why we're doing this,
but it's not the money
that's gonna save us
in a tight spot, now, is it?
It's each other.
Mark my words, gentlemen,
we have not faced a
battle like this before.
We're not fighting for
freedom and democracy.
We're fighting for the right
to exist, the right to survive.
[dramatic music]
We're getting older, some
of us sooner than others,
but I'm still
willing to fight this
Because I know
that's what life is.
Now check out the guy
next to you, go on,
and you'll see a man that's
willing to fight for his team,
to die for his team,
because he knows when
it comes down to it,
you'd do exactly
the same for him
because that's what
it's about; teamwork.
Now, we either go out
fighting as a team
or we die as individuals.
So what's it gonna be, eh?
[Group] Yeah!
[Hawkins] Come on!
Come on!
I love this shit!
[driving rock music]
[plan whirring]
[driving rock music continues]
[Hawkins] All right lads,
welcome to Devil's Creek.
[footsteps crunching]
[birds chirping]
Where's Rankin?
Oh, bloody hell.
Lads, give us a hand, eh?
Redgrave, go get him.
Ah, not again, Sarge.
Bloody hell! Every time!
-[tense music]
-[birds cawing]
[birds chirping]
[tense music continues]
[footsteps crunching]
Think you've gotta be worried
about civilians out here?
Nah, no one would
be stupid enough
to be this deep in the woods
with all that's going on.
Yeah, right.
-[tense music continues]
-[birds chirping]
[kisses smacking]
I don't want this moment to end.
Neither do I.
[dog barking]
[kisses smacking]
[Bonnie] That dog sounds upset!
He's a dog, they like barking.
It's all right.
[lips smack]
Go check on him, now.
[dog barking]
I'm gonna kill that dog!
-[keys jingling]
-[dog barking]
-Otto!
-[tense music continues]
-[door thuds]
-[dog barking]
[birds chirping]
[tense music continues]
Jesus, what's taking so long?
[woman screaming]
-[fist impacts on dash]
-Cut!
[car beeping]
-[Bonnie groans]
-[car door thuds]
Really, Dom?
What was wrong with that take?
[Bonnie] "What was wrong with
that take"?
Have you seen that monster?
-[Dom] What's wrong with it?
-[Bonnie] What's wrong?
Have you seen it up close?
[Dom] It's fine; it just
needs more slime.
[Bonnie] More slime? Oh my God!
[Dom] Look, I know your
expectations were high,
-but on a low-budget film,
-[Bonnie] "Expectations", Dom?
On a low-budget film,
we have to compromise.
I am meant to be a
Shakespearean actress,
not this tacky
horror movie stuff.
[Daniel] Sorry, guys, I was
actually the back end of the ass
in "A Midsummer's Night
Dream," so I can train her up.
[Dom]
Stay out of this, Daniel.
Look, if you want to do
Shakespeare and go on
to win awards and stuff,
you need to
gimme a better performance.
I'll give you a better
performance when you give me a--
-A-- oh--
-[rumbling]
-[actress gasps]
-[echoes booming]
-[actress screaming]
-[dramatic music]
That's perfect, that's exactly
what I'm talking about,
you do that exact same
thing, but in the--
[dinosaur roaring]
[tense music]
[dinosaur growling]
Now that's productive value.
[dinosaur roaring]
[tense music continues]
[birds chirping]
[tense music continues]
[Hawkins] Freeze!
All right, calm yourself
down, calm yourself down,
take a breath, take a breath.
What are you running from then?
It's, it's--
All right, just calm yourself
down, calm yourself down,
take a breath, take a breath.
Want a sip of this, darling?
[Bonnie mumbles]
[mutters] It's a
creature, it's a creature.
What are you doing out
here on your own then?
I'm an actress. I--
We were filming a movie
and this creature, this--
Oh yeah, filming, are you?
Where's the rest of you then?
I don't know.
I don't know, we scattered.
You got any shelter nearby?
[Bonnie] Yeah, yeah, we
rented a farm house,
it's five minutes away.
It's Kennedy Road, it's
just through this, just--
Let's go back to the house.
Yeah, I bet you would, Casanova.
