Trapped: Buried Alive (2002) Movie Script
(wind whistling) (soft music)
(explosion bangs)
(explosion bangs)
(dramatic music)
(charge beeping)
(dramatic music continues)
(explosions banging)
(snow crashing)
(dramatic music continues)
- AJ to base.
- [Karl] Yeah, go ahead, this is base.
- North slope's cleared.
- [Karl] Yeah, that was quite a show.
- I'm gonna head over to the south slope.
There's a lot of new snow up there.
- Now listen, AJ,
why don't you check with me
before you start in the south, huh?
- Sure, Karl, whatever you say.
Out.
(soft rock music)
- [Announcer] Attention skiers.
Welcome to the Emmet Six mountain.
We apologize for the delay.
We're glad to report that all runs are now open
and all lifts are fully operational.
Enjoy your day.
- Emily!
Honey, I think the lift you're looking for
is over this way.
This one over here.
You all right with that? - Okay.
- Need some help? - I'm fine.
- You sure? - Yes, thank you very much.
So you done good, Mr. Architect.
The hotel is truly stunning.
- Well, thank you ma'am.
I did have a little help, don't forget.
So listen, this Finley wants to get together
for a bit of a celebration.
So after you're done bunny running
or whatever you plan on doing,
I want you and Paige to meet me
over at the Eagles Nest here, all right?
- That's assuming I'm still walking.
- [Michael] Paige will take it easy on you.
- I hope so.
- Dad, I thought you said you and I
were gonna go in town and pick up your skis.
- Yeah, yeah, I know.
But see, honey,
this guy Finley paid Dad
a lot of dough to build this place,
and I gotta have a drink with him, okay?
We'll get the skis later.
So good luck, bunny woman.
Take it easy on her, okay?
- Okay.
Well, you heard the man.
You can teach me to ski the bumps.
- They're called moguls.
- [Announcer] Attention, skiers.
32 inches of powder over the last three days
gives you 200 miles of the best skiing
we've seen all season.
Have a great day on the slopes.
- Now, come on. - You got it.
(tense music)
(snow crunching)
- AJ to base.
- Yep, go ahead.
- I'm on the top of the south slope.
It's pretty unstable.
You said to check in before I start.
- Well, AJ, there's been a change of plan.
I need you to come back to the office.
- What do you need me at the office for?
What the...
Karl, what's going on?
You can't open the lifts.
It's not safe.
- Look, come on down.
You're done for the day.
- [AJ] Karl, you can't do this.
Karl!
- Well, there's plenty of cute guys
to see me falling on my butt.
You know, look, Paige, if you'd rather not do this,
I'm fine calling it off.
(Paige sighs)
- Look, will you just put your skis on?
- Yes, ma'am.
Here, can you hold this for me?
(Emily laughs)
Can't even open them.
(Emily laughs) (Paige yelps)
- You said that you practiced this.
- That was on carpet.
(Emily laughs)
- Hey, need some help, ladies?
- Thank you. - Sure.
- Mr. Riley.
It's, it's Paige.
Do you remember me?
- Paige?
Paige Cooper?
What happened to you?
You're all grown up.
About your mom,
believe me, she is sorely missed on the circuit.
She was a fine person.
One of the best coaches we ever had.
- Thank you.
- Hey, hey, Alex, come here.
Look who's here.
You remember Paige?
Diana's daughter.
- Hey, how's it going?
- [Paige] Hi.
- Oh, and this is Monique White.
She's doing a photo shoot on Alex for "Ski" magazine.
Oh, Monique, this is Paige Cooper.
I've known this kid since before she could walk.
She could ski like an angel even then.
- And this is?
- It's Emily, my father's new wife.
I saw the spread you did in the Olympics.
It was fantastic.
- Thanks.
Hey, Reno, if you wanna get a a single shot out,
we really gotta get going.
- Yeah, yeah, baby, we're going.
Paige, why don't you come with us?
You and Alex can race.
It'll give us some great shots for his press kit.
- I don't know, Dad, racing?
I just assume stand out here and look sexy.
- Where is your competitive spirit, young fella?
- It's out to lunch, old fella.
So, do you wanna do this?
- Uh, yeah, sure.
I'm up for it.
- All right, let's go.
- [Paige] Okay.
- I think you may have picked
the wrong career for your son.
- He's 19, pain in the neck,
but he's a brilliant skier.
He'll go far.
- Yeah, far away from you as possible.
- Monique, that's not nice.
- Could I ask a favor?
Would you take a picture of my wife and me?
- Sure. I'd love to.
- It's our 50th wedding anniversary today.
We met right here at the old lodge.
Of course, then it wasn't as fancy as this.
- Here, why don't you stand over there.
Okay.
Let me see.
Okay, are you ready?
Why don't you give each other a little kiss?
All right, very good.
(dramatic music)
- Well, fellas, now that you're here,
I've gotta talk to you about this building.
I am not a happy man.
I'm ecstatic.
You did a heck of a job.
To Michael Cooper, a great designer.
You were right and I was wrong
about limiting the extra...
What'd you call it?
- Fenestration.
Just the windows.
- The art deco work in the elevator is brilliant.
I love this fireplace.
- [Michael] Good.
- To Danny Peterson,
the man who gets it done.
You're a great team.
- It's always great to work for a guy
who knows what he wants
and has the money to pay for it, Brad.
It's our pleasure.
- I don't know how you do it, Dan.
I mean, I have never had a building
go with so few problems from downtown.
I gotta hand it to you,
you're a miracle worker.
- I was actually wondering the same thing myself.
- Hey, you're the talent.
I'm the grease.
Like he said, we're a team.
Cheers.
(glasses clinking)
(dramatic music)
(radio chattering)
- Have you lost your mind?
- Look, AJ, don't start.
I'm just doing my job.
- Come on, you gotta let me do mine.
The south slope is under 32 inches of fresh snow
on a 10 foot ice pack.
That's literally hundreds of tons of snow
sitting on an ice skating rink
at a 30 degree downward angle.
You know what that means, right?
- Yeah, spare me a lecture, okay?
Finley wants the slopes open.
I open the slopes.
- Then somebody should tell Mr. Finley
about a shelf of snow up there
10 times the size of the Titanic.
And if I'm not allowed
to take care of it right now,
it's gonna come crashing down the mountain
at 90 miles an hour.
You want to take responsibility for that?
- I mean, when's the last time that happened?
- It happens all the time.
Just this last December in Lucerne, France
and a lot of people died.
- Well, this isn't France.
It's too late anyway.
You know, the slopes are open.
We'll deal with it after we close tonight.
- I am not gonna wait until we-
- End the discussion, AJ.
Okay, it's Finley's call.
You'll do what you're told.
- Copy? - Copy that.
- Fine, fine.
- I'm gonna fax a report
over to the sheriff's office.
If anything happens, it'll be on your head.
- Well, the sheriff's not in his office.
I saw him on a lift about a half hour ago.
- Yeah?
Well, great.
Maybe after he's killed,
you can run for his office.
(radio chattering)
- They're gonna come down through the part,
over that jump,
there's your shot.
- Reno, I assume that you hired me
because I know what I'm doing with a camera.
Don't tell me how to do my job.
- Yes, ma'am.
- [Announcer] To the Eagle's Nest.
Sam the ski dog will demonstrate safety.
- So, Emily, it is Emily, right?
- Mm-hmm.
- [Reno] So how long you been married to Michael?
- Six months.
- [Reno] Oh.
How's Paige doing?
- Sorry?
- You know, with her skiing.
I mean, she was a brilliant skier before her mom died.
You think she'll ever compete again?
- You'd have to ask Paige that.
- Yeah.
Such a tragedy, you know.
- Somewhat of a jerk, our friend Reno.
- Yeah, I'm getting a little tired
of hearing of what a saint my predecessor was.
So, seems you have a very exciting life.
Paige said you were at the Olympics.
Do you travel much?
- All the time.
- Does it get a little old?
I mean, living out of a hotel, airport, suitcase.
How do you stand it?
- "Spy Hunter."
- Spy what?
- "Spy Hunter."
It's a video game.
It's everywhere.
Hotels, airports.
That's how I stand it.
They ready?
- Oh, they're ready.
- All right, let's get this show on the road.
(dramatic music)
(ice cracking)
- Hey, is she your dad's girlfriend?
- Uh, no, no.
He likes those idiots.
- Yeah, well, at least he didn't marry one.
- You know, I really wish he would actually,
'cause then he'd get off my case.
(Alex grunts)
(exciting music)
- All right!
Whoo!
Whoo!
(camera shutter clicking)
Whoo!
Oh, good one!
Come on!
Yeah, whoo!
All right!
Okay, got it.
Okay.
Whoo!
Oh, good one.
Come on!
Yeah, whoo!
All right!
Okay, got it.
- Come on, Alex. Get tough!
- [Paige] Eat my dust.
Whoo!
- Come on!
- [Paige] All right!
- Yeah! - Whoo!
- That was great.
You smoked me out there.
Let me tell you something, Alex.
Champions always ski hard.
That's how they make winning a habit.
- You know what?
That's why some champions can barely walk, Dad.
Come on, you always tell-
(dramatic music)
- Can I bring you folks more champagne?
- Oh, here actually.
Thank you very much.
Coffee would be great.
- Oh, I see.
- Coffee for everyone, Claire.
And some of those little cake things.
- Petit fours.
Yes, sir.
- Is this your first?
- If I get much bigger, it'll be my last, believe me.
- Nice girl.
Married to the guy who does our avalanche control.
- You have avalanches?
- No, no.
They're more like controlled slides.
- Rogue avalanche in a resort like this,
nine times out of 10 it's just sheer negligence.
AJ Becker is our insurance policy
and he is good.
(chuckles) Lord knows I pay him enough.
- Sherry, can you get water to table eight?
Thank you.
- Hey.
- [Claire] Hey.
- How are my girls doing?
- It's a boy.
I know it's a boy.
Hey, hun. - Hey.
- [Claire] I thought you were up on south this afternoon.
- When do you get outta here?
- About three, unless I get slammed.
Why? What's going on?
- Nothing.
Can you leave now or soon at least?
Tell him you don't feel good or I don't know.
I'd rather have you at home today.
- Hon, I got old man Finley at my table.
If I leave now, I'll get fired.
Is something the matter?
(soft music)
- Don't lose this.
(beacon beeps)
I'm gonna meet you in the parking lot
at two minutes after 3:00.
So don't, you know,
take another shift and no hanging out,
talking to the girls after work, okay?
You promise?
- Yeah.
