Paranormal Farm 2 Closer to the Truth (2018) Movie Script

(dramatic music)
- So I'm just about to arrive at the farm.
So it's been a while
since I shot the film,
and I'm quite excited to meet
up with Darren and Lucy again.
Be really, really interesting
to find out their thoughts on the film.
Obviously it's been streaming
now for a few months and,
well, the farming
community, their neighbours,
and everyone would have seen the farm.
To be honest, I'm a little bit nervous.
It's been a couple months since
I've seen Darren and Lucy,
so I'm a little bit nervous
about seeing them again,
'cause I don't really know
about their reactions to the film.
I'm hoping they like it, but who knows?
They've not been returning
some of my emails,
so I'm a little bit apprehensive
about whether or not they like it.
I'm hoping they like it.
So, who knows?
So I'm gonna ask them some questions,
and we are here to get
closer to the truth,
and Taz will be joining us today
and I'm looking forward to seeing Taz
and he's gonna help out with
the sound and everything.
So I'm hoping we're gonna
get a really good day
and get some of the legacies,
get some of the stories
from the farm and hopefully,
if I can interview some
local farmers that'll be good.
'Cause this, the DVD release is a big deal
for me and Taz 'cause this could
really take our film from--
Oh my god, well,
I guess Darren's a
little bit good with me,
almost gave me a bloody heart attack.
Let me go and interview him.
Darren, very, very funny, that's good.
How are you?
- All right, yeah.
- [Carl] Good to see you again.
I've got a bit of a heart attack there.
God, you're always playing
those tricks on me, aren't we?
- Yeah?
- First of all.
- Yeah.
- [Carl] How's the film
being received by everyone,
all the farmers and your friends?
- All right, yeah, the first
couple of local people have
seen it, you know?
- Yeah.
And what are--
- Said very--
- Lucy!
- Yeah, yeah.
- Hey Lucy!
- Hi, long time no see.
- [Carl] I know, it's been a
couple of months, how are you?
- Hey, okay.
- [Carl] Are you in with Tia again?
Hi Tia, you okay?
So if I can just ask you quickly,
I'm right back into old
habits filming again.
So what I'm keen to
know from both of you is
what do you both think of the film?
I have sent you a couple
e-mails, I didn't hear back,
so what are your thoughts
and what are the,
what's the farming community,
what do they think about it?
- Well, I'm...
- I'm pleased.
- Seems positive to me.
- It's done well for you.
But at the end of the day
I'm just a farmer,
I drive tractors and ride horses
and I need to look after the place.
- Okay.
- Yeah, life goes on.
- Well, I know you're not, what, I mean
the feedback I'm getting is the fact
that you're not actors and
that you are real farmers.
And, you know, my style's
a little bit Mike Lee,
trying to get the truth
in a documentary style
and I think that's been
its strength, actually.
- Yeah, I think it's a one off.
- I'm being called.
- Yeah.
(sheep bleating)
Darren, is Lucy all right with me?
I just tuned into, is she all right?
I don't know, it just feels
threw me a little bit of shade.
Is she okay or is she just--
- Yeah, she's all right.
- Okay, tell me if anything's up.
- Sorry!
- Okay, right.
But anyway, so what are your
thoughts about the film?
- Oh, I see the,
I was down at the pub the other day,
someone had seen it and
they didn't,
they seemed quite taken by it.
It is unusual.
- [Carl] Yeah.
- I think you did really well.
- [Carl] Well, I think,
I mean, the reviews
that I've been reading,
certainly on Amazon
and, you know, in America and the UK,
people seem to love the
authenticity of your performance
and I totally had
nothing to worry 'cause--
- Yeah.
- [Carl] I mean, you weren't performing.
- It's not.
- [Carl] 'Cause you're
not acting, are you?
You're not an actor.
- No, no.
- [Carl] And that's what I like about it.
- The only thing I was a bit worried about
was hidden agendas, really.
- Yeah.
And hopefully we didn't have that.
And like Lucy is like, I've got to say,
I think you're a bit of a
star of the film as well.
- Ah, ah--
- People love your--
- I'm just doing what I do every day.
- Yeah.
- It's simple.
Hey, look, look, look.
- [Carl] Oh my god, what's that?
- Two.
- Is that...
- Pumpkins.
- Oh my god.
- Three.
I've only got four, I've
thrown the others all away
to make these peak.
- [Carl] How long do they
take to grow, pumpkins?
- [Lucy] Oh.
Months and months and months.
- [Carl] Oh my god, look
at the size of that!
- [Lucy] Oh, you wait, come.
- [Carl] What flowers are these, Lucy?
They're nice, aren't they?
- [Lucy] They're absolutely
beautiful, aren't they?
They're coming to the end.
- Right.
- I do like them.
- Lucy?
- Mm-hmm?
- [Carl] Last time when I
interviewed you and Darren
in the film, obviously
you were telling me about
all these strange occurrences
that were taking place,
things moving around the house.
- Yeah.
- Has any more of this
happened since we've made the film?
- Yeah, yeah, I told you,
it's happened for years
actually, on and off.
- Is it--
- The latest thing was
the box of family stuff.
- Box of family stuff?
- Memorabilia.
- Can you just
take me to the memorabilia?
- So I had to move it
into here because I got fed up of hearing
it in the middle of the house.
- Can you show me?
- Yeah, it's just this box,
it's all the paperwork
to do with the family.
- [Carl] Do you mind if I have a look?
- [Lucy] No, no, no, no, no.
But there's all sorts of stuff in there.
- [Carl] Okay.
- Do you know what this--
- Oh wow, yes I do!
That's a military cross.
- Uh-huh.
- How amazing!
- Mm-hmm.
- [Carl] Lucy.
That's amazing, I'm getting a real sense
from this military cross.
- Good.
- [Carl] I'm seeing the initial R,
does that mean anything to you?
- Mm-hmm.
- [Carl] Richard?
Your granddad was Robert?
- Yes.
- [Carl] And he's got a military cross.
- Yes.
- That's pretty amazing.
- Yeah.
- [Carl] I'm getting a real sense here.
You know, you told me that
those mannequins around the farm
are your guardians protecting you.
I don't think they're the
only ones protecting you.
I think your granddad,
Robert, has been looking out
for you over the years.
Does that...
- Yes.
- Does that ring a bell?
- I don't like to say it
but because I'm third generation
and I'm determined not to lose his farm,
I'm doing as much as I can.
- Well.
- To stand by my granddad,
my father's dad, yes.
So yeah, I'm doing all I can.
- [Carl] That's brilliant,
I just want you to know,
by channelling through this cross,
this is validation that when
your box is moving around,
it's nothing to be afraid
of, that's your granddad
letting you know it's him protecting you.
I think he's been protecting
you for years, Lucy.
- I believe in him.
I believe in him, he's a very good man.
- [Carl] Okay.
- Very, very family man
and had the right
honours and everything.
- [Carl] Does the
Dougie mean anything to you?
I'm getting another name
coming through, Dougie?
- The nearest to Dougie
as I can get is Googie
which is what my auntie called me.
- [Carl] Googie, that's it, Googie.
- She couldn't say Lucy.
- Why's--
- Why, she was born with meningitis
in the days before they
had a vaccine for it.
She lived til she was 76
and lived, walked her dog every day
but she'd occasionally, look, look, look,
she'd occasionally pick up my
grandfather's bayonet
and chase me 'round the house with it.
We'd run 'round the table.
- Was it a joke?
- No, it wasn't a joke, she was serious.
Because don't forget, she
had a big mental condition.
- [Carl] Lucy, that's not
very nice to have to--
- No, no, no,
it was part, I accepted it,
it was how I was brought up.
I was brought up with her
like in that condition
and you just learnt to run.
- We just watched a
video called Para, video?
A film called Paranormal Farm.
It was filmed a bit like this.
I'm not really sure what happened.
- No.
- It was like one minute
it was looking for a ghost and
the ghost was communicating
and yeah.
- Mm-hmm.
- And then what happened after that?
- People in the woods 'round the fire
and then they tried to kill him.
- And then it turned out to be the man
and then they were talking about a beast
and the woman.
- Was drunk.
- She was just pissed constantly.
Constantly drunk.
And I really,
my first words after that film were,
"What just happened?"
I don't really know what it's about.
It was like the weirdest
film I've ever seen.
Apart from Trolls or
maybe something like that.
I have no idea.
- Weird.
- There was horses, there
was a lot of horses.
There was...
- Dummies.
- Dummies, lot of dummies.
Lot of
drunk women, well, one drunk
woman but she was a lot drunk.
And a creepy man who was
her husband who just,
I think he orchestrated the whole thing.
The annoying thing about it is
you don't know what
actually happened, do you?
- No, they'll make another one.
- They fuckin' won't.
- There will be a sequel.
- Who's gonna put money into that?
- They did Blair Witch and did that
Paranormal Activity thing.
- Yeah, but that had a
point to it, a story.
- I personally think they
could do more with the animals,
it's a farm.
- Yeah, true.
- Wanna see some sheep.
- Some ghost sheep.
- Mm-hmm.
(bleating spookily)
- So watch it or don't
watch it, doesn't matter.
What would you give it out of a 10?
- Probably a five, it did scare me.
- [Carl] So thoughts, everyone.