Look, I can't afford
to lose any men yet,
so I'll give you a choice.
You either walk back to
that farmhouse on your own.
-[Bonnie] No way.
-Or you're sticking
with us, what's it gonna be?
We gotta get out!
There's a crea--
[Hawkins]
What's it gonna be?
I'll go with you.
Good girl.
All right, men,
let's go.
[footsteps crunching]
[birds chirping]
[vehicles whooshing]
Ah, Professor
Massey, take a seat.
I'll stand, thank you.
As you wish.
The reason I've
called you here is
I've been informed
you have an issue
with the handling of this case.
I'd like to know
why Professor Myers
and Major Harris fired
me from the project
in the first place.
I'm afraid I can't answer
that; they're both dead.
I'm well aware of that.
And I'm aware you've been
making a few accusations.
There aren't many staff left
but those who remain are
rather disturbed by allegations
of bribery, care
to enlighten me?
I have reason to believe
that Professor Myers
and Major Harris
accepted a bribe
to have me kicked
off the project
and sell the subject to a
certain government agency.
I'm sure you know who
I'm talking about.
Well, as someone who works
for a certain government agency,
I can assure you no
such deal was in place.
I'm told Major Harris
and Professor Myers
felt your handling
of the case was substandard.
That was the reason
they fired you.
I beg to differ.
I see, so what do you intend
to do with this information?
I want to be reinstated,
continue with the project,
finish my research.
I'm afraid that
won't be possible.
This project is set to be
terminated after the massacre,
all funding has been withdrawn.
Well still, the people
have a right to know
what really transpired here.
This could seriously
damage my career.
People need to know that my
dismissal was due to corruption
and not incompetence.
I put it to you that all of
you are rather incompetent.
You allowed the creature
to escape after all.
I've had just about
enough of this.
If I can speak frankly to you,
By all means,
get it off your chest
while you still can.
Well, what's that
supposed to mean?
Nothing, I just hate for
you to make a rash decision.
It could be very costly.
I'm not afraid of you.
Maybe not, but you
know what they say,
"it's the quiet ones
you should watch".
I don't have to stand here and
take thinly veiled threats.
You'll be lucky to keep your
job once I start talking.
[door thuds]
Code Name Cherry,
Professor Oliver Massey,
effective immediately.
[birds chirping]
[door rattling]
[door thuds]
[car explodes]
[fire crackling]
[tense music]
[Bonnie screaming]
[Hawkins]
Redgrave, go after that.
[footsteps clomp away]
He's gonna want
touches of that anyway.
[Redgrave] Bonnie, Bonnie!
[tense music]
[Bonnie crying]
Bonnie, Bonnie, you all right?
You're all right, you're okay.
We'll keep you safe, you're
fine, you're all right.
Listen to me, listen to me.
You are safe. You are okay.
-[dinosaur roaring]
-[tense music]
[dinosaur roaring]
[Bonnie screaming]
[tense music continues]
[Stahl] Fuck!
Son of a bitch.
Alright lads, that
thing's close.
We've gotta stay
sharp and stay ready.
How come it didn't wait
here for the rest of us?
The thrill of the hunt.
So that creature
chasing its meal
is just as satisfying as you.
So we're not hunting
him; he's hunting us.
-That's right.
-Great, that's just great.
So what's our next move?
Actually gave me a
file on the T-Rex.
They have large olfactory
bulbs and nerves.
Now this suggests the creature
has a great sense of smell,
allowing it to sniff out a
corpse from a great distance.
They also have great
binocular vision,
giving the creature
good depth perception,
but they can't see in a
wider range of fields.
So, if we create our
vantage points wide enough
and create a
central distraction,
maybe, just maybe,
we'll be able to corner
the son of a bitch.
So what's the plan?
[Hawkins]
All right, Whitaker, Stahl,
we'll have you back
there on the left,
Rankin on the right.
In the middle of the forest,
between our vantage points,
we'll place what's left
of Bonnie and Redgrave.
Now if I'm right, the
creature should be able
to sniff out the remains.
As it gets close,
we give it what for.
Is it really necessary to
use what's left of Redgrave?
