The Fear (1995) Movie Script
(dramatic music)
(boy laughing)
- [Boy] You can't catch
me, nana-nana-na, na.
(dramatic music)
(heart beating)
(footsteps pounding)
(dramatic music)
(ominous music)
(creature growling)
(foreboding music)
(metal clanking)
- [Masked Men] Diametric,
diametric, diametric.
Diametric, diametric, diametric.
Diametric, diametric,
diametric, diametric.
- [Masked Female] Diametric.
- [Masked Men] Die.
- [Masked Female] Diametric.
Diametric, diametric, diametric.
- [Masked Men] Diametric.
- [Masked Female] Diametric,
diametric, diametric.
- [Masked Men] Diametric.
Diametric.
(wooden crackling)
Diametric.
- [Masked Female] Diametric.
- Diamond trick?
- Diamond trick.
Goofy, huh?
- How frequently are you
having this dream, Richard?
- Not often. A few
times a year, I guess.
Look, can we talk
about my thesis?
I wanna do more than just
a dry, academic rehash.
- Hold on a second, though.
Let's go back to your dream.
Play the shrink for me.
What does it suggest to you?
- Come on.
Uh, something buried.
Something underground.
The subconscious.
(Richard whistles)
(uneasy music)
Like it's, it's just
some childhood bogeyman.
- Is it?
- Come on, don't Freud me
out of here, Dr. Arnold.
- Don't dismiss Freud.
I mean, he might be dated,
but he was no dummy.
- All right, well, there's no
emotionally crippling trauma
that springs to mind,
if that's what you mean.
- Okay, tell me
about your thesis.
- Okay, all right, it's
gonna be a field session.
It's gonna be a weekend
of fear exploration
in a controlled environment.
- You gonna explore
your own fears, as well?
- Psychology's a spectator
sport, Dr. Arnold.
- You know the
quest for wholeness,
it's the holy grail
of psychology.
- Jung, right?
- I'll approve your workshop,
if you do one additional
little assignment.
- Oh, boy.
All right, what is it?
- Take that with you.
Find the missing piece.
(siren blaring)
- You're kidding, right?
- The people that
become shrinks do so
because they're in need
of therapy themselves.
You're aware of that aren't you?
- Yeah.
- Good, 'cause that's
the best reason.
(anxious music)
(foreboding music)
(she screams)
(dramatic music)
- Easy, easy.
You shouldn't be out
here alone after dark.
- Yeah, I know.
- [Guard] We had another
girl attacked last night.
- I, my dorm is just
right down here.
- I'll walk with you.
- No, that's okay, really.
I'll be fine, thanks.
(foreboding music)
(water gurgling)
(dramatic music)
(she yells)
(muffled screaming)
Gravy, yeah, uh-huh
You don't pull on
Superman's cape
You don't
- Whoop.
Spit into the wind
- Stop that stuff, man.
You scared the shit out of me.
- Damn, Rich.
Check it out
- Oh, nah, nah, nah, yo, Rich,
you're taking this school
shit way too seriously, cuz.
Way too seriously.
- Hey, come on.
- Yo, hey, this is
last spring break, man.
Last chance we got.
Totally wasting to
slave for the man, huh?
- Well, you should come, too.
We could use some comic relief.
- Well, that makes
sense I guess.
- Well, that's your
loss, you know?
We could have a good time.
I'm gonna run them by Ash,
if she's cool with it, bingo.
- All right, let
me see that thing.
- [Detective] You Troy Thorn?
- Yo, that's me.
- We'd like to ask you a few
questions about Becky Gray.
I understand you dated her.
- Yeah, we hung a few times.
Why, what's up?
You guys cops?
- You know she was
raped last night.
- That makes the fourth on-campus
assault in the last month.
- Look, I was shooting pool
last night down at Vinny's, man.
You can heck it out.
- We will check it out.
(rap music)
- Is this is where
I can find you?
- Oh, yeah, that's me.
- Good, good, thank you.
I radiate gamma
rays at random
I slam'em
Yo, quick fast
like the phantom
Guard my gate
With a passed down cape
You wanna escape
And now ain't no one safe
Check it, as I hit you
with a boom from the trigga
- [Troy] Fucking asshole.
- Troy, it's all right.
If it was Ashley,
they'd be up in my ass.
- Man, you and Ash got it real.
You're one lucky
fuck, you know that?
- You know you
should come with us.
You need to get away.
- What the fuck you
trying to say, Rich?
- I know what you think,
but we all have fears
and they affect every
decision we make.
That's the truth, Troy.
- Look, man, no offense but
that there is bullshit, right.
I got no phobias.
What the-
(bee buzzing)
- Hey, no offense, man, but
that theory's some bullshit.
You know what I'm saying?
- Oh, fuck you,
man, that was a bee.
(rap music on radio)
(people chattering)
- [Richard] Shit on
it, you wipe it off?
- [Gerald] Sure enough, baby.
- What would you wipe
it off with, man?
- I can't tell you, babe.
- Hello, hello.
So you mean I'm it?
- Well, you in or what?
- The lone guinea pig?
- More time that I
can spend with you.
- [Mindy] Yeah, right.
(horn blowing)
- [Richard] Oh, boy.
- What's up?
Okay, what's y'all
hanging around for,
we're burning daylight, hoss?
- [Richard] Well, he deigns
to grace us with his presence.
- That's right.
Yo, Rich.
Check it out, man.
This is my sister, Leslie.
She showed up at my
apartment this morning.
She's from Oregon.
You mind if she tags along?
- Sure, man, the
more the merrier.
- That's cool.
- Hey, Leslie, Richard.
Pleasure to meet you.
I heard a lot about you.
- I see that somebody has
some manners around here.
Haven't we forgotten
something, brother dearest?
- Yeah, yeah and this is ah, ah-
- Vance Cooper.
- Yeah, yeah, he
wants to come, too.
- Vance, welcome.
We're all flesh
and blood, eh
- At ease, soldier.
We're all flesh
and blood, alone
I feel the evil,
it's releasing
I put up a fight,
my soul it weakens
How long is this fear
Is this fear has it
taken control, eh
And now my fate is uncertain
I sing the love
songs, they're burning
Release me, release me, this
fear will it ever unfold
- Hey.
- Pull over here.
- Yeah, man.
- Yeah, let's slow down
for a bit.
- [Mindy] Oh, yeah,
look at the view.
Look at the view.
- This is a beautiful spot.
Here you go, babe.
- I haven't been up here
since I left for college.
Guy at the real estate office
looks after the place for us.
- Why haven't you been back?
(chuckles) It's so beautiful.
- Yeah.
- Come on, man.
The car's way over
there, you'll be okay.
Come on.
- [Mindy] I don't know.
- Ah, what's up?
So where'd you get
that new face, Les?
- What's it to you, Troy?
- No, that's you, that's you.
You know, but I thought them
crow's feet was styling, huh?
- I think she looks fine.
- [Leslie] Thanks, honey.
(blows kiss)
. Thanks, honey, mwah.
Damn she could be
your mama, Vince.
- It's Vance.
What's it to you?
- Oh, Vance, Vance, Vance.
- What are you always
talking smack for?
You think you're a brother?
- Oh what, you mean I ain't?
You know, Les, he only with you,
"cause you some rich,
god damn, executive.
You know that shit, don't you?
- You think I'd be
here if I had money?
- I don't know, what
happened that job you had?
I thought she was
making the green.
- I got fired.
Personal differences,
what can I say?
- I bet.
You could call me
once in a while, Les.
Miscellaneous,
when I get you
Canibalistic, yes I'll blast
it off your skin tissue
(car engine roaring)
- [Mindy] Wow, check this out.
- [Gerald] What's this
place doing up here?
- Looks tres, tacky. (chuckles)
(others laugh)
(rap music on radio)
- Hey, you guys hang out here
for a little bit, all right?
- All right.
- We air the place
out a little bit.
(birds chirping)
- Richard, what a
gorgeous setting.
Look at those trees.
Richard, are you coming?
(tense music)
Well?
Wow.
- Yeah.
- Put it down. Put it down.
Please, put it down.
- Cool.
(Troy chuckles)
What's he got in there?
A spare set of balls and shit?
- My old room.
- Richard, this place
is so incredible.
We should move up here
after we're married.
This could be the boys room.
Your son, Richard, Robin.
How's that for a name?
I've always liked it,
it sounds so free.
- We're not there yet.
- You know what? The
cradle could go here.
We better get a bed,
you know they'll be jumping
on it before you know it.
They grow up so fast.
- What's next? A
swing set in the yard?
- Oh, come on, you know kids.
They'll be happy with a
cardboard box and a stick.
I know I was. Weren't you?
- Depends on who's buried
in the cardboard box.
Look, Ash.
Kids can't live on
nuts and berries.
I gotta finish school.
I gotta start my practice.
- I'm not complicated, Richard.
All I want is life with you.
Just us and a little baby.
(she sighs)
When [ think of
looking into his eyes
and seeing your
expression echoed there.
Just saying "I love you, Robin."
That's all.
- You're just moving a little
too fast for me, that's all.
But you hang in there
and I'll get there.
- [Troy] Hey, Rich, where
we shacking up, man?
- Shit.
Look I, uh...
I better go show
the others around.
(others chattering)
- [Mindy] I know.
- [Troy] Whew!
(anxious music)
(sinister carnival music)
(eerie crackling)
- [Troy] Whew!
(dramatic music)
(Ashley gasps)
- Richard!
Richard!
- [Richard] Come on.
- Richard!
Richard!
- [Mindy] Ashley?
- You okay?
- The drawer.
- Is she okay?
Check this shit out, man.
- [Gerald] Oh, look at...
(Leslie gasps)
- Morty?
- [Vance] Looks expensive.
- Ah, that shit
ain't expensive, man.
- Look at the craftmanship,
it's beautiful.
(wood creaking)
- [Troy] He's a real beauty.
Ain't he beautiful, Ash?
- There's a real presence there.
Can't you feel it?
- Yeah, right.
- Where'd he come from, Richard?
- He stood in my
grandfather's general store.
You know displaying
suits and stuff.
When the store closed,
they brought him here
as kind of a guardian, I guess.
Gets pretty lonely up
here, especially, as a kid.
Morty was my best friend.
(anxious music)
You know, it's so weird.
I'd forgotten all about him.
(Morty's head cracks)
- I never forgot you,
motherfucker.
(other's gasp)
- Troy, man.
- [Troy] Psych.
- Gerald, let's dust him
off and take him downstairs
so he can watch over us all.
- Can't see it happening, babe.
Can't see it happening.
I'm outta here.
- I agree with him.
Let's get something
to eat, okay?
- Let's put this shit away, man.
-I got it, I got it.
- That's ugly, man.
You ugly, boy.
(Troy chuckles)
(foreboding music)
(dramatic music)
- All right, Morty's gonna
be our sacred guardian.
He can be trusted with all
your secrets, all your fears.
He won't tell anybody
and, more importantly...he
won't judge.
- (scoffs) Shit.
- All right, so who's first?
- Oh, Rich, man.
Chill out, baby.
- Troy, rah, thanks
for volunteering, man.
Come on down.
- [Troy] Oh, shit.
- Gotcha.
(others laugh)
- Aw, man, you ain't serious.
You want me to talk to
this wooden motherfucker?
- Hey man, I talk to your ass.
- Damn, Rich.
What's up, Morty?
All right, you so fucking
smart, then you tell me.
What am I afraid of?
You see? You see
what I'm saying?
- What's that, Morty?
Hey Troy, man, you got
a spider on your leg.
- Oh, where? Where?
(others laughing)
This shit ain't cool, Rich.
All right, all right.
So bugs, they make
me uncomfortable.
- Uncomfortable?
You looked like you
shit your pants.
- Well, that would
make him uncomfortable.
- Yeah, but we can thank
Gus's goddamn tracking
for that, shit.
You remember Gus?
- All right, Leslie.
- Sure, why not.
Well, I was a popular
girl in high school.
Lots of dates. Good times.
Would've been prom queen,
then he came along.
I was yanked right out
the best years of my life
to raise him.
Sometimes I feel
like I missed out
on the life I should've had.
- Boo-hoo, hoo, hoo.
- Hey, come on, Troy.
Cut the shit.
So what scares you, Leslie?
(she scoffs)
(anxious music)
- I don't wanna get old.
I'm done, okay.
- Thanks.
- [Leslie] Come on, your turn.
Come on.
Your turn.
- Pass.
- Oh, come on.
- [Others] Come on, man.
- [Ashley] Come on, man.
It's your turn.
- I don't know what
you want me to say.
- [Leslie] Whatever.
- Just think about it, man.
Everybody's afraid
of something, Vance.
- Poverty...I guess.
- All right.
- [Vance] This is bullshit.
- Hey, what about your?
Sorry.
Why is it wrapped?
- None of your business.
- What about this tattoo?
What's that about?
