The Eye and the Wall (2021) Movie Script
1
(suspenseful music)
(suspenseful music continues)
- [Announcer] Attention.
The following message is
transmitted by order of the Eye
and its assigned officers
from the Central Area
within the Wall.
All residents are informed
that a curfew is decreed
in sectors 10 and 11
and border sectors.
It is prohibited to
leave after 1800 hours.
It is prohibited: an
official gathering.
It is prohibited: for sale
and purchase of merchandise.
It's prohibited:
inter-sectoral locomotion.
We work for a peaceful
society that has prospered
since the lifting of the wall.
We thank the Eye
that sees everything.
(suspenseful music)
- [Speaker] Section 10
and 11 are under attack!
We need authorization to
activate the defenses!
I repeat, we need authorization
to activate the defenses!
We will be attack
borders of the wall.
It is our opportunity!
They are attacking
us, we have no choice.
(footsteps pounding)
Ever since the damn Eye
algorithm took over,
we've become weak.
Let's attack!
We will not hide in tunnels
or cower inside the wall.
The Eye and its
elites must fall.
Give us authorization,
they are killing us!
We need to attack!
- Listen people, please.
We need to be objective.
We don't have enough men.
We don't have resources.
We don't have enough water.
We have no supplies
for everyone.
- Please, people!
We have been looking for
this bloody opportunity
for many years, and nothing.
The time has come to
build our own history.
We have to start thinking
about the future.
We have to look for it!
- The Eye!
The Eye is watching us!
(footsteps pounding)
- Am I right or not?
- Lucre.
Come on.
- Grab everything
you can and come!
- Come on.
- And come here.
- Come on.
- Over here!
- [Lucre] Fast!
- [Child] Come on, come on,
get in, come on, come on!
- Not you two.
Over there, the hole is over.
Over there, over there.
(loud thudding)
(tense music)
(thudding continues)
- [Soldier] Everyone
inside, go, go, go!
(guns clicking)
(Icarius whistling)
(alarm blaring)
(gun firing)
(man grunting)
(firing continues)
- [Icarius] Search everything
into this pigs sty.
I don't want a single
rat left alive.
Now!
- Yes, sir, yes!
(glass breaking)
(paper rustling)
- Fake back wall, sir!
- We must hurry.
Oh, God.
(electronic beeping)
(suspenseful music)
(Icarius inhales)
(suspenseful music continues)
(electronic music)
(door knocking)
(door opening)
- [Alba] Don Fausto's package.
(Alba screams)
- You promised me
there was antibiotics.
- Yeah.
As soon as we have them,
we will send them to you.
We'll do everything we can.
- Easy, easy.
(door slamming)
- Hello, my love!
- Abdel, you're a jerk. (laughs)
How dare you.
No!
- I'm glad to see you.
- Me too.
- Yeah?
(dramatic music)
(gun firing)
Down.
Let's go.
(firing continues)
- [Abdel] I've noticed
that the shipments
from the last few weeks
are full of weapons, Alba.
They're planning something big.
You must go.
- And what?
Are you planning to put
me in one of the trucks?
- I'm being serious, Alba.
I'm gonna get you
out of this hole.
- What are you
talking about, Abdel?
- Look, Alba, I'm not
gonna leave you here
after what happened at
the Communication Center.
It's just a matter of
time before all this ends.
And you know what?
In a few days, I'll have four
border permits, understand?
One for you, one for me, and
one for Lucre and one for Olga.
- Four border permits, really?
How do you get
something like that?
- Look, Alba, I can't tell you
much about what I need to do.
Just trust me, okay?
- We can't leave.
People need us.
- Alba, don't you realize it?
Don't you listen?
The resistance, the hospital,
and everything you know
is going straight to hell.
The Eye sees everything.
- We'll be dead before we reach
the first Registration Point.
- Listen, I want you to go
to the Big Station tomorrow.
Look for my contact, Jerry.
He will be waiting for you.
Please look for the man
without his left eye.
Look, Alba, I know
I haven't had time
to explain all this to you,
but I hope to see you
tomorrow at sunset.
Understood?
- Understood.
- I love seeing you.
- Abdel, do you have
the medicine for Bruno?
- Yes.
- There's no penicillin?
- Sorry, Alba,
that's all I can get.
- Here you are for
the next installment.
Do not fail me, please, Abdel.
- Alba, there'll be no next
delivery, don't you get it?
- If those rats already have
it, we're close to getting it.
What I don't understand is why
so much fuss and movement
for a simple bracelet.
- Ulises, the detachable piece
of the Great Lady's bracelet
is a device that contains
crucial information
about this government.
(suspenseful music)
- Shall we?
- One moment.
Visit to the City
Center, 1200 hours.
Call of the Eye, 1230 hours.
Return to the Ministerial
premises, 1400 hours of the day.
Thursday, April 20.
- In conclusion,
you lost it.
- We can try offering
a reward, Great Lady.
I'm positive that if we
were to get official permits
to go across the Wall,
people will react.
- Great Lady, I propose that-
- You know that in
the black market,
they would double this reward
as soon as they found out.
- Great Lady, please,
it's not a bad i-
Please, Great Lady, forgive me.
In 10 years, I have
never failed you.
You are like my mother.
- I forgive you.
Clara.
(fist thuds)
(patients coughing)
- [Announcer]
Reactionary governments
in the Central American
area are absolutely useless.
The great bravery and heroism
of our people
- Easy there.
- Was in the end defeated-
- We're safe here.
- [Announcer] Everything
that (indistinct)
meant for our country
for so many years.
- You go now.
- I know what I'm doing.
Sh.
Okay, let's make a deal.
If I win, they open
all the windows.
- You already lost.
- [Olga] For the
Eye, for the Wall,
and for all of us to be free.
- [Alba] Who's winning?
- Bruno.
- Bruno.
That's what I see, right?
I was going to open the window
myself today, huh, Bruno?
Breathe and hold the air.
Listen, Lucre, the
Eye and its algorithm
have already
destroyed many sectors
and they could do nothing
to defend themselves.
What are we waiting for?
Let them incinerate
the entire community?
Thank God we are alive after
the Communication Center.
- [Lucre] We can't abandon all
these people just like that.
- I don't know, but we
have to do something.
We can't continue here.
We have to change
locations and very soon.
- [Lucre] We won't be
safer anywhere else.
I cannot assure you when.
It is only a matter of time
before all of this disappears.
- Hi, mom.
- Hi, daughter.
- Hi, Lucre.
- We were all very worried
about you.
- Hi, dear.
- Hello.
- Hello.
And why?
Everything was very calm.
We can trust that
this road is safe.
- [Lucre] There have already
been five expeditions
that have left, right?
- Seven, in fact.
- [Lucre] And
everything in order?
- Yes.
The turnouts are safe.
The structures are stable,
much safer than the street.
I heard troops moving south.
I think we should be careful
with those routes
for a few days.
- [Valerie] There are
troops everywhere, Alba.
- Well, I heard
them louder today.
The next delivery from
our contact is today.
It should have entered
this side of the Wall
half an hour ago.
- As long as he doesn't
disappear like last time.
Because we need those
antibiotics and very soon.
- Lucre, don't be so harsh.
You know that he believes in
the cause as much as we do.
- Please.
My son has never believed
in anyone but himself.
That is his true cause, Alba.
- [Valerie] Let's go, Alba.
- Leave carefully.
Our sector is very dangerous.
No one must see you enter here.
Do you hear me?
No one.
- Yeah, Lucre.
- Please be very careful, okay?
- Come on.
(footsteps pounding)
I can't believe
you didn't tell me.
- He wants to protect you, Alba.
- Protect me from what?
If we are being
attacked from all sides?
- We have to get out
of here, that's why.
- Of course we have
to get out of here.
We have to move the hospital,
Bruno, Olga, and Lucre
all the sick people.
- For the third time?
- Yeah, third time.
A fourth time if
necessary, a fifth.
