Losing Ground (1982) Movie Script
[ CLICKING ]
[ HORN HONKS ]
[ CART CLATTERING ]
[ BREATHING HEAVILY ]
[ DOORBELL BUZZES ]
ASSHOLE.
FUCKER.
HI.
HI.
COME ON!
[ GRUNTS ]
OH!
BRIDGET.
WHAT?
LOOK WHAT I FOUND.
LET'S SEE.
COME AND GET YOUR 40,
BRIDGET.
COME ON, BRIDGET.
[ SIGHS ]
WELCOME HOME.
MM.
[ BOTTLES CLINK ]
COMPLETELY.
[ SIREN WAILING IN DISTANCE ]
THAT'S WHERE I SET UP MY
ACCOUNT.
YOU CAN SET ONE UP THERE.
OKAY.
AND THEN THERE'S A REALLY
CUTE GROCERY STORE DOWN THERE,
SO THAT'S WHERE I SHOP.
WHAT'S WRONG?
NOTHING.
WHAT?
NOTHING. I SWEAR.
[ CHUCKLES ]
[ CHUCKLES ]
IT JUST DOESN'T LOOK LIKE THE
NEW YORK THAT YOU SEE IN MOVIES,
YOU KNOW?
COME ON!
IT'S TOTALLY CHARMING.
OKAY.
HUH.
UM...
HEY.
HOW ABOUT WE GO OVER THERE?
PERFECT.
BETWEEN TWO OF THEM.
THAT'S PERFECT.
OKAY, THIS ONE -- WHO WOULD
YOU RATHER FUCK --
ARETHA FRANKLIN OR WYNONNA JUDD?
JUDD.
WYNONNA JUDD OR KIRSTIE ALLEY?
UGH.
ALLEY.
[ CHUCKLES ]
UH...
OPRAH OR GAYLE?
OPRAH.
BRIDGET.
SHE'S A CHAMPION
ANGELS IN BARS
OPRAH.
DAMN.
DEFINITELY A 10.
THAT GIRL? SHE'S A 4.
YOU'RE CRAZY.
BRIDGET'S A 10.
DIDN'T YOU SAY YOU HAD WORK
OR SOMETHING?
OH! I GOT TO GET READY.
ALL RIGHT, THIS IS ONE OF THE
ONES FROM LAST THURSDAY.
I'M GOOD WITH LAST THURSDAY.
[ LAUGHS ]
THIS GIRL'S LIKE A RETARD,
BRIDGE.
WHERE DO YOU MEET THESE
GIRLS?
ANOTHER RESTAURANT ON
BLEECKER.
THAT WIPES OUT THE ENTIRE
VILLAGE FOR YOU.
I KNOW. I REALLY KNOW.
THAT'S REALLY GOOD.
STUPIDEST GIRL I'VE EVER MET.
SHE IS SO CLINGY AND BORING.
AND DUMB.
[ GASPS ] OOH. 9.
SHE'S A 4.
OH, MY GOD.
[ LAUGHTER ]
SHE'S NOT.
UGH.
BYE, GUYS. SEE YOU.
OH, AMY, BEFORE YOU LEAVE,
WHO WOULD YOU RATHER FUCK --
YOUR MOM OR YOUR DAD?
OH, MY DAD.
GOD.
OKAY, HOW ABOUT YOU WAIT FOR
ME OUTSIDE ON THAT ONE?
OKAY.
OKAY.
OKAY.
BYE, AMY.
OH, CUTE. BYE.
BOO.
MM.
MM, YEAH.
THANK YOU.
I GOT YOUR BACK.
YOU ALWAYS DO.
BUT NEVER HAVE I EVER DRANK
THAT MUCH RUM.
[ GLASSES CLINK ]
[ CHUCKLES ]
MM.
ALL RIGHT, WISH ME LUCK.
[ INDISTINCT CONVERSATIONS ]
[ MUSIC PLAYING IN DISTANCE ]
HEY.
DOES THIS PLACE NOT REMIND YOU
OF JOE'S?
ON TEMPLE STREET.
YEAH, IN DOWNTOWN WESTPORT.
IT'S GREAT.
I TOLD YOU.
ARE YOU GONNA HAVE ANOTHER
ONE?
MM-HMM. AREN'T YOU?
DO YOU REMEMBER THE TIME
WHEN WE WERE THERE FOR SARA'S
BIRTHDAY?
This girl keeps looking at
me.
OH, IT'S WHEN WE STOPPED...
I TOTALLY KNOW HIM.
I LIKE YOUR SHIRT.
CAN I HAVE ANOTHER ONE?
She's still looking.
SORRY.
AREN'T YOU THE ONLY GUY IN
MY...
GIRL-WRITER BOOK CLASS.
...FEMALE AUTHORS OF THE 19th
CENTURY?
I AM LITERALLY THE ONLY GUY
IN THAT CLASS.
WHY ARE YOU IN THAT CLASS?
BRIDGET MADE ME.
IS THAT YOUR MAJOR?
NO. STATISTICS.
OH.
YOU?
I FINISHED LAST FALL.
HE'S STUDYING FOR THE LSATs.
[ CHUCKLES ]
That's like a lawyer, right?
THAT'S -- THAT'S AMAZING.
SHE'S A BALLERINA.
MODERN-DANCE MAJOR, UPTOWN.
DON'T YOU JUST HATE HER?
HER? NO.
GOD, NO.
SORRY -- UM, ANDERSON, OUR
PROFESSOR.
OH, YEAH.
SHE'S A BIG OLD DOUCHE BAG.
[ LAUGHS ]
WHERE YOU GUYS FROM?
NEW JERSEY.
YOU A GIANTS FAN?
HELLS, YEAH.
OH, MY DAD'S COMPANY HAS BOX
SEATS.
NO SHIT.
IT'S A DOUCHE NOZZLE.
WHAT?
NOT A DOUCHE BAG.
IT'S A DOUCHE NOZZLE.
IT'S JUST WAY MORE ACCURATE.
YOU'RE SO SMART.
I KNOW.
OFFENSIVE!
GIRLS ARE SO OFFENSIVE!
THURSDAY GONE?
YEAH.
MNH.
HEY, DO YOU GUYS WANT TO COME
SIT DOWN?
SURE.
[ CHUCKLES ]
AREN'T YOU IN --
GIRL-WRITER BOOK CLASS.
FEMALE AUTHORS OF THE 19th
CENTURY.
OKAY, UM, NEVER HAVE I
EVER...WIPED MY ASS WITH LEAVES.
THAT'S DISGUSTING.
YOU LICK ASS.
[ LAUGHS ] I DO.
YEAH. YOU'RE UP, SUNSHINE.
OH, I, UH...
OH, IT'S "NEVER HAVE I EVER."
IF YOU'VE DONE IT, YOU DRINK.
IF YOU HAVEN'T, YOU WAIT.
OH.
UM...NEVER HAVE I EVER, UH...
LOCKED MYSELF OUT.
NAKED?
[ LAUGHTER ]
OH, MY GOD.
UM, NEVER HAVE I EVER...
KISSED A GIRL.
OH, THAT'S TOO BAD.
[ CHUCKLES ]
IT WAS A DARE.
THAT'S, LIKE, HOT.
YOU JEALOUS?
ALWAYS.
ALL RIGHT, I GOT TO PEE.
ALL RIGHT, UH, NEVER --
NEVER HAVE I EVER BEEN TO THE
FOUR-FACED LIAR.
SO YOU'RE...NOT GOOD AT THIS.
[ CHUCKLES ]
WHY IS IT CALLED THAT?
OH, UH, IT'S NAMED AFTER A
CLOCK TOWER IN A TOWN IN...
IRELAND.
IRELAND. THANK YOU.
UM, I FORGET THE NAME OF THE
TOWN.
BRIDGET, IT DOESN'T MATTER.
IT REALLY DOESN'T MATTER.
UM, BUT EACH FACE OF THE CLOCK
TELLS A DIFFERENT TIME,
BUT NONE OF THEM ARE RIGHT.
THEY ALL LIE, SO THEY CALL I THE FOUR-FACED LIAR.
I'M BRIDGET, BY THE WAY.
MOLLY.
GREG.
TRIP.
HUH?
TERRENCE WITHERSPOON McNALLY
III.
III -- TRIPLE -- TRIP.
[ LAUGHS ]
I'M TRIP.
WHY WOULD ANYONE NAME YOU
THAT?
[ LAUGHTER ]
[ ROCK MUSIC PLAYING ]
[ INDISTINCT SHOUTING IN
DISTANCE ]
[ TRAIN RUMBLING ]
[ CAR ALARM BLARING ]
[ CHUCKLES ]
[ SHOUTING CONTINUES ]
[ CHUCKLES ] IT'S SO LOUD.
YOU'LL GET USED TO IT.
THIS IS THE CRAZIEST THING
I'VE EVER DONE.
I CAN'T BELIEVE I LIVE HERE.
I LOVE IT HERE.
I KNOW YOU DO.
[ CHUCKLES ]
I ASKED TRIP TO THE GAME ON
THURSDAY.
GOOD. THEY WERE FUN.
HE WAS FUN.
SHE WAS...ALL OVER THE PLACE.
WELL, THAT'S THE VILLAGE FOR
YOU.
UH-HUH.
[ CHUCKLES ]
WHAT?
NOTHING.
WHAT? WHAT?
[ Laughing ] OH, GOD!
STOP IT!
WHAT?
PLEASE, STOP, PLEASE.
[ BOTH LAUGH ]
WHAT?
THANK YOU.
THANK YOU.
THANK YOU.
WHAT FOR?
FOR FOLLOWING ME HERE.
ANYWHERE.
MMM.
[ ACOUSTIC GUITAR PLAYING ]
HEY, BABE, YOU WANT TO COME
TO A PLAY WITH ME TOMORROW
NIGHT?
I CAN'T. I HAVE A DATE.
WHAT?
JEALOUS?
[ CHUCKLES ] YOU'RE NUTS.
[ GUITAR STOPS ]
[ HORNS HONKING IN DISTANCE ]
BABY. BABY, LOOK AT ME.
HMM? NO.
SHUT UP.
LOOK AT ME.
YOU'RE BEAUTIFUL.
WHAT?
UM...WHAT DO YOU WANT THE
WHOLE WORLD TO KNOW TODAY?
I LOVE YOU.
WAIT. STOP.
[ SIGHS ]
LOOK AT ME.
WHAT DO YOU WANT THE WORLD TO
KNOW TODAY?
TRIP, I LOVE YOU.
SAY IT ONE MORE TIME.
I LOVE YOU.
YEAH?
YES.
[ SMOOCHING ]
MMM.
UM, WHO YOU GOING ON A DATE WITH
TOMORROW?
GREG.
OKAY.
[ DOOR OPENS ]
[ WATER RUNNING ]
BYE.
[ GROANS ]
[ DOOR CLOSES ]
BYE.
NICE.
THANK YOU.
NEVER HAVE I EVER...
EATEN WORMS.
THAT'S STUPID.
WELL...
NEVER HAVE I EVER...
FALLEN OUT OF A WINDOW.
WHAT THE HELL IS WRONG WITH
YOU?
WORMS?
POINT TAKEN.
DUDE, WHAT DO YOU WANT TO DO FOR
ANDERSON'S PROJECT?
WHY DON'T YOU DO SOMETHING
WITHOUT ME FOR A CHANGE, OKAY?
THAT FIERY LITTLE REDHEAD
THIRD ROW BACK ASKED YOU, DIDN' SHE?
SURE DID.
ASS.
NEVER HAVE I EVER BEEN CAUGH CHEATING.
NEVER HAVE I EVER LOST TO YOU
AT THIS GAME.
HEY.
OH.
[ GAME PIECE SLAMS ]
[ LAUGHS ]
WHAT'S UP, DUDE?
[ CHUCKLES ]
SORRY, I DIDN'T KNOW THAT YOU
WERE COMING.
UH, WHERE'S YOUR GIRLFRIEND?
I HAVE NO IDEA.
IT'S BOYS' NIGHT.
WHAT?
PULL UP A STOOL.
UH, YOU CAN TAKE MINE,
ACTUALLY.
I'M GONNA GO SMOKE.
STUDY BREAK?
YEAH. TWO HOURS.
COOL.
DUDE, THOSE SEATS WERE SO GOOD
LAST NIGHT.
RIGHT?
BUT I HAD THE SHITS ALL DAY
FROM THAT HOT DOG.
THAT'S FOUL.
YOU HAVE NO IDEA.
[ GAME PIECES CLATTER ]
SPEED FOUR?
ABSOLUTELY.
YOU'RE GOING DOWN.
SORRY.
OKAY, I'M GONNA GO OUT WITH
HER, I GUESS.
HEY.
MOLLY.
I KNOW.
OH.
[ CHUCKLES ]
MMM [INHALES] TUESDAY.
SO, YOU CALL THEM DAYS OF THE
WEEK?
NO.
WELL, YES, BUT TRIP STARTED
THAT.
[ CHUCKLES ]
WAIT -- BUT THERE ARE THAT MANY?
NO.
SOMETIMES.
YOU'VE NEVER JUST DATED, PER
SE?
I WOULDN'T NECESSARILY CALL
IT DATING.
OH.
WHAT WOULD YOU CALL IT?
FUCKING.
OH.
HI.
HI.
Pff.
WEDNESDAY?
MAYBE.
[ LAUGHS ]
HMM?
OH, I DON'T -- I DON'T SMOKE.
SHOCKING.
[ CHUCKLES ]
[ SMOOCHES ] HI.
HI.
PLEASE DON'T DO THAT.
WHAT?
NEVER MIND.
I DON'T KNOW WHY IT DROVE ME SO
CRAZY, BUT I-I ALMOST SAID TO
HIM, "LET ME LEAVE MY KEYS
SITTING ON THE MANTEL.
LET ME SCREW UP.
WHAT'S THE WORST THAT'S GONNA
HAPPEN?"
YOU'LL BE LOCKED OUT.
RIGHT, AND PEOPLE DO THAT ALL
THE TIME.
THEY GET BACK IN. THEY DO.
THEY MUST.
OR THEY DON'T.
UNHELPFUL.
SORRY.
[ CHUCKLES ]
OH, THAT'S TOTALLY MY THING.
WHAT THING?
EVERYONE HAS A THING THA MAKES THEM ATTRACTED TO SOMEONE
ELSE.
LIKE, YOU STRAIGHT GIRLS ARE
INTO HOLDING DOORS AND A HAND ON
THE SMALL OF YOUR BACK.
TOTALLY.
[ CHUCKLES ]
YEAH.
THAT LIP THING -- THAT'S MY
THING.
WHAT'S THAT LOOK?
NOTHING.
[ Chuckling ] OKAY.
[ ROCK MUSIC PLAYING ]
[ INDISTINCT CONVERSATIONS ]
OKAY.
HERE WE GO. HERE WE GO.
I'M READY.
OKAY.
[ GLASSES CLINK ]
OH, MY GOD.
CAREFUL!
NEVER HAVE I EVER FALLEN ON
MY FACE AND BROKEN MY NOSE
TWICE.
WELL, NEVER -- NEVER HAVE I
EVER PULLED OVER ON THE PARKWAY
AND SHAT IN A BAG.
PROM NIGHT!
NO, NO, NEVER HAVE I EVER
PEED IN THE HALLWAY OF OUR
APARTMENT BUILDING.
I DIDN'T POOP.
BUT YOU PEED!
I DIDN'T POOP.
[ LAUGHS ]
NEVER I EVER STRIPPED IN THE
HALLOWEEN-DAY PARADE.
JUST THE ONCE.
IT'S UNFATHOMABLE.
DUDE, YOUR LITTLE BOYFRIEND'S
HERE.
WHAT THE HELL IS WRONG WITH
YOU?
GREG TOTALLY WANTS TRIP'S
SWEET ASS.
IT IS A SWEET ASS.
THANKS, BABE.
WHY DO YOU THINK EVERYONE'S
GAY?
I DON'T THINK EVERYONE'S GAY.
MM-HMM.
I DON'T THINK CHLOE'S GAY.
I HAVE TOTALLY KISSED A GIRL.
SWEETHEART, IF I THOUGHT YOU
WERE, LIKE, A SECOND GAY, I'D BE
ALL UP IN IT.
WELL, NOW IS YOUR CHANCE,
BRIDGE.
WANT TO DO ME IN THE BATHROOM?
YES.
STOP HITTING ON MY
GIRLFRIEND.
OH, I'M SORRY.
WERE YOU ABOUT TO DO THAT?
DIDN'T THINK SO.
ASSHOLE.
FUCKER.
HEY! CUTE SKIRT.
I'M A 4.
WOW. SHOTS.
DO YOU REALLY NEED THAT,
GREG?
HELLS, YES.
Both: HI.
[ CHUCKLE ]
HI.
WHAT ARE YOU?
I'M A PUMPKIN.
OF COURSE.
