The Centre of the World (2001) Movie Script

1
[ Keyboard Keys Clacking ]
[ Female Singer ]
ROCKS FOR MY PILLOW
AND SAND FOR MY BED
FOR BETTER OR FOR WORSE
I LEFT HIM FOR DEAD
BUT TWO RIVERS
TO EACH OTHER RUN
WORDS THAT SHOOK ME
LIKE A KICK OF A GUN
SOMETHING IN MY HEAR AIN'T GOT NO NAME
TURNED OUT HE FELT THE SAME
AIN'T IT LONESOME
AIN'T IT SAD
I WAS THE ONLY HAPPINESS
HE EVER HAD
BY INDIAN RIVER
THE VOWS WERE SAID
IN A RED DEVIL'S DRESS
I WAS WED
KITTY CAT BONE
KITTY, KITTY CAT BONE
KITTY CAT BONE
KITTY, KITTY CAT BONE
KITTY CAT BONE
KITTY, KITTY CAT BONE
KITTY CAT BONE
KITTY, KITTY CAT BONE
KITTY CAT BONE
KITTY, KITTY CAT BONE
KITTY CAT BONE
KITTY, KITTY CAT BONE
HERE, KITTY, KITTY, KITTY
HERE, KITTY, KITTY, KITTY
HERE, KITTY, KITTY, KITTY
HERE, KITTY, KITTY, KITTY
KITTY CAT BONE
KITTY, KITTY CAT BONE
KITTY CAT BONE
KITTY, KITTY CAT BONE
KITTY CAT BONE
KITTY, KITTY CAT BONE
KITTY CAT BONE
KITTY, KITTY CAT BONE
KITTY CAT BONE
KITTY, KITTY CAT BONE
HERE, KITTY, KITTY, KITTY
KITTY CAT BONE
KITTY, KITTY CAT BONE
KITTY CAT BONE
KITTY, KITTY CAT BONE
HERE, KITTY, KITTY, KITTY
KITTY CAT BONE
KITTY, KITTY CAT BONE
KITTY CAT BONE
KITTY, KITTY CAT BONE
HERE, KITTY, KITTY, KITTY
KITTY CAT BONE
KITTY, KITTY CAT BONE
KITTY CAT BONE
KITTY, KITTY CAT BONE
HERE, KITTY, KITTY, KITTY
KITTY CAT BONE
KITTY, KITTY CAT BONE
KITTY CAT BONE
KITTY, KITTY CAT BONE
HERE, KITTY, KITTY, KITTY
HERE, KITTY, KITTY, KITTY
HERE IT IS--
LAS VEGAS.
FASTEST GROWING CITY
IN AMERICA.
WE HAVE BROOKLYN BRIDGE,
VENICE CANAL, EIFFEL TOWER.
EVERYTHING YOU WANT,
WE HAVE.
WE HAVE FIVE RESTAURANTS
RIGHT HERE IN HOTEL
OPEN 24 HOURS.
NO NIGHT, NO DAY.
JUST FUN AND FROLIC.
WORLD OF DREAMS.
ANYTHING YOU NEED,
YOU ASK FOR ME.
MY NAME IS VLADIMIR.
I CAN-DO GUY.
NO PROBLEM TOO SMALL,
NO PROBLEM TOO BIG.
OKAY, GREAT.
THANK YOU.
UH, GOOD.
VERY GOOD.
THANK YOU VERY MUCH.
OH. HOLD ON.
HEY. SORRY.
OH.
THANK YOU VERY MUCH, SIR.
ENJOY YOUR STAY.
YOU TOO.
[ Door Closes ]
IT'S OKAY, RIGHT ?
IT'S WHAT YOU WANTED ?
RIGHT.
OKAY.
IT'S OKAY. YOU DON'T HAVE TO
CLOSE THAT ONE 'CAUSE YOU CAN
LOCK IT FROM THE OTHER SIDE.
[ Man ]
HEY, I SEE YOU IN HERE
HAVING COFFEE EVERY MORNING.
I'M RICHARD.
HI, RICHARD.
- YOU ARE ?
- FLORENCE.
FLORENCE WHAT ?
JUST FLORENCE.
- WELL, "JUST FLORENCE,"
WHAT DO YOU DO ?
- I MAKE A LOT OF NOISE.
OH ?
I PLAY DRUMS.
IN A BAND ?
MM-HMM.
SO, YOU HAVE A CD OUT ?
NO.
WE'RE JUST KIND OF PUTTING ONE
TOGETHER RIGHT NOW.
[ Cell Phone Ringing ]
YOU KNOW, WHEN YOU'RE
FINISHED, YOU SHOULD GE YOUR MP3 FILES TOGETHER.
HOLD ON.
[ Ringing Continues ]
[ Phone Beeps ]
YOU SHOULD GET YOUR
MP3 FILES TOGETHER.
IT'S A GREAT WAY FOR
NEW BANDS TO GET HEARD.
WE ALREADY THOUGHT ABOUT THAT.
SO, YOU MAKE A LIVING
PLAYING THE DRUMS ?
NO. NO.
NOT EVEN CLOSE.
WHAT DO YOU DO ?
I'M A STRIPPER.
REALLY ? GOD,
YOU DON'T LOOK LIKE
A STRIPPER.
NO ?
MM-MM.
WHAT DO STRIPPERS
LOOK LIKE ?
I DON'T KNOW.
I MEAN,
THEY DON'T LOOK LIKE YOU.
WHERE DO YOU PERFORM ?
PANDORA'S BOX.
I'LL SEE YOU AROUND.
HAVE YOU EVER
BEEN HERE BEFORE ?
NO. HAVE YOU ?
NO.
YOU WANNA GO OU AND TAKE A LOOK AROUND ?
YEAH, OKAY.
YEAH, REALLY ?
OKAY.
[ Elevator Bell Dings ]
SMILE. SMILE.
[ Camera Clicks ]
SHOOT. OKAY.
UH, OKAY.
I DIDN'T COCK IT.
[ Shutter Clicks ]
DID IT FLASH ?
[ Sighs ]
[ Slow Rock ]
[ Man ]
WHOO !
[ Man Whistling ]
[ Applause Continues ]
[ Leather Dress Squeaking ]
[ Moans ]
[ Richard Moans ]
[ Moans ]
[ Richard Moans ]
I SAID, NO TOUCHING.
[ People Chattering ]
SO, IS IT WEIRD JUS BEING ALL ALONE IN FRON OF YOUR COMPUTER ALL DAY ?
I'M NOT-- NO.
WELL, THE THING ABOUT COMPUTERS
IS THAT YOU'RE KIND OF CONNECTED
TO EVERYBODY AND EVERYTHING.