What's the matter?
- I love you.
I'm gonna head up the mountain again
and I'll be back before 3:00.
- [Boss] Claire! Hot food, let's go!
- Yeah, I'll be right there.
- How do you like my hotel?
- Lovely.
- What do you think of this room, huh?
The Eagle's Nest.
Great image.
Right out of your husband's imagination.
- Actually, this was Emily's idea.
You know, she bid on this project too.
- Is that right? Huh.
I should have hired you.
You're a lot better looking than these two bums.
- Well, my father is brilliant, Mr. Finley.
You're lucky to get him.
Dad, I'm gonna go back to the room, okay?
- Yeah.
- Oh, I'm sorry.
What is all this?
- Bureaucracy run amuck.
- That, my dear girls, is the final inspection papers
and certificate of occupancy.
Worth their weight in gold
'cause you can't run a new hotel without 'em.
I appreciate you dropping them by Danny.
- But you've already been open a week.
How did that-
- Coffee and dessert. - Wow, those are great.
- Oh, perfect timing.
(dramatic music)
(dramatic music continues)
(upbeat pop music)
- Paige.
Paige.
Paige.
Look, we have to talk.
- Yeah, well, I'd rather not.
Thanks.
- Excuse me.
Don't you think it's time
that you accept the fact
that your father and I are married?
Maybe you don't like it.
Maybe you don't like me.
I know that you don't like me,
but I am trying very hard to make this work.
I would appreciate a little effort on your part.
- Okay, I, I, I, I.
You know, it's always about you, isn't it?
Look, you may have managed to hook my dad,
but you're not gonna hook me.
So why don't you just back off
and stay out of my face?
- Don't do that, Paige.
Don't, don't you see how miserable
you're making your father?
Don't you see what's happening?
Can't you think of anybody but yourself?
- What I think is none of your business,
and neither is anything that goes on
between me and my dad.
So why don't you just butt out?
(upbeat pop music)
- Hey, how you doing? - Hi!
- Good to see you. - You too.
(knocking on door)
- Danny. - Please.
- So how how'd we do?
- Could have been a little sticky
when Paige went for those documents,
but you handled it perfectly as usual.
- It's all there.
A hundred K.
50 for your friends downtown and 50 for you.
You saved me a lot of money, Danny.
I'm grateful to you.
So what are you gonna do with all this?
- Oh, it'll get spent.
(tense music)
So, I never asked you.
You have a family?
- No. No, I don't.
I like to travel light.
- Hmm, that's a shame.
A man should have a family.
Keeps him honest.
(Danny chuckles)
(dramatic music)
(snow crashing)
- Look at me! (children laughing)
(upbeat pop music)
- Emily! - In here.
- Well, did you enjoy that lunch
with a bunch of wind bags full of baloney?
They pay the bills. Remember that.
As you get older, that becomes very important.
Hey. - Hi, honey.
What was all that about the final inspection papers?
- Oh, I guess Danny had just forgotten 'em.
That's all.
- What do you mean that's all?
That means Finley was in violation.
- Hey, Dad, are we gonna go in town
and get your skis or not?
- Oh right, the skis.
I almost forgot about that.
Well, we'll all go.
All right, we'll get the skis
and maybe find a nice place for dinner tonight.
- Great, you know, maybe we see
"As You Like" at at the theater.
They might have tickets available.
- Shakespeare, yeah.
That's boring.
- Oh, come on.
You made a great Peaseblossom in fourth grade.
I think little culture might do you good, young lady.
- Okay, you know what?
I don't wanna go to the stupid play.
I mean, I don't know, Emily.
Maybe you should just do us all a favor
and go by yourself.
- Paige.
Hey.
- Forget it, Michael.
(door slams)
- So, have you had another fight?
- Yes.
- She misses her mom.
(soft music)
It's gonna take her a while.
- Well, apparently she's not the only one.
- Diana's gone and I've accepted that.
It's gonna take a little long for Paige.
Hey, Mrs. Cooper.
I love you.
- I know.
I'm sorry.
I will really try,
but you have to talk to her.
I am tired of playing the heavy.
It's getting old.
And she'll listen to you.
She'll argue, but she'll listen to you.
- No one listens to me, do they?
I'll talk to her.
I don't wanna talk to her right now.
Let her cool down a bit, okay?
- Okay.
- So, go into town and get the skis
and we'll talk about dinner when I get back.
Okay?
(soft music continues)
- [Announcer] Attention skiers,
we've got record attendance today.
Don't forget to join us for lunchtime
at the bases superstars
13th snowboard spring fling barbecue.
(wind whistling)
- Heels, go. - Heels here. You're gone.
(radio chattering)
- What are you still doing here?
Give it a rest.
(snow crashing)
(cup rattling)
(dramatic music)
(dramatic music continues)
- Radio the lifts.
Karl!
Ski patrol to lifts.
Avalanche! Clear the slopes!
Stop the lifts
and get everybody out of the lodge now!
(dramatic music continues)
- [Announcer] Attention, please.
This is not a drill.
You must clear the slopes.
Clear the slopes immediately.
I repeat, this is not a drill.
Clear the slopes immediately.
- It's safer in the trees.
- I'm heading for the lodge.
(dramatic music continues)
(dramatic music continues)
(AJ grunts)
(snowmobile engine sputters)
(skiers screaming)
- Run, run!
Hurry up!
Go, go! - I can't!
(skiers screaming)
(skiers screaming)
(wires snapping)
(dramatic music continues)
(tires squeal)
(guests screaming)
(horn honks)
(dramatic music continues)
(Paige screams)
(glass shattering)
- Watch out!
(Claire screams)
(Claire screams)
(guests screaming)
(horn honks)
(dramatic music continues)
(horn honks)
- Come on, move, move, move!
(horn honks)
(tires squealing)
Out of the way!
(horns honking)
(tense music)
(building creaking)
- Paige.
Paige, are you okay?
- No, I guess.
Was it, was it an earthquake?
- No, it was an avalanche.
We gotta get out of here.
- What about Dad?
- Well, the backup systems are working.
He'll find us. Come on, we gotta go.
- No, no. - Come on!
- [Paige] I'm waiting for Dad.
- No, we gotta get moving, Paige.
- You can't make me.
I am staying here until my dad gets back.
- Paige, you're gonna freeze!
Let's go! - I don't care.
I'll build a fire or something.
(snow cracking) (Paige screams)
- We won't be here. Come on!
- Well, will you call? - I'm trying!
(dramatic music continues)
- Hurry up! - Did you notify the police?
- [Guest] Get the fire department or something!
Can you see anything? - Nothing!
- Paige, Emily!
(dramatic music continues)
- [Guest] Can you hear anything?
(wind whistling)
- Sweetheart, sweetheart, can you hear me?
Can you hear me?
Come on. Come on.
Okay.
(skier coughing)
There we go.
AJ to Karl.
AJ to Karl.
- Yeah, go for Karl.
What's your 20?
- I'm halfway down the mountain.
We need help up here.
- Look, I'll do the best I can.
We're overwhelmed down here.
- [AJ] The lodge.
What happened to the lodge?
- It's buried.
(soft music)
- Have you seen Claire?
- [Karl] Negative.
I'll keep an eye out for her.
- Copy. Out.
(beacon beeping)
(dramatic music)
- Paige, you gotta help me open this.
Snap out of it and help me!
If we get through, he'll find us.
Help me now!
It's stuck.
I gotta undo the screws.
We need a screwdriver or something.
- Emily, hurry!
- Your CD!
Where is it? Where is it?
Here.
- Emily, hurry!
- I'm trying.
- Hurry!
- I'm doing it as fast as I can.
It's working.
Come on, help me pull. - Okay.
- Pull now!
(both grunting)
Quick!
No, go, Paige, go!
Go! - Emily!
(suspenseful music)
(metal creaking)
What, what is happening?
- Go, Paige, go!
Go!
(metal crashing)
- Emily, we can't get out this way.
- Move! - We can't get out!
- Just keep going!
Kick it! We've gotta get out!
(Emily and Paige screaming)
- Paige?
Wow, that was a hell of an entrance.
- Mr. Riley. - Are you okay?
- Oh, I'm fine, I'm fine.
Are you okay?
- Yeah.
You know, I fell when that thing hit, but.
- But can you walk?
Well, I made it this far, honey.
- Did you know that your lip is bleeding?
- Oh, it's this darned avalanche.
- Okay, where's Monique?
- Yeah, Dad, where is Monique?
She's missing a real Kodak moment here.
- [Reno] Don't you ever stop?
- [Alex] Actually, Paige, I'm just kidding.
Last time we saw her, she was outside.
- Okay.
This hallway should take us
to the outside of the building.
There should be a fire escape.
- Yeah, but you can't count on getting out of there.
- You got a better idea?
- I think I do.
I think that we should go this way.
- You gotta be kidding.
- Look, we're in the east side of the building.
Our room is just above here.
We couldn't get out into the hallway
because it was blocked.
I think that we should go west.
- And what makes you think
the west side of the building's any better?
- Well, I don't know that it's safer,
but I know the layout of the lodge.
I mean, I helped Michael with the plans.
- I wouldn't tell too many people that if I were you.
- Hey, it's not my dad's fault
that there was an avalanche, okay?
- Look, the west side of the building
contains most of the public areas.
I mean, it's got the lobby, the restaurants.
It's all 12 by 12 exposed beams.
If anything's still standing,
I know it's gotta be there.
- I'm listening.
- I was thinking about the fireplace in the Eagle's Nest.
It's got a chimney flue
that extends 15 feet above the roof line.
If we can't get out any other way,
I think we can get up the chimney
and it should take us to the surface.
- I bet you still believe in the Easter Bunny, don't you?
- Without knowing what's...
You know, you guys should do what you think is right,
'cause we're gonna go to the Eagle's Nest.
Come on, Paige.
- No, I'm not going anywhere with you.
- Paige, not now.
Let's go.
- Now wait a minute.
We're not splitting up.
And I'm not just gonna stand here
and watch two women wonder around.
- Isn't that so sweet?
Chivalry lives on.
- All right, I'm going with Mr. Riley.
- Do I get to vote?
- You didn't register to vote, remember?
So no, you don't get to vote.
You come with us.
Come on.
(sirens wailing) (dramatic music)
- [Police Officer] Dispatch, this is unit six.
We're gonna need aerial backup here right away.
(police radio chattering) (people chattering)
- I don't know how many people we got in there,
or what the state of their injuries is,
but when we find that out,
I wanna make sure that we have the resources
that we can bring to bear to get those people out,
get them out safely,
and get 'em the kind of treatment
they need to have.