[ CHUCKLES ]
WHAT HAVE YOU BEEN UP TO?
NOT A WHOLE NOT.
YOU KNOW, I'VE BEEN STAYING A HOME, BITING MY BOTTOM LIP.
YOU KNOW.
WOW. YOU'RE AN ASS.
SHAKE IT, A-SHAKE IT,
SHAKE IT, A-SHAKE IT, A-WHOO
[ CHUCKLES ]
SHAKE IT OFF, BABY
[ CHUCKLES ]
SHAKE IT, A-SHAKE IT,
A-SHAKE, SHAKE IT, A-SHAKE IT,
A-WHOO
SHAKE IT OFF, BABY
I KNOW. THAT'S PRETTY COOL.
SHAKE IT, A-SHAKE IT,
SHAKE IT, A-SHAKE IT, A-WHOO
HEY.
HI.
OH, UH, I'M ACTUALLY A GUY
UNDER HERE.
OKAY.
SOME PEOPLE THINK I'M PRETTY
CUTE, TOO.
[ Chuckling ] I'M SURE.
CAN I GET YOU SOMETHING?
LIKE A DATE?
OH, I WAS THINKING MORE A
DRINK, BUT, UH...
OH, OH, OKAY, SURE.
TRIP.
CAN YOU HOLD THAT THOUGHT?
OH, MY GOD. JUST SHUT UP.
I WON'T SAY ANYTHING.
CHLOE, I WON'T EVEN TALK ABOU THAT GUY THAT YOU BLATANTLY
FLIRTED WITH IN THE
MOVIE-THEATER LINE THE OTHER
NIGHT.
BRIDGET, HE WAS SO CUTE.
LET IT GO!
I'M LETTING IT GO, CHLOE.
IT'S GONE.
I COULD THROW YOU RIGHT NOW!
OOH, LIKE SEXUALLY?
REALLY MATURE, TRIP.
MATURE. CATAW!
JUST SHUT UP!
I'M DONE.
[ GUNFIRE, INDISTINCT SHOUTING ]
CHLOE SEEMED PISSED.
SHE'S OKAY.
OKAY.
SHIT.
YOU GONNA MARRY HER?
NO.
I DON'T KNOW.
PROBABLY.
EVERYBODY, GET DOWN!
MOTHERFUCKER.
YEAH, ME TOO.
I MEAN, MOLLY.
GREAT.
SHE'S PERFECT.
SHUT UP.
HOW DO YOU HANDLE THIS?
WE DON'T REALLY HAVE THIS
PROBLEM.
OH, YOU MEAN YOUR BOYFRIEND
DOESN'T FLIRT WITH OTHER GIRLS
RIGHT IN FRONT OF YOU?
HE DOESN'T.
HE DOESN'T FLIRT WITH ANYONE,
REALLY.
SHOCKER.
JUST APOLOGIZE.
WHAT FOR?
YOU FLIRTED.
I DON'T FLIRT.
OH.
GIRLS FIND ME.
MAKES SENSE.
I MEAN, EVEN IF HE'D JUS APOLOGIZE.
EXACTLY.
WHAT FOR?
HE SHOULD APOLOGIZE FOR BEING
AN ASS.
FOR FLIRTING WITH ANOTHER
GIRL RIGHT IN FRONT OF HER.
WE DON'T FLIRT.
GIRLS JUST FIND US.
MAKES SENSE.
YOU THINK SHE'D AT LEAST BE
ON OUR SIDE.
I MEAN, YOU HAVE TO BE MORE
SENSITIVE THAN THE AVERAGE GUY.
BUT I'M NOT.
OF COURSE YOU ARE.
YOU CAN TELL BY THE WAY YOU
LISTEN.
EXACTLY. HE DOESN'T LISTEN.
OF COURSE HE LISTENS.
[ SCOFFS ] OKAY.
HEY, TRIP, WHAT'S DECEMBER 7th?
UH, PEARL HARBOR DAY.
YEAH. AND OUR ANNIVERSARY?
I WANT TO GO TO THE BALLET.
OKAY. BALLET. ANNIVERSARY.
LOVE YOU.
SEE?
OKAY, OKAY.
I DON'T REALLY KNOW IF THA PROVES THAT I'M MORE SENSITIVE
THAN ALL GUYS.
STOP SAYING THAT.
YOU LISTEN WITH YOUR WHOLE BODY,
AND YOU HAVE THIS INTENSE EYE
CONTACT.
NO GUY, NOT EVEN THE BEST GUYS,
HAVE THAT.
BUT I DON'T REALLY FEEL LIKE
THAT'S A GENDER THING.
I FEEL LIKE THAT'S A PERSONAL
THING.
YOU'RE SO WRONG.
OKAY, UM, LOOK AT MODERN
LITERATURE.
ALL OF THE GREATEST FEMALE
CHARACTERS WERE WRITTEN BY WOMEN
BECAUSE NO MAN COULD EVER WRITE
FROM A FEMALE'S PERSPECTIVE.
WOMEN HAVE THIS COMPASSIONATE
CHEMISTRY THAT ALLOWS THEM TO
LISTEN WITH AN UNBIASED EAR --
ALL WOMEN, EVEN YOU.
[ CHUCKLES ]
WE SHOULD DO ANDERSON'S
PROJECT TOGETHER.
OKAY.
SO GLAD I'M A DANCE MAJOR.
[ LAUGHTER ]
[ CHILDREN SHOUTING PLAYFULLY ]
I TOTALLY WANT KIDS SOME DAY.
OKAY.
OH, DID YOU GET THAT QUOTE ON
PAGE 126?
UM, NO, I DON'T THINK I DID,
ACTUALLY.
HERE.
WHAT ARE YOU DOING?
UM, YOU MIGHT NEED A
BOOKMARK.
SO CUTE.
WHAT?
WHAT?
YOU'RE FLIRTING WITH ME.
NO, I'M...
OH.
WOW, I'M...
IT'S FINE.
YOU'RE MY ONLY GIRLFRIEND IN
THE CITY, SO I JUST...
YOU SHOULD BE CAREFUL HOW YOU
USE THAT WORD.
[ CHUCKLES ] SORRY.
DON'T BE.
Okay.
[ SNIFFLES ]
[ INSECTS CHIRPING ]
[ SMOOCHES ]
GREG...NOT NOW.
I DON'T GET IT.
DUDE, THERE IS NOTHING TO
GET.
I JUST DON'T THINK THE WHOLE
GAY THING IS NATURAL.
DUDE, YOU NEVER SCREWED
SOMEONE IN THE BUTT?
A GUY?
NO, DUDE, A GIRL.
IN THE GIRL BUTT.
OH.
NO, MOLLY WOULD NEVER --
SHE'S NOT LIKE THAT.
OH.
CHLOE IS.
[ ACOUSTIC GUITAR PLAYING ]
MOLLY'S BEEN...WEIRD...
[ GUITAR STOPS ]
...LATELY.
I MEAN JUST LATELY.
DUDE, THEY'RE ALL WEIRD.
NO, NOT MOLLY.
I MEAN, WE REALLY CONNECT ON
EVERYTHING.
IT'S JUST -- I DON'T KNOW --
EVER SINCE I MOVED HERE, WE JUS HAVE LESS AND LESS TO TALK
ABOUT.
THAT'S A BAD THING?
YEAH. FUCK YEAH.
WE TALK ABOUT EVERYTHING.
LIKE, WE'VE ALREADY PLANNED OUR
HONEYMOON.
UGH.
[ CHUCKLES ]
DUDE, CHLOE'S ALWAYS TALKING
ABOUT HER FEELINGS AND HER
EMOTIONS AND HER PERIOD AND
SHIT, AND WHAT THE HELL AM I
SUPPOSED TO DO WITH ALL THAT?
I DON'T KNOW.
I JUST CAN'T READ HER ANYMORE.
DUDE, STOP TRYING.
[ INDISTINCT CONVERSATION ]
[ CONVERSATION CONTINUES ]
SHE'S SO DESPERATE.
NO, I REALLY DON'T THINK
CATHERINE'S DESPERATE.
I GET HER, ACTUALLY.
YOU?
YOU'RE THE MOST ANTI-ROMANTIC
PERSON THAT I'VE EVER MET, AND
YOU UNDERSTAND THE NEEDIES WOMAN EVER WRITTEN?
BUT SHE ISN'T NEEDY -- OR
INDECISIVE, EVEN.
I MEAN, SHE'S RIGHT.
LIKE, HERE SHE'S TALKING ABOU HEATHCLIFF, AND SHE SAYS,
"WHATEVER OUR SOULS ARE MADE OF,
HIS AND MINE ARE THE SAME, AND
LINTON'S IS AS DIFFERENT AS A
MOONBEAM FROM LIGHTNING AS FROS FROM FIRE."
BUT SHE STILL TAKES HIM.
YOU KNOW?
I MEAN, SHE REPRESENTS THA TYPICAL HUMAN STRUGGLE, THAT --
THAT CONFLICTING NEED FOR
CONSISTENCY -- LINTON -- AND
PASSION -- HEATHCLIFF.
WOW.
WHAT?
UH, YOU JUST DESCRIBED ME.
I'M TOTALLY CATHERINE.
OKAY.
NO, IT'S TRUE.
I MEAN, GREG IS MY LINTON.
HE'S ABSOLUTELY EVERYTHING THA I COULD EVER WANT IN A GUY,
BUT HE'S JUST...
HE DOESN'T...
HAVEN'T YOU EVER WANTED TO BE
THROWN UP AGAINST A WALL AND
KISSED HARD?
YEAH.
I'M USUALLY THE ONE DOING THE
THROWING, THOUGH.
[ CHUCKLES ] YEAH.
SO, MAYBE IF I INITIATED IT MORE
WITH GREG...
OR MAYBE YOU SHOULD JUS START KISSING OTHER PEOPLE.
OH.
[ INDISTINCT TALKING ON
TELEVISION ]
WHERE WERE YOU ALL DAY?
WITH BRIDGET.
ALL DAY?
YEAH, GREG, ALL DAY.
ALL RIGHT.
WHAT?
I JUST SAID, "ALL RIGHT."
IF SHE WASN'T GAY, WOULD WE
BE HAVING THIS CONVERSATION?
NO.
THAT'S OFFENSIVE.
[ CROWD CHEERING ]
BOYCE TAKES THE HAND-OFF.
...BOUNCES OFF THE...
HE'S HIGH-STEPPING, AND HE'S IN
FOR THE SCORE.
A TREMENDOUS, POWERFUL RUN...
HE'S NOT COMING, IS HE?
HE STILL MIGHT COME.
I'VE CALLED HIM LIKE A
THOUSAND TIMES.
HE'S NOT COMING.
IT'S DOUBLE OVERTIME.
HE'S NOT COMING.
...WORKING HIS HARD COUNT...
GOD FORBID HE PICK UP A
PHONE.
BUT IT'S DOUBLE OVERTIME.
SHUT UP.
...SHOOTS UP THE MIDDLE...
HOPE YOU LIKE THE BALLET.
...TAKING IT OUTSIDE, PAS THE 10, DOWN TO THE 5...
NOW, HOPEFULLY HE'LL SLIDE INTO
PROTECTIVE ZONE, BUT, NO, HE'S
DIVING FOR THE GOAL LINE...
DAMN IT.
SO, WHY DIDN'T YOU GO AGAIN?
I HATE THE BALLET.
[ CHUCKLES ]
SHE'S GONNA KILL YOU.
NAH. DOUBLE OVERTIME.
SHE'LL UNDERSTAND.
OKAY.
AND TECHNICALLY IT'S STILL
OUR ANNIVERSARY.
I HAVEN'T MISSED IT YET.
HMM.
SHE'S GONNA KILL YOU.
NO. SHE LOVES THESE THINGS.
SHE'S GONNA LOVE IT.
[ CHUCKLES ]
MNM.
[ TONGUE CLICKS ]
JUST DOESN'T SEEM LIKE...
QUITE...
ENOUGH.
YEAH.
SHE'S GONNA KILL ME.
[ INDISTINCT CONVERSATION ]
[ TCHAIKOVSKY'S "SWAN LAKE"
PLAYING ]
I'M SORRY...
REALLY, REALLY SORRY.
[ EXHALES SHARPLY ]
UM, I ACTUALLY GOT TO --
YEAH.
I'M GONNA GO AHEAD AND...
[ CLEARS THROAT ]
I-I DON'T, UH...
I DON'T EXPECT YOU TO FORGIVE
ME, BUT I HOPE YOU CAN GIVE ME A
SECOND CHANCE.
SECOND?
ALL RIGHT, 22nd, 34th, 42nd
CHANCE.
YOU HAVE NO IDEA HOW YOU MADE
ME FEEL.
YOU'RE RIGHT.
I COMPLETELY LET YOU DOWN.
I'M SO SORRY.
OOH. I-I GOT YOU THIS.
IT'S YOUR FAVORITE.
A CUPCAKE AND SOME CANDLES,
AND I'M SUPPOSED TO FORGIVE YOU?
COME ON, TRIP.
IT'S OUR ANNIVERSARY, AND I HAD
TO GO TO THE BALLET WITH
BRIDGET.
WHAT ARE YOU DOING?
A BALLET...FOR YOU.
TRIP --
Shh.
[ MUSIC CONTINUES ]
TRIP.
[ LAUGHING ]
[ PANTING ]
[ CHUCKLES ]
I FORGIVE YOU.
MM-HMM?
MM-HMM.
MM-HMM?
GOOD.
I LOVE YOU.
I'M SORRY.
I KNOW.
ARE YOU WEARING A DANCE BELT?
HOT.
[ MUSIC CONTINUES ]
[ GRUNTS ]
[ LAUGHS ]
Both: [ BREATHING HEAVILY ]
LOOK AT ME.
WHAT?
CAN -- CAN WE, UH, DO THIS
OVER THERE?
[ BIRDS CHIRPING ]
[ WATER RUNNING ]
YO, MAN.
WHAT'S UP, ASSHOLE?
GOOD.
YOU SAVED MY ASS LAST NIGHT.
HEY, MAN, YOU SUCK.
HUH?
I DON'T KNOW.
SHE'S PRETTY MUCH PERFECT.
YOU SHOULD HAVE GONE.
THANK YOU.
AND NEXT TIME I NEED
RELATIONSHIP ADVICE, I'LL ASK
YOUR GIRLFRIEND.
PERFECT.
EVERYTHING'S MOVING FROM
GREEN TO RED
IF YOU ASK ME, I WANT TO STAY
IN BED
THE CLOCK IS SCREAMING
IT'S A QUARTER TILL
LOVE YOU.
LOVE YOU, TOO.
I'LL BE BACK IN A FEW DAYS.
TICKS IN RHYTHM WITH
RAINDROPS ON THE SILL
TRY OUR BEST TO PLAN OUR
FUTURE
TRY TO BELIEVE
TRY TO CONTROL THE CYCLE AND
JUST CLING TO THE TREES
AND THE LEAVES AND WE
WE WANT TO STAY GREEN
BUT IT ALL GOES AROUND
THE SEASONS TURN INEVITABLY
AND WE ALL FALL DOWN
AND DOWN
AND DOWN
AND DOWN
AND DOWN
[ KEYS JINGLE ]
I'M SORRY.
I'M SORRY!
LET IT GO.
I JUST CAN'T TAKE YOUR
PARENTS FOR THAT LONG.
I JUST FEEL SUFFOCATED.
YEAH, I KNOW THE FEELING.
[ CAN OPENS ]
WHAT?
I JUST THINK IT WAS TOO
STRESSFUL FOR US.
THAT'S ALL.
SURE.
NO.
[ SMOOCHES ]
NO. NOT NOW.
[ SMOOCHES ]
NO. STOP. YOU'RE DRUNK.
[ PANTING ]
NO.
GREG, STOP.
[ PANTING ]
[ MOANING ]
NO, GREG. NO, DON'T.
AAH!
[ PANTING ]
[ Voice breaking ] NO!
STOP!
OOH, GOD!
GREG, GET OFF!
HEY, LOVE.
CHLOE.
CHLOE.
CHLOE?
[ DOOR SLAMS ]
DON'T FOLLOW ME!
[ DOOR SLAMS ]
[ DOOR CLOSES ]
FUCK.
I FUCKED UP.
YEAH.
[ CELLPHONE RINGING ]
HEY.
I NEED TO TALK TO SOMEONE.
NOW?
Can you meet me?
Okay. I'll meet you halfway?
YEAH.
OKAY.
Okay.
BYE.
[ SNIFFLES ]
[ KEYPAD BEEPS ]
[ CHUCKLES ]
[ SCOFFS ]
YOU GONNA TALK?
NO.
YOU CALL ME AT 3:00 IN THE
MORNING.
YOU'RE NOT GONNA TELL ME WHY?
NO.
CLASSIC.
[ SNIFFLES ]
[ SNIFFLES ]
I FOUND A DANCE BELT IN TRIP'S
LAUNDRY THE OTHER DAY.