IT'S LIKE YOU'RE A THE CENTER OF THE WORLD.
DO YOU MISS
YOUR COMPUTERS YET ?
WELL, I HAVE I WITH ME.
[ People Screaming ]
MAN ! LET'S GO.
WANNA GO ?
YEAH ?
ALL RIGHT.
OKAY, COME ON.
[ Chain Rattling On Track ]
[ Laughing ]
[ Screams, Laughs ]
WHOO.
[ People Screaming ]
AAH.
SO THEY'RE ALL
STILL BACK IN OHIO ?
YEAH.
EVERYONE EXCEPT FOR MY SISTER.
SHE LIVES IN SANTA ROSA.
SHE'S MARRIED.
[ Sighs ]
WHAT'S HER NAME ?
UM, VAL.
DOES SHE HAVE KIDS ?
YEAH.
A LITTLE GIRL, MEGAN.
SHE WAS BORN
WITH A WANDERING EYE.
THEY DID ALL THESE OPERATIONS
WHEN SHE WAS A KID. SHE WEARS
THESE REALLY THICK GLASSES.
SHE'S VERY PRETTY.
MY DAD JUST DIED.
PROSTATE CANCER.
OH, I AM SO SORRY.
IT'S OKAY.
WERE YOU GUYS
REALLY CLOSE ?
YEAH.
HE WAS A GREAT GUY.
SWEET.
I COME FROM
A VERY TIGHT FAMILY,
VERY MIDWESTERN.
[ Ice Cubes Cracking ]
[ Soft ]
[ Sighs ]
[ Sighs ]
[ Woman Vocalizing ]
YOU LOOK GOOD.
WHAT DO YOU WANT ME
TO DO, BABY ?
WHAT ARE THE OPTIONS ?
THE REGULAR ROUTINE.
SURE.
LAP DANCE--
TWO SONGS, $60.
[ Florence ]
I CAN'T GO TO VEGAS WITH YOU.
I MEAN, I GOTTA WORK.
THANKS, THOUGH.
I KNOW YOU'RE WORKING.
I KNOW YOU HAVE TO WORK.
UM, SO I CAN
COMPENSATE YOU.
SORRY. I DON'T DO
THINGS LIKE THAT.
WHAT KIND OF THINGS ?
YOU DON'T GO ON, LIKE,
A VACATION ?
NO. I DON'T HAVE SEX
WITH PEOPLE FOR MONEY.
WHY DO YOU HAVE TO
TALK LIKE THAT ?
[ Chuckles ]
RICHARD, THERE ARE LOTS
OF OTHER WOMEN...
WHO WOULD LOVE
TO DO THAT WITH YOU.
WHAT IF I PAID YOU,
LIKE, $10,000 ?
JESUS CHRIST !
YOU GOT A LOT OF MONEY
TO THROW AROUND.
YEAH, I MADE A LO OF MONEY LAST YEAR--
OVER A MILLION DOLLARS.
- EVERYONE'S A MILLIONAIRE
THESE DAYS.
- I'VE WORKED SO HARD.
I JUST-- I WANNA HAVE FUN,
I WANNA CELEBRATE.
YOU KNOW ?
I'M NOT A BAD GUY.
WHAT ARE YOU TALKING
ABOUT EXACTLY ? NONSTOP
SEX 24 HOURS A DAY ?
WELL, NOT LIKE NONSTOP SEX,
NECESSARILY.
I JUST WANNA GET TO
KNOW YOU BETTER.
OH, YOU WANNA GET TO
KNOW ME BETTER.
AND I'M NOT TALKING
ABOUT MARRIAGE.
IT'S JUST THE WEEKEND.
ALL RIGHT,
LET'S TALK ABOUT THIS.
I'M NOT SAYING THAT I--
I WOULD... DO IT, BUT--
I MEAN, IF I WAS
GONNA DO IT, THERE'D
BE A LOT OF CONDITIONS.
OKAY.
UM, NO TALK ABOUT FEELINGS.
MMM.
[ Stapling ]
NO KISSING ON THE MOUTH.
NO PENETRATION.
WHAT DO YOU MEAN,
NO PENETRATION ?
I MEAN, NO FUCKING.
[ Chuckles ]
OKAY, I CAN LIVE
WITH THAT.
IT'S ALL AN ACT.
YOU KNOW THAT, RIGHT ?
[ Florence ]
AND YOU'LL PAY ME CASH,
UP FRONT.
[ Gunshots On Game ]
[ Industrial ]
[ Computerized Voices
Speaking Indistinctly ]
[ Game Bleeping ]
[ Cell Phone Ringing ]
HEY.
OH, HEY.
HOW'S IT GOING ?
OH, REALLY ?
UM, LET ME JUST THINK
FOR A SEC.
UM, WHY DON'T YOU
START OFF BY PUTTING LIKE--
JUST PUT 60 BACK
INTO THE FUND.
UH-HUH.
UM--
SELL IT AT 55.
ALL RIGHT.
[ Game Continues Bleeping ]
[ Man ] I MEAN, WHEN WAS
THE LAST TIME YOU GOT LAID ?
SINCE YOU BROKE UP WITH DEBBIE ?
THAT'S FUCKING
TWO YEARS AGO, DUDE.
YOU NEED TO GET ON SOMETHING.
MAN, I DON'T KNOW WHAT HAPPENED
TO YOU. LAST YEAR, YOU WERE
A FUCKING GENIUS.
FUCKING CAME UP
WITH THE BEST CONCEP OF THE YEAR.
WELL, IT'S--
NOW YOU CAN'T EVEN
GET OUT OF BED ?
BUT YOU GOTTA GO ALL THE WAY.
YOU TOOK YOUR FUCKIN' 90%
AND NOW YOU'RE CHECKIN' OUT.
YOU OWN 18% OF
THIS COMPANY. DO YOU KNOW
HOW MUCH MONEY THAT IS ?
THAT'S NOT COURTSIDE SEATS.
THAT'S BUYING
THE FUCKING N.B.A. TEAM.
AND YOU'RE SITTIN' HOME
JERKIN' OFF, WATCHIN' PORN ?
DUDE, I GOT A HUNDRED ENGINEERS
AT M.I.T. WHO'D TAKE YOUR PLACE
IN A MINUTE.
GO GET ONE.
YEAH, RIGHT.
[ Game Continues Firing,
Bleeping ]
[ Computerized Voices
Continue ]
[ Stops ]
[ Footsteps ]
[ Door Opens ]
NOT SO FAST.
WE GOT UNTIL 2:00.
