Redemptions (2026) Movie Script
[church bell]
[rustling of wind]
[soft music]
By closing my eyes
I see over there
A humble retreat
A small house
All white
deep in the woods
[indistinct conversation]
Beneath these tranquil
shadows
The clear ones
and joyful streams
Where the leaves were reflected
Sing with the birds
[indistinct conversation]
Manon
[in French]: I am going to be
You in a moment.
- There's no problem.
A madness
That will be our life
[gunshot]
[cries of panic]
[shooter]: Let her go!
[cri]
Let her go.
[Man]: It's a joke!
That's a fucking joke!
Who do you think you are?
tabarnak?
[shooter]: Let her go!
[Accomplice]: OK, let him do it,
We're getting out of here.
[cri]
[Man]: Hey, don't do that,
Tabarnak, don't do that!
Damn, I even know you--
[gunshot]
[shooter]: OK, let's go.
[accomplice]: Hey, what's up
What are you looking at?
[groans]
[shooter]:
Send, send, send!
[teenager]: Stop it, damn it.
Stop.
[tears]
- There's no way
To have service here?
[sobs]
Oh, when I hear the bell
to heaven
The time when the good...
[rustling of wind]
[sad music]
[indistinct conversation]
[camera clicks]
[Man]: There were two of them,
I think,
But I only saw one.
I didn't watch for long.
I had my guy with me then
We are... we have fallen to the ground.
I... I hid it
in my coat.
I had kept my coat on, because
that... it was cold.
I was cold then...
I hid it in my coat.
He hid in my...
- I understand.
What makes you say
That there were two of them?
- Okay, I heard them.
They were talking to each other.
- Among them, others?
They were talking to each other
among them others.
One of them spoke to me.
- Did he speak to you? OK.
What did he tell you?
He... He asked me to stop
to look at it.
- Hmm... The suspect was
What is her skin color?
- Uh... White.
- How old?
- Uh... I don't know,
Maybe 35 years old.
He wasn't the one who fired the shot.
- Just the other one?
- I think so.
- And him, you didn't see him?
- No, I didn't see it.
- OK.
Hmm... Stay close by.
We'll talk later. OK?
[sad music]
[door]
[water flow]
[sad music]
[sad music]
[sad music]
[rumbling]
[groan of effort]
[Man]: Thank you.
On three. One, two, three!
One two three!
One two three!
Thank you very much, that's kind of you.
How are you all doing?
- Yes.
Yes yes...
There was a murder nearby.
at the winery.
- A murder?
OK.
- Yeah.
- Right here?
- Yes.
A couple of hours ago.
- Well.
Thank you, in any case.
Happy holidays, there.
[Police sirens in the distance]
[phone ringing]
[phone ringing]
[soft music]
[deep exhalation]
[metallic clicking]
[groan]
- My name is Philippe.
- Roselyne.
Are you French?
Hold,
It happened while...
I picked it up afterwards.
Are you traveling?
- Philippe?
- Yes, Philippe.
That's it, my name is Philippe.
When we were on the ground...
in the restaurant...
then the guy defended himself
with the waitress,
She...
She was screaming her lungs out.
[cris]
Seriously,
I was just happy.
Glad to be on land,
to be hidden,
to be as low as possible.
I was just happy.
I don't know why,
But I noticed her stockings.
To the waitress, over there.
She had...
beige stockings,
below
a skirt for winter.
Then I wondered
if her stockings were warm enough
to walk with outside.
While she was screaming,
I wondered about that.
- And why?
- I don't know.
That's absurd.
- I didn't hear that.
- What?
- Crier,
I didn't hear him scream.
- Do you want me to leave?
- "Do you want to?"
- Yes, do you want to?
[small laugh]
- No, I don't want to.
I don't want you.
[phone ringing]
[soft music]
[phone ringing]
[soft music]
[soft music]
- Hello, it's me. It's Marcel.
It's early here.
It's still very dark.
But that's it,
I wanted to catch you
before your day
commence,
just wanted to let you know that I'm thinking about
You, that I think of you others.
I'm sure
That everything will be alright. Uh...
Tell Francis
Don't get too worked up about it.
It's going to be alright.
He has the trick,
It's really, really, really good.
Okay, that's it.
They announce
A big storm is here.
Um...
I love you very much, Marie.
That's it, that was me.
It's Marcel.
Hello.
[door opening]
- Hein?
- Wow!
- Anyway.
Small-time Parisian gangster.
It stings though.
- What's bothering you?
- My shirt tucked into my pants,
That stings.
- Do you want me to scratch you?
My love?
- Yes.
Yes, I think so.
- Here?
- A little lower, I think.
[small laugh]
- Like that?
- Yes.
Do the other side then.
that it be equal.
[laughs]
- Hum-hum.
- If you continue like this,
I won't be able to make it work.
- You haven't turned yet.
[small laugh]
- I'm so nervous right now.
- You're so handsome.
You look like a gentleman.
How are you feeling?
- I feel.
I'm nervous.
But I feel.
You're with me,
that's what I feel.
[gunshot]
How are you?
- Why? What was that?
- I don't know. It's my squid.
He farted. He farted all by himself.
Oh my God. Are you okay?
Are you okay? Are you alright?
- I'm fine.
- Shit!
- What's this all about?
So it's really sticky.
- I don't know.
You average out,
In any case.
- It doesn't even seem true,
I think so.
- How are you?
- Attention,
I'm going to butter everything up for you.
- Yes, I'm already buttered up,
Check this out.
- Look at me!
[small laugh]
[small laugh]
- It's sweet.
[laugh]
- You should warn Martin.
- Ah, yes. Sure.
Martin. Hey, Martin, can you
Come here, please?
- Oh... OK.
Um... How... What is it...
What did you do?
- I didn't do anything. Look,
It exploded. It exploded all by itself.
- Yes? What do you mean, it exploded?
All alone? That's not...
not supposed to fart on its own
that matter.
- It looks like it did, it exploded.
I didn't do anything.
[sigh]
- Oh!
Um...
He really didn't do anything.
I was there.
- OK. Uh...
We're going to see Simon.
Don't touch it.
He'll sort it out for you.
After that, you have to go back
to makeup.
- Do I need to change my clothes first?
- No, no, no, no.
No. You're going to see Simon.
We're going to clean you up.
He's going to install a new kit for you.
and then after that,
You're going to change your clothes.
Are you okay?
- Hum-hum.
- Lunch shirt, perhaps?
- Uh... Yes, I'll take it
a lunch shirt,
But I'm going to go clean myself up.
- Good, that's good.
- See you later.
[cell phone vibration]
[sad music]
[bip]
- Hi, it's Marie. I am
Not available at the moment.
but you can
Leave me your message
then I'll call you back
As soon as possible. Beep!
- I told you about it,
It's Jacques.
He's the one who's going to help you.
Are you okay, Marcel?
- Jacques?
[small laugh]
- Jacques.
Nobody knows him...
[in English]: ...but you can
trust him.
[in French]: Boss.
- Can you turn that off?
Please, Marcel?
I have emphysema.
Good.
Everything is ready for this morning.
then I just want to say
that everything will proceed calmly.
Everything will happen calmly.
as it should be.
We're going to do this properly.
Then nothing bad will happen
for the rest of us.
[in English]: It's going well
to happen.
[in French]: I'm hungry.
- Ton scout?
[in English]: He will be there
from 8 a.m.
He won't budge an inch.
before the time comes.
[in French]: It's been a month
that he hangs around there
Sunday mornings,
The fact is, nobody's going to bother him.
As soon as the guys arrive,
They're going to call Jacques...
Can you close your bag, then?
Christmas? That doesn't smell good.
- Let's see!
- It's not an easy job,
Marcel, OK?
I'm not saying
that it's an easy job,
but it's just you
Who can do it, alright?
I'm sending
any other of my guys
then they go to see him
right away.
They're going to see him.
to arrive from miles away.
[in French]: I have to go
I'll take care of the tanks.
- OK, go.
[door slams]
Oh!
[in Italian]: Are you worried?
[in French]: It's been
For a long time, Benito.
[sigh]
I have a life now.
- I know it's been a long time,
Marcel.
Listen, I'm not happy
to ask you that.
[in English]: Know this.
[in French]: But I don't have
The choice, OK?
They have me here.
[sigh]
The world, they've forgotten you.
That's why you're perfect.
They'll never make the connection.
It's been 20 years already
que t'es clean.
- I know what I owe you.
How did you take care of yourself?
of the little
while I was inside.
Is...
I know what I owe you.
- How's the beauty doing?
- She's doing well.
She has just finished her session.
She is in Paris.
[in English]: Paris! That's great!
I'm happy for her.
[in French]: It's so
She's a good kid.
[in English]: And there,
She is studying law.
[in French]: We are all
very proud.
- THANKS.
- I did everything for her.
[in Italian]: Never forget that.
[in French]: I remember it.
- My friend, thank you.
[in Italian]: Everything will be alright...
[in English]: ...and
You'll never see me again. I promise.
[in French]: OK, Benito.
Jacques is coming here
in an hour.
- OK.
[sigh]
[heavy music]
[squeaking tap]
[water flow]
[soft music]
[indistinct conversation]
[startles]
[bip]
- You don't like that,
The portholes?
- Pardon?
- The portholes,
Don't you like that?
You kept it closed
throughout the entire flight.
- No, no, but it's just
that I took the place
that I was given.
- We can change places
If you wish.
I love portholes.
I almost never
in the bathroom, which means that...
- Yes, if you wish.
- THANKS.
- You are welcome.
[snapping of belts]
- It's beautiful.
[belt rattles]
[deep exhalation]
There's no shame in it, you know?
There are lots of people who are afraid.
Do you see that gentleman right there?
He didn't budge an inch.
since we left.
He's stressed.
He's stressed beyond reason.
His eyes are closed.
But he pretends to be asleep.
I'm sure his heart is beating
at one hundred miles per hour,
poor little heart.
You arrive
To take the plane anyway?
- Okay, I'll take some pills.
- Ativan?
- Yes, something like that.
That's what I'll take.
Uh... Yes.
- Hmm, that's good.
- Yes?
- It freezes, it flattens the fear.
It seems that it's good
to walk too.
- To walk?
- On the plane, in the aisle.
Apparently it feels good.
that's what
a feeling of freedom.
Mind you, that's good.
just an impression.
because there isn't much space
where you can walk,
basically, on an airplane.
You still can't
go for a short walk
out.
But you can...
You can go to the toilet.
you can go forward, do
the turn, return to your place,
chat with the flight attendants,
duty...
look into their eyes,
their faces,
to see how they feel,
how they experience their flight
to check if everything is normal
if everything is in its place.
Anyway,
For some people, it's effective.
What helps me,
It's about talking.
[small laugh]
It's been an hour and a half
that I am on the same page.
I didn't mean to bother you.
But now, things are getting too chaotic.
[deep exhalation]
- My name is Benot.
- Jose.
THANKS.
- Delighted.
- That's it, there, that's too much.
Two hours late,
the three, four trips
to remove the ice.
You don't even know if there's still
ice on the wings
when you take off,
Then there's turbulence.
senseless things that end
no longer finishing.
I don't know anymore
What is my name?
I thought to myself:
"I need to talk to someone"
"Or I'll fart in the cold."
That's just how it is.
I'm talking to you
Then I already feel better.
It makes me feel good.
- To fart in the cold?
- To blow a fuse,
to turn from underneath, to capsize,
to have a nervous breakdown.
[laughs]
- Do you want one, medicine?
- Oh no. I don't like that.
The medication doesn't work for me.
It makes me feel sick.
[cris]
I'll take one.
Ultimately.
- Yes.
[toc-toc!]
- Marie?
- Yes?
- All clean.
[small laugh]
- You're all clean.
[laugh]
We're not going to start that again.
- Checks.
They installed a new squib on me.
[small laugh]
Can you feel it?
[small laugh]
- T'es con.
- Because Simon, he told me
that he had never seen anything like it,
a squib that explodes all by itself.
He told me
that it wasn't possible.
"No, not that, man,"
That's not possible.
[small laugh]
What is it?
- Nothing.
Don't mess with me,
What's wrong?
- I'm thinking of Marcel.
- Your father is doing well, isn't he?
- Hmm, he's doing great.
He just left me a message
sometimes.
- Then?
- Then, well,
I found it strange.
- Comment?
- I don't know, just weird.
- OK.
Don't you want to call him back?
- Of course I'll call him back.
- You feel like telling him,
hein?
[soft music]
- Non.
I prefer to wait until ten
weeks, as we agreed.
- Yes, but here,
It's been almost ten weeks.
[small laugh]
- I know.
But I prefer to wait.
- I think you have the taste
to tell him.
[sigh]
- Right there l.
We could crash
in the North Atlantic
that wouldn't bother me
That much.
- I'm going to be late.
That's impossible.
- Oh, you work?
- Yes, I work,
there upon arrival.
- In Paris?
- Yes.
- What is your job?
- Bof...
- Oh, come on, Benot.
Ben.
[laugh]
It's what?
Serious?
- It's nothing. I'll clean it up.
- Are you cleaning?
What are you cleaning?
- You don't want to know.
It's not...
[laugh]
- Ben!
So you're doing well...
[small laugh]
So you're not very clever.
[laughs]
I certainly want to know.
You clean.
You are my friend.
[small laugh]
I need to know what it is
that you clean so much?
What is it? What is it?
- Scenes. There you go, scenes.
I clean up scenes.
- Scenes?
- Yes.
- Accident scenes.
Of murders or suicides.
Scenes of violence.
- Like blood?
Bits of brain,
Similar matters?
- Yes.
Similar matters.
[soft music]
[sizzling]
[door opening]
- Good heavens, nervous, his father.
- Knock before entering.
- Ah, coconuts!
Is there any of that for me?
- Sit down.
- Your daughter?
Handsome fellow.
- How do you take them?
- Sunny side, not overcooked.
Hey, the second tank is ready.
It is parked
where what we had said to each other.
It's still snowing quite a bit.
- That's fine. Good, we'll move on.
around 8 a.m. to shovel it.
- OK
Are you nervous?
- Well, it's not like
I was going to mass,
No, it's beautiful, it's fine.
It's going to be alright, it's going to be alright.
- You have to try it
of the calmer.
- I am calm, his father.
It's beautiful.
- You're speaking loudly.