YOU KNOW, A DANCE BELT'S THE
THING THAT KEEPS HIS, UM --
BALLS.
DON'T SAY "BALLS."
I DON'T DO BALLS.
[ CHUCKLES ] RIGHT.
ONCE, THOUGH.
REALLY?
YEAH, I WAS YOUNG.
I DIDN'T KNOW ANY BETTER.
[ LAUGHS ]
HE WORE A SWEATBAND.
ON HIS BALLS?
ON HIS HEAD.
IT WAS A HEAD SWEATBAND.
[ LAUGHS ] WHY?
TO KEEP THE PRODUCT IN HIS
HAIR FROM TRICKLING DOWN ONTO
HIS FACE.
IT WAS TO PREVENT BREAKOUTS.
WOW.
I KNOW.
[ BOTH LAUGH ]
YOU'RE FUN.
THANK YOU.
EVERYTHING ELSE JUST...
GOES AWAY.
I NEED TO STAY WITH YOU FOR A
LITTLE WHILE.
I FART IN MY SLEEP.
[ LAUGHS ]
SO, IF THAT'S OKAY, THEN...
THANK YOU.
THERE'S THAT LOOK AGAIN.
HEY.
SO, WE HAVE MILK OR $2 WINE FROM
THE DELI.
$2 WINE.
OKAY.
[ WOMAN SINGING IN SPANISH ]
BUM, BUM, BUM, BUM, BUM
BUM, BUM, BUM, BUM, BUM
BUM, BUM, BUM, BUM, BUM
BUM, BUM, BUM, BUM, BUM
BUM, BUM, BUM, BUM, BUM
BUM, BUM, BUM, BUM, BUM
BUM, BUM, BUM, BUM, BUM
BU-U-U-U-M
[ SINGING IN SPANISH CONTINUES ]
SHE'S JUST STAYING WITH YOU?
YEAH.
AND YOU DON'T KNOW WHY?
NO.
DID YOU ASK?
[ Laughing ] NO.
DID YOU SLEEP WITH HER?
NO!
DO YOU LIKE HER?
SHE'S OKAY.
SHE HAS A BOYFRIEND.
HOW YOU HOLDING UP?
I'M FINE.
SO, YOU HAVE SEEN HER?
YEP.
MOLLY'S DEFINITELY STAYING HERE.
[ SCOFFS ]
WHY WOULD SHE STAY HERE?
I DON'T KNOW, BUT I WOULDN' LET MY GIRLFRIEND STAY WITH
BRIDGET.
MOLLY'S NOT GAY.
BRIDGET IS.
[ SIGHS ]
SHE'S NOT A CHEATER.
YOU DON'T KNOW THAT.
[ SNIFFLES ]
TRIP, WHY DID YOU CHEAT ON
CHLOE?
HONESTLY?
I DIDN'T KNOW SHE'D BE HOME SO
EARLY.
I THOUGHT I HAD ANOTHER DAY.
I'M DRIVING WES SPEEDING TOO FAS I KEEP ON RUNNING
THE SLEEP IS JUST NOT COMING
TO ME
[ HORN HONKS ]
I HAD SOMETHING TO SAY.
I SWEAR.
I JUST DON'T REMEMBER WHAT I WAS.
I'M...
I'M SORRY.
I CAN'T LET YOU GO. I WON'T.
GIVE ME ANOTHER CHANCE.
PLEASE?
[ ROSIN MURPHY'S "RAMALAMA (BANG
BANG)" PLAYS ]
COULD A BODY CLOSE THE MIND
OUT?
STITCH A SEAM ACROSS THE EYE
IF YOU CAN BE GOOD, YOU'LL
LIVE FOREVER
IF YOU'RE BAD, YOU'LL DIE WHEN
YOU DIE
HEARING ONLY ONE TRUE NOTE
I'M THE ONE AND ONLY SOUND
UNZIP MY BODY
TAKE MY HEART OU 'CAUSE I NEED A BEAT TO GIVE
THIS TUNE
[ GLASSES CLINK ]
OOH, OOH
OOH, OOH
HEY, IT'S JUST LIKE OLD
TIMES.
NOT REALLY, NO.
OH, GOD, I'M GLAD THIS YEAR'S
OVER.
RIGHT?
I HAD A GREAT YEAR, ACTUALLY.
I HAD THE WORST YEAR OF MY
LIFE.
THAT'S WHY MY NEW YEAR'S
RESOLUTION IS TO DRINK AS MUCH
AS HUMANLY POSSIBLE SO I CAN
FORGET.
GREAT, GREG.
HEARING ONLY ONE ROO NOTE
PLANTED FIRMLY IN THE GROUND
UNDO MY HEAR UNZIP MY BODY
AND LEND TO MY EAR A CLEAR AND
A DEAFENING SOUND
OOH, OOH
OOH, OOH
UNZIP MY HEAR OOH, OOH
OOH, OHH
AND IF I NEED A RHYTHM
IT'LL BE TO MY HEART I
LISTEN
IF IT DON'T PUT ME TOO FAR
WRONG
OH, SO, WHAT'S YOUR
RESOLUTION?
AND IF I NEED A RHYTHM
I DON'T KNOW YET.
Never have I ever been thrown
up against a wall and kissed
hard.
BRIDGET.
Never have I ever been turned
down.
BRIDGET.
BRIDGET!
WHAT?
WHAT'S YOUR NEW YEAR'S
RESOLUTION?
STOP SMOKING.
REALLY?
NO.
HEY, TRIP, WHERE'S CHLOE?
GONNA BE TO MY HEART I
LISTEN
AND IF I, AND IF I NEED A
RHYTHM
IT'S GONNA BE TO MY HEART I
LISTEN
NEED A RHYTHM, NEED A RHYTHM,
NEED A RHYTHM
NEED A RHYTHM, NEED A RHYTHM,
NEED A RHYTHM
[ DOOR OPENS, CLOSES ]
[ BREATHING HEAVILY ]
[ DOOR OPENS ]
[ INDISTINCT CONVERSATIONS ]
[ DOOR CLOSES ]
OKAY?
YEAH.
YEAH?
UH-HUH.
[ ADERBAT'S "BUSTED CARS"
PLAYING ]
BY THE BUSTED CARS
BY THE SIGNS YOU'LL SEE
THERE'S NO OUTLET HERE WHERE
YOU'LL FIND ME
WHAT HAVE I BECOME?
[ GASPS ]
Both: [ BREATHING HEAVILY ]
WE GO WALKING
WITH ONE EYE CLOSED
GREG, GREG, GREG, GREG, GREG.
DUDE, THEY'RE GONNA MISS THE
COUNTDOWN.
DUDE, FUCK 'EM.
Both: [ MOANING ]
...AT ALL?
DO I TRUST YOU AT ALL?
DO I TRUST YOU?
All: 9...
8...
7...
6...
5...
4...
3...
2...
1!
YOU CAN GO BACK
YOU CAN CRAWL BACK INTO YOUR
SHELL
WITH YOUR HOLY IDEAS
YOU CAN CONCENTRATE ON SOMEONE
ELSE
LIKE THE PICTURES THAT BLOCK
YOUR WALLS
LIKE THE FRAME THAT'S
AROUND...
HEY.
HAPPY NEW YEAR, MAN.
[ GLASSES CLINK ]
YEAH, YOU TOO.
Both: [ BREATHING HEAVILY ]
COME HOME WITH ME.
WHAT?
NO.
PLEASE.
I CAN'T.
[ SIGHS ] SHIT.
[ SIGHS ]
PLEASE COME HOME WITH ME.
WE SHOULD GET BACK OUT THERE.
YOU MISSED EVERYTHING.
WE DID?
YEAH.
HAPPY NEW YEAR.
STOP FUCKING HIS GIRLFRIEND.
I DON'T KNOW WHAT YOU'RE
TALKING ABOUT.
OH.
TRIP. TRIP.
[ INDISTINCT CONVERSATIONS ]
[ INTERCOM BUZZES ]
TRIP?
[ CHUCKLES ] FUCKER.
[ BEEP ]
HI.
HI.
I PUT HIM TO BED.
COME HERE.
Both: [ SMOOTHING ]
[ GASPS ]
I WANT TO SEE YOU.
OKAY.
[ EXHALES SLOWLY ]
NEVER HAVE I EVER.
BYE.
ARE YOU COMING TO BED?
...TO GRAB MY COLLAR
GRAB MY COLLAR
GRAB MY COLLAR
SHE KNOWS HOW TO DANCE AND
HOLLER
DANCE AND HOLLER
DANCE AND HOLLER
HEY, BRIDGE, YOU WANT TO COME
OUT WITH ME TODAY?
CAN'T.
GREAT.
FILL WITH SORROW
FILL WITH SORROW
SHE WILL MAKE IT A BETTER
TOMORROW
BETTER TOMORROW
BETTER TOMORROW
I CAN TELL
IT'S JUST AS WELL
SHE KNOWS HOW TO SHUT MY MOUTH
UP
SHUT MY MOUTH UP
SHUT MY MOUTH UP
SHE KNOWS WHY THINGS WILL LOOK
UP
THINGS WILL LOOK UP
IT'S GONNA GET BETTER NOW
HALF THE TIME
I'M HALF A MAN
WHAT DID YOU THINK ABOU THAT, THOUGH?
[ LAUGHS ]
[ CELLPHONE RINGING ]
OKAY.
WAIT.
I CAN'T REACH ANYTHING.
[ LAUGHS ]
IT'S IN HERE.
[ LAUGHS ] SO DISORGANIZED.
OH, SHIT.
[ KEYPAD BEEPS ]
HI, MOM.
YEAH, NO, I'M GREAT.
GREG'S GREAT.
WE'RE GREAT, MOM, YEAH.
FOR EVERYTHING WE DO
[ DOOR CREAKS ]
What's going on?
I'M SORRY.
I'M JUST DOING A FINAL
SWEEP-THROUGH FOR MY STUFF.
I don't have anything here.
I CAN'T FIND MY HAIR
STRAIGHTENER.
Okay, I can just drop it
off --
WHY CAN'T I JUST LOOK FOR I NOW?
Well, I'm just sort of in the
middle of something.
I'M SORRY, BUT I CAN BE
TOTALLY QUIET.
No, can you just --
MORNING, HONEY.
OH, MY GOD. I KNEW IT.
I FUCKING KNEW IT.
YOU'RE AN IDIOT. YOU KNOW THAT?
YEAH, NO, I KNOW.
IT'S ALL MY FAULT.
YOU'RE RIGHT. IT IS.
IT IS ALL YOUR FAULT.
YOU HAVE A BOYFRIEND.
THIS IS ABSURD.
PLEASE TELL ME YOU WERE DRUNK
LAST NIGHT.
OH!
THIS IS A SOBER BRILLIANT IDEA.
WHAT IS WRONG WITH YOU?
I DON'T KNOW.
DID YOU KNOW THAT CHLOE'S
COMING IN?
[ SIGHS ] GREAT.
THIS HAS BEEN A WONDERFUL
MORNING.
YEP.
[ SIGHS ] WHATEVER.
JUST GIVE ME A CALL WHEN YOU GE YOUR HEAD OUT OF YOUR ASS.
FUCK.
ARE YOU ATTRACTED TO ME?
WHAT?
ARE YOU ATTRACTED TO ME?
YOU OKAY?
CAN YOU ANSWER THE QUESTION?
I-I DON'T KNOW IF THA DESERVES AN ANSWER.
COME ON.
WHAT?
DO YOU WANT ME?
I WANT THIS.
THAT'S NOT WHAT I ASKED.
YEAH, IT IS.
YOU WOULD DO ANYTHING FOR
THIS?
FOR US, YES.
KISS ME.
WHAT?
IF YOU WANT ME, KISS ME RIGH NOW.
[ EXHALES ]
MOLLY, I KNOW THAT YOUR FAVORITE
FLOWER'S THE GERBERA DAISY.
AND I KNOW THAT YOU GET BLOTCHY
WHEN YOU HAVE TO SPEAK IN FRON OF A GROUP OF PEOPLE.
I KNOW WHAT YOUR SHOES SOUND
LIKE COMING DOWN A FLIGHT OF
STAIRS.
I SHOULDN'T HAVE TO KISS YOU TO
PROVE THAT I LOVE YOU.
I DIDN'T ASK IF YOU LOVED ME.
I ASKED IF YOU WANTED ME.
I DON'T SEE THE DIFFERENCE.
WHY DON'T YOU HAVE A
GIRLFRIEND?
I DON'T KNOW.
OH. HERE.
OOH. SCENTED OR UNSCENTED?
SCENTED.
DO YOU WANT ONE?
A GIRLFRIEND OR A DRYER
SHEET?
BOTH.
NO AND YES, RESPECTIVELY.
WHY DON'T YOU?
WHY DON'T I WHAT?
WANT ONE?
I DON'T KNOW.
NO ONE CAN HOLD MY INTEREST FOR
LONG ENOUGH, I GUESS.
OH.
SO, IF SOMEONE COULD HOLD YOUR
INTEREST, THEN...
THEN I'D HAVE A GIRLFRIEND,
YEAH.
OH.
SO, WHAT'S IT LIKE?
WHAT ARE YOU TALKING ABOUT?
BEING SINGLE, I MEAN.
YOU OKAY?
AREN'T YOU SICK OF PEOPLE
SAYING THAT YOU GUYS ARE SO CUTE
TOGETHER OR THAT SHE'S SO
PERFECT?
SHE'S NOT.
CHLOE WASN'T.
YOU THINK THERE'S SOMEONE
ELSE?
THERE'S ALWAYS SOMEONE ELSE.
[ SPATULA SCRAPING ]
IT'S GONNA SCRATCH THE PAN.
[ SCRAPING INTENSIFIES ]
UGH.
I DON'T KNOW WHAT I'M DOING,
MAN.
I MEAN, I CAN'T BE HER
GIRLFRIEND.
WHAT DOES SHE WANT?
OH, IT'S REALLY HARD.
YOU JUST WANT --
DID THAT JUST HAPPEN?
OH, I'M SORRY.
WERE YOU IN THE MIDDLE OF
SOMETHING?
I'M NOT DOING THIS RIGHT NOW.
SHE'S INTO ME.
THAT'S ALL I WANTED TO SAY.
SO, SHE IS YOUR GIRLFRIEND?
NO.
CALL ME CRAZY.
ISN'T SHE GREG'S GIRLFRIEND?
STOP, PLEASE.
SORRY, TUESDAY.
WHAT?
IS FRIDAY BETTER? WEDNESDAY?
WHAT ARE YOU TALKING ABOUT?
YOU'RE HER DAY OF THE WEEK.
AND YOU'RE A PRICK, TRIP.
I'M A PRICK?
NO, NO, NO, NO.
BRIDGET, DON'T WALK AWAY FROM
ME.
BUT I CAN'T DO THIS.
I REALLY CAN'T TELL YOU HOW I
FEEL RIGHT NOW.
WHY?
YOU TALKED TO CHLOE, MY
EX-GIRLFRIEND.
I DIDN'T HAVE ANYONE ELSE TO
TALK TO.
WHAT ABOUT ME?
DUDE, WE'VE BEEN INSEPARABLE FOR
YEARS.
I MEAN, WE USED TO TALK ABOU EVERYTHING, AND NOW YOU CAN' COME AND TALK TO ME?
I'M SORRY.
GOOD.
OH, BY THE WAY...
I TOLD GREG EVERYTHING.
[ KEYS JINGLE ]
HI.
HI.
I'VE ALWAYS WANTED THIS TO
WORK, BUT I DON'T SEE HOW I CAN.
WHY -- WHY WOULD YOU SAY
THAT?
[ CHUCKLES ]
I'M NOT GONNA LIE TO YOU.
A HUGE PART OF ME WANTS TO
LEAVE.
I WANT TO LEAVE YOU RIGHT NOW,
BUT...I KNOW THAT YOU'RE WORTH
IT.
DON'T LOOK AWAY.
YOU CAN'T SEE HER ANYMORE.
[ DOOR SLAMS ]
HI.
DON'T.
I'M GETTING MARRIED AT ST.
JOHN'S ON CHAPEL STREET IN
DOWNTOWN WESTPORT.
I KNOW WHAT MY DRESS LOOKS LIKE,
AND I HAVE ALWAYS KNOWN THAT MY
DAD WOULD WALK ME DOWN THE
AISLE.
YOU COULD NEVER BE AT THE END OF
THAT AISLE.
WHY?
I CAN'T DO THIS.
I BROKE SOMEONE'S HEART,
BRIDGET.
HE LOVES ME, AND I BROKE HIM.
I'M SORRY.
I FEEL SICK, BRIDGET.
TO SEE SOMEONE EVERY DAY, TO
KISS HIM, AND TO KISS YOU --
I DON'T WANT TO THINK OF YOU
LIKE THAT.
TOUGH SHIT.