YOU'RE RIGHT.
I DON'T WANNA RUSH IT.
[ CD Loading Into Player ]
[ Slow Funk ]
[ Man Vocalizing ]
[ Man Singing
Indistinctly ]
[ Man Vocalizing ]
[ Singing Continues,
Indistinct ]
[ Man Talking On CD ]
HERE'S WHERE WE GO
OFF THE MAP,
OUT PAST THE POWER LINES,
UP THAT LITTLE SIDE ROAD
WITHOUT A SIGN,
HIDDEN FROM THE MAIN STREET.
THE KEEPERS
OF THE ANCIENT FUTURE,
THE KEEPERS OF THE DRAMA.
THEY DON'T PRESERVE IT.
THEY LIVE IT.
[ Moaning ]
[ Panting ]
[ Grunting ]
[ Fades ]
[ Chuckling ]
[ Sighs ]
[ Knocking ]
HEY.
HEY.
I'LL BE RIGHT THERE.
[ Whistles ]
SO YOU DON'T SEEM
TO BE TOO UNHAPPY, THEN.
WHY WOULD I BE UNHAPPY ?
I DON'T KNOW.
YOU WERE PRETTY RELUCTAN TO GET INTO ALL THIS.
WELL, IT'S NOT EVERY DAY
A GIRL GETS TO
EAT OYSTERS...
IN A SUITE IN VEGAS
WITH DICK LONGMAN.
YOU HAVE NO REGRETS,
THEN ?
DON'T BE SILLY.
I'M HAVING A FINE TIME.
ME TOO.
DO YOU HAVE
A SECRET FANTASY ?
[ Chuckles ]
UH, NOT REALLY.
COME ON.
COME ON.
EVERYBODY HAS
A SECRET FANTASY.
UH, THREE DAYS IN VEGAS
WITH A BEAUTIFUL WOMAN.
THAT'S IT ?
YEAH.
THERE'S NOTHING
THAT YOU ALWAYS WANTED
BUT YOU NEVER ASKED FOR ?
[ Whispering ]
TELL ME.
REALLY ?
YEAH.
REALLY.
THE CHINESE CALL THA "FIRE AND ICE."
NO ! THERE'S
A NAME FOR IT ?
THAT'S COLD.
[ Shuddering ]
OH, MY GOD.
[ Chuckles ]
[ Spitting Liquid ]
OOOH !
[ Slurping ]
AAAH !
AAH !
[ Coughs ]
[ Groaning ]
DO YOU WANT ME
TO STOP ?
I'M OKAY.
NO, STOP, STOP,
STOP, STOP.
[ Panting ]
[ Sighs ]
[ Computer Humming ]
[ Taps Keyboard ]
[ Beeps ]
SIX DAYS AWAY
FROM THE I.P.O., OKAY ?
MM-HMM.
YOU GOTTA KEEP I TOGETHER.
I KNOW.
THIS IS WHAT WE TALKED
ABOUT A YEAR AGO.
YOU'RE A ROCK STAR.
YOU RAISED THIS MONEY. YOU HAD
THE BEST "B" TO "B" CONCEP IN THE WORLD. ALL RIGHT ?
OKAY.
THIS IS SERIOUS CASH.
RIGHT.
DON'T BURN YOURSELF OU ON QUAKE AND PLAYING STOCKS.
OKAY.
I NEED YOU TO BE TOGETHER
FOR TUESDAY.
OKAY.
COME IN EARLY.
HOW EARLY ?
LIKE BEFORE LUNCH.
THANK YOU.
[ Beeps ]
FLORENCE, YOU UP ?
[ Moans ]
GOOD MORNING.
GOOD AFTERNOON.
WHY ?
WHAT TIME IS IT ?
1:30.
I ORDERED UP SOME COFFEE.
YOU WANT SOME ?
UM, YEAH.
JUST-JUST GIVE ME
FIVE MINUTES, OKAY ?
OKAY.
I WORKED PART-TIME
AT WAL-MART.
I WENT TO COLLEGE.
MM. WHAT'D YOU STUDY ?
QUANTUM PHYSICS.
WOW. REALLY ?
YEAH.
YOU KNOW, BLACK HOLES
AND BIG BANGS.
YEAH, I KNOW.
SERIOUSLY ?
NO.
COME ON.
WHAT'D YOU REALLY STUDY ?
DOESN'T MATTER.
I DIDN'T FINISH.
- YOU KNOW WHAT I STUDIED ?
- WHAT ?
COMPUTER SCIENCE.
REALLY ?
NO.
I DID WORK
AS A LOCKSMITH...
WHEN I FIRST CAME
TO L.A.
WHAT DO YOU MEAN, CUTTING
KEYS AND INSTALLING LOCKS ?
I WAS A LOCKED CAR SPECIALIST.
CAN'T YOU JUST USE
A COAT HANGER FOR THAT ?
YEAH, YOU CAN.
BUT ONLY IF THE CAR
WAS BUILT BEFORE 1982.
SOME OF THESE NEW LOCK SYSTEMS
ARE SO COMPLICATED. I HAD TO
TAKE A SPECIAL TRAINING COURSE.
THEY HAVE ALL THESE TOOLS,
LIKE THE SWAN KEY.
IT'S LIKE A BIRD.
THAT'S A PRETTY STRANGE JOB
FOR A GIRL, ISN'T IT ?
ACTUALLY, IT'S MOSTLY
WOMEN THAT DO IT.
I MEAN, THE COMPANY LIKES
TO HIRE WOMEN BECAUSE THEY
DON'T PANIC THE WAY MEN DO.
THEY CAN HANDLE
THE PRESSURE.
WHAT PRESSURE ?
THINK ABOUT IT. NO, USUALLY
THERE'S NOBODY IN THE CAR.
BUT SOMETIMES PEOPLE
GET LOCKED IN THEIR CARS,
AND PEOPLE GET REALLY
FREAKED OUT WHEN THEY'RE
LOCKED IN A SMALL SPACE.
OKAY, BUT CAN'T YOU
JUST OPEN THE LOCK
FROM THE INSIDE ?
WELL, WHAT ABOUT A DOG ?
CAN A DOG UNLOCK A DOOR ?
ONE TIME I HAD TO
GET THIS POODLE
OUT OF A MERCEDES.
AND IT WAS DURING
THIS HEAT WAVE
A COUPLE YEARS AGO.
AND THIS WOMAN
KEPT SCREAMING AT ME
THAT WINSTON WAS GONNA DIE.
THE DOG'S NAME
WAS WINSTON CHURCHILL.
IT WAS A REALLY TRICKY LOCK,
AND I WAS WORKING ON IT.