- Maybe I'm speaking loudly
for you,
But I'm speaking normally, for me.
- Hold.
- So, you,
Are you afraid of me?
- Days
as today,
I like having him close.
- No toast?
- Non.
- No bread, nothing?
Something?
- Many.
- Hey, Adrien!
- Tabarnak!
The gentleman is eating poutine
Then come here so I can put you.
- How are you?
- Did I get it right, my brother?
- No, no.
Why are you driving your R's?
No idea, damn it. That
It feels good in my mouth.
Your blonde, she's fine in that respect.
[laugh]
- You don't have it at all, man.
- That's because
I'm too nervous.
because I'm going to get
unclog a ball
in the head
by the great Knight.
- To calzone.
- What?
- To crush a ball
in the head.
- I'm stopping you right there.
It's too complicated for me.
- OK.
- Do you know if we're filming soon?
No. I think
that they have fallen behind
and Chevalier isn't even
arrived again.
- Adrien, Francis?
- Yes.
- Well, then,
we are on standby for one hour
before a rehearsal
On set, OK?
There's a free seat for you.
to the hairstyle for you
And you, right now?
We'd love to see you again
15 minutes before the rehearsal
for a small touch-up.
- Shall I go right away?
- Yes, that's it.
Ah, no. OK, stay. Uh... Yes.
So, Gilles is telling me
that he chose the option
where you tilt backwards
and not
the one where you stumble upon it on the spot,
that they are going to put down mattresses.
He told me
that you would understand.
- Uh... Well, that's it. You know,
when you get shot,
I checked, then in the real one
life, when you get shot,
You just drop it, you know?
You don't fly backwards.
He had also been told,
more...
- No, I know, it's...
[deep breath]
OK.
Oh, and...
Mr. Chevalier arrived in the box.
SO...
- "Arrived at the box."
- Damn!
- He arrived in the dressing room.
Okay, see you later.
- Hey, buddy.
- Benito told me
that it would be around 9:30 am.
- It depends on what time
Let the guys go home.
- Who is it?
- Hein?
- The guys we're going to pass,
who is it?
- Didn't you see the photo?
- That doesn't tell me who that is.
- Benito didn't tell you?
Two dogs, over there.
There's one, it looks like
that he takes photos
of completely naked children.
Hey, I mean, a guy can
to earn a living as he sees fit
but tabarnak,
There are always limits.
- And then the other one?
- The other one is a guy
That's dope, that's a dirty trick.
They are affiliated
with the Londei,
That's why you're here.
It took us
someone from outside
to mix everyone together.
- Did you need someone?
Who are you?
- Well, we, over there...
Them, Benito.
- Who are you?
- Me, I'm nobody.
Nobody knows me.
- Nobody knows you?
- Non.
- You have a mother.
Do you know your mother?
My mother is in a hospice in
St-Hilaire then she eats soft food.
Are there any other things?
What do you want to know about that?
I just want to be sure
that you haven't spoken to anyone
of what we are going to do
Today.
- I didn't tell anyone.
Have you ever killed anyone?
- Non.
[sigh]
No, but I've already done it
a couple of jobs
who were pretty hot
For example.
He told me, "You, Benito"
You had passed 12 of them?
Before you do your time
Inside, I mean.
I say this, I talk about this,
It's just because you don't have
looking like a guy of the same ilk.
No, I can't find more
that you look like a...
[soft music]
- When you clean,
It can't smell good.
- No, but I'm wearing a mask.
- Like a dentist?
- Bof.
- What does it smell like?
I'm curious.
- Well, death.
Blood, iron.
- Iron?
- Yes.
Especially when it's fresh.
Yes. It soaks in everywhere.
what a trick.
That's why
that we need to act quickly.
It needs to be disinfected.
It needs to be erased.
We need to wash all of this
and then let life
to reclaim its rights.
And the longer we wait,
The harder it is.
- And you enjoy doing that?
- Yes, it's useful.
- That's what you're going to do
In Paris?
- Yes, I work in Paris.
Yes. I was in Montreal then.
because I came
with my girlfriend.
She writes an article
about... Quebec Christmases.
- Oh...
[small laugh]
- There you go, I was accompanying him
a few days.
But I'm going back to work
today, here.
For a suicide.
- A suicide?
- A 22-year-old,
in his room.
They warned me just
before I take the flight.
- It's horrible.
[sigh]
Your profession, I mean,
It is...
It's horrible.
- GOOD...
I'm not going to tell you
that I like to go for walks
dressed as an astronaut,
pick up some...
pieces of brain
by the spoonful, but...
It calms me down.
It calms me because I see
that it calms people down, actually.
- Hum...
- I can see that when...
when I am in front of them.
And...
That's strange, perhaps.
but it gives me the impression
of...
to be there to help them
to get through it.
There are things you shouldn't
staring for too long.
So, here they are, I make them
disappear. I'll go with it.
- Hum...
You are like an embalmer.
- Yes, you could say that.
I'll embalm the rooms, then.
Hum...
And what about you?
- Me what?
- Okay, you're coming to Paris
Why? For the holidays?
[small laugh]
- Non.
- Okay, so what?
[laugh]
What?
- I can't tell you.
- Okay, yes.
What are you doing, huh?
For what?
[laughs]
Come on.
- You won't believe me.
- Why wouldn't I believe you?
Of course it does.
Come on, tell me.
[laugh]
- I'm going to give...
[laughs]
I'm going to give...
[laughs]
a conference for...
[laugh]
...on the protocols
of assisted dying.
[laughs]
- We make a good pair, don't we?
[bip]
Ladies and gentlemen,
This is your captain speaking.
In a few minutes,
we will begin our descent
at Paris Roissy
Charles de Gaulle.
The weather is sunny with
a temperature of seven degrees.
We hope that
You had a pleasant flight.
in our company, and
See you very soon on our flights.
[sigh]
[soft music]
- It's funny, isn't it?
I'm afraid of flying.
- Hum?
But when I see the earth,
as we approach the earth,
My fear is completely gone.
- That's a strange thing to say.
- Oh?
- Okay, yes,
because honestly,
if there is anything
who can harm you here,
That's the earth, precisely.
- But it's really quite deep,
what you just said,
Benot.
- But that's not going to happen.
[horns]
- Hey, is this a joke?
Is this some kind of fucking joke?
Who are you?
"Who are you?"
- Yes. That's because...
I was stuck on that line.
because of the accent.
[deep exhalation]
Hey, is this a joke?
Is this some kind of fucking joke?
Who are you?
- " I'm coming
From Maurice.
We need to respond
for the cash registers.
- But we can talk.
We can talk, damn it!
- "It's too late"
to speak.
- No! No, no, no!
I don't want to die!
I don't want to die like that.
Damn!
[sobs]
OK, OK. OK, I... please.
Please,
I'll pay you double.
I'll pay you whatever you want, man.
I'll do whatever you want!
"It's too late."
- Ah, no, shit!
Shit, shit, shit, shit!
- Pow! Pow!
[tongue click]
Pow, pow, t'es mort.
- I love you.
- I love you.
[deep exhalation]
[heavy music]
[sigh]
- Hello.
- Hello.
Are you alright?
What did she tell you?
Would you like to be aunt?
- That you're going to be here
for a long time.
Did she tell you why?
- For work.
- Hum...
Are you sad?
I'm going to miss you.
table.
- Me too, baby.
Then you know, Uncle Benito,
He will take care of you.
Then you'll be able to visit me.
- I know.
- Every week.
- I know.
- How was it at school?
this week?
What did you learn?
- The Algonquins, the Incas,
subtractions.
- Oh! Subtractions,
That's good.
Can you make me
eight minus four?
I'm going to miss you.
table.
- Me too, baby.
- Why it is necessary
Are you staying here?
- Because I have no choice.
Because sometimes in life,
We have no choice.
But I will think of you
All the time, I promise you.
Then you know
What I noticed?
- Non.
- When I'm in my room
here, in the evening,
I can see the moon.
The fact is, if ever
You miss me,
You just have to look at the moon,
Then you'll know we're watching
the same thing at the same time,
then if we look at the same
business at the same time, good.
That means we can't be
very, very far apart.
- The same side?
- The moon we're going to look at?
Yes.
- How do you know?
- There's just one side.
Are you sure?
Where is the other side?
- It is hidden.
He is still hidden.
Have you hurt anyone?
class?
[sigh]
- THANKS.
- That one?
[groan of effort]
- Yes.
[soft music]
- Oh! Pardon.
Okay, we're going to have to
I'm slipping into the world, there.
otherwise I'm going to be
too late.
- Yes, indeed.
- But it was nice to...
to travel with you.
- Can you call me "tu"?
- It was nice to travel
With you, yes, really.
- Okay, me too.
- Good.
Bye.
- Bye.
- Sorry, excuse me.
I'd like to take the liberty...
Excuse me. Thank you very much.
[ominous music]
- Ah, that's the one.
- OK, good, park yourself,
We're going to give it a little tap.
No, no, no, no. You park yourself
Not here, you don't have the right.
- Let's see, what does that do?
There's nobody here, it's Sunday.
- It doesn't matter.
- It will take ten minutes.
There isn't that much snow.
We won't get a ticket.
- It's not
a ticket issue.
No, no, no, no, no,
You don't back down in a one-way street.
Go around.
- You're not the boss.
I mean, I'm going to do
Everything you tell me to do.
You're older, I respect you.
You have more experience than me
in there, but...
You're not the boss, I
I just want you to understand this.
- Get out the shovels.
- Hey, Tabaran!
[rustling of wind]
[urban rumor]
[phone ringing]
- Marie?
- Marcel?
- Wait a second.
Get rid of it!
- Who is it?
- Unblock!
[rustling of wind]
[deep exhalation]
Okay. Is that all right?
- How are you?
You look out of breath,
What's going on?
Are you doing
Another heart attack?
[laugh]
- No, no. Uh...
No, there's a big storm here.
the fact that I was in the process
to shovel the entrance.
How are you all doing?
You're really early!
on the peak.
Don't you have a little neighbor?
who comes to do this for you
usually?
- Yeah. Yes, yes, but here,
I don't know, I just had the taste
to do it all by himself,
the fact that...
- Marcel, are you in the process
To kiss Mrs. Brossard again?
[laugh]
- No, no, no, no.
No, that was...
That was last night.
- OK.
[laughs]
I'm pregnant, Dad.
[soft music]
Marcel?
- I am here.
A baby?
- Yes.
[laugh]
I don't know why
I'm telling you this now.
I wanted to wait
that we return
to tell you in person.
But I'm going to have a baby.
Are you happy?
- Hein?
How are you?
Were you happy?
- I'm so happy.
- GOOD...
Okay, me too, first of all.
Has it been a long time?
- Eight weeks.
- He's a little guy
Or a little girl?
- Uh...
It's a baby, Marcel.
- I know.
- We don't know yet.
- Ah, good, a baby.
I'm happy.
But... But what about your studies?
I'm going to take
a year's leave
then I'll take them back
After.
T'es-tu correct, Marcel?
- Yes, yes, I am...
I'm happy. A baby.
That's it... I'm very happy about that.
- It seems to me that you have
called early in the morning.
- Ah, that's because...
that's because
I couldn't sleep
Then you know,
I didn't want to miss you.
The film, is it going well?
- Yes.
Francis is really nervous.
But it's so good.
I love him.
- Ah, yes. He's nervous.
That's normal.
- Did you see the moon last night?
- Yes. Uh... No, no.
No, yesterday there was too much
Because of the clouds, we couldn't see it.
Are you sure you're okay?
- Yes, that's fine.
I'm okay.
A grandfather,
I'm going to be a grandfather, you know.
Who is it?
Which would be incorrect?
- OK.
I have to go now.
because Francis is filming
His scene will be coming soon.
But we remember.
- OK, good, you...
You will say hello to him.
- OK, Dad.
Watch out.
- You too.
Bye.
- Bye.
[sigh]
[sad music]
[rustling of wind]
[sigh]
- My hands are freezing.
- Need a little boost
With your hand, my good sir?
- No, no, it'll be fine.
Thank you so much.
- On?
- Yes yes.
Hey, do you want your mittens?
Marcel?
- No, it's beautiful.
We're not caught.
We're just getting the snow cleared.
- Quite a lot, in any case.
Huh? He's saying 40 centimeters.
- Yeah,
This is going to be something!
- 8:05 am, we got up early
Too early for nothing.
I told you so.
- I didn't take any chances
with the storm.
Anyway, that way we'll have the
Time for a leisurely lunch
before your practice.
- I'm not hungry.
- Okay, you need to eat.
- For what?
- You have a practice,
You need to eat.
- For what?
- Good, because.
Because you need energy.
- But I would have the energy
if you hadn't woken me up
to force myself to eat.
- William, stop.
- Please.
Please, I'll pay you...
I'll pay you double.
I'll pay you whatever you want, man.
I'll do whatever you want.
I don't want to die, damn it.
"Fuck. Fuck, fuck."
Damn.
Damn French accent.
I don't know what's going on.
I'm not able to get it.
damn it.
It's as if it were happening
It's all in their heads, those guys.
You know, it's like...
It's as if the voice was
placed higher up.
Two tones higher.
I can't seem to feel normal.
I can't...
- I told my father.
- When? There, there?
[deep exhalation]
I knew it.
I knew it
that you wanted to tell him.
[small laugh]
Then what did he say?
Were you happy?
- Yes. Yes, he was happy.
- You don't seem confident.
- No, he was really moved.
- Excuse.
Do you want to meet him?
- Who?
- Right there, Knight.
I just spoke to him.
He would like to see you.
- Me, that?
- Yes, you, Francis.
Come on, come away.
We don't have much time.
- Wait, wait.
What am I going to tell him?
- I don't know. You'll tell him.
Whatever you want.
You tell him:
"Hello, how are you?"
That's all. He's not going to eat you.
- Enwoye, vas-y.
- Shit...
[brouhaha]
[humming]
- You wait for me here.
I'm going to go see him.
[Knight]: Yes?
- Estie.
Hello again, Mr. Chevalier.
So, there's Francis,
over there on the other side.
- When will this be confirmed?
Because we're a bit fed up with it,
to wait there.
No, no, no, no, no.
No, we were very clear.
about that.
June is not possible.
Neither at the beginning nor at the end.
No, sorry.
Wait, you can wait.