[Hawkins] I do not like this
either, any more than you are,
but it's all we
can do right now.
If we don't trap that thing
fast, we're just sitting ducks.
Are we on board with this?
Yeah.
All right, let's get those
remains and get into position.
[tense music]
[tense music continues]
[tense music continues]
[birds chirping]
[tense music continues]
-[dramatic music]
-[dinosaur roaring]
-[dinosaur growls]
-[gun shoots]
[tense music continues]
[dinosaur roars]
[guns shooting]
[dinosaur roaring]
-[tense music continues]
-[dinosaur roaring]
[dinosaur roaring]
[tense music continues]
[dinosaur roars]
[dramatic music]
[water flowing]
All right, thank you, mate.
There's the farmhouse
up ahead, look.
Quick sprint through the fields.
Keep sharp.
-You ready?
-[Rankin] Yeah.
[Hawkins]
One, two, three, let's go.
[tense music]
[water flowing]
[tense music continues]
[door rattling]
Go upstairs, clear
the space there.
All right.
Hello!
Hello!
Hello?
Hello?
All clear, gov.
Whit and Stahl.
Yeah, I know, mate.
You think he's followed us?
He knows where he is, it's
just a matter of time.
Time. So, what's next?
We've done all we
can here, mate.
I'm gonna give Exley a call.
It's time for the
government to step in.
[Rankin breathing heavily]
All right, Frank.
You all right Rankin?
Ah, fuck it.
Cheers, bro.
Anytime.
You know I love this shit.
Yeah.
[Hawkins breathing]
[vehicles whooshing]
[radio static pops]
Hawkins, have you
located the creature?
[radio static pops]
That son of a bitch has
killed three of my men.
[radio static pops]
You should have called sooner.
Can you identify your location?
[radio static pops]
Rankin and I are in a farmhouse
just off Kennedy Road,
west of the woodland.
The creature's very close by.
It's just a matter of time
until he finds us, you got that?
[radio static pops]
Okay, I'll send in
the air support.
They'll take out the creature,
then rescue you
and Private Rankin.
[radio static pops]
Yeah, you just step on
the gas, Exley-boy.
The clocks are ticking.
[radio static pops]
I will.
[radio static pops]
[radio thunks]
All right.
Location is a farmhouse
on Kennedy Road,
south of the woodland.
The creature has taken
out most of the unit
and is now roaming in the woods.
He's likely to be heading
for the farmhouse.
[water flowing]
To the fallen.
Yeah,
to the fallen.
You know, I got this
one wrong, Rankin.
I never should have
taken on this bloody job.
I got seduced by the money.
No, it wasn't just
the money, was it?
We had other reasons
for signing on for this.
And what are they then?
To feel that thrill again.
[scoffs]
You know what it's like,
out there, the ordinary world,
it has a way of
grinding you down.
Ya, oy. [sniffs]
When I'm with you and the boys
out there on the battlefield,
I feel alive again.
Yeah, you wanna tell
that to the boys
who lost their lives today?
[Rankin scoffs]
They knew the risks.
This is war.
We're soldiers, yeah?
Better to die fighting
than go out with a whimper.
Because that's what we're doing
on Civvy Street, isn't it?
We're nobodies, yet together
again, we're somebodies.
Yeah? It's what we do!
You know when I hear
that bloody word,
"civilians".
Bloody Civvy Street.
It reminds me of something.
You know?
Back before any of
us fought together,
I did my first tour in Iraq
with a guy called Sean Grady,
Old Graders.
We were just kids at the time.
The tour ended,
Sean came back home,
he called his parents up.
He said, "Ma, Dad,
I'm coming home.
"But I wanna ask
you something first.
"I've got a friend here with
me who I'd like to bring back."
His parents said,
"Yeah, no problem,
"bring your boy back.
We'd love to meet him."
Sean said, "There's something
I wanna ask you first.
"My friend, he got badly
injured in the fighting.
"He stepped on a landmine
and he lost an arm and a leg.
"He has nowhere to
go, so I'd like him
"to come back with me."
His father said,
"Yeah, tell you what.
"We can help him find
somewhere to live."