AND SHE-- SHE KEP GRABBING ONTO MY ARM
AND TELLING ME TO HURRY UP.
I WANTED TO PUNCH HER.
[ Laughs ]
ONE TIME... I ARRIVED
AT THIS CAR EARLY
IN THE MORNING,
AND THERE WAS A MAN
TRAPPED INSIDE--
AN OLD MAN.
HE'D BEEN IN THERE ALL NIGHT.
HE HAD ALZHEIMER'S.
HE THOUGHT IT WAS CHICAGO
AND IT WAS 1932.
GOD.
WHEN I FINALLY GOT HIM OUT,
HE WAS SO DEHYDRATED HE HAD TO
DRINK SIX GLASSES OF WATER.
THE SCARIEST ONE--
THERE WAS THIS TIME
I WAS DRIVING...
HOME, ACTUALLY.
I DON'T THINK I WAS WORKING.
AND I CAME ACROSS THIS ACCIDEN THAT HAD JUST HAPPENED.
THERE WAS
NOBODY THERE.
SO I CALLED 911,
AND I WENT OVER
TO THE CAR WRECK...
AND THERE WAS THIS WOMAN
TRAPPED IN THE CAR.
BUT I DIDN'T WANNA LEAVE HER
IN THE CAR, YOU KNOW.
SHE WAS UNCONSCIOUS.
I COULDN'T TELL... IF
SHE WAS REALLY BADLY HUR OR WHAT WAS GOING ON.
AND I STARTED TO WORK
ON THE LOCK TO TRY
AND GET HER OUT.
IT WAS JUST HER AND I,
AND I KEPT LOOKING AT HER
THROUGH THE GLASS THINKING,
I COULD SAVE HER LIFE.
[ Computer Game Bleeping ]
[ Richard ]
YOU HAVE THE BAD GUN AGAIN.
JUST KEEP MOVING.
NO. KEEP GOING.
OKAY. OKAY.
DON'T BACK AWAY.
BUT IF YOU DIE,
AREN'T YOU JUST DEAD ?
I MEAN, HOW CAN YOU
KEEP GOING IF YOU CAN DIE ?
[ Richard ]
JUST TRY AND PICK UP
THAT BIG GUN BECAUSE--
- I DIDN'T KNOW THAT.
- YOU'VE GOT IT AGAIN.
BUT I DIDN'T PICK IT UP.
IT JUST-- AAAH !
OH, MY GOD !
I KILLED HIM !
NO, THAT WAS YOU.
NO, NO, NO,
I WAS DOING SO GOOD.
HOLD ON, HOLD ON.
YOU WERE DOING OKAY.
YOU'RE PRETTY GOOD, ACTUALLY.
SERIOUSLY, YOU'RE PRETTY GOOD.
NO, I KNOW. I'M REALLY GOOD.
NO, FOR A BEGINNER
YOU'RE PRETTY GOOD.
FOR LIKE THE FIRST TIME--
HERE, YOU SHOULD
LET ME HELP YOU.
YOU SHOULD LET ME HELP YOU.
YOU SHOULD LET ME HELP YOU.
NO. NO.
LET ME TAKE-- LET ME--
[ Imitating Explosions ]
[ Knocking ]
COME IN.
HEY.
HEY.
I'M GOING OUT FOR
A COUPLE OF HOURS, SO I'LL
SEE YOU LATER, ALL RIGHT ?
WHERE YOU GOING ?
I'M GOING TO VISI AN OLD FRIEND OF MINE, JERRI.
I DIDN'T KNOW
YOU HAD A FRIEND HERE.
MM-HMM.
WHAT DOES HE DO ?
SHE.
SHE'S A DEALER
AT CAESAR'S PALACE.
OH.
WAIT.
CAN I COME ?
CHECK OUT MY LITTLE GUY,
RIGHT ?
OH, MY GOD !
THAT'S MY SON JACOB.
OH.
HE'S SO BIG.
HE'S ALMOST FIVE.
CAN YOU BELIEVE IT ?
NO.
I'M TELLING YOU,
HE IS SO SMART.
LET ME SEE.
YEAH, HE'S BRILLIANT.
I KNOW ALL THE MOMS
SAY THAT AND EVERYTHING,
BUT I'M TELLING YOU HE IS.
IS HE STILL WITH YOUR MOM ?
YEAH, I-- I'M GONNA GO
SEE HIM DAY AFTER TOMORROW.
SO, I SAW THIS MOVIE
THE OTHER NIGHT ON CABLE--
THIS BLACK AND WHITE MOVIE.
I'M TELLING YOU,
IT TOTALLY GOT ME.
THERE'S THIS GUY,
HE'S IN A HOSPITAL
DURING, LIKE, SOME WAR.
AND HE CAN'T REMEMBER
WHO HE IS.
AND HE MEETS THIS GIRL
AND THEY FALL IN LOVE AND
IT'S ALL REALLY GREAT, RIGHT ?
THEY GET MARRIED.
EVERYTHING IS FABULOUS.
HE HAS TO GO TO THIS OTHER TOWN
FOR A JOB INTERVIEW.
MMM !
AND HE'S WALKING
ACROSS THE STREET,
HE GETS HIT BY A CAR.
AND HE'S A LORD.
YEAH, HE-- YEAH--
HE WAKES UP THE PERSON
HE WAS, WHICH IS,
LIKE, A LORD OR SOMETHING.
AND HE CAN'T REMEMBER
WHO HE IS NOW.
RONALD COLEMAN AND...
GREER GARSON.
UM, SHE'S HIS SECRETARY ?
AND-AND--
AND SHE NEVER TELLS HIM !
EXACTLY.
FOR 15 YEARS--
FOR 15 FUCKING YEARS
SHE NEVER SAYS ANYTHING.
NO, IT'S UNBELIEVABLE.
YOU FEEL LIKE MAYBE--
I DON'T KNOW--
MAYBE LOVE NEVER DIES.
MAYBE LOVE NEVER DOES.
[ Both Laughing ]
RING, RING.
OH, SHOULD YOU GET IT ?
MAYBE YOU SHOULD GET IT.
SHH.
RING, RING.
SHE DOESN'T KNOW
YOU'RE HERE.
- HELLO ?
- HELLO, RICHARD ?
OH, HANG ON ONE SECOND.
I'LL GET HIM.
UH, HEY, HOW'S IT GOIN' ?
RICHARD, IS THAT YOU ?
CAN I CONFERENCE IN ?
I FEEL LEFT OUT.
YES, IT IS.
I HAVE A BANANA
AND EVERYTHING.
YES, IT IS, FLORENCE.