I don't know, or six-
- Alba.
- I don't know how many times.
- Take it.
- Where did you get this?
- I told you I wear more
outside than inside.
Look.
- What's this?
- There's people
out there, Alba.
They're rebels and they
wanted to defeat the Eye.
- And what's your plan?
- I got a job there.
It's not the best job,
but it's the only way
to get to the other side.
- Do you have an exit pass then?
- I could have two, if you
wanted to come with me.
- You know that's
not gonna happen.
I can't leave here Olga.
I can't leave Lucre,
I can't live Bruno.
I can't leave them.
They're my family.
And you too.
- Well, I'm leaving.
- Are you sure?
And are you safe with the
people you're leaving with?
- Yeah.
- Valerie.
Are you safe?
- Yeah.
- I wish you all the best.
(dramatic music)
(electronic beeping)
(electronic music intensifies)
- The bracelet is your
priority now, Ulises.
Deal with it.
We cannot compromise either the
Eye or the system right now.
- [Ulises] Yes, Great
Lady, of course.
You can count on it.
I'll take my leave.
(door opening)
- What are you doing here?
Who the hell are you?
- Don't worry.
I-I'm Valerie.
- You come for work?
And who are you?
- It's me, John.
I come to try again.
- Get in.
Listen to me carefully.
No one is going to
be interested in you
if you don't see some action.
And that's the reason
why we need a demo.
That has to be online now.
There will be no sentimentality
or exchange of body fluids.
You have no idea what people
do to get out of this hole.
(dramatic music)
(Valerie speaking indistinctly)
- What is this for?
They don't wanna
see my face or what?
- Girl, nobody gives a
shit about your face.
(Valerie speaking indistinctly)
- [Valerie] What are you doing?
- I'm in the business
of trading bodies
to the highest bidder.
What they do with the material
once it's theirs
is their problem.
- That's what
you're going to do?
That's unfair?
- Now, if you don't
want to do this
and want to stay here living
like rats, that's your problem.
(camera clicks)
(Valerie screams)
- Stop this!
What are you doing?
(screaming continues)
(suspenseful music)
- You're going be good.
(monitor beeping)
- Hi, mom.
- Hi.
- Can I help you?
- No, dear.
- Yeah, let me give you
a hand, mommy.
- It's okay.
- Hi, Bruno, how
are you, champion?
- Great.
- He's not very well.
His infection is getting worse.
- What are you talking about?
I'm very well.
I heard you are route
reconnaissance now.
- Yeah, that's right.
I'm a route
reconnaissance person.
- I'll go with you.
You sure need
company, don't you?
- I would really
love some company.
- Cool.
(beeping continues)
- Alba.
There is no penicillin?
We need antibiotics, Alba.
We cannot cure infections
with painkillers.
That's impossible.
- It's everything
Abdel could get.
There's nothing.
- Maybe the Big
Station has some.
- Maybe if we talk to Martin.
- Make it possible because his
infection is getting worse,
and he's very sick.
(door knocking)
- Faster!
- The wheel of fortune,
all give and all take.
8,512.
- The weird boy.
- They all ask,
only one can get.
38, 40.
- Come on, come on.
Come in, come in.
(door closing)
Come on, come on.
Hurry.
Come on, hurry up.
Hurry up.
(upbeat music)
(crowd yelling)
- Let go!
- Out of the place.
Get out of here, kid!
Out, out!
- I'm Lucre!
I need to see Martin!
Lucre!
- Come.
- Come in!
- Come, come, come, come.
- Come on, move, jeez!
Don't let them pass.
Don't let them
pass, out of here!
Out of here.
Out, out!
I said stay out!
Out of here, go!
(crowd chattering indistinctly)
- Let's go.
- Welcome.
(indistinct chatter continues)
- Wait for me one moment.
- [Speaker] What?
- No, I already told you no.
Yeah, look, I'm
not gonna pay you.
I can't pay you, understand?
I'm not gonna pay you shit.
Don't come back.
- Hi, Martin.
- Get in.
(wheel rolling)
- Pay attention, I
don't have much time.
This must be given to
Abdel, it's an address.
The buyer will be there at
that point tomorrow morning.
He has until noon.
I don't exist.
- [Martin] Sorry.
I can't offer you
anything to eat.
- Thank you, Martin, but
I didn't come to eat.
I have come three times
in the last two weeks.
I can't get a bottle
of antibiotics.
What's happening?
- You've seen it
already, haven't you?
Things are not like
they were before, ma.
This week, the army has
captured our cargo three times.
Three.
Do you realize?
If you know someone is sick,
you have to let them die.
- I know there
must be something.
You must know someone
who can help us.
- It's okay then.
Come on.
Do you see that degenerate
with the purple scarf?
- Hmm.
- He took five packets of
doxycyline last week, you know?
Maybe he'll give you some.
- You know, this better
be my lucky day, Martin.
If not, you will have me here
to amputate your other arm.
(Martin laughing)
Pst!
Are you Herman?
- Yeah?
- I need antibiotics.
- What do I get
in exchange, hmm?
- What do you want?
- The girl you brought.
That beauty you brought.
- We still haven't met
our objective, Great Lady.
That day after our
visit to the City Center
and the message from the Eye,
we returned to that
district very late,
in the middle of the night.
There's something
we're just not seeing.
- That's it.
That is it.
- [Ulises] What, Great Lady?
- The transportation
back to the district
after that hectic, long day.
I was very tired and I
didn't wanna fly, remember?
The pilot.
- [Ulises] Abdel.
- Investigate him.
- Yes, Great Lady, immediately.
I'll take my leave.
(footsteps approaching)
(Alba panting)
(romantic music)
(romantic music continues)
- Jerry says the
buyer will see you
at the address tomorrow morning.
- He got it?
- It appears to be an old
factory on 37th Street.
It's strange.
Sector two is a pile of rubble.
- Exactly.
It's not strange, it's
the perfect place.
- You know you owe me a better
explanation than the last time.
- I know, I know, I know.
But my promise to get you
out of here still stands.
And for that, I got
something for you.
I want you to have this.
- What is it?
- This is my promise, Alba.
And as long as you
take it with you,
you and I can get out here.
- What are you selling, Abdel?
- Listen to me, Alba.
This is dangerous.
This device has very
important information in it.
It's all I can say.
Hey, hey, hey, hey, hey.
No one is gonna be
able to force you
to say something you don't know.
Trust me.
Come, come, come, come, come.
- Where the hell are you, Abdel?
What are you thinking?
With us, you could
have had it all.
- [Icarius] Don't worry.
We'll find it.
- Rats always return to
the hole they came from.
Is this the landlord?
- [Soldier] Yes, sir, yes.
- Tell me, when was the
last time you saw Abdel?
- He hasn't sat foot in the
building for two months.
Mr. Abdel is a very
reserved person.
Always comes and goes
without making the
slightest noise possible.
(landlord grunting)
(monitor beeping)
- Dear, dear.
I finally found a way
to get you out of here.
- What do you mean?
- Do you remember Herman
from the Big Station?
- [Alba] The weird guy
with the video cassettes?
- [Lucre] Mm-hmm.
- [Alba] How to forget him.
- Well, he says
that he has a pass
to get a man and a woman from
here onto the other side.
The day after tomorrow, I'm
going to take you to the border.
In the afternoon, you're
going to cross the Wall.
- It's crazy, Lucre.
- Is it insane to save
your damn life, my dear?
All this is going to disappear.
There will be nothing left.
- Abdel has a plan to get
you, Olga, and me out of here.
And that's a serious plan.
Not this private
nursing nonsense.
- So now they have a plan.
How can I tell you, dear?
They're damn gonna kill us.
Me, your mother,
you, and all of us.
Were on this side of the wall.
- Are you sure, Eagle,
that these cameras
won't be seen by anybody at all?
- Of course.
These old factories used to have
a closed circuit
security system.
So if he notices them,
he'll believe we are
the original ones.