Sean said, "No, you
don't understand me, Dad.
"I want him to come
home and live with us."
"Son, you do not know
what you're asking.
"Someone with a
disability like that,
"they'd be a terrible
burden on us.
"We have our own lives to lead."
With that, Sean
hung up the phone.
They never heard
from their boy again.
A few days later, the police
called 'round Sean's parents
to tell 'em that
their boy had died
from falling off a building.
Suicide, they said it was,
[dramatic music]
bloody suicide.
Sean's parents had to go
down to the city morgue
and identify their boy.
They recognized him all right,
but they learned
something, see, Rankin.
Sean only had one
arm and one leg.
[dramatic music continues]
You know, Rankin,
I was there when he
stepped on that landmine.
Every time I think
about Civvy Street
or hearing the word "civilian",
it reminds me of Sean.
[dramatic music continues]
And I think
no one will really understand
the burden we carry.
I'm not just talking
about the physical,
[dramatic music continues]
I'm talking about
up here, you know?
Do you know what appealed to me
about getting all that money?
I thought that maybe it'd help
get rid of the
nightmares, you know,
just for a little while.
[dramatic music continues]
But money's not gonna do that.
It's gotta come from within.
[Hawkins sighs and sniffs]
God, look at me.
What would the boys say?
Can't say nothing, Frank.
They're fucking dead.
[dinosaur growling]
[dramatic music]
[dinosaur footsteps booming]
[dramatic music continues]
-Psst.
-Dammit!
[dinosaur footsteps booming]
[dramatic music continues]
Here come the cavalry!
Yes.
-[dinosaur growling]
-[helicopter whirring]
[dramatic music continues]
[dinosaur roaring]
[Radio voice] Take it down.
[dramatic music continues]
[Radio] Go, go, go.
[helicopter whirring]
-[bullet hits]
-[munitions exploding]
[Pilot] Enemy down.
-[dramatic music continues]
-[helicopter whirring]
[munitions exploding]
What the hell are they doing?
No,
they're getting rid of
any witnesses, mate.
[munitions exploding]
[dramatic music continues]
Dirty boilers!
Rankin, get yourself outta here.
You won't go?
I led us into this mission
and three of my men died.
I'm dying here with them.
Oh, you're talking crap.
Look, you're a great leader.
We all think so-- thought so.
You know, stuff happens.
Yeah, it wasn't your fault
out there, all of it.
Just go.
Sod it, I'm staying.
You wanna give up, I'm
staying here, too, yeah?
I'll give up with you.
What was all that
crap you gave us
about we go forward as a team,
yeah, or die as individuals?
All right, so three of us
are dead? It's still us two!
We are a team, yeah?
So let's go forward, hey?
[helicopter whirring]
[Radio] Go, go, go.
Come on, Frank!
What's it gonna be?
Sod it.
[laughing] I love this shit!
[helicopter whirring]
[munitions explode]
[somber music]
[fire crackling]
[somber music continues]
[helicopter whirring]
[radio chattering]
[Radio] We'll send
in the clean-up crew.
Should be back to
normal by tomorrow.
-[somber music continues]
-[fire crackling]
-[somber music continues]
-[fire crackling]
[somber music continues]
[keyboard tapping]
Afternoon, Exley.
-[laptop thuds]
-Hawkins!
Rankin! T hank God you're okay.
You didn't want
any witnesses, eh?
What?
Oh, come on, what
do you take us for?
Wet, soggy biscuits?
We're not stupid, son.
Yeah, your men, they
totaled that place
after they'd done the T-Rex.
Me and my men, we were always
considered expendable,
weren't we?
I was just doing my job, okay.
Now you fellas
did your job, too,
so our agreement still stands.
Shove it up your ass!
[Hawkins] We don't want
your blood money, mate.
So what do you want?
Well, ideally I'd love to
have my men back alive,
but I'm not gonna
get there, am I?
I should warn you, gentlemen,
that if you touch me,
you will be prosecuted to the
fullest extent of the law.
And should you violate
a confidentiality deal,
there will be even
worse consequences.
Rankin, mate, was that a threat?
[laughing] It was trying.
It's not a threat,
gentlemen, it's a fact.