That's our first online video review.
- Is it really?
- [Carl] Yeah.
- Let's turn that off.
It's all right, I've got it.
There's more like that.
- Yeah, so--
- Goodness.
- [Carl] Funny, what
they'd say, who would go
to that trouble to
actually leave a review?
But it's nice that they
actually went to that trouble
and did it in the style
of our film so I felt--
- It's created enough noise
to make a video about it.
- [Carl] Yeah, it's...
- Bizarre.
- So did they, was it that review
that inspired you to
think about a second one?
- [Carl] Well, we've got
lots of reviews online
so actually, Taz--
- Shall we do it?
- Said you can respond to
some of the online reviewers.
But they did say they'd
like to see a part two
and they'd like more animals.
- So.
- So.
- There's one from Megan Shierra,
"A grand old time.
"Look, if you're expecting
a studio-quality movie
"you're going to be disappointed.
"But if you're looking for a funny."
Sorry, "If you're looking for a funny
"and at times genuinely spooky film
"then this is a great one to watch."
- [Carl] "This film is unusual
because it does not drop
"under the carpet that it can't
be remembered the next day.
"In this film, the farmer's wife's acting
"is exceptionally so
realistic that it's puzzling
"whether she is a brilliant actor
"or an amateur with drug-related
"natural creepy characteristics.
"Also brilliant was they annoying acting
"of the filmmaker himself,
almost as a parody
"to the found footage films."
So brilliant actress there, Lucy.
That's a nice review.
- Bizarre.
- This is from Randar Jane,
"Shot entirely using a cell phone,
"this is a rather entertaining
found footage film.
"Carl is a fantastic
narrator and his attempts
"to contacting the missing/dead Jessica
"are unique and effective,
"it makes me want to buy my
own plasma electricity ball."
- "Quite simply the worst I've ever seen.
"I hated it, the man's an idiot."
I kind of agree with you,
I'm a little bit of an idiot.
- I like to give people
the option to think
all sorts of things about me.
It's fun, it's fun.
Life is boring if you don't make it fun.
And I enjoy that, I really,
really do enjoy doing that.
- [Carl] What happened in the past?
- 40 bones in this cheek broke,
my eye socket dropped out.
I broke seven ribs, blood clot.
I was in intensive care.
I had skin a skin graft
from there to here.
I've got
platinum in my eyelid to keep it down,
titanium elsewhere.
I was meant to die.
- [Carl] So what did you
survive, what kind of accident
did you survive on the farm?
- I was in a vehicle and
at rather high speed hit a
cross country jump
and I just remember, I just remember
a friend ringing me,
"Hi, are you all right?"
"I'm a bit hurt."
"Where are you?", he said.
I said, "I'm on pig bank."
And he said, "I can't get there."
So he rang my neighbours
to come out and find me
because I'd hit the...
- [Darren] Biggest log.
- No, no, no, I'd hit the
frame of the thing I was in
and that's how I smashed this to pieces.
Yeah, yeah, yeah, 40 bones
broke, eye socket out.
And they recessed it
wrong, this eye is six millimetres out
from this eye which is why I have trouble
seeing screens and what have you.
Which is why I like
riding and just enjoying
the natural countryside.
- [Carl] Wow, that's, wow.
So you're a survivor?
- Yeah, yeah, yeah.
That was the second operation.
It was...
- [Carl] Oh wow.
- [Lucy] Oh, no, wrong way.
- [Carl] You're smiling in all of them.
- Yeah, yeah, yeah, yeah,
I'm still alive, that's why.
That's why.
- Thank god.
- Yeah.
- [Carl] Oh.
- Oi, get in your house!
In your house!
Oi, oi.
No, no.
Let go, let go, let go.
Let go, let go, let go.
Let go, let go.
- [Carl] So what do they do,
what makes them do that Darren?
- [Darren] They're just grumpy old men.
- Were they--
- Who can be like,
when you curse them and see then--
- Right.
- Who can be the best friend.
- [Carl] Do you think I've unsettled them?
- No, don't take it personally.
Usually I can just talk
'em down and they just,
but once they grab each
other, they're, being the
little dogs they are, they
won't let go of each other.
- [Carl] You think they'll be friends now?
- Well he--
They can't do anything now.
- No.
- [Darren] So usually we'll
throw them in the bed.
- Yeah.
- And they'll sort it out
amongst themselves, they settle down.
Good boys.
- The other one's shaking,
is it just because it's wet?
- Yeah, they do.
- I'm shaking.
- I know, yeah.
- [Darren] It's just a tooth went in here.
- Oh, it did.
- Split his eye.
- What, just now?
- No, no, before.
This is a regular thing.
- Oh, I didn't know that.
- [Darren] Yeah.
- [Carl] They seemed really
friendly last time I was here.
- [Darren] Oh, they are,
they're still friendly now,
it's just that--
- Just showing off.
- [Darren] They're just brothers
and fall out now and again.
- Come on, you behave now.
Good boys.
The only thing is, I've just got here
and the dogs have been fighting
and I think it's maybe put
Darren and Lucy in a
bit of a funny mood so,
got to get my right time, actually,
to do the interview,
to find out behind the scenes.
That's the thing, you've
got to be a bit sensitive
as a documentary filmmaker
because if somebody's not
in the right mindset you're not gonna get
all the right information out of them.
- [Lucy] I have to
muzzle her because...
- [Carl] Everyone's getting muzzled today.
- No, no, no because she,
her last owner let her
play with the head collar.
- Right.
- And...
And she just played with
it but she took a chunk
and pulled it and I had the
biggest hematoma, it's still--
- [Carl] What, she took a
chunk out of your stomach?
- It just gave me a massive
hematoma there, like huge.
- [Carl] God, what's a hematoma?
Like a bite?
- Yeah, yeah, yeah,
a big blood clot.
- [Carl] Everyone likes, all the animals
like to bite on this farm, I
guess that's like farm life.
- No, no, no, no, yeah.
It's okay, I'm still alive.
Right, get in your house.
In your house, in your house.
Good boys.
It's because there's
someone different here
and they're arguing over
who can get to your first.
- Oh, I see.
- That's what they're doing.
- Right.
- They want,
one of them wants superiority of being,
I got to meet him first.
- Right.
- [Lucy] You've just got grumpy old men.
- [Carl] That's why you said
meet them both together.
Oh, what do you know of the beast?
- There was a beast.
- It literally--
- Panther or something.
- [Lucy] Oh yeah, I've seen it twice.
- Yeah and a local guy,
recently, a local guy came out,
he said, "Oh..."
- [Lucy] He came back the next morning.
- Yes, it did.
- He said, "Lucy, there was
something big out there!
"I mean big, it went through
that shore down there
"and all the stingers and
bushes were going to the side.
"It was big, I was trying
to get my spotlight on it.
"It was big but we couldn't find it."
- [Carl] Right.
- Yeah, he was really disturbed by it.
- He was convinced.
- Come on, then!
Go, go, go.
Hold my stirrup, please.
Are you ready, are you ready?
- [Darren] They're distracted now.
- [Carl] Yes.
- [Lucy] Can't play around with this one.
Come on, come.
- [Carl] Oh, they look happier now.
Now they're going for their walk.
- They're not going to get to walk,
they're gonna have to run.
This gate.
- [Carl] So Darren, now that
Lucy's gone horse riding,
I just want you to tell
me a little bit more
about, actually, about the beast.
- [Darren] Hmm.
- [Carl] So what do you know of the beast?
- Well, the beast is real, I've seen it.
I've got footage of it.
- [Carl] Okay.
- It's only a short
little clip of it but--
- Right.
- Something out there,
It's not very clear but I might be able
to find that for you somewhere.
Yeah, we've got footage on...
So it's some old tape somewhere.
- [Carl] Well do you think
you could find that out?
Because obviously I'm here tonight
doing behind the scenes.
- Yeah.
- Do you think maybe--
- I might, yeah,
let me look through, might take a while,
kinda look through the tapes.
One of the neighbor's
daughters went missing,
few years back, there was a mauled body
found out in the fields.
- What was she called?
- Sarah.
- Oh god, Darren,
that's like, so that's the girl we based,
obviously, in the film we
played it out as Jessica.
- Yeah, that's the real.
- I didn't know she--
- That's the real story.
- Yeah.
- And a few of us will get together to
have a religious meeting on the grounds of
the beast.
Being a drill is drilling the seeds in
for the next crop.
Which is rape.
- Rape?
- Mm-hmm.
- [Carl] Wow.
- Rape oil.
- Yeah okay.
So they farm that here, rape oil?
- Well they take it in
cycles, all the fields
around here get cycled.
- [Carl] Here's one of the angels
from the original film.
So nothing was staged, this was all real.
- [Taz] I can film you now if you like.
- [Carl] Yeah, if you
take over Taz and film me.
- [Lucy] I've got these.
- So Taz, you gonna have a ride later?
- I'm too scared.
- Totally.
- She's so good.
- [Taz] She does look really
good, I'll have a ride.
- Yeah, she's really, really good.
Oh look.
- Hello.
- First of all.
- Yes?
- I'm angry with you.
- Oh, sorry, what have I done?
- For taking the Micheal out of me.
- I didn't take the Mickey out of you.
- You did, I'm really angry over that.