THIS IS WHAT I AM.
THIS IS WHO I AM NOW.
BUT WE DID THIS.
I WAS OKAY WITH MY LIFE BEING
JUST OKAY.
I CAN'T DO THIS.
I NEED MY LIFE BACK, AND YOU
CANNOT BE A PART OF IT ANYMORE.
I'M SORRY.
[ BREATHING HEAVILY ]
YOU
YOU CAN'T SEE
YOU OKAY?
ALL OF ME EASILY
YEAH.
THAT SOUNDS ABOUT RIGHT.
IT DOESN'T TAKE A LOT...
BABY, BABY, BABY.
BABY, LOOK AT ME.
NO.
SHUT UP. YOU'RE BEAUTIFUL.
LOOK AT ME.
WHAT?
UM, WHAT DO YOU WANT THE
WORLD TO KNOW TODAY?
I LOVE YOU.
LOOK AT THAT.
WHAT DO YOU WANT THE WORLD TO
KNOW TODAY?
I LOVE YOU.
ONE MORE TIME.
I LOVE YOU.
ONE MORE TIME.
I LOVE YOU.
I LOVE YOU.
SO YOU
YOU CAN NOD MY WAY
POLITELY
YOU CAN SMILE RIGHT AT ME
KNOWINGLY
[ WATER RUNNING ]
YOU GOING TO MOLLY'S BIRTHDAY
THING TONIGHT?
NOPE. YOU?
NOPE.
NO ONE'S EVER TALKED TO ME
THE WAY THAT YOU DO.
YOU MAKE ME FEEL SO VULNERABLE,
AND I JUST...
[ INHALES SHARPLY ]
YEAH, NO, THIS IS DIFFICULT TO
DO WHEN YOU'RE SITTING THERE
BLATANTLY IGNORING ME.
MMM. I'M NOT IGNORING.
I'M PRE-GAMING.
GREAT.
OKAY, OKAY, SO, I WALK IN, DRINK
WITH YOU, AND PRETEND LIKE I'M
NOT THINKING ABOUT HER.
AND THEN I PULL HER ASIDE, AND I
TELL HER THAT I HAVE TO TALK TO
HER AND THAT THERE'S NO OTHER
TIME, BUT NOW.
GREAT.
AND WHEN SHE SAYS SHE CAN' BECAUSE SHE LOVES HER BOYFRIEND,
YOU WALK AWAY.
I WALK AWAY.
PERFECT.
YEAH, JUST EMBARRASS THE SHI OUT OF MYSELF, AND THEN ONCE I
THINK IT CAN'T GET ANY WORSE...
IT DOES.
...IT DOES.
[ CHUCKLES ] EW.
YOU SWEAR TRIP WON'T BE
THERE?
IF TRIP'S THERE, I'LL GIVE YOU A
RIM JOB.
IT'S A WIN-WIN.
I THINK I NEED TO BORROW
SOMETHING TO WEAR.
I'LL GIVE YOU THAT GRAY
V-NECK THAT YOU LIKE, BUT YOU
HAVE TO GIVE IT BACK.
I THINK I NEED SOMETHING
HOTTER.
I HAVE A LITTLE BLACK TIE.
HOW ABOUT A LITTLE BLACK
DRESS?
[ MID-TEMPO ROCK MUSIC PLAYS ]
[ INDISTINCT CONVERSATIONS ]
HAPPY BIRTHDAY.
THANK YOU.
HEY.
HEY.
WHERE YOU BEEN HIDING?
WHAT ARE YOU TALKING ABOUT?
I DON'T KNOW.
I HAVEN'T SEEN YOU IN A WHILE.
OH, YEAH.
I'VE JUST BEEN SPENDING MORE
TIME WITH MOLLY.
SHE'S...YOU KNOW...
IT'S HARD WHEN YOU'RE IN A NEW
PLACE.
THE CITY'S BEEN TOUGH ON US.
OKAY.
AND, UH, WE'RE JUST TRYING TO
WORK THINGS OUT.
I KNOW.
I KNOW THAT'S NOT IMPORTANT TO
YOU, BUT IT IS TO US.
EXCUSE ME?
THERE ARE JUST A LOT MORE
WAYS TO MESS UP HERE, AND I
DON'T WANT THAT.
NEITHER OF US WANT THAT.
OKAY.
I THOUGHT SHE WASN'T COMING.
SHE WASN'T.
I THOUGHT YOU SAID HE WASN' GONNA BE HERE.
THAT'S WHAT HE SAID.
I FUCKING NEED A DRINK.
YEAH, ME TOO.
I CAN'T DO THIS.
YOU CAN'T LEAVE.
I'M NOT GONNA LEAVE.
I'M JUST NOT NECESSARILY GONNA
STAY, EITHER.
JUST DRINK.
I CAN'T DO THIS.
I HAVE TO GO TALK TO HER.
[ INDISTINCT CONVERSATIONS ]
SEE YOU LATER, GREG.
HAPPY BIRTHDAY.
CUTE DRESS.
THANK YOU.
[ CHUCKLES ]
I HAVE TO TALK TO YOU.
I CAN'T.
I CAN'T DO THIS TO HIM.
THANK YOU FOR COMING.
SURE.
THAT WENT WELL.
[ CONVERSATIONS CONTINUE ]
AND TO THE FIRST POSITION.
SECOND POSITIO-- SORRY, MAN.
[ LAUGHS ]
AND PLI.
AND UP.
[ LAUGHS ]
AND BREATHE.
HOW DID I LOOK?
LOOKS GOOD.
I'VE BEEN PRACTICING.
I CAN TELL.
HEY, CAN I GET, UH, TWO
WHISKEY SODAS?
YOU LOOK GOOD.
[ CHUCKLES ] YOU TOO.
HERE YOU GO.
THANK YOU.
[ EXHALES ] THANK YOU.
YOU'RE COMPLETELY WELCOME.
SO YOU RAN OUT TO SEATTLE
AND PORTLAND
BUT IT DIDN'T CHANGE A THING
[ SIGHS ]
IT'S EXACTLY LIFE, YOU KNOW?
HI.
DON'T.
NEW YORK CITY IS A PRETTY
INTERESTING PLACE, YOU KNOW?
OKAY.
YOU LEARN SHIT EVERY DAY.
YOU KNOW WHAT I MEAN?
COME ON.
SOME OF -- SOME OF THE CRAZY
PEOPLE -- YOU HAVE NO IDEA.
OKAY, GO.
GO.
I LIKE YOU.
AND?
[ Chuckling ] AND I LIKE YOU.
THAT'S WHAT YOU HAD TO TELL
ME?
YEAH.
THIS WOULD CHANGE MY LIFE,
AND YOU LIKE ME?
THIS HAS ALREADY CHANGED
MINE.
RIGHT.
I'M WEARING A FREAKING DRESS,
MOLLY!
I WOULD HAVE TO GIVE UP SO
MUCH MORE THAN THAT TO DO THIS.
BUT YOU HAVEN'T GIVEN UP
ANYTHING.
[ ROCK MUSIC PLAYING ]
IS EVERYTHING OKAY?
HEY. HAPPY BIRTHDAY.
HEY. THANKS.
BRIDGET.
BRIDGET?
FUCK OFF, GREG.
BRIDGET!
WHAT?
GREAT PARTY, MOLLY.
THANKS.
WHERE'S BRIDGET?
WHERE'S GREG?
WHY ARE YOU DOING THIS?
GO BACK INSIDE, MAN.
NO, NO, NO, I NEED TO KNOW
EVERYTHING.
I DON'T KNOW WHAT YOU'RE
TALKING ABOUT.
YES, YOU DO! YOU DO KNOW!
WHAT DO YOU HAVE THAT I DON'T?
NOTHING.
DON'T WALK AWAY FROM ME.
WHAT DO YOU WANT ME TO SAY TO
YOU?
WHY ARE YOU BETTER AT THIS
THAN I AM?
WE TALK, LAUGH. WE LISTEN.
NO, NO, NO, HOW DO YOU FUCK
HER BETTER THAN I DO?
STOP.
HOW DO YOU FUCK HER?
I DON'T.
YOU -- YOU CAN'T. YOU CAN'T.
YOU DON'T EVEN HA--
I CAN.
HOW?
IT'S DIFFERENT EVERY TIME.
YOU FUCKING DYKE.
GREG!
I WOULD DO ANYTHING FOR HER!
GREG!
ANYTHING!
THEN LET HER GO!
DUDE, GET OFF HER!
BRIDGET!
SHIT! BRIDGET!
BRIDGET, WAIT!
BRIDGET, ARE YOU OKAY?
ARE YOU HURT?
NO.
DID HE HURT YOU?
NO.
WHAT THE FUCK IS WRONG WITH ME?
THERE'S NOTHING WRONG WITH
YOU.
THEN WHY IS SHE STILL WITH
HIM?
THEY HAVE A PAST. I GET THAT.
LOOK AT TRIP.
THERE'S NOTHING WRONG WITH
TRIP, CHLOE.
YEAH, WELL --
NO, NO, TRIP JUST SAVED MY
ASS, OKAY?
AND THAT IS WHAT GIRLS WANT.
THEY WANT THEIR -- THEIR SCHMUCK
OF A HEATHCLIFF TO COME IN FROM
NOWHERE AND "LINTON" THEM.
WHAT?
I'M SORRY.
I'M TRYING TO LINTON LIKE THE
VERB.
ARE YOU MAKING CASUAL
"WUTHERING HEIGHTS" REFERENCES?
YEAH.
THAT'S WEIRD.
I CAN BE BOTH.
I MEAN, I CAN BE.
I-I CAN BE THE -- THE UNRELIABLE
DOUCHE NOZZLE WHO GRABS HER ASS
IN PUBLIC AND -- AND WEARS WORK
BOOTS, BUT I CAN ALSO BE THE ONE
WHO HOLDS DOORS FOR HER AND
TUCKS HER IN AT NIGHT AND --
AND BUYS HER FUCKING GERBERA
DAISIES FOR NO GODDAMN REASON!
I KNOW YOU CAN.
I'M GONNA GO KICK HIS ASS
RIGHT NOW.
NO, NO, NO, NO, NO, NO.
COME ON, BRIDGE.
NO, I'M DONE WITH THIS!
DON'T SAY THAT.
I JUST DID.
DID SHE GO HOME WITH HIM?
I DON'T KNOW.
FUCK!
I DON'T THINK SO.
YOU FUCKING STRAIGHT GIRLS --
YOU'RE ALL JUST A BUNCH OF
FUCKING CLOSET CASES!
MAYBE WE SHOULD ALL JUST DATE
GUYS.
I MEAN, MAYBE I SHOULD HAVE A
FUCKING BOYFRIEND!
MY HEART IS, LIKE, ON THE FLOOR
RIGHT NOW!
I WISH A CAR WOULD JUST COME AND
FUCKING HIT ME!
WANT ME TO HAIL A CAB?
NO, I'M TALKING BUS!
GREAT.
GODDAMN IT, I HATE HER.
NO, YOU DON'T.
YES, I DO. I DO.
I HATE HER!
I HATED HER FROM THE SECOND I
SAW HER!
NO, YOU DON'T.
I HATE HER! I HATE HER!
BRIDGET --
I HATE HER! I HATE HER!
I...
DON'T HATE HER.
I HAD NOTHING TO SAY TO HER.
RIGHT.
I THINK I ACTUALLY SAID TO
HER, "YOU'RE COMPLETELY
WELCOME."
"YOU'RE COMPLETELY WELCOME."
WHO SAYS THAT?
NO ONE.
[ CHUCKLES ]
THANKS.
UGH.
WHAT?
WHAT DO YOU MEAN "WHAT?"
I LOST HER.
I CAN'T BELIEVE THAT I LOST HER.
SHE JUST...GOT ME.
YOU KNOW?
IT WAS EASY.
IT NEVER FELT LIKE WE HAD TO TRY
AT ANYTHING.
WE JUST FELL INTO THIS THING,
AND WE COULD ALWAYS JUST BE
OURSELVES.
ARE TEARS REALLY MADE OUT OF THE
SAME THINGS AS BOOGERS?
YEAH.
I TASTE THE BOOGERS, YOU
KNOW.
I LIKE THE WAY THAT CHLOE LOOKS
AT ME.
YOU SHOULD BE WITH THE PERSON
THAT...
GETS YOU.
YEAH.
YEAH.
[ CLICKING ]
[ CELLPHONE VIBRATING ]
HEY.
IS EVERYTHING OKAY?
GOOD.
[ DOOR CLOSES ]
[ SIGHS ]
[ INHALES DEEPLY ]
ASSHOLE.
[ CHUCKLES ]
[ HORN HONKS ]
FUCKER.
HEY.
HI.
I LIKE THE WAY WE FEEL
TOGETHER.
WE FIT.
I'VE -- I'VE NEVER FIT WITH
ANYONE THE WAY THAT WE DO.
I DON'T KNOW WHAT I'D DO IF I
THOUGHT YOU'D NEVER KISS ME
AGAIN.
I LOVE THE WAY YOU KISS ME,
LIKE -- LIKE YOU DON'T WAN ANYTHING BUT TO KISS ME.
BUT...
IT ISN'T THAT EASY.
IS IT?
I REALLY DO NEED SOMEONE WHO
CHAIN-SMOKES ON STREET CORNERS
AND TALKS ABOUT BRONTE UNTIL
3:00 IN THE MORNING, BUT...
I ALSO NEED SOMEONE WHO WANTS A
FAMILY AND THAT WHOLE LIFE.
I TRIED.
I'M -- I'M TRYING.
I KNOW.
THAT'S WHY I'M HERE...WITH YOU
RIGHT NOW.
[ CHUCKLES ]
GOD, THERE WAS SO MUCH THAT I
WANTED TO SAY TO YOU LAST NIGHT.
BUT I COULDN'T.
UM...I CAN'T.
YOU KEEP ME INTERESTED.
THAT'S WHAT I WANTED TO SAY LAS NIGHT.
YOU -- YOU KEEP ME COMPLETELY
INTERESTED.
[ CHUCKLES ]
[ CHUCKLES ] THAT LOOK.
IT MEANS "I LOVE YOU."
OH.
OH.
SO...
[ EXHALES SHARPLY ]
SO...
COME BY TO SEE ME
TOMORROW
AND BRING BACK THE LIFE THA YOU STOLE
WRAPPED UP IN BOXES OF
SORROW
FOREVER IN A PACKAGE I WON' OPEN
COME BY AND ASK WHAT MAKES
ME CRY
ENOUGH TO FEEL THE ROOM
BEGIN TO SHATTER
ENOUGH TO THINK THAT I DON' REALLY MATTER
YOU COME BY
THE FIRST TIME MY FEE HIT YOUR STREE HOW WAS I SUPPOSED TO KNOW
THAT YOU WOULD BE
ALL THAT I NEED?
I KNOW THAT I'M NOT THE ONLY
ONE WHO LOVES YOU
BUT I DON'T MIND
I DON'T MI-I-I-I-ND
AND I WALK YOUR WAY ALMOS EVERY DAY
AND EVERY TIME I SMILE
I SMI-I-I-I-LE
YOU DON'T HAVE TO SAY A WORD
'CAUSE I KNOW WHAT MY HEAR HEARD
THAT YOU'RE, YOU'RE ALL
MINE
YOU'RE ALL MINE
LA-DEE-DA-DEE-DOO
I LOVE YOU SO
BECAUSE I KNOW
YOU WILL BE WAITING FOR ME
EVEN IF I NEVER SHOW
OH-OH OH-OH OH-OH OH-OH
I KNOW THAT I'M NOT THE ONLY
ONE WHO LOVES YOU
BUT I DON'T MIND
I DON'T MI-I-I-I-ND
AND I WALK YOUR WAY ALMOS EVERY DAY
AND EVERY TIME I SMILE
I SMI-I-I-I-LE
YOU DON'T HAVE TO SAY A WORD
'CAUSE I KNOW WHAT MY HEAR HEARD
THAT YOU'RE, YOU'RE ALL
MINE
YOU'RE ALL MI-I-I-I-I-NE
YOU'RE ALL MINE
ALL MINE
I KNOW THAT I'M NOT THE ONLY
ONE WHO LOVES YOU
BUT I JUST DON'T CARE
I DON'T CA-A-A-A-RE
'CAUSE NO MATTER WHERE I GO
IN THIS WORLD
I KNOW YOU'LL ALWAYS BE
THERE
YOU'LL BE THE-E-E-E-RE
YOU DON'T EVEN HAVE TO SPEAK
'CAUSE IT'S WRITTEN IN THESE
STREETS
THAT YOU'RE, YOU'RE ALL
MINE
YOU'RE ALL MINE
LA-DEE-DA-DEE-DOO
DOO-DOO-DOO-DOO DOO-DOO
LA-DA-DEE-DA-DEE DOO-DOO-DOO
DOO-DOO DOO-DOO
LA-DEE-DA-DEE DOO
DOO DOO
[ HORN HONKS ]
[ CART CLATTERING ]
[ BREATHING HEAVILY ]
[ DOORBELL BUZZES ]
ASSHOLE.