One second? Excuse me.
What are you doing here?
YOU?
Me?
- Yes, you.
- Ah, I'm waiting. I'm here
to meet Mr. Chevalier.
- But what are you?
- I am from Quebec.
- Yes, that's clear.
But what do you want?
What are you doing here?
- Ah, OK, no.
I am an actor.
I'm acting in the film.
- Robert, yes.
Yes, well, excuse me.
Listen, do you think
that you could remind me
by this evening,
with a clear answer?
Because I swear,
You're going to lose him from me.
if it continues like this.
[door opening]
Fucking hell.
- How are you?
Do you want to follow me?
- What's it called?
So, this thing, l?
- You latex?
- Yeah, latex.
Under the pretext that the character
has aged by a few years.
while everyone
s'en wrong.
Besides, this stuff stinks.
Using glue and heat,
It can give you plaques.
We'd look silly afterwards.
- That's certainly unpleasant,
It's unpleasant.
- Losing three hours
every morning
to add two more wrinkles,
that nobody will see, that's all.
It's completely grotesque.
What do you think?
YOU?
- Uh?
- Don't you think so?
that I look quite old
like that?
- Uh, yeah.
I mean, I don't know.
- Are you the Quebecer?
- That's it, exactly.
So, Mr. Chevalier,
Francis,
Francis, Mr. Chevalier.
- It's an honor,
Mr. Chevalier.
- Call me Alain,
We're going to play together.
- OK.
- Yeah.
In fact, I spoke to Gilles,
so that you can play
with a Quebec accent.
For your comfort,
and because I find that
more friendly.
He refused.
- OK.
He used an excuse
that it wasn't justified,
as if it were necessary to justify
Things, now.
Things,
They are not justified.
They either exist or they don't.
We agree?
So I told him, "Gilles,
You, you make your own film.
However, this is not justified.
And yet, it exists.
Ah, but I didn't say that.
Because that would have been mean.
I'm not a bad person.
I'll leave that to the mediocre.
And to the wretched, wickedness.
[phone ringing]
Pardon.
Yes?
Yes, good, 9 p.m.
I will come
delivered directly to your home.
Hmm. Oh no, no, no.
No. Spare me that.
I'm not going shopping
After work, me.
Okay, okay. Okay.
I'll come, yeah.
OK, I'll bring that.
Yes. Okay, listen,
Okay, now we're working, right?
I'll leave you now.
Yes, me too.
Yes.
[throat clearing]
There you go. I love you too. There you go.
Okay. See you later.
[small laugh]
That's my wife.
A little intrusive at times.
But easy to love.
[small laugh]
He's a complainer,
But he's incredibly endearing.
- So,
I am an endearing old man.
Someone old,
to whom we become attached.
A great success, isn't it?
- I'm finished with you,
Go on, get out of here.
- THANKS.
Okay, Francis,
What do you think?
of this scene?
It's a bit of a load of crap, isn't it?
Hum?
- GOOD...
- Yes, a bit of shit.
- Yeah.
- Yeah.
[intriguing music]
[belt click]
- I'll call him, see.
Yeah, we're at 30 seconds.
What does it look like?
[sigh]
All right.
The guys, they just came
to enter the restaurant.
- Just the two of them?
- Just the two of them.
- He is safe
That it's them?
- Yes, that's for sure.
- Is your scout any good?
- Correct.
- Correct ?
- Correct, yes, it is correct.
Not my first job, boss.
Hum?
He's a good little guy.
Reliable, he knows what he's doing.
- How old is he?
- What is it?
"How old is he?"
- How old is he?
- Do you know how old he is?
He is 25 years old, maybe 35.
Do you want to know his sign too?
This isn't my first job.
Marcel.
- I don't want it to crash.
- It won't crash.
- And there's already a storm.
- The storm will help us.
- There's never anything
who helps no one.
Don't forget this,
As soon as you get home,
yes the waitress,
She's coming to see you.
you say you don't want to
to be placed immediately,
that you're waiting for someone.
- I know.
- Then, you wait until you're feeling well
They are definitely all alone.
Of course.
- I know.
- That means
No waitress.
That means no one
who go to the toilet.
That means
No children in the aisle. Nothing.
- Marcel,
We've all said that before.
- No world
who go to the toilet,
No children in the aisle, nothing.
- OK, OK, OK, that's beautiful,
Damn it. Calm down, OK.
No one was in the aisle.
No children in the toilets.
I understand, you can calm down.
- As soon as you're sure...
- Yes, when I am sure,
I drop my gloves.
- ...you leave
Take off your gloves.
- When are we going?
[sigh]
- There, Francis,
I've thought about it carefully.
I'm not going to talk
in this scene.
Because the guy,
He's there to kill.
he's not here
to have a chat.
So, you,
You're talking, that's normal.
Finally, can we use the informal "tu" form?
- Oh, yes. No problem.
- That you, you speak,
That's normal.
Because you're saving your life.
You save your own skin.
But he doesn't care, you know.
He's here to shoot you.
both,
Quick and easy.
Then he goes back to kissing
Pauline, and that's it, you know.
- Constance.
- Uh, yeah, Constance, whatever.
- But I thought
that it was because Maurice
wanted it to be known
that it came from you.
- If you're in Marseille,
Maurice is far away.
Maurice, we're wrong.
No, I am convinced
that I am right.
We're going to give him strength
to this scene.
The guy is programmed.
unstoppable.
He's a killer.
He's not much of a talker, that guy.
- Ah! It's Marie,
She's my girlfriend.
The one I wanted
introduce yourself.
- Pleased to meet you, Mr. Chevalier.
Very happy
looking forward to meeting you.
- Likewise.
You look lovely.
[small laugh]
She is gorgeous.
- THANKS.
- You're a vegetarian, right?
- Huh? No, why?
- But because
You look so light.
- OK.
- No, I'm just talking nonsense.
It's to get noticed.
- Thanks very much.
- Okay, so we're agreed then?
Huh? Are you adjusting?
- Yes. Yes, yes, yes.
We'll have to change the words
A little.
- You can change whatever you want.
The important thing is
to stay in the loop, you know.
Don't worry. It'll be fine.
We're working as a team on this.
- Yes.
- Mr. Chevalier.
Sorry, Francis. We're ready.
for you on set,
They are waiting for you.
- Well,
We're going to play the actors.
- Yes.
- Come on.
Don't worry, don't worry.
The important thing is to have fun.
To play. That's the verb. To play.
- Absolutely, yes.
- Come on.
- Super.
- Then?
- He wants to change the whole scene.
He doesn't want to talk.
- What do you mean?
- He won't say his lines.
He says that a killer,
It wouldn't make any difference.
What am I going to do?
Me, damn it?
It's been months that
I repeat, that scene.
That's my only scene in the film!
Tabarnak.
- OK, I agree.
Then I understand.
We'll try to stay calm.
- Come on!
- Francis. Enwoye, let's go.
- Estie.
He doesn't know about that.
The killers, him.
What does he know about it?
You should ask your father.
Excuse me.
- It's going to be okay.
- Hum...
- You're so good.
- Hum-hum.
- You're so good. OK?
- OK.
[ominous music]
- Still no news?
- Five minutes ago, they were
sitting with their coffees.
They still hadn't
ordered their food.
[expiration]
- Okay, that's 15 minutes.
Here we go.
- Oh...
[groans]
- How are you?
[groans]
- I don't know,
My legs are really...
Icitte is.
Are you alright?
- I don't know,
My heart aches.
but like right there.
Damn, I'm stuck here.
Oh, what a nightmare.
[groans of pain]
- Hey, you're so cute.
You're welcome, char.
[groans]
Put some snow on yourself
in the face.
[groans]
OK.
Breathe.
Breathe.
[rough breathing]
Breathe.
Better?
- Yeah, it's okay, it's okay.
Hey, I have...
[inspiration]
- It happens.
- Okay, it's coming back here.
It's just me, I know.
- That's okay. Take it upon yourself.
We'll wait a little longer.
a couple of minutes.
- Yeah, man.
Oh, fuck.
[clicking of lighter]
[Woman]: Did you talk to him?
I'm asking you
if you spoke to him.
Non.
We need to speak louder.
My love.
I can't hear anything at all.
with the storm.
Oh, the poor things.
I can't even imagine
what they can get through.
Did this happen in his room?
[breath of wind]
Poor love,
You must be exhausted.
And how was your flight?
- Well, no, no.
It was, we just...
we waited a long time
Two hours before takeoff.
But it was.
[melancholic music]
I confess
that I don't really want to
to go up there.
22 years old is young, damn it.
Okay, I have to go now.
I send you a kiss.
- I'm sending you a kiss too.
I love you, my love. Be strong.
[upbeat music on the radio]
- Good morning.
- Good morning.
- How many of you will there be?
- I will be alone.
- Follow me.
Is this okay?
- Yes.
- It's not nice outside
in the morning.
- Ah, well, on the contrary,
I think it's magnificent.
It's going to be a splendid Christmas.
- It's true, it's beautiful.
Hum...
I'll leave you with the menu.
- THANKS.
Uh, whoa.
I'll get you a coffee.
With milk, please.
- I'll bring it to you.
- THANKS.
- Excuse me? Excuse me.
- Yes?
- Yes, that would be to settle,
Please.
- Yeah, sir,
Just a moment, I'm coming.
- OK, that's beautiful.
- Okay. You've noticed,
We've fallen seriously behind.
So, well,
We won't be able to rehearse.
We're going to shoot it, right now.
I'm sorry.
Um... Anyway,
You know your positions.
And besides, everyone knows
What he has to do. Huh?
So, we're going to
two very wide shots.
You, Alain,
You'll come in that way.
You take a walk around the room
eyes.
You move towards the table.
You conduct your dialogue,
And then bam, bam!
- That's exactly what I'd like to do here
that we can see a little something.
In relation to the scene.
We can talk about it later.
when we're in the tight spots.
We need to move forward now.
because, otherwise,
I'm going to lose my face.
So, Alain will come back that way.
He will see both targets.
advances calmly
towards the table.
Perhaps a glance to the right,
a glance to the left,
Finally, dialogue. Bam!
OK?
Okay, let's give it a try.
[dark music]
- Okay, let's go.
[melancholic music]
[soft music on the radio]
- Damn, that's boring.
It's been four hours
that we are here.
I can't take it anymore.
- What do you want
What if I told you?
A big storm is outside.
you didn't want to be late
to your practice.
I didn't take any chances.
It hasn't been four hours.
It's been an hour and a half.
- What time is it?
- Change your tone.
- What time is it?
- Change your tone.
I just want to know
What time is it?
[sigh]
[brouhaha]
I don't even know.
Why are we doing this?
I hate it, fencing.
It's annoying.
I'm going to give up.
- You won't give up.
- Yes, I'm going to let go.
- No, you won't give up.
I asked you
what you wanted to do,
You chose fencing,
I paid $500.
You won't give up.
- You forced me.
- I didn't force you,
I told you that it was necessary
that you find yourself a sport.
- Yes, you forced me.
First,
What's this all about?
that it is necessary
Should I find a sport?
- Because it is necessary
that you move.
You don't move at school,
That means you have to move.
- I'm going to let go.
I'm going to let go, Dad.
It's taking a long time!
What time is it?
What time is it?
- Check your cell phone,
You're always up to your neck in it.
- You too, you always
face in.
- Me, I have the face
fucking inside, because you,
you always have the face
fucking dedans.
[small laugh]
What?
- "Me, I have the face
fucking dedans,
because you, you always
"Fucking face in it!"
[laughs]
[breath of wind]
I'll take two eggs
Bacon and ham, with toast.
- Perfect. Are the eggs cooked?
- Yeah, same as usual.
- And what about you?
- Uh, I'll take
an egg benedictine
with the salmon on the side.
- OK.
- An egg Benedict,
you, thing.
[small laugh]
- I like it,
Eggs Benedict.
That's all,
That, gentlemen?
- Yeah, we're going to be good.
I am yours
in a moment.
- Hey, there's no problem.
- Yes, it will be two eggs.
bacon, ham.
Then an egg Benedict,
with the salmon on the side.
Please.
- White bread or brown bread?
- Ah, shit.
Excuse me--
[panicked screams]
- Let her go.
- No, no, no, no.
No, no. No.
- Let her go.
- It's a joke, damn it.
That's a fucking joke!
Who do you think you are?
toi, tabarnak?
- Let her go!
- OK, let him do it.
We're outta here!
- Hey, don't do that, tabarnak.
Don't do that.
Estie, I don't even know you!
- OK, on s'en va.
Hey, what's up?
What are you looking at?
[tears]
- Send, send, send.
[tears]
[panting]
[Christmas music on the radio]
- Stop.
Stop it, damn it.
Stop.
[tears]
- There's no way
To have service here?
[tears]
- Excuse me, she's back.
I couldn't have known that she
I'd come back, damn it.
When I gave you the go-ahead,
The table was lit.
It was bright,
I'm telling you.
I thought to myself:
"It's now or never."
I should have waited.
Look, I apologize, Marcel.
I should have waited.
- You should have waited,
What do you think?
Should you have waited?
Good heavens!
I could have killed her, damn it.
Do you think this is my job?
In life, do you pick up waitresses?
- Excuse me...
Do you think this is my job?
In life, me,
To shoot waitresses?
It should have
Take 15 seconds.
It took two minutes.
[ominous music]
Hey. Give me your coat.
[breath of wind]
Go back,
Then lie down.
[vehicle reversing beep]
[soft music]
I could walk you
I could walk you
Two for the taking
You can have it all at once
if you make it sane
It's gonna drive you
Back down the roads
and the streets and pavements
Two for the taking
You can have it all at once
if you make it sane
It's gonna drive you
Back down the roads
and the streets and pavements
Stamping your ground
and the rules that shaped us
That shaped us
I could walk you
That shaped us
La la la la la
That shaped us
La la la la la
La la la la la
Well I will ring you up
Say I want you back
Chat back stab say
I never wanted that
It's just
inevitable distance
Twisted bitterness
Give her two months
she'll be over that
Well I will ring you up
Say I want you back
Chat back stab say
I never wanted that
It's just
inevitable distance
Twisted bitterness
Give her two months
she'll be
Two for the taking
You can have it all at once
if you make it sane
It's gonna drive you
Back down the roads
and the streets and pavements
- No, no, we're cutting it.