- Good.
And the audio?
It's extremely important.
Does it work?
- Yes, everything's set.
- Very good.
The black tower has
been gaining ground.
The Great Lady has
suffered several attacks,
and unfortunately, many
of my men have been lost
and several fronts
have been taken.
This is extremely
important, Eagle.
Make sure you don't fail.
Your life depends on it.
- It'll be a pleasure, sir.
- [Jerry] Will she be alone?
- There's only one
way to find out.
- She had an oriental accent.
She must be Chinese.
I don't like Chinese people.
I don't like Eskimos.
I don't like dogs, Eye's people.
- You don't like anyone, Jerry.
- Wait.
The jewel?
- It's here.
- That's the original?
- Yeah.
- And the copies?
I made copies, why
did we make copies?
- Here's the copy Jerry.
- And the other copy?
- It in good hands, calm down.
Let's go.
(foreboding music)
(door knocking)
(foreboding music)
(knocking continues)
(metal clanging)
We're here for the Eagle.
(tense music)
- [Eagle] Mr. Hong, you
know I do not grant audience
to more than one
gentleman at a time.
- I am sorry, ma'am, but we're
kind of in this together.
- [Eagle] I don't care.
One of you will have to leave.
- This doesn't
sound right to me.
- Relax, Jerry,
it's a good idea.
- Please, sit.
You must be?
- I don't really think names
are that important
right now, madam.
If you don't mind, I'm
in a bit of a hurry,
so I'd like to get it over with.
- I'm aware of the
nature of the object
you've got in your power,
but I need to verify it.
- Well, you know
we're talking about
something with great value here.
- I want to see it.
(electronic music)
How much do you want for it?
- I'm not looking
for money, ma'am.
I want liberty and the
same for my family.
And for that, I require
four border permits,
ready and stamped
as soon as possible.
- We can make a deal.
I'll have them ready
for you within a month.
- I don't think you
understand, ma'am.
I want them by tomorrow,
in a couple of
days if necessary.
- Forging a permit expertly
enough for it to look real
to cross the Light
Tunnel, no less,
is not at all an easy task.
And you are demanding four.
I'll have to
contact my best men.
- Well, ma'am, I guess
our business is done.
There's many people who
are interested in this.
- [Eagle] Three days.
It is the shortest
time I can offer you.
If you don't like
it, you may leave.
- Three days.
But until then, this
baby stays with me.
(metal door opening)
(footsteps approaching)
(soft music)
- Have you seen Lucre here?
- Huh, seen who?
- Lucre.
- No.
No, I haven't seen her.
(soft music)
(patients coughing)
(wheels rolling)
And Bruno?
(Wheels rolling)
(dramatic music)
(dramatic music continues)
- Olga.
You can't stop Alba
from leaving here,
do you understand me or not?
- Again with the same story?
Let her go, let her go,
let her go, let her go,
'cause she's not your daughter.
- She's not my daughter?
Of course she's my daughter.
I have given as much as you.
- Lucre, I cannot do it, sorry.
Abdel has a way of getting
us all out of here.
- Hey, Abdel.
We have fought
for so many years.
This is the opportunity.
You know.
You know we are in a hole
of dead, dead people.
If you stay here,
Alba, if you stay here,
I will have lost you too.
Do you understand me?
You don't have to stay.
- I would rather die with
you than leave you here.
They're gonna bomb you all.
Are you crazy, Lucre?
- It's about freedom,
for God's sake,
to get out of this Wall.
If you stay, the same thing
as Valerie will happen to you.
- Lucrecia!
- What are you talking about?
What's happened to Valerie?
- The Eye took her.
Those damned ones took her.
- The same damn bastards
you want to go and cure.
Those same damn bastards?
Are you referring to them?
- This will never change
until we tear down that wall
and kill those damned ones.
- Well, then let's
tear down the wall
and kill the damn
ones, I don't know,
but I'm not going
anywhere, Lucrecia.
- The deal is done!
- What deal?
What are you talking about?
What is she saying?
- What are you talking about?
- What deal, Lucre?
- What is that deal?
- Martin is going to bring gas.
See, Mao is going to
take us to the border,
and Herman is going to
be in charge from there.
- Herman?
Do you trust in that Herman?
- It's a deal and
it will be done.
- No!
I don't wanna leave, I said.
(somber music)
(Alba sobbing)
(dramatic music)
(wind blowing)
(dramatic music continues)
- Come on!
Come on, bitch, come on!
Where were you going?
Where were you going?
(Alba grunting)
(Alba panting)
(somber music)
- [Announcer] Attention!
The following message is
transmitted by order of the Eye
and its assigned officers
from the Central Area
within the wall.
All residents are informed
that a curfew is decreed
in Sectors 10 and 11
and border sectors.
(door knocking)
We work for a peaceful
society that (indistinct).
- Alba, tell me what
are you doing here?
Do you want to be
killed by them?
- We need water for
the hospital, Simao.
I don't know what to
do anymore, Simao.
Lucre and my mother
insist that I leave.
They insist that
I get out of here.
But I've lost so much.
I can't lose them too,
do you understand, Simao?
And it's no use for me to stay.
There's nothing to do.
People are dying.
There's no more food.
There's no more medicine.
We have to rush in water,
and we can't do anything
against the damn Eye.
I can't leave them.
(metal door clanging)
I can't believe
you didn't tell me.
- He wants to protect you, Alba.
- Protect me from what
if we're being attacked
from all sides?
- We have to get out
of here, that's why.
- Of course we have
to get out of here.
We have to move the
hospital, Bruno, Olga.
- For the third time?
- Yeah, third time.
They're my family.
And you too.
- Well, I'm leaving.
- No!
(glass breaks)
(dramatic music)
(dramatic guitar music)
- And you?
Where do you think you're going?
(dramatic guitar music)
- Abdel!
Abdel!
(guitar music)
(helicopter whirring)
- Abdel.
We have to go, we have
to go, we have to go!
- What are you
talking about, Jerry?
- We have to forget
about the deal, Abdel.
This damn lady
works for the Eye.
- What?
- The moment they
took me out of there,
two soldiers appeared
out of nowhere.
And they have all the troops
looking for the bracelet,
looking for you, looking for us.
We are dead men.
- No, no, no, no.
Listen to me,
Jerry, listen to me.
This is what we're gonna do.
Meet me at the Old
Theater in 40 minutes.
I want you to bring
everything we need, okay?
We're gonna use
the old alleyways
until we reach the
cemetery, and from there,
we're gonna need
your old contacts
to get us transportation too.
Help us crossed the border.
- Hey, where are you headed?
- I have to go get Alba.
(footsteps pounding)
(tense music)
(helicopter whirring)
(Abdel panting)
Mother!
Mother, mother, please wait.
Mother!
Mother, open the door.
- [Lucre] What are
you doing here?
- Mother, where's Alba?
I have to talk to her, mother.
They're gonna drop bombs.
You have to come
with me, please, mom.
- Get out, we don't
want you here.
- You have to listen
to me, please, mother.
- Don't call me that.
I have no children.
You seem very determined, right?
Save yourself, coward.
You have done it before, Abdel.
(door slamming)
- Mother, mother.
Mother!
If you wanna stay here
and die, that's fine.
But at least let
Alba come with me.
Mother!
(door knocking)
(knocking continues)
Mother, please.
(dramatic music)
- Oh, Jemanya, Jemanya.
May the light of this candle
seal the edge of the knife
with a tempest that
portends the storm.
Oh, Jemanya, Jemanya.
I invoke the strength
of the seven seas.
So that with its white
waters, I bathe this knife.
(bomb exploding)
Ooh, Jemanya, Jemanya.
(dramatic music)
- Come on, my dear.
It's getting late.
Come on, Alba.
Come on.
Come on, my dear.
(Olga sobbing)
(footsteps pounding)
- He has those files, Icarius.
We have to bend heaven
and earth to get them.
Your life, my life, and
even the Eye depends on it.