FUCKER.
HI.
HI.
COME ON!
[ GRUNTS ]
OH!
BRIDGET.
WHAT?
LOOK WHAT I FOUND.
LET'S SEE.
COME AND GET YOUR 40,
BRIDGET.
COME ON, BRIDGET.
[ SIGHS ]
WELCOME HOME.
MM.
[ BOTTLES CLINK ]
COMPLETELY.
[ SIREN WAILING IN DISTANCE ]
THAT'S WHERE I SET UP MY
ACCOUNT.
YOU CAN SET ONE UP THERE.
OKAY.
AND THEN THERE'S A REALLY
CUTE GROCERY STORE DOWN THERE,
SO THAT'S WHERE I SHOP.
WHAT'S WRONG?
NOTHING.
WHAT?
NOTHING. I SWEAR.
[ CHUCKLES ]
[ CHUCKLES ]
IT JUST DOESN'T LOOK LIKE THE
NEW YORK THAT YOU SEE IN MOVIES,
YOU KNOW?
COME ON!
IT'S TOTALLY CHARMING.
OKAY.
HUH.
UM...
HEY.
HOW ABOUT WE GO OVER THERE?
PERFECT.
BETWEEN TWO OF THEM.
THAT'S PERFECT.
OKAY, THIS ONE -- WHO WOULD
YOU RATHER FUCK --
ARETHA FRANKLIN OR WYNONNA JUDD?
JUDD.
WYNONNA JUDD OR KIRSTIE ALLEY?
UGH.
ALLEY.
[ CHUCKLES ]
UH...
OPRAH OR GAYLE?
OPRAH.
BRIDGET.
SHE'S A CHAMPION
ANGELS IN BARS
OPRAH.
DAMN.
DEFINITELY A 10.
THAT GIRL? SHE'S A 4.
YOU'RE CRAZY.
BRIDGET'S A 10.
DIDN'T YOU SAY YOU HAD WORK
OR SOMETHING?
OH! I GOT TO GET READY.
ALL RIGHT, THIS IS ONE OF THE
ONES FROM LAST THURSDAY.
I'M GOOD WITH LAST THURSDAY.
[ LAUGHS ]
THIS GIRL'S LIKE A RETARD,
BRIDGE.
WHERE DO YOU MEET THESE
GIRLS?
ANOTHER RESTAURANT ON
BLEECKER.
THAT WIPES OUT THE ENTIRE
VILLAGE FOR YOU.
I KNOW. I REALLY KNOW.
THAT'S REALLY GOOD.
STUPIDEST GIRL I'VE EVER MET.
SHE IS SO CLINGY AND BORING.
AND DUMB.
[ GASPS ] OOH. 9.
SHE'S A 4.
OH, MY GOD.
[ LAUGHTER ]
SHE'S NOT.
UGH.
BYE, GUYS. SEE YOU.
OH, AMY, BEFORE YOU LEAVE,
WHO WOULD YOU RATHER FUCK --
YOUR MOM OR YOUR DAD?
OH, MY DAD.
GOD.
OKAY, HOW ABOUT YOU WAIT FOR
ME OUTSIDE ON THAT ONE?
OKAY.
OKAY.
OKAY.
BYE, AMY.
OH, CUTE. BYE.
BOO.
MM.
MM, YEAH.
THANK YOU.
I GOT YOUR BACK.
YOU ALWAYS DO.
BUT NEVER HAVE I EVER DRANK
THAT MUCH RUM.
[ GLASSES CLINK ]
[ CHUCKLES ]
MM.
ALL RIGHT, WISH ME LUCK.
[ INDISTINCT CONVERSATIONS ]
[ MUSIC PLAYING IN DISTANCE ]
HEY.
DOES THIS PLACE NOT REMIND YOU
OF JOE'S?
ON TEMPLE STREET.
YEAH, IN DOWNTOWN WESTPORT.
IT'S GREAT.
I TOLD YOU.
ARE YOU GONNA HAVE ANOTHER
ONE?
MM-HMM. AREN'T YOU?
DO YOU REMEMBER THE TIME
WHEN WE WERE THERE FOR SARA'S
BIRTHDAY?
This girl keeps looking at
me.
OH, IT'S WHEN WE STOPPED...
I TOTALLY KNOW HIM.
I LIKE YOUR SHIRT.
CAN I HAVE ANOTHER ONE?
She's still looking.
SORRY.
AREN'T YOU THE ONLY GUY IN
MY...
GIRL-WRITER BOOK CLASS.
...FEMALE AUTHORS OF THE 19th
CENTURY?
I AM LITERALLY THE ONLY GUY
IN THAT CLASS.
WHY ARE YOU IN THAT CLASS?
BRIDGET MADE ME.
IS THAT YOUR MAJOR?
NO. STATISTICS.
OH.
YOU?
I FINISHED LAST FALL.
HE'S STUDYING FOR THE LSATs.
[ CHUCKLES ]
That's like a lawyer, right?
THAT'S -- THAT'S AMAZING.
SHE'S A BALLERINA.
MODERN-DANCE MAJOR, UPTOWN.
DON'T YOU JUST HATE HER?
HER? NO.
GOD, NO.
SORRY -- UM, ANDERSON, OUR
PROFESSOR.
OH, YEAH.
SHE'S A BIG OLD DOUCHE BAG.
[ LAUGHS ]
WHERE YOU GUYS FROM?
NEW JERSEY.
YOU A GIANTS FAN?
HELLS, YEAH.
OH, MY DAD'S COMPANY HAS BOX
SEATS.
NO SHIT.
IT'S A DOUCHE NOZZLE.
WHAT?
NOT A DOUCHE BAG.
IT'S A DOUCHE NOZZLE.
IT'S JUST WAY MORE ACCURATE.
YOU'RE SO SMART.
I KNOW.
OFFENSIVE!
GIRLS ARE SO OFFENSIVE!
THURSDAY GONE?
YEAH.
MNH.
HEY, DO YOU GUYS WANT TO COME
SIT DOWN?
SURE.
[ CHUCKLES ]
AREN'T YOU IN --
GIRL-WRITER BOOK CLASS.
FEMALE AUTHORS OF THE 19th
CENTURY.
OKAY, UM, NEVER HAVE I
EVER...WIPED MY ASS WITH LEAVES.
THAT'S DISGUSTING.
YOU LICK ASS.
[ LAUGHS ] I DO.
YEAH. YOU'RE UP, SUNSHINE.
OH, I, UH...
OH, IT'S "NEVER HAVE I EVER."
IF YOU'VE DONE IT, YOU DRINK.
IF YOU HAVEN'T, YOU WAIT.
OH.
UM...NEVER HAVE I EVER, UH...
LOCKED MYSELF OUT.
NAKED?
[ LAUGHTER ]
OH, MY GOD.
UM, NEVER HAVE I EVER...
KISSED A GIRL.
OH, THAT'S TOO BAD.
[ CHUCKLES ]
IT WAS A DARE.
THAT'S, LIKE, HOT.
YOU JEALOUS?
ALWAYS.
ALL RIGHT, I GOT TO PEE.
ALL RIGHT, UH, NEVER --
NEVER HAVE I EVER BEEN TO THE
FOUR-FACED LIAR.
SO YOU'RE...NOT GOOD AT THIS.
[ CHUCKLES ]
WHY IS IT CALLED THAT?
OH, UH, IT'S NAMED AFTER A
CLOCK TOWER IN A TOWN IN...
IRELAND.
IRELAND. THANK YOU.
UM, I FORGET THE NAME OF THE
TOWN.
BRIDGET, IT DOESN'T MATTER.
IT REALLY DOESN'T MATTER.
UM, BUT EACH FACE OF THE CLOCK
TELLS A DIFFERENT TIME,
BUT NONE OF THEM ARE RIGHT.
THEY ALL LIE, SO THEY CALL I THE FOUR-FACED LIAR.
I'M BRIDGET, BY THE WAY.
MOLLY.
GREG.
TRIP.
HUH?
TERRENCE WITHERSPOON McNALLY
III.
III -- TRIPLE -- TRIP.
[ LAUGHS ]
I'M TRIP.
WHY WOULD ANYONE NAME YOU
THAT?
[ LAUGHTER ]
[ ROCK MUSIC PLAYING ]
[ INDISTINCT SHOUTING IN
DISTANCE ]
[ TRAIN RUMBLING ]
[ CAR ALARM BLARING ]
[ CHUCKLES ]
[ SHOUTING CONTINUES ]
[ CHUCKLES ] IT'S SO LOUD.
YOU'LL GET USED TO IT.
THIS IS THE CRAZIEST THING
I'VE EVER DONE.
I CAN'T BELIEVE I LIVE HERE.
I LOVE IT HERE.
I KNOW YOU DO.
[ CHUCKLES ]
I ASKED TRIP TO THE GAME ON
THURSDAY.
GOOD. THEY WERE FUN.
HE WAS FUN.
SHE WAS...ALL OVER THE PLACE.
WELL, THAT'S THE VILLAGE FOR
YOU.
UH-HUH.
[ CHUCKLES ]
WHAT?
NOTHING.
WHAT? WHAT?
[ Laughing ] OH, GOD!
STOP IT!
WHAT?
PLEASE, STOP, PLEASE.
[ BOTH LAUGH ]
WHAT?
THANK YOU.
THANK YOU.
THANK YOU.
WHAT FOR?
FOR FOLLOWING ME HERE.
ANYWHERE.
MMM.
[ ACOUSTIC GUITAR PLAYING ]
HEY, BABE, YOU WANT TO COME
TO A PLAY WITH ME TOMORROW
NIGHT?
I CAN'T. I HAVE A DATE.
WHAT?
JEALOUS?
[ CHUCKLES ] YOU'RE NUTS.
[ GUITAR STOPS ]
[ HORNS HONKING IN DISTANCE ]
BABY. BABY, LOOK AT ME.
HMM? NO.
SHUT UP.
LOOK AT ME.
YOU'RE BEAUTIFUL.
WHAT?
UM...WHAT DO YOU WANT THE
WHOLE WORLD TO KNOW TODAY?
I LOVE YOU.
WAIT. STOP.
[ SIGHS ]
LOOK AT ME.
WHAT DO YOU WANT THE WORLD TO
KNOW TODAY?
TRIP, I LOVE YOU.
SAY IT ONE MORE TIME.
I LOVE YOU.
YEAH?
YES.
[ SMOOCHING ]
MMM.
UM, WHO YOU GOING ON A DATE WITH
TOMORROW?
GREG.
OKAY.
[ DOOR OPENS ]
[ WATER RUNNING ]
BYE.
[ GROANS ]
[ DOOR CLOSES ]
BYE.
NICE.
THANK YOU.
NEVER HAVE I EVER...
EATEN WORMS.
THAT'S STUPID.
WELL...
NEVER HAVE I EVER...
FALLEN OUT OF A WINDOW.
WHAT THE HELL IS WRONG WITH
YOU?
WORMS?
POINT TAKEN.
DUDE, WHAT DO YOU WANT TO DO FOR
ANDERSON'S PROJECT?
WHY DON'T YOU DO SOMETHING
WITHOUT ME FOR A CHANGE, OKAY?
THAT FIERY LITTLE REDHEAD
THIRD ROW BACK ASKED YOU, DIDN' SHE?
SURE DID.
ASS.
NEVER HAVE I EVER BEEN CAUGH CHEATING.
NEVER HAVE I EVER LOST TO YOU
AT THIS GAME.
HEY.
OH.
[ GAME PIECE SLAMS ]
[ LAUGHS ]
WHAT'S UP, DUDE?
[ CHUCKLES ]
SORRY, I DIDN'T KNOW THAT YOU
WERE COMING.
UH, WHERE'S YOUR GIRLFRIEND?
I HAVE NO IDEA.
IT'S BOYS' NIGHT.
WHAT?
PULL UP A STOOL.
UH, YOU CAN TAKE MINE,
ACTUALLY.
I'M GONNA GO SMOKE.
STUDY BREAK?
YEAH. TWO HOURS.
COOL.
DUDE, THOSE SEATS WERE SO GOOD
LAST NIGHT.
RIGHT?
BUT I HAD THE SHITS ALL DAY
FROM THAT HOT DOG.
THAT'S FOUL.
YOU HAVE NO IDEA.
[ GAME PIECES CLATTER ]
SPEED FOUR?
ABSOLUTELY.
YOU'RE GOING DOWN.
SORRY.
OKAY, I'M GONNA GO OUT WITH
HER, I GUESS.
HEY.
MOLLY.
I KNOW.
OH.
[ CHUCKLES ]
MMM [INHALES] TUESDAY.
SO, YOU CALL THEM DAYS OF THE
WEEK?
NO.
WELL, YES, BUT TRIP STARTED
THAT.
[ CHUCKLES ]
WAIT -- BUT THERE ARE THAT MANY?
NO.
SOMETIMES.
YOU'VE NEVER JUST DATED, PER
SE?
I WOULDN'T NECESSARILY CALL
IT DATING.
OH.
WHAT WOULD YOU CALL IT?
FUCKING.
OH.
HI.
HI.
Pff.
WEDNESDAY?
MAYBE.
[ LAUGHS ]
HMM?
OH, I DON'T -- I DON'T SMOKE.
SHOCKING.
[ CHUCKLES ]
[ SMOOCHES ] HI.
HI.
PLEASE DON'T DO THAT.
WHAT?
NEVER MIND.
I DON'T KNOW WHY IT DROVE ME SO
CRAZY, BUT I-I ALMOST SAID TO
HIM, "LET ME LEAVE MY KEYS
SITTING ON THE MANTEL.
LET ME SCREW UP.
WHAT'S THE WORST THAT'S GONNA
HAPPEN?"
YOU'LL BE LOCKED OUT.
RIGHT, AND PEOPLE DO THAT ALL
THE TIME.
THEY GET BACK IN. THEY DO.
THEY MUST.
OR THEY DON'T.
UNHELPFUL.
SORRY.
[ CHUCKLES ]
OH, THAT'S TOTALLY MY THING.
WHAT THING?
EVERYONE HAS A THING THA MAKES THEM ATTRACTED TO SOMEONE
ELSE.
LIKE, YOU STRAIGHT GIRLS ARE
INTO HOLDING DOORS AND A HAND ON
THE SMALL OF YOUR BACK.
TOTALLY.
[ CHUCKLES ]
YEAH.
THAT LIP THING -- THAT'S MY
THING.
WHAT'S THAT LOOK?
NOTHING.
[ Chuckling ] OKAY.
[ ROCK MUSIC PLAYING ]
[ INDISTINCT CONVERSATIONS ]
OKAY.
HERE WE GO. HERE WE GO.
I'M READY.
OKAY.
[ GLASSES CLINK ]
OH, MY GOD.
CAREFUL!
NEVER HAVE I EVER FALLEN ON
MY FACE AND BROKEN MY NOSE
TWICE.
WELL, NEVER -- NEVER HAVE I
EVER PULLED OVER ON THE PARKWAY
AND SHAT IN A BAG.
PROM NIGHT!
NO, NO, NEVER HAVE I EVER
PEED IN THE HALLWAY OF OUR
APARTMENT BUILDING.
I DIDN'T POOP.
BUT YOU PEED!
I DIDN'T POOP.
[ LAUGHS ]
NEVER I EVER STRIPPED IN THE
HALLOWEEN-DAY PARADE.
JUST THE ONCE.
IT'S UNFATHOMABLE.
DUDE, YOUR LITTLE BOYFRIEND'S
HERE.
WHAT THE HELL IS WRONG WITH
YOU?
GREG TOTALLY WANTS TRIP'S
SWEET ASS.
IT IS A SWEET ASS.
THANKS, BABE.
WHY DO YOU THINK EVERYONE'S
GAY?
I DON'T THINK EVERYONE'S GAY.
MM-HMM.
I DON'T THINK CHLOE'S GAY.
I HAVE TOTALLY KISSED A GIRL.
SWEETHEART, IF I THOUGHT YOU
WERE, LIKE, A SECOND GAY, I'D BE
ALL UP IN IT.
WELL, NOW IS YOUR CHANCE,
BRIDGE.
WANT TO DO ME IN THE BATHROOM?
YES.
STOP HITTING ON MY
GIRLFRIEND.
OH, I'M SORRY.
WERE YOU ABOUT TO DO THAT?
DIDN'T THINK SO.
ASSHOLE.
FUCKER.
HEY! CUTE SKIRT.
I'M A 4.
WOW. SHOTS.
DO YOU REALLY NEED THAT,
GREG?
HELLS, YES.
Both: HI.
[ CHUCKLE ]
HI.
WHAT ARE YOU?
I'M A PUMPKIN.
OF COURSE.
[ CHUCKLES ]
WHAT HAVE YOU BEEN UP TO?