WHAT ARE YOU DOING ?
I DON'T KNOW. I'M JUS HANGING OUT WITH MY FRIEND HERE.
WHO ARE YOU WITH ?
NO ONE.
UM--
WHO ARE YOU WITH ? DO YOU
WANNA COME OVER AND PLAY ?
[ Richard Growls ]
[ Man ] YOU'VE GOTTA GO EAT.
[ Richard ]
YOU'VE GOTTA GO EAT ?
EAT EVERYTHING.
THIS IS THE ONLY TOWN
IN THE WORLD WHERE...
THE BREAKFAS GET BIGGER BILLING
THAN THE ENTERTAINERS.
DOWN THE STRIP A LITTLE BI YOU'RE GONNA SEE "STEAK AND
EGGS," EIGHT-FOOT LETTERS.
AND UNDERNEATH,
"IN THE LOUNGE,
I'M REALLY HUNGRY.
FRANK SINATRA, JR.
AND HIS ORCHESTRA."
LITTLE TINY LETTERS.
YOU GOTTA HAVE GLASSES
TO READ 'EM.
RICHARD ?
BRIAN.
I HEARD YOU WEN AWOL ON PETE.
YEAH, I KNOW.
I KNOW. UM--
THIS IS FLORENCE.
UM, BRIAN.
BRIAN.
PIVANO.
PLEASED TO MEET YOU,
MR. PIVANO.
IT'S NICE TO MEET YOU, MISS--
[ Southern Accent ]
TREMAIN. FLORENCE
ABIGAIL TREMAIN.
- MY FRIENDS CALL ME ABBY.
- I GUESS HE'S NO A FRIEND, HUH ?
RICHARD IS A MAN
OF DISCRETION.
WE ARE BUSINESS PARTNERS,
AFTER ALL.
HE WOULD NEVER PRESUME
TO TAKE LIBERTIES.
YOU WANNA HAVE A SEAT ?
YEAH.
YEAH, WE'VE BEEN WORKING
TOGETHER FOR-- WHAT IS IT--
LIKE... EIGHT MONTHS
OR SOMETHING ?
NINE MONTHS, RICHARD.
NINE MONTHS.
BRIAN AND I WEN TO COLLEGE TOGETHER.
WHERE YOU WORKING NOW ?
I'M OVER AT SILTEL.
SO, UH, WHAT SORT OF BUSINESS
ARE YOU TWO IN ?
[ Florence ]
WOMEN'S CLOTHING. WE DEAL
EXCLUSIVELY ON THE INTERNET.
WE'RE IN LAS VEGAS
THIS WEEKEND DOING RESEARCH
FOR OUR NEW LINE.
WE DEAL IN SPECIALITY ITEMS,
EROTIC FANTASY GARMENTS,
LATEX DRESSES AND WHATNOT.
WE'RE CALLED
LOVE FACTORY DOT COM.
[ Chuckles ]
[ Brian ] UNDERWEAR, RICHARD ?
YEAH, IT WAS
A BIG OPPORTUNITY, BRIAN.
EVERY WOMAN HAS A FANTASY,
BRIAN.
BUT MOST WOMEN ARE TOO SHY
TO WALK INTO A STORE...
AND TELL THE CLERK
WHAT THEY WANT.
AND WE'RE SUPPORTED
LARGELY THROUGH ADVERTISING.
WE'VE HAD QUITE A FEW HITS
IN THE FIRST--
WOMEN WANT TO FEEL DESIRED.
AND MEN LOVE IT WHEN THEIR WOMEN
MAKE THAT EXTRA EFFOR TO BE DESIRABLE.
AFTER ALL,
WITHOUT SEX,
NONE OF US WOULD BE BORN.
AND WE ARE ALL BORN
OUT OF A WOMAN'S CUNT.
IT IS THE CENTER OF THE WORLD.
AND THE MORE WE CAN DO
TO GLORIFY THAT HOLY SPOT,
THE MORE WE'RE DOING
FOR MANKIND.
OH, SISTER,
WHEN YOU SAID THAT WORD--
I BELIEVE IT WAS "CUNT"--
I THOUGHT HE WAS GONNA
CHOKE ON HIS DRINK.
TELLING IT LIKE IT IS, SUGAR.
A CUNT IS A CUN IS A CUNT.
[ Growls ]
[ Laughs ]
NO, DON'T DO THAT.
NO, NO, NO.
EXCUSE ME !
MINK BRAS,
SABLE PANTIES.
BEAVER BEAVER COVERS.
FURS FOR YOUR FUR.
FOX FOR YOUR BOX.
OH, CHINCHILLA
CLIT WARMERS.
CHINCHILLA
CLIT WARMERS.
[ Moans ]
[ Chuckles ]
[ Panting ]
COME ON.
OH, FUCK.
WHAT AM I DOING ?
OH, IT'S OKAY, IT'S OKAY.
NO, IT'S OKAY.
NO. NO.
HEY, IT'S OKAY.
OH, FUCK.
IT'S OKAY.
COME HERE, COME HERE,
COME HERE, COME HERE.
[ Gasps ]
SHH.
RICHARD, NO.
IT'S OKAY.
RICHARD. RICHARD !
IT'S OKAY.
SHH.
RICHARD--
SHH ! SHH !
WE CAN'T DO THIS.
WE HAVE TO STICK
TO THE AGREEMENT.
[ Kissing ]
I'LL SEE YOU AT 10:00.
[ Groans ]
[ Sighs ]
FUCK.
[ Sighs ]
[ Soft ]
[ Richard Moans ]
I WANT YOU INSIDE ME.
PLEASE.
[ Moans ]
I DON'T KNOW WHAT TO DO NOW.
I CAN'T JUST GIVE HIM HAND JOBS
FOR THREE DAYS, YOU KNOW.
YOU KNOW WHAT, ROXY ?
I MEAN, I'D DO IT.
I WOULDN'T EVEN MIND.
BUT IT'S LIKE, FUCK,
I THINK I KIND OF LIKE HIM.
NO, NO. I'M NOT GONNA
BREAK THE RULES.
TOMATO JUICE ?
IN THE MINI-BAR, YEAH. WHY ?
FAKE MY--
ARE YOU FUCKING KIDDING ME ?
WHAT ? WHAT ?
AND, LIKE, MIX THE TOMATO JUICE
AND THE LIPSTICK ?
[ Groans ]
YOU OKAY ?
OF COURSE I'M OKAY.