- Darren said that earlier,
I didn't do that, Lucy,
what I did--
- No, you did!
- No, I know what you think.
- You humiliated me!
- No it wasn't, we were interviewing you
based on the true stories of the farm
so I know you're thinking
we might've taken
the piss out of your daughter
that's not really dead.
But don't forget, it wasn't a documentary,
it's a documentary style based on truth.
So I know your daughter is alive and well
and that's really good, Lucy.
But there was, as Darren was telling me,
there was a girl called
Sarah that was actually found
that was mauled by this beast maybe.
So we're just kind of recreating that
but so the characters care
about, you know, this,
we just do it based on your daughter.
But you, how was she, was she okay?
Has she seen the film?
(horse flatulating)
- [Taz] Sorry, the horse is
farting right in my face.
- [Carl] You might wanna
get right in front of Lucy
and catch her reactions.
- Yeah.
- We're going through the woods.
- Yeah, get us like this.
- Going through the wood.
- [Taz] As you can see, everyone,
I'm not a proper cameraman
but I'm trying.
- As long as you get the sound from Lucy,
that's the main thing.
- Okay.
- You mentioned--
- So, actually.
- [Lucy] Someone else missing?
- Lucy, what would be really good is,
it's really good just
getting to see the land.
But anything else you can tell me
the beast would be great.
- [Taz] You wanna go a bit slower?
Just a touch slower?
- Things occur.
Things occur in the country, okay?
- Yeah.
- And what hope have you got of proving
anything in the countryside?
- Yeah.
- Yeah, look, look, look.
For example, these woods, you could
hide anything, couldn't you?
- Yeah.
- But I like to think
this is my peaceful piece of land,
which is why I don't
like people walking here
that aren't meant to be here.
- Is this where you saw
the cat, the panther?
- I saw the cat, it was coming out
of that hedge down there.
- Really?
- I was on the cub bike
and it came out that hedge
as cats do.
It was quite big, sleek,
and it saw me.
Could you see it today?
The other time I saw it
was over there.
- [Carl] You gonna do some
editing while you're here,
the special features?
- I can start putting the shots
onto the laptop and stuff.
- Okay, yeah, that would be good.
So I did not think I would
end up on top of a horse
but it would be good
idea, special features,
to make it interesting and experience
what it feels like to actually
be living on the farm.
And, you know, this is part of farm life.
Where are you taking me,
where are you taking me Tia?
Tia, where are you taking me?
Whose house is that?
Okay, so I've just lost Taz and Lucy
and the horse has just
brought me to this house
so I'm just gonna explore and
see what was up.
I don't know if there's
anybody here or not
but let's just have a little look
into the house.
(rooster crowing)
Lots of cocks.
Let's have a look
and see if anybody's in
and find out some more.
(wings flapping)
My god, it attacked me.
Back, back, back, back, back.
So this is the bird that
actually just attacked me
on the leg, I'm sure it bit
me which is quite creepy.
Back, back.
Bad bird.
That's it.
No, back,
(rooster crowing)
Okay, I've actually just
been attacked by a chicken
or a cock, I don't know what you call it.
But anyway, let's just
go up to see in the house
who's here.
(rooster crowing)
Slightly afraid of that chicken.
Actually really petrified
and he just attacked my leg.
Wish I was recording that at the time.
Anyway, so let's have a look at this house
and see who's here.
- Hello?
I'm downstairs.
Just come in.
- [Carl] Sorry, where are you?
- [Robert] Downstairs.
- [Carl] Hi, I'm just in the area
and I hope you don't
mind, I'm recording this,
I'm a documentary maker.
- Hello.
- Hi.
- You've come for the ghost tour?
- Well, hi, I'm Carl.
- Robert.
- Nice to meet you.
- Robert French.
- Robert, nice.
- Come for the ghost tour?
We've got a ghost here.
- [Carl] Oh, right.
Well, actually I'm here
kind of related to that.
I don't know if you heard about my film
that's just been released
on the streaming channel,
Paranormal Farm, have you heard of it?
- I have, yes.
- [Carl] Right, well
I'm the writer, director
and the lead actor in the film.
- Very nice.
- So I'm here because,
as you know, it's just come out
and it's been released
in America and the UK
and it's just about to get its DVD release
and for the audience we're doing a
behind the scene special features.
So we're trying to get closer to the truth
to show what inspired us to make this film
and try to capture some of the truth.
- And because we've got a
ghost you want to sort of
talk about ghosts, I suppose?
- [Carl] Yeah, it's got
the paranormal thread so
I'm after anything, any of the truths
that have happened locally on the farm.
Obviously there's the
disappearance of the girl
and then there's the legends of a beast,
there's a cult.
So anything that you're happy to share
with what you understand.
As I said, we're trying
to get closer to the truth
in the investigation.
Are you okay?
- What girl?
- [Carl] In the film,
Jessica, but I believe
that actually she's called Sarah.
- Sarah what?
- [Carl] I don't know, I
don't know her surname.
- Sarah French?
- [Carl] Sarah French, I know
that name from somewhere.
- My name's French.
Sarah was my daughter.
- [Carl] Oh, right.
- I think we ought to go and sit down.
- [Carl] I'm really, I'm sorry, I mean,
do you want me to turn the camera off?
- No.
No, carry on, please, it's,
it's been...
It's been two years and 30 days
since Sarah went missing.
- [Carl] Wow.
- And,
there's been this talk.
The beast,
whatever that's supposed to mean.
had to
go and see,
her when
found her.
there wasn't,
there wasn't very much
to identify except her
I gave her.
It was
awful and
there's been quite a lot
of talk in the village
about me
they haven't found the beast.
- [Carl] Right.
- And people have said
I am the beast.
it's been very unkind
- I'm sorry.
- She was a beautiful,
beautiful, beautiful girl.
- Right.
- And...
- Is that a picture of her?
- Yes, yes,
of Sarah, let me show you.
Yeah, she's...
She loved
- [Carl] That's Tia, the horse?
- How do you know Tia?
That's right.
- Tia.
- She used to ride with
Lucy up at the farm
on Tia, is Tia still about?
- [Carl] Tia, Tia just brought me here.
- No, no.
- [Carl] Oh my god, I've got goosebumps.
I think...
Tia just actually
galloped away from
Lucy, led me to the farm
and the door was open.
- No, I think this is a bit silly.
- [Carl] Robert, that's
just what's happened,
that's just the plain truth,
Tia has just led me to the house.
- No, no.
No, I don't think that's true.
- [Carl] I mean, she looks beautiful.
A beautiful daughter.
- She was a sweet girl.
There's talk that her
mother and I didn't get on
terribly well
they've created this
story that
the beast
but there is no beast,
there is no beast.
- [Carl] So what do you
think killed your daughter?
- She loved riding, she
really loved riding and
she used to groom Tia for hours on end
and I used to get so cross that
she wouldn't be back for tea and
I used to tell her off sometimes.
But there's no beast, no beast, no.
- [Carl] No.
I'm just really, really
sorry for your loss, Robert.
I mean, what you've been
through sounds horrendous.
And how people point a
finger and being cruel,
I just think that,
well, that really sucks.
You don't deserve that.
people can be cruel.
- She loved horses.
She used to play
with a horse, years ago.
It used to belong to my grandmother,
it was an antique one and--
- [Carl] The white horse with
the handle and the wheels?
I just saw, it just moved upstairs,
I wasn't gonna say anything but,
it just like wheeled itself
across the hallway as I came in.
- Did it have big wheels
and a sort of handle?
- [Carl] Yeah, yeah.
- You didn't see anything.
- Yeah I did, literally--
- No, no, no.
You didn't see anything.
- [Carl] Robert, I literally just saw it.
- No, no, I burnt it.
Two years ago.
- [Carl] Oh.
do you know, I don't want to
take any more of your time,
Robert, I appreciate that
you're a really busy man
and you've probably got
things to be getting on with
today, I imagine, so I just, again,
apologies, I'm sorry for your loss.
Thank you for giving me
some more further insights
and I think I do have to go
and film some other people.
- Well, it was lovely to talk about Sarah.
- [Carl] Yes, it is.
- She was a beautiful girl.
- [Carl] Yeah, I can see that.
Okay, I'm really, really
sorry for your loss, Robert.
- It's the way she looked at me.
- [Carl] How do you mean?
- She was a beautiful girl.
- [Carl] Okay, so,
I'm gonna take leave and
again, thanks for allowing
me to film, Robert,
that's really, really kind.
- Wasn't it marvellous,
thank you very much indeed.
- [Carl] Excellent.
- She was a beautiful girl.
- [Carl] Okay, really, really
nice meeting you, Robert.
- Bye.
- [Carl] Cheers.
(wind blowing)
- [Taz] Stop, stop, stop.
Come on, boys.
- Oh god, they're not
fighting again, are they?
- [Taz] Shh, stop, I don't wanna go--
- [Carl] Taz.
Oh god.
- Shh, stop.
Fine, okay, that's it, sorry Mom.
- Come on.
- Gotta go now, Carl's here.
- No fighting.
- He's here now.
- [Carl] Taz.
- Sorry, I had to speak to my mom.
- [Carl] Oh god, Taz,
can you just grab that?
I just need to--
- Yeah, what happened?