Please.
Can we cut it?
Please?
Can we just redo it?
[detonation]
I could walk you
That shaped us
La la la la la
That shaped us
La la la la la
La la la la la
Cause I could walk you
back to the station
Talk about
our own frustrations
Cause I could walk you
back to the station
Give her two months
she'll be
Over that
Have you hurt anyone?
class?
- Yes.
- For what?
- Uh, I don't know, baby.
It's complicated.
Were they bad guys?
- Yeah. No.
No, not the whole gang.
- Are you a bad guy?
Not anymore.
I don't think so, no.
- For what?
Because I love you too much,
Marie.
I think I love you too much
to be mean.
I ask for your forgiveness.
- That's correct.
- I am so sorry.
I completely screwed up.
It's because we changed
the words at the last minute.
I was nervous.
I didn't know anymore
what I was playing.
- We're in a wide area,
Damn, Franois.
- Francis. Francis.
- Francis.
We don't give a damn.
We're way ahead in your game.
- Yes I know.
- We would have launched all of that
later, in the tight spaces.
You know the weather
That you're making me lose, right?
- I apologize.
- We're going to have to
to start all over again from scratch.
The room will need cleaning.
the table,
send you to makeup,
you and...
- Adrien.
- ...Adrien.
He'll change his gadget.
- No, no, me,
My gadget is fine, isn't it?
- No, his own gadget.
Change the costume.
It will take at least an hour.
Holy shit.
- And why do you still use
These old-fashioned tricks?
While the bullet impacts,
In post-production, it's fantastic.
- I already told you, Alain.
I want to shoot old school.
I want it to have
vintage look.
- Ah, damn, vintage.
- I got involved,
I'm sorry.
These were new words,
then me,
with a French accent,
It takes me some time.
I can't learn that
like that.
- Why don't you leave him
Is this kid playing in Quebec French?
He can't play
in Quebec French.
I already told you, Alain.
He comes from the north.
It's established, he comes from the north.
- The north, the north.
The north of what, for example?
- Northern France,
For example.
Northern France.
- But Quebec or the north
from France, that's how it is.
It's aesthetically pleasing.
Relax.
I will be relaxed
when this little prick stops
to ruin my catches.
- No, no, no, there.
Let's stop there.
with the swear words. Oh!
First of all, it's not his fault,
if the shot is missed,
It's mine.
I changed the text
And I didn't tell him, that's all.
- You didn't say?
Did you change the text?
- Yes.
Didn't you notice?
- Yes, yes. Yes, yes.
Finally, I noticed
that you weren't saying anything.
But that's because I thought
that we were in a wide shot.
And then you didn't want to...
- No, no, I've changed
The text. I'm not saying anything more.
- We can...
Can we just know why?
- Because, Gilles,
in your screenplay,
There are some great things,
But there's also some rubbish stuff.
That scene was awful.
Not credible.
- You could have told me about it before.
Non?
- But I tried, but...
No rehearsal, no time.
You're annoyed, so, there you go.
It couldn't be done.
Are you coming for a drink?
- Hein?
- Francis, you're coming with me.
Please.
You're going to believe me
if you wish
But in normal times, Gilles,
He's quite nice.
Quite the opposite
From now on, then.
- As far as I'm concerned, he can
eat a piece of shit.
- Huh? A piece of crap?
[small laugh]
That's a good one.
A piece of crap tank.
I didn't know her.
That's a lot of people, isn't it?
[soft music]
- Stop the tank!
[smothered]: Stop the tank!
[breath of wind]
[coughing]
Are you alright, my love?
Are you okay?
- Damn, that's disgusting.
Damn, that's disgusting.
- Come on, Will!
- Don't call me Will.
- You're going to catch a cold, baby!
Don't call me baby!
Crisse, what is it?
What's your problem?
- OK, William, first. Stop,
Please. You'll freeze!
- What does that do?
[tears]
What could that possibly mean?
You want to make me freeze, huh?
When there are a lot of people
who can just...
enter a restaurant
then just massacre
everyone?
What does that do?
It's just because it happens.
[tears]
Board.
[sad music]
[tears]
[indistinct conversation]
[church bell]
- Well, Mrs. Mlanon,
I did what I could
For now.
I'll have to come back tomorrow.
- Yes, that's good.
- Shall we meet around 9 am?
- Yes.
You need
Have someone come and open the door for you?
- No, no, it's fine, I have the key.
- The code?
- Yes, I have the code too.
And... you're staying at a hotel?
- At the hotel, yes.
- With your husband?
- My husband?
I don't know where he is.
- You shouldn't stay here.
- It hurts when I move.
- You want
Should I call someone?
Finally, there's someone who
Could you keep me company?
- No. No.
- Okay. Fine.
I'm sorry.
- You have the experience
That sort of thing, right?
- This kind of thing?
- No sign.
I didn't see it coming, I didn't feel it.
- That's often the case.
- It's violent.
That's incredible.
Do you have children?
- No, ma'am.
- Do you want some?
- I don't know.
- I will never give up again
feet in this room.
I will accompany you
At the hotel, right?
[Sirens in the distance]
[tears]
- Pardon.
- No, no, it's fine, it's fine.
Are you okay? Aren't you cold?
- I'm fine, Dad.
[breath of wind]
- I don't know.
that's what it looks like.
I have no answer.
But... there's some beauty in it.
Even days
as today,
even after all,
There's some beautiful stuff.
- Hum-hum.
[soft music]
- So.
Like a brand new penny.
- THANKS.
[sniffing]
I don't want to die.
I don't want to die, damn it.
[tears]
Please,
I'll pay you double.
I'll pay you triple.
I'll do whatever you want, man.
I will...
Estie the tabarnak the calisse.
[deep exhalation]
I don't want to die, OK?
I don't want to die like that.
Please,
I'll pay you, OK?
I'm going to pay you, I'm going to
give you what you want,
But please,
Don't kill me, don't do that.
Please. Kill--
- You're dying well.
[sigh]
- I was just...
I don't really know
what I was doing.
I don't know what
I do it here, by the way.
- Do you want some wine?
- No, it's fine.
- You know, my first time
At the cinema, I was your age.
And a reply.
"Just a little water,
Please. "
Except for this replica,
she arrived eight minutes
after the start
of a sequence shot
which lasted 12 minutes.
The camera was following
the main actor,
and then at one point,
She stopped and stared at me.
And I had to say, "Just
"A little water, please."
So, not very complicated.
history.
Huh? That was the plan
which was complicated.
So, we repeated it.
Everyone got involved
In place, quiet, good.
Everyone knew
what he had to do.
And then, action!
The camera is coming towards me.
And I'm frozen.
I remain frozen, like this.
I don't know why.
The icing on the cake,
I'm looking at the frame
in addition.
So, I'm throwing the plan out the window.
So, let's start again.
The camera arrives.
Phew! Frozen.
Three or four times like that.
So, they fired me, basically.
That's normal.
I was humiliated.
I thought
that my film career,
She'd be screwed, basically.
You see?
- I know the feeling.
- Yeah.
Would you like some wine?
- Maybe take some
a small amount.
- Yeah.
Yeah.
Do you know what I'm thinking?
When I remember
why then?
Here, drink some wine.
You'll make friends.
[sigh]
Okay, I'm thinking about the eyes
of this extra,
to whom I asked: "Just one
"A little water, please."
With that look of friendship,
of compassion.
Helper.
In the eyes of my love.
Because this extra,
She became my wife.
And we never
left since.
It's crazy, isn't it?
Like what.
[clinking of glasses]
Everything is difficult before the age of 25.
You'll get there.
[sigh]
[soft music]
[gazouillis]
[sigh]
- Sir?
- Yeah?
- When we were coming
at the restaurant,
I think
that we saw the two killers.
Are you completely sure?
From what you're telling me, my man?
There was a younger one,
then an older one.
They were shoveling their cart.
Hey, do you want your mittens?
Marcel?
- Marcel.
Could you
Is it Marcel Tremblay?
- I don't know, maybe.
He worked for a long time
with Benito, back in the day.
- Look at.
Call for information.
Ask them to take you up
un line-up photo.
We're going to show it to the little guy.
You never know.
- Hello, Mr. Tremblay.
How are you?
- Madame Mazza.
- Yeah.
- I was admiring the scenery.
- It's beautiful, isn't it?
- Yeah,
It's a whole storm.
- Yeah.
- Yeah.
- The little ones asked
After you.
- Ah, yeah, huh?
- Yeah.
- I like small ones.
[ominous music]
[indistinct discussion]
Yeah, I went for a walk.
during the storm.
I think it's beautiful.
storms.
[Alain]: An assassin.
A professional killer.
- Yeah.
I suppose we could call it that
Like that, yes.
- Damn...
- Yeah, but he doesn't
Not anymore.
- Non.
- What happened?
[throat clearing]
He had a...
target, a contract.
Then... he had taken
a hotel room.
Under a false name.
He had a heart attack.
That makes
that they called an ambulance
to take him to the hospital.
Then they discovered
all sorts of stuff
in his hotel room.
Fake documents.
Weapons.
Then he grabbed
ten years in prison.
- Yeah,
And you, how old were you?
- I was five years old
when it happened.
- Five years old is young.
- Hum-hum.
- So, we're ready for you
on the set.
- Ah! Very good. Let's go.
Let's go, let's get this over with.
So, don't worry, big guy.
Everything will be alright.
Gilles, he's heavy,
He is tense.
But you, you remain calm,
All right?
- Heard.
In all matters,
takes a step back
and you'll have the advantage.
- THANKS.
[door opening]
How are you?
- Hum-hum.
I think
I'm going back to the hotel.
I need to take
a little bit of air.
Are you sure?
Hmm... But I love you.
[whispering]: Shit.
[expiration]
[melancholic music]
[urban rumor]
[engine start]
[soft piano music]
- Welcome
at the Congress Hotel.
- Good evening.
[brouhaha]
There you are, madam.
Here.
You need help
To settle in?
- No, it's fine, thank you.
- You have some pills
To sleep?
- You're kind, Benot.
- No, madam.
I'm doing my job.
- No, you know very well that's not the case.
You are kind.
- If I can bring you
a little comfort,
because, honestly, I can't manage to
Imagine what you are going through.
- No, but you're trying.
You... You try to imagine.
It's precious, it's...
It's more precious than anything.
And...
And that might even be enough.
For tonight.
- At least,
You try to sleep,
then rest a little.
We'll talk again tomorrow.
- All right.
[sad music]
[Sirens in the distance]
[phone ringing]
[Answering machine]: Hello,
This is Roseline.
Uh, I'm unreachable.
So, leave me a message.
[bip]
- Ah, no, well, it was me.
Listen, I've finished my day.
I wanted to talk to you.
Well, that was a bit tough.
But anyway.
I don't know, remind me
or send me a text message.
[sniffing]
[phone ringing]
- Since when
Are you FaceTimeing me?
- I had the taste
to see your face.
Hey, pregnant, you thing!
It's not an everyday occurrence.
[sad music]
[engine start]
What are you doing here?
- I'm going back to my hotel,
I'm tired.
Congress Hotel.
- Wow.
[Marie]: Where are you?
- Uh... On the mountain,
I felt like walking.
A whole bunch of them fell over.
In any case.
- Oh yeah? How much?
- I don't know, they say
35, 40 centimeters.
But then the sky cleared,
it's beautiful.
- Did you walk all the way to the top?
- There's even a little moon.
- What did you say?
- Did I walk?
No, I was saying that there was
even a small moon.
Even though it's 4 a.m.
- For me, there are little clouds.
Wait, I'll move over.
- She's not answering, you fucking bitch
What a beautiful blonde bombshell!
- No. I don't know.
what she does.
- Everyone in position.
The next one is a catch.
- You told me "I love you"
Good morning, Marcel.
- Yeah, right. That's true.
You know that.
- I know, but...
But why in the morning?
Is something happening?
I have it, I can see it.
- Do you have it?
Good!
Good.
[phone ringing]
[phone vibrates]
- Marcel,
What's going on?
- There's nothing there.
The moon is beautiful.
You're pregnant.
I'm happy for you.
I wanted you to know.
- What's going on, Dad?
- Hello.
Are you okay?
- I killed, Marie.
- What?
What's wrong with you?
- I killed today.
- Roselyne?
Roselyne.
[horn]
[squealing tires]
[soft music]
[fracas]
[woman]: I don't know the street.
In front of the Congress Hotel.
Yes, at the corner.
Opposite the tobacconist.
Okay. Yes, hurry up.
Please.
- Heh...
How are you?
- I need to...
- Don't move,
Don't move, okay?
Can you call for help?
Someone can call
The rescue services?
[Woman]: It's done.
- I have...
- No, no, don't move.
Don't move.
Above all, don't move.
Give me your hand.
What is your name?
[whisper]
What is your name?
[expiration]
- Marie.
- Marie. Marie.
Well, my name is Benot.
Hey, I'm with you.
We'll wait here, it'll be alright.
- I have my...
[Benot]: What are they doing there?
[woman]: They're coming.
[Benot]: I'm sorry,
It's my fault.
The emergency services are on their way.
on attend.
[rumbling]
- Very good, very good. The scene
It's over, everyone.
It's the end of the day.
But first, we're going to ask
to not move.
For a single sound.
So, we're not moving anymore.
Thank you, silence.
Silence, for a single sound.
We're not moving anymore.
And... it's rolling.
[Jose]: We would like that,
live longer.
Let's fix our mistakes.
To find those we have lost.
Start again.
To have another chance.
One last chance.
One last day.
One last second.
But there is a limit.
That limit,
She is violent.
She is ruthless.
[soft music]
There comes a time
where it just hurts too much.
Where one must accept
the inadequacy
of our lives,
then to say to oneself:
"Well, that was it, my life."
That was enough.
That's enough.
This is the hardest choice.
But it's often
the most dignified choice.
So what can we offer?
to those people?
People
who choose death.
The same thing that one can
to offer oneself throughout one's life.
Compassion.
Love.
That's the only answer.
That's the best answer.
Sharing the suffering.
Sharing fear or peace.
With humility
of someone who knows that one day,
this suffering, this fear,
This peace will be his.
I call that unconditional love.
We often talk
gratuitous violence,
but not enough unconditional love.
It exists.
Solidarity does exist.