Understood?
- Understood, sir.
(footsteps pounding)
- Martin!
Martin!
- Come, come.
- I need to see Martin.
- Who will take care of you?
- What's happening, Lucre?
- I need gasoline.
I have no time to waste.
- Listen to me.
I haven't been able
to reach the contact.
But right now, we have
a more pressing problem.
They say it's imminent.
They're going to bomb us.
We have to leave this place now!
- Listen to me, Martin.
We had a deal.
I need the damn
gasoline right now.
- It's not my fault.
If I had it, I would
give it to you.
But what we don't have
more of now is time.
- Here are the
medicines you asked for.
Now, fulfill your damn deal.
- Easy, easy, Lucre.
I'm going to take you to him.
I'm gonna give
you what you want.
I'll take you to him, but
it has to be really quick.
- What do we do now, Martin?
- Ready everything.
Keep it in the warehouses.
Cover everything everywhere.
We'll be back.
I haven't heard from
Victor for a long time
since the sector was bombed,
but I know there
are some survivors.
The last meeting with him
was not very successful.
It's just a warning.
- Well, we better find him.
Your damn luck depends on it.
(bombs exploding)
- Martin.
Martin.
- And-and Victor?
Is Victor-
- Are you looking for Victor?
- Yes.
- I can take you.
- Yes.
- For a price.
- Yes.
Let's go.
(dramatic music)
- What the hell are
you doing here, Martin?
- I haven't heard from
you in weeks, you know?
The only way to know
if you were still here
and still alive was to
come here to prove it.
- Tell me, what do you want?
- We want fuel, gasoline.
About one, two gallons.
- Gasoline.
That's all?
You are saying you
came all of this way
for a few gallons of gas?
- It's an outstanding debt.
This is my partner Lucre.
She needs it urgently.
- It seems like you have a lot
of outstanding debts today.
- All respect, Victor, we
don't have time, you know?
- And who do we have here?
How old are you, cutie?
- Hey, she's not the
issue here, Victor.
- Sure.
It's what we have.
How do you plan to pay?
- Do you think we can go
to the Big Station
together and settle it?
- No.
What is it?
Don't tell me you
came empty handed?
- Come on, Victor.
My partner and her
goddaughter have to leave.
You and me, we can fix it
ourselves together later.
- It's okay.
Take it.
It's theirs.
They can go.
It's all yours.
(light guitar music)
- Come on, hurry.
Here's the gasoline.
The time has come, my dear.
Please be safe.
Hide well, my dear.
Don't go out for
anything in the world,
whatever you hear.
(light music)
(car engine starting)
(engine revving)
(dramatic music)
(Lucre sobbing)
(metal door opening)
- You are aware that
they're looking for us
to-to kill us, right?
- I couldn't find her, Jerry.
- I don't care.
What part of,
what part of "they're
looking for us to kill us"
don't you understand?
We have to get out of
here, we have to go now.
We have to go now,
we have to move.
We have to send out.
- Oh, please, Jerry.
She has to come here.
- Transportation is not
going to wait a moment.
Yes, we're organized.
The Eye is going to fall.
There's no use if we're
going to be waiting here
for all eternity.
My legs hurt.
- I know, Jerry, but
we know this place.
We know all the tunnels,
we know the alleyways.
They do not.
- One thing is to know them.
Another thing is to use
them and run around.
Have you ever seen
me running around?
Oh, oh, my God.
- You're right.
Run, Jerry!
(Jerry panting)
(light music)
(singing in foreign language)
(light music continues)
(footsteps pounding)
- Come on!
Let's go, let's go back!
(loud thudding)
Run!
Run!
(upbeat music)
Come on, come on.
Run, come on, run!
Go, go, go!
Run, Jerry!
Run Jerry!
(upbeat music)
(light music)
(gate opening)
(helicopter whirring)
- Finally.
Hi.
I'll be right back.
- My name is Alba.
- [Herman] Officers,
good morning.
(electronic beeping)
- I hope you're sure of
what you're about to do,
'cause there's no going back.
- Thank you so much.
- Tell me,
it's private nursing, right?
- Your name is Valerie Ramirez.
Don't open your
mouth for any reason.
I'm giving all the
explanations, okay?
- How so Valerie?
- Didn't Lucre explain?
What a pity.
Let's go.
Come on!
Hurry up.
(upbeat music)
- Run, Jerry!
Go there!
(suspenseful music)
(light guitar music)
(gun firing)
- Run, Jerry!
Fuck.
(gun firing)
Jerry.
Fuck!
(guitar music playing)
- Where's Valerie?
- Valerie, w-what are
you talking about?
- Why she's not here?
- Now, you're the Valerie.
You'll have to do
great enthusiasm.
- No, I'm not stupid.
Where is she?
- A few days ago, everything
was ready for us to go,
but Valerie just
never-never showed up.
- I knew Valerie, you know.
- Of course you knew her.
As far as I know,
you worked together.
Lucre told me that you
knew each other so well
that you would love to take
his place in his adventure.
Lucre was delighted
with the meeting
we had for the deal, you know?
- I would never say that.
And neither would Lucre.
- Lucre, you, Valerie,
Anna, they're all the same.
A piece of meat.
- You killed her, dumb fucker!
- Fuck are you going?
(both grunting)
(gun clicks)
- John.
Drop it.
- It's gonna be okay.
- To your right.
(tense music)
I don't care about
this, you know?
What I want is to sell you fast.
To sell you now.
What I need is your help.
I need to make a video -
real, sensual, and sexual.
- Can't stay-stay here.
They're going to kill us,
we have to go the other way.
- Shut up!
(gun clicks)
I'm gonna kill you if you
don't shut the fuck up.
You get on the
platform right now.
(tense music)
You take off your blouse.
John, help her.
(tense music)
Good, very good.
(tense music continues)
Nobody cares about your face.
In fact, it's not important.
Put this on.
John.
(suspenseful music)
(both grunting)
(fist thudding)
(suspenseful music)
John, turn around and hug her.
Come on, hug her.
Alba, are you ready?
Told you not to
look at the camera.
I've told you a thousand times!
Don't look at the camera!
Again!
I told you to grab her here,
kiss her, and turn her over.
Is that so hard to do?
Alba, listen to me.
Listen to me so we can get
out of this shit quickly.
(suspenseful music)
Let's go.
(suspenseful music)
(electronic beeping)
- There he is.
We have to tell Ulises
and the others about
this immediately.
- [Both] Yes, Great Lady.
- [Herman] Come on,
Alba, give me more.
- [Alba] Abdel!
- Alba!
- Fuck, get out of the
frame, you bastard!
- Careful, careful.
(suspenseful music)
- John, my suitcase!
Stop!
Where the are fuck are
you going, you idiot?
(suspenseful music)
- What are you doing here?
Aren't you aware this
is a restricted area?
- [Herman] Yes.
(Herman panting)
This person, he was
trying to escape.
And he belongs to me.
I can prove it to you.
I'm going to get your papers.
Where did you put the papers?
You assholes take them out.
This person, he was
trying to escape.
Here they are.
(loud thudding)
(Herman screaming)
(suspenseful music)
- [Soldier] Over
here, over here!
(gun firing)
- Did you bring what I gave you?
That's all the information
to destroy the Eye.
If you take it away,
it'll all be worth it.
Ulises, don't worry,
we can negotiate.
- I don't negotiate with rats.
Give me that bracelet.
Or do you want the next bullet
to go right to the
middle of your forehead?
- All right.
But let her go, okay?
She has nothing to
do with all of this.
- It's a pity that
someone like you
is influenced by a
dirty rat traitor.
Isn't that right, Icarius?
- Hm.
- Alba, run!
(suspenseful music)
(gun firing)
(Icarius grunting)
(gun firing)
(both grunting)
(suspenseful music)
(Alba panting)
(music intensifies)
(soft gentle music)
(gentle music continues)
(guitar music playing)
(light music)
(music intensifies)
(suspenseful music)
(suspenseful music continues)
- [Announcer] Attention.