- I think I just need stitches.
- [Taz] What happened, what do you mean?
- [Carl] I've been
attacked by a giant cock.
Seriously, Taz.
- Another joke of yours?
- No, it's a big bird,
it just...
I thought it might be bigger
than that, to be fair.
- [Taz] There's always drama
going on with you, isn't there?
- Well the horse ran off, yeah?
And thanks for like following me.
Galloped off about 1,000 miles an hour
and I almost broke my
neck and fell off a horse.
Anyway, get this, Taz.
The horse, Tia, led me to Robert's house.
Now Robert is Sarah's father.
Sarah used to ride at the stables.
- [Taz] Yeah?
- Sarah is the girl that's gone missing
and now I know she's been
mutilated by the beast.
I tell you what, Robert
has more to do with this
than he's letting on, there's
something really creepy
about Robert, do not trust him at all.
- [Taz] Oh my god.
- And how weird, I've always known that
I know about my psychic gift
but I've always read about
like animals having psychic ability.
Tia led me to Robert, to
Sarah's father's house.
- Oh my gosh.
- It's for a reason, Taz.
Oh, do you know, I've got goosebumps.
Just even thinking about it
now, can you see my goosebumps?
- [Taz] Oh yeah, I can.
- Taz, you don't have
to feel my goosebumps.
Robert is,
to put it lightly,
he's very darkly disturbed.
- [Taz] What made you
think that then, exactly?
- Well the way he was just
rubbing his daughter's picture,
it was so suggestive and,
Taz, I couldn't get out
of there quick enough.
- [Taz] Oh.
- Then I came out and
the horse wasn't here
so has the horse come back?
It's taken me like an hour to walk back.
- [Taz] I haven't seen the horse,
I thought the horse was
with you all this time.
I mean, I haven't seen Lucy
for a bit either, actually.
- Well, where is Lucy and Darren anyway?
- [Taz] I don't know,
actually, I thought, I dunno,
I just, well, she got a bit
pissed off, to be honest
when you just, when the horse ran off
but she didn't really
bother chasing after you,
she got up for some reason
and just walked off.
And I just thought they'd
come along when I came back.
- I've got to get another interview--
- Yeah.
- With them tonight.
- Maybe you should not
tell him that you got
that information from
him and just see what
he can reveal to you.
- You know what?
I think, let's find out tonight,
I wanna do a real seance
with Darren and Lucy
and see what truth will
come out this time.
Obviously we're not
filming it as a fake film,
let's really use my psychic gift
and let's see if we can tune into Sarah
and let's see how Darren
and Lucy react to this
because I know something between
Darren, Lucy and Robert--
- Yeah.
- The truth will out.
- [Taz] The thing about
seances, you know what I'm like
about seances, I might not
join you in that one though.
Get a bit freaked out by all that.
- Taz, don't be a wimp.
- [Taz] Come on, it's only one thing--
- You're here to be my
camera man, my sound man,
just a support.
- [Taz] I've witnessed a
few things you did before
but I don't really wanna do anything else.
- Taz, you sound like a pussy.
- [Taz] I know, but come on.
- Taz, we're here to do a
behind the scenes documentary,
you can't just wimp out on me,
we wanna get closer to the truth.
- We weren't supposed to come
here to do a fucking seance,
he promised that to me as well.
God's sake.
- Give me the camera.
If I'm honest, Taz, I'm just
a little bit surprised at
how Lucy acted earlier
about her daughter, Jessica.
I mean, I did sort of set up with her that
this is a film in the
style of a documentary
and we're pretending your daughter's dead.
- [Taz] Mm-hmm.
- Recreating the truth of the other girl
that was discovered.
- But she seems to have flipped her lid
like she feels like I've
manipulated her into it
but you've had chats
with her, haven't you?
- [Taz] Yeah, she was
aware that it was a movie
and everything and we were gonna bend
the truth a little bit.
- Have to come up with something then.
I just, I'm just sensing a
little bit of angst there.
I don't wanna lose her trust
because obviously we've got
more stuff we need to
get from her and Darren.
- [Taz] Yeah.
- I'm getting Darren to
open up about this beast
but I think he knows more
than he's letting on.
- Yeah.
- He's acting a little bit
sensitive and he's not
telling me everything,
and he's even said he's
got footage of the beast
and yet, you know, he said,
"Oh, I'll find it somewhere."
Well surely if you have
footage of a beast,
it's not something
you're gonna lose on VHS,
you're gonna have that
kept somewhere safe.
- [Taz] Yeah, exactly.
- So I need to investigate that.
But he's also suggested that there's,
he's also suggested
about the cult and the
reasons for the cult.
So maybe we can,
can I just do all that again?
- Mm-hmm.
- I think it's best.
- Rolling.
- So tell me when it's ready.
- It's ready.
- Ask me how you think it's going.
- [Taz] So how do you think
it's going, Carl, so far?
- If I'm honest, Taz, I'm
a little bit surprised
at Lucy's actions earlier
when she blew a gasket
over no reason at all.
I mean, I don't understand,
it's like she doesn't understand
the difference between the documentary
and the actual film.
She knows we're creating
a film, doesn't she?
- [Taz] Yeah, we told her all that,
like she knew it was gonna be a movie
that was gonna go online and everything.
- So why is she upset?
I don't understand it, she's like--
- [Taz] Maybe when she saw it she realised
how realistic it actually was maybe
and she didn't like the
fact that her daughter...
- Yeah.
- Died, supposedly,
in the movie.
- [Carl] Lucy?
Do you have some antiseptic?
The cock
from Robert's farm is
only gone and put like,
I don't know, he's punctured my leg.
- I'm supposed to be up on my first aid,
I sliced myself, but I do have
a first aid kit in my car
which hasn't been opened.
- Right.
- Fingers crossed, otherwise you're gonna
need to have to have surgery--
- Lucy?
- Aren't you?
- [Carl] Is it natural for like a cock
or a chicken or whatever it was
to like hit you on the leg
with its claw like that?
- Cockerels are awful.
Cockerels are very dreadful.
- [Carl] I didn't even
see it coming but like
what did it do?
Like how does it, why did it attack me?
- It's protecting his women.
- Oh, is it?
- Yes.
- Oh god.
- His--
- [Carl] Wish more men were like that,
protecting of their women.
I was talking to Robert
and Robert said that
Sarah used to come riding here.
But Robert seemed a bit, he
creeped me out a little bit.
I think there's something weird with him.
- [Lucy] It's just not
talked about, it's a code.
It's just not talked about.
- [Carl] Are you very close to Robert?
- He's my neighbour.
- [Carl] Yeah.
- She just wants to be scratched.
- [Carl] She likes a little tickle.
Can't believe she ran
off from you earlier,
just took me with her like that.
I was a bit scared when that happened.
- [Darren] She is very good
but you shouldn't stand behind her.
- [Carl] Oh no, is that, do they kick?
- No, she won't.
- She won't.
- [Carl] Oh, in general.
- Don't make a habit of it.
- Yeah.
- [Lucy] I've got to put
her in the horse paddock.
- [Carl] What do you know about Robert?
- Wasn't the best of fathers,
we'll just leave it at that shall we?
- [Carl] Well, what do you,
we can't just say that,
Darren, what do you mean
not the best of fathers?
- Oh, don't read so much about it.
- No?
- No.
- [Lucy] That one is so funny.
- [Carl] Lucy?
Robert was saying when
I interviewed him--
- Stay still.
- Robert--
- Stand still.
- [Carl] Oh, all the
horses are coming back out.
- Yes?
- [Carl] Robert was saying
that there's been talk
in the village about him not
being the best of fathers.
What can you tell me about him?
He's insinuating that people
used to say that he was--
- No, he's the most, he's
a gentleman of gentlemans.
You can't ever say
anything against that man.
- Right.
- He's a real gentleman.
No, never.
- [Carl] He felt very sad
when I was talking to him.
Felt that, he said he had the village
turning on him a little bit.
I guess you know him, you've...
- Yes, and I respect
what I know about people.
Gossip is gossip.
- [Carl] Lucy!
Good to see you mowing, Lucy.
- I tell you what,
do you fancy a swim after I've finished?
I would really like a swim,
in the, my friend, the police
man's house over there.
- Oh, that's good, yeah.
- It would be so handy.
I'd just--
- Let's do that,
that would be nice.
Okay, I thought I'd just grab you,
filming you mow, but I'd
love to go for a swim after.
- Oh, so would I.
- Okay, cheers.
- Okay, hang on, I've got
to get off this to start it.
- [Carl] They're hard to start,
those things, aren't they?
You all right, Darren?
Watching Lucy do all the work, I see?
- [Darren] Yeah.
- [Carl] Lucy suggested we go for a swim.
- [Darren] What, across the road?
- [Carl] Yeah, over at
the police man's house.
- Yeah, all right.
All right, old boy.
All right.
- Don't tease--
- Oh, he never goes for me.
- [Carl] No, why is he doing that?
- Well, that's what I mean,
he's just acting weird.
- [Carl] Okay, so this will be my room
while we're here for
the documentary.
Actually, there's all my stuff.
So I'm back on set
in Jessica's room.
You know what I love?
This house has lots of mirrors.
That's great when you
have a vain filmmaker
such as myself.