[soft music]
[tears]
[soft music]
[dramatic music]
Team SUPPLY
[rustling of wind]
[soft music]
By closing my eyes
I see over there
A humble retreat
A small house
All white
deep in the woods
[indistinct conversation]
Beneath these tranquil
shadows
The clear ones
and joyful streams
Where the leaves were reflected
Sing with the birds
[indistinct conversation]
Manon
[in French]: I am going to be
You in a moment.
- There's no problem.
A madness
That will be our life
[gunshot]
[cries of panic]
[shooter]: Let her go!
[cri]
Let her go.
[Man]: It's a joke!
That's a fucking joke!
Who do you think you are?
tabarnak?
[shooter]: Let her go!
[Accomplice]: OK, let him do it,
We're getting out of here.
[cri]
[Man]: Hey, don't do that,
Tabarnak, don't do that!
Damn, I even know you--
[gunshot]
[shooter]: OK, let's go.
[accomplice]: Hey, what's up
What are you looking at?
[groans]
[shooter]:
Send, send, send!
[teenager]: Stop it, damn it.
Stop.
[tears]
- There's no way
To have service here?
[sobs]
Oh, when I hear the bell
to heaven
The time when the good...
[rustling of wind]
[sad music]
[indistinct conversation]
[camera clicks]
[Man]: There were two of them,
I think,
But I only saw one.
I didn't watch for long.
I had my guy with me then
We are... we have fallen to the ground.
I... I hid it
in my coat.
I had kept my coat on, because
that... it was cold.
I was cold then...
I hid it in my coat.
He hid in my...
- I understand.
What makes you say
That there were two of them?
- Okay, I heard them.
They were talking to each other.
- Among them, others?
They were talking to each other
among them others.
One of them spoke to me.
- Did he speak to you? OK.
What did he tell you?
He... He asked me to stop
to look at it.
- Hmm... The suspect was
What is her skin color?
- Uh... White.
- How old?
- Uh... I don't know,
Maybe 35 years old.
He wasn't the one who fired the shot.
- Just the other one?
- I think so.
- And him, you didn't see him?
- No, I didn't see it.
- OK.
Hmm... Stay close by.
We'll talk later. OK?
[sad music]
[door]
[water flow]
[sad music]
[sad music]
[sad music]
[rumbling]
[groan of effort]
[Man]: Thank you.
On three. One, two, three!
One two three!
One two three!
Thank you very much, that's kind of you.
How are you all doing?
- Yes.
Yes yes...
There was a murder nearby.
at the winery.
- A murder?
OK.
- Yeah.
- Right here?
- Yes.
A couple of hours ago.
- Well.
Thank you, in any case.
Happy holidays, there.
[Police sirens in the distance]
[phone ringing]
[phone ringing]
[soft music]
[deep exhalation]
[metallic clicking]
[groan]
- My name is Philippe.
- Roselyne.
Are you French?
Hold,
It happened while...
I picked it up afterwards.
Are you traveling?
- Philippe?
- Yes, Philippe.
That's it, my name is Philippe.
When we were on the ground...
in the restaurant...
then the guy defended himself
with the waitress,
She...
She was screaming her lungs out.
[cris]
Seriously,
I was just happy.
Glad to be on land,
to be hidden,
to be as low as possible.
I was just happy.
I don't know why,
But I noticed her stockings.
To the waitress, over there.
She had...
beige stockings,
below
a skirt for winter.
Then I wondered
if her stockings were warm enough
to walk with outside.
While she was screaming,
I wondered about that.
- And why?
- I don't know.
That's absurd.
- I didn't hear that.
- What?
- Crier,
I didn't hear him scream.
- Do you want me to leave?
- "Do you want to?"
- Yes, do you want to?
[small laugh]
- No, I don't want to.
I don't want you.
[phone ringing]
[soft music]
[phone ringing]
[soft music]
[soft music]
- Hello, it's me. It's Marcel.
It's early here.
It's still very dark.
But that's it,
I wanted to catch you
before your day
commence,
just wanted to let you know that I'm thinking about
You, that I think of you others.
I'm sure
That everything will be alright. Uh...
Tell Francis
Don't get too worked up about it.
It's going to be alright.
He has the trick,
It's really, really, really good.
Okay, that's it.
They announce
A big storm is here.
Um...
I love you very much, Marie.
That's it, that was me.
It's Marcel.
Hello.
[door opening]
- Hein?
- Wow!
- Anyway.
Small-time Parisian gangster.
It stings though.
- What's bothering you?
- My shirt tucked into my pants,
That stings.
- Do you want me to scratch you?
My love?
- Yes.
Yes, I think so.
- Here?
- A little lower, I think.
[small laugh]
- Like that?
- Yes.
Do the other side then.
that it be equal.
[laughs]
- Hum-hum.
- If you continue like this,
I won't be able to make it work.
- You haven't turned yet.
[small laugh]
- I'm so nervous right now.
- You're so handsome.
You look like a gentleman.
How are you feeling?
- I feel.
I'm nervous.
But I feel.
You're with me,
that's what I feel.
[gunshot]
How are you?
- Why? What was that?
- I don't know. It's my squid.
He farted. He farted all by himself.
Oh my God. Are you okay?
Are you okay? Are you alright?
- I'm fine.
- Shit!
- What's this all about?
So it's really sticky.
- I don't know.
You average out,
In any case.
- It doesn't even seem true,
I think so.
- How are you?
- Attention,
I'm going to butter everything up for you.
- Yes, I'm already buttered up,
Check this out.
- Look at me!
[small laugh]
[small laugh]
- It's sweet.
[laugh]
- You should warn Martin.
- Ah, yes. Sure.
Martin. Hey, Martin, can you
Come here, please?
- Oh... OK.
Um... How... What is it...
What did you do?
- I didn't do anything. Look,
It exploded. It exploded all by itself.
- Yes? What do you mean, it exploded?
All alone? That's not...
not supposed to fart on its own
that matter.
- It looks like it did, it exploded.
I didn't do anything.
[sigh]
- Oh!
Um...
He really didn't do anything.
I was there.
- OK. Uh...
We're going to see Simon.
Don't touch it.
He'll sort it out for you.
After that, you have to go back
to makeup.
- Do I need to change my clothes first?
- No, no, no, no.
No. You're going to see Simon.
We're going to clean you up.
He's going to install a new kit for you.
and then after that,
You're going to change your clothes.
Are you okay?
- Hum-hum.
- Lunch shirt, perhaps?
- Uh... Yes, I'll take it
a lunch shirt,
But I'm going to go clean myself up.
- Good, that's good.
- See you later.
[cell phone vibration]
[sad music]
[bip]
- Hi, it's Marie. I am
Not available at the moment.
but you can
Leave me your message
then I'll call you back
As soon as possible. Beep!
- I told you about it,
It's Jacques.
He's the one who's going to help you.
Are you okay, Marcel?
- Jacques?
[small laugh]
- Jacques.
Nobody knows him...
[in English]: ...but you can
trust him.
[in French]: Boss.
- Can you turn that off?
Please, Marcel?
I have emphysema.
Good.
Everything is ready for this morning.
then I just want to say
that everything will proceed calmly.
Everything will happen calmly.
as it should be.
We're going to do this properly.
Then nothing bad will happen
for the rest of us.
[in English]: It's going well
to happen.
[in French]: I'm hungry.
- Ton scout?
[in English]: He will be there
from 8 a.m.
He won't budge an inch.
before the time comes.
[in French]: It's been a month
that he hangs around there
Sunday mornings,
The fact is, nobody's going to bother him.
As soon as the guys arrive,
They're going to call Jacques...
Can you close your bag, then?
Christmas? That doesn't smell good.
- Let's see!
- It's not an easy job,
Marcel, OK?
I'm not saying
that it's an easy job,
but it's just you
Who can do it, alright?
I'm sending
any other of my guys
then they go to see him
right away.
They're going to see him.
to arrive from miles away.
[in French]: I have to go
I'll take care of the tanks.
- OK, go.
[door slams]
Oh!
[in Italian]: Are you worried?
[in French]: It's been
For a long time, Benito.
[sigh]
I have a life now.
- I know it's been a long time,
Marcel.
Listen, I'm not happy
to ask you that.
[in English]: Know this.
[in French]: But I don't have
The choice, OK?
They have me here.
[sigh]
The world, they've forgotten you.
That's why you're perfect.
They'll never make the connection.
It's been 20 years already
que t'es clean.
- I know what I owe you.
How did you take care of yourself?
of the little
while I was inside.
Is...
I know what I owe you.
- How's the beauty doing?
- She's doing well.
She has just finished her session.
She is in Paris.
[in English]: Paris! That's great!
I'm happy for her.
[in French]: It's so
She's a good kid.
[in English]: And there,
She is studying law.
[in French]: We are all
very proud.
- THANKS.
- I did everything for her.
[in Italian]: Never forget that.
[in French]: I remember it.
- My friend, thank you.
[in Italian]: Everything will be alright...
[in English]: ...and
You'll never see me again. I promise.
[in French]: OK, Benito.
Jacques is coming here
in an hour.
- OK.
[sigh]
[heavy music]
[squeaking tap]
[water flow]
[soft music]
[indistinct conversation]
[startles]
[bip]
- You don't like that,
The portholes?
- Pardon?
- The portholes,
Don't you like that?
You kept it closed
throughout the entire flight.
- No, no, but it's just
that I took the place
that I was given.
- We can change places
If you wish.
I love portholes.
I almost never
in the bathroom, which means that...
- Yes, if you wish.
- THANKS.
- You are welcome.
[snapping of belts]
- It's beautiful.
[belt rattles]
[deep exhalation]
There's no shame in it, you know?
There are lots of people who are afraid.
Do you see that gentleman right there?
He didn't budge an inch.
since we left.
He's stressed.
He's stressed beyond reason.
His eyes are closed.
But he pretends to be asleep.
I'm sure his heart is beating
at one hundred miles per hour,
poor little heart.
You arrive
To take the plane anyway?
- Okay, I'll take some pills.
- Ativan?
- Yes, something like that.
That's what I'll take.
Uh... Yes.
- Hmm, that's good.
- Yes?
- It freezes, it flattens the fear.
It seems that it's good
to walk too.
- To walk?
- On the plane, in the aisle.
Apparently it feels good.
that's what
a feeling of freedom.
Mind you, that's good.
just an impression.
because there isn't much space
where you can walk,
basically, on an airplane.
You still can't
go for a short walk
out.
But you can...
You can go to the toilet.
you can go forward, do
the turn, return to your place,
chat with the flight attendants,
duty...
look into their eyes,
their faces,
to see how they feel,
how they experience their flight
to check if everything is normal
if everything is in its place.
Anyway,
For some people, it's effective.
What helps me,
It's about talking.
[small laugh]
It's been an hour and a half
that I am on the same page.
I didn't mean to bother you.
But now, things are getting too chaotic.
[deep exhalation]
- My name is Benot.
- Jose.
THANKS.
- Delighted.
- That's it, there, that's too much.
Two hours late,
the three, four trips
to remove the ice.
You don't even know if there's still
ice on the wings
when you take off,
Then there's turbulence.
senseless things that end
no longer finishing.
I don't know anymore
What is my name?
I thought to myself:
"I need to talk to someone"
"Or I'll fart in the cold."
That's just how it is.
I'm talking to you
Then I already feel better.
It makes me feel good.
- To fart in the cold?
- To blow a fuse,
to turn from underneath, to capsize,
to have a nervous breakdown.
[laughs]
- Do you want one, medicine?
- Oh no. I don't like that.
The medication doesn't work for me.
It makes me feel sick.
[cris]
I'll take one.
Ultimately.
- Yes.
[toc-toc!]
- Marie?
- Yes?
- All clean.
[small laugh]
- You're all clean.
[laugh]
We're not going to start that again.
- Checks.
They installed a new squib on me.
[small laugh]
Can you feel it?
[small laugh]
- T'es con.
- Because Simon, he told me
that he had never seen anything like it,
a squib that explodes all by itself.
He told me
that it wasn't possible.
"No, not that, man,"
That's not possible.
[small laugh]
What is it?
- Nothing.
Don't mess with me,
What's wrong?
- I'm thinking of Marcel.
- Your father is doing well, isn't he?
- Hmm, he's doing great.
He just left me a message
sometimes.
- Then?
- Then, well,
I found it strange.
- Comment?
- I don't know, just weird.
- OK.
Don't you want to call him back?
- Of course I'll call him back.
- You feel like telling him,
hein?
[soft music]
- Non.
I prefer to wait until ten
weeks, as we agreed.
- Yes, but here,
It's been almost ten weeks.
[small laugh]
- I know.
But I prefer to wait.
- I think you have the taste
to tell him.
[sigh]
- Right there l.
We could crash
in the North Atlantic
that wouldn't bother me
That much.
- I'm going to be late.
That's impossible.
- Oh, you work?
- Yes, I work,
there upon arrival.
- In Paris?
- Yes.
- What is your job?
- Bof...
- Oh, come on, Benot.
Ben.
[laugh]
It's what?
Serious?
- It's nothing. I'll clean it up.
- Are you cleaning?
What are you cleaning?
- You don't want to know.
It's not...
[laugh]
- Ben!
So you're doing well...
[small laugh]
So you're not very clever.
[laughs]
I certainly want to know.
You clean.
You are my friend.
[small laugh]
I need to know what it is
that you clean so much?
What is it? What is it?
- Scenes. There you go, scenes.
I clean up scenes.
- Scenes?
- Yes.
- Accident scenes.
Of murders or suicides.
Scenes of violence.
- Like blood?
Bits of brain,
Similar matters?
- Yes.
Similar matters.
[soft music]
[sizzling]
[door opening]
- Good heavens, nervous, his father.
- Knock before entering.
- Ah, coconuts!
Is there any of that for me?
- Sit down.
- Your daughter?
Handsome fellow.
- How do you take them?
- Sunny side, not overcooked.
Hey, the second tank is ready.
It is parked
where what we had said to each other.
It's still snowing quite a bit.
- That's fine. Good, we'll move on.
around 8 a.m. to shovel it.
- OK
Are you nervous?
- Well, it's not like
I was going to mass,
No, it's beautiful, it's fine.
It's going to be alright, it's going to be alright.
- You have to try it
of the calmer.
- I am calm, his father.
It's beautiful.
- You're speaking loudly.