- This is bullshit.
Thanks.
(tense music)
- Hey, uh, hey come on.
- Not right now, Richard.
- Come on.
- I just don't feel
comfortable right now.
Oh, stop.
- [Troy] Oh, what, Ash?
(door slams)
- Ah, shit.
Look, hey everybody, just
hang tight for a little bit.
I'll be right back.
- What, fuck?
- Ashley.
What the hell's the
matter with you?
- Look, Richard, nobody wants
to play your game, all right.
It's just not working out.
- Fine.
(horn honking)
(bells jingling)
- Ho-ho-ho, boys and girls.
Santa's here.
(bells jingling)
- Oh, shit.
- [Pete] Hey, hey, hey, Richard.
- Hey, Uncle Pete,
how you doing?
How are you?
- Well, introduce me.
- All right, Ashley,
this is my Uncle Pete.
You could never tell
by looking at it
but he runs the Christmas
Village up here.
- Oh, that place we
passed on the way up.
- You got it.
And this is Tanya Larson.
She's the pink in
Santa's cheeks.
- Hi, Richard.
- [Richard] Hey,
how are you doing?
- Uncle Pete has told
me so much about you.
- So this is great.
What brings you up here?
- Well, the snow, it
slammed dunked my house
and I got a couple
of guys repairing it.
So we can't stay there.
- Oh, no-no-no-no-no.
Look, I told you already
we're having a workshop
here this weekend.
- Rich, lighten up.
I mean, we'll make
ourselves real tiny.
It's just for the weekend.
Won't we, sugar?
- Uncle Pete, I told you this
is a controlled environment.
If you're not participating
in the session.
- Richard.
Come on.
It's so nice to finally meet
some of Richard's family.
- Yeah, well what's left of it.
All right, fine.
But look, don't come complaining
to me if you get bored.
There's nothing to do up here.
The lake's like 20 degrees.
- That suits me fine.
- You know she's got this
thing with water, you know?
- Some kids pushed me into
the pool when I was little.
- Ah, a little phobia, huh?
Another victim for
the evil Dr. Strand.
(thunder rumbling)
- Water.
That's it, Morty.
That's my fear.
- Thanks, Tanya.
All right, who's next
on the chopping block.
(owl screeching)
Come on, people, I
got a paper to write.
- You know, Richard,
you think too much
for a young guy, you know?
Why don't you just relax?
Go get laid.
(others laugh)
- Last call for volunteers.
- Yo, I volunteer
to get laid, babe.
- All right, all right.
I'll go.
- No.
- I'll go.
Shh, stop.
(owl screeching)
You don't have to tell
me I'm gonna die, Morty.
I already know.
It's happened many times before.
- Excuse me?
- We've all lived many lives.
- Whether you get to
accept that or not?
- That's absurd.
- Mine has always
ended in falling.
(owl screeching)
So, I'm afraid of heights.
- All right, maybe that's true.
But in this particular lifetime,
do you think maybe
there's some event
that might've
triggered that fear?
- Not that I can think of.
Do you know, Morty?
- Look, people, my
dad's a minister.
Real hellfire and
damnation kinda guy.
Fear was his stock and trade.
He tried to force feed me
this nonsense my whole life.
But it's just
superstition, folks.
- What if your dad was right?
He could be.
- Course, there's no damn god.
This woo-woo crystal,
aura regression shit,
it's a damn rip-off.
- Yeah, but maybe somewhere.
Maybe you're not so sure.
(Gerald scoffs)
- That's absurd.
- He would say
something like that.
- All right, who's next?
- How about Santa?
- Yo, yeah, hey, Saint Nick.
Ho, ho, baby.
- [Others] Come on.
- Yeah, come on.
- Yeah, come on, Uncle Pete.
- Uncle Pete.
- Yeah.
- Yeah, come on Uncle Pete.
- [Pete] Oh, Morty,
Morty, Morty.
My old pal.
Do you remember me?
You know, Santa's
biggest fear is
that all you little
children would grow up
and not believe in him anymore.
Ho-ho, ho-ho.
- Cop out.
- You know the Dutch have a
belief that Santa's helper
will punish all the
bad little children.
(bells jingling)
(ominous music)
His name is Black Peter.
(ominous music)
- Come on.
- You're not too old
for him to get your ass.
- Get real.
- Hey, reality sucks.
It really does, believe me.
Fantasy is very,
very profitable.
- All right.
Okay, well, I guess
that's it for today.
Tomorrow, we'll start up
on those individual cases-
- No-no, no, baby.
Not yet, man.
We ain't heard what
scares you yet, Freud.
- Oh, no-no-no, no-no.
- Let's go.
- [Richard] I have no fears.
I'm all knowing.
I'm Therapy Man.
- [Troy] No, baby, no.
- [Mindy] Have a seat.
(others yelling)
- What about your
fear of marriage?
- [Gerald] Get up there.
- That's right.
- Boop,
you're on, baby?
Come on.
- All right.
- [Gerald] Yay, whoo!
- [Troy] You're in the hot seat.
- All right, (sighs), all right
I have a fear of commitment,
I'll admit.
My mom died here, in this
house, when I was a kid.
She was pregnant.
So it was a double loss.
Everything fell apart then.
My dad and I, we,
(thunder rumbling)
We couldn't look each other
in the eye after that.
I don't know why.
(ominous music)
So he sent me away.
- [Male Voice] Diametric.
- So, it all boils down to-
- [Male Voice] Diametric.
- Diamond trick.
- What?
- [Male Voice] Diametric, di-
- Yo, man, you're
whacking me out here.
What's you afraid of, man?
- Of you, Morty.
(foreboding music)
You scare the shit
out of me, man.
I don't know why.
- It's, okay.
- Yeah, okay, that's
it. It's over.
Let's party.
(rap music)
(others chattering)
- [Leslie] Honey, where are you?
I trust no man, I walk alone
I trust no man, I walk alone
- What are you doing
hiding out in here?
- I'm inspired.
The muses are flowing.
(rap music)
There, stay just like that.
- What are you doing?
Don't draw me.
- Stop moving.
- I mean it.
Don't draw me.
- Oh.
- They tell me you pose
for drawing classes.
- Oh, yeah.
The human form.
It's the most beautiful
creation in nature
and the most
difficult to capture.
- I might be interested
in some of that art stuff.
(others chattering)
Maybe you could give me lessons.
- Okay, draw me.
- Not like that.
Like you do in class.
(she chuckles)
You're being naughty.
- Just think of me as a
professional, like a doctor.
Someone you could trust.
(rap music)
- Something, like, this?
- Yeah.
Now, that's what I call art.
- What the fuck are you doing?
- Oh, art lessons 101.
(she laughs)
- I think you've
got enough culture
for one evening, don't you?
- Thanks for not putting
me in the hot seat tonight.
(thunder rumbling)
- Sure.
(Richard deeply sighing)
- Diamond trick.
- Yeah, diamond trick.
I've tried every combination.
I don't know.
- What if it just sounds
like diamond trick.
- What do you mean?
- What if it's just one word?
- Diamond trick.
- Diamond trick.
- Diamondrick.
- Diamond, diametric.
It comes from the Greek.
It means the opposite of.
- Yeah, yeah, diametric,
diametric, opposite of what?
- I don't know.
It's your dream.
Rocks off, knock the
boots and the socks off
I hope the pussy aint'
burning like hot sauce
I got my jimmy hat,
come on and give me that
Hairy bloody Mary, hopin'
that it's plenty fat
(door clicks)
- Lights out.
- Couldn't we do it just
once with the lights on?
- No.
ain't no fakin', cuz I'm
down for pussy dickin'
I got my dick in your
mouth, all by your gums
I wanna see ya hum,
cuz I wanna see me cum
Niggas try to cock block
- You know, just once
I wish we could do it
without an inch of
that shit on your face.
- You're such an asshole.
You wanna fuck me
or don't you, huh?
I I came to get my rocks off
Bitch, bitch,
bitch, bitch, bitch
That's what you is to me
Let a nun suck my dick
and the preacher man see
Get buck wild, I like
to fuck doggy style
- I'm gonna fuck you.
I'm gonna lick all up you.
(Leslie sighs)
- Vance, cum.
(Leslie grunts)
(Leslie moans)
- Fuck.
- What's going on?
(owl hooting)
(Richard sighs)
- This is my mom's room.
- This is your place now.
You can't spend the rest of
your life in the kid's room.
It's like being a guest
in your own house.
- I know.
[, I just don't even
want to think about
what might've gone on in here.
(he sighs heavily)
- I understand.
I love you.
(hopeful music)
(ominous music)
(she gasps)
(frantic music)
- Fuckin' Troy, man.
- Richard don't.
(frantic music)
- Troy!
Troy! Troy?
(others chattering)
- Oh, man, what up?
Man, I heard you scream.
- Don't appreciate
the gag, Troy.
I don't appreciate it, man.
- Chill man, chill. What gag?
- Morty outside the window.
That's not cool, man.
It's not cool.
- No man, I'm snacking.
I haven't been near your room.
- That's bullshit, Troy.
Who did it then?
- How the fuck if I know, man.
Maybe he did it to dis on me.
(Vance chuckles)
- Richard, it's okay.
It's only a joke.
- It's not too
frigging funny, Troy.
- Hm, I'm going back to bed.
(somber music)
(Morty creaking)
(eerie music)
(birds chirping)
- Mindy...you're in
a safe place, now.
Your mind is free.
How do you feel?
- Nice.
Comfortable.
- Good.
Mindy, there's a ladder
right there in front of you.
Do you see it?
- Ladder?
- Yeah.
Do you see it?
- Yeah.
- I want you to climb
the ladder now, Mindy.
- It's too high.
I'll fall.
- This is not about
falling, Mindy.
It's just an image
in your subconscious.
Now something or someone
is holding you back.
That's the purpose of the fear.
Who doesn't want you to climb?
- Can't, he's gonna
be really mad.
- Who?
All right, draw him.
(tense music)
(Richard continues tapping)
(ominous music)
Why is he angry, Mindy?
What's he saying?
- Honor thy father.
- Your dad?
Why won't he let you climb?
- What are you, huh?
Too good for me?
(suspenseful music)
- What do you see now, Mindy?
(Mindy gasps)
(dramatic music)
- Something is wrong.
(ominous music)
- Come on in, babe.
- Uncle Pete, no, please.
Don't make me do
it, she's scared.
- It's just water
for Christ sakes.
Come on in.
- Don't make her do it.
(Tanya sobs)
- Come on it's nice and warm.
- She's scared, she's (sobbing).
- What the hell are you doing?
- [Pete] It's just a little
water for Christ sakes.
- No, no, she's scared.
- [Pete] Come on
it's nice and warm.
- [Richard] What the
hell are you doing?
- The idea is to deal
with our fears, right?
- No, no, not all at once.
That could be more traumatic
than whatever caused the fear.
(Tanya sobbing)
You, okay?
(Tanya sniffling)
- There you are.
You ready to go?
- Not right now, Ashley, I'm
in the middle of something.
(water gurgling)
- We need to talk.
- You okay?
(Tanya sniffles)
- He's only trying to help.
Yeah.
- What the hell's
the matter with you?
That was a terrible idea.
Now, you don't know
anything about psychology.
- Look, I suggest you
take care of your broad
and I'll do the same.
You capeesh?
(Richard sighs heavily)
(birds chirping)
- Tanya?
(water splashing)
(Tanya panting)
I did it.
[, I (chuckles), I
(chuckles) did it.
(she laughs)
(dramatic music)
(Tanya screams)
(Tanya gasping)
(Tanya screams)
(frantic music)
(Tanya coughing)
(Tanya panting)
- Easy, babe, easy.
Easy, come on, babe.
Come on.
- It's okay, it's okay.
- [Pete] Take it easy.
- You okay?
- [Pete] Take it easy.
(Tanya hyperventilating)
- [Richard] You okay?
What the hell is this?
(anxious music)
- You don't really think that I-
- You were the only one
there besides Tanya.
Hey, oh, great.
- Richard, I'm sorry.
I didn't mean-
- It's okay.
Tanya, it's okay.
It's all right.
- Hey, hey.
Why don't you give the
guy some space, damn it?
I mean, you're
always under foot.
- Richard, I need to talk.
Can we go somewhere?
- Sure.
(anxious music)
Were you close to that uncle?
- God, yes.
Especially, since
my parents divorced.
- So that story about you're
being pushed in the pool
when you were a kid?
- Just a story.
It's a lot easier
than explaining
how you found him
drowned his bath.
I jumped in.
[, um, I tried CPR.
I couldn't, (sobs)
he was all I had.
[, I kept slipping, slipping.
I
- It's okay. It's okay.
Do you trust me?
Do you?
Close your eyes.
(somber music)
I'll be right back.
Here, I need you to
believe this, Tanya.
Water is not the real threat.
This is what you're afraid of.