NOT A WHOLE NOT.
YOU KNOW, I'VE BEEN STAYING A HOME, BITING MY BOTTOM LIP.
YOU KNOW.
WOW. YOU'RE AN ASS.
SHAKE IT, A-SHAKE IT,
SHAKE IT, A-SHAKE IT, A-WHOO
[ CHUCKLES ]
SHAKE IT OFF, BABY
[ CHUCKLES ]
SHAKE IT, A-SHAKE IT,
A-SHAKE, SHAKE IT, A-SHAKE IT,
A-WHOO
SHAKE IT OFF, BABY
I KNOW. THAT'S PRETTY COOL.
SHAKE IT, A-SHAKE IT,
SHAKE IT, A-SHAKE IT, A-WHOO
HEY.
HI.
OH, UH, I'M ACTUALLY A GUY
UNDER HERE.
OKAY.
SOME PEOPLE THINK I'M PRETTY
CUTE, TOO.
[ Chuckling ] I'M SURE.
CAN I GET YOU SOMETHING?
LIKE A DATE?
OH, I WAS THINKING MORE A
DRINK, BUT, UH...
OH, OH, OKAY, SURE.
TRIP.
CAN YOU HOLD THAT THOUGHT?
OH, MY GOD. JUST SHUT UP.
I WON'T SAY ANYTHING.
CHLOE, I WON'T EVEN TALK ABOU THAT GUY THAT YOU BLATANTLY
FLIRTED WITH IN THE
MOVIE-THEATER LINE THE OTHER
NIGHT.
BRIDGET, HE WAS SO CUTE.
LET IT GO!
I'M LETTING IT GO, CHLOE.
IT'S GONE.
I COULD THROW YOU RIGHT NOW!
OOH, LIKE SEXUALLY?
REALLY MATURE, TRIP.
MATURE. CATAW!
JUST SHUT UP!
I'M DONE.
[ GUNFIRE, INDISTINCT SHOUTING ]
CHLOE SEEMED PISSED.
SHE'S OKAY.
OKAY.
SHIT.
YOU GONNA MARRY HER?
NO.
I DON'T KNOW.
PROBABLY.
EVERYBODY, GET DOWN!
MOTHERFUCKER.
YEAH, ME TOO.
I MEAN, MOLLY.
GREAT.
SHE'S PERFECT.
SHUT UP.
HOW DO YOU HANDLE THIS?
WE DON'T REALLY HAVE THIS
PROBLEM.
OH, YOU MEAN YOUR BOYFRIEND
DOESN'T FLIRT WITH OTHER GIRLS
RIGHT IN FRONT OF YOU?
HE DOESN'T.
HE DOESN'T FLIRT WITH ANYONE,
REALLY.
SHOCKER.
JUST APOLOGIZE.
WHAT FOR?
YOU FLIRTED.
I DON'T FLIRT.
OH.
GIRLS FIND ME.
MAKES SENSE.
I MEAN, EVEN IF HE'D JUS APOLOGIZE.
EXACTLY.
WHAT FOR?
HE SHOULD APOLOGIZE FOR BEING
AN ASS.
FOR FLIRTING WITH ANOTHER
GIRL RIGHT IN FRONT OF HER.
WE DON'T FLIRT.
GIRLS JUST FIND US.
MAKES SENSE.
YOU THINK SHE'D AT LEAST BE
ON OUR SIDE.
I MEAN, YOU HAVE TO BE MORE
SENSITIVE THAN THE AVERAGE GUY.
BUT I'M NOT.
OF COURSE YOU ARE.
YOU CAN TELL BY THE WAY YOU
LISTEN.
EXACTLY. HE DOESN'T LISTEN.
OF COURSE HE LISTENS.
[ SCOFFS ] OKAY.
HEY, TRIP, WHAT'S DECEMBER 7th?
UH, PEARL HARBOR DAY.
YEAH. AND OUR ANNIVERSARY?
I WANT TO GO TO THE BALLET.
OKAY. BALLET. ANNIVERSARY.
LOVE YOU.
SEE?
OKAY, OKAY.
I DON'T REALLY KNOW IF THA PROVES THAT I'M MORE SENSITIVE
THAN ALL GUYS.
STOP SAYING THAT.
YOU LISTEN WITH YOUR WHOLE BODY,
AND YOU HAVE THIS INTENSE EYE
CONTACT.
NO GUY, NOT EVEN THE BEST GUYS,
HAVE THAT.
BUT I DON'T REALLY FEEL LIKE
THAT'S A GENDER THING.
I FEEL LIKE THAT'S A PERSONAL
THING.
YOU'RE SO WRONG.
OKAY, UM, LOOK AT MODERN
LITERATURE.
ALL OF THE GREATEST FEMALE
CHARACTERS WERE WRITTEN BY WOMEN
BECAUSE NO MAN COULD EVER WRITE
FROM A FEMALE'S PERSPECTIVE.
WOMEN HAVE THIS COMPASSIONATE
CHEMISTRY THAT ALLOWS THEM TO
LISTEN WITH AN UNBIASED EAR --
ALL WOMEN, EVEN YOU.
[ CHUCKLES ]
WE SHOULD DO ANDERSON'S
PROJECT TOGETHER.
OKAY.
SO GLAD I'M A DANCE MAJOR.
[ LAUGHTER ]
[ CHILDREN SHOUTING PLAYFULLY ]
I TOTALLY WANT KIDS SOME DAY.
OKAY.
OH, DID YOU GET THAT QUOTE ON
PAGE 126?
UM, NO, I DON'T THINK I DID,
ACTUALLY.
HERE.
WHAT ARE YOU DOING?
UM, YOU MIGHT NEED A
BOOKMARK.
SO CUTE.
WHAT?
WHAT?
YOU'RE FLIRTING WITH ME.
NO, I'M...
OH.
WOW, I'M...
IT'S FINE.
YOU'RE MY ONLY GIRLFRIEND IN
THE CITY, SO I JUST...
YOU SHOULD BE CAREFUL HOW YOU
USE THAT WORD.
[ CHUCKLES ] SORRY.
DON'T BE.
Okay.
[ SNIFFLES ]
[ INSECTS CHIRPING ]
[ SMOOCHES ]
GREG...NOT NOW.
I DON'T GET IT.
DUDE, THERE IS NOTHING TO
GET.
I JUST DON'T THINK THE WHOLE
GAY THING IS NATURAL.
DUDE, YOU NEVER SCREWED
SOMEONE IN THE BUTT?
A GUY?
NO, DUDE, A GIRL.
IN THE GIRL BUTT.
OH.
NO, MOLLY WOULD NEVER --
SHE'S NOT LIKE THAT.
OH.
CHLOE IS.
[ ACOUSTIC GUITAR PLAYING ]
MOLLY'S BEEN...WEIRD...
[ GUITAR STOPS ]
...LATELY.
I MEAN JUST LATELY.
DUDE, THEY'RE ALL WEIRD.
NO, NOT MOLLY.
I MEAN, WE REALLY CONNECT ON
EVERYTHING.
IT'S JUST -- I DON'T KNOW --
EVER SINCE I MOVED HERE, WE JUS HAVE LESS AND LESS TO TALK
ABOUT.
THAT'S A BAD THING?
YEAH. FUCK YEAH.
WE TALK ABOUT EVERYTHING.
LIKE, WE'VE ALREADY PLANNED OUR
HONEYMOON.
UGH.
[ CHUCKLES ]
DUDE, CHLOE'S ALWAYS TALKING
ABOUT HER FEELINGS AND HER
EMOTIONS AND HER PERIOD AND
SHIT, AND WHAT THE HELL AM I
SUPPOSED TO DO WITH ALL THAT?
I DON'T KNOW.
I JUST CAN'T READ HER ANYMORE.
DUDE, STOP TRYING.
[ INDISTINCT CONVERSATION ]
[ CONVERSATION CONTINUES ]
SHE'S SO DESPERATE.
NO, I REALLY DON'T THINK
CATHERINE'S DESPERATE.
I GET HER, ACTUALLY.
YOU?
YOU'RE THE MOST ANTI-ROMANTIC
PERSON THAT I'VE EVER MET, AND
YOU UNDERSTAND THE NEEDIES WOMAN EVER WRITTEN?
BUT SHE ISN'T NEEDY -- OR
INDECISIVE, EVEN.
I MEAN, SHE'S RIGHT.
LIKE, HERE SHE'S TALKING ABOU HEATHCLIFF, AND SHE SAYS,
"WHATEVER OUR SOULS ARE MADE OF,
HIS AND MINE ARE THE SAME, AND
LINTON'S IS AS DIFFERENT AS A
MOONBEAM FROM LIGHTNING AS FROS FROM FIRE."
BUT SHE STILL TAKES HIM.
YOU KNOW?
I MEAN, SHE REPRESENTS THA TYPICAL HUMAN STRUGGLE, THAT --
THAT CONFLICTING NEED FOR
CONSISTENCY -- LINTON -- AND
PASSION -- HEATHCLIFF.
WOW.
WHAT?
UH, YOU JUST DESCRIBED ME.
I'M TOTALLY CATHERINE.
OKAY.
NO, IT'S TRUE.
I MEAN, GREG IS MY LINTON.
HE'S ABSOLUTELY EVERYTHING THA I COULD EVER WANT IN A GUY,
BUT HE'S JUST...
HE DOESN'T...
HAVEN'T YOU EVER WANTED TO BE
THROWN UP AGAINST A WALL AND
KISSED HARD?
YEAH.
I'M USUALLY THE ONE DOING THE
THROWING, THOUGH.
[ CHUCKLES ] YEAH.
SO, MAYBE IF I INITIATED IT MORE
WITH GREG...
OR MAYBE YOU SHOULD JUS START KISSING OTHER PEOPLE.
OH.
[ INDISTINCT TALKING ON
TELEVISION ]
WHERE WERE YOU ALL DAY?
WITH BRIDGET.
ALL DAY?
YEAH, GREG, ALL DAY.
ALL RIGHT.
WHAT?
I JUST SAID, "ALL RIGHT."
IF SHE WASN'T GAY, WOULD WE
BE HAVING THIS CONVERSATION?
NO.
THAT'S OFFENSIVE.
[ CROWD CHEERING ]
BOYCE TAKES THE HAND-OFF.
...BOUNCES OFF THE...
HE'S HIGH-STEPPING, AND HE'S IN
FOR THE SCORE.
A TREMENDOUS, POWERFUL RUN...
HE'S NOT COMING, IS HE?
HE STILL MIGHT COME.
I'VE CALLED HIM LIKE A
THOUSAND TIMES.
HE'S NOT COMING.
IT'S DOUBLE OVERTIME.
HE'S NOT COMING.
...WORKING HIS HARD COUNT...
GOD FORBID HE PICK UP A
PHONE.
BUT IT'S DOUBLE OVERTIME.
SHUT UP.
...SHOOTS UP THE MIDDLE...
HOPE YOU LIKE THE BALLET.
...TAKING IT OUTSIDE, PAS THE 10, DOWN TO THE 5...
NOW, HOPEFULLY HE'LL SLIDE INTO
PROTECTIVE ZONE, BUT, NO, HE'S
DIVING FOR THE GOAL LINE...
DAMN IT.
SO, WHY DIDN'T YOU GO AGAIN?
I HATE THE BALLET.
[ CHUCKLES ]
SHE'S GONNA KILL YOU.
NAH. DOUBLE OVERTIME.
SHE'LL UNDERSTAND.
OKAY.
AND TECHNICALLY IT'S STILL
OUR ANNIVERSARY.
I HAVEN'T MISSED IT YET.
HMM.
SHE'S GONNA KILL YOU.
NO. SHE LOVES THESE THINGS.
SHE'S GONNA LOVE IT.
[ CHUCKLES ]
MNM.
[ TONGUE CLICKS ]
JUST DOESN'T SEEM LIKE...
QUITE...
ENOUGH.
YEAH.
SHE'S GONNA KILL ME.
[ INDISTINCT CONVERSATION ]
[ TCHAIKOVSKY'S "SWAN LAKE"
PLAYING ]
I'M SORRY...
REALLY, REALLY SORRY.
[ EXHALES SHARPLY ]
UM, I ACTUALLY GOT TO --
YEAH.
I'M GONNA GO AHEAD AND...
[ CLEARS THROAT ]
I-I DON'T, UH...
I DON'T EXPECT YOU TO FORGIVE
ME, BUT I HOPE YOU CAN GIVE ME A
SECOND CHANCE.
SECOND?
ALL RIGHT, 22nd, 34th, 42nd
CHANCE.
YOU HAVE NO IDEA HOW YOU MADE
ME FEEL.
YOU'RE RIGHT.
I COMPLETELY LET YOU DOWN.
I'M SO SORRY.
OOH. I-I GOT YOU THIS.
IT'S YOUR FAVORITE.
A CUPCAKE AND SOME CANDLES,
AND I'M SUPPOSED TO FORGIVE YOU?
COME ON, TRIP.
IT'S OUR ANNIVERSARY, AND I HAD
TO GO TO THE BALLET WITH
BRIDGET.
WHAT ARE YOU DOING?
A BALLET...FOR YOU.
TRIP --
Shh.
[ MUSIC CONTINUES ]
TRIP.
[ LAUGHING ]
[ PANTING ]
[ CHUCKLES ]
I FORGIVE YOU.
MM-HMM?
MM-HMM.
MM-HMM?
GOOD.
I LOVE YOU.
I'M SORRY.
I KNOW.
ARE YOU WEARING A DANCE BELT?
HOT.
[ MUSIC CONTINUES ]
[ GRUNTS ]
[ LAUGHS ]
Both: [ BREATHING HEAVILY ]
LOOK AT ME.
WHAT?
CAN -- CAN WE, UH, DO THIS
OVER THERE?
[ BIRDS CHIRPING ]
[ WATER RUNNING ]
YO, MAN.
WHAT'S UP, ASSHOLE?
GOOD.
YOU SAVED MY ASS LAST NIGHT.
HEY, MAN, YOU SUCK.
HUH?
I DON'T KNOW.
SHE'S PRETTY MUCH PERFECT.
YOU SHOULD HAVE GONE.
THANK YOU.
AND NEXT TIME I NEED
RELATIONSHIP ADVICE, I'LL ASK
YOUR GIRLFRIEND.
PERFECT.
EVERYTHING'S MOVING FROM
GREEN TO RED
IF YOU ASK ME, I WANT TO STAY
IN BED
THE CLOCK IS SCREAMING
IT'S A QUARTER TILL
LOVE YOU.
LOVE YOU, TOO.
I'LL BE BACK IN A FEW DAYS.
TICKS IN RHYTHM WITH
RAINDROPS ON THE SILL
TRY OUR BEST TO PLAN OUR
FUTURE
TRY TO BELIEVE
TRY TO CONTROL THE CYCLE AND
JUST CLING TO THE TREES
AND THE LEAVES AND WE
WE WANT TO STAY GREEN
BUT IT ALL GOES AROUND
THE SEASONS TURN INEVITABLY
AND WE ALL FALL DOWN
AND DOWN
AND DOWN
AND DOWN
AND DOWN
[ KEYS JINGLE ]
I'M SORRY.
I'M SORRY!
LET IT GO.
I JUST CAN'T TAKE YOUR
PARENTS FOR THAT LONG.
I JUST FEEL SUFFOCATED.
YEAH, I KNOW THE FEELING.
[ CAN OPENS ]
WHAT?
I JUST THINK IT WAS TOO
STRESSFUL FOR US.
THAT'S ALL.
SURE.
NO.
[ SMOOCHES ]
NO. NOT NOW.
[ SMOOCHES ]
NO. STOP. YOU'RE DRUNK.
[ PANTING ]
NO.
GREG, STOP.
[ PANTING ]
[ MOANING ]
NO, GREG. NO, DON'T.
AAH!
[ PANTING ]
[ Voice breaking ] NO!
STOP!
OOH, GOD!
GREG, GET OFF!
HEY, LOVE.
CHLOE.
CHLOE.
CHLOE?
[ DOOR SLAMS ]
DON'T FOLLOW ME!
[ DOOR SLAMS ]
[ DOOR CLOSES ]
FUCK.
I FUCKED UP.
YEAH.
[ CELLPHONE RINGING ]
HEY.
I NEED TO TALK TO SOMEONE.
NOW?
Can you meet me?
Okay. I'll meet you halfway?
YEAH.
OKAY.
Okay.
BYE.
[ SNIFFLES ]
[ KEYPAD BEEPS ]
[ CHUCKLES ]
[ SCOFFS ]
YOU GONNA TALK?
NO.
YOU CALL ME AT 3:00 IN THE
MORNING.
YOU'RE NOT GONNA TELL ME WHY?
NO.
CLASSIC.
[ SNIFFLES ]
[ SNIFFLES ]
I FOUND A DANCE BELT IN TRIP'S
LAUNDRY THE OTHER DAY.