The following message is
transmitted by order of the Eye
and its assigned officers
from the Central Area
within the Wall.
All residents are informed
that a curfew is decreed
in sectors 10 and 11
and border sectors.
It is prohibited to
leave after 1800 hours.
It is prohibited: an
official gathering.
It is prohibited: for sale
and purchase of merchandise.
It's prohibited:
inter-sectoral locomotion.
We work for a peaceful
society that has prospered
since the lifting of the wall.
We thank the Eye
that sees everything.
(suspenseful music)
- [Speaker] Section 10
and 11 are under attack!
We need authorization to
activate the defenses!
I repeat, we need authorization
to activate the defenses!
We will be attack
borders of the wall.
It is our opportunity!
They are attacking
us, we have no choice.
(footsteps pounding)
Ever since the damn Eye
algorithm took over,
we've become weak.
Let's attack!
We will not hide in tunnels
or cower inside the wall.
The Eye and its
elites must fall.
Give us authorization,
they are killing us!
We need to attack!
- Listen people, please.
We need to be objective.
We don't have enough men.
We don't have resources.
We don't have enough water.
We have no supplies
for everyone.
- Please, people!
We have been looking for
this bloody opportunity
for many years, and nothing.
The time has come to
build our own history.
We have to start thinking
about the future.
We have to look for it!
- The Eye!
The Eye is watching us!
(footsteps pounding)
- Am I right or not?
- Lucre.
Come on.
- Grab everything
you can and come!
- Come on.
- And come here.
- Come on.
- Over here!
- [Lucre] Fast!
- [Child] Come on, come on,
get in, come on, come on!
- Not you two.
Over there, the hole is over.
Over there, over there.
(loud thudding)
(tense music)
(thudding continues)
- [Soldier] Everyone
inside, go, go, go!
(guns clicking)
(Icarius whistling)
(alarm blaring)
(gun firing)
(man grunting)
(firing continues)
- [Icarius] Search everything
into this pigs sty.
I don't want a single
rat left alive.
Now!
- Yes, sir, yes!
(glass breaking)
(paper rustling)
- Fake back wall, sir!
- We must hurry.
Oh, God.
(electronic beeping)
(suspenseful music)
(Icarius inhales)
(suspenseful music continues)
(electronic music)
(door knocking)
(door opening)
- [Alba] Don Fausto's package.
(Alba screams)
- You promised me
there was antibiotics.
- Yeah.
As soon as we have them,
we will send them to you.
We'll do everything we can.
- Easy, easy.
(door slamming)
- Hello, my love!
- Abdel, you're a jerk. (laughs)
How dare you.
No!
- I'm glad to see you.
- Me too.
- Yeah?
(dramatic music)
(gun firing)
Down.
Let's go.
(firing continues)
- [Abdel] I've noticed
that the shipments
from the last few weeks
are full of weapons, Alba.
They're planning something big.
You must go.
- And what?
Are you planning to put
me in one of the trucks?
- I'm being serious, Alba.
I'm gonna get you
out of this hole.
- What are you
talking about, Abdel?
- Look, Alba, I'm not
gonna leave you here
after what happened at
the Communication Center.
It's just a matter of
time before all this ends.
And you know what?
In a few days, I'll have four
border permits, understand?
One for you, one for me, and
one for Lucre and one for Olga.
- Four border permits, really?
How do you get
something like that?
- Look, Alba, I can't tell you
much about what I need to do.
Just trust me, okay?
- We can't leave.
People need us.
- Alba, don't you realize it?
Don't you listen?
The resistance, the hospital,
and everything you know
is going straight to hell.
The Eye sees everything.
- We'll be dead before we reach
the first Registration Point.
- Listen, I want you to go
to the Big Station tomorrow.
Look for my contact, Jerry.
He will be waiting for you.
Please look for the man
without his left eye.
Look, Alba, I know
I haven't had time
to explain all this to you,
but I hope to see you
tomorrow at sunset.
Understood?
- Understood.
- I love seeing you.
- Abdel, do you have
the medicine for Bruno?
- Yes.
- There's no penicillin?
- Sorry, Alba,
that's all I can get.
- Here you are for
the next installment.
Do not fail me, please, Abdel.
- Alba, there'll be no next
delivery, don't you get it?
- If those rats already have
it, we're close to getting it.
What I don't understand is why
so much fuss and movement
for a simple bracelet.
- Ulises, the detachable piece
of the Great Lady's bracelet
is a device that contains
crucial information
about this government.
(suspenseful music)
- Shall we?
- One moment.
Visit to the City
Center, 1200 hours.
Call of the Eye, 1230 hours.
Return to the Ministerial
premises, 1400 hours of the day.
Thursday, April 20.
- In conclusion,
you lost it.
- We can try offering
a reward, Great Lady.
I'm positive that if we
were to get official permits
to go across the Wall,
people will react.
- Great Lady, I propose that-
- You know that in
the black market,
they would double this reward
as soon as they found out.
- Great Lady, please,
it's not a bad i-
Please, Great Lady, forgive me.
In 10 years, I have
never failed you.
You are like my mother.
- I forgive you.
Clara.
(fist thuds)
(patients coughing)
- [Announcer]
Reactionary governments
in the Central American
area are absolutely useless.
The great bravery and heroism
of our people
- Easy there.
- Was in the end defeated-
- We're safe here.
- [Announcer] Everything
that (indistinct)
meant for our country
for so many years.
- You go now.
- I know what I'm doing.
Sh.
Okay, let's make a deal.
If I win, they open
all the windows.
- You already lost.
- [Olga] For the
Eye, for the Wall,
and for all of us to be free.
- [Alba] Who's winning?
- Bruno.
- Bruno.
That's what I see, right?
I was going to open the window
myself today, huh, Bruno?
Breathe and hold the air.
Listen, Lucre, the
Eye and its algorithm
have already
destroyed many sectors
and they could do nothing
to defend themselves.
What are we waiting for?
Let them incinerate
the entire community?
Thank God we are alive after
the Communication Center.
- [Lucre] We can't abandon all
these people just like that.
- I don't know, but we
have to do something.
We can't continue here.
We have to change
locations and very soon.
- [Lucre] We won't be
safer anywhere else.
I cannot assure you when.
It is only a matter of time
before all of this disappears.
- Hi, mom.
- Hi, daughter.
- Hi, Lucre.
- We were all very worried
about you.
- Hi, dear.
- Hello.
- Hello.
And why?
Everything was very calm.
We can trust that
this road is safe.
- [Lucre] There have already
been five expeditions
that have left, right?
- Seven, in fact.
- [Lucre] And
everything in order?
- Yes.
The turnouts are safe.
The structures are stable,
much safer than the street.
I heard troops moving south.
I think we should be careful
with those routes
for a few days.
- [Valerie] There are
troops everywhere, Alba.
- Well, I heard
them louder today.
The next delivery from
our contact is today.
It should have entered
this side of the Wall
half an hour ago.
- As long as he doesn't
disappear like last time.
Because we need those
antibiotics and very soon.
- Lucre, don't be so harsh.
You know that he believes in
the cause as much as we do.
- Please.
My son has never believed
in anyone but himself.
That is his true cause, Alba.
- [Valerie] Let's go, Alba.
- Leave carefully.
Our sector is very dangerous.
No one must see you enter here.
Do you hear me?
No one.
- Yeah, Lucre.
- Please be very careful, okay?
- Come on.
(footsteps pounding)
I can't believe
you didn't tell me.
- He wants to protect you, Alba.
- Protect me from what?
If we are being
attacked from all sides?
- We have to get out
of here, that's why.
- Of course we have
to get out of here.
We have to move the hospital,
Bruno, Olga, and Lucre
all the sick people.
- For the third time?
- Yeah, third time.
A fourth time if
necessary, a fifth.
I don't know, or six-
- Alba.