Human contact
and feelings.
In Jungian analysis,
water represents feelings.
Your dreams of drowning,
they mean you're
submerged in feelings
that you're struggling
to deal with.
- Water can't hurt me.
It's not the real threat.
- That's right.
- Thank you.
It's funny.
I've only known
you a short time.
(gentle music)
- You know, Uncle
Pete's a great guy.
He was, he was just
trying to help you.
- I know.
(birds chirping)
- Yeah.
(sultry music)
(door creaking)
- Mmm, hey, boy.
Mmm, mmm.
Oh, (hand smacking) bastard.
- You're gonna
regret that, bitch.
- Fuck off, bastard.
- What the hell
were you doing, man?
(knuckles rapping)
- [Gerald] Yo, Vance, open up.
- Gerald.
(anxious music)
There's no one here.
Let's just, please.
- Wait a minute.
(he exhales)
Wait a minute.
(dramatic music)
Holy shit.
- Guys, I'm serious.
There is something
weird going on
and it has to do with Morty.
- Mindy, please.
- Wh-Where did he come from?
What do, what do
we know about him?
- My grandfather hired some
old Indian guy to carve him.
I guess that was back in
the early '20s, wasn't it?
- Tutante, was a
local bullshit artist.
Claimed to be a powerful shaman,
but his tribe died
of the smallpox.
So he wasn't so powerful
after all was he?
- [Mindy] Is there
anything else?
- Tutante said when Morty wore
clothes in the shop window,
you know, people would be
compelled to come in and buy.
He said he'd worked some
magic into the wood.
- You mean worked
it into his woody.
(Troy giggles)
- I heard that one.
- Uh-huh, Troy, I'm serious.
I talked to his grandson once.
- Hey, look, there's no
magic going on around here.
It's just a lot of bad
blood and cruel jokes.
Now, if your kids are
smart, you'd pack your shit
and get out of here.
- Hey, Pete.
- Uncle Pete.
(tense music)
(birds chirping)
- What's up?
- Troy, please, I'd
like some privacy.
- No-no-no, that's cool.
It's cool.
Sorry about you and Richard.
That sucks.
- Yeah, well, Richard
only cares about his work.
- Yeah, Richard
can be an asshole.
Fuck him.
- Troy.
- No, serious.
Fuck him straight up.
Looky, here.
Every girl I ever went out with,
as soon as I started to feel
a little bit of this here,
then they started in dissing
on me and expecting shit.
No, but what you gave
Richard, that shit was real.
And if he can't cop to it,
then he don't deserve you.
(dog barking)
There's that smile.
I like that smile.
- That little punk's trying
to make time with Ashley.
Look, this breakfast can wait.
We're gonna show those
kids how to have some fun.
- I never knew.
- The only reason I
went out with Becky is
'cause she was your friend.
And then she turned out to
be like all the rest of them.
(birds chirping)
- I don't know, I can't do this.
- No, Ashley, it's
cool. It's cool, yo.
- No, you're
Richard's best friend.
- No, Ashley, it's
you and me. Come on.
- No, it isn't cool.
- You're just a little
tease, is that it?
- Troy, let go of with me.
- Ash, Ash, I'm sorry.
Ash, I'm sorry. Ash, come on.
- Ho-ho-ho-ho.
Ho, boys and girls.
Santa's gonna take
you to the North Pole.
(rap music on radio)
- [Troy] Yo.
- Look at this place.
- [Gerald] Yeah, it
looks kinda cheesy to me.
- No, it's wonderful. Go look.
(others chattering)
- Hey, Ash, just wait up.
Let me show you
around, all right.
I know this place like
the back of my hand.
I had a lot of great times
here when I was a kid.
- Look, I thought it
all out last night.
It's all for the best.
- No, Ash, that's not right.
- No, it's been a
long time coming on.
- Hey, Ashley, I'm
sorry I accused you.
- Accepted.
- Ash, look we all had
a bad day yesterday.
- Forget it, Richard.
- Come on, come on.
Let's go have some fun.
Let's go.
Black Peter, come down
and this time believe her
- [Mindy] Woo-hoo.
& Down Black Peter
- [Gerald] Whoo, whoo.
Hey, hey, down Black Peter
Come down and this
time believe her
Yeah, down Black Peter
- Oh, look at the carousel.
Oh, come on, Vance, let's go on.
It'll be so much fun.
- Why don't you act your age?
- Oh, come on.
- Look, quit embarrassing me
like you're
embarrassing yourself.
Leave me alone.
'Cause I got the m-shit,
four horror core click,
homey from hell
- Don't worry about him, Les.
Come on, I'll go on
the carousel with ya.
- To hell with him.
- Exactly, come on,
don't worry about it.
- Let's go, we'll
ride that thing.
(foreboding music)
(lights thudding)
(lights buzzing)
(Gerald laughs)
(ominous music)
- Looks like Peter.
- What's wrong, babe?
- I just had a
feeling, I don't know.
- Come on, it's a statute, man.
That's it. It's just
wood and plaster.
Come on, bet you can't catch me.
- Wait, wait.
(others chattering)
(ride clanking)
- Oh, god, I haven't been
on one of these since-
- Hey, there's plenty
more fish in the sea
back in college for you.
I'm sure you'll have no
problem catching one.
(Leslie panting)
- No, Les.
- Hey, please. Come on, Troy.
God, you're as bad
as fuckin' Vance.
Where are you going?
- Yo, I gotta take
a piss, all right.
- Come on back, come on, Troy.
Shit.
- Gerald?
(gears clanking)
There you are.
(dramatic music)
- Hey, babe.
- How gross.
(eerie music)
Gerald!
Gerald!
(train horn blowing)
- [Man] Mindy!
(train horn toots)
Mindy! Over here.
- Mindy!
Mindy!
(wood creaking)
Come on, stop playing.
(dramatic music)
(Mindy gasps)
(children laughing)
- Stop, (panting), stop.
Stop the train.
Stop the train.
Stop. Stop the train!
Stop it now!
Stop the train!
Stop the train!
(brakes squeaking)
(ominous music)
(dramatic music)
- Gerald? Gerald?
Gerald?
Gerald!
Gerald, this isn't funny. Wait.
(Mindy screams)
(Mindy screaming)
(dramatic music)
(children laughing)
(Mindy moaning)
(horses neighing)
(Mindy moaning)
(Mindy screams)
(horses screaming)
- [Troy] Rich, did you
hear that shit, man?
- [Richard] Yeah, it sounded
like it came from here.
Mindy, Jesus Christ.
(Mindy crying)
- Come on, babe.
Come on.
- It's gonna be all right.
(Mindy sobbing)
Lean on me. Lean on me.
Lean on me, it'll be okay.
- Put this on, babe.
(Mindy sobs)
Come on, come on, come on.
- It's all right.
- Come on, Mindy, I gotcha.
We gotta get her
to that car, man.
- Hey, Ash!
- Les!
- Ashley!
- Pete!
- [Richard] Take it easy.
That's it.
- Where the fuck are they,
Rich?
- I don't know.
- Let's go, man.
- Hey, Ashley!
Ash!
- What happened?
- [Tanya] What's going on?
- [Ashley] Mindy.
- What's going-
- Where you been?
- She got abused, okay.
- She'd been raped.
She's been raped.
- Oh, my god.
- [Leslie] Wait a
minute, where's Gerald?
Where is he?
- I haven't seen him.
- Oh, my God.
- Let's go back for him later.
We have to take
Mindy to the house.
- Come on.
- Tanya.
Ash.
- [Ashley] No.
- Come on, we gotta
get Mindy back.
- No, don't you see?
The campus rapist,
he's one of you?
He's among us.
- Ash, Ash, come on.
- What's going on?
What is this?
- Where have you been?
Where were you?
- You told them?
- Don't be crazy.
I didn't tell them anything.
- Don't even
think about it, man.
Les.
- Stop it,
you out of your mind?
- Chill out, man, chill out.
- Don't.
- Les, just, Les, relax.
- I knew I couldn't trust you.
- Stop it, I did not.
I didn't do anything.
- Just fuckin' relax, man.
Les, just-
- It's okay. It's okay, really.
- [Troy] Les, Les.
- Vance, Vance, listen.
- Yeah, you run fast?
- [Leslie] Crazy.
- Come on, come
on, I'll shoot him.
Come on, come on, come on.
- [Leslie] Don't do this.
- Don't do it, man.
- What's up?
- [Troy] Put this
shit away, man.
- Are you out of your mind?
- Come on, come on, come on.
- Why?
- [Troy] Put that
shit away, man.
Don't do that.
Don't do that shit, man.
Put that away.
- Stop!
- Motherfucker!
Hey, you fucking asshole, man.
- Come on.
- [Troy] Fuckin' bitch.
Just what the fuck
is going on here?
- He's gonna go to
the fuckin' house.
- [Richard] Why's he
going to the house?
- To get his trunk.
- What trunk?
- One with the fuckin' money.
The 200 grand.
Oh, he embezzled
from my company.
- That's why he
fuckin' tweaked you.
What the fuck you talking about?
- It was all his idea.
Don't lecture me, Troy, please.
(door banging)
(owl screeching)
- Bitch, I'm gonna
kill that bitch.
(suspenseful music)
(door creaking)
(ominous music)
Sloppy bitch.
(door creaks)
(Vance screams)
(dramatic music)
- Where the fuck is he?
- Troy, what are you gonna do?
He's got a gun.
- [Richard] Trunk's
still here and no money.
- Oh, god.
- I'm gonna get Mindy
to bed, all right.
Somebody get some blankets.
- This phone is dead.
- [Richard] It
working this morning.
- [Pete] Well, it ain't now.
- [Troy] Yo, you hear that, man?
- [Tanya] I think
he's still outside.
- [Leslie] He's
nowhere in the house.
- [Pete] Hey, Tanya, wait.
- [Troy] Check that out,
man, they got the car.
(ominous music)
(Troy yells)
Chill out, man, the car.
- Wait, hold on.
Oh, shit.
(dramatic music)
- This doesn't make sense.
Did he leave on foot?
- I don't know,
but if I get my hands
on that punk I'm gonna-
- Listen, we have
to do something.
One of us should go to town.
- No, it's 20 miles away.
- What about Christmas Village?
There's got to be
something there.
- Of course, the
maintenance truck.
That'll take us an
hour to walk there.
- You walk, I run.
- Okay, someone
should go with her.
- Hey, hey, I'll go with her.
(crickets chirping)
(door banging)
- Hey, how's Mindy?
- Sleeping, finally.
- You okay?
Any sign of Gerald?
- No, but I'm sure
he'll show up.
Um, I'll go check
in on Mindy, okay.
(gentle music)
- Look, Ash.
- I've been thinking.
Vance couldn't have
been the campus rapist.
He was in Oregon.
- So?
- So, I'm not sure
anymore, about anything.
(Richard scoffs)
(somber music)
(anxious music)
- Tanya, Tanya, wait.
(tense music)
- [Leslie] Oh, excuse
me, I'm sorry, I-
- No, it's cool.
Chill, I got plenty
of room here.
It's cool.
Les, I've been rough on
you and I wanna, ah...
I'm sorry.
- I'm a big girl. I can take it.
- Look, I know you had to
run out on me back then
and live your own life and shit.
It ain't right for me to be
dissing you for it all the time.
You know what I'm saying?
- Hey, I made things
so tough on you.
God, you don't know
how hard it was for me.
There wasn't a day that went by
that I wasn't
thinking about you.
Oh God, I felt like a piece
of me had been ripped out
and I had done the ripping.
- But we found each other again.
You know like it
ain't too late for us.
You know?
(gentle music)
I love your face, Les.
- Don't start, please.
- You're beautiful, Les.
- Oh, baby.
(Les moans)
No, no, no.
- What's the matter?
- [Leslie] We can't do this.
- Come on, Les, don't
give me that sister rap.
That shit sounded good
around the homeboys,
but, Les, we only related,
'cause Nan adopted us both.
- She didn't adopt us.
She owned us?
- That don't mean nothing.
- Leslie, a baby alone.
We don't want another mess
on our hands, young lady.
- What the fuck you saying, Les?
I don't care about that shit.
(somber music)
- One day, I just stole you.
I snuck into your room
and dressed you with this
little jumper that I saved for.
Then I took you to the
park to show you off.
There was this lady there
and when she saw us,
she just simply melted.
What a beautiful baby.
He looks just like his mother
and I was so proud.
I was floating.
- Yes.
Les.
- But Nana came, she
caught up with us
and snatched you from me.
She's not his mom,
she's his sister.
- Oh, fuck her.
Forgot about that shit, Les.
I love you.
You're the only
one I ever loved.
- You don't understand.
The lady had it right.
She had it right.
She had it right.
- What you saying, Les?
- I was only 14 years old.
What'd you expect me to do?
Do you know how
hard it was for me?
All the guys in
town, looking at me.