- Brad.
- Help!
Can anybody hear me?
Somebody please help me!
Hello?
(tense music) (electricity crackling)
Can anybody hear me?
Hello?
Oh, thank God.
Look, I'm trapped under here.
If you just lift it up I think I can get out.
Please, I'm pregnant.
Where are you going?
Don't go!
Please don't go!
Help me!
(Claire crying)
- [Dispatch] Go ahead. I copy.
- [Police Officer] We have people inside a green SUV
that's under about 10 feet of snow.
We'll need shovels and some help.
- Who's in charge here?
- That guy over there.
He's the operations supervisor.
- Listen, I can handle this.
We're getting plenty of help from town.
Yeah, okay.
- My name's Michael Cooper.
I designed and built this lodge.
- Oh, you designed and built this?
- I know the layout forwards and backwards.
I just need to know if there's anything
that I can do to help.
- Look, don't you think you've done enough already?
- I want you to know that I have the blueprints.
I can find anything you need to know about-
- Look, you wanna help? Dig.
All right, AJ, what's your 20?
AJ, what's your 20?
- I'm headed up the mountain.
- Listen, get back down here.
- Karl, I don't think this is over.
- [Karl] Say again.
- I need to inspect the peak.
- Listen, forget about the peak.
Get back down here.
That's an order.
- [AJ] I'm going up there. Karl.
- AJ, listen.
Don't do this, AJ.
AJ.
AJ.
(tense music)
(safe beeping)
(electricity crackling)
(building creaking)
- Paige, I have a bad feeling about this.
- Oh, get over it.
- Whose idea was this anyways, Dad?
(Paige screams)
(all screaming)
- You almost killed us.
- Me?
- Yeah, I told you we should've gone
the other way. - You and your husband
designed this rat trap. - Oh, please.
(light tapping)
- Hey, I hear something.
- It's just the pipes cooling, Alex.
- No, it's not. That is SOS.
- [Reno] What?
- It's SOS in morse code.
Can't you guys hear that?
(Alex grunting)
- What are they saying?
- Three adults, 16 kids trapped.
- That's the daycare center in the basement.
There's no way to get to them.
Look, we'll send the rescue team when we get out.
Tell 'em help is on the way.
- Okay. - Come on. Tell them!
- Okay, okay. - Don't shout at him.
- Okay, okay.
(light tapping)
- Okay, let's go.
Come on. - No, no, no.
Mr. Riley can barely even walk.
- He doesn't have to walk.
We're gonna crawl.
- Crawl.
That's what I need.
(dramatic music)
- We have to go left.
Everybody stay close.
Be careful.
(all grunting)
- [Alex] It feels like Alice in Wonderland, huh?
- Yeah, I guess.
- Hey, you were really good out there today
when we raced.
- Thanks.
- No, I mean it, Paige.
You beat me.
Why don't you compete anymore?
- I lost interest.
(soft music)
- Is it because of your mom?
You know, you have real talent.
She wouldn't want you to waste that.
- Yeah, well, you have real talent too.
Why are you wasting yours?
- I don't have the heart.
Your mom said you gotta have the heart
to go all the way.
She used to say that you have it.
- She said that?
- Like every 10 minutes.
And my dad,
he doesn't care about heart.
All he cares about getting his own way.
- Your dad got the gold, Alex.
- He was good.
But we have like this personality conflict.
Like he has no personality.
- Yeah, well, I wish he coached me.
- Yeah, I wish he would coach you too.
You'd get him off my back.
(dramatic music)
(electricity crackling)
(Reno grunting)
- [Monique] Who is it? Is somebody there?
- Monique.
- Reno!
Help me. I can't move.
- I'm coming. - Oh, be careful.
Watch out for the- (electricity crackling)
- Dad! Dad! (Reno grunting)
Are you okay?
You okay? Watch your leg. - Monique, what are you
doing in here?
We thought you were outside.
- I came to play "Spy Hunter."
(electricity crackles)
- Is this your idea of a safer way?
- Monique, are you hurt?
- I burned my hand.
I can't move because of the wires.
- I'm gonna get to the breaker panel.
I'm gonna drop the power.
- No, don't try that.
(suspenseful music)
- [Emily] Here I go.
- [Alex] Emily, there's one right by your head.
(electricity crackling)
Be careful, Emily.
- [Reno] Watch out for that.
(electricity crackling)
(Emily gasps)
- Be careful. - Watch out, Emily.
Watch it.
There you go. There you go.
(electricity crackling)
Okay, okay, okay.
(suspenseful music intensifies)
(electricity crackling)
(electricity crackling)
(Emily chuckles)
- Go ahead, Charlie.
Keep going. Keep moving.
Charlie, listen.
Take it right up to the pack.
That pack will support your weight.
Go, Charlie.
- You can't put that equipment up there.
It won't support it.
- Hey, it's our only shot.
Charlie, go. - Listen to me.
Your only shot is to to dig some sort of a tunnel
to safely get to these people.
- [Karl] We've got no time.
- You've got a lot more time
than putting that Cat up there
and having to collapse the pack.
- Get out of my face.
- Stop!
Stop, stop!
Listen to me!
We have to work together and dig a tunnel.
- While you're grandstanding, people are dying.
Get out of the way.
- My wife and daughter are down below.
Do you think I'd put them in any more risk?
- Karl, I gotta talk to you.
- Not now, AJ.
- Karl, listen!
I think the summit cap is gonna go.
- Keep your voice down.
- This was only a partial separation
and not the biggest part.
The rest of the snow cap
is just hanging up on the crest.
When it warms up, it'll go.
- How long have we got?
- The summit's at 31 degrees.
I think the trigger layer
will let loose at about 45.
We've got an hour and a half at the most.
- We have got to dig a tunnel now!
- What's a run out?
- It's twice the mass and nothing to stop it.
It'll cover the parking lot.
(dramatic music)
- Get him out of here.
Charlie, go! - This won't work.
This will not work!
Listen to me please!
I'm telling you!
Listen to me!
You gotta listen to me, please!
Listen to me, he's gonna get people killed.
He's not thinking straight.
- My wife is in there.
- Well, so is mine.
I just have to find out exactly where.
I gave Claire a beacon this morning.
- A beacon?
A locator beacon.
You knew there was gonna be a slide.
You knew!
- I wasn't sure.
You can never be sure.
But Finley wanted the slopes open.
- He wanted the lodge open too.
This beacon may come in handy.
There's a better way to do this though.
I'm gonna need your help.
- You got it.
- [Michael] Come on.
- I love vending machines.
- [Emily] How's your leg?
- [Alex] Here you go, Dad.
- Ah, it's not good.
I think I'm gonna wait here
for the rescue or something.
They must have made some progress.
After all, we've lasted this long, right?
- I think that we should keep going, you guys.
I'm not sure this air is good.
- I'm tired.
- Me too and I'm cold.
- So what's your point, Emily?
- My point is, I'm not sure it's safe here.
- Oh, come on.
You're the one who said the public areas were safe.
- Don't you guys wonder why it's getting colder,
we're getting weaker,
it's getting more difficult to breathe?
- Because we're all exhausted.
If you have something to say, Emily, just say it.
- Look, the generators, the power,
the backup lights run on diesel fuel.
If the vents are blocked by snow or debris,
then there could be a buildup of carbon monoxide.
If we stay here,
we can run out of breathable air.
- If, could, maybe.
It's all hypothetical.
I mean, right now we're safe,
we're eating,
and you're being dramatic.
- But what if she's right?
(tense music)
I think we should go with her.
- Be careful of these pipes.
- Come on, sweet cakes.
What's the hold up?
What?
Jeez.
You don't like me much do you?
- If I didn't like you, I wouldn't help you.
- Oh, come on.
We've known each other for nearly a year.
You won't even have dinner with me.
- Because you're an emotional loser.
Ever since your wife left you,
you've been afraid to commit.
And I suspect that that's why
she left in the first place.
Maybe you've been afraid all along.
- Well, maybe.
But you do like me.
So there's still hope, right?
- A little, but it's fading fast.
You know you are a cave man.
You treat women like meat.
- (laughs) Come on.
- I would like you a lot better
if you'd just show a little respect.
- Well, if we get out of this,
would you please do me the honor
of going to dinner with me?
- Hmm.
I'll think about it.
(Reno sighs)
(Reno laughs)
(dramatic music) (people chattering)
- We have to start by building a tunnel.
- Yeah. - It's gotta be
well supported.
We need manpower though.
- [AJ] We'll get it from town.
They'll be happy to come up.
(snow crashing)
- It's coming down!
Everybody move! Go, go!
- Hurry, go! - I'm going.
- Go this way. Be careful.
Come on, out, go!
Everybody out, come on!
Come on!
(building crashing)
- What was that?
- [Emily] Is everybody okay?
- We're not gonna get outta here.
- So what, we're just stuck in here?
- We're not stuck.
We're gonna get out.
- Oh, we're not stuck.
We're gonna get out.
It's either Emily, the eternal optimist
or Emily, the eternal pessimist.
Which one is it?
We're either all gonna live
or we're all gonna die of carbon monoxide poisoning.
Pick one, okay,
'cause you're really starting to annoy me.
- You know, I don't know what's going on here.
You've been riding me and everybody else.
Now you've got a better idea,
fine, you go for it.
If you don't, if you don't, you stop complaining
and you start helping, you understand?
- Hey, lay off.
Don't be talking to her like that.
- Thank you.
- Who does she thinks she is anyway?
Her husband's responsible for this whole disaster.
- Folks, everybody, please,
please stop what you're doing.
I need your attention.
Everyone please gather around here if you would.
I know we're in a desperate situation,
but I have an idea that might take-
- You were right, okay?
What do you want, an apology?
- We're starting a tunnel, Mr. Clark.
- No, you're not.
I'm shutting this operation down.
I talked to Colonel Madeiros.
The National Guard will be here in a couple of hours.
- In two hours, they'll be welcome.
Until then, we're starting a tunnel.
Now I need timber for bracing.
I also need cable for lighting a generator.
If you got any picks, shovels, axes,
anything you can find for digging purposes.
Heavy equipment, a backhoe.
All of the manpower we can find.
- No!
We wait for the Guard.
- The guard's gonna take two hours.
My god, man, that won't do us any good.
People are trapped down below
and you're nursing your bruised ego.
Would you help me?
(dramatic music)
Now, I know that some of you have
family and friends trapped down below.
My wife and daughter are down there.