- Maybe I'm speaking loudly
for you,
But I'm speaking normally, for me.
- Hold.
- So, you,
Are you afraid of me?
- Days
as today,
I like having him close.
- No toast?
- Non.
- No bread, nothing?
Something?
- Many.
- Hey, Adrien!
- Tabarnak!
The gentleman is eating poutine
Then come here so I can put you.
- How are you?
- Did I get it right, my brother?
- No, no.
Why are you driving your R's?
No idea, damn it. That
It feels good in my mouth.
Your blonde, she's fine in that respect.
[laugh]
- You don't have it at all, man.
- That's because
I'm too nervous.
because I'm going to get
unclog a ball
in the head
by the great Knight.
- To calzone.
- What?
- To crush a ball
in the head.
- I'm stopping you right there.
It's too complicated for me.
- OK.
- Do you know if we're filming soon?
No. I think
that they have fallen behind
and Chevalier isn't even
arrived again.
- Adrien, Francis?
- Yes.
- Well, then,
we are on standby for one hour
before a rehearsal
On set, OK?
There's a free seat for you.
to the hairstyle for you
And you, right now?
We'd love to see you again
15 minutes before the rehearsal
for a small touch-up.
- Shall I go right away?
- Yes, that's it.
Ah, no. OK, stay. Uh... Yes.
So, Gilles is telling me
that he chose the option
where you tilt backwards
and not
the one where you stumble upon it on the spot,
that they are going to put down mattresses.
He told me
that you would understand.
- Uh... Well, that's it. You know,
when you get shot,
I checked, then in the real one
life, when you get shot,
You just drop it, you know?
You don't fly backwards.
He had also been told,
more...
- No, I know, it's...
[deep breath]
OK.
Oh, and...
Mr. Chevalier arrived in the box.
SO...
- "Arrived at the box."
- Damn!
- He arrived in the dressing room.
Okay, see you later.
- Hey, buddy.
- Benito told me
that it would be around 9:30 am.
- It depends on what time
Let the guys go home.
- Who is it?
- Hein?
- The guys we're going to pass,
who is it?
- Didn't you see the photo?
- That doesn't tell me who that is.
- Benito didn't tell you?
Two dogs, over there.
There's one, it looks like
that he takes photos
of completely naked children.
Hey, I mean, a guy can
to earn a living as he sees fit
but tabarnak,
There are always limits.
- And then the other one?
- The other one is a guy
That's dope, that's a dirty trick.
They are affiliated
with the Londei,
That's why you're here.
It took us
someone from outside
to mix everyone together.
- Did you need someone?
Who are you?
- Well, we, over there...
Them, Benito.
- Who are you?
- Me, I'm nobody.
Nobody knows me.
- Nobody knows you?
- Non.
- You have a mother.
Do you know your mother?
My mother is in a hospice in
St-Hilaire then she eats soft food.
Are there any other things?
What do you want to know about that?
I just want to be sure
that you haven't spoken to anyone
of what we are going to do
Today.
- I didn't tell anyone.
Have you ever killed anyone?
- Non.
[sigh]
No, but I've already done it
a couple of jobs
who were pretty hot
For example.
He told me, "You, Benito"
You had passed 12 of them?
Before you do your time
Inside, I mean.
I say this, I talk about this,
It's just because you don't have
looking like a guy of the same ilk.
No, I can't find more
that you look like a...
[soft music]
- When you clean,
It can't smell good.
- No, but I'm wearing a mask.
- Like a dentist?
- Bof.
- What does it smell like?
I'm curious.
- Well, death.
Blood, iron.
- Iron?
- Yes.
Especially when it's fresh.
Yes. It soaks in everywhere.
what a trick.
That's why
that we need to act quickly.
It needs to be disinfected.
It needs to be erased.
We need to wash all of this
and then let life
to reclaim its rights.
And the longer we wait,
The harder it is.
- And you enjoy doing that?
- Yes, it's useful.
- That's what you're going to do
In Paris?
- Yes, I work in Paris.
Yes. I was in Montreal then.
because I came
with my girlfriend.
She writes an article
about... Quebec Christmases.
- Oh...
[small laugh]
- There you go, I was accompanying him
a few days.
But I'm going back to work
today, here.
For a suicide.
- A suicide?
- A 22-year-old,
in his room.
They warned me just
before I take the flight.
- It's horrible.
[sigh]
Your profession, I mean,
It is...
It's horrible.
- GOOD...
I'm not going to tell you
that I like to go for walks
dressed as an astronaut,
pick up some...
pieces of brain
by the spoonful, but...
It calms me down.
It calms me because I see
that it calms people down, actually.
- Hum...
- I can see that when...
when I am in front of them.
And...
That's strange, perhaps.
but it gives me the impression
of...
to be there to help them
to get through it.
There are things you shouldn't
staring for too long.
So, here they are, I make them
disappear. I'll go with it.
- Hum...
You are like an embalmer.
- Yes, you could say that.
I'll embalm the rooms, then.
Hum...
And what about you?
- Me what?
- Okay, you're coming to Paris
Why? For the holidays?
[small laugh]
- Non.
- Okay, so what?
[laugh]
What?
- I can't tell you.
- Okay, yes.
What are you doing, huh?
For what?
[laughs]
Come on.
- You won't believe me.
- Why wouldn't I believe you?
Of course it does.
Come on, tell me.
[laugh]
- I'm going to give...
[laughs]
I'm going to give...
[laughs]
a conference for...
[laugh]
...on the protocols
of assisted dying.
[laughs]
- We make a good pair, don't we?
[bip]
Ladies and gentlemen,
This is your captain speaking.
In a few minutes,
we will begin our descent
at Paris Roissy
Charles de Gaulle.
The weather is sunny with
a temperature of seven degrees.
We hope that
You had a pleasant flight.
in our company, and
See you very soon on our flights.
[sigh]
[soft music]
- It's funny, isn't it?
I'm afraid of flying.
- Hum?
But when I see the earth,
as we approach the earth,
My fear is completely gone.
- That's a strange thing to say.
- Oh?
- Okay, yes,
because honestly,
if there is anything
who can harm you here,
That's the earth, precisely.
- But it's really quite deep,
what you just said,
Benot.
- But that's not going to happen.
[horns]
- Hey, is this a joke?
Is this some kind of fucking joke?
Who are you?
"Who are you?"
- Yes. That's because...
I was stuck on that line.
because of the accent.
[deep exhalation]
Hey, is this a joke?
Is this some kind of fucking joke?
Who are you?
- " I'm coming
From Maurice.
We need to respond
for the cash registers.
- But we can talk.
We can talk, damn it!
- "It's too late"
to speak.
- No! No, no, no!
I don't want to die!
I don't want to die like that.
Damn!
[sobs]
OK, OK. OK, I... please.
Please,
I'll pay you double.
I'll pay you whatever you want, man.
I'll do whatever you want!
"It's too late."
- Ah, no, shit!
Shit, shit, shit, shit!
- Pow! Pow!
[tongue click]
Pow, pow, t'es mort.
- I love you.
- I love you.
[deep exhalation]
[heavy music]
[sigh]
- Hello.
- Hello.
Are you alright?
What did she tell you?
Would you like to be aunt?
- That you're going to be here
for a long time.
Did she tell you why?
- For work.
- Hum...
Are you sad?
I'm going to miss you.
table.
- Me too, baby.
Then you know, Uncle Benito,
He will take care of you.
Then you'll be able to visit me.
- I know.
- Every week.
- I know.
- How was it at school?
this week?
What did you learn?
- The Algonquins, the Incas,
subtractions.
- Oh! Subtractions,
That's good.
Can you make me
eight minus four?
I'm going to miss you.
table.
- Me too, baby.
- Why it is necessary
Are you staying here?
- Because I have no choice.
Because sometimes in life,
We have no choice.
But I will think of you
All the time, I promise you.
Then you know
What I noticed?
- Non.
- When I'm in my room
here, in the evening,
I can see the moon.
The fact is, if ever
You miss me,
You just have to look at the moon,
Then you'll know we're watching
the same thing at the same time,
then if we look at the same
business at the same time, good.
That means we can't be
very, very far apart.
- The same side?
- The moon we're going to look at?
Yes.
- How do you know?
- There's just one side.
Are you sure?
Where is the other side?
- It is hidden.
He is still hidden.
Have you hurt anyone?
class?
[sigh]
- THANKS.
- That one?
[groan of effort]
- Yes.
[soft music]
- Oh! Pardon.
Okay, we're going to have to
I'm slipping into the world, there.
otherwise I'm going to be
too late.
- Yes, indeed.
- But it was nice to...
to travel with you.
- Can you call me "tu"?
- It was nice to travel
With you, yes, really.
- Okay, me too.
- Good.
Bye.
- Bye.
- Sorry, excuse me.
I'd like to take the liberty...
Excuse me. Thank you very much.
[ominous music]
- Ah, that's the one.
- OK, good, park yourself,
We're going to give it a little tap.
No, no, no, no. You park yourself
Not here, you don't have the right.
- Let's see, what does that do?
There's nobody here, it's Sunday.
- It doesn't matter.
- It will take ten minutes.
There isn't that much snow.
We won't get a ticket.
- It's not
a ticket issue.
No, no, no, no, no,
You don't back down in a one-way street.
Go around.
- You're not the boss.
I mean, I'm going to do
Everything you tell me to do.
You're older, I respect you.
You have more experience than me
in there, but...
You're not the boss, I
I just want you to understand this.
- Get out the shovels.
- Hey, Tabaran!
[rustling of wind]
[urban rumor]
[phone ringing]
- Marie?
- Marcel?
- Wait a second.
Get rid of it!
- Who is it?
- Unblock!
[rustling of wind]
[deep exhalation]
Okay. Is that all right?
- How are you?
You look out of breath,
What's going on?
Are you doing
Another heart attack?
[laugh]
- No, no. Uh...
No, there's a big storm here.
the fact that I was in the process
to shovel the entrance.
How are you all doing?
You're really early!
on the peak.
Don't you have a little neighbor?
who comes to do this for you
usually?
- Yeah. Yes, yes, but here,
I don't know, I just had the taste
to do it all by himself,
the fact that...
- Marcel, are you in the process
To kiss Mrs. Brossard again?
[laugh]
- No, no, no, no.
No, that was...
That was last night.
- OK.
[laughs]
I'm pregnant, Dad.
[soft music]
Marcel?
- I am here.
A baby?
- Yes.
[laugh]
I don't know why
I'm telling you this now.
I wanted to wait
that we return
to tell you in person.
But I'm going to have a baby.
Are you happy?
- Hein?
How are you?
Were you happy?
- I'm so happy.
- GOOD...
Okay, me too, first of all.
Has it been a long time?
- Eight weeks.
- He's a little guy
Or a little girl?
- Uh...
It's a baby, Marcel.
- I know.
- We don't know yet.
- Ah, good, a baby.
I'm happy.
But... But what about your studies?
I'm going to take
a year's leave
then I'll take them back
After.
T'es-tu correct, Marcel?
- Yes, yes, I am...
I'm happy. A baby.
That's it... I'm very happy about that.
- It seems to me that you have
called early in the morning.
- Ah, that's because...
that's because
I couldn't sleep
Then you know,
I didn't want to miss you.
The film, is it going well?
- Yes.
Francis is really nervous.
But it's so good.
I love him.
- Ah, yes. He's nervous.
That's normal.
- Did you see the moon last night?
- Yes. Uh... No, no.
No, yesterday there was too much
Because of the clouds, we couldn't see it.
Are you sure you're okay?
- Yes, that's fine.
I'm okay.
A grandfather,
I'm going to be a grandfather, you know.
Who is it?
Which would be incorrect?
- OK.
I have to go now.
because Francis is filming
His scene will be coming soon.
But we remember.
- OK, good, you...
You will say hello to him.
- OK, Dad.
Watch out.
- You too.
Bye.
- Bye.
[sigh]
[sad music]
[rustling of wind]
[sigh]
- My hands are freezing.
- Need a little boost
With your hand, my good sir?
- No, no, it'll be fine.
Thank you so much.
- On?
- Yes yes.
Hey, do you want your mittens?
Marcel?
- No, it's beautiful.
We're not caught.
We're just getting the snow cleared.
- Quite a lot, in any case.
Huh? He's saying 40 centimeters.
- Yeah,
This is going to be something!
- 8:05 am, we got up early
Too early for nothing.
I told you so.
- I didn't take any chances
with the storm.
Anyway, that way we'll have the
Time for a leisurely lunch
before your practice.
- I'm not hungry.
- Okay, you need to eat.
- For what?
- You have a practice,
You need to eat.
- For what?
- Good, because.
Because you need energy.
- But I would have the energy
if you hadn't woken me up
to force myself to eat.
- William, stop.
- Please.
Please, I'll pay you...
I'll pay you double.
I'll pay you whatever you want, man.
I'll do whatever you want.
I don't want to die, damn it.
"Fuck. Fuck, fuck."
Damn.
Damn French accent.
I don't know what's going on.
I'm not able to get it.
damn it.
It's as if it were happening
It's all in their heads, those guys.
You know, it's like...
It's as if the voice was
placed higher up.
Two tones higher.
I can't seem to feel normal.
I can't...
- I told my father.
- When? There, there?
[deep exhalation]
I knew it.
I knew it
that you wanted to tell him.
[small laugh]
Then what did he say?
Were you happy?
- Yes. Yes, he was happy.
- You don't seem confident.
- No, he was really moved.
- Excuse.
Do you want to meet him?
- Who?
- Right there, Knight.
I just spoke to him.
He would like to see you.
- Me, that?
- Yes, you, Francis.
Come on, come away.
We don't have much time.
- Wait, wait.
What am I going to tell him?
- I don't know. You'll tell him.
Whatever you want.
You tell him:
"Hello, how are you?"
That's all. He's not going to eat you.
- Enwoye, vas-y.
- Shit...
[brouhaha]
[humming]
- You wait for me here.
I'm going to go see him.
[Knight]: Yes?
- Estie.
Hello again, Mr. Chevalier.
So, there's Francis,
over there on the other side.
- When will this be confirmed?
Because we're a bit fed up with it,
to wait there.
No, no, no, no, no.
No, we were very clear.
about that.
June is not possible.
Neither at the beginning nor at the end.
No, sorry.
Wait, you can wait.
One second? Excuse me.