Snickering, whispering.
Whore, wherever I went, whore.
- Just get the fuck
away from me, Les.
- Please. What, I'm plague now?
- Stay the fuck away from me.
- You're just like
all the others.
- Just get the
fuck away from me.
- That's what I did.
- Get the fuck away from me.
Leave me alone, goddamn it.
- Then go!
Leave me alone.
(suspenseful music)
(Troy groans)
(Troy screams)
(anxious music)
- [Male Voice] Tanya!
Tanya (voice echoing)!
- Pete? Is that you?
- [Male Voice] Tanya.
- [Pete] Tanya!
- [Male Voice] Tanya (voice
echoing), come over here.
Come over here.
Tanya.
Tanya.
- [Female Voices] Tanya, ah-ha.
- [Male Voice] Tanya
(voice echoing).
- Pete?
- [Male Voice] Tanya
(voice echoing).
Tanya (voice echoing).
- Is that you?
(wood creaking)
- [Male Voice] Tanya
(voice echoing).
- Pete!
- [Male Voice] Tanya
(voice echoing).
Tanya (voice echoing).
(ominous music)
- Tanya, Tanya.
Tanya, damn it where are you?
(foreboding music)
(door banging)
Tanya!
(door banging)
(Pete gasps)
(dramatic music)
Oh, sweet Jesus.
Not again.
Tanya, Tanya!
Oh, the hell with her.
(ominous music)
(wood creaking)
- Troy, (panting),
there you are.
I'm sorry, baby.
Please try and understand.
I did the best I could damn it.
Oh, Troy, please
talk to me, please.
Please, how many times do
I have to say I'm sorry.
Damn it will you look at me?
(dramatic music)
(Leslie gasps)
(foreboding music)
(dramatic music)
- [Morty] Missed you, Richie.
- Mindy?
Mindy, what's going on?
- [Morty] I didn't
forget about you.
Motherfucker!
(dramatic clanking)
- Morty.
(wood creaking)
(foreboding music)
(Ashley gasps)
(wood creaking)
(dramatic music)
(Ashley gasps)
(wood creaking)
(frantic music)
(wood creaking)
(frantic music)
- Matricide.
(heart beating)
- Look what you did.
- No.
- [Morty] Matricide.
Mother killer.
- No, no.
- [Morty] Richie.
Richie.
Mom's gonna have a lay down.
- Stop it, Morty.
- [Morty] You just play.
- Stop it, Morty.
- [Morty] And let mommy rest.
- Shut up.
No, shut up.
- [Morty] That's mommy's boy.
(mother moaning)
- Richard.
Oh, get off.
(mother panting)
(ominous music)
Get out of here.
(glass shatters)
- Ow!
- Get out of here.
(door slams)
(dramatic music)
- No!
(ominous music)
(Ashley gasps)
- Oh, Troy, oh my god.
Terrible things are happening.
- Terrible things happen
all the time, man.
- Troy, I'm so scared.
I'm so glad you're here.
- Thank you're so damn
special, don't you?
You's putting on all them
haughty airs and shit.
Except when it comes
right down to it,
you're just a little whore
like all the rest
of them, ain't ya?
- Oh, god, it was you all along?
- Except you don't wanna
spread them do you?
You're just looking for
a free little ride, huh?
Well, you think this is
some kind of free ride,
you little whore?
Is that it?
That what you want?
(Troy grunts)
(Troy moans)
(ominous music)
- [Claude] Where did you
get that cut from, son?
- Oh, God, no, Dad?
Dad, no, no.
- [Claude] Where's your
mother when you need her?
(door creaking)
(ominous music)
(heart beating)
- Rosie?
(heart beating)
Oh, no.
Rosie.
- [Rosie] Claude, what are
you, what are you doing?
- [Claude] How could you?
How could you?
- [Rosie] Claude,
what are you doing?
- [Claude] How could you!
- [Rosie] Stop it!
- [Claude] Rosie!
- [Rosie] Stop it! Stop it!
(Rosie screams)
(gun firing)
- What are you looking at, huh?
This is your own goddamn
fault, you understand that?
You tell anybody about
this and Morty'll get you.
You understand me?
Do you understand me?
Morty will get you.
(dramatic music)
(wood creaking)
- No, Morty, no, I didn't tell.
(Richard groans)
(frantic music)
(wood creaking)
(Mindy groans)
(frantic music)
(Mindy growling)
(head thudding)
(Mindy growling)
(dramatic music)
(Mindy yells)
(wood creaking)
(Troy groaning)
(branch thudding)
(foot thudding)
(suspenseful music)
- Bugs!
Bastards!
(Troy yells)
Bugs! Bugs!
Get them off me!
(stick thudding)
(dramatic music)
- Have you seen Tanya?
- Uncle Pete, its my fault.
- She wasn't even with you.
- No-no, no, it's
my fault about mom.
I caught her with another man.
I told dad and he killed her.
He killed her. I remember it.
- That's a lot of bullshit.
There was only
one man she loved.
One true love in her life.
- No, listen to me!
She was always controlling me.
I wanted her off my back
and I got her killed.
I got her killed, Uncle Pete.
- You get that shrink
crap out of your head.
I get the truck.
You get your stuff
out of the car.
(door knob clicking)
(door slamming)
(menacing music)
(dramatic music)
(wood creaking)
(mellow music)
- What happened?
- He was the rapist.
(panting) I killed him.
- It's okay, come-
- I'm fine.
- Listen to me, I'm gonna
get you outta here, okay.
- All right, I'm fine. I'm fine.
I'm fine.
(sinister music)
(low moaning)
(woman laughing)
(sensual moaning)
(dramatic music)
(loud sensual moaning)
(dramatic music)
- Diametric...it's an
anagram for matricide.
- No, you didn't
kill your mother.
You said your father did.
- It's me, I'm
responsible, Ashley.
- No, no, it means the
opposite, diametric.
You're the victim.
You're not guilty.
Oh my, you don't think Pete?
(she whimpers)
- Tanya?
- I hope I'm not too late.
- You wait there all right.
Wait right there.
(foreboding music)
Where's Tanya?
- Fuck Tanya.
(dramatic music)
- It was you.
- Don't you look
at me like that.
- Oh, fuck no.
That was your baby inside her.
- You told, you told.
You know what happens to
little boys that tattle?
You know what happens?
- Don't give me
that Santa shit now,
you son of a bitch!
- You know what happens
to boys that tattle?
- Yeah, they get fucked up.
- You know what
happens to bad boys?
- What?
- Black Peter gets there ass.
(door knob clicking)
(wood creaking)
(dramatic music)
(ominous music)
(wood creaking)
- Ashley, run!
Go!
(frantic music)
(wood creaking)
(gun firing)
(gun fires)
Uncle Pete.
(door slams)
(dramatic music)
(wood creaking)
- Richard, come on.
Come on.
(frantic music)
(heart beating)
Richard! Richard!
(dramatic music)
(Richard gasps)
- It's the clearing in my dream.
Get out.
Oh, my god.
- Let it go, Richard.
Richard, over there!
(dramatic music)
- [Richard] Go, Ash, go!
- No!
- Go!
(punch cracking)
(sinister music)
(dramatic music)
(Richard gasps)
(monster growling)
(wood creaking)
(Richard groaning)
(monster growling)
No, no.
(foreboding music)
(monster growling)
(Richard moaning)
(sphere thudding)
(sphere shattering)
(monster groaning)
(dramatic music)
- The missing piece is inside.
(monster groaning)
(dramatic music)
(monster groans)
(anxious music)
- Ashley?
Ashley!
(foreboding music)
Ashley!
(bird screeching)
Ashley!
(dramatic music)
(night creatures chittering)
(Ashley gasps)
(wood creaking)
(Ashley moaning)
(Ashley gasping)
- No, no-no!
(Tanya yells)
(Tanya gasping)
- You son of a bitch.
- Morty, let go!
Morty, no.
You can't do this.
It's over now.
It's over.
I understand everything now.
Everything.
(night creatures chittering)
I'm not afraid, Morty.
That's it.
Now, let her go.
I'm not afraid.
Now you've got to leave.
Let us go, Morty.
(dramatic music)
(wood creaking)
(tense music)
(owl screeching)
(wood creaking)
(tense music)
(wood creaking)
(anxious music)
(water splashing)
(birds twittering)
I love you.
(gentle music)
(knuckles rapping)
- Yeah, come in.
Hello, Richard.
- Hello? Hey.
I uh...
Sorry about your sphere.
- Yeah, well, I heard
about the investigation.
- [Richard] Yeah.
(doctor sighs)
- Well, we missed
you at class today.
- Yeah.
(deeply exhales)
[, uh...I'm dropping out.
I want you to be
the first to know.
- Wanna tell me why?
- I uh, I found the
missing piece all right.
But I, I lost a hell
of a lot along the way.
Also got a bunch of cops who
want answers that I don't have.
I guess the quest
for wholeness is
not all it's cracked up to be.
- Well, it's a moment to
moment thing, Richard.
I mean you can't live now
until you make your
peace with then.
- Then what?
- Then now. You get to live now.
- Thank you.
- Yeah.
(crow cawing)
- [Woman] Come here,
honey. Wait for us.
- [Boy] Okay, Mom.
- [Man] Oh, I love
the daffodils.
- Look at the great woodwork.
- Folks, this is
a terrific deal.
- Yes?
- The previous owner
wants to let it go
at a very, very low price.
- Oh, why, why is that?
- Well, I'll be honest
with you, Mr. Field.
There've been some
tragedies here.
- Oh!
- Tragedies?
- Oh, (chuckles) what
sort of tragedies.
- Before I tell you about that,
come on inside.
It is a phenomenal house.
- All right.
Wait a minute, I
don't see, Corey.
Corey! Corey?
- Hey, Corey.
- Corey!
- Corey!
(dramatic music)
(Corey laughing)
(ominous music)
(wood creaking)
(dramatic music)
(Corey gasps)
(wood creaking)
- Are you good guy or a bad guy?
(frantic music)
("Morty's Theme- Fear")
Tell me your deepest fear
Tell me your deepest fear
Losin' my inhibitions
Callin' my intuitions
Somethin's goin'
on if I'm feelin'
Something's going on if I'm
feeling not superstitious
I'm vicious
I'm trapped
inside the paradox
I Where my thoughts get
twisted like some dreadlocks
I never or ever wondered
about the voodoo
I sing the voodoo
And now my deepest
fears is comin' true
I never loved you
but I hate you, how
How could I love you, how
Because I hate you now
So wonder, I take you under
& With the wickedness
And with the wickedness
I'll make the preacher
slick his fuckin' wrist
No coming near me
when I'm thinking this
'Cause when I'm
thinking this
I'm thinking suicidalist, uh
So back up off me,
bust a brain cell
I bust a brain cell
I fall asleep and
dream about Hell
Some wonder why I'm
even calling ya'll
The sky is falling ya'll
But after all it's
my deepest fear
Morty, nowhere to run to
& Nowhere to hide
Morty, how you gonna hide
& From the fears inside
Chemical dependencies
Suicidal tendencies
Brain on meltdown,
street lobotomy
Claustrophobia,
locked in a pine box
Now I lay me down to
sleep, 6 feet deep
Closed casket, just
another basket case
Not a mannequin
but the madman
So you panicking
Run from it
Everybody scared, so
you're calling out
Buckshot, shotgun blast
Now you're falling out
Everybody hide from the
deepest fears inside
Watch me and my man, Morty,
take you on a murder ride
Suicide, symptoms
of insanity
I'm blacking out
Polly wanna a cracker but
I'm never, ever crackin' out
Call me Dr. Frankenstein
Dead bodies stinking
I'm gonna get with you
IS When I hit ya I'm a slit ya
Nobody can hold me
I'm going to say this clear
Buried alive in a pine
box is my deepest fear
Morty's coming, Morty's
coming, Morty's coming
Morty's coming, Morty's
coming, Morty's coming
Morty
Morty, nowhere to run
to, nowhere to hide
Morty, how you gonna hide
from the fears inside
Tell me your deepest fear
Tell me your deepest fear
It's ever so clear
My deepest fear is
to hear the screams
The sounds of a madman
Embodied in Morty's Theme
I dream and nightmares
come true, simply voodoo
Hallucinating visions
of killing you
The thought of even thinking
that I think I need a shrink
In fact, I think I
need some therapy
'Cause ain't
nobody helping me
Since I got no excuses
for mental abuses
I'm losing faith
My only fear is to love
instead of hate you
Born and bred, born dead
My mind bled every time
the Holy Bible was read
Instead I lost consciousness
and wound up with wicked ways
Thinking 'bout voodoo dolls
Runnin' wild, my last days
Spent with Morty, my shorty
No ventriliquist
Esham, the Unholy
Straight suicidalist
Morty, nowhere to run
to, nowhere to hide
Morty, how you gonna hide
from the fears inside
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
(boy laughing)
- [Boy] You can't catch
me, nana-nana-na, na.