So time is of the utmost importance.
Most of you know what I wanna do.
I wanna dig directly into the middle of that pack.
If we work together,
that means the faster we get people out.
AJ.
- Let's do it. I'm with him. - Take my shovel, here.
(people chattering)
- Here.
- We're all gonna die, aren't we?
- You have to stop saying that, Paige.
Look, we're gonna get out of here.
Let me help you, okay?
- You can't help me.
- Look, Paige, I know that you don't like me
and I'm sorry,
but this can't be about me.
It's gotta be about you.
You have got to find the strength to hang in.
Do you understand that?
(soft music)
- It's just so unfair.
You know, I miss her so much.
- I know you do.
(Paige sniffles)
What would she say if she were here?
- Mom would say that,
that you gotta have the heart to go all the way.
- And that's what we're gonna have.
- [Alex] Hey.
What do you think?
(Alex laughs)
- That we can use.
Good work, Alex.
That's great.
- Thanks.
- Okay, here we go. - Yes.
- What are you doing?
- Building a fire.
- [Emily] You can't do that.
- What are you? Smokey the Bear?
- Are you crazy?
There is no ventilation in here.
This place will fill with smoke.
- Listen, I've just about had it with you,
Mrs. Know-it-all.
What does it matter where we go or what we do?
This fine piece of architecture
your old man came up with is gonna kill us all anyway.
- No, it won't.
(dramatic music)
- All right, here's where we started digging.
We need to tunnel directly into the Eagle's Nest right here.
This is the strongest part of the building.
Anybody who survived
was definitely in there when this thing hit.
- That's where my wife works.
- Well, that's good news for you.
We need to keep that locator beacon signal alive too,
to make sure that we keep on course.
Okay from...
From here we need to access the rest of the lodge
from these different points
starting here, here, and here.
It's our only shot.
- Well we haven't got much time.
That crest isn't gonna hold up there forever.
- Let's move.
(dramatic music fades)
- Can I give you a hand?
I wanted to,
I wanna say sorry about what I said earlier.
- No, don't worry about it.
We're all a little tense.
- I'm just not used to women who are, who are-
- Strong?
- I was gonna say impossible.
(Emily chuckles)
- So did your wife raise Alex?
- Alex's mom left us when he was five
and I raised him myself.
- You did a good job.
He's a nice kid.
- He's a flake,
but he's a nice flake.
Pretty soon he'll be leaving the house
and I'll have my life back.
I'll miss him.
- Tell me, uh, tell me about Diana.
- Paige's mom?
What do you wanna know?
- I don't know. What was she like?
- Outgoing, adventurous.
Diana and Paige were never apart.
If they weren't skiing,
they were kayaking or rock climbing
or mountain biking.
You know, some people thought it was unhealthy,
you know, the way she pushed Paige.
I understood it, you know.
I mean, when you're good,
you want your kid to be good.
And I've been the same way with Alex.
Maybe that's, maybe that was wrong.
- At least it's a way to communicate.
- You know, Emily,
you're never gonna top Diana.
Not to Paige.
- I don't wanna top her.
I just wanna get through to Paige.
(soft music)
(Paige and Alex chattering)
It looks like somebody already has.
- You know, this is ironic.
That's my word for the week.
Ironic.
Having an intended meaning conveyed obliquely.
It's pretty cool, huh?
- So what's ironic?
- Maybe it's the wrong word.
It's just that I've always wanted a new mom,
but Dad won't hear it.
You've got a new mom,
but you don't want one.
- Yeah, well she's not my real mom.
- Yeah, but she's still pretty awesome.
Is your dad happy?
- Yeah.
Yeah, I think he is.
- Yeah.
- Hello?
(electricity crackling) (tense music)
(Claire crying)
(beacon beeping)
- I can't see anything.
I need that flashlight.
(ominous music)
- [Reno] Come on, Emily, why are you stopping?
What is it?
- It's bad.
Be careful, you guys.
- [Reno] Oh no.
(Paige screams)
- You still wanna light that fire?
- Alex, give me the ax.
It's right there.
Come on.
Let's get out of here.
(all grunting)
- That's right, folks. Right here.
This is the area we're concentrating on.
The key is working together.
- You guys, I found it, the elevators.
Come over here.
(Emily gasps) - Hey, sorry about that.
Are you okay?
- Hey, Danny. - Hey.
- Hey, have you seen Dad?
- I thought he was with you.
- No, he went to town.
Where were you?
- In the Eagle's Nest.
- [Emily] You mean it's holding up?
- Perfect.
A lot better than the rest of the lodge.
I have never seen a building go down like this.
It's like somebody stepped on it.
- Yeah, if you'd built it to code,
maybe it would've performed better.
- What are you talking about?
I mean, nothing could've survived that avalanche.
- My husband designed a building
that you didn't build, Danny.
I know his plans didn't call for you using toothpicks.
- So what are you saying?
Who is this guy?
- This is the construction supervisor for this project.
It was his job to make sure
my husband's plans were followed.
- So?
- So they weren't.
- Of course they were.
You're implying I didn't do my job.
- I'm not implying anything.
I'm saying it flat out.
Danny, you cut some major corners.
- I've been coordinating construction
for Michael's designs for years.
We have always followed code.
You wanna accuse me of negligence?
I suggest you take that up with my lawyer.
- I plan to.
- Could we save the lawyer's stuff 'til later?
How'd you get down here?
- The stairs, but they're history.
Something crashed down from above,
completely destroyed the stairwell.
So how do we get to the Eagles Nest?
- You don't.
(dramatic music)
- The elevator shaft.
- Oh, jeez.
Look at that. It's frozen.
- Looks like we climb.
(all chattering)
- [Emily] Reno, now be careful.
(Reno grunting)
- [Reno] I don't think I can make it.
My knee's blown.
- We're gonna have to get some kind of rope.
- [Michael] Good.
We have to stay focused right in here.
(dramatic music)
Stick with it.
(snow crackling)
- [Danny] Reno can't make it.
We're gonna have to hoist him up.
- It's quite a climb for anybody.
I'm staying with you.
- No, you're not.
- Don't tell me what to do.
- I just assume find another way.
- There is no other way.
- [Emily] This is all we could find.
- Yeah, you know, maybe if you let us check those
chests back there. - We don't have time, okay?
That's what we have to do.
- If you saw a storage chest- - Reno cannot climb the shaft.
All right, he cannot go.
(all chattering)
- Stop it!
All of you!
I know this isn't gonna be easy,
but we are all going up there as a team,
working together.
Does everyone understand that concept?
- Alex, would you check those knots?
Make sure they're tight.
- Dad, I got my Boy Scout merit badge for knots.
Where else do you think I learned morse code?
- Great.
I can do this.
- I don't want you to go first.
- I climbed Devil's Peak when I was 10 years old, Emily.
I think that I can manage an elevator shaft.
(dramatic music)
- All right, be careful, Paige.
- Hey, I'm always careful.
That's why I'm good.
(suspenseful music)
Okay.
(wires snapping)
(Paige screams)
- Paige.
- I'm okay.
(suspenseful music continues)
I can do this.
I can do this. - You're almost there.
- What is that smell?
- It's propane.
(gas hissing)
Looks like there's a crack in the pipe.
Be careful!
- [Paige] I'm fine!
- Look out!
Be careful.
- All right.
Way to go, Paige.
(tense music)
- All right, here it comes.
- All right, Danny, you're the strongest.
You go up first.
Make sure you go and tie this off tight.
It's gotta carry Reno's weight.
You understand?
- Easy for you to say.
(Danny grunting) (tense music continues)
(fabric ripping)
- Pull this off me. - Yeah.
What are you lugging this thing around for?
- It's a survival kit.
- I don't know if I can do this.
- You can do it. Come on.
You can do it.
(tense music continues)
- [Reno] You can do it, Monique.
Come on, sweetheart.
(fabric ripping)
- Grab my arm. - Come on.
(Paige grunts)
(Monique panting)
- I made it.
(Monique and Paige laugh)
(gas hissing)
- So Alex, you know what to do, right?
- Yeah, yeah.
We tie one end of this rope around Dad's foot.
We're gonna throw him out
over with his arms- - Alex, you know what?
Knock it off. It's not the time, okay?
- Come on. - All right.
See you up there. - You ready? Here we go.
- Be careful. - Okay, there you go.
(tense music)
Are you okay? - Yeah.
(fabric ripping)
- Be careful.
(Emily grunting)
- There you go.
Your foot goes right there.
You all right? - Yeah.
- Try to swing your leg up and over there.
- Come on, come on.
(all grunting)
- Look out.
- Thanks.
- All right.
- Wrap it around.
- Thanks, buddy.
Take up the slack.
- Everybody ready? - Yeah.
- Let's do it. Come on. - Okay.
(Reno grunts)
(Emily grunting)
Come on, Reno! - Here we go, tough guy.
- Come on, Reno. - You got it.
Come on.
(gas hissing)
(all grunting)
Come on, you can do it. - Come on.
- Good, Reno. - You gotta get him.
You gotta get Alex.
The gas is getting stronger.
- Coming up.
(Alex laughs)
(tense music continues)
Woo-hoo!
- Alex, stop goofing off.
(fabric ripping)
(Alex grunting)
(fabric ripping)
(Alex screams)
Alex!
(Emily grunting)
(all grunting)
- Pull! Pull!
- [Reno] Come on, pull!
- [Paige] Quick! Pull his leg!
Get it out! Come on!
- (screams) Open the door!
- [Paige] Come on, get it off!
- [Reno] The elevator's coming down!
- Open the door!
- Undo his shoe! - Get my shoe off!
(Danny grunting)
- Push it!
Get his leg out!
(Alex screams)
Oh God.
Oh, Alex.
I got you, son.
I got you.
- Dad, Dad, I can't...
Would you let me breathe?
- Okay.
(building creaking)
(dramatic music)
(snow crashing)
- [Michael] AJ, what's your status?
- [AJ] I'm setting the charges now.
I figure if I plan 'em in a V pattern,
they'll divert the runoff to either side.
- [Michael] How long have we got until the next one hits?
- [AJ] Maybe a half hour at the most.
(charge beeping)
- [Emily] We need something to clean this.
- Oh, Alex, look at your leg.
- Monique, tear off some of that sheet.
Let's make a bandage.
- [Emily] Can you lift your ankle at all?
- You won't be skiing much.
(tense music)
- That's quite a survival kit you have there.
- Yeah.
(Michael grunting)
- [AJ] What's the matter?
- I hit a solid wall of ice.