Do you know the difference
between a threat and a fact?
Oh, I think I do.
No,
I really don't think you do,
which is why I'm gonna
teach you a lesson, son.
Now, on the count of
three, I'm gonna shoot you.
[dramatic music]
One,
two,
three.
-[gun shoots]
-[Exley grunts]
Now, when I said on the count
of three, I'm gonna shoot you,
that was a threat.
When I shot you,
it became a fact.
You're gonna pray for this!
[Hawkins] Yeah, we thought you'd
say something like that,
which is why we've placed
a few golden nuggets
of information sealed tightly
in an envelope with
our legal eagle.
I'll get you one day,
you mark my words.
[dramatic music continues]
-[Exley gasps]
-Maybe you will,
maybe you won't,
but you know what?
Your first concern is get
one of those blue stickers
for your car, mate.
-[gun shoots]
-[Exley exclaims]
Nice shot.
[dramatic music continues]
[Rankin] You know, I've
always fancied Colombia,
or Peru.
[tense music]
[stethoscope jingling]
[plastic rustling]
[tense music continues]
[metal clinks]
[tense music continues]
[upbeat rock music]
But who prays for Satan
Who in 18 centuries has
had the common humanity
To pray for the one sinner
that needed it the most
[upbeat rock music continues]
All his dream, God,
man, the world, the sun
The moon, the
wilderness of stars
A dream, all a dream
They had no existence, nothing
exists save empty space
And you
And you are not you
You are but a thought
A strange, useless
vagrant thought
-[upbeat rock music continues]
-[indistinct singing]
-[upbeat rock music continues]
-[indistinct singing]
Death, judgment,
heaven and hell
The last four things
on which we dwell
Crucifixion, death, and sin
I supplicate myself,
my God, let me in
-[upbeat rock music continues]
-[indistinct singing]
It is true that
which I told you
There is no God, no
universe, no human race
No one can laugh
No heaven, no hell
It's all a dream, a
grotesque and foolish dream
Nothing exists but you
But you're but a thought
A vagrant thought,
a useless thought
A homeless thought
wandering for long
Amongst the empty eternities
Death, judgment,
heaven and hell
The last four things
on which we dwell
Crucifixion, death, and sin
I supplicate myself,
God, let me in
-[upbeat rock music continues]
-[indistinct singing]
-[upbeat rock music continues]
-[indistinct singing]
Death, judgment,
heaven and hell
The last four things
on which we dwell
Crucifixion, death, and sin
I supplicate myself, my God
Return, I'm a stranger
-[upbeat rock music continues]
-[indistinct singing]
[upbeat rock music continues]
[upbeat rock music continues]
I was a dream, God,
man, the world, the sun
The moon, the
wilderness of stars
A dream but not a dream
They had no existence,
nothing exists
Except empty space and ego
-[upbeat rock music continues]
-[indistinct singing]
-[upbeat rock music continues]
-[indistinct singing]
[upbeat rock music continues]
-[upbeat rock music continues]
-[indistinct singing]
[upbeat rock music continues]
See, it ain't those
parts of the Bible
I can't understand
that bothers me
It's the parts that
I do understand
That motherfucking
bothers me
[dramatic flamenco music]
[dramatic flamenco
music continues]
[singer sings in
foreign language]
The faded dreams
and times gone by
I walk the corridors
of whispers
A sea of tears
with no goodbyes
[dramatic flamenco
music continues]
If I could tell
you how I miss you
Well, I could
sleep forevermore
[singer sings in
foreign language]
I walk beside
you 'til you call
[singer sings in
foreign language]
[dramatic flamenco
music continues]
With a darkness in my cry
Do you remember
me in twilight
Or have I lost
the sense of time
[dramatic flamenco
music continues]
Another name upon
the gravestone
Forsaken never to regret
I took the
boulevard to despair
And missed the
road to no regret
[dramatic flamenco
music continues]
[indistinct singing]
[dramatic flamenco
music continues]
[indistinct singing]
[singer singing in
foreign language]
[dramatic flamenco
music continues]
[singer singing in
foreign language]
[dramatic flamenco
music continues]