(dramatic music)
(heart beating)
(footsteps pounding)
(dramatic music)
(ominous music)
(creature growling)
(foreboding music)
(metal clanking)
- [Masked Men] Diametric,
diametric, diametric.
Diametric, diametric, diametric.
Diametric, diametric,
diametric, diametric.
- [Masked Female] Diametric.
- [Masked Men] Die.
- [Masked Female] Diametric.
Diametric, diametric, diametric.
- [Masked Men] Diametric.
- [Masked Female] Diametric,
diametric, diametric.
- [Masked Men] Diametric.
Diametric.
(wooden crackling)
Diametric.
- [Masked Female] Diametric.
- Diamond trick?
- Diamond trick.
Goofy, huh?
- How frequently are you
having this dream, Richard?
- Not often. A few
times a year, I guess.
Look, can we talk
about my thesis?
I wanna do more than just
a dry, academic rehash.
- Hold on a second, though.
Let's go back to your dream.
Play the shrink for me.
What does it suggest to you?
- Come on.
Uh, something buried.
Something underground.
The subconscious.
(Richard whistles)
(uneasy music)
Like it's, it's just
some childhood bogeyman.
- Is it?
- Come on, don't Freud me
out of here, Dr. Arnold.
- Don't dismiss Freud.
I mean, he might be dated,
but he was no dummy.
- All right, well, there's no
emotionally crippling trauma
that springs to mind,
if that's what you mean.
- Okay, tell me
about your thesis.
- Okay, all right, it's
gonna be a field session.
It's gonna be a weekend
of fear exploration
in a controlled environment.
- You gonna explore
your own fears, as well?
- Psychology's a spectator
sport, Dr. Arnold.
- You know the
quest for wholeness,
it's the holy grail
of psychology.
- Jung, right?
- I'll approve your workshop,
if you do one additional
little assignment.
- Oh, boy.
All right, what is it?
- Take that with you.
Find the missing piece.
(siren blaring)
- You're kidding, right?
- The people that
become shrinks do so
because they're in need
of therapy themselves.
You're aware of that aren't you?
- Yeah.
- Good, 'cause that's
the best reason.
(anxious music)
(foreboding music)
(she screams)
(dramatic music)
- Easy, easy.
You shouldn't be out
here alone after dark.
- Yeah, I know.
- [Guard] We had another
girl attacked last night.
- I, my dorm is just
right down here.
- I'll walk with you.
- No, that's okay, really.
I'll be fine, thanks.
(foreboding music)
(water gurgling)
(dramatic music)
(she yells)
(muffled screaming)
Gravy, yeah, uh-huh
You don't pull on
Superman's cape
You don't
- Whoop.
Spit into the wind
- Stop that stuff, man.
You scared the shit out of me.
- Damn, Rich.
Check it out
- Oh, nah, nah, nah, yo, Rich,
you're taking this school
shit way too seriously, cuz.
Way too seriously.
- Hey, come on.
- Yo, hey, this is
last spring break, man.
Last chance we got.
Totally wasting to
slave for the man, huh?
- Well, you should come, too.
We could use some comic relief.
- Well, that makes
sense I guess.
- Well, that's your
loss, you know?
We could have a good time.
I'm gonna run them by Ash,
if she's cool with it, bingo.
- All right, let
me see that thing.
- [Detective] You Troy Thorn?
- Yo, that's me.
- We'd like to ask you a few
questions about Becky Gray.
I understand you dated her.
- Yeah, we hung a few times.
Why, what's up?
You guys cops?
- You know she was
raped last night.
- That makes the fourth on-campus
assault in the last month.
- Look, I was shooting pool
last night down at Vinny's, man.
You can heck it out.
- We will check it out.
(rap music)
- Is this is where
I can find you?
- Oh, yeah, that's me.
- Good, good, thank you.
I radiate gamma
rays at random
I slam'em
Yo, quick fast
like the phantom
Guard my gate
With a passed down cape
You wanna escape
And now ain't no one safe
Check it, as I hit you
with a boom from the trigga
- [Troy] Fucking asshole.
- Troy, it's all right.
If it was Ashley,
they'd be up in my ass.
- Man, you and Ash got it real.
You're one lucky
fuck, you know that?
- You know you
should come with us.
You need to get away.
- What the fuck you
trying to say, Rich?
- I know what you think,
but we all have fears
and they affect every
decision we make.
That's the truth, Troy.
- Look, man, no offense but
that there is bullshit, right.
I got no phobias.
What the-
(bee buzzing)
- Hey, no offense, man, but
that theory's some bullshit.
You know what I'm saying?
- Oh, fuck you,
man, that was a bee.
(rap music on radio)
(people chattering)
- [Richard] Shit on
it, you wipe it off?
- [Gerald] Sure enough, baby.
- What would you wipe
it off with, man?
- I can't tell you, babe.
- Hello, hello.
So you mean I'm it?
- Well, you in or what?
- The lone guinea pig?
- More time that I
can spend with you.
- [Mindy] Yeah, right.
(horn blowing)
- [Richard] Oh, boy.
- What's up?
Okay, what's y'all
hanging around for,
we're burning daylight, hoss?
- [Richard] Well, he deigns
to grace us with his presence.
- That's right.
Yo, Rich.
Check it out, man.
This is my sister, Leslie.
She showed up at my
apartment this morning.
She's from Oregon.
You mind if she tags along?
- Sure, man, the
more the merrier.
- That's cool.
- Hey, Leslie, Richard.
Pleasure to meet you.
I heard a lot about you.
- I see that somebody has
some manners around here.
Haven't we forgotten
something, brother dearest?
- Yeah, yeah and this is ah, ah-
- Vance Cooper.
- Yeah, yeah, he
wants to come, too.
- Vance, welcome.
We're all flesh
and blood, eh
- At ease, soldier.
We're all flesh
and blood, alone
I feel the evil,
it's releasing
I put up a fight,
my soul it weakens
How long is this fear
Is this fear has it
taken control, eh
And now my fate is uncertain
I sing the love
songs, they're burning
Release me, release me, this
fear will it ever unfold
- Hey.
- Pull over here.
- Yeah, man.
- Yeah, let's slow down
for a bit.
- [Mindy] Oh, yeah,
look at the view.
Look at the view.
- This is a beautiful spot.
Here you go, babe.
- I haven't been up here
since I left for college.
Guy at the real estate office
looks after the place for us.
- Why haven't you been back?
(chuckles) It's so beautiful.
- Yeah.
- Come on, man.
The car's way over
there, you'll be okay.
Come on.
- [Mindy] I don't know.
- Ah, what's up?
So where'd you get
that new face, Les?
- What's it to you, Troy?
- No, that's you, that's you.
You know, but I thought them
crow's feet was styling, huh?
- I think she looks fine.
- [Leslie] Thanks, honey.
(blows kiss)
. Thanks, honey, mwah.
Damn she could be
your mama, Vince.
- It's Vance.
What's it to you?
- Oh, Vance, Vance, Vance.
- What are you always
talking smack for?
You think you're a brother?
- Oh what, you mean I ain't?
You know, Les, he only with you,
"cause you some rich,
god damn, executive.
You know that shit, don't you?
- You think I'd be
here if I had money?
- I don't know, what
happened that job you had?
I thought she was
making the green.
- I got fired.
Personal differences,
what can I say?
- I bet.
You could call me
once in a while, Les.
Miscellaneous,
when I get you
Canibalistic, yes I'll blast
it off your skin tissue
(car engine roaring)
- [Mindy] Wow, check this out.
- [Gerald] What's this
place doing up here?
- Looks tres, tacky. (chuckles)
(others laugh)
(rap music on radio)
- Hey, you guys hang out here
for a little bit, all right?
- All right.
- We air the place
out a little bit.
(birds chirping)
- Richard, what a
gorgeous setting.
Look at those trees.
Richard, are you coming?
(tense music)
Well?
Wow.
- Yeah.
- Put it down. Put it down.
Please, put it down.
- Cool.
(Troy chuckles)
What's he got in there?
A spare set of balls and shit?
- My old room.
- Richard, this place
is so incredible.
We should move up here
after we're married.
This could be the boys room.
Your son, Richard, Robin.
How's that for a name?
I've always liked it,
it sounds so free.
- We're not there yet.
- You know what? The
cradle could go here.
We better get a bed,
you know they'll be jumping
on it before you know it.
They grow up so fast.
- What's next? A
swing set in the yard?
- Oh, come on, you know kids.
They'll be happy with a
cardboard box and a stick.
I know I was. Weren't you?
- Depends on who's buried
in the cardboard box.
Look, Ash.
Kids can't live on
nuts and berries.
I gotta finish school.
I gotta start my practice.
- I'm not complicated, Richard.
All I want is life with you.
Just us and a little baby.
(she sighs)
When [ think of
looking into his eyes
and seeing your
expression echoed there.
Just saying "I love you, Robin."
That's all.
- You're just moving a little
too fast for me, that's all.
But you hang in there
and I'll get there.
- [Troy] Hey, Rich, where
we shacking up, man?
- Shit.
Look I, uh...
I better go show
the others around.
(others chattering)
- [Mindy] I know.
- [Troy] Whew!
(anxious music)
(sinister carnival music)
(eerie crackling)
- [Troy] Whew!
(dramatic music)
(Ashley gasps)
- Richard!
Richard!
- [Richard] Come on.
- Richard!
Richard!
- [Mindy] Ashley?
- You okay?
- The drawer.
- Is she okay?
Check this shit out, man.
- [Gerald] Oh, look at...
(Leslie gasps)
- Morty?
- [Vance] Looks expensive.
- Ah, that shit
ain't expensive, man.
- Look at the craftmanship,
it's beautiful.
(wood creaking)
- [Troy] He's a real beauty.
Ain't he beautiful, Ash?
- There's a real presence there.
Can't you feel it?
- Yeah, right.
- Where'd he come from, Richard?
- He stood in my
grandfather's general store.
You know displaying
suits and stuff.
When the store closed,
they brought him here
as kind of a guardian, I guess.
Gets pretty lonely up
here, especially, as a kid.
Morty was my best friend.
(anxious music)
You know, it's so weird.
I'd forgotten all about him.
(Morty's head cracks)
- I never forgot you,
motherfucker.
(other's gasp)
- Troy, man.
- [Troy] Psych.
- Gerald, let's dust him
off and take him downstairs
so he can watch over us all.
- Can't see it happening, babe.
Can't see it happening.
I'm outta here.
- I agree with him.
Let's get something
to eat, okay?
- Let's put this shit away, man.
-I got it, I got it.
- That's ugly, man.
You ugly, boy.
(Troy chuckles)
(foreboding music)
(dramatic music)
- All right, Morty's gonna
be our sacred guardian.
He can be trusted with all
your secrets, all your fears.
He won't tell anybody
and, more importantly...he
won't judge.
- (scoffs) Shit.
- All right, so who's first?
- Oh, Rich, man.
Chill out, baby.
- Troy, rah, thanks
for volunteering, man.
Come on down.
- [Troy] Oh, shit.
- Gotcha.
(others laugh)
- Aw, man, you ain't serious.
You want me to talk to
this wooden motherfucker?
- Hey man, I talk to your ass.
- Damn, Rich.
What's up, Morty?
All right, you so fucking
smart, then you tell me.
What am I afraid of?
You see? You see
what I'm saying?
- What's that, Morty?
Hey Troy, man, you got
a spider on your leg.
- Oh, where? Where?
(others laughing)
This shit ain't cool, Rich.
All right, all right.
So bugs, they make
me uncomfortable.
- Uncomfortable?
You looked like you
shit your pants.
- Well, that would
make him uncomfortable.
- Yeah, but we can thank
Gus's goddamn tracking
for that, shit.
You remember Gus?
- All right, Leslie.
- Sure, why not.
Well, I was a popular
girl in high school.
Lots of dates. Good times.
Would've been prom queen,
then he came along.
I was yanked right out
the best years of my life
to raise him.
Sometimes I feel
like I missed out
on the life I should've had.
- Boo-hoo, hoo, hoo.
- Hey, come on, Troy.
Cut the shit.
So what scares you, Leslie?
(she scoffs)
(anxious music)
- I don't wanna get old.
I'm done, okay.
- Thanks.
- [Leslie] Come on, your turn.
Come on.
Your turn.
- Pass.
- Oh, come on.
- [Others] Come on, man.
- [Ashley] Come on, man.
It's your turn.
- I don't know what
you want me to say.
- [Leslie] Whatever.
- Just think about it, man.
Everybody's afraid
of something, Vance.
- Poverty...I guess.
- All right.
- [Vance] This is bullshit.
- Hey, what about your?
Sorry.
Why is it wrapped?
- None of your business.
- What about this tattoo?
What's that about?
- This is bullshit.
Thanks.