- I can take care of that.
- Let me do it.
- [Monique] I think I got it. Ready?
One, two, three.
(Paige and Monique grunt)
- All right, shoe is definitely gone.
- I'm not buying it, Danny.
- Yeah, I don't buy it either.
Looks like you ripped off a hotel safe.
- I'm telling you,
some of our subs will only take cash.
I was going into town to pay them off
when the avalanche hit.
- Sure you were.
- You can't believe I stole this.
- Oh, no.
I think you earned it.
I think it was a payoff.
- What?
You're out of your mind.
- When you showed those
certificates of occupancy this morning,
I knew something wasn't right, Danny.
I just couldn't figure it out.
But you know what?
Now it all makes sense.
There is no way the inspectors
would approve this kind of work
unless you'd paid them off.
(Reno laughs)
- You can't prove that.
- Yeah.
Maybe I can't.
My guess is that Finley took a few shortcuts
and you helped him.
You paid off the local officials,
and then you went and signed the approvals
for Cooper Peterson.
What's Michael gonna think about all this cash?
Or weren't you planning on sharing it with him?
- Emily, Dad would never do something like that.
- I know he wouldn't.
I just wanna hear Danny say it.
- Don't you threaten me with Michael.
I gave my life to him.
We started this company with nothing
and we'd still have nothing if it wasn't for me.
I've been with him since day one.
I helped Paige when she was three hours old.
I stood with them both when Diana died.
I've always stood by them
and what do I get for it?
Zip, nothing.
Because you waltzed in.
You took advantage of a man who lost a wife
and was trying to raise a daughter by himself,
and now half the company is yours
and Michael wants me out.
You think I don't know whose idea that was?
You don't deserve the company.
You deserve each other.
(tense music)
No!
(electricity sparks)
(Danny screams)
- Let's go.
It stinks in here.
- I'm sorry, Danny.
I didn't know that Michael had asked you to leave.
But how could you do this?
- I needed the money.
I didn't intend for people to die.
(dramatic music)
- Wait a minute.
Hey, don't do it!
- Danny!
No, it's not worth it!
Don't be a fool!
- The gas!
You gotta get outta there!
(dramatic music continues)
(gas hissing)
(explosion booming) (Danny screams)
(Emily screams)
(Emily and Reno grunting)
(charge beeping)
- That wasn't me.
- That came from inside.
We've run out of time.
We've gotta blow through that ice now.
(charges beeping)
- You all right, Emily?
- I'm gonna check the elevator.
- There's nothing to see.
Come on.
Let's get out of here.
Come on, come on.
Let's go.
Emily, Emily.
(somber music)
- Everybody move!
- [AJ] Get down. We're gonna blast the ice.
(dramatic music)
- Do it. We're clear.
- Fire in the hole.
(explosions booming)
(chainsaw buzzing)
- Okay, here we go. Come on. - We've got support!
- [Volunteer] Let's go!
(electricity crackling)
- Hey, hey, you guys.
There's somebody here.
- Hello there.
- Hello.
Hi, are you all right?
- I know them.
Hi.
- Hello there.
You know what, we're gonna get you out of here, okay?
- No.
My wife, she can't be moved.
- Hey, that's all right.
We're gonna carry her.
- No, no, please.
(soft music)
- We'll bring help, okay?
- There is one thing you could do.
Seems I'm always asking you favors.
It's a letter to our daughter.
We want to tell her
how much joy she's brought to us.
How much we love her. - That's right.
- I'm afraid we haven't told her that often enough.
- I promise I'll bring this to her.
Now you stay warm, okay?
We'll be back.
- All right.
Get out of my way.
Let me through there.
Move it.
Gentlemen, this dig is over.
Put down your picks and shovels and get out.
This site's been declared an official disaster area.
- Maybe you could grab a shovel and start digging.
We could use the help.
- Don't make me have these two cops here arrest you.
- I know you're just doing your job,
but I've been here before.
I lost my wife in an emergency situation.
Two cops held me back while she drowned in a river.
The paramedics were on their way,
but they got there too late.
Those last few minutes made all the difference.
No, I'm not gonna be there again.
My family's down there
and nobody's gonna tell me
that I'm not gonna try to dig them out.
- All right, you guys, come on.
Let's get out of here, come on.
Hurry up, come on.
(fire sizzling)
(all coughing)
- We gotta turn this gas off.
- I can do this.
- No, Alex, you can't.
It's too dangerous.
- No, he's okay.
Let him do it.
- Just tell me where the valve's at.
- You gotta go down the aisle.
Against the wall there are three valves.
I just want you to turn off the middle valve.
You understand?
- Alex, take these.
(Monique yells)
- [Emily] Here, Monique.
- They're hot.
- [Emily] You're okay.
- Go for it, son.
(dramatic music)
- I can't get to the valve.
Can someone help me?
- Yeah.
- No, Paige, no!
(Paige coughing)
- You okay?
- I found it.
- [Claire] Hello?
- There's somebody alive in there.
- Can anybody hear me?
- Where are you?
- I'm in the waiter station.
- Are you hurt?
- I don't think so.
I just can't move.
My baby.
I'm worried about my baby.
I haven't felt him move in a while.
Maybe he's just taking a nap.
- I'm gonna need to move this to get to her.
- [Alex] Okay, let me get this side of it here.
- Careful, Reno. - Oh my God. Ready?
Ready?
(Reno grunting)
(Paige screaming)
- Dad! Dad!
(dramatic music)
(beacon beeping)
- Mike.
- Where do you want us?
(building creaking)
- Help.
- Don't! It'll collapse more.
It'll collapse more!
- She's right. Stop.
- Listen, you guys have gotta find the fireplace
and start climbing.
- Stop talking.
- Listen, son,
you can't help me.
What you can do is get yourself outta here.
- Reno, you gotta hang in there.
We are so close.
- Just get going
and take him with you.
- Come on.
Okay, Paige.
We gotta go.
You guys too.
- I'm staying with my dad.
- No, you're not.
You're going with the others.
(somber music)
(Claire groans)
- Oh, he kicked.
He's all right.
(Emily and Claire laugh)
- That's great.
Okay.
Paige, how me find that fireplace, okay?
- You do what Emily says, okay?
I'm very proud of you, Alex.
You hear me?
Now get outta here, son.
- Hey.
When we get outta here, I'm taking you to dinner.
- I'll think about it.
(building creaking)
(dramatic music)
(dramatic music continues)
- The chimney's collapsed on itself.
Nobody's going up there.
- This is it?
This is it?
(Monique grunts)
- I thought if we got here, we'd get out.
(somber music)
After all I put you through,
I thought I was right.
I'm sorry.
I'm so sorry.
(Emily crying)
- Emily.
No, no, Emily.
Emily, please don't say that.
Look, Emily, if it weren't for you,
I mean, we'd all be dead.
Look, we've been through so much, Emily.
You just, you can't give up now, okay?
We need you.
I mean, you were with us the whole time.
No matter what.
Even when we were arguing
and even when we were so mean to you.
I mean, look, we're here.
We're all still alive right now,
and that is what is important, Emily.
It doesn't matter. None of this matters.
We will get out of here.
We'll find another way.
There's gotta be another way, just please.
Emily.
(chainsaw buzzing)
- Emily! Paige!
(triumphant music)
(dramatic music)
(snow crashing)
- My god.
Are you okay? - Yeah, I'm okay.
- Come on, we gotta get outta here.
Come here, baby, let's go.
(dramatic music continues)
- [AJ] Come on, sweetheart.
- My dad, he needs help.
- Where? - He's over here.
- Come on, this way.
(dramatic music continues)
- Go, go.
- [Paige] Dad, what are we doing?
- [Michael] AJ's gonna try to blast it away from the hotel.
- I've started them,
but I've never tried to stop one before.
What if it doesn't work?
- Just do it.
(explosions booming)
(ethereal music) (wind roaring)
- [Volunteer] They made it!
(people applauding) (triumphant music)
- I'll pick you up at 8:00.
Wear something nice.
- Oh no.
I'll pick you up at 8:00
and you wear something nice.
- Just be there, okay?
Hey, champ.
- I love you.
- I love you too, son.
(people chattering) (gentle music)
- [Reporter] Tell us what happened in there.
What was it like?
Are you hurt? Who got you out?
- Do you see that woman right over there?
That's Emily Cooper
and she got us out.
If it weren't for her, we'd all be dead.
- [Reporter] And who are you?
- I'm her daughter.
(uplifting music)
Dad?
- [Michael] Yeah, honey?
- [Paige] Emily and I were wondering.
- [Michael] Yes?
- [Paige] Well, for our next vacation,
could we please go to Hawaii?
(Michael laughs)
- [Michael] Sure.
(gentle uplifting music)
(gentle uplifting music continues)
(gentle uplifting music continues)
(gentle uplifting music continues)
(gentle uplifting music continues)
(gentle uplifting music continues)
(explosion booming)
(bright orchestral music)
(explosion bangs)
(explosion bangs)
(dramatic music)
(charge beeping)
(dramatic music continues)
(explosions banging)
(snow crashing)
(dramatic music continues)
- AJ to base.
- [Karl] Yeah, go ahead, this is base.
- North slope's cleared.
- [Karl] Yeah, that was quite a show.
- I'm gonna head over to the south slope.
There's a lot of new snow up there.
- Now listen, AJ,
why don't you check with me
before you start in the south, huh?
- Sure, Karl, whatever you say.
Out.
(soft rock music)
- [Announcer] Attention skiers.
Welcome to the Emmet Six mountain.
We apologize for the delay.
We're glad to report that all runs are now open
and all lifts are fully operational.
Enjoy your day.
- Emily!
Honey, I think the lift you're looking for
is over this way.
This one over here.
You all right with that? - Okay.
- Need some help? - I'm fine.
- You sure? - Yes, thank you very much.
So you done good, Mr. Architect.
The hotel is truly stunning.
- Well, thank you ma'am.
I did have a little help, don't forget.
So listen, this Finley wants to get together
for a bit of a celebration.
So after you're done bunny running
or whatever you plan on doing,
I want you and Paige to meet me
over at the Eagles Nest here, all right?
- That's assuming I'm still walking.
- [Michael] Paige will take it easy on you.
- I hope so.
- Dad, I thought you said you and I
were gonna go in town and pick up your skis.
- Yeah, yeah, I know.
But see, honey,
this guy Finley paid Dad
a lot of dough to build this place,
and I gotta have a drink with him, okay?
We'll get the skis later.
So good luck, bunny woman.
Take it easy on her, okay?