Everywhere you go, you can
see outside, the countryside.
I remember this scene where I was sick
and I think I could've done that better,
truth be told.
Never use porridge as a
prop and do it to like porridge.
Taz, get in, don't be such a baby!
- Oh, there's a bee!
- [Lucy] Get in the water!
- You're such a--
- He thinks you're a flower.
- [Lucy] Keep swimming up and down.
Just swim.
- [Carl] Taz, just--
- Why do you scream like that?
- Sorry.
- How do you scream like that?
- My god, back away.
- To the end, ready?
- [Carl] Darren, you're not getting in?
- No.
- [Carl] Just have a little swim.
- No, no.
I'm fine, thank you.
- [Carl] Oh, okay.
- Whoosh!
- Woo hoo!
- Okay, so it's really interesting,
just observing Darren and Lucy
I mean, Lucy's got quite
the past doesn't she?
To know that she dated a guy
who's a police man that lives here,
now she's with Darren.
And I just think there's
a lot more to Lucy
than meets the eye so
I need to get closer to know, really,
who is Lucy?
Sometimes I think I know her then I think
I don't know her at all.
So, yeah, I'm really up for
getting a lit bit closer
into her psyche and her thoughts
and understanding the lady that is Lucy.
And actually there's a
lot more to Darren as well
so I'm really interested in
getting to know both of them.
- [Lucy] I sacrificed this
lifestyle to be with you
because I love you.
- You sacrificed?
- I could've been here.
- Hold on a minute!
You sacrificed your lifestyle for--
- [Lucy] Because of my love for you!
But I could've lived like this.
- Looks like Taz is a bit
uncomfortable, getting out.
- I chose not to because--
- Shouldn't be filming this,
I feel like.
- Jesus, Lucy!
- What?
- [Darren] You just have got
a really difficult way
of putting things across!
- Ah, look, look--
- Are they joking?
I don't actually know if they're joking.
- I am your partner!
- I hope so.
- What is wrong with you?
- I guess I shouldn't
really be filming this.
- Yeah, and I suppose
that's why you wanna come around
here swimming all the time?
- [Lucy] I enjoy swimming!
It's exercise, what's wrong with that?
- Do I turn the phone off?
- The life you've sacrificed?
- [Lucy] Yes--
- [Darren] That you want to get back to?
- [Lucy] No, to be with someone I love!
I don't want to get back to
it, I just enjoy swimming.
- Guys, do you think we should
go back to the farm soon?
(tractor rumbling)
- Shovel time!
- [Carl] That's good.
So Darren, later on, do
you say you'll be able to,
it'll be really interesting
if you could get
some of the members of the gathering
just to have a word with me.
Will you be able to try to sort that out?
- The shooters can come over
and have a word.
- [Carl] Oh yeah, it'd be nice, yeah,
if you could sort out shooters that we had
in the first film, that would be great.
Looks like hard work on the farm, Darren.
- It's a lot easier with that.
- Yes.
Do you want me and Taz to do any farming?
- Yeah, sure, if you could just go
and cultivate those fields over there.
- [Carl] Okay, I'll go do that now.
Taz, we need to go to Jack's field,
that's where we're gonna
hopefully find a beast.
- I need to go that way
but I think I can go down this bit.
- [Carl] Yeah, just have a look.
- Down the bank.
- Tony?
- Yeah?
- You okay?
- Not bad, yourself?
- [Carl] It's good to see you again,
thanks for agreeing to do this interview.
- No problems, good to see ya.
- [Carl] Tony, so, camping?
- Not exactly, just
setting up for the night,
I've got some work to
do throughout the night.
Lucy's reported some issues
up with the sheep at the top
and she's asked us to find out what it is
that was causing the
disturbance with them.
- [Carl] Oh, right, so
what kind of disturbance
are going on with the sheep?
- She said they've been harassed,
horses harassed, she's
unsure what's doing it.
- [Carl] Okay.
- Something was spotted
out here much larger
than what they they thought was a fox,
which usually causes the issues.
- [Carl] So Tony, can you
tell me what you were doing
on the day when we discovered
you when we were shooting?
- Yeah, we were just out completing some
vermin control for Lucy.
- Okay.
- Walking down through
the bottom of the field
looking at where we was gonna set up later
and as we come up, we see you
guys going to the pit scene.
- [Carl] Yeah, so did you
realise we were shooting a film?
- No, no, not at all,
quite taken aback by it.
Was a bit confused as to
what was going on at first
until it started to unfold.
- [Carl] So what does the
beast look like to you,
what do you think, what
have you experienced, Tony?
- Large cat, very large cat.
More often than not 'round
that side of the woods
if we're sat in the car
waiting for the sun to go down,
your eyes play tricks
and you see a flicker
of what could be the beast.
(tractor rumbling)
- [Carl] Hi, Lucy.
- Sorry.
- [Carl] We're looking
for, where's the best place
to look for the beast?
You said only about the
woods down this side,
do you remember, I can't
remember where to go.
- I remember where it came out.
I saw it go through this hedge,
I happened to be on the
other side on my bike
and it went out through this hedge,
snuck across and then saw me
and then dodged back.
Could I see it again?
- Right.
Thanks then, cheers, we'll be down--
- So it's that direction?
- So we're going beast hunting.
So Taz, you up for beast hunting?
- See if we can prove him wrong.
- So how do you hunt for a beast?
That's the thing, I've
never done this before.
- Footprints, like see footprints.
I see something over there
but that's not a footprint,
that's just a dent.
- Taz.
If I was trying for
somebody that I could like
survival skills...
Right, let's go looking--
- Get Bear Grylls to join us.
- [Carl] Well, do you
know, I saw on Planet Earth
that sometimes cats or
bears, they leave like fur
on the tree, on these spikes.
So maybe just look out
for any fluff on trees.
Taz, last time we were in here was when...
- When what?
- You were with James
in Paranormal farm, having a
little bit, how's your partner?
- My little dogging partner.
- Yeah.
- Quite a few, actually.
- [Carl] So you're back
in familiar territory.
Robert said--
- Those seem like
footprints there, though, look,
I don't know if they're
footprints, obviously.
- [Carl] We need like
toes, we need to see feet.
I don't know, that is--
- [Taz] That's what I mean,
there's a trail of indentures.
And Lucy said it was big, wasn't it?
Whatever she saw.
- Yeah.
It goes right down there.
- There is, isn't there?
I don't know if you can
see it on the camera but
one two, one two...
I guess that could be a dent but...
- [Carl] There's a jaw bone.
Oh my god.
That is,
I don't wanna touch it.
- That's fucking chalk.
- [Carl] It's bone!
- [Taz] Filming my ass?
- [Carl] I wasn't!
I can't--
- There's definitely someone
there, I can see him.
Look, look, on the slope.
(engine revving)
- [Carl] There's somebody, Darren?
Who's that?
- Hey!
- Fuck, I'm done!
- Oh my god, get out.
Taz, fucking hell.
- They're not joking now.
Oh my god he's backing up.
- Is he?
- Yeah.
- [Carl] Right, just get
back, get back to the,
oh fuck that.
Right, Taz, wait for me!
- [Taz] I know for a fact that's not--
- [Carl] Well, they're
not coming, are they?
Oh, it's all right,
they're not coming anyway,
thank god for that.
- No, he is, look!
- No he's not.
- Who's that?
He's got a gun, for sure.
- Oh my god.
Just get back.
Don't know what they're bloody like here.
Bloody nutters.
Just start it, Taz, just start it.
Oh fuck that.
Oh I don't think they're coming anyway.
- [Taz] Get in here.
I'm serious, I don't trust him.
- [Carl] I don't even know who it is.
- [Taz] Can't get it in gear.
- You can't get it in gear?
- Fuck.
- Go, look, look!
- Oh fuck.
- Taz, just fucking get away.
- Can't get it in gear.
- Nutters.
- Who are they?
Oh my god, he's fucking gonna kill us!
- [Carl] Go, fucking go!
Watch out for that.
Watch out for the gate.
Keep your eyes on the road.
- He's right behind us.
- [Carl] Taz, just keep
your eyes on the road.
- Going straight for the house.
- [Carl] Oh my god, don't you
turn the bloody Jeep over!
Oh my god!
- Where are they?
- I dunno.
- [Taz] Are they coming?
- [Carl] I think we might've lost them.
What the fuck, they're crazy.
- That wasn't Darren, was it?
- [Carl] No, no, it wasn't Darren.
Oh what the hell.
- How much longer does it go around?
They can't go to back.
- [Carl] Hold on!
Oh, he's got a gun!
No, no, just stop, oh my god!
Fucking hell!
Don't, oh my god, right, just
get back in front of him.
He has a bloody gun, I'm telling ya!
Oh my god.
What the hell?
Oh my god.
Taz, we're gonna have to pull the place.
Oh my god.
- We've lost them now.
- [Carl] Have we?
Taz, they're still there!
- No I've got some space.
- No, I can see them behind!
- Where am I gonna go?
- We'll just jump out,
we'll run back, come on.
Just cut the fucking--
- Oh my god.
- Taz, come on.
- Get the door.
- [Carl] Taz!
- [Taz] They've gone,
they're going, they're going.
- Taz, just go.
- We're back at the house now.
- [Carl] Are they?