(tense music)
- Hey, uh, hey come on.
- Not right now, Richard.
- Come on.
- I just don't feel
comfortable right now.
Oh, stop.
- [Troy] Oh, what, Ash?
(door slams)
- Ah, shit.
Look, hey everybody, just
hang tight for a little bit.
I'll be right back.
- What, fuck?
- Ashley.
What the hell's the
matter with you?
- Look, Richard, nobody wants
to play your game, all right.
It's just not working out.
- Fine.
(horn honking)
(bells jingling)
- Ho-ho-ho, boys and girls.
Santa's here.
(bells jingling)
- Oh, shit.
- [Pete] Hey, hey, hey, Richard.
- Hey, Uncle Pete,
how you doing?
How are you?
- Well, introduce me.
- All right, Ashley,
this is my Uncle Pete.
You could never tell
by looking at it
but he runs the Christmas
Village up here.
- Oh, that place we
passed on the way up.
- You got it.
And this is Tanya Larson.
She's the pink in
Santa's cheeks.
- Hi, Richard.
- [Richard] Hey,
how are you doing?
- Uncle Pete has told
me so much about you.
- So this is great.
What brings you up here?
- Well, the snow, it
slammed dunked my house
and I got a couple
of guys repairing it.
So we can't stay there.
- Oh, no-no-no-no-no.
Look, I told you already
we're having a workshop
here this weekend.
- Rich, lighten up.
I mean, we'll make
ourselves real tiny.
It's just for the weekend.
Won't we, sugar?
- Uncle Pete, I told you this
is a controlled environment.
If you're not participating
in the session.
- Richard.
Come on.
It's so nice to finally meet
some of Richard's family.
- Yeah, well what's left of it.
All right, fine.
But look, don't come complaining
to me if you get bored.
There's nothing to do up here.
The lake's like 20 degrees.
- That suits me fine.
- You know she's got this
thing with water, you know?
- Some kids pushed me into
the pool when I was little.
- Ah, a little phobia, huh?
Another victim for
the evil Dr. Strand.
(thunder rumbling)
- Water.
That's it, Morty.
That's my fear.
- Thanks, Tanya.
All right, who's next
on the chopping block.
(owl screeching)
Come on, people, I
got a paper to write.
- You know, Richard,
you think too much
for a young guy, you know?
Why don't you just relax?
Go get laid.
(others laugh)
- Last call for volunteers.
- Yo, I volunteer
to get laid, babe.
- All right, all right.
I'll go.
- No.
- I'll go.
Shh, stop.
(owl screeching)
You don't have to tell
me I'm gonna die, Morty.
I already know.
It's happened many times before.
- Excuse me?
- We've all lived many lives.
- Whether you get to
accept that or not?
- That's absurd.
- Mine has always
ended in falling.
(owl screeching)
So, I'm afraid of heights.
- All right, maybe that's true.
But in this particular lifetime,
do you think maybe
there's some event
that might've
triggered that fear?
- Not that I can think of.
Do you know, Morty?
- Look, people, my
dad's a minister.
Real hellfire and
damnation kinda guy.
Fear was his stock and trade.
He tried to force feed me
this nonsense my whole life.
But it's just
superstition, folks.
- What if your dad was right?
He could be.
- Course, there's no damn god.
This woo-woo crystal,
aura regression shit,
it's a damn rip-off.
- Yeah, but maybe somewhere.
Maybe you're not so sure.
(Gerald scoffs)
- That's absurd.
- He would say
something like that.
- All right, who's next?
- How about Santa?
- Yo, yeah, hey, Saint Nick.
Ho, ho, baby.
- [Others] Come on.
- Yeah, come on.
- Yeah, come on, Uncle Pete.
- Uncle Pete.
- Yeah.
- Yeah, come on Uncle Pete.
- [Pete] Oh, Morty,
Morty, Morty.
My old pal.
Do you remember me?
You know, Santa's
biggest fear is
that all you little
children would grow up
and not believe in him anymore.
Ho-ho, ho-ho.
- Cop out.
- You know the Dutch have a
belief that Santa's helper
will punish all the
bad little children.
(bells jingling)
(ominous music)
His name is Black Peter.
(ominous music)
- Come on.
- You're not too old
for him to get your ass.
- Get real.
- Hey, reality sucks.
It really does, believe me.
Fantasy is very,
very profitable.
- All right.
Okay, well, I guess
that's it for today.
Tomorrow, we'll start up
on those individual cases-
- No-no, no, baby.
Not yet, man.
We ain't heard what
scares you yet, Freud.
- Oh, no-no-no, no-no.
- Let's go.
- [Richard] I have no fears.
I'm all knowing.
I'm Therapy Man.
- [Troy] No, baby, no.
- [Mindy] Have a seat.
(others yelling)
- What about your
fear of marriage?
- [Gerald] Get up there.
- That's right.
- Boop,
you're on, baby?
Come on.
- All right.
- [Gerald] Yay, whoo!
- [Troy] You're in the hot seat.
- All right, (sighs), all right
I have a fear of commitment,
I'll admit.
My mom died here, in this
house, when I was a kid.
She was pregnant.
So it was a double loss.
Everything fell apart then.
My dad and I, we,
(thunder rumbling)
We couldn't look each other
in the eye after that.
I don't know why.
(ominous music)
So he sent me away.
- [Male Voice] Diametric.
- So, it all boils down to-
- [Male Voice] Diametric.
- Diamond trick.
- What?
- [Male Voice] Diametric, di-
- Yo, man, you're
whacking me out here.
What's you afraid of, man?
- Of you, Morty.
(foreboding music)
You scare the shit
out of me, man.
I don't know why.
- It's, okay.
- Yeah, okay, that's
it. It's over.
Let's party.
(rap music)
(others chattering)
- [Leslie] Honey, where are you?
I trust no man, I walk alone
I trust no man, I walk alone
- What are you doing
hiding out in here?
- I'm inspired.
The muses are flowing.
(rap music)
There, stay just like that.
- What are you doing?
Don't draw me.
- Stop moving.
- I mean it.
Don't draw me.
- Oh.
- They tell me you pose
for drawing classes.
- Oh, yeah.
The human form.
It's the most beautiful
creation in nature
and the most
difficult to capture.
- I might be interested
in some of that art stuff.
(others chattering)
Maybe you could give me lessons.
- Okay, draw me.
- Not like that.
Like you do in class.
(she chuckles)
You're being naughty.
- Just think of me as a
professional, like a doctor.
Someone you could trust.
(rap music)
- Something, like, this?
- Yeah.
Now, that's what I call art.
- What the fuck are you doing?
- Oh, art lessons 101.
(she laughs)
- I think you've
got enough culture
for one evening, don't you?
- Thanks for not putting
me in the hot seat tonight.
(thunder rumbling)
- Sure.
(Richard deeply sighing)
- Diamond trick.
- Yeah, diamond trick.
I've tried every combination.
I don't know.
- What if it just sounds
like diamond trick.
- What do you mean?
- What if it's just one word?
- Diamond trick.
- Diamond trick.
- Diamondrick.
- Diamond, diametric.
It comes from the Greek.
It means the opposite of.
- Yeah, yeah, diametric,
diametric, opposite of what?
- I don't know.
It's your dream.
Rocks off, knock the
boots and the socks off
I hope the pussy aint'
burning like hot sauce
I got my jimmy hat,
come on and give me that
Hairy bloody Mary, hopin'
that it's plenty fat
(door clicks)
- Lights out.
- Couldn't we do it just
once with the lights on?
- No.
ain't no fakin', cuz I'm
down for pussy dickin'
I got my dick in your
mouth, all by your gums
I wanna see ya hum,
cuz I wanna see me cum
Niggas try to cock block
- You know, just once
I wish we could do it
without an inch of
that shit on your face.
- You're such an asshole.
You wanna fuck me
or don't you, huh?
I I came to get my rocks off
Bitch, bitch,
bitch, bitch, bitch
That's what you is to me
Let a nun suck my dick
and the preacher man see
Get buck wild, I like
to fuck doggy style
- I'm gonna fuck you.
I'm gonna lick all up you.
(Leslie sighs)
- Vance, cum.
(Leslie grunts)
(Leslie moans)
- Fuck.
- What's going on?
(owl hooting)
(Richard sighs)
- This is my mom's room.
- This is your place now.
You can't spend the rest of
your life in the kid's room.
It's like being a guest
in your own house.
- I know.
[, I just don't even
want to think about
what might've gone on in here.
(he sighs heavily)
- I understand.
I love you.
(hopeful music)
(ominous music)
(she gasps)
(frantic music)
- Fuckin' Troy, man.
- Richard don't.
(frantic music)
- Troy!
Troy! Troy?
(others chattering)
- Oh, man, what up?
Man, I heard you scream.
- Don't appreciate
the gag, Troy.
I don't appreciate it, man.
- Chill man, chill. What gag?
- Morty outside the window.
That's not cool, man.
It's not cool.
- No man, I'm snacking.
I haven't been near your room.
- That's bullshit, Troy.
Who did it then?
- How the fuck if I know, man.
Maybe he did it to dis on me.
(Vance chuckles)
- Richard, it's okay.
It's only a joke.
- It's not too
frigging funny, Troy.
- Hm, I'm going back to bed.
(somber music)
(Morty creaking)
(eerie music)
(birds chirping)
- Mindy...you're in
a safe place, now.
Your mind is free.
How do you feel?
- Nice.
Comfortable.
- Good.
Mindy, there's a ladder
right there in front of you.
Do you see it?
- Ladder?
- Yeah.
Do you see it?
- Yeah.
- I want you to climb
the ladder now, Mindy.
- It's too high.
I'll fall.
- This is not about
falling, Mindy.
It's just an image
in your subconscious.
Now something or someone
is holding you back.
That's the purpose of the fear.
Who doesn't want you to climb?
- Can't, he's gonna
be really mad.
- Who?
All right, draw him.
(tense music)
(Richard continues tapping)
(ominous music)
Why is he angry, Mindy?
What's he saying?
- Honor thy father.
- Your dad?
Why won't he let you climb?
- What are you, huh?
Too good for me?
(suspenseful music)
- What do you see now, Mindy?
(Mindy gasps)
(dramatic music)
- Something is wrong.
(ominous music)
- Come on in, babe.
- Uncle Pete, no, please.
Don't make me do
it, she's scared.
- It's just water
for Christ sakes.
Come on in.
- Don't make her do it.
(Tanya sobs)
- Come on it's nice and warm.
- She's scared, she's (sobbing).
- What the hell are you doing?
- [Pete] It's just a little
water for Christ sakes.
- No, no, she's scared.
- [Pete] Come on
it's nice and warm.
- [Richard] What the
hell are you doing?
- The idea is to deal
with our fears, right?
- No, no, not all at once.
That could be more traumatic
than whatever caused the fear.
(Tanya sobbing)
You, okay?
(Tanya sniffling)
- There you are.
You ready to go?
- Not right now, Ashley, I'm
in the middle of something.
(water gurgling)
- We need to talk.
- You okay?
(Tanya sniffles)
- He's only trying to help.
Yeah.
- What the hell's
the matter with you?
That was a terrible idea.
Now, you don't know
anything about psychology.
- Look, I suggest you
take care of your broad
and I'll do the same.
You capeesh?
(Richard sighs heavily)
(birds chirping)
- Tanya?
(water splashing)
(Tanya panting)
I did it.
[, I (chuckles), I
(chuckles) did it.
(she laughs)
(dramatic music)
(Tanya screams)
(Tanya gasping)
(Tanya screams)
(frantic music)
(Tanya coughing)
(Tanya panting)
- Easy, babe, easy.
Easy, come on, babe.
Come on.
- It's okay, it's okay.
- [Pete] Take it easy.
- You okay?
- [Pete] Take it easy.
(Tanya hyperventilating)
- [Richard] You okay?
What the hell is this?
(anxious music)
- You don't really think that I-
- You were the only one
there besides Tanya.
Hey, oh, great.
- Richard, I'm sorry.
I didn't mean-
- It's okay.
Tanya, it's okay.
It's all right.
- Hey, hey.
Why don't you give the
guy some space, damn it?
I mean, you're
always under foot.
- Richard, I need to talk.
Can we go somewhere?
- Sure.
(anxious music)
Were you close to that uncle?
- God, yes.
Especially, since
my parents divorced.
- So that story about you're
being pushed in the pool
when you were a kid?
- Just a story.
It's a lot easier
than explaining
how you found him
drowned his bath.
I jumped in.
[, um, I tried CPR.
I couldn't, (sobs)
he was all I had.
[, I kept slipping, slipping.
I
- It's okay. It's okay.
Do you trust me?
Do you?
Close your eyes.
(somber music)
I'll be right back.
Here, I need you to
believe this, Tanya.
Water is not the real threat.
This is what you're afraid of.
Human contact
and feelings.
In Jungian analysis,
water represents feelings.