YOU KNOW, A DANCE BELT'S THE
THING THAT KEEPS HIS, UM --
BALLS.
DON'T SAY "BALLS."
I DON'T DO BALLS.
[ CHUCKLES ] RIGHT.
ONCE, THOUGH.
REALLY?
YEAH, I WAS YOUNG.
I DIDN'T KNOW ANY BETTER.
[ LAUGHS ]
HE WORE A SWEATBAND.
ON HIS BALLS?
ON HIS HEAD.
IT WAS A HEAD SWEATBAND.
[ LAUGHS ] WHY?
TO KEEP THE PRODUCT IN HIS
HAIR FROM TRICKLING DOWN ONTO
HIS FACE.
IT WAS TO PREVENT BREAKOUTS.
WOW.
I KNOW.
[ BOTH LAUGH ]
YOU'RE FUN.
THANK YOU.
EVERYTHING ELSE JUST...
GOES AWAY.
I NEED TO STAY WITH YOU FOR A
LITTLE WHILE.
I FART IN MY SLEEP.
[ LAUGHS ]
SO, IF THAT'S OKAY, THEN...
THANK YOU.
THERE'S THAT LOOK AGAIN.
HEY.
SO, WE HAVE MILK OR $2 WINE FROM
THE DELI.
$2 WINE.
OKAY.
[ WOMAN SINGING IN SPANISH ]
BUM, BUM, BUM, BUM, BUM
BUM, BUM, BUM, BUM, BUM
BUM, BUM, BUM, BUM, BUM
BUM, BUM, BUM, BUM, BUM
BUM, BUM, BUM, BUM, BUM
BUM, BUM, BUM, BUM, BUM
BUM, BUM, BUM, BUM, BUM
BU-U-U-U-M
[ SINGING IN SPANISH CONTINUES ]
SHE'S JUST STAYING WITH YOU?
YEAH.
AND YOU DON'T KNOW WHY?
NO.
DID YOU ASK?
[ Laughing ] NO.
DID YOU SLEEP WITH HER?
NO!
DO YOU LIKE HER?
SHE'S OKAY.
SHE HAS A BOYFRIEND.
HOW YOU HOLDING UP?
I'M FINE.
SO, YOU HAVE SEEN HER?
YEP.
MOLLY'S DEFINITELY STAYING HERE.
[ SCOFFS ]
WHY WOULD SHE STAY HERE?
I DON'T KNOW, BUT I WOULDN' LET MY GIRLFRIEND STAY WITH
BRIDGET.
MOLLY'S NOT GAY.
BRIDGET IS.
[ SIGHS ]
SHE'S NOT A CHEATER.
YOU DON'T KNOW THAT.
[ SNIFFLES ]
TRIP, WHY DID YOU CHEAT ON
CHLOE?
HONESTLY?
I DIDN'T KNOW SHE'D BE HOME SO
EARLY.
I THOUGHT I HAD ANOTHER DAY.
I'M DRIVING WES SPEEDING TOO FAS I KEEP ON RUNNING
THE SLEEP IS JUST NOT COMING
TO ME
[ HORN HONKS ]
I HAD SOMETHING TO SAY.
I SWEAR.
I JUST DON'T REMEMBER WHAT I WAS.
I'M...
I'M SORRY.
I CAN'T LET YOU GO. I WON'T.
GIVE ME ANOTHER CHANCE.
PLEASE?
[ ROSIN MURPHY'S "RAMALAMA (BANG
BANG)" PLAYS ]
COULD A BODY CLOSE THE MIND
OUT?
STITCH A SEAM ACROSS THE EYE
IF YOU CAN BE GOOD, YOU'LL
LIVE FOREVER
IF YOU'RE BAD, YOU'LL DIE WHEN
YOU DIE
HEARING ONLY ONE TRUE NOTE
I'M THE ONE AND ONLY SOUND
UNZIP MY BODY
TAKE MY HEART OU 'CAUSE I NEED A BEAT TO GIVE
THIS TUNE
[ GLASSES CLINK ]
OOH, OOH
OOH, OOH
HEY, IT'S JUST LIKE OLD
TIMES.
NOT REALLY, NO.
OH, GOD, I'M GLAD THIS YEAR'S
OVER.
RIGHT?
I HAD A GREAT YEAR, ACTUALLY.
I HAD THE WORST YEAR OF MY
LIFE.
THAT'S WHY MY NEW YEAR'S
RESOLUTION IS TO DRINK AS MUCH
AS HUMANLY POSSIBLE SO I CAN
FORGET.
GREAT, GREG.
HEARING ONLY ONE ROO NOTE
PLANTED FIRMLY IN THE GROUND
UNDO MY HEAR UNZIP MY BODY
AND LEND TO MY EAR A CLEAR AND
A DEAFENING SOUND
OOH, OOH
OOH, OOH
UNZIP MY HEAR OOH, OOH
OOH, OHH
AND IF I NEED A RHYTHM
IT'LL BE TO MY HEART I
LISTEN
IF IT DON'T PUT ME TOO FAR
WRONG
OH, SO, WHAT'S YOUR
RESOLUTION?
AND IF I NEED A RHYTHM
I DON'T KNOW YET.
Never have I ever been thrown
up against a wall and kissed
hard.
BRIDGET.
Never have I ever been turned
down.
BRIDGET.
BRIDGET!
WHAT?
WHAT'S YOUR NEW YEAR'S
RESOLUTION?
STOP SMOKING.
REALLY?
NO.
HEY, TRIP, WHERE'S CHLOE?
GONNA BE TO MY HEART I
LISTEN
AND IF I, AND IF I NEED A
RHYTHM
IT'S GONNA BE TO MY HEART I
LISTEN
NEED A RHYTHM, NEED A RHYTHM,
NEED A RHYTHM
NEED A RHYTHM, NEED A RHYTHM,
NEED A RHYTHM
[ DOOR OPENS, CLOSES ]
[ BREATHING HEAVILY ]
[ DOOR OPENS ]
[ INDISTINCT CONVERSATIONS ]
[ DOOR CLOSES ]
OKAY?
YEAH.
YEAH?
UH-HUH.
[ ADERBAT'S "BUSTED CARS"
PLAYING ]
BY THE BUSTED CARS
BY THE SIGNS YOU'LL SEE
THERE'S NO OUTLET HERE WHERE
YOU'LL FIND ME
WHAT HAVE I BECOME?
[ GASPS ]
Both: [ BREATHING HEAVILY ]
WE GO WALKING
WITH ONE EYE CLOSED
GREG, GREG, GREG, GREG, GREG.
DUDE, THEY'RE GONNA MISS THE
COUNTDOWN.
DUDE, FUCK 'EM.
Both: [ MOANING ]
...AT ALL?
DO I TRUST YOU AT ALL?
DO I TRUST YOU?
All: 9...
8...
7...
6...
5...
4...
3...
2...
1!
YOU CAN GO BACK
YOU CAN CRAWL BACK INTO YOUR
SHELL
WITH YOUR HOLY IDEAS
YOU CAN CONCENTRATE ON SOMEONE
ELSE
LIKE THE PICTURES THAT BLOCK
YOUR WALLS
LIKE THE FRAME THAT'S
AROUND...
HEY.
HAPPY NEW YEAR, MAN.
[ GLASSES CLINK ]
YEAH, YOU TOO.
Both: [ BREATHING HEAVILY ]
COME HOME WITH ME.
WHAT?
NO.
PLEASE.
I CAN'T.
[ SIGHS ] SHIT.
[ SIGHS ]
PLEASE COME HOME WITH ME.
WE SHOULD GET BACK OUT THERE.
YOU MISSED EVERYTHING.
WE DID?
YEAH.
HAPPY NEW YEAR.
STOP FUCKING HIS GIRLFRIEND.
I DON'T KNOW WHAT YOU'RE
TALKING ABOUT.
OH.
TRIP. TRIP.
[ INDISTINCT CONVERSATIONS ]
[ INTERCOM BUZZES ]
TRIP?
[ CHUCKLES ] FUCKER.
[ BEEP ]
HI.
HI.
I PUT HIM TO BED.
COME HERE.
Both: [ SMOOTHING ]
[ GASPS ]
I WANT TO SEE YOU.
OKAY.
[ EXHALES SLOWLY ]
NEVER HAVE I EVER.
BYE.
ARE YOU COMING TO BED?
...TO GRAB MY COLLAR
GRAB MY COLLAR
GRAB MY COLLAR
SHE KNOWS HOW TO DANCE AND
HOLLER
DANCE AND HOLLER
DANCE AND HOLLER
HEY, BRIDGE, YOU WANT TO COME
OUT WITH ME TODAY?
CAN'T.
GREAT.
FILL WITH SORROW
FILL WITH SORROW
SHE WILL MAKE IT A BETTER
TOMORROW
BETTER TOMORROW
BETTER TOMORROW
I CAN TELL
IT'S JUST AS WELL
SHE KNOWS HOW TO SHUT MY MOUTH
UP
SHUT MY MOUTH UP
SHUT MY MOUTH UP
SHE KNOWS WHY THINGS WILL LOOK
UP
THINGS WILL LOOK UP
IT'S GONNA GET BETTER NOW
HALF THE TIME
I'M HALF A MAN
WHAT DID YOU THINK ABOU THAT, THOUGH?
[ LAUGHS ]
[ CELLPHONE RINGING ]
OKAY.
WAIT.
I CAN'T REACH ANYTHING.
[ LAUGHS ]
IT'S IN HERE.
[ LAUGHS ] SO DISORGANIZED.
OH, SHIT.
[ KEYPAD BEEPS ]
HI, MOM.
YEAH, NO, I'M GREAT.
GREG'S GREAT.
WE'RE GREAT, MOM, YEAH.
FOR EVERYTHING WE DO
[ DOOR CREAKS ]
What's going on?
I'M SORRY.
I'M JUST DOING A FINAL
SWEEP-THROUGH FOR MY STUFF.
I don't have anything here.
I CAN'T FIND MY HAIR
STRAIGHTENER.
Okay, I can just drop it
off --
WHY CAN'T I JUST LOOK FOR I NOW?
Well, I'm just sort of in the
middle of something.
I'M SORRY, BUT I CAN BE
TOTALLY QUIET.
No, can you just --
MORNING, HONEY.
OH, MY GOD. I KNEW IT.
I FUCKING KNEW IT.
YOU'RE AN IDIOT. YOU KNOW THAT?
YEAH, NO, I KNOW.
IT'S ALL MY FAULT.
YOU'RE RIGHT. IT IS.
IT IS ALL YOUR FAULT.
YOU HAVE A BOYFRIEND.
THIS IS ABSURD.
PLEASE TELL ME YOU WERE DRUNK
LAST NIGHT.
OH!
THIS IS A SOBER BRILLIANT IDEA.
WHAT IS WRONG WITH YOU?
I DON'T KNOW.
DID YOU KNOW THAT CHLOE'S
COMING IN?
[ SIGHS ] GREAT.
THIS HAS BEEN A WONDERFUL
MORNING.
YEP.
[ SIGHS ] WHATEVER.
JUST GIVE ME A CALL WHEN YOU GE YOUR HEAD OUT OF YOUR ASS.
FUCK.
ARE YOU ATTRACTED TO ME?
WHAT?
ARE YOU ATTRACTED TO ME?
YOU OKAY?
CAN YOU ANSWER THE QUESTION?
I-I DON'T KNOW IF THA DESERVES AN ANSWER.
COME ON.
WHAT?
DO YOU WANT ME?
I WANT THIS.
THAT'S NOT WHAT I ASKED.
YEAH, IT IS.
YOU WOULD DO ANYTHING FOR
THIS?
FOR US, YES.
KISS ME.
WHAT?
IF YOU WANT ME, KISS ME RIGH NOW.
[ EXHALES ]
MOLLY, I KNOW THAT YOUR FAVORITE
FLOWER'S THE GERBERA DAISY.
AND I KNOW THAT YOU GET BLOTCHY
WHEN YOU HAVE TO SPEAK IN FRON OF A GROUP OF PEOPLE.
I KNOW WHAT YOUR SHOES SOUND
LIKE COMING DOWN A FLIGHT OF
STAIRS.
I SHOULDN'T HAVE TO KISS YOU TO
PROVE THAT I LOVE YOU.
I DIDN'T ASK IF YOU LOVED ME.
I ASKED IF YOU WANTED ME.
I DON'T SEE THE DIFFERENCE.
WHY DON'T YOU HAVE A
GIRLFRIEND?
I DON'T KNOW.
OH. HERE.
OOH. SCENTED OR UNSCENTED?
SCENTED.
DO YOU WANT ONE?
A GIRLFRIEND OR A DRYER
SHEET?
BOTH.
NO AND YES, RESPECTIVELY.
WHY DON'T YOU?
WHY DON'T I WHAT?
WANT ONE?
I DON'T KNOW.
NO ONE CAN HOLD MY INTEREST FOR
LONG ENOUGH, I GUESS.
OH.
SO, IF SOMEONE COULD HOLD YOUR
INTEREST, THEN...
THEN I'D HAVE A GIRLFRIEND,
YEAH.
OH.
SO, WHAT'S IT LIKE?
WHAT ARE YOU TALKING ABOUT?
BEING SINGLE, I MEAN.
YOU OKAY?
AREN'T YOU SICK OF PEOPLE
SAYING THAT YOU GUYS ARE SO CUTE
TOGETHER OR THAT SHE'S SO
PERFECT?
SHE'S NOT.
CHLOE WASN'T.
YOU THINK THERE'S SOMEONE
ELSE?
THERE'S ALWAYS SOMEONE ELSE.
[ SPATULA SCRAPING ]
IT'S GONNA SCRATCH THE PAN.
[ SCRAPING INTENSIFIES ]
UGH.
I DON'T KNOW WHAT I'M DOING,
MAN.
I MEAN, I CAN'T BE HER
GIRLFRIEND.
WHAT DOES SHE WANT?
OH, IT'S REALLY HARD.
YOU JUST WANT --
DID THAT JUST HAPPEN?
OH, I'M SORRY.
WERE YOU IN THE MIDDLE OF
SOMETHING?
I'M NOT DOING THIS RIGHT NOW.
SHE'S INTO ME.
THAT'S ALL I WANTED TO SAY.
SO, SHE IS YOUR GIRLFRIEND?
NO.
CALL ME CRAZY.
ISN'T SHE GREG'S GIRLFRIEND?
STOP, PLEASE.
SORRY, TUESDAY.
WHAT?
IS FRIDAY BETTER? WEDNESDAY?
WHAT ARE YOU TALKING ABOUT?
YOU'RE HER DAY OF THE WEEK.
AND YOU'RE A PRICK, TRIP.
I'M A PRICK?
NO, NO, NO, NO.
BRIDGET, DON'T WALK AWAY FROM
ME.
BUT I CAN'T DO THIS.
I REALLY CAN'T TELL YOU HOW I
FEEL RIGHT NOW.
WHY?
YOU TALKED TO CHLOE, MY
EX-GIRLFRIEND.
I DIDN'T HAVE ANYONE ELSE TO
TALK TO.
WHAT ABOUT ME?
DUDE, WE'VE BEEN INSEPARABLE FOR
YEARS.
I MEAN, WE USED TO TALK ABOU EVERYTHING, AND NOW YOU CAN' COME AND TALK TO ME?
I'M SORRY.
GOOD.
OH, BY THE WAY...
I TOLD GREG EVERYTHING.
[ KEYS JINGLE ]
HI.
HI.
I'VE ALWAYS WANTED THIS TO
WORK, BUT I DON'T SEE HOW I CAN.
WHY -- WHY WOULD YOU SAY
THAT?
[ CHUCKLES ]
I'M NOT GONNA LIE TO YOU.
A HUGE PART OF ME WANTS TO
LEAVE.
I WANT TO LEAVE YOU RIGHT NOW,
BUT...I KNOW THAT YOU'RE WORTH
IT.
DON'T LOOK AWAY.
YOU CAN'T SEE HER ANYMORE.
[ DOOR SLAMS ]
HI.
DON'T.
I'M GETTING MARRIED AT ST.
JOHN'S ON CHAPEL STREET IN
DOWNTOWN WESTPORT.
I KNOW WHAT MY DRESS LOOKS LIKE,
AND I HAVE ALWAYS KNOWN THAT MY
DAD WOULD WALK ME DOWN THE
AISLE.
YOU COULD NEVER BE AT THE END OF
THAT AISLE.
WHY?
I CAN'T DO THIS.
I BROKE SOMEONE'S HEART,
BRIDGET.
HE LOVES ME, AND I BROKE HIM.
I'M SORRY.
I FEEL SICK, BRIDGET.
TO SEE SOMEONE EVERY DAY, TO
KISS HIM, AND TO KISS YOU --
I DON'T WANT TO THINK OF YOU
LIKE THAT.
TOUGH SHIT.
THIS IS WHAT I AM.