- I don't know how many times.
- Take it.
- Where did you get this?
- I told you I wear more
outside than inside.
Look.
- What's this?
- There's people
out there, Alba.
They're rebels and they
wanted to defeat the Eye.
- And what's your plan?
- I got a job there.
It's not the best job,
but it's the only way
to get to the other side.
- Do you have an exit pass then?
- I could have two, if you
wanted to come with me.
- You know that's
not gonna happen.
I can't leave here Olga.
I can't leave Lucre,
I can't live Bruno.
I can't leave them.
They're my family.
And you too.
- Well, I'm leaving.
- Are you sure?
And are you safe with the
people you're leaving with?
- Yeah.
- Valerie.
Are you safe?
- Yeah.
- I wish you all the best.
(dramatic music)
(electronic beeping)
(electronic music intensifies)
- The bracelet is your
priority now, Ulises.
Deal with it.
We cannot compromise either the
Eye or the system right now.
- [Ulises] Yes, Great
Lady, of course.
You can count on it.
I'll take my leave.
(door opening)
- What are you doing here?
Who the hell are you?
- Don't worry.
I-I'm Valerie.
- You come for work?
And who are you?
- It's me, John.
I come to try again.
- Get in.
Listen to me carefully.
No one is going to
be interested in you
if you don't see some action.
And that's the reason
why we need a demo.
That has to be online now.
There will be no sentimentality
or exchange of body fluids.
You have no idea what people
do to get out of this hole.
(dramatic music)
(Valerie speaking indistinctly)
- What is this for?
They don't wanna
see my face or what?
- Girl, nobody gives a
shit about your face.
(Valerie speaking indistinctly)
- [Valerie] What are you doing?
- I'm in the business
of trading bodies
to the highest bidder.
What they do with the material
once it's theirs
is their problem.
- That's what
you're going to do?
That's unfair?
- Now, if you don't
want to do this
and want to stay here living
like rats, that's your problem.
(camera clicks)
(Valerie screams)
- Stop this!
What are you doing?
(screaming continues)
(suspenseful music)
- You're going be good.
(monitor beeping)
- Hi, mom.
- Hi.
- Can I help you?
- No, dear.
- Yeah, let me give you
a hand, mommy.
- It's okay.
- Hi, Bruno, how
are you, champion?
- Great.
- He's not very well.
His infection is getting worse.
- What are you talking about?
I'm very well.
I heard you are route
reconnaissance now.
- Yeah, that's right.
I'm a route
reconnaissance person.
- I'll go with you.
You sure need
company, don't you?
- I would really
love some company.
- Cool.
(beeping continues)
- Alba.
There is no penicillin?
We need antibiotics, Alba.
We cannot cure infections
with painkillers.
That's impossible.
- It's everything
Abdel could get.
There's nothing.
- Maybe the Big
Station has some.
- Maybe if we talk to Martin.
- Make it possible because his
infection is getting worse,
and he's very sick.
(door knocking)
- Faster!
- The wheel of fortune,
all give and all take.
8,512.
- The weird boy.
- They all ask,
only one can get.
38, 40.
- Come on, come on.
Come in, come in.
(door closing)
Come on, come on.
Hurry.
Come on, hurry up.
Hurry up.
(upbeat music)
(crowd yelling)
- Let go!
- Out of the place.
Get out of here, kid!
Out, out!
- I'm Lucre!
I need to see Martin!
Lucre!
- Come.
- Come in!
- Come, come, come, come.
- Come on, move, jeez!
Don't let them pass.
Don't let them
pass, out of here!
Out of here.
Out, out!
I said stay out!
Out of here, go!
(crowd chattering indistinctly)
- Let's go.
- Welcome.
(indistinct chatter continues)
- Wait for me one moment.
- [Speaker] What?
- No, I already told you no.
Yeah, look, I'm
not gonna pay you.
I can't pay you, understand?
I'm not gonna pay you shit.
Don't come back.
- Hi, Martin.
- Get in.
(wheel rolling)
- Pay attention, I
don't have much time.
This must be given to
Abdel, it's an address.
The buyer will be there at
that point tomorrow morning.
He has until noon.
I don't exist.
- [Martin] Sorry.
I can't offer you
anything to eat.
- Thank you, Martin, but
I didn't come to eat.
I have come three times
in the last two weeks.
I can't get a bottle
of antibiotics.
What's happening?
- You've seen it
already, haven't you?
Things are not like
they were before, ma.
This week, the army has
captured our cargo three times.
Three.
Do you realize?
If you know someone is sick,
you have to let them die.
- I know there
must be something.
You must know someone
who can help us.
- It's okay then.
Come on.
Do you see that degenerate
with the purple scarf?
- Hmm.
- He took five packets of
doxycyline last week, you know?
Maybe he'll give you some.
- You know, this better
be my lucky day, Martin.
If not, you will have me here
to amputate your other arm.
(Martin laughing)
Pst!
Are you Herman?
- Yeah?
- I need antibiotics.
- What do I get
in exchange, hmm?
- What do you want?
- The girl you brought.
That beauty you brought.
- We still haven't met
our objective, Great Lady.
That day after our
visit to the City Center
and the message from the Eye,
we returned to that
district very late,
in the middle of the night.
There's something
we're just not seeing.
- That's it.
That is it.
- [Ulises] What, Great Lady?
- The transportation
back to the district
after that hectic, long day.
I was very tired and I
didn't wanna fly, remember?
The pilot.
- [Ulises] Abdel.
- Investigate him.
- Yes, Great Lady, immediately.
I'll take my leave.
(footsteps approaching)
(Alba panting)
(romantic music)
(romantic music continues)
- Jerry says the
buyer will see you
at the address tomorrow morning.
- He got it?
- It appears to be an old
factory on 37th Street.
It's strange.
Sector two is a pile of rubble.
- Exactly.
It's not strange, it's
the perfect place.
- You know you owe me a better
explanation than the last time.
- I know, I know, I know.
But my promise to get you
out of here still stands.
And for that, I got
something for you.
I want you to have this.
- What is it?
- This is my promise, Alba.
And as long as you
take it with you,
you and I can get out here.
- What are you selling, Abdel?
- Listen to me, Alba.
This is dangerous.
This device has very
important information in it.
It's all I can say.
Hey, hey, hey, hey, hey.
No one is gonna be
able to force you
to say something you don't know.
Trust me.
Come, come, come, come, come.
- Where the hell are you, Abdel?
What are you thinking?
With us, you could
have had it all.
- [Icarius] Don't worry.
We'll find it.
- Rats always return to
the hole they came from.
Is this the landlord?
- [Soldier] Yes, sir, yes.
- Tell me, when was the
last time you saw Abdel?
- He hasn't sat foot in the
building for two months.
Mr. Abdel is a very
reserved person.
Always comes and goes
without making the
slightest noise possible.
(landlord grunting)
(monitor beeping)
- Dear, dear.
I finally found a way
to get you out of here.
- What do you mean?
- Do you remember Herman
from the Big Station?
- [Alba] The weird guy
with the video cassettes?
- [Lucre] Mm-hmm.
- [Alba] How to forget him.
- Well, he says
that he has a pass
to get a man and a woman from
here onto the other side.
The day after tomorrow, I'm
going to take you to the border.
In the afternoon, you're
going to cross the Wall.
- It's crazy, Lucre.
- Is it insane to save
your damn life, my dear?
All this is going to disappear.
There will be nothing left.
- Abdel has a plan to get
you, Olga, and me out of here.
And that's a serious plan.
Not this private
nursing nonsense.
- So now they have a plan.
How can I tell you, dear?
They're damn gonna kill us.
Me, your mother,
you, and all of us.
Were on this side of the wall.
- Are you sure, Eagle,
that these cameras
won't be seen by anybody at all?
- Of course.
These old factories used to have
a closed circuit
security system.
So if he notices them,
he'll believe we are
the original ones.
- Good.
And the audio?