Your dreams of drowning,
they mean you're
submerged in feelings
that you're struggling
to deal with.
- Water can't hurt me.
It's not the real threat.
- That's right.
- Thank you.
It's funny.
I've only known
you a short time.
(gentle music)
- You know, Uncle
Pete's a great guy.
He was, he was just
trying to help you.
- I know.
(birds chirping)
- Yeah.
(sultry music)
(door creaking)
- Mmm, hey, boy.
Mmm, mmm.
Oh, (hand smacking) bastard.
- You're gonna
regret that, bitch.
- Fuck off, bastard.
- What the hell
were you doing, man?
(knuckles rapping)
- [Gerald] Yo, Vance, open up.
- Gerald.
(anxious music)
There's no one here.
Let's just, please.
- Wait a minute.
(he exhales)
Wait a minute.
(dramatic music)
Holy shit.
- Guys, I'm serious.
There is something
weird going on
and it has to do with Morty.
- Mindy, please.
- Wh-Where did he come from?
What do, what do
we know about him?
- My grandfather hired some
old Indian guy to carve him.
I guess that was back in
the early '20s, wasn't it?
- Tutante, was a
local bullshit artist.
Claimed to be a powerful shaman,
but his tribe died
of the smallpox.
So he wasn't so powerful
after all was he?
- [Mindy] Is there
anything else?
- Tutante said when Morty wore
clothes in the shop window,
you know, people would be
compelled to come in and buy.
He said he'd worked some
magic into the wood.
- You mean worked
it into his woody.
(Troy giggles)
- I heard that one.
- Uh-huh, Troy, I'm serious.
I talked to his grandson once.
- Hey, look, there's no
magic going on around here.
It's just a lot of bad
blood and cruel jokes.
Now, if your kids are
smart, you'd pack your shit
and get out of here.
- Hey, Pete.
- Uncle Pete.
(tense music)
(birds chirping)
- What's up?
- Troy, please, I'd
like some privacy.
- No-no-no, that's cool.
It's cool.
Sorry about you and Richard.
That sucks.
- Yeah, well, Richard
only cares about his work.
- Yeah, Richard
can be an asshole.
Fuck him.
- Troy.
- No, serious.
Fuck him straight up.
Looky, here.
Every girl I ever went out with,
as soon as I started to feel
a little bit of this here,
then they started in dissing
on me and expecting shit.
No, but what you gave
Richard, that shit was real.
And if he can't cop to it,
then he don't deserve you.
(dog barking)
There's that smile.
I like that smile.
- That little punk's trying
to make time with Ashley.
Look, this breakfast can wait.
We're gonna show those
kids how to have some fun.
- I never knew.
- The only reason I
went out with Becky is
'cause she was your friend.
And then she turned out to
be like all the rest of them.
(birds chirping)
- I don't know, I can't do this.
- No, Ashley, it's
cool. It's cool, yo.
- No, you're
Richard's best friend.
- No, Ashley, it's
you and me. Come on.
- No, it isn't cool.
- You're just a little
tease, is that it?
- Troy, let go of with me.
- Ash, Ash, I'm sorry.
Ash, I'm sorry. Ash, come on.
- Ho-ho-ho-ho.
Ho, boys and girls.
Santa's gonna take
you to the North Pole.
(rap music on radio)
- [Troy] Yo.
- Look at this place.
- [Gerald] Yeah, it
looks kinda cheesy to me.
- No, it's wonderful. Go look.
(others chattering)
- Hey, Ash, just wait up.
Let me show you
around, all right.
I know this place like
the back of my hand.
I had a lot of great times
here when I was a kid.
- Look, I thought it
all out last night.
It's all for the best.
- No, Ash, that's not right.
- No, it's been a
long time coming on.
- Hey, Ashley, I'm
sorry I accused you.
- Accepted.
- Ash, look we all had
a bad day yesterday.
- Forget it, Richard.
- Come on, come on.
Let's go have some fun.
Let's go.
Black Peter, come down
and this time believe her
- [Mindy] Woo-hoo.
& Down Black Peter
- [Gerald] Whoo, whoo.
Hey, hey, down Black Peter
Come down and this
time believe her
Yeah, down Black Peter
- Oh, look at the carousel.
Oh, come on, Vance, let's go on.
It'll be so much fun.
- Why don't you act your age?
- Oh, come on.
- Look, quit embarrassing me
like you're
embarrassing yourself.
Leave me alone.
'Cause I got the m-shit,
four horror core click,
homey from hell
- Don't worry about him, Les.
Come on, I'll go on
the carousel with ya.
- To hell with him.
- Exactly, come on,
don't worry about it.
- Let's go, we'll
ride that thing.
(foreboding music)
(lights thudding)
(lights buzzing)
(Gerald laughs)
(ominous music)
- Looks like Peter.
- What's wrong, babe?
- I just had a
feeling, I don't know.
- Come on, it's a statute, man.
That's it. It's just
wood and plaster.
Come on, bet you can't catch me.
- Wait, wait.
(others chattering)
(ride clanking)
- Oh, god, I haven't been
on one of these since-
- Hey, there's plenty
more fish in the sea
back in college for you.
I'm sure you'll have no
problem catching one.
(Leslie panting)
- No, Les.
- Hey, please. Come on, Troy.
God, you're as bad
as fuckin' Vance.
Where are you going?
- Yo, I gotta take
a piss, all right.
- Come on back, come on, Troy.
Shit.
- Gerald?
(gears clanking)
There you are.
(dramatic music)
- Hey, babe.
- How gross.
(eerie music)
Gerald!
Gerald!
(train horn blowing)
- [Man] Mindy!
(train horn toots)
Mindy! Over here.
- Mindy!
Mindy!
(wood creaking)
Come on, stop playing.
(dramatic music)
(Mindy gasps)
(children laughing)
- Stop, (panting), stop.
Stop the train.
Stop the train.
Stop. Stop the train!
Stop it now!
Stop the train!
Stop the train!
(brakes squeaking)
(ominous music)
(dramatic music)
- Gerald? Gerald?
Gerald?
Gerald!
Gerald, this isn't funny. Wait.
(Mindy screams)
(Mindy screaming)
(dramatic music)
(children laughing)
(Mindy moaning)
(horses neighing)
(Mindy moaning)
(Mindy screams)
(horses screaming)
- [Troy] Rich, did you
hear that shit, man?
- [Richard] Yeah, it sounded
like it came from here.
Mindy, Jesus Christ.
(Mindy crying)
- Come on, babe.
Come on.
- It's gonna be all right.
(Mindy sobbing)
Lean on me. Lean on me.
Lean on me, it'll be okay.
- Put this on, babe.
(Mindy sobs)
Come on, come on, come on.
- It's all right.
- Come on, Mindy, I gotcha.
We gotta get her
to that car, man.
- Hey, Ash!
- Les!
- Ashley!
- Pete!
- [Richard] Take it easy.
That's it.
- Where the fuck are they,
Rich?
- I don't know.
- Let's go, man.
- Hey, Ashley!
Ash!
- What happened?
- [Tanya] What's going on?
- [Ashley] Mindy.
- What's going-
- Where you been?
- She got abused, okay.
- She'd been raped.
She's been raped.
- Oh, my god.
- [Leslie] Wait a
minute, where's Gerald?
Where is he?
- I haven't seen him.
- Oh, my God.
- Let's go back for him later.
We have to take
Mindy to the house.
- Come on.
- Tanya.
Ash.
- [Ashley] No.
- Come on, we gotta
get Mindy back.
- No, don't you see?
The campus rapist,
he's one of you?
He's among us.
- Ash, Ash, come on.
- What's going on?
What is this?
- Where have you been?
Where were you?
- You told them?
- Don't be crazy.
I didn't tell them anything.
- Don't even
think about it, man.
Les.
- Stop it,
you out of your mind?
- Chill out, man, chill out.
- Don't.
- Les, just, Les, relax.
- I knew I couldn't trust you.
- Stop it, I did not.
I didn't do anything.
- Just fuckin' relax, man.
Les, just-
- It's okay. It's okay, really.
- [Troy] Les, Les.
- Vance, Vance, listen.
- Yeah, you run fast?
- [Leslie] Crazy.
- Come on, come
on, I'll shoot him.
Come on, come on, come on.
- [Leslie] Don't do this.
- Don't do it, man.
- What's up?
- [Troy] Put this
shit away, man.
- Are you out of your mind?
- Come on, come on, come on.
- Why?
- [Troy] Put that
shit away, man.
Don't do that.
Don't do that shit, man.
Put that away.
- Stop!
- Motherfucker!
Hey, you fucking asshole, man.
- Come on.
- [Troy] Fuckin' bitch.
Just what the fuck
is going on here?
- He's gonna go to
the fuckin' house.
- [Richard] Why's he
going to the house?
- To get his trunk.
- What trunk?
- One with the fuckin' money.
The 200 grand.
Oh, he embezzled
from my company.
- That's why he
fuckin' tweaked you.
What the fuck you talking about?
- It was all his idea.
Don't lecture me, Troy, please.
(door banging)
(owl screeching)
- Bitch, I'm gonna
kill that bitch.
(suspenseful music)
(door creaking)
(ominous music)
Sloppy bitch.
(door creaks)
(Vance screams)
(dramatic music)
- Where the fuck is he?
- Troy, what are you gonna do?
He's got a gun.
- [Richard] Trunk's
still here and no money.
- Oh, god.
- I'm gonna get Mindy
to bed, all right.
Somebody get some blankets.
- This phone is dead.
- [Richard] It
working this morning.
- [Pete] Well, it ain't now.
- [Troy] Yo, you hear that, man?
- [Tanya] I think
he's still outside.
- [Leslie] He's
nowhere in the house.
- [Pete] Hey, Tanya, wait.
- [Troy] Check that out,
man, they got the car.
(ominous music)
(Troy yells)
Chill out, man, the car.
- Wait, hold on.
Oh, shit.
(dramatic music)
- This doesn't make sense.
Did he leave on foot?
- I don't know,
but if I get my hands
on that punk I'm gonna-
- Listen, we have
to do something.
One of us should go to town.
- No, it's 20 miles away.
- What about Christmas Village?
There's got to be
something there.
- Of course, the
maintenance truck.
That'll take us an
hour to walk there.
- You walk, I run.
- Okay, someone
should go with her.
- Hey, hey, I'll go with her.
(crickets chirping)
(door banging)
- Hey, how's Mindy?
- Sleeping, finally.
- You okay?
Any sign of Gerald?
- No, but I'm sure
he'll show up.
Um, I'll go check
in on Mindy, okay.
(gentle music)
- Look, Ash.
- I've been thinking.
Vance couldn't have
been the campus rapist.
He was in Oregon.
- So?
- So, I'm not sure
anymore, about anything.
(Richard scoffs)
(somber music)
(anxious music)
- Tanya, Tanya, wait.
(tense music)
- [Leslie] Oh, excuse
me, I'm sorry, I-
- No, it's cool.
Chill, I got plenty
of room here.
It's cool.
Les, I've been rough on
you and I wanna, ah...
I'm sorry.
- I'm a big girl. I can take it.
- Look, I know you had to
run out on me back then
and live your own life and shit.
It ain't right for me to be
dissing you for it all the time.
You know what I'm saying?
- Hey, I made things
so tough on you.
God, you don't know
how hard it was for me.
There wasn't a day that went by
that I wasn't
thinking about you.
Oh God, I felt like a piece
of me had been ripped out
and I had done the ripping.
- But we found each other again.
You know like it
ain't too late for us.
You know?
(gentle music)
I love your face, Les.
- Don't start, please.
- You're beautiful, Les.
- Oh, baby.
(Les moans)
No, no, no.
- What's the matter?
- [Leslie] We can't do this.
- Come on, Les, don't
give me that sister rap.
That shit sounded good
around the homeboys,
but, Les, we only related,
'cause Nan adopted us both.
- She didn't adopt us.
She owned us?
- That don't mean nothing.
- Leslie, a baby alone.
We don't want another mess
on our hands, young lady.
- What the fuck you saying, Les?
I don't care about that shit.
(somber music)
- One day, I just stole you.
I snuck into your room
and dressed you with this
little jumper that I saved for.
Then I took you to the
park to show you off.
There was this lady there
and when she saw us,
she just simply melted.
What a beautiful baby.
He looks just like his mother
and I was so proud.
I was floating.
- Yes.
Les.
- But Nana came, she
caught up with us
and snatched you from me.
She's not his mom,
she's his sister.
- Oh, fuck her.
Forgot about that shit, Les.
I love you.
You're the only
one I ever loved.
- You don't understand.
The lady had it right.
She had it right.
She had it right.
- What you saying, Les?
- I was only 14 years old.
What'd you expect me to do?
Do you know how
hard it was for me?
All the guys in
town, looking at me.
Snickering, whispering.
Whore, wherever I went, whore.