Oh, they've gone now anyway.
Taz are you gonna tell 'em or am I?
- You just say it, yeah.
- [Carl] Okay, so, Lucy, we went down
to see if we could get
a sighting of the beast
down in the hedgerow, did
not encounter the beast
but we did encounter
something very beastly.
I think we've met some of your neighbours
and they weren't best too
pleased with me and Taz.
- A, they weren't me neighbours.
B, they would've been someone that
has permission to be there.
And C, you obviously
were not on the footpath.
- [Carl] But,
can I just say they pulled--
- Yeah, well,
you didn't warn me, I hadn't told them
you had permission.
- [Carl] Okay, but they
pulled out a gun on us, Lucy,
I don't think that--
- Yeah, yeah, yeah,
that could be because you were--
- No, they didn't pull a gun out on you.
- [Carl] Darren, seriously,
they pulled out a gun.
- They held a gun 'cause
they were doing the vermin
on the farm, simple as--
- [Carl] They pointed
the gun in our direction,
ran into the a car--
- It's scary.
- [Carl] Taz, back me up here,
they chased us in the vehicle
pointing a gun at us.
- They went, "Oi!"
And everything and started chasing us--
- Yeah, I go oi as well.
- [Carl] Yeah but you won't
point a gun at somebody's face
and chase them in a
vehicle, I'm petrified.
- Got this VHS of this thing,
do you wanna see that, or?
- [Carl] Yeah, I mean,
I'm very happy to see it,
I wanna see, obviously
we didn't see a beast.
Still a bit shaken to be honest
and yeah, put in the VHS.
- They won't be there.
- Let's see what you captured.
Oh god, can I just move in?
looks like a panther.
Oh god, just zoom in a little bit.
Oh my god,
was that it?
- [Darren] Yeah, it was
right at the end of the tape.
- [Carl] Oh god.
That's better than what I saw on the news,
that was pretty,
you should send that into the news
and try to see if there's
any more like sightings.
- No, because they make such a big thing,
it's not a big thing, it's a
country thing, simple as that.
- Yeah but--
- What, that massive thing?
I don't think so.
- Yeah, yeah, yeah, so what?
It's an animal, it's allowed to live.
- [Carl] Yeah, but,
the animals around here have been,
you know, doing the opposite from living,
they've been killing from what we hear.
So I think, you know, the
more you get that out there,
and, I mean,
this whole cult, Darren, that
you were telling us about,
I mean--
- It's not a cult.
You say that I keep calling it a cult.
- [Carl] Yeah.
- I think it's only you
that called it a cult.
- [Carl] Well...
- You did your filming
with a poetic licence
on it, I think.
- Yeah, no, I get that,
but you did say they meet
in the woods around a fire
and that feels like a
cult-like practise to me.
- Yeah, but it's just some of us together.
- Okay.
- That ward off evil.
- [Carl] Right, that feels like a cult.
I just fail to see the
difference, what's a cult
and what's a gathering.
I mean, it's each to
their own and everything,
I get that, but is it
possible that I can just have
a chat with them, interview
them for the behind the scenes?
- No, I don't think so.
- Don't even think about it.
- I don't think it's
really very appropriate.
- [Carl] Okay, why not?
- Well they're individuals.
- Use your common sense.
- They're local kinda people,
that won't really want
to have their faces--
- [Carl] Oh, because they
don't wanna have their faces
on the camera, I tell you what, Taz?
Is there anything we can
do if we like film them,
maybe just use the voices?
- We could just film from
down here or something,
just get a voice.
- How's that, Darren?
If I can give you the
assurance we would not
get their faces on camera,
we'd just interview,
just get a few quotes just
to, it would really help,
you know, promote this film.
We are here to try to show what is true.
- Yeah.
- In the countryside.
- I'll have to have a word.
- I'd appreciate that,
if you did that, Darren.
- "A big black cat,
believed to be a panther
"loomed up in front of
him in a quiet village,
"sparking a police search and
urgent warning to parents.
"Yes, they were reported
to have the school
"send text messages to parents
"warning them there was
a panther on the loose.
"Today we tracked down the
man who spotted the cat,
"Paul Tuck from Ditton was so terrified
"when he saw the large
creature in the streets
"of Ryarsh on Wednesday
morning he had to take a break
"on his next destination to calm down."
- Show him the picture.
- Look, look, look.
- Show him the picture.
- Let's have a look.
- This is exactly what I've seen.
- Is it?
- Yeah.
- Oh, wow.
- Yeah, yeah, yeah.
- [Carl] Hello beautiful,
hello, how are my girls?
You okay?
Yeah, you're beautiful.
(metallic grinding)
You okay?
- You don't walk up to
someone who's using a grinder.
- [Carl] Okay, sorry, I didn't appreciate,
a bit stupid of me.
Just a quickie.
You know, this is going back to the cult.
Sorry, not--
- Gathering.
- [Carl] Yeah, gathering, sorry.
When we did the film...
- Yeah?
- [Carl] You got everyone to chant tsaeb.
- Tsaeb.
- [Carl] You never told
me what that meant.
- Tsaeb.
- Yeah.
- Beast.
Beast backwards.
- [Carl] Well why are they
chanting beast backwards?
- 'Cause we're trying
to send the beast back.
- [Carl] Back where?
- Back through the gate.
- What gate?
- Don't worry about it.
Get my goggles for us so
I can finish grinding.
- [Carl] Sure, okay.
- [Darren] What was I talking about?
- [Carl] Darren, when you say...
What are you doing?
- The beast has many faces.
- [Carl] What do you mean?
You okay, Darren?
I've got your goggles.
I'll just leave them on the side.
And let you get on with things, okay?
- [Taz] Yeah, come here.
- Where are you?
- I'm in the barn.
- [Carl] Right, Taz, oh
god, I'm just not happy.
There's something wrong with Darren.
- What?
- [Carl] He's just acting really weird.
Just, oh, just come with me, quick.
Just worried he's gonna
do something stupid.
- [Taz] What?
- [Carl] Oh, he was up here on the plank.
- [Taz] What do you mean?
- [Carl] No joke of a lie, I came in.
- Yeah?
- He was here.
He was, oh, Taz, I'm just
like really worried about him.
He was stood up here acting possessed.
- You having me on again?
- I'm not having you on, Taz.
Seriously, I think I have pissed him off
talking about the cult,
I keep saying cult,
but the gathering or whatever.
He was here, I got his
goggles, I came back
and he was just stood
up here talking about
the bloody devil.
- All right, well let's find him then.
See what's going on.
- Come on then.
Lucy, have you seen Darren?
- No, Darren?
- Darren?
- Darren!
- [Carl] I'm just really
worried about him.
- Hello?
- [Carl] Oh god, I was worried about you.
Are you all right?
You were just like stood on the plank
and you weren't speaking to me.
- No.
- [Carl] You okay?
- Yeah.
- You sure?
- Yeah.
- [Carl] Well, like,
I just thought you were acting a bit weird
when you were on the plank.
- What do you mean?
- [Carl] Well I thought
I might've upset you
and then you were talking
about the devil has many faces.
Can you remember saying it?
- No.
- [Carl] You can't remember saying it?
- Don't know what you're going on about.
- [Carl] Okay.
- [Lucy] He was probably
just making you think.
- [Carl] Sorry?
- He was probably just making you think.
- [Carl] Were you messing with me?
Fucking idiot.
Did you put him up to it, Taz?
- No, I didn't, I don't know
what you're talking about.
- [Carl] You're all in on it, aren't you?
- No, I don't know what
you're fucking talking about,
I swear.
- They're messing with my
bloody head, it's doing
my head in, I don't know
what's real and what's not.
- I didn't do anything.
- This is you,
this has got Taz all over it.
- I swear to god.
- [Carl] Darren, I've gotta say something,
I don't care what they say in the reviews,
you are a bloody good actor.
Supposed to just like glide.
- That's cool, that's quite technical.
- It's all right.
You can do like all sort of
face tracking things on it,
but I've not learned how to do that yet.
But I thought it would be good for
maybe when we're out in the field
following Darren and Lucy.
- I saw that bit earlier.
- Maybe get some movement.
- With Darren jumping out
into the car, it's brilliant.
- Yeah.
- Oh, the kettle's boiling.
Hang on a bit.
- Yeah.
- [Taz] Just filming, don't mind us.
- [Carl] Hello.
Who's a pretty boy?
Who's a pretty boy?
Who's a pretty boy?
Yes, you're a pretty boy.
Yes, you are.
You're a pretty boy,
Yes, that's right, you're a pretty boy.
He does respond, when you talk
to the parrot, doesn't he?
- Yeah.
- Don't you think?
- Yeah.
- Smudge.
Is it Smudge?
- Yes.
You have to talk in a high voice to him.
Oh you gorgeous man.
- What?
It's just like...
It's not even funny, it's just like filth.
Do me a coffee won't you?
- Yeah.
Oh, you prick.
You know I hate wasps and all that.
- [Carl] Oh god, it's so funny, isn't it?
- Yeah, it's funny, yeah.
- [Carl] Oh god.
- [Taz] Oh my god.
What the fuck?
- Is that Lucy?
- No.
Hang on, it can't be, she's just there.
- [Carl] Lucy?
- Yeah?