[ Loading CD ]
[ Soft Rock ]
[ Male Singer ]
HOW BEAUTIFUL
YOU'VE MADE YOURSELF
HOW CRUEL YOU'VE BECOME
HOW SO MUCH
LIKE ANOTHER
THAT IT'S NO SURPRISE
THAT I DON'T RECOGNIZE
YOU NOW
YOU'RE SO BEAUTIFUL
AND CRUEL
YOU'RE THE MEANEST FLOWER
YOU'RE THE MEANEST FLOWER
[ Moans ]
[ Sighs ]
[ Gasps ]
[ Moans ]
[ Panting ]
OH, GOD, YOU'RE SO WET.
[ Chuckles ]
OH, SHIT.
YOU'RE BLEEDING.
OH, GOD.
IT'S OKAY.
NO. WHAT IS IT ?
COME HERE. IT'S OKAY.
[ Chuckles ]
OH, MY GOD.
IT'S ALL OVER YOU.
OH, IT'S OKAY.
FUCK !
I THOUGHT IT WAS OVER.
NO, IT'S OKAY.
I DON'T MIND, REALLY.
IT'S FINE.
OH, FUCK.
IT'S OKAY.
I'LL GET IT WITH ICE.
IT'S FINE.
ARE YOU OKAY ?
ARE YOU ALL RIGHT ?
UH--
THIS COMES RIGHT OFF THIS.
OH, YOU'RE SO NICE.
WHY DO YOU HAVE TO BE
SO NICE ?
I'M NOT NICE.
IT'S GONNA COME RIGHT OUT.
IT'S TOTALLY FINE.
RICHARD, HERE.
LET ME DO IT. IT'S--
HERE.
[ Phone Ringing ]
WHY DON'T YOU
JUST TAKE IT RIGHT OFF ?
HERE. COME HERE.
[ Ringing Continues ]
COME HERE. SHH.
STOP PUSHING ME !
OW !
I'M SORRY.
IF WE DON'T PLAY BY THE RULES,
THIS ISN'T GONNA WORK.
[ Ringing Continues ]
OKAY.
HELLO.
HEY, JERRI.
UH, YEAH.
HANG ON ONE SECOND.
FLORENCE !
JERRI ON THE PHONE.
HEY, JER.
WHAT'S UP ?
WHAT ?
HEY-- I CAN'T UNDERSTAND
WHAT YOU'RE SAYING.
OKAY, LI--
LISTEN, WHY DON'T YOU
JUST COME UP HERE ?
NO, WE'RE HERE.
HE JUST FUCKING LOST IT,
YOU KNOW.
HE STARTED DRAGGING ME
AROUND BY MY HAIR,
AND H-HE--
HE-- HE SLAMMED MY HEAD
INTO THE WALL.
HE WAS PULLING AT I LIKE HE WANTED MY HEAD
TO COME OFF MY NECK.
WHO ?
WHO IS THIS GUY ?
[ Trembling, Whispering ]
HE'S A REALLY NICE GUY.
YEAH.
I'VE KNOWN HIM
FOR A WHILE.
HE COMES TO SEE ME,
LIKE, LIKE, UH, TWO
OR THREE TIMES A YEAR.
AND, UH, HE COMES
ALL THE WAY FROM--
FROM, LIKE, SCRANTON
FUCKIN' PENNSYLVANIA.
WHERE'D YOU MEET HIM ?
UH, AT WORK.
HE, UH, SAT DOWN AT MY TABLE
AND DIDN'T GET UP
FOR THREE DAYS.
[ Sighs ]
OH, GOD.
LOOK, HE'S A REALLY--
HE'S A REALLY LONELY GUY
WITH A LOT OF EXTRA CASH,
AND HE'S CRAZY
ABOUT ME.
[ Laughs ]
HE EVEN SENT MY MOM...
A BIRTHDAY PRESEN LAST YEAR.
HE'S NEVER BEEN
VIOLENT BEFORE.
I MEAN NEVER.
I-- I COULDN' SEE IT COMING.
WH-WHAT ARE YOU DOING ?
TRYING TO SUPPORT JACOB
AND MY MOM.
THAT'S WHAT I'M DOING.
WHY DID HE HIT YOU ?
WHAT DID YOU DO ?
I, UH, I-I DIDN'T...
DO ANYTHING, OKAY ?
NO, I DIDN'T MEAN--
I DIDN'T MEAN
"WHAT DID YOU DO ?"
I MEAN, WHAT HAPPENED
THAT HE WOULD HIT YOU ?
[ Sniffs ]
UM,
MR. DOYLE...
LIKES TO FUCK ME
UP THE ASS.
[ Sighs ]
AND, UH, ONE NIGH A COUPLE YEARS AGO...
HE DID IT TO ME HARD.
I MEAN, REALLY HARD.
AND IT JUST-- IT DID
SOMETHING TO ME, YOU KNOW.
WHEN HIS COCK WAS INSIDE ME,
IT JUST GOT ME GOING...
IN THIS MAJOR WAY.
AND AS I WAS COMING,
I FELT LIKE I HAD TO PEE.
AND ALL OF THE SUDDEN,
I AM HAVING THIS ORGASM
LIKE I HAVE NEVER HAD BEFORE,
AND ALL THIS STUFF
STARTS SHOOTING OUT OF ME,
LIKE A GUY SHOOTING HIS LOAD.
OH, MY GOD.
THIS TURNS HIM ON.
FUCK, YEAH.
HE KNOWS
I'M NOT FAKING IT.
BUT, YOU KNOW,
THE THING IS,
I CAN'T CONTROL IT,
AND TONIGH I COULDN'T DO IT.
IT'S THE SECOND TIME IN A ROW
THAT'S HAPPENED.
FIRST TIME
HE WAS REALLY NICE.
AND THIS TIME
HE JUST WENT FUCKIN' APE-SHIT.
[ Whimpers ]
OH, SWEETHEART.
I'M SORRY.
[ Sobbing ]
HE TOOK ALL
MY FUCKING MONEY TOO.
[ Sniffles ]
HE RIPPED INTO MY PURSE
LIKE A PIECE OF MEAT...
AND TOOK HIS $2,000 BACK.
[ Sniffles ]
I WAS GONNA GO TO TACOMA,
YOU KNOW, TO SEE--
AND NOW I CAN' AFFORD THE TRIP.
I CAN'T SEE JACOB NOW.
I CAN'T--
HEY.
DON'T WORRY
ABOUT THE MONEY.
THE MONEY'S NO PROBLEM.
I CAN JUST TRANSFER THE FUNDS
INTO YOUR ACCOUNT.
I CAN'T TAKE
YOUR MONEY.
HEY.
OF COURSE YOU CAN.
LOOK AT ME.
OF COURSE YOU CAN.