- Okay.
Well, you heard the man.
You can teach me to ski the bumps.
- They're called moguls.
- [Announcer] Attention, skiers.
32 inches of powder over the last three days
gives you 200 miles of the best skiing
we've seen all season.
Have a great day on the slopes.
- Now, come on. - You got it.
(tense music)
(snow crunching)
- AJ to base.
- Yep, go ahead.
- I'm on the top of the south slope.
It's pretty unstable.
You said to check in before I start.
- Well, AJ, there's been a change of plan.
I need you to come back to the office.
- What do you need me at the office for?
What the...
Karl, what's going on?
You can't open the lifts.
It's not safe.
- Look, come on down.
You're done for the day.
- [AJ] Karl, you can't do this.
Karl!
- Well, there's plenty of cute guys
to see me falling on my butt.
You know, look, Paige, if you'd rather not do this,
I'm fine calling it off.
(Paige sighs)
- Look, will you just put your skis on?
- Yes, ma'am.
Here, can you hold this for me?
(Emily laughs)
Can't even open them.
(Emily laughs) (Paige yelps)
- You said that you practiced this.
- That was on carpet.
(Emily laughs)
- Hey, need some help, ladies?
- Thank you. - Sure.
- Mr. Riley.
It's, it's Paige.
Do you remember me?
- Paige?
Paige Cooper?
What happened to you?
You're all grown up.
About your mom,
believe me, she is sorely missed on the circuit.
She was a fine person.
One of the best coaches we ever had.
- Thank you.
- Hey, hey, Alex, come here.
Look who's here.
You remember Paige?
Diana's daughter.
- Hey, how's it going?
- [Paige] Hi.
- Oh, and this is Monique White.
She's doing a photo shoot on Alex for "Ski" magazine.
Oh, Monique, this is Paige Cooper.
I've known this kid since before she could walk.
She could ski like an angel even then.
- And this is?
- It's Emily, my father's new wife.
I saw the spread you did in the Olympics.
It was fantastic.
- Thanks.
Hey, Reno, if you wanna get a a single shot out,
we really gotta get going.
- Yeah, yeah, baby, we're going.
Paige, why don't you come with us?
You and Alex can race.
It'll give us some great shots for his press kit.
- I don't know, Dad, racing?
I just assume stand out here and look sexy.
- Where is your competitive spirit, young fella?
- It's out to lunch, old fella.
So, do you wanna do this?
- Uh, yeah, sure.
I'm up for it.
- All right, let's go.
- [Paige] Okay.
- I think you may have picked
the wrong career for your son.
- He's 19, pain in the neck,
but he's a brilliant skier.
He'll go far.
- Yeah, far away from you as possible.
- Monique, that's not nice.
- Could I ask a favor?
Would you take a picture of my wife and me?
- Sure. I'd love to.
- It's our 50th wedding anniversary today.
We met right here at the old lodge.
Of course, then it wasn't as fancy as this.
- Here, why don't you stand over there.
Okay.
Let me see.
Okay, are you ready?
Why don't you give each other a little kiss?
All right, very good.
(dramatic music)
- Well, fellas, now that you're here,
I've gotta talk to you about this building.
I am not a happy man.
I'm ecstatic.
You did a heck of a job.
To Michael Cooper, a great designer.
You were right and I was wrong
about limiting the extra...
What'd you call it?
- Fenestration.
Just the windows.
- The art deco work in the elevator is brilliant.
I love this fireplace.
- [Michael] Good.
- To Danny Peterson,
the man who gets it done.
You're a great team.
- It's always great to work for a guy
who knows what he wants
and has the money to pay for it, Brad.
It's our pleasure.
- I don't know how you do it, Dan.
I mean, I have never had a building
go with so few problems from downtown.
I gotta hand it to you,
you're a miracle worker.
- I was actually wondering the same thing myself.
- Hey, you're the talent.
I'm the grease.
Like he said, we're a team.
Cheers.
(glasses clinking)
(dramatic music)
(radio chattering)
- Have you lost your mind?
- Look, AJ, don't start.
I'm just doing my job.
- Come on, you gotta let me do mine.
The south slope is under 32 inches of fresh snow
on a 10 foot ice pack.
That's literally hundreds of tons of snow
sitting on an ice skating rink
at a 30 degree downward angle.
You know what that means, right?
- Yeah, spare me a lecture, okay?
Finley wants the slopes open.
I open the slopes.
- Then somebody should tell Mr. Finley
about a shelf of snow up there
10 times the size of the Titanic.
And if I'm not allowed
to take care of it right now,
it's gonna come crashing down the mountain
at 90 miles an hour.
You want to take responsibility for that?
- I mean, when's the last time that happened?
- It happens all the time.
Just this last December in Lucerne, France
and a lot of people died.
- Well, this isn't France.
It's too late anyway.
You know, the slopes are open.
We'll deal with it after we close tonight.
- I am not gonna wait until we-
- End the discussion, AJ.
Okay, it's Finley's call.
You'll do what you're told.
- Copy? - Copy that.
- Fine, fine.
- I'm gonna fax a report
over to the sheriff's office.
If anything happens, it'll be on your head.
- Well, the sheriff's not in his office.
I saw him on a lift about a half hour ago.
- Yeah?
Well, great.
Maybe after he's killed,
you can run for his office.
(radio chattering)
- They're gonna come down through the part,
over that jump,
there's your shot.
- Reno, I assume that you hired me
because I know what I'm doing with a camera.
Don't tell me how to do my job.
- Yes, ma'am.
- [Announcer] To the Eagle's Nest.
Sam the ski dog will demonstrate safety.
- So, Emily, it is Emily, right?
- Mm-hmm.
- [Reno] So how long you been married to Michael?
- Six months.
- [Reno] Oh.
How's Paige doing?
- Sorry?
- You know, with her skiing.
I mean, she was a brilliant skier before her mom died.
You think she'll ever compete again?
- You'd have to ask Paige that.
- Yeah.
Such a tragedy, you know.
- Somewhat of a jerk, our friend Reno.
- Yeah, I'm getting a little tired
of hearing of what a saint my predecessor was.
So, seems you have a very exciting life.
Paige said you were at the Olympics.
Do you travel much?
- All the time.
- Does it get a little old?
I mean, living out of a hotel, airport, suitcase.
How do you stand it?
- "Spy Hunter."
- Spy what?
- "Spy Hunter."
It's a video game.
It's everywhere.
Hotels, airports.
That's how I stand it.
They ready?
- Oh, they're ready.
- All right, let's get this show on the road.
(dramatic music)
(ice cracking)
- Hey, is she your dad's girlfriend?
- Uh, no, no.
He likes those idiots.
- Yeah, well, at least he didn't marry one.
- You know, I really wish he would actually,
'cause then he'd get off my case.
(Alex grunts)
(exciting music)
- All right!
Whoo!
Whoo!
(camera shutter clicking)
Whoo!
Oh, good one!
Come on!
Yeah, whoo!
All right!
Okay, got it.
Okay.
Whoo!
Oh, good one.
Come on!
Yeah, whoo!
All right!
Okay, got it.
- Come on, Alex. Get tough!
- [Paige] Eat my dust.
Whoo!
- Come on!
- [Paige] All right!
- Yeah! - Whoo!
- That was great.
You smoked me out there.
Let me tell you something, Alex.
Champions always ski hard.
That's how they make winning a habit.
- You know what?
That's why some champions can barely walk, Dad.
Come on, you always tell-
(dramatic music)
- Can I bring you folks more champagne?
- Oh, here actually.
Thank you very much.
Coffee would be great.
- Oh, I see.
- Coffee for everyone, Claire.
And some of those little cake things.
- Petit fours.
Yes, sir.
- Is this your first?
- If I get much bigger, it'll be my last, believe me.
- Nice girl.
Married to the guy who does our avalanche control.
- You have avalanches?
- No, no.
They're more like controlled slides.
- Rogue avalanche in a resort like this,
nine times out of 10 it's just sheer negligence.
AJ Becker is our insurance policy
and he is good.
(chuckles) Lord knows I pay him enough.
- Sherry, can you get water to table eight?
Thank you.
- Hey.
- [Claire] Hey.
- How are my girls doing?
- It's a boy.
I know it's a boy.
Hey, hun. - Hey.
- [Claire] I thought you were up on south this afternoon.
- When do you get outta here?
- About three, unless I get slammed.
Why? What's going on?
- Nothing.
Can you leave now or soon at least?
Tell him you don't feel good or I don't know.
I'd rather have you at home today.
- Hon, I got old man Finley at my table.
If I leave now, I'll get fired.
Is something the matter?
(soft music)
- Don't lose this.
(beacon beeps)
I'm gonna meet you in the parking lot
at two minutes after 3:00.
So don't, you know,
take another shift and no hanging out,
talking to the girls after work, okay?
You promise?
- Yeah.
What's the matter?
- I love you.
I'm gonna head up the mountain again
and I'll be back before 3:00.
- [Boss] Claire! Hot food, let's go!
- Yeah, I'll be right there.
- How do you like my hotel?
- Lovely.
- What do you think of this room, huh?
The Eagle's Nest.
Great image.
Right out of your husband's imagination.
- Actually, this was Emily's idea.
You know, she bid on this project too.
- Is that right? Huh.
I should have hired you.
You're a lot better looking than these two bums.
- Well, my father is brilliant, Mr. Finley.
You're lucky to get him.
Dad, I'm gonna go back to the room, okay?
- Yeah.
- Oh, I'm sorry.
What is all this?
- Bureaucracy run amuck.
- That, my dear girls, is the final inspection papers
and certificate of occupancy.
Worth their weight in gold
'cause you can't run a new hotel without 'em.
I appreciate you dropping them by Danny.
- But you've already been open a week.
How did that-
- Coffee and dessert. - Wow, those are great.
- Oh, perfect timing.
(dramatic music)
(dramatic music continues)
(upbeat pop music)
- Paige.
Paige.
Paige.
Look, we have to talk.
- Yeah, well, I'd rather not.
Thanks.
- Excuse me.
Don't you think it's time
that you accept the fact
that your father and I are married?
Maybe you don't like it.
Maybe you don't like me.
I know that you don't like me,
but I am trying very hard to make this work.
I would appreciate a little effort on your part.
- Okay, I, I, I, I.
You know, it's always about you, isn't it?
Look, you may have managed to hook my dad,
but you're not gonna hook me.
So why don't you just back off
and stay out of my face?
- Don't do that, Paige.
Don't, don't you see how miserable
you're making your father?