- Just get the fuck
away from me, Les.
- Please. What, I'm plague now?
- Stay the fuck away from me.
- You're just like
all the others.
- Just get the
fuck away from me.
- That's what I did.
- Get the fuck away from me.
Leave me alone, goddamn it.
- Then go!
Leave me alone.
(suspenseful music)
(Troy groans)
(Troy screams)
(anxious music)
- [Male Voice] Tanya!
Tanya (voice echoing)!
- Pete? Is that you?
- [Male Voice] Tanya.
- [Pete] Tanya!
- [Male Voice] Tanya (voice
echoing), come over here.
Come over here.
Tanya.
Tanya.
- [Female Voices] Tanya, ah-ha.
- [Male Voice] Tanya
(voice echoing).
- Pete?
- [Male Voice] Tanya
(voice echoing).
Tanya (voice echoing).
- Is that you?
(wood creaking)
- [Male Voice] Tanya
(voice echoing).
- Pete!
- [Male Voice] Tanya
(voice echoing).
Tanya (voice echoing).
(ominous music)
- Tanya, Tanya.
Tanya, damn it where are you?
(foreboding music)
(door banging)
Tanya!
(door banging)
(Pete gasps)
(dramatic music)
Oh, sweet Jesus.
Not again.
Tanya, Tanya!
Oh, the hell with her.
(ominous music)
(wood creaking)
- Troy, (panting),
there you are.
I'm sorry, baby.
Please try and understand.
I did the best I could damn it.
Oh, Troy, please
talk to me, please.
Please, how many times do
I have to say I'm sorry.
Damn it will you look at me?
(dramatic music)
(Leslie gasps)
(foreboding music)
(dramatic music)
- [Morty] Missed you, Richie.
- Mindy?
Mindy, what's going on?
- [Morty] I didn't
forget about you.
Motherfucker!
(dramatic clanking)
- Morty.
(wood creaking)
(foreboding music)
(Ashley gasps)
(wood creaking)
(dramatic music)
(Ashley gasps)
(wood creaking)
(frantic music)
(wood creaking)
(frantic music)
- Matricide.
(heart beating)
- Look what you did.
- No.
- [Morty] Matricide.
Mother killer.
- No, no.
- [Morty] Richie.
Richie.
Mom's gonna have a lay down.
- Stop it, Morty.
- [Morty] You just play.
- Stop it, Morty.
- [Morty] And let mommy rest.
- Shut up.
No, shut up.
- [Morty] That's mommy's boy.
(mother moaning)
- Richard.
Oh, get off.
(mother panting)
(ominous music)
Get out of here.
(glass shatters)
- Ow!
- Get out of here.
(door slams)
(dramatic music)
- No!
(ominous music)
(Ashley gasps)
- Oh, Troy, oh my god.
Terrible things are happening.
- Terrible things happen
all the time, man.
- Troy, I'm so scared.
I'm so glad you're here.
- Thank you're so damn
special, don't you?
You's putting on all them
haughty airs and shit.
Except when it comes
right down to it,
you're just a little whore
like all the rest
of them, ain't ya?
- Oh, god, it was you all along?
- Except you don't wanna
spread them do you?
You're just looking for
a free little ride, huh?
Well, you think this is
some kind of free ride,
you little whore?
Is that it?
That what you want?
(Troy grunts)
(Troy moans)
(ominous music)
- [Claude] Where did you
get that cut from, son?
- Oh, God, no, Dad?
Dad, no, no.
- [Claude] Where's your
mother when you need her?
(door creaking)
(ominous music)
(heart beating)
- Rosie?
(heart beating)
Oh, no.
Rosie.
- [Rosie] Claude, what are
you, what are you doing?
- [Claude] How could you?
How could you?
- [Rosie] Claude,
what are you doing?
- [Claude] How could you!
- [Rosie] Stop it!
- [Claude] Rosie!
- [Rosie] Stop it! Stop it!
(Rosie screams)
(gun firing)
- What are you looking at, huh?
This is your own goddamn
fault, you understand that?
You tell anybody about
this and Morty'll get you.
You understand me?
Do you understand me?
Morty will get you.
(dramatic music)
(wood creaking)
- No, Morty, no, I didn't tell.
(Richard groans)
(frantic music)
(wood creaking)
(Mindy groans)
(frantic music)
(Mindy growling)
(head thudding)
(Mindy growling)
(dramatic music)
(Mindy yells)
(wood creaking)
(Troy groaning)
(branch thudding)
(foot thudding)
(suspenseful music)
- Bugs!
Bastards!
(Troy yells)
Bugs! Bugs!
Get them off me!
(stick thudding)
(dramatic music)
- Have you seen Tanya?
- Uncle Pete, its my fault.
- She wasn't even with you.
- No-no, no, it's
my fault about mom.
I caught her with another man.
I told dad and he killed her.
He killed her. I remember it.
- That's a lot of bullshit.
There was only
one man she loved.
One true love in her life.
- No, listen to me!
She was always controlling me.
I wanted her off my back
and I got her killed.
I got her killed, Uncle Pete.
- You get that shrink
crap out of your head.
I get the truck.
You get your stuff
out of the car.
(door knob clicking)
(door slamming)
(menacing music)
(dramatic music)
(wood creaking)
(mellow music)
- What happened?
- He was the rapist.
(panting) I killed him.
- It's okay, come-
- I'm fine.
- Listen to me, I'm gonna
get you outta here, okay.
- All right, I'm fine. I'm fine.
I'm fine.
(sinister music)
(low moaning)
(woman laughing)
(sensual moaning)
(dramatic music)
(loud sensual moaning)
(dramatic music)
- Diametric...it's an
anagram for matricide.
- No, you didn't
kill your mother.
You said your father did.
- It's me, I'm
responsible, Ashley.
- No, no, it means the
opposite, diametric.
You're the victim.
You're not guilty.
Oh my, you don't think Pete?
(she whimpers)
- Tanya?
- I hope I'm not too late.
- You wait there all right.
Wait right there.
(foreboding music)
Where's Tanya?
- Fuck Tanya.
(dramatic music)
- It was you.
- Don't you look
at me like that.
- Oh, fuck no.
That was your baby inside her.
- You told, you told.
You know what happens to
little boys that tattle?
You know what happens?
- Don't give me
that Santa shit now,
you son of a bitch!
- You know what happens
to boys that tattle?
- Yeah, they get fucked up.
- You know what
happens to bad boys?
- What?
- Black Peter gets there ass.
(door knob clicking)
(wood creaking)
(dramatic music)
(ominous music)
(wood creaking)
- Ashley, run!
Go!
(frantic music)
(wood creaking)
(gun firing)
(gun fires)
Uncle Pete.
(door slams)
(dramatic music)
(wood creaking)
- Richard, come on.
Come on.
(frantic music)
(heart beating)
Richard! Richard!
(dramatic music)
(Richard gasps)
- It's the clearing in my dream.
Get out.
Oh, my god.
- Let it go, Richard.
Richard, over there!
(dramatic music)
- [Richard] Go, Ash, go!
- No!
- Go!
(punch cracking)
(sinister music)
(dramatic music)
(Richard gasps)
(monster growling)
(wood creaking)
(Richard groaning)
(monster growling)
No, no.
(foreboding music)
(monster growling)
(Richard moaning)
(sphere thudding)
(sphere shattering)
(monster groaning)
(dramatic music)
- The missing piece is inside.
(monster groaning)
(dramatic music)
(monster groans)
(anxious music)
- Ashley?
Ashley!
(foreboding music)
Ashley!
(bird screeching)
Ashley!
(dramatic music)
(night creatures chittering)
(Ashley gasps)
(wood creaking)
(Ashley moaning)
(Ashley gasping)
- No, no-no!
(Tanya yells)
(Tanya gasping)
- You son of a bitch.
- Morty, let go!
Morty, no.
You can't do this.
It's over now.
It's over.
I understand everything now.
Everything.
(night creatures chittering)
I'm not afraid, Morty.
That's it.
Now, let her go.
I'm not afraid.
Now you've got to leave.
Let us go, Morty.
(dramatic music)
(wood creaking)
(tense music)
(owl screeching)
(wood creaking)
(tense music)
(wood creaking)
(anxious music)
(water splashing)
(birds twittering)
I love you.
(gentle music)
(knuckles rapping)
- Yeah, come in.
Hello, Richard.
- Hello? Hey.
I uh...
Sorry about your sphere.
- Yeah, well, I heard
about the investigation.
- [Richard] Yeah.
(doctor sighs)
- Well, we missed
you at class today.
- Yeah.
(deeply exhales)
[, uh...I'm dropping out.
I want you to be
the first to know.
- Wanna tell me why?
- I uh, I found the
missing piece all right.
But I, I lost a hell
of a lot along the way.
Also got a bunch of cops who
want answers that I don't have.
I guess the quest
for wholeness is
not all it's cracked up to be.
- Well, it's a moment to
moment thing, Richard.
I mean you can't live now
until you make your
peace with then.
- Then what?
- Then now. You get to live now.
- Thank you.
- Yeah.
(crow cawing)
- [Woman] Come here,
honey. Wait for us.
- [Boy] Okay, Mom.
- [Man] Oh, I love
the daffodils.
- Look at the great woodwork.
- Folks, this is
a terrific deal.
- Yes?
- The previous owner
wants to let it go
at a very, very low price.
- Oh, why, why is that?
- Well, I'll be honest
with you, Mr. Field.
There've been some
tragedies here.
- Oh!
- Tragedies?
- Oh, (chuckles) what
sort of tragedies.
- Before I tell you about that,
come on inside.
It is a phenomenal house.
- All right.
Wait a minute, I
don't see, Corey.
Corey! Corey?
- Hey, Corey.
- Corey!
- Corey!
(dramatic music)
(Corey laughing)
(ominous music)
(wood creaking)
(dramatic music)
(Corey gasps)
(wood creaking)
- Are you good guy or a bad guy?
(frantic music)
("Morty's Theme- Fear")
Tell me your deepest fear
Tell me your deepest fear
Losin' my inhibitions
Callin' my intuitions
Somethin's goin'
on if I'm feelin'
Something's going on if I'm
feeling not superstitious
I'm vicious
I'm trapped
inside the paradox
I Where my thoughts get
twisted like some dreadlocks
I never or ever wondered
about the voodoo
I sing the voodoo
And now my deepest
fears is comin' true
I never loved you
but I hate you, how
How could I love you, how
Because I hate you now
So wonder, I take you under
& With the wickedness
And with the wickedness
I'll make the preacher
slick his fuckin' wrist
No coming near me
when I'm thinking this
'Cause when I'm
thinking this
I'm thinking suicidalist, uh
So back up off me,
bust a brain cell
I bust a brain cell
I fall asleep and
dream about Hell
Some wonder why I'm
even calling ya'll
The sky is falling ya'll
But after all it's
my deepest fear
Morty, nowhere to run to
& Nowhere to hide
Morty, how you gonna hide
& From the fears inside
Chemical dependencies
Suicidal tendencies
Brain on meltdown,
street lobotomy
Claustrophobia,
locked in a pine box
Now I lay me down to
sleep, 6 feet deep
Closed casket, just
another basket case
Not a mannequin
but the madman
So you panicking
Run from it
Everybody scared, so
you're calling out
Buckshot, shotgun blast
Now you're falling out
Everybody hide from the
deepest fears inside
Watch me and my man, Morty,
take you on a murder ride
Suicide, symptoms
of insanity
I'm blacking out
Polly wanna a cracker but
I'm never, ever crackin' out
Call me Dr. Frankenstein
Dead bodies stinking
I'm gonna get with you
IS When I hit ya I'm a slit ya
Nobody can hold me
I'm going to say this clear
Buried alive in a pine
box is my deepest fear
Morty's coming, Morty's
coming, Morty's coming
Morty's coming, Morty's
coming, Morty's coming
Morty
Morty, nowhere to run
to, nowhere to hide
Morty, how you gonna hide
from the fears inside
Tell me your deepest fear
Tell me your deepest fear
It's ever so clear
My deepest fear is
to hear the screams
The sounds of a madman
Embodied in Morty's Theme
I dream and nightmares
come true, simply voodoo
Hallucinating visions
of killing you
The thought of even thinking
that I think I need a shrink
In fact, I think I
need some therapy
'Cause ain't
nobody helping me
Since I got no excuses
for mental abuses
I'm losing faith
My only fear is to love
instead of hate you
Born and bred, born dead
My mind bled every time
the Holy Bible was read
Instead I lost consciousness
and wound up with wicked ways
Thinking 'bout voodoo dolls
Runnin' wild, my last days
Spent with Morty, my shorty
No ventriliquist
Esham, the Unholy
Straight suicidalist
Morty, nowhere to run
to, nowhere to hide
Morty, how you gonna hide
from the fears inside
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide
Nowhere to run to,
nowhere to hide