It's extremely important.
Does it work?
- Yes, everything's set.
- Very good.
The black tower has
been gaining ground.
The Great Lady has
suffered several attacks,
and unfortunately, many
of my men have been lost
and several fronts
have been taken.
This is extremely
important, Eagle.
Make sure you don't fail.
Your life depends on it.
- It'll be a pleasure, sir.
- [Jerry] Will she be alone?
- There's only one
way to find out.
- She had an oriental accent.
She must be Chinese.
I don't like Chinese people.
I don't like Eskimos.
I don't like dogs, Eye's people.
- You don't like anyone, Jerry.
- Wait.
The jewel?
- It's here.
- That's the original?
- Yeah.
- And the copies?
I made copies, why
did we make copies?
- Here's the copy Jerry.
- And the other copy?
- It in good hands, calm down.
Let's go.
(foreboding music)
(door knocking)
(foreboding music)
(knocking continues)
(metal clanging)
We're here for the Eagle.
(tense music)
- [Eagle] Mr. Hong, you
know I do not grant audience
to more than one
gentleman at a time.
- I am sorry, ma'am, but we're
kind of in this together.
- [Eagle] I don't care.
One of you will have to leave.
- This doesn't
sound right to me.
- Relax, Jerry,
it's a good idea.
- Please, sit.
You must be?
- I don't really think names
are that important
right now, madam.
If you don't mind, I'm
in a bit of a hurry,
so I'd like to get it over with.
- I'm aware of the
nature of the object
you've got in your power,
but I need to verify it.
- Well, you know
we're talking about
something with great value here.
- I want to see it.
(electronic music)
How much do you want for it?
- I'm not looking
for money, ma'am.
I want liberty and the
same for my family.
And for that, I require
four border permits,
ready and stamped
as soon as possible.
- We can make a deal.
I'll have them ready
for you within a month.
- I don't think you
understand, ma'am.
I want them by tomorrow,
in a couple of
days if necessary.
- Forging a permit expertly
enough for it to look real
to cross the Light
Tunnel, no less,
is not at all an easy task.
And you are demanding four.
I'll have to
contact my best men.
- Well, ma'am, I guess
our business is done.
There's many people who
are interested in this.
- [Eagle] Three days.
It is the shortest
time I can offer you.
If you don't like
it, you may leave.
- Three days.
But until then, this
baby stays with me.
(metal door opening)
(footsteps approaching)
(soft music)
- Have you seen Lucre here?
- Huh, seen who?
- Lucre.
- No.
No, I haven't seen her.
(soft music)
(patients coughing)
(wheels rolling)
And Bruno?
(Wheels rolling)
(dramatic music)
(dramatic music continues)
- Olga.
You can't stop Alba
from leaving here,
do you understand me or not?
- Again with the same story?
Let her go, let her go,
let her go, let her go,
'cause she's not your daughter.
- She's not my daughter?
Of course she's my daughter.
I have given as much as you.
- Lucre, I cannot do it, sorry.
Abdel has a way of getting
us all out of here.
- Hey, Abdel.
We have fought
for so many years.
This is the opportunity.
You know.
You know we are in a hole
of dead, dead people.
If you stay here,
Alba, if you stay here,
I will have lost you too.
Do you understand me?
You don't have to stay.
- I would rather die with
you than leave you here.
They're gonna bomb you all.
Are you crazy, Lucre?
- It's about freedom,
for God's sake,
to get out of this Wall.
If you stay, the same thing
as Valerie will happen to you.
- Lucrecia!
- What are you talking about?
What's happened to Valerie?
- The Eye took her.
Those damned ones took her.
- The same damn bastards
you want to go and cure.
Those same damn bastards?
Are you referring to them?
- This will never change
until we tear down that wall
and kill those damned ones.
- Well, then let's
tear down the wall
and kill the damn
ones, I don't know,
but I'm not going
anywhere, Lucrecia.
- The deal is done!
- What deal?
What are you talking about?
What is she saying?
- What are you talking about?
- What deal, Lucre?
- What is that deal?
- Martin is going to bring gas.
See, Mao is going to
take us to the border,
and Herman is going to
be in charge from there.
- Herman?
Do you trust in that Herman?
- It's a deal and
it will be done.
- No!
I don't wanna leave, I said.
(somber music)
(Alba sobbing)
(dramatic music)
(wind blowing)
(dramatic music continues)
- Come on!
Come on, bitch, come on!
Where were you going?
Where were you going?
(Alba grunting)
(Alba panting)
(somber music)
- [Announcer] Attention!
The following message is
transmitted by order of the Eye
and its assigned officers
from the Central Area
within the wall.
All residents are informed
that a curfew is decreed
in Sectors 10 and 11
and border sectors.
(door knocking)
We work for a peaceful
society that (indistinct).
- Alba, tell me what
are you doing here?
Do you want to be
killed by them?
- We need water for
the hospital, Simao.
I don't know what to
do anymore, Simao.
Lucre and my mother
insist that I leave.
They insist that
I get out of here.
But I've lost so much.
I can't lose them too,
do you understand, Simao?
And it's no use for me to stay.
There's nothing to do.
People are dying.
There's no more food.
There's no more medicine.
We have to rush in water,
and we can't do anything
against the damn Eye.
I can't leave them.
(metal door clanging)
I can't believe
you didn't tell me.
- He wants to protect you, Alba.
- Protect me from what
if we're being attacked
from all sides?
- We have to get out
of here, that's why.
- Of course we have
to get out of here.
We have to move the
hospital, Bruno, Olga.
- For the third time?
- Yeah, third time.
They're my family.
And you too.
- Well, I'm leaving.
- No!
(glass breaks)
(dramatic music)
(dramatic guitar music)
- And you?
Where do you think you're going?
(dramatic guitar music)
- Abdel!
Abdel!
(guitar music)
(helicopter whirring)
- Abdel.
We have to go, we have
to go, we have to go!
- What are you
talking about, Jerry?
- We have to forget
about the deal, Abdel.
This damn lady
works for the Eye.
- What?
- The moment they
took me out of there,
two soldiers appeared
out of nowhere.
And they have all the troops
looking for the bracelet,
looking for you, looking for us.
We are dead men.
- No, no, no, no.
Listen to me,
Jerry, listen to me.
This is what we're gonna do.
Meet me at the Old
Theater in 40 minutes.
I want you to bring
everything we need, okay?
We're gonna use
the old alleyways
until we reach the
cemetery, and from there,
we're gonna need
your old contacts
to get us transportation too.
Help us crossed the border.
- Hey, where are you headed?
- I have to go get Alba.
(footsteps pounding)
(tense music)
(helicopter whirring)
(Abdel panting)
Mother!
Mother, mother, please wait.
Mother!
Mother, open the door.
- [Lucre] What are
you doing here?
- Mother, where's Alba?
I have to talk to her, mother.
They're gonna drop bombs.
You have to come
with me, please, mom.
- Get out, we don't
want you here.
- You have to listen
to me, please, mother.
- Don't call me that.
I have no children.
You seem very determined, right?
Save yourself, coward.
You have done it before, Abdel.
(door slamming)
- Mother, mother.
Mother!
If you wanna stay here
and die, that's fine.
But at least let
Alba come with me.
Mother!
(door knocking)
(knocking continues)
Mother, please.
(dramatic music)
- Oh, Jemanya, Jemanya.
May the light of this candle
seal the edge of the knife
with a tempest that
portends the storm.
Oh, Jemanya, Jemanya.
I invoke the strength
of the seven seas.
So that with its white
waters, I bathe this knife.
(bomb exploding)
Ooh, Jemanya, Jemanya.
(dramatic music)
- Come on, my dear.
It's getting late.
Come on, Alba.
Come on.
Come on, my dear.
(Olga sobbing)
(footsteps pounding)
- He has those files, Icarius.
We have to bend heaven
and earth to get them.
Your life, my life, and
even the Eye depends on it.