Don't you see what's happening?
Can't you think of anybody but yourself?
- What I think is none of your business,
and neither is anything that goes on
between me and my dad.
So why don't you just butt out?
(upbeat pop music)
- Hey, how you doing? - Hi!
- Good to see you. - You too.
(knocking on door)
- Danny. - Please.
- So how how'd we do?
- Could have been a little sticky
when Paige went for those documents,
but you handled it perfectly as usual.
- It's all there.
A hundred K.
50 for your friends downtown and 50 for you.
You saved me a lot of money, Danny.
I'm grateful to you.
So what are you gonna do with all this?
- Oh, it'll get spent.
(tense music)
So, I never asked you.
You have a family?
- No. No, I don't.
I like to travel light.
- Hmm, that's a shame.
A man should have a family.
Keeps him honest.
(Danny chuckles)
(dramatic music)
(snow crashing)
- Look at me! (children laughing)
(upbeat pop music)
- Emily! - In here.
- Well, did you enjoy that lunch
with a bunch of wind bags full of baloney?
They pay the bills. Remember that.
As you get older, that becomes very important.
Hey. - Hi, honey.
What was all that about the final inspection papers?
- Oh, I guess Danny had just forgotten 'em.
That's all.
- What do you mean that's all?
That means Finley was in violation.
- Hey, Dad, are we gonna go in town
and get your skis or not?
- Oh right, the skis.
I almost forgot about that.
Well, we'll all go.
All right, we'll get the skis
and maybe find a nice place for dinner tonight.
- Great, you know, maybe we see
"As You Like" at at the theater.
They might have tickets available.
- Shakespeare, yeah.
That's boring.
- Oh, come on.
You made a great Peaseblossom in fourth grade.
I think little culture might do you good, young lady.
- Okay, you know what?
I don't wanna go to the stupid play.
I mean, I don't know, Emily.
Maybe you should just do us all a favor
and go by yourself.
- Paige.
Hey.
- Forget it, Michael.
(door slams)
- So, have you had another fight?
- Yes.
- She misses her mom.
(soft music)
It's gonna take her a while.
- Well, apparently she's not the only one.
- Diana's gone and I've accepted that.
It's gonna take a little long for Paige.
Hey, Mrs. Cooper.
I love you.
- I know.
I'm sorry.
I will really try,
but you have to talk to her.
I am tired of playing the heavy.
It's getting old.
And she'll listen to you.
She'll argue, but she'll listen to you.
- No one listens to me, do they?
I'll talk to her.
I don't wanna talk to her right now.
Let her cool down a bit, okay?
- Okay.
- So, go into town and get the skis
and we'll talk about dinner when I get back.
Okay?
(soft music continues)
- [Announcer] Attention skiers,
we've got record attendance today.
Don't forget to join us for lunchtime
at the bases superstars
13th snowboard spring fling barbecue.
(wind whistling)
- Heels, go. - Heels here. You're gone.
(radio chattering)
- What are you still doing here?
Give it a rest.
(snow crashing)
(cup rattling)
(dramatic music)
(dramatic music continues)
- Radio the lifts.
Karl!
Ski patrol to lifts.
Avalanche! Clear the slopes!
Stop the lifts
and get everybody out of the lodge now!
(dramatic music continues)
- [Announcer] Attention, please.
This is not a drill.
You must clear the slopes.
Clear the slopes immediately.
I repeat, this is not a drill.
Clear the slopes immediately.
- It's safer in the trees.
- I'm heading for the lodge.
(dramatic music continues)
(dramatic music continues)
(AJ grunts)
(snowmobile engine sputters)
(skiers screaming)
- Run, run!
Hurry up!
Go, go! - I can't!
(skiers screaming)
(skiers screaming)
(wires snapping)
(dramatic music continues)
(tires squeal)
(guests screaming)
(horn honks)
(dramatic music continues)
(Paige screams)
(glass shattering)
- Watch out!
(Claire screams)
(Claire screams)
(guests screaming)
(horn honks)
(dramatic music continues)
(horn honks)
- Come on, move, move, move!
(horn honks)
(tires squealing)
Out of the way!
(horns honking)
(tense music)
(building creaking)
- Paige.
Paige, are you okay?
- No, I guess.
Was it, was it an earthquake?
- No, it was an avalanche.
We gotta get out of here.
- What about Dad?
- Well, the backup systems are working.
He'll find us. Come on, we gotta go.
- No, no. - Come on!
- [Paige] I'm waiting for Dad.
- No, we gotta get moving, Paige.
- You can't make me.
I am staying here until my dad gets back.
- Paige, you're gonna freeze!
Let's go! - I don't care.
I'll build a fire or something.
(snow cracking) (Paige screams)
- We won't be here. Come on!
- Well, will you call? - I'm trying!
(dramatic music continues)
- Hurry up! - Did you notify the police?
- [Guest] Get the fire department or something!
Can you see anything? - Nothing!
- Paige, Emily!
(dramatic music continues)
- [Guest] Can you hear anything?
(wind whistling)
- Sweetheart, sweetheart, can you hear me?
Can you hear me?
Come on. Come on.
Okay.
(skier coughing)
There we go.
AJ to Karl.
AJ to Karl.
- Yeah, go for Karl.
What's your 20?
- I'm halfway down the mountain.
We need help up here.
- Look, I'll do the best I can.
We're overwhelmed down here.
- [AJ] The lodge.
What happened to the lodge?
- It's buried.
(soft music)
- Have you seen Claire?
- [Karl] Negative.
I'll keep an eye out for her.
- Copy. Out.
(beacon beeping)
(dramatic music)
- Paige, you gotta help me open this.
Snap out of it and help me!
If we get through, he'll find us.
Help me now!
It's stuck.
I gotta undo the screws.
We need a screwdriver or something.
- Emily, hurry!
- Your CD!
Where is it? Where is it?
Here.
- Emily, hurry!
- I'm trying.
- Hurry!
- I'm doing it as fast as I can.
It's working.
Come on, help me pull. - Okay.
- Pull now!
(both grunting)
Quick!
No, go, Paige, go!
Go! - Emily!
(suspenseful music)
(metal creaking)
What, what is happening?
- Go, Paige, go!
Go!
(metal crashing)
- Emily, we can't get out this way.
- Move! - We can't get out!
- Just keep going!
Kick it! We've gotta get out!
(Emily and Paige screaming)
- Paige?
Wow, that was a hell of an entrance.
- Mr. Riley. - Are you okay?
- Oh, I'm fine, I'm fine.
Are you okay?
- Yeah.
You know, I fell when that thing hit, but.
- But can you walk?
Well, I made it this far, honey.
- Did you know that your lip is bleeding?
- Oh, it's this darned avalanche.
- Okay, where's Monique?
- Yeah, Dad, where is Monique?
She's missing a real Kodak moment here.
- [Reno] Don't you ever stop?
- [Alex] Actually, Paige, I'm just kidding.
Last time we saw her, she was outside.
- Okay.
This hallway should take us
to the outside of the building.
There should be a fire escape.
- Yeah, but you can't count on getting out of there.
- You got a better idea?
- I think I do.
I think that we should go this way.
- You gotta be kidding.
- Look, we're in the east side of the building.
Our room is just above here.
We couldn't get out into the hallway
because it was blocked.
I think that we should go west.
- And what makes you think
the west side of the building's any better?
- Well, I don't know that it's safer,
but I know the layout of the lodge.
I mean, I helped Michael with the plans.
- I wouldn't tell too many people that if I were you.
- Hey, it's not my dad's fault
that there was an avalanche, okay?
- Look, the west side of the building
contains most of the public areas.
I mean, it's got the lobby, the restaurants.
It's all 12 by 12 exposed beams.
If anything's still standing,
I know it's gotta be there.
- I'm listening.
- I was thinking about the fireplace in the Eagle's Nest.
It's got a chimney flue
that extends 15 feet above the roof line.
If we can't get out any other way,
I think we can get up the chimney
and it should take us to the surface.
- I bet you still believe in the Easter Bunny, don't you?
- Without knowing what's...
You know, you guys should do what you think is right,
'cause we're gonna go to the Eagle's Nest.
Come on, Paige.
- No, I'm not going anywhere with you.
- Paige, not now.
Let's go.
- Now wait a minute.
We're not splitting up.
And I'm not just gonna stand here
and watch two women wonder around.
- Isn't that so sweet?
Chivalry lives on.
- All right, I'm going with Mr. Riley.
- Do I get to vote?
- You didn't register to vote, remember?
So no, you don't get to vote.
You come with us.
Come on.
(sirens wailing) (dramatic music)
- [Police Officer] Dispatch, this is unit six.
We're gonna need aerial backup here right away.
(police radio chattering) (people chattering)
- I don't know how many people we got in there,
or what the state of their injuries is,
but when we find that out,
I wanna make sure that we have the resources
that we can bring to bear to get those people out,
get them out safely,
and get 'em the kind of treatment
they need to have.
- Brad.
- Help!
Can anybody hear me?
Somebody please help me!
Hello?
(tense music) (electricity crackling)
Can anybody hear me?
Hello?
Oh, thank God.
Look, I'm trapped under here.
If you just lift it up I think I can get out.
Please, I'm pregnant.
Where are you going?
Don't go!
Please don't go!
Help me!
(Claire crying)
- [Dispatch] Go ahead. I copy.
- [Police Officer] We have people inside a green SUV
that's under about 10 feet of snow.
We'll need shovels and some help.
- Who's in charge here?
- That guy over there.
He's the operations supervisor.
- Listen, I can handle this.
We're getting plenty of help from town.
Yeah, okay.
- My name's Michael Cooper.
I designed and built this lodge.
- Oh, you designed and built this?
- I know the layout forwards and backwards.
I just need to know if there's anything
that I can do to help.
- Look, don't you think you've done enough already?
- I want you to know that I have the blueprints.
I can find anything you need to know about-
- Look, you wanna help? Dig.
All right, AJ, what's your 20?
AJ, what's your 20?
- I'm headed up the mountain.
- Listen, get back down here.
- Karl, I don't think this is over.
- [Karl] Say again.
- I need to inspect the peak.
- Listen, forget about the peak.
Get back down here.
That's an order.
- [AJ] I'm going up there. Karl.
- AJ, listen.
Don't do this, AJ.
AJ.
AJ.
(tense music)
(safe beeping)
(electricity crackling)
(building creaking)
- Paige, I have a bad feeling about this.
- Oh, get over it.
- Whose idea was this anyways, Dad?
(Paige screams)
(all screaming)
- You almost killed us.