- Did you just put that--
- No, I've just come in from outside.
- [Carl] Oh god.
- [Taz] Scared me, really.
- [Carl] It's Darren again.
Darren up to his old tricks.
- Darren then.
- [Carl] Very funny, Darren.
- [Lucy] I was working on the bike.
- [Taz] That's quite scary.
- [Lucy] You just go like that.
- [Taz] It's like a nice soup.
- Tonight he's being extra weird.
- Darren?
- Don't pick it up.
- I heard that you--
- He's never like that.
- [Taz] I heard that
you're a real stuntman.
Is that true?
- [Lucy] Look, look, look.
- What?
- Look, look, look,
we've got the proof.
You toured the world with Eddie Kid
and that's his suit.
- Who's he?
- Eddie Kid.
- Who's that?
- No.
- Yes.
- [Carl] Eddie Kid?
- Him and I are the only ones left,
as it were, without, he was limping,
so I got out just at the right time.
- [Carl] So what kind of level
were you at then, Darren?
- [Lucy] World record.
- Well, no, no.
- [Lucy] You have got a few world records.
- Really?
- No, I haven't got
world records, I have New Zealand records.
- A record for what?
- Jumping.
Motorcycles over distance.
- [Carl] How far did you jump?
- 130 foot.
- [Carl] No!
- 26 cars, wasn't it?
- Fucking hell.
- [Carl] 26?
- But I over jumped, you
can't really tell there
but when I'm jumping on
a really flat trajectory,
that's about as high as I go.
- Okay.
- [Darren] So I'm travelling really fast.
- Yeah.
- And the top is lifting up,
it had happened before in practise
and I took the front mud guard off.
- Right.
- To stop it catching air.
But I'm actually trying
to climb over the front
of the bike there to keep the front down.
- [Carl] Really?
God, look at all those.
- [Darren] This is when I
used to do sidecar racing.
That's Eddie Kid's leathers.
- Is it?
The ones on the--
- On the doors.
- On the door, wow.
- Yeah.
There's another one there,
people used to like that.
This is in South Africa.
- Wow.
- It's a 12 foot ladder.
- Oh, okay.
- And I'm doing a handstand
on the top.
- Wow.
- [Darren] And the car's
balancing by the steering.
- [Carl] How do you like keep up the buzz?
- Yeah,
I had a nervous breakdown
after all of this.
- [Carl] Really?
- Because I did, it was,
I was famous one minute
and then one of millions
unemployed the next minute.
And all my mates had seen
me do the local stuff
which was all,
you know, football
pitches and what have you
which is, you can't do anything decent.
- [Carl] How did you
manage to get through that?
I mean, I know that's not an easy--
- Well you say how do
you replace the buzz now,
after I've got through, is Hell
and Heaven at the same time,
it's actually, suffering.
'Cause I got diagnosed in America.
- Right.
- And they're 13 years ahead
with their medication.
- Are they?
- So I got given the latest thing
which made me just experience
elation, basically.
Then I went from having
no emotions and just,
having a lot of bad emotions
and feeling very...
It's a chemical imbalance so I don't know
quite how to describe it to anyone.
Anyway, you feel completely worthless.
- [Lucy] No, no, no.
- [Carl] Oh, you're making
your way with the dishes,
I see, Taz.
- Nearly finished.
- Oh yeah?
You sure you don't want me to
give you a hand or anything?
- No, no, we're all good, thanks.
- [Carl] Might have a
little bit of wine, Taz.
- I'm sorry?
- [Carl] Now that you've
cleaned that glass
I might have a wine.
- Yeah?
- [Carl] Actually, I know, Taz?
Give us that glass.
Can you all put your fingers on the glass?
Come on, Darren, finger on the glass.
Just trust me here, I've done this before.
Is there
somebody here that would
like to communicate with us?
- [Darren] Oh, who's doing that?
Is it you, Taz?
- No, I swear, I've done this
before, it's fucking freaky.
- [Carl] Guys, you just
have to like just relax,
just let your body--
- You sure about this?
- [Carl] Lucy, let your body be a vessel.
Just relax, clear all your thoughts,
all your anxieties from your mind, okay?
Just trust me, listen to
the calmness in my voice.
Listen to the tonality.
And take a deep breath.
- [Lucy] Okay.
- [Carl] So...
The person
that resides
in this house
are you willing to use
our bodies as a vessel
and to converse and to
communicate with us?
(breathing heavily)
- [Darren] I can't believe I'm doing this.
- [Carl] Darren, just like trust me here.
What is your name?
- [Darren] Oh no, I've had enough of this.
I don't like this.
- Darren, Darren,
just like--
- No.
- Honestly.
- No.
- We're making progress here.
- No.
- It's a bit spooky.
- Oh Taz, come on,
we've done this before.
- I know,
it's just different this time.
- Honestly.
We're not digging up, this is just--
- You haven't asked for protection
or anything you're just--
- [Carl] Darren, we're trying
to get closer to the truth,
you said that you're gonna help us here.
Taz, you did say as well
that we were gonna--
- There's no reason.
- I just felt Sarah for real,
and everything.
- There's no reason
for this, you know?
- Well, there is a reason,
we're trying to get closer to the truth
of what happened to that Sarah.
- It's done and dusted, done and dusted.
- Not messing around, I'm
not filming, whatever.
- [Carl] I don't mess around,
I didn't move that glass.
Taz, did you move the glass?
- No, I didn't.
I always get scared at these
things anyway, as you know.
- [Carl] So, like then, why don't we
just go further with it?
- No, that's enough.
- I felt a bit weird there.
- That's enough.
Lucy's not happy with it.
- Lucy?
We'll let Lucy speak for herself.
- The situation.
- It's all right, I'm with ya.
- Is done and dusted, it's over.
- Forget it, it's not happening, mate.
- Are you sure?
- Yeah, absolutely.
Absolutely not happening.
- [Carl] Sorry, just thought
you were all gonna be up
for this, I thought we
were trying to capture
some of the truth and see
what we could get here but--
- It took a while to get over it
and I want to continue feeling that way.
Done, dusted, finished.
- Okay.
- Life goes on.
- Can I?
Right, I get it.
Should I just, can I charge my phone up
and just go and get--
- Yeah, forget all this.
Yeah, you're not--
- That's fine anyway.
I'll get to go with you--
- Okay, come on, Taz.
Let's leave them to it.
Sorry guys, I just
thought that might help.
- Yeah.
- [Carl] Okay guys, I'm just
gonna charge my phone up here,
I'll just plug it in
and leave you to it.
Okay, shall we go out, Taz?
Yeah, let's go out.
- All this cleared up.
- It's ridiculous.
- I'll not--
- No, it's--
- Over.
- There was a time, I haven't told you,
but there was a, they're digging around
and getting into something
that is from the past
that they have no right knowing about.
- No, no, no, no, we know what happened,
it was country life, it happened.
this is not necessary.
This is really not necessary.
- It was a very dark
time and I don't want to
bring it up any memories about it,
don't let on about anything.
- That's not what it's about, I just,
it's in the past, there's
nothing to let on about.
- No, you don't know, Lucy,
there is something that
happened but
we can't...
- Fuck.
it's over.
- [Darren] All right, get rid of all this,
get all this off.
Come on.
- I can't understand
why this is being done.
That's the thing.
- Well, he's a psychic.
You never know what he's gonna pick up.
- Yeah, but...
You know, it's all,
it's finished, why?
There's nothing to sense.
- [Darren] Just don't say anything.
- Okay,
There's nothing--
- No, there's not.
- [Lucy] Done wrong.
- [Darren] There doesn't need
to be anything more said,
come on.
- I don't understand.
Nothing has been done
It was all sorted ages ago.
Why is it being brought up again?
I just don't understand, I really don't.
Life goes on.
Just weird,
Why, I don't know.
They're just crazy.
There are crazy people
around in this world though,
aren't there?
I guess.
Let them believe what
they want to believe.
- [Carl] Taz?
Can you not do that?
Oh god, Taz, that's not even funny.
- Sorry, I couldn't help
myself, I heard you coming up.
- [Carl] Oh god.
- How was it?
How did it go?
- [Carl] Oh, I don't know,
it's all got a bit weird.
- What do you mean?
- [Carl] Can I just say that Darren
definitely knows more than
he's letting on with Lucy.
- What do you mean, exactly?
- Well,
I just observed him then, on the phone,
talking about all this stuff about Sarah
and he's just talking about all this
about he doesn't wanna
reveal all the dark stuff
from Sarah and all the past and...
Taz, did you just put that on?
- No, was that on all the time?
- [Carl] Oh god, I think
I know what's happening.
Taz, right, film me.
Right, behind the scenes footage.
Gotta show this while
it's fresh in my head.
- [Taz] What?
- When I did the, when we did the seance.
- [Taz] Mm-hmm?
- Did you feel the room go stone cold?
- [Taz] No, I just felt
scared like I always do
when you do this.
- Okay.
- [Taz] But you're the channeler, I mean.
- So I think I'm getting more advanced
in this phenomenon so now,
I've never had the ability to
feel the temperatures change.
- [Taz] Right.
- I know I acted it in
the last film but now
I'm actually really feeling it for real,
temperatures rise and fall.
That room went stone cold.
I was definitely channelling.