YOU'RE A FRIEND OF FLORENCE'S.
FLORENCE IS A FRIEND OF MINE.
SERIOUSLY, IT'S NO PROBLEM.
TAKE IT, JERRI.
IT'S FINE.
TAKE IT.
WHAT PLANE DID HE COME FROM ?
I'M STILL TRYING
TO FIGURE THAT OUT.
AND DO YOU KNOW
YOUR ACCOUNT NUMBER ?
THE NUMBER
OF MY ACCOUNT, UM--
I CAN'T REMEMBER.
YOU KNOW, I JUST GOT ROBBED
AND SMASHED IN THE FACE.
HOW CAN I REMEMBER
THE NUMBER OF MY ACCOUNT ?
DO YOU HAVE
YOUR CHECKBOOK WITH YOU ?
[ Jerri Whimpers ]
UH, YEAH.
I HAVE MY CHECKBOOK
WITH ME.
[ Sniffles ]
HERE.
GREAT.
OKAY.
[ Whispering ]
I'M SO SORRY.
[ Whispering ]
I'M SORRY.
I'M SORRY.
IT'S OKAY, BABY.
IT'S OKAY.
[ Sighs ]
I'M SO LONELY.
YOU KNOW ?
I NEED YOU, FLORENCE.
I REALLY NEED YOU.
UM--
DO YOU WANT A DRINK ?
WHY DON'T WE HAVE A DRINK.
OKAY.
A DRINK MIGHT BE GOOD.
- I TRANSFERRED THE FUNDS
INTO YOUR ACCOUNT.
- WOW.
[ Snaps ]
YOU'RE QUITE THE GUY,
RICHARD.
UM,
YOU KNOW, YOU DON' HAVE TO JUST WATCH, RICHARD.
I MEAN, YOU CAN JOIN IN
IF YOU WANT TO.
[ Gasps ]
YEAH, IT REALLY HURTS.
I MEAN, WE'RE ALL FRIENDS,
AREN'T WE ?
[ Jerri Chuckles ]
BESIDES, I'M SEXIER
THAN SHE IS, RIGHT ?
[ Laughs ]
NO ! NO.
COME ON.
YOU'RE PRETTY.
YOU'RE REALLY PRETTY.
YEAH ?
[ Whispers ]
I KNOW YOU WANT TO
TASTE ME, DON'T YOU ?
I THINK
YOU WANT TO TOUCH ME.
[ Chuckles ]
YOU DON'T HAVE TO
PAY HIM BACK, JERRI.
HE GAVE YOU THE MONEY.
I WASN'T TRYING
TO PAY HIM BACK, FLORENCE.
I JUST THOUGHT...
WE ALL MIGHT HAVE
A GOOD TIME, YOU KNOW.
[ Laughs ]
I MEAN, YOU'RE FUCKING HIM
FOR THE MONEY, RIGHT ?
RIGHT ?
[ Whispers ] I WON' HAVE THIS CONVERSATION
WITH YOU RIGHT NOW.
YOU'RE TOO UPSET.
"I'M NOT GONNA HAVE
THIS CONVERSATION WITH YOU
RIGHT NOW."
DON'T PULL
THAT HOLY SHIT WITH ME.
OKAY ?
YOU'RE HERE...
TO GET PAID.
DON'T BE
SUCH A FUCKING WHORE.
WHY ARE YOU TALKING TO ME
LIKE I'M BENEATH YOU,
[ Sniffs ]
LIKE WE HAVE
NO FUCKING HISTORY ?
I KNOW YOU, FLORENCE.
[ Inhales Sharply ]
AND WE ARE THE SAME.
- NO, WE'RE NOT.
- FUCK YOU.
FUCK YOU !
[ Sobbing ]
FUCK YOU AND
YOUR FUCKING MONEY !
[ Door Opens, Closes ]
IS SHE OKAY ?
IS SHE ALL RIGHT ?
YOU MAD AT ME ?
HEY. OH. SHH.
ARE YOU SAD ?
DON'T BE SAD.
DON'T BE SAD.
COME HERE.
[ Sighs ]
[ Richard ]
FEEL MY COCK.
YOU CAN WRAP
YOUR WHOLE HAND AROUND IT.
IT'S SO HARD.
YOU JUST HOLD I REALLY TIGHT...
AND YOU JUST FEEL I GO IN A LITTLE BIT.
IT'S SO HOT.
SO HOT.
JUST BARELY IN.
YEAH. YOU WANT ME
INSIDE OF YOU SO BAD.
TELL ME YOU WANT ME
INSIDE OF YOU SO BAD.
BEG ME
TO BE INSIDE OF YOU.
YEAH.
YEAH, AND YOU FEEL
MY HAND ON YOUR HIPS.
I JUST-- I JUST PULL YOU.
I JUST PULL YOU ONTO ME,
AND YOUR WHOLE BODY JUST SHAKES.
YOU CAN JUST FEEL
HOW HOT AND HARD...
AND DEEP INSIDE OF YOU I AM.
IT JUST STARTS THROBBING
INSIDE OF YOU...
AND YOUR BODY IS JUST SHAKING.
I'M JUST SHUDDERING
INSIDE OF YOU.
YOU FEEL ME PULL SLOWLY
OUTSIDE OF YOU.
YOU CAN JUST FEEL ALL OF ME
TOUCHING YOU GOING OUT.
THEN YOU FEEL ME
GO INSIDE OF YOU REALLY HARD.
I'M INSIDE OF YOU,
AND I'M SO HARD INSIDE OF YOU.
AND I JUST START GOING
IN AND OUT INSIDE OF YOU.
AND IT'S JUST SO HOT.
EACH TIME
IT SEEMS IT'S HOTTER.
IT'S JUST GETTING
HOTTER AND HOTTER,
AND YOU'RE GETTING SO WET.
EACH TIME
YOU'RE GETTING WETTER.
YOU JUST WANT ME
TO KEEP-- KEEP GOING.
AND I'M JUST-- YOU FEEL ME
GETTING HOTTER AND HOTTER.
YOU FEEL LIKE
YOU'RE GONNA COME,
AND YOU FEEL
LIKE I'M GONNA COME.
YOU CAN JUST FEEL ME.
I'M JUST GONNA COME
SO HARD INSIDE OF YOU.
AND IT'S GETTING
HOTTER AND HOTTER.
THEN I START SLOWING DOWN,
AND YOU FEEL THA I'M JUST ABOUT TO COME...
BECAUSE I'M GOING SO SLOW.
I'M JUST-- I'M GOING
IN AND OUT SO SLOW.