What are you doing here?
YOU?
Me?
- Yes, you.
- Ah, I'm waiting. I'm here
to meet Mr. Chevalier.
- But what are you?
- I am from Quebec.
- Yes, that's clear.
But what do you want?
What are you doing here?
- Ah, OK, no.
I am an actor.
I'm acting in the film.
- Robert, yes.
Yes, well, excuse me.
Listen, do you think
that you could remind me
by this evening,
with a clear answer?
Because I swear,
You're going to lose him from me.
if it continues like this.
[door opening]
Fucking hell.
- How are you?
Do you want to follow me?
- What's it called?
So, this thing, l?
- You latex?
- Yeah, latex.
Under the pretext that the character
has aged by a few years.
while everyone
s'en wrong.
Besides, this stuff stinks.
Using glue and heat,
It can give you plaques.
We'd look silly afterwards.
- That's certainly unpleasant,
It's unpleasant.
- Losing three hours
every morning
to add two more wrinkles,
that nobody will see, that's all.
It's completely grotesque.
What do you think?
YOU?
- Uh?
- Don't you think so?
that I look quite old
like that?
- Uh, yeah.
I mean, I don't know.
- Are you the Quebecer?
- That's it, exactly.
So, Mr. Chevalier,
Francis,
Francis, Mr. Chevalier.
- It's an honor,
Mr. Chevalier.
- Call me Alain,
We're going to play together.
- OK.
- Yeah.
In fact, I spoke to Gilles,
so that you can play
with a Quebec accent.
For your comfort,
and because I find that
more friendly.
He refused.
- OK.
He used an excuse
that it wasn't justified,
as if it were necessary to justify
Things, now.
Things,
They are not justified.
They either exist or they don't.
We agree?
So I told him, "Gilles,
You, you make your own film.
However, this is not justified.
And yet, it exists.
Ah, but I didn't say that.
Because that would have been mean.
I'm not a bad person.
I'll leave that to the mediocre.
And to the wretched, wickedness.
[phone ringing]
Pardon.
Yes?
Yes, good, 9 p.m.
I will come
delivered directly to your home.
Hmm. Oh no, no, no.
No. Spare me that.
I'm not going shopping
After work, me.
Okay, okay. Okay.
I'll come, yeah.
OK, I'll bring that.
Yes. Okay, listen,
Okay, now we're working, right?
I'll leave you now.
Yes, me too.
Yes.
[throat clearing]
There you go. I love you too. There you go.
Okay. See you later.
[small laugh]
That's my wife.
A little intrusive at times.
But easy to love.
[small laugh]
He's a complainer,
But he's incredibly endearing.
- So,
I am an endearing old man.
Someone old,
to whom we become attached.
A great success, isn't it?
- I'm finished with you,
Go on, get out of here.
- THANKS.
Okay, Francis,
What do you think?
of this scene?
It's a bit of a load of crap, isn't it?
Hum?
- GOOD...
- Yes, a bit of shit.
- Yeah.
- Yeah.
[intriguing music]
[belt click]
- I'll call him, see.
Yeah, we're at 30 seconds.
What does it look like?
[sigh]
All right.
The guys, they just came
to enter the restaurant.
- Just the two of them?
- Just the two of them.
- He is safe
That it's them?
- Yes, that's for sure.
- Is your scout any good?
- Correct.
- Correct ?
- Correct, yes, it is correct.
Not my first job, boss.
Hum?
He's a good little guy.
Reliable, he knows what he's doing.
- How old is he?
- What is it?
"How old is he?"
- How old is he?
- Do you know how old he is?
He is 25 years old, maybe 35.
Do you want to know his sign too?
This isn't my first job.
Marcel.
- I don't want it to crash.
- It won't crash.
- And there's already a storm.
- The storm will help us.
- There's never anything
who helps no one.
Don't forget this,
As soon as you get home,
yes the waitress,
She's coming to see you.
you say you don't want to
to be placed immediately,
that you're waiting for someone.
- I know.
- Then, you wait until you're feeling well
They are definitely all alone.
Of course.
- I know.
- That means
No waitress.
That means no one
who go to the toilet.
That means
No children in the aisle. Nothing.
- Marcel,
We've all said that before.
- No world
who go to the toilet,
No children in the aisle, nothing.
- OK, OK, OK, that's beautiful,
Damn it. Calm down, OK.
No one was in the aisle.
No children in the toilets.
I understand, you can calm down.
- As soon as you're sure...
- Yes, when I am sure,
I drop my gloves.
- ...you leave
Take off your gloves.
- When are we going?
[sigh]
- There, Francis,
I've thought about it carefully.
I'm not going to talk
in this scene.
Because the guy,
He's there to kill.
he's not here
to have a chat.
So, you,
You're talking, that's normal.
Finally, can we use the informal "tu" form?
- Oh, yes. No problem.
- That you, you speak,
That's normal.
Because you're saving your life.
You save your own skin.
But he doesn't care, you know.
He's here to shoot you.
both,
Quick and easy.
Then he goes back to kissing
Pauline, and that's it, you know.
- Constance.
- Uh, yeah, Constance, whatever.
- But I thought
that it was because Maurice
wanted it to be known
that it came from you.
- If you're in Marseille,
Maurice is far away.
Maurice, we're wrong.
No, I am convinced
that I am right.
We're going to give him strength
to this scene.
The guy is programmed.
unstoppable.
He's a killer.
He's not much of a talker, that guy.
- Ah! It's Marie,
She's my girlfriend.
The one I wanted
introduce yourself.
- Pleased to meet you, Mr. Chevalier.
Very happy
looking forward to meeting you.
- Likewise.
You look lovely.
[small laugh]
She is gorgeous.
- THANKS.
- You're a vegetarian, right?
- Huh? No, why?
- But because
You look so light.
- OK.
- No, I'm just talking nonsense.
It's to get noticed.
- Thanks very much.
- Okay, so we're agreed then?
Huh? Are you adjusting?
- Yes. Yes, yes, yes.
We'll have to change the words
A little.
- You can change whatever you want.
The important thing is
to stay in the loop, you know.
Don't worry. It'll be fine.
We're working as a team on this.
- Yes.
- Mr. Chevalier.
Sorry, Francis. We're ready.
for you on set,
They are waiting for you.
- Well,
We're going to play the actors.
- Yes.
- Come on.
Don't worry, don't worry.
The important thing is to have fun.
To play. That's the verb. To play.
- Absolutely, yes.
- Come on.
- Super.
- Then?
- He wants to change the whole scene.
He doesn't want to talk.
- What do you mean?
- He won't say his lines.
He says that a killer,
It wouldn't make any difference.
What am I going to do?
Me, damn it?
It's been months that
I repeat, that scene.
That's my only scene in the film!
Tabarnak.
- OK, I agree.
Then I understand.
We'll try to stay calm.
- Come on!
- Francis. Enwoye, let's go.
- Estie.
He doesn't know about that.
The killers, him.
What does he know about it?
You should ask your father.
Excuse me.
- It's going to be okay.
- Hum...
- You're so good.
- Hum-hum.
- You're so good. OK?
- OK.
[ominous music]
- Still no news?
- Five minutes ago, they were
sitting with their coffees.
They still hadn't
ordered their food.
[expiration]
- Okay, that's 15 minutes.
Here we go.
- Oh...
[groans]
- How are you?
[groans]
- I don't know,
My legs are really...
Icitte is.
Are you alright?
- I don't know,
My heart aches.
but like right there.
Damn, I'm stuck here.
Oh, what a nightmare.
[groans of pain]
- Hey, you're so cute.
You're welcome, char.
[groans]
Put some snow on yourself
in the face.
[groans]
OK.
Breathe.
Breathe.
[rough breathing]
Breathe.
Better?
- Yeah, it's okay, it's okay.
Hey, I have...
[inspiration]
- It happens.
- Okay, it's coming back here.
It's just me, I know.
- That's okay. Take it upon yourself.
We'll wait a little longer.
a couple of minutes.
- Yeah, man.
Oh, fuck.
[clicking of lighter]
[Woman]: Did you talk to him?
I'm asking you
if you spoke to him.
Non.
We need to speak louder.
My love.
I can't hear anything at all.
with the storm.
Oh, the poor things.
I can't even imagine
what they can get through.
Did this happen in his room?
[breath of wind]
Poor love,
You must be exhausted.
And how was your flight?
- Well, no, no.
It was, we just...
we waited a long time
Two hours before takeoff.
But it was.
[melancholic music]
I confess
that I don't really want to
to go up there.
22 years old is young, damn it.
Okay, I have to go now.
I send you a kiss.
- I'm sending you a kiss too.
I love you, my love. Be strong.
[upbeat music on the radio]
- Good morning.
- Good morning.
- How many of you will there be?
- I will be alone.
- Follow me.
Is this okay?
- Yes.
- It's not nice outside
in the morning.
- Ah, well, on the contrary,
I think it's magnificent.
It's going to be a splendid Christmas.
- It's true, it's beautiful.
Hum...
I'll leave you with the menu.
- THANKS.
Uh, whoa.
I'll get you a coffee.
With milk, please.
- I'll bring it to you.
- THANKS.
- Excuse me? Excuse me.
- Yes?
- Yes, that would be to settle,
Please.
- Yeah, sir,
Just a moment, I'm coming.
- OK, that's beautiful.
- Okay. You've noticed,
We've fallen seriously behind.
So, well,
We won't be able to rehearse.
We're going to shoot it, right now.
I'm sorry.
Um... Anyway,
You know your positions.
And besides, everyone knows
What he has to do. Huh?
So, we're going to
two very wide shots.
You, Alain,
You'll come in that way.
You take a walk around the room
eyes.
You move towards the table.
You conduct your dialogue,
And then bam, bam!
- That's exactly what I'd like to do here
that we can see a little something.
In relation to the scene.
We can talk about it later.
when we're in the tight spots.
We need to move forward now.
because, otherwise,
I'm going to lose my face.
So, Alain will come back that way.
He will see both targets.
advances calmly
towards the table.
Perhaps a glance to the right,
a glance to the left,
Finally, dialogue. Bam!
OK?
Okay, let's give it a try.
[dark music]
- Okay, let's go.
[melancholic music]
[soft music on the radio]
- Damn, that's boring.
It's been four hours
that we are here.
I can't take it anymore.
- What do you want
What if I told you?
A big storm is outside.
you didn't want to be late
to your practice.
I didn't take any chances.
It hasn't been four hours.
It's been an hour and a half.
- What time is it?
- Change your tone.
- What time is it?
- Change your tone.
I just want to know
What time is it?
[sigh]
[brouhaha]
I don't even know.
Why are we doing this?
I hate it, fencing.
It's annoying.
I'm going to give up.
- You won't give up.
- Yes, I'm going to let go.
- No, you won't give up.
I asked you
what you wanted to do,
You chose fencing,
I paid $500.
You won't give up.
- You forced me.
- I didn't force you,
I told you that it was necessary
that you find yourself a sport.
- Yes, you forced me.
First,
What's this all about?
that it is necessary
Should I find a sport?
- Because it is necessary
that you move.
You don't move at school,
That means you have to move.
- I'm going to let go.
I'm going to let go, Dad.
It's taking a long time!
What time is it?
What time is it?
- Check your cell phone,
You're always up to your neck in it.
- You too, you always
face in.
- Me, I have the face
fucking inside, because you,
you always have the face
fucking dedans.
[small laugh]
What?
- "Me, I have the face
fucking dedans,
because you, you always
"Fucking face in it!"
[laughs]
[breath of wind]
I'll take two eggs
Bacon and ham, with toast.
- Perfect. Are the eggs cooked?
- Yeah, same as usual.
- And what about you?
- Uh, I'll take
an egg benedictine
with the salmon on the side.
- OK.
- An egg Benedict,
you, thing.
[small laugh]
- I like it,
Eggs Benedict.
That's all,
That, gentlemen?
- Yeah, we're going to be good.
I am yours
in a moment.
- Hey, there's no problem.
- Yes, it will be two eggs.
bacon, ham.
Then an egg Benedict,
with the salmon on the side.
Please.
- White bread or brown bread?
- Ah, shit.
Excuse me--
[panicked screams]
- Let her go.
- No, no, no, no.
No, no. No.
- Let her go.
- It's a joke, damn it.
That's a fucking joke!
Who do you think you are?
toi, tabarnak?
- Let her go!
- OK, let him do it.
We're outta here!
- Hey, don't do that, tabarnak.
Don't do that.
Estie, I don't even know you!
- OK, on s'en va.
Hey, what's up?
What are you looking at?
[tears]
- Send, send, send.
[tears]
[panting]
[Christmas music on the radio]
- Stop.
Stop it, damn it.
Stop.
[tears]
- There's no way
To have service here?
[tears]
- Excuse me, she's back.
I couldn't have known that she
I'd come back, damn it.
When I gave you the go-ahead,
The table was lit.
It was bright,
I'm telling you.
I thought to myself:
"It's now or never."
I should have waited.
Look, I apologize, Marcel.
I should have waited.
- You should have waited,
What do you think?
Should you have waited?
Good heavens!
I could have killed her, damn it.
Do you think this is my job?
In life, do you pick up waitresses?
- Excuse me...
Do you think this is my job?
In life, me,
To shoot waitresses?
It should have
Take 15 seconds.
It took two minutes.
[ominous music]
Hey. Give me your coat.
[breath of wind]
Go back,
Then lie down.
[vehicle reversing beep]
[soft music]
I could walk you
I could walk you
Two for the taking
You can have it all at once
if you make it sane
It's gonna drive you
Back down the roads
and the streets and pavements
Two for the taking
You can have it all at once
if you make it sane
It's gonna drive you
Back down the roads
and the streets and pavements
Stamping your ground
and the rules that shaped us
That shaped us
I could walk you
That shaped us
La la la la la
That shaped us
La la la la la
La la la la la
Well I will ring you up
Say I want you back
Chat back stab say
I never wanted that
It's just
inevitable distance
Twisted bitterness
Give her two months
she'll be over that
Well I will ring you up
Say I want you back
Chat back stab say
I never wanted that
It's just
inevitable distance
Twisted bitterness
Give her two months
she'll be
Two for the taking
You can have it all at once
if you make it sane
It's gonna drive you
Back down the roads
and the streets and pavements
- No, no, we're cutting it.
Please.
Can we cut it?