And, just another question,
did you move the glass, yes or no?
- [Taz] No, I swear to god I didn't.
- Right, well, Darren definitely
didn't because he didn't
feel comfortable when
Sarah's name come through
and Lucy definitely didn't.
- Yeah.
- I don't think Lucy
knows how to spell Sarah.
- [Taz] Right.
- So, anyway, Taz,
I'm still literally stone cold now,
I've got goosebumps all over.
In fact, I've just gotta
change this into a jumper
because it's literally stone cold.
Come on, we're not making
a porn film here, Taz.
- [Taz] So I have to cut your
ass out in the last film, eh?
- Taz, we did that for art.
- [Taz] Oh.
- This is a little bit more serious.
- [Taz] Oh, it's the same jumper and all,
what is this, like the same film?
- It's the only jumper I've got.
The same film.
Taz, that might just be the best thing
you've said all day, budge over.
- [Taz] What?
- Just budge over.
- [Taz] Oh, what now, man?
- Okay.
There are no coincidences.
You have to look out for
the signs and observe.
are you still residing in this house?
Sarah, if you're residing in this house,
give me a sign.
Sarah, you can use the electricity
or you can use any of my senses.
Are you residing in this house?
Sarah, give me a sign.
- Oh come on, that's not
what it did last time.
- Taz,
this is for real.
Okay, Sarah, I know you've
got a message for me.
Feel free
to manipulate, exploit, explore,
channel, use any of my senses.
Use the electricity in the room...
She's getting close, Taz.
What do you want?
What do you want with
us in this house, Sarah?
Give me a sign.
(electricity buzzing)
- [Taz] What now?
- Taz.
We need to go back to the loft.
- [Taz] Bloody hell.
Can't see anything.
- No.
God, I saw it.
- What?
- [Carl] Oh, look at that cobweb.
About the same, isn't it?
Now from memory, Taz.
- Yeah?
- [Carl] It was somewhere around here.
Let's have a look.
God, you can't see anything, can you?
- [Taz] No.
Let's have a look.
- Ah.
I knew it.
Sarah French.
Right, Taz.
- I'll film it.
- [Carl] Just hold that.
Let me just bring it up here.
- [Taz] Go on.
- [Carl] It's stacked.
Just bring it up onto...
Can you get the torch?
- Yeah.
- [Carl] Just so I can try to open it.
- [Taz] What the fuck's in it?
- [Carl] It's a little bit,
what the hell?
Do you think that's all
Sarah's dolls and...
- I don't know.
- What?
- [Taz] Is that, oh my god.
- [Carl] Wait.
- [Taz] Oh my god.
- Taz.
- [Taz] Oh shit, this is
really freaking me out.
I just felt a breeze then.
Just can't...
- Taz, I think I know
what I'm supposed to do.
- [Taz] What?
- Sarah's led me here.
I think we should do a seance
using the Ouija Board.
- [Taz] Okay, let's just get out of here,
we'll just take it with
us now and just go.
I don't like it in here, I actually feel,
the first time I'm like cold and stuff.
- I know, Taz.
- [Taz] Dunno, actually
wanna get out of here.
- Taz, I can't see, come on, let's go.
Wait, I can't.
- Sorry.
- Right, you go first 'cause
I can't actually see anything.
- [Taz] Let's turn the--
Let's turn the light on out here.
- Taz!
- What?
- Oh!
- What?
- [Carl] Oh god, I've
got cobweb in my face.
- [Taz] Oh, fucker.
(electricity buzzing)
Oh my god, what the fuck?
- [Carl] Taz, quiet.
- [Taz] Oh shit.
Oh god, this is ridiculous,
I'm gonna turn the light on,
wait a minute.
- Taz, calm down.
- [Taz] Oh my god, it's not working.
- [Carl] Taz, can you just keep still?
- [Woman] Don't open the gate.
- [Carl] Did you hear that?
- [Taz] No, what?
- [Carl] What gate?
- [Taz] Carl, what's going
on, who are you talking to?
- [Carl] Shut up, Taz!
- [Woman] Evil will come.
- [Carl] Oh my god, Taz.
I've never been able
to hear voices before.
Are you sure you didn't hear it?
- [Taz] No, I didn't hear anything.
- [Carl] Oh god.
I think, I've ended up pissing Taz off.
Well Taz did say he didn't wanna do
a seance and we've ended up doing two.
I don't know, I should've listened to him
but how weird that I connected with Sarah
through the Ouija Board.
I mean, I'm a psychic, I
shouldn't even need a Ouija Board.
But it's because Sarah has
used this Ouija Board herself
and channelled with something
from the other side.
And now she's channelling back to me
through the Ouija Board.
Do I have another go on the Ouija Board?
What was she trying to tell me?
Sarah, what are you trying to tell me?
You don't need the Ouija Board.
Come on, shit!
Fuck, that was just weird.
- Carl.
- Darren!
- Carl I've told you,
I don't want anything
to do with this!
- What are you doing here?
- What are you doing using this again?
- [Carl] I was doing it
on my own, it's like,
How did you even get in?
- Don't.
- [Carl] It's like what
are you doing here?
I was doing it in private.
- This is my place,
I can do what I like!
- I need to know.
- And I told you downstairs
that I don't want
anything to do with this.
- Calm down.
- And you're using it.
- Calm down, Darren.
- And now you've brought
it up, you're using it.
- Darren, just--
- On your own in here.
- Darren, calm down.
- Don't touch me!
In fact, you can go tomorrow!
- What do you mean?
- Carl, you can go tomorrow
and Taz and take all your stuff.
- [Carl] Darren, just like,
oh god.
- I'm not having it, no.
- Shit.
- Absolutely not.
- Shit.
- No way!
- Oh fuck.
(door slamming)
It wasn't supposed to turn out like that.
I mean, how the fuck did he even get in?
Bit weird, just watching me.
Oh god.
Shouldn't have even gotten
the bloody Ouija Board out.
What the fuck's his problem?
Now I've got to bloody sleep here.
I'm not gonna get into bed,
I'm not gonna get a good night's sleep.
Oh, fuck that.
Fuck, fuck, fuck, fuck!
And now the bloody orbs are back.
That's all I bloody need, more orbs.
(snoring softly)
What the fuck?
(darkly whimsical music)
- [All] Tsaeb, tsaeb, tsaeb, tsaeb,
tsaeb, tsaeb, tsaeb, tsaeb,
tsaeb, tsaeb, tsaeb, tsaeb,
tsaeb, tsaeb, tsaeb, tsaeb, tsaeb, tsaeb,
tsaeb, tsaeb, tsaeb, tsaeb, tsaeb, tsaeb,
tsaeb, tsaeb, tsaeb, tsaeb, tsaeb, tsaeb,
tsaeb, tsaeb, tsaeb, tsaeb, tsaeb, tsaeb!
- [Carl] What the fuck do you want?
- [Man One] You brought the devil here!
- What do you mean I
brought the devil here?
- [Man One] You talked to Satan,
you're a devil worshipper!
- I did not bring the Ouija Board here!
- You're cursed!
- The devil's returned.
- What are you talking about?
- [Man Two] Sarah used the Ouija Board
and now she's dead.
- You know what happened to Sarah?
- [Man Two] Yes.
- Just get this knife away from me.
Okay, can you just please
get the knife away from me?
- [Man Two] I don't think so.
- Just get the knife away from me.
Did Darren bring you here?
- [Man Two] Yes.
- [Carl] Well then this is my interview.
(darkly whimsical music)
- [Man Two] Give him the camera.
- [Man Three] You're cursed!
- [Carl] What is it you all want from me?
- [Man Four] We want you to go.
- [Man Three] You don't
belong in the country.
- [Carl] I've not had my interview.
Can you just give me,
I promise I will not reveal your identity,
I just want to know what happened to Sarah
and I want to know what
this cult is all about.
- [Man Two] Leave, get out.
Get out!
- Just give me something.
- [Man One] You should
never have come here!
Just get out!
Get out or we're gonna do
to you what we did to Sarah!
You should never have come back.
- [Man Three] Get out!
- [Man Two] Go back to the gate.
(bell ringing)
- [All] Tsaeb, tsaeb, tsaeb, tsaeb, tsaeb!
- [Carl] Oh, what the fuck's
wrong with you, you freaks?
- [All] Tsaeb, tsaeb, tsaeb, tsaeb,
tsaeb, tsaeb, tsaeb, tsaeb.
- [Carl] What the fuck?
Oh god, sorry.
- What have you done?
- Fuck!
Get away!
Taz, I'll be back!
Fucking hell!
So I just don't know what to do.
I have to go back,
I can't go running around
and I've got to get my keys.
I'm petrified to go back into the house
in case those people are still there.
I've just gotta go and see.
I just don't wanna be seen.
Oh god, do I go back in?
I need my keys.
Fuck, I need my keys.
Oh god.
It's so quiet.
Absolutely looked empty.
Oh god.
(chain rattling)
Gotta be quiet.
Bloody bin.
Oh god.
What's that?
Oh, it's the bloody parrot.
Oh my god!
Who is it?
Oh fuck.
Oh my keys.
What the fuck?
Oh god.
What the fuck?
The keys.
Oh god.
Oh god.
What the?
What the fuck?
(door slamming)