I GO OUT, AND THEN I GO IN,
AND I'M INSIDE OF YOU,
AND YOU FEEL HOW HOT--
IT'S JUST--
THE HEAT, AND IT'S WET.
IT'S GOING ALL UP INSIDE
YOUR BACK AND YOUR PUSSY.
IT'S SO HOT--
YOUR NECK AND YOUR SHOULDERS
AND YOUR ARMS AND YOUR MOUTH.
YOU CAN FEEL ME
IN YOUR MOUTH.
I'M COMING SO HARD.
MY COCK IS JUST THROBBING
INSIDE OF YOU.
[ Door Opens ]
[ Female Singer ]
DAYLIGHT TRIPPIN'
NOW I'M MISSIN'
GUESS I'M SLIPPIN'
SLIPPIN' OU DAYLIGHT TRIPPIN'
NOW I'M MISSIN'
GUESS I'M SLIPPIN'
SLIPPIN' OU I FEEL THAT REALITY'S
PULSATIN'
GYRATIN'
ALL THAT MATTERS TO ME
IS VERY SMALL
I'M IN ORBI STILL STANDIN'
ON THE GROUND
GUESS I'M ONE
WITH IT ALL
[ Continues, Fades ]
[ Stifled Sobs ]
[ Sighs ]
[ Whispers ]
IT'S OKAY.
IT'S OKAY.
[ Sighs ]
[ Sighs ]
OH, GOD.
[ Gasps ]
[ Both Gasping, Panting ]
[ Moans ]
OH, FUCK.
[ Panting,
Gasping Continues ]
OH, GOD.
[ Both Moaning ]
OH, GOD,
I'M GONNA COME INSIDE YOU.
[ Both Gasp ]
[ Moans ]
[ Continues Moaning ]
I LOVE YOU.
YEAH, BABY,
THAT WAS GREAT.
YOU'RE AMAZING.
YOU'RE SO AMAZING.
WHAT ?
YOU DIDN'T FEEL ANYTHING,
DID YOU ?
OF COURSE I DID.
NO, YOU DIDN'T.
[ Sighs ]
[ Zipper Zips Up ]
[ Sighs ]
[ Chuckles ]
DOES IT MATTER ?
SO IT WASN'T REAL ?
RICHARD, WE DID IT.
THAT WAS REAL.
NO, BUT YOU DIDN' FEEL ANYTHING ?
WHAT DO YOU EXPECT ?
I MEAN, YOU HIRED ME.
YEAH, BUT A LOT OF STUFF
HAS HAPPENED SINCE THEN.
NO. NOTHING'S HAPPENED.
IT'S ALL IN YOUR HEAD.
WHAT ABOU YESTERDAY ?
WHAT DID YOU THINK,
THAT I WAS FALLING
IN LOVE WITH YOU ?
YEAH.
[ Whispers ]
OH, RICHARD.
I LOVE YOU.
YOU DON'T EVEN KNOW ME.
WELL--
LOOK, I KNOW
WHAT YOU WANT.
YOU WANT--
YOU WANT TO GET A GIRL HOT.
YOU WANT TO THINK THA YOU'RE SO SMART AND SO SMOOTH
THAT YOU COULD TURN ANY GIRL ON.
YOU PAID ME A LOT OF MONEY.
I WANTED TO DO IT RIGHT.
I WANTED--
YOU DON'T KNOW
WHAT I WANT.
OKAY ? YOU DON'T HAVE
A FUCKIN' CLUE WHAT I WANT.
YOU CAN'T--
YOU CAN'T BUY
MY FEELINGS.
NO. NO. NO. NO. NO.
YOU CAN'T PAY
TO MAKE ME LOVE YOU.
BUT WE'RE PEOPLE,
AREN'T WE ?
AND PEOPLE FEEL THINGS,
DON'T THEY ?
I'M YOUR WHORE.
HAVE I EVER TREATED YOU
LIKE A WHORE ? HAVE I EVER
BEEN ANYTHING BUT GOOD TO YOU ?
IT'S NOT ABOUT GOOD OR BAD.
IT'S ABOUT MONEY.
YOU HAVE IT AND I DON'T.
YOU PAY ME TO DO THIS,
SO I DID IT.
YOU PAY ME TO ENJOY IT,
SO I ENJOYED IT.
WELL, THEN, YOU'RE
JUST DEAD, AREN'T YOU ?
YOU WANNA FUCKING
FEEL SOMETHING ?
[ Grunting ]
[ Shouts,
Continues Grunting ]
AAH ! FUCK.
OW.
[ Groaning ]
[ Shouts ]
[ Panting ]
[ Sighs ]
[ Sobbing ]
[ Whispers ]
YOU WANT REAL ?
I'LL SHOW YOU REAL.
[ Door Closes ]
[ Rock ]
[ Female Singer ]
I BEEN DELAYING
GRATIFICATION
I BEEN READY FOR
WORLD DOMINATION
READY, SET, GO
BABY, DON'T YOU KNOW
I'M READY
READY, READY, READY
READY, READY, READY
READY, SET, GO
LIKE A DOMINO
KICK IT OVER
[ Phone Rings ]
[ Answering Machine
Clicks, Beeps ]
HEY, RICHARD, IT'S PETE.
I KNOW YOU DON'T GIVE A FUCK,
BUT OUR I.P.O. WEN THROUGH THE ROOF YESTERDAY.
YOU'RE NOW WORTH
OVER $20 MILLION,
YOU LUCKY ASSHOLE,
AND YOU DON'T DESERVE
ANY OF IT.
WHY DON'T YOU GO FUCK YOURSELF,
YOU BASTARD.
[ Machine Clicks Off ]
[ Richard ]
YOU DON'T NEED TO
OPEN YOUR DOOR.
YOU DON'T NEED TO LEAVE.
YOU CREATE A FRONTIER...
TO PUT YOUR MATTRESS
WITH THE CABLES
AND THE C.P.U.s,
AND YOU CLAIM
A PIECE OF SPACE.
THE WORLD BREAKS IN WAVES
AT YOUR FINGERTIPS.
YOU MAKE ITS CHOICES.
YOU DECIDE.
AND IT SINGS FOR YOU
WHEN YOU ASK.
[ Coughs ]
HEY.
HEY.
IT'S YOU.
YEAH.
[ Clears Throat ]
YOU LOOK GOOD.
WHAT DO YOU WANT ME
TO DO, BABY ?
WHAT ARE THE OPTIONS ?
THE REGULAR ROUTINE.
SURE.
[ Whispers ]
LAP DANCE,
TWO SONGS, $60.
[ Man Singing In Arabic ]
[ Woman Singing
In Portuguese ]