Please?
Can we just redo it?
[detonation]
I could walk you
That shaped us
La la la la la
That shaped us
La la la la la
La la la la la
Cause I could walk you
back to the station
Talk about
our own frustrations
Cause I could walk you
back to the station
Give her two months
she'll be
Over that
Have you hurt anyone?
class?
- Yes.
- For what?
- Uh, I don't know, baby.
It's complicated.
Were they bad guys?
- Yeah. No.
No, not the whole gang.
- Are you a bad guy?
Not anymore.
I don't think so, no.
- For what?
Because I love you too much,
Marie.
I think I love you too much
to be mean.
I ask for your forgiveness.
- That's correct.
- I am so sorry.
I completely screwed up.
It's because we changed
the words at the last minute.
I was nervous.
I didn't know anymore
what I was playing.
- We're in a wide area,
Damn, Franois.
- Francis. Francis.
- Francis.
We don't give a damn.
We're way ahead in your game.
- Yes I know.
- We would have launched all of that
later, in the tight spaces.
You know the weather
That you're making me lose, right?
- I apologize.
- We're going to have to
to start all over again from scratch.
The room will need cleaning.
the table,
send you to makeup,
you and...
- Adrien.
- ...Adrien.
He'll change his gadget.
- No, no, me,
My gadget is fine, isn't it?
- No, his own gadget.
Change the costume.
It will take at least an hour.
Holy shit.
- And why do you still use
These old-fashioned tricks?
While the bullet impacts,
In post-production, it's fantastic.
- I already told you, Alain.
I want to shoot old school.
I want it to have
vintage look.
- Ah, damn, vintage.
- I got involved,
I'm sorry.
These were new words,
then me,
with a French accent,
It takes me some time.
I can't learn that
like that.
- Why don't you leave him
Is this kid playing in Quebec French?
He can't play
in Quebec French.
I already told you, Alain.
He comes from the north.
It's established, he comes from the north.
- The north, the north.
The north of what, for example?
- Northern France,
For example.
Northern France.
- But Quebec or the north
from France, that's how it is.
It's aesthetically pleasing.
Relax.
I will be relaxed
when this little prick stops
to ruin my catches.
- No, no, no, there.
Let's stop there.
with the swear words. Oh!
First of all, it's not his fault,
if the shot is missed,
It's mine.
I changed the text
And I didn't tell him, that's all.
- You didn't say?
Did you change the text?
- Yes.
Didn't you notice?
- Yes, yes. Yes, yes.
Finally, I noticed
that you weren't saying anything.
But that's because I thought
that we were in a wide shot.
And then you didn't want to...
- No, no, I've changed
The text. I'm not saying anything more.
- We can...
Can we just know why?
- Because, Gilles,
in your screenplay,
There are some great things,
But there's also some rubbish stuff.
That scene was awful.
Not credible.
- You could have told me about it before.
Non?
- But I tried, but...
No rehearsal, no time.
You're annoyed, so, there you go.
It couldn't be done.
Are you coming for a drink?
- Hein?
- Francis, you're coming with me.
Please.
You're going to believe me
if you wish
But in normal times, Gilles,
He's quite nice.
Quite the opposite
From now on, then.
- As far as I'm concerned, he can
eat a piece of shit.
- Huh? A piece of crap?
[small laugh]
That's a good one.
A piece of crap tank.
I didn't know her.
That's a lot of people, isn't it?
[soft music]
- Stop the tank!
[smothered]: Stop the tank!
[breath of wind]
[coughing]
Are you alright, my love?
Are you okay?
- Damn, that's disgusting.
Damn, that's disgusting.
- Come on, Will!
- Don't call me Will.
- You're going to catch a cold, baby!
Don't call me baby!
Crisse, what is it?
What's your problem?
- OK, William, first. Stop,
Please. You'll freeze!
- What does that do?
[tears]
What could that possibly mean?
You want to make me freeze, huh?
When there are a lot of people
who can just...
enter a restaurant
then just massacre
everyone?
What does that do?
It's just because it happens.
[tears]
Board.
[sad music]
[tears]
[indistinct conversation]
[church bell]
- Well, Mrs. Mlanon,
I did what I could
For now.
I'll have to come back tomorrow.
- Yes, that's good.
- Shall we meet around 9 am?
- Yes.
You need
Have someone come and open the door for you?
- No, no, it's fine, I have the key.
- The code?
- Yes, I have the code too.
And... you're staying at a hotel?
- At the hotel, yes.
- With your husband?
- My husband?
I don't know where he is.
- You shouldn't stay here.
- It hurts when I move.
- You want
Should I call someone?
Finally, there's someone who
Could you keep me company?
- No. No.
- Okay. Fine.
I'm sorry.
- You have the experience
That sort of thing, right?
- This kind of thing?
- No sign.
I didn't see it coming, I didn't feel it.
- That's often the case.
- It's violent.
That's incredible.
Do you have children?
- No, ma'am.
- Do you want some?
- I don't know.
- I will never give up again
feet in this room.
I will accompany you
At the hotel, right?
[Sirens in the distance]
[tears]
- Pardon.
- No, no, it's fine, it's fine.
Are you okay? Aren't you cold?
- I'm fine, Dad.
[breath of wind]
- I don't know.
that's what it looks like.
I have no answer.
But... there's some beauty in it.
Even days
as today,
even after all,
There's some beautiful stuff.
- Hum-hum.
[soft music]
- So.
Like a brand new penny.
- THANKS.
[sniffing]
I don't want to die.
I don't want to die, damn it.
[tears]
Please,
I'll pay you double.
I'll pay you triple.
I'll do whatever you want, man.
I will...
Estie the tabarnak the calisse.
[deep exhalation]
I don't want to die, OK?
I don't want to die like that.
Please,
I'll pay you, OK?
I'm going to pay you, I'm going to
give you what you want,
But please,
Don't kill me, don't do that.
Please. Kill--
- You're dying well.
[sigh]
- I was just...
I don't really know
what I was doing.
I don't know what
I do it here, by the way.
- Do you want some wine?
- No, it's fine.
- You know, my first time
At the cinema, I was your age.
And a reply.
"Just a little water,
Please. "
Except for this replica,
she arrived eight minutes
after the start
of a sequence shot
which lasted 12 minutes.
The camera was following
the main actor,
and then at one point,
She stopped and stared at me.
And I had to say, "Just
"A little water, please."
So, not very complicated.
history.
Huh? That was the plan
which was complicated.
So, we repeated it.
Everyone got involved
In place, quiet, good.
Everyone knew
what he had to do.
And then, action!
The camera is coming towards me.
And I'm frozen.
I remain frozen, like this.
I don't know why.
The icing on the cake,
I'm looking at the frame
in addition.
So, I'm throwing the plan out the window.
So, let's start again.
The camera arrives.
Phew! Frozen.
Three or four times like that.
So, they fired me, basically.
That's normal.
I was humiliated.
I thought
that my film career,
She'd be screwed, basically.
You see?
- I know the feeling.
- Yeah.
Would you like some wine?
- Maybe take some
a small amount.
- Yeah.
Yeah.
Do you know what I'm thinking?
When I remember
why then?
Here, drink some wine.
You'll make friends.
[sigh]
Okay, I'm thinking about the eyes
of this extra,
to whom I asked: "Just one
"A little water, please."
With that look of friendship,
of compassion.
Helper.
In the eyes of my love.
Because this extra,
She became my wife.
And we never
left since.
It's crazy, isn't it?
Like what.
[clinking of glasses]
Everything is difficult before the age of 25.
You'll get there.
[sigh]
[soft music]
[gazouillis]
[sigh]
- Sir?
- Yeah?
- When we were coming
at the restaurant,
I think
that we saw the two killers.
Are you completely sure?
From what you're telling me, my man?
There was a younger one,
then an older one.
They were shoveling their cart.
Hey, do you want your mittens?
Marcel?
- Marcel.
Could you
Is it Marcel Tremblay?
- I don't know, maybe.
He worked for a long time
with Benito, back in the day.
- Look at.
Call for information.
Ask them to take you up
un line-up photo.
We're going to show it to the little guy.
You never know.
- Hello, Mr. Tremblay.
How are you?
- Madame Mazza.
- Yeah.
- I was admiring the scenery.
- It's beautiful, isn't it?
- Yeah,
It's a whole storm.
- Yeah.
- Yeah.
- The little ones asked
After you.
- Ah, yeah, huh?
- Yeah.
- I like small ones.
[ominous music]
[indistinct discussion]
Yeah, I went for a walk.
during the storm.
I think it's beautiful.
storms.
[Alain]: An assassin.
A professional killer.
- Yeah.
I suppose we could call it that
Like that, yes.
- Damn...
- Yeah, but he doesn't
Not anymore.
- Non.
- What happened?
[throat clearing]
He had a...
target, a contract.
Then... he had taken
a hotel room.
Under a false name.
He had a heart attack.
That makes
that they called an ambulance
to take him to the hospital.
Then they discovered
all sorts of stuff
in his hotel room.
Fake documents.
Weapons.
Then he grabbed
ten years in prison.
- Yeah,
And you, how old were you?
- I was five years old
when it happened.
- Five years old is young.
- Hum-hum.
- So, we're ready for you
on the set.
- Ah! Very good. Let's go.
Let's go, let's get this over with.
So, don't worry, big guy.
Everything will be alright.
Gilles, he's heavy,
He is tense.
But you, you remain calm,
All right?
- Heard.
In all matters,
takes a step back
and you'll have the advantage.
- THANKS.
[door opening]
How are you?
- Hum-hum.
I think
I'm going back to the hotel.
I need to take
a little bit of air.
Are you sure?
Hmm... But I love you.
[whispering]: Shit.
[expiration]
[melancholic music]
[urban rumor]
[engine start]
[soft piano music]
- Welcome
at the Congress Hotel.
- Good evening.
[brouhaha]
There you are, madam.
Here.
You need help
To settle in?
- No, it's fine, thank you.
- You have some pills
To sleep?
- You're kind, Benot.
- No, madam.
I'm doing my job.
- No, you know very well that's not the case.
You are kind.
- If I can bring you
a little comfort,
because, honestly, I can't manage to
Imagine what you are going through.
- No, but you're trying.
You... You try to imagine.
It's precious, it's...
It's more precious than anything.
And...
And that might even be enough.
For tonight.
- At least,
You try to sleep,
then rest a little.
We'll talk again tomorrow.
- All right.
[sad music]
[Sirens in the distance]
[phone ringing]
[Answering machine]: Hello,
This is Roseline.
Uh, I'm unreachable.
So, leave me a message.
[bip]
- Ah, no, well, it was me.
Listen, I've finished my day.
I wanted to talk to you.
Well, that was a bit tough.
But anyway.
I don't know, remind me
or send me a text message.
[sniffing]
[phone ringing]
- Since when
Are you FaceTimeing me?
- I had the taste
to see your face.
Hey, pregnant, you thing!
It's not an everyday occurrence.
[sad music]
[engine start]
What are you doing here?
- I'm going back to my hotel,
I'm tired.
Congress Hotel.
- Wow.
[Marie]: Where are you?
- Uh... On the mountain,
I felt like walking.
A whole bunch of them fell over.
In any case.
- Oh yeah? How much?
- I don't know, they say
35, 40 centimeters.
But then the sky cleared,
it's beautiful.
- Did you walk all the way to the top?
- There's even a little moon.
- What did you say?
- Did I walk?
No, I was saying that there was
even a small moon.
Even though it's 4 a.m.
- For me, there are little clouds.
Wait, I'll move over.
- She's not answering, you fucking bitch
What a beautiful blonde bombshell!
- No. I don't know.
what she does.
- Everyone in position.
The next one is a catch.
- You told me "I love you"
Good morning, Marcel.
- Yeah, right. That's true.
You know that.
- I know, but...
But why in the morning?
Is something happening?
I have it, I can see it.
- Do you have it?
Good!
Good.
[phone ringing]
[phone vibrates]
- Marcel,
What's going on?
- There's nothing there.
The moon is beautiful.
You're pregnant.
I'm happy for you.
I wanted you to know.
- What's going on, Dad?
- Hello.
Are you okay?
- I killed, Marie.
- What?
What's wrong with you?
- I killed today.
- Roselyne?
Roselyne.
[horn]
[squealing tires]
[soft music]
[fracas]
[woman]: I don't know the street.
In front of the Congress Hotel.
Yes, at the corner.
Opposite the tobacconist.
Okay. Yes, hurry up.
Please.
- Heh...
How are you?
- I need to...
- Don't move,
Don't move, okay?
Can you call for help?
Someone can call
The rescue services?
[Woman]: It's done.
- I have...
- No, no, don't move.
Don't move.
Above all, don't move.
Give me your hand.
What is your name?
[whisper]
What is your name?
[expiration]
- Marie.
- Marie. Marie.
Well, my name is Benot.
Hey, I'm with you.
We'll wait here, it'll be alright.
- I have my...
[Benot]: What are they doing there?
[woman]: They're coming.
[Benot]: I'm sorry,
It's my fault.
The emergency services are on their way.
on attend.
[rumbling]
- Very good, very good. The scene
It's over, everyone.
It's the end of the day.
But first, we're going to ask
to not move.
For a single sound.
So, we're not moving anymore.
Thank you, silence.
Silence, for a single sound.
We're not moving anymore.
And... it's rolling.
[Jose]: We would like that,
live longer.
Let's fix our mistakes.
To find those we have lost.
Start again.
To have another chance.
One last chance.
One last day.
One last second.
But there is a limit.
That limit,
She is violent.
She is ruthless.
[soft music]
There comes a time
where it just hurts too much.
Where one must accept
the inadequacy
of our lives,
then to say to oneself:
"Well, that was it, my life."
That was enough.
That's enough.
This is the hardest choice.
But it's often
the most dignified choice.
So what can we offer?
to those people?
People
who choose death.
The same thing that one can
to offer oneself throughout one's life.
Compassion.
Love.
That's the only answer.
That's the best answer.
Sharing the suffering.
Sharing fear or peace.
With humility
of someone who knows that one day,
this suffering, this fear,
This peace will be his.
I call that unconditional love.
We often talk
gratuitous violence,
but not enough unconditional love.
It exists.
Solidarity does exist.
[soft music]
[tears]
[soft music]
[dramatic music]
Team SUPPLY