THIS IS WHO I AM NOW.
BUT WE DID THIS.
I WAS OKAY WITH MY LIFE BEING
JUST OKAY.
I CAN'T DO THIS.
I NEED MY LIFE BACK, AND YOU
CANNOT BE A PART OF IT ANYMORE.
I'M SORRY.
[ BREATHING HEAVILY ]
YOU
YOU CAN'T SEE
YOU OKAY?
ALL OF ME EASILY
YEAH.
THAT SOUNDS ABOUT RIGHT.
IT DOESN'T TAKE A LOT...
BABY, BABY, BABY.
BABY, LOOK AT ME.
NO.
SHUT UP. YOU'RE BEAUTIFUL.
LOOK AT ME.
WHAT?
UM, WHAT DO YOU WANT THE
WORLD TO KNOW TODAY?
I LOVE YOU.
LOOK AT THAT.
WHAT DO YOU WANT THE WORLD TO
KNOW TODAY?
I LOVE YOU.
ONE MORE TIME.
I LOVE YOU.
ONE MORE TIME.
I LOVE YOU.
I LOVE YOU.
SO YOU
YOU CAN NOD MY WAY
POLITELY
YOU CAN SMILE RIGHT AT ME
KNOWINGLY
[ WATER RUNNING ]
YOU GOING TO MOLLY'S BIRTHDAY
THING TONIGHT?
NOPE. YOU?
NOPE.
NO ONE'S EVER TALKED TO ME
THE WAY THAT YOU DO.
YOU MAKE ME FEEL SO VULNERABLE,
AND I JUST...
[ INHALES SHARPLY ]
YEAH, NO, THIS IS DIFFICULT TO
DO WHEN YOU'RE SITTING THERE
BLATANTLY IGNORING ME.
MMM. I'M NOT IGNORING.
I'M PRE-GAMING.
GREAT.
OKAY, OKAY, SO, I WALK IN, DRINK
WITH YOU, AND PRETEND LIKE I'M
NOT THINKING ABOUT HER.
AND THEN I PULL HER ASIDE, AND I
TELL HER THAT I HAVE TO TALK TO
HER AND THAT THERE'S NO OTHER
TIME, BUT NOW.
GREAT.
AND WHEN SHE SAYS SHE CAN' BECAUSE SHE LOVES HER BOYFRIEND,
YOU WALK AWAY.
I WALK AWAY.
PERFECT.
YEAH, JUST EMBARRASS THE SHI OUT OF MYSELF, AND THEN ONCE I
THINK IT CAN'T GET ANY WORSE...
IT DOES.
...IT DOES.
[ CHUCKLES ] EW.
YOU SWEAR TRIP WON'T BE
THERE?
IF TRIP'S THERE, I'LL GIVE YOU A
RIM JOB.
IT'S A WIN-WIN.
I THINK I NEED TO BORROW
SOMETHING TO WEAR.
I'LL GIVE YOU THAT GRAY
V-NECK THAT YOU LIKE, BUT YOU
HAVE TO GIVE IT BACK.
I THINK I NEED SOMETHING
HOTTER.
I HAVE A LITTLE BLACK TIE.
HOW ABOUT A LITTLE BLACK
DRESS?
[ MID-TEMPO ROCK MUSIC PLAYS ]
[ INDISTINCT CONVERSATIONS ]
HAPPY BIRTHDAY.
THANK YOU.
HEY.
HEY.
WHERE YOU BEEN HIDING?
WHAT ARE YOU TALKING ABOUT?
I DON'T KNOW.
I HAVEN'T SEEN YOU IN A WHILE.
OH, YEAH.
I'VE JUST BEEN SPENDING MORE
TIME WITH MOLLY.
SHE'S...YOU KNOW...
IT'S HARD WHEN YOU'RE IN A NEW
PLACE.
THE CITY'S BEEN TOUGH ON US.
OKAY.
AND, UH, WE'RE JUST TRYING TO
WORK THINGS OUT.
I KNOW.
I KNOW THAT'S NOT IMPORTANT TO
YOU, BUT IT IS TO US.
EXCUSE ME?
THERE ARE JUST A LOT MORE
WAYS TO MESS UP HERE, AND I
DON'T WANT THAT.
NEITHER OF US WANT THAT.
OKAY.
I THOUGHT SHE WASN'T COMING.
SHE WASN'T.
I THOUGHT YOU SAID HE WASN' GONNA BE HERE.
THAT'S WHAT HE SAID.
I FUCKING NEED A DRINK.
YEAH, ME TOO.
I CAN'T DO THIS.
YOU CAN'T LEAVE.
I'M NOT GONNA LEAVE.
I'M JUST NOT NECESSARILY GONNA
STAY, EITHER.
JUST DRINK.
I CAN'T DO THIS.
I HAVE TO GO TALK TO HER.
[ INDISTINCT CONVERSATIONS ]
SEE YOU LATER, GREG.
HAPPY BIRTHDAY.
CUTE DRESS.
THANK YOU.
[ CHUCKLES ]
I HAVE TO TALK TO YOU.
I CAN'T.
I CAN'T DO THIS TO HIM.
THANK YOU FOR COMING.
SURE.
THAT WENT WELL.
[ CONVERSATIONS CONTINUE ]
AND TO THE FIRST POSITION.
SECOND POSITIO-- SORRY, MAN.
[ LAUGHS ]
AND PLI.
AND UP.
[ LAUGHS ]
AND BREATHE.
HOW DID I LOOK?
LOOKS GOOD.
I'VE BEEN PRACTICING.
I CAN TELL.
HEY, CAN I GET, UH, TWO
WHISKEY SODAS?
YOU LOOK GOOD.
[ CHUCKLES ] YOU TOO.
HERE YOU GO.
THANK YOU.
[ EXHALES ] THANK YOU.
YOU'RE COMPLETELY WELCOME.
SO YOU RAN OUT TO SEATTLE
AND PORTLAND
BUT IT DIDN'T CHANGE A THING
[ SIGHS ]
IT'S EXACTLY LIFE, YOU KNOW?
HI.
DON'T.
NEW YORK CITY IS A PRETTY
INTERESTING PLACE, YOU KNOW?
OKAY.
YOU LEARN SHIT EVERY DAY.
YOU KNOW WHAT I MEAN?
COME ON.
SOME OF -- SOME OF THE CRAZY
PEOPLE -- YOU HAVE NO IDEA.
OKAY, GO.
GO.
I LIKE YOU.
AND?
[ Chuckling ] AND I LIKE YOU.
THAT'S WHAT YOU HAD TO TELL
ME?
YEAH.
THIS WOULD CHANGE MY LIFE,
AND YOU LIKE ME?
THIS HAS ALREADY CHANGED
MINE.
RIGHT.
I'M WEARING A FREAKING DRESS,
MOLLY!
I WOULD HAVE TO GIVE UP SO
MUCH MORE THAN THAT TO DO THIS.
BUT YOU HAVEN'T GIVEN UP
ANYTHING.
[ ROCK MUSIC PLAYING ]
IS EVERYTHING OKAY?
HEY. HAPPY BIRTHDAY.
HEY. THANKS.
BRIDGET.
BRIDGET?
FUCK OFF, GREG.
BRIDGET!
WHAT?
GREAT PARTY, MOLLY.
THANKS.
WHERE'S BRIDGET?
WHERE'S GREG?
WHY ARE YOU DOING THIS?
GO BACK INSIDE, MAN.
NO, NO, NO, I NEED TO KNOW
EVERYTHING.
I DON'T KNOW WHAT YOU'RE
TALKING ABOUT.
YES, YOU DO! YOU DO KNOW!
WHAT DO YOU HAVE THAT I DON'T?
NOTHING.
DON'T WALK AWAY FROM ME.
WHAT DO YOU WANT ME TO SAY TO
YOU?
WHY ARE YOU BETTER AT THIS
THAN I AM?
WE TALK, LAUGH. WE LISTEN.
NO, NO, NO, HOW DO YOU FUCK
HER BETTER THAN I DO?
STOP.
HOW DO YOU FUCK HER?
I DON'T.
YOU -- YOU CAN'T. YOU CAN'T.
YOU DON'T EVEN HA--
I CAN.
HOW?
IT'S DIFFERENT EVERY TIME.
YOU FUCKING DYKE.
GREG!
I WOULD DO ANYTHING FOR HER!
GREG!
ANYTHING!
THEN LET HER GO!
DUDE, GET OFF HER!
BRIDGET!
SHIT! BRIDGET!
BRIDGET, WAIT!
BRIDGET, ARE YOU OKAY?
ARE YOU HURT?
NO.
DID HE HURT YOU?
NO.
WHAT THE FUCK IS WRONG WITH ME?
THERE'S NOTHING WRONG WITH
YOU.
THEN WHY IS SHE STILL WITH
HIM?
THEY HAVE A PAST. I GET THAT.
LOOK AT TRIP.
THERE'S NOTHING WRONG WITH
TRIP, CHLOE.
YEAH, WELL --
NO, NO, TRIP JUST SAVED MY
ASS, OKAY?
AND THAT IS WHAT GIRLS WANT.
THEY WANT THEIR -- THEIR SCHMUCK
OF A HEATHCLIFF TO COME IN FROM
NOWHERE AND "LINTON" THEM.
WHAT?
I'M SORRY.
I'M TRYING TO LINTON LIKE THE
VERB.
ARE YOU MAKING CASUAL
"WUTHERING HEIGHTS" REFERENCES?
YEAH.
THAT'S WEIRD.
I CAN BE BOTH.
I MEAN, I CAN BE.
I-I CAN BE THE -- THE UNRELIABLE
DOUCHE NOZZLE WHO GRABS HER ASS
IN PUBLIC AND -- AND WEARS WORK
BOOTS, BUT I CAN ALSO BE THE ONE
WHO HOLDS DOORS FOR HER AND
TUCKS HER IN AT NIGHT AND --
AND BUYS HER FUCKING GERBERA
DAISIES FOR NO GODDAMN REASON!
I KNOW YOU CAN.
I'M GONNA GO KICK HIS ASS
RIGHT NOW.
NO, NO, NO, NO, NO, NO.
COME ON, BRIDGE.
NO, I'M DONE WITH THIS!
DON'T SAY THAT.
I JUST DID.
DID SHE GO HOME WITH HIM?
I DON'T KNOW.
FUCK!
I DON'T THINK SO.
YOU FUCKING STRAIGHT GIRLS --
YOU'RE ALL JUST A BUNCH OF
FUCKING CLOSET CASES!
MAYBE WE SHOULD ALL JUST DATE
GUYS.
I MEAN, MAYBE I SHOULD HAVE A
FUCKING BOYFRIEND!
MY HEART IS, LIKE, ON THE FLOOR
RIGHT NOW!
I WISH A CAR WOULD JUST COME AND
FUCKING HIT ME!
WANT ME TO HAIL A CAB?
NO, I'M TALKING BUS!
GREAT.
GODDAMN IT, I HATE HER.
NO, YOU DON'T.
YES, I DO. I DO.
I HATE HER!
I HATED HER FROM THE SECOND I
SAW HER!
NO, YOU DON'T.
I HATE HER! I HATE HER!
BRIDGET --
I HATE HER! I HATE HER!
I...
DON'T HATE HER.
I HAD NOTHING TO SAY TO HER.
RIGHT.
I THINK I ACTUALLY SAID TO
HER, "YOU'RE COMPLETELY
WELCOME."
"YOU'RE COMPLETELY WELCOME."
WHO SAYS THAT?
NO ONE.
[ CHUCKLES ]
THANKS.
UGH.
WHAT?
WHAT DO YOU MEAN "WHAT?"
I LOST HER.
I CAN'T BELIEVE THAT I LOST HER.
SHE JUST...GOT ME.
YOU KNOW?
IT WAS EASY.
IT NEVER FELT LIKE WE HAD TO TRY
AT ANYTHING.
WE JUST FELL INTO THIS THING,
AND WE COULD ALWAYS JUST BE
OURSELVES.
ARE TEARS REALLY MADE OUT OF THE
SAME THINGS AS BOOGERS?
YEAH.
I TASTE THE BOOGERS, YOU
KNOW.
I LIKE THE WAY THAT CHLOE LOOKS
AT ME.
YOU SHOULD BE WITH THE PERSON
THAT...
GETS YOU.
YEAH.
YEAH.
[ CLICKING ]
[ CELLPHONE VIBRATING ]
HEY.
IS EVERYTHING OKAY?
GOOD.
[ DOOR CLOSES ]
[ SIGHS ]
[ INHALES DEEPLY ]
ASSHOLE.
[ CHUCKLES ]
[ HORN HONKS ]
FUCKER.
HEY.
HI.
I LIKE THE WAY WE FEEL
TOGETHER.
WE FIT.
I'VE -- I'VE NEVER FIT WITH
ANYONE THE WAY THAT WE DO.
I DON'T KNOW WHAT I'D DO IF I
THOUGHT YOU'D NEVER KISS ME
AGAIN.
I LOVE THE WAY YOU KISS ME,
LIKE -- LIKE YOU DON'T WAN ANYTHING BUT TO KISS ME.
BUT...
IT ISN'T THAT EASY.
IS IT?
I REALLY DO NEED SOMEONE WHO
CHAIN-SMOKES ON STREET CORNERS
AND TALKS ABOUT BRONTE UNTIL
3:00 IN THE MORNING, BUT...
I ALSO NEED SOMEONE WHO WANTS A
FAMILY AND THAT WHOLE LIFE.
I TRIED.
I'M -- I'M TRYING.
I KNOW.
THAT'S WHY I'M HERE...WITH YOU
RIGHT NOW.
[ CHUCKLES ]
GOD, THERE WAS SO MUCH THAT I
WANTED TO SAY TO YOU LAST NIGHT.
BUT I COULDN'T.
UM...I CAN'T.
YOU KEEP ME INTERESTED.
THAT'S WHAT I WANTED TO SAY LAS NIGHT.
YOU -- YOU KEEP ME COMPLETELY
INTERESTED.
[ CHUCKLES ]
[ CHUCKLES ] THAT LOOK.
IT MEANS "I LOVE YOU."
OH.
OH.
SO...
[ EXHALES SHARPLY ]
SO...
COME BY TO SEE ME
TOMORROW
AND BRING BACK THE LIFE THA YOU STOLE
WRAPPED UP IN BOXES OF
SORROW
FOREVER IN A PACKAGE I WON' OPEN
COME BY AND ASK WHAT MAKES
ME CRY
ENOUGH TO FEEL THE ROOM
BEGIN TO SHATTER
ENOUGH TO THINK THAT I DON' REALLY MATTER
YOU COME BY
THE FIRST TIME MY FEE HIT YOUR STREE HOW WAS I SUPPOSED TO KNOW
THAT YOU WOULD BE
ALL THAT I NEED?
I KNOW THAT I'M NOT THE ONLY
ONE WHO LOVES YOU
BUT I DON'T MIND
I DON'T MI-I-I-I-ND
AND I WALK YOUR WAY ALMOS EVERY DAY
AND EVERY TIME I SMILE
I SMI-I-I-I-LE
YOU DON'T HAVE TO SAY A WORD
'CAUSE I KNOW WHAT MY HEAR HEARD
THAT YOU'RE, YOU'RE ALL
MINE
YOU'RE ALL MINE
LA-DEE-DA-DEE-DOO
I LOVE YOU SO
BECAUSE I KNOW
YOU WILL BE WAITING FOR ME
EVEN IF I NEVER SHOW
OH-OH OH-OH OH-OH OH-OH
I KNOW THAT I'M NOT THE ONLY
ONE WHO LOVES YOU
BUT I DON'T MIND
I DON'T MI-I-I-I-ND
AND I WALK YOUR WAY ALMOS EVERY DAY
AND EVERY TIME I SMILE
I SMI-I-I-I-LE
YOU DON'T HAVE TO SAY A WORD
'CAUSE I KNOW WHAT MY HEAR HEARD
THAT YOU'RE, YOU'RE ALL
MINE
YOU'RE ALL MI-I-I-I-I-NE
YOU'RE ALL MINE
ALL MINE
I KNOW THAT I'M NOT THE ONLY
ONE WHO LOVES YOU
BUT I JUST DON'T CARE
I DON'T CA-A-A-A-RE
'CAUSE NO MATTER WHERE I GO
IN THIS WORLD
I KNOW YOU'LL ALWAYS BE
THERE
YOU'LL BE THE-E-E-E-RE
YOU DON'T EVEN HAVE TO SPEAK
'CAUSE IT'S WRITTEN IN THESE
STREETS
THAT YOU'RE, YOU'RE ALL
MINE
YOU'RE ALL MINE
LA-DEE-DA-DEE-DOO
DOO-DOO-DOO-DOO DOO-DOO
LA-DA-DEE-DA-DEE DOO-DOO-DOO
DOO-DOO DOO-DOO
LA-DEE-DA-DEE DOO
DOO DOO