Understood?
- Understood, sir.
(footsteps pounding)
- Martin!
Martin!
- Come, come.
- I need to see Martin.
- Who will take care of you?
- What's happening, Lucre?
- I need gasoline.
I have no time to waste.
- Listen to me.
I haven't been able
to reach the contact.
But right now, we have
a more pressing problem.
They say it's imminent.
They're going to bomb us.
We have to leave this place now!
- Listen to me, Martin.
We had a deal.
I need the damn
gasoline right now.
- It's not my fault.
If I had it, I would
give it to you.
But what we don't have
more of now is time.
- Here are the
medicines you asked for.
Now, fulfill your damn deal.
- Easy, easy, Lucre.
I'm going to take you to him.
I'm gonna give
you what you want.
I'll take you to him, but
it has to be really quick.
- What do we do now, Martin?
- Ready everything.
Keep it in the warehouses.
Cover everything everywhere.
We'll be back.
I haven't heard from
Victor for a long time
since the sector was bombed,
but I know there
are some survivors.
The last meeting with him
was not very successful.
It's just a warning.
- Well, we better find him.
Your damn luck depends on it.
(bombs exploding)
- Martin.
Martin.
- And-and Victor?
Is Victor-
- Are you looking for Victor?
- Yes.
- I can take you.
- Yes.
- For a price.
- Yes.
Let's go.
(dramatic music)
- What the hell are
you doing here, Martin?
- I haven't heard from
you in weeks, you know?
The only way to know
if you were still here
and still alive was to
come here to prove it.
- Tell me, what do you want?
- We want fuel, gasoline.
About one, two gallons.
- Gasoline.
That's all?
You are saying you
came all of this way
for a few gallons of gas?
- It's an outstanding debt.
This is my partner Lucre.
She needs it urgently.
- It seems like you have a lot
of outstanding debts today.
- All respect, Victor, we
don't have time, you know?
- And who do we have here?
How old are you, cutie?
- Hey, she's not the
issue here, Victor.
- Sure.
It's what we have.
How do you plan to pay?
- Do you think we can go
to the Big Station
together and settle it?
- No.
What is it?
Don't tell me you
came empty handed?
- Come on, Victor.
My partner and her
goddaughter have to leave.
You and me, we can fix it
ourselves together later.
- It's okay.
Take it.
It's theirs.
They can go.
It's all yours.
(light guitar music)
- Come on, hurry.
Here's the gasoline.
The time has come, my dear.
Please be safe.
Hide well, my dear.
Don't go out for
anything in the world,
whatever you hear.
(light music)
(car engine starting)
(engine revving)
(dramatic music)
(Lucre sobbing)
(metal door opening)
- You are aware that
they're looking for us
to-to kill us, right?
- I couldn't find her, Jerry.
- I don't care.
What part of,
what part of "they're
looking for us to kill us"
don't you understand?
We have to get out of
here, we have to go now.
We have to go now,
we have to move.
We have to send out.
- Oh, please, Jerry.
She has to come here.
- Transportation is not
going to wait a moment.
Yes, we're organized.
The Eye is going to fall.
There's no use if we're
going to be waiting here
for all eternity.
My legs hurt.
- I know, Jerry, but
we know this place.
We know all the tunnels,
we know the alleyways.
They do not.
- One thing is to know them.
Another thing is to use
them and run around.
Have you ever seen
me running around?
Oh, oh, my God.
- You're right.
Run, Jerry!
(Jerry panting)
(light music)
(singing in foreign language)
(light music continues)
(footsteps pounding)
- Come on!
Let's go, let's go back!
(loud thudding)
Run!
Run!
(upbeat music)
Come on, come on.
Run, come on, run!
Go, go, go!
Run, Jerry!
Run Jerry!
(upbeat music)
(light music)
(gate opening)
(helicopter whirring)
- Finally.
Hi.
I'll be right back.
- My name is Alba.
- [Herman] Officers,
good morning.
(electronic beeping)
- I hope you're sure of
what you're about to do,
'cause there's no going back.
- Thank you so much.
- Tell me,
it's private nursing, right?
- Your name is Valerie Ramirez.
Don't open your
mouth for any reason.
I'm giving all the
explanations, okay?
- How so Valerie?
- Didn't Lucre explain?
What a pity.
Let's go.
Come on!
Hurry up.
(upbeat music)
- Run, Jerry!
Go there!
(suspenseful music)
(light guitar music)
(gun firing)
- Run, Jerry!
Fuck.
(gun firing)
Jerry.
Fuck!
(guitar music playing)
- Where's Valerie?
- Valerie, w-what are
you talking about?
- Why she's not here?
- Now, you're the Valerie.
You'll have to do
great enthusiasm.
- No, I'm not stupid.
Where is she?
- A few days ago, everything
was ready for us to go,
but Valerie just
never-never showed up.
- I knew Valerie, you know.
- Of course you knew her.
As far as I know,
you worked together.
Lucre told me that you
knew each other so well
that you would love to take
his place in his adventure.
Lucre was delighted
with the meeting
we had for the deal, you know?
- I would never say that.
And neither would Lucre.
- Lucre, you, Valerie,
Anna, they're all the same.
A piece of meat.
- You killed her, dumb fucker!
- Fuck are you going?
(both grunting)
(gun clicks)
- John.
Drop it.
- It's gonna be okay.
- To your right.
(tense music)
I don't care about
this, you know?
What I want is to sell you fast.
To sell you now.
What I need is your help.
I need to make a video -
real, sensual, and sexual.
- Can't stay-stay here.
They're going to kill us,
we have to go the other way.
- Shut up!
(gun clicks)
I'm gonna kill you if you
don't shut the fuck up.
You get on the
platform right now.
(tense music)
You take off your blouse.
John, help her.
(tense music)
Good, very good.
(tense music continues)
Nobody cares about your face.
In fact, it's not important.
Put this on.
John.
(suspenseful music)
(both grunting)
(fist thudding)
(suspenseful music)
John, turn around and hug her.
Come on, hug her.
Alba, are you ready?
Told you not to
look at the camera.
I've told you a thousand times!
Don't look at the camera!
Again!
I told you to grab her here,
kiss her, and turn her over.
Is that so hard to do?
Alba, listen to me.
Listen to me so we can get
out of this shit quickly.
(suspenseful music)
Let's go.
(suspenseful music)
(electronic beeping)
- There he is.
We have to tell Ulises
and the others about
this immediately.
- [Both] Yes, Great Lady.
- [Herman] Come on,
Alba, give me more.
- [Alba] Abdel!
- Alba!
- Fuck, get out of the
frame, you bastard!
- Careful, careful.
(suspenseful music)
- John, my suitcase!
Stop!
Where the are fuck are
you going, you idiot?
(suspenseful music)
- What are you doing here?
Aren't you aware this
is a restricted area?
- [Herman] Yes.
(Herman panting)
This person, he was
trying to escape.
And he belongs to me.
I can prove it to you.
I'm going to get your papers.
Where did you put the papers?
You assholes take them out.
This person, he was
trying to escape.
Here they are.
(loud thudding)
(Herman screaming)
(suspenseful music)
- [Soldier] Over
here, over here!
(gun firing)
- Did you bring what I gave you?
That's all the information
to destroy the Eye.
If you take it away,
it'll all be worth it.
Ulises, don't worry,
we can negotiate.
- I don't negotiate with rats.
Give me that bracelet.
Or do you want the next bullet
to go right to the
middle of your forehead?
- All right.
But let her go, okay?
She has nothing to
do with all of this.
- It's a pity that
someone like you
is influenced by a
dirty rat traitor.
Isn't that right, Icarius?
- Hm.
- Alba, run!
(suspenseful music)
(gun firing)
(Icarius grunting)
(gun firing)
(both grunting)
(suspenseful music)
(Alba panting)
(music intensifies)
(soft gentle music)
(gentle music continues)
(guitar music playing)
(light music)
(music intensifies)