- Me?
- Yeah, I told you we should've gone
the other way. - You and your husband
designed this rat trap. - Oh, please.
(light tapping)
- Hey, I hear something.
- It's just the pipes cooling, Alex.
- No, it's not. That is SOS.
- [Reno] What?
- It's SOS in morse code.
Can't you guys hear that?
(Alex grunting)
- What are they saying?
- Three adults, 16 kids trapped.
- That's the daycare center in the basement.
There's no way to get to them.
Look, we'll send the rescue team when we get out.
Tell 'em help is on the way.
- Okay. - Come on. Tell them!
- Okay, okay. - Don't shout at him.
- Okay, okay.
(light tapping)
- Okay, let's go.
Come on. - No, no, no.
Mr. Riley can barely even walk.
- He doesn't have to walk.
We're gonna crawl.
- Crawl.
That's what I need.
(dramatic music)
- We have to go left.
Everybody stay close.
Be careful.
(all grunting)
- [Alex] It feels like Alice in Wonderland, huh?
- Yeah, I guess.
- Hey, you were really good out there today
when we raced.
- Thanks.
- No, I mean it, Paige.
You beat me.
Why don't you compete anymore?
- I lost interest.
(soft music)
- Is it because of your mom?
You know, you have real talent.
She wouldn't want you to waste that.
- Yeah, well, you have real talent too.
Why are you wasting yours?
- I don't have the heart.
Your mom said you gotta have the heart
to go all the way.
She used to say that you have it.
- She said that?
- Like every 10 minutes.
And my dad,
he doesn't care about heart.
All he cares about getting his own way.
- Your dad got the gold, Alex.
- He was good.
But we have like this personality conflict.
Like he has no personality.
- Yeah, well, I wish he coached me.
- Yeah, I wish he would coach you too.
You'd get him off my back.
(dramatic music)
(electricity crackling)
(Reno grunting)
- [Monique] Who is it? Is somebody there?
- Monique.
- Reno!
Help me. I can't move.
- I'm coming. - Oh, be careful.
Watch out for the- (electricity crackling)
- Dad! Dad! (Reno grunting)
Are you okay?
You okay? Watch your leg. - Monique, what are you
doing in here?
We thought you were outside.
- I came to play "Spy Hunter."
(electricity crackles)
- Is this your idea of a safer way?
- Monique, are you hurt?
- I burned my hand.
I can't move because of the wires.
- I'm gonna get to the breaker panel.
I'm gonna drop the power.
- No, don't try that.
(suspenseful music)
- [Emily] Here I go.
- [Alex] Emily, there's one right by your head.
(electricity crackling)
Be careful, Emily.
- [Reno] Watch out for that.
(electricity crackling)
(Emily gasps)
- Be careful. - Watch out, Emily.
Watch it.
There you go. There you go.
(electricity crackling)
Okay, okay, okay.
(suspenseful music intensifies)
(electricity crackling)
(electricity crackling)
(Emily chuckles)
- Go ahead, Charlie.
Keep going. Keep moving.
Charlie, listen.
Take it right up to the pack.
That pack will support your weight.
Go, Charlie.
- You can't put that equipment up there.
It won't support it.
- Hey, it's our only shot.
Charlie, go. - Listen to me.
Your only shot is to to dig some sort of a tunnel
to safely get to these people.
- [Karl] We've got no time.
- You've got a lot more time
than putting that Cat up there
and having to collapse the pack.
- Get out of my face.
- Stop!
Stop, stop!
Listen to me!
We have to work together and dig a tunnel.
- While you're grandstanding, people are dying.
Get out of the way.
- My wife and daughter are down below.
Do you think I'd put them in any more risk?
- Karl, I gotta talk to you.
- Not now, AJ.
- Karl, listen!
I think the summit cap is gonna go.
- Keep your voice down.
- This was only a partial separation
and not the biggest part.
The rest of the snow cap
is just hanging up on the crest.
When it warms up, it'll go.
- How long have we got?
- The summit's at 31 degrees.
I think the trigger layer
will let loose at about 45.
We've got an hour and a half at the most.
- We have got to dig a tunnel now!
- What's a run out?
- It's twice the mass and nothing to stop it.
It'll cover the parking lot.
(dramatic music)
- Get him out of here.
Charlie, go! - This won't work.
This will not work!
Listen to me please!
I'm telling you!
Listen to me!
You gotta listen to me, please!
Listen to me, he's gonna get people killed.
He's not thinking straight.
- My wife is in there.
- Well, so is mine.
I just have to find out exactly where.
I gave Claire a beacon this morning.
- A beacon?
A locator beacon.
You knew there was gonna be a slide.
You knew!
- I wasn't sure.
You can never be sure.
But Finley wanted the slopes open.
- He wanted the lodge open too.
This beacon may come in handy.
There's a better way to do this though.
I'm gonna need your help.
- You got it.
- [Michael] Come on.
- I love vending machines.
- [Emily] How's your leg?
- [Alex] Here you go, Dad.
- Ah, it's not good.
I think I'm gonna wait here
for the rescue or something.
They must have made some progress.
After all, we've lasted this long, right?
- I think that we should keep going, you guys.
I'm not sure this air is good.
- I'm tired.
- Me too and I'm cold.
- So what's your point, Emily?
- My point is, I'm not sure it's safe here.
- Oh, come on.
You're the one who said the public areas were safe.
- Don't you guys wonder why it's getting colder,
we're getting weaker,
it's getting more difficult to breathe?
- Because we're all exhausted.
If you have something to say, Emily, just say it.
- Look, the generators, the power,
the backup lights run on diesel fuel.
If the vents are blocked by snow or debris,
then there could be a buildup of carbon monoxide.
If we stay here,
we can run out of breathable air.
- If, could, maybe.
It's all hypothetical.
I mean, right now we're safe,
we're eating,
and you're being dramatic.
- But what if she's right?
(tense music)
I think we should go with her.
- Be careful of these pipes.
- Come on, sweet cakes.
What's the hold up?
What?
Jeez.
You don't like me much do you?
- If I didn't like you, I wouldn't help you.
- Oh, come on.
We've known each other for nearly a year.
You won't even have dinner with me.
- Because you're an emotional loser.
Ever since your wife left you,
you've been afraid to commit.
And I suspect that that's why
she left in the first place.
Maybe you've been afraid all along.
- Well, maybe.
But you do like me.
So there's still hope, right?
- A little, but it's fading fast.
You know you are a cave man.
You treat women like meat.
- (laughs) Come on.
- I would like you a lot better
if you'd just show a little respect.
- Well, if we get out of this,
would you please do me the honor
of going to dinner with me?
- Hmm.
I'll think about it.
(Reno sighs)
(Reno laughs)
(dramatic music) (people chattering)
- We have to start by building a tunnel.
- Yeah. - It's gotta be
well supported.
We need manpower though.
- [AJ] We'll get it from town.
They'll be happy to come up.
(snow crashing)
- It's coming down!
Everybody move! Go, go!
- Hurry, go! - I'm going.
- Go this way. Be careful.
Come on, out, go!
Everybody out, come on!
Come on!
(building crashing)
- What was that?
- [Emily] Is everybody okay?
- We're not gonna get outta here.
- So what, we're just stuck in here?
- We're not stuck.
We're gonna get out.
- Oh, we're not stuck.
We're gonna get out.
It's either Emily, the eternal optimist
or Emily, the eternal pessimist.
Which one is it?
We're either all gonna live
or we're all gonna die of carbon monoxide poisoning.
Pick one, okay,
'cause you're really starting to annoy me.
- You know, I don't know what's going on here.
You've been riding me and everybody else.
Now you've got a better idea,
fine, you go for it.
If you don't, if you don't, you stop complaining
and you start helping, you understand?
- Hey, lay off.
Don't be talking to her like that.
- Thank you.
- Who does she thinks she is anyway?
Her husband's responsible for this whole disaster.
- Folks, everybody, please,
please stop what you're doing.
I need your attention.
Everyone please gather around here if you would.
I know we're in a desperate situation,
but I have an idea that might take-
- You were right, okay?
What do you want, an apology?
- We're starting a tunnel, Mr. Clark.
- No, you're not.
I'm shutting this operation down.
I talked to Colonel Madeiros.
The National Guard will be here in a couple of hours.
- In two hours, they'll be welcome.
Until then, we're starting a tunnel.
Now I need timber for bracing.
I also need cable for lighting a generator.
If you got any picks, shovels, axes,
anything you can find for digging purposes.
Heavy equipment, a backhoe.
All of the manpower we can find.
- No!
We wait for the Guard.
- The guard's gonna take two hours.
My god, man, that won't do us any good.
People are trapped down below
and you're nursing your bruised ego.
Would you help me?
(dramatic music)
Now, I know that some of you have
family and friends trapped down below.
My wife and daughter are down there.
So time is of the utmost importance.
Most of you know what I wanna do.
I wanna dig directly into the middle of that pack.
If we work together,
that means the faster we get people out.
AJ.
- Let's do it. I'm with him. - Take my shovel, here.
(people chattering)
- Here.
- We're all gonna die, aren't we?
- You have to stop saying that, Paige.
Look, we're gonna get out of here.
Let me help you, okay?
- You can't help me.
- Look, Paige, I know that you don't like me
and I'm sorry,
but this can't be about me.
It's gotta be about you.
You have got to find the strength to hang in.
Do you understand that?
(soft music)
- It's just so unfair.
You know, I miss her so much.
- I know you do.
(Paige sniffles)
What would she say if she were here?
- Mom would say that,
that you gotta have the heart to go all the way.
- And that's what we're gonna have.
- [Alex] Hey.
What do you think?
(Alex laughs)
- That we can use.
Good work, Alex.
That's great.
- Thanks.
- Okay, here we go. - Yes.
- What are you doing?
- Building a fire.
- [Emily] You can't do that.
- What are you? Smokey the Bear?
- Are you crazy?
There is no ventilation in here.
This place will fill with smoke.
- Listen, I've just about had it with you,
Mrs. Know-it-all.
What does it matter where we go or what we do?
This fine piece of architecture
your old man came up with is gonna kill us all anyway.
- No, it won't.
(dramatic music)
- All right, here's where we started digging.
We need to tunnel directly into the Eagle's Nest right here.
This is the strongest part of the building.
Anybody who survived
was definitely in there when this thing hit.
- That's where my wife works.
- Well, that's good news for you.
We need to keep that locator beacon signal alive too,
to make sure that we keep on course.
Okay from...
From here we need to access the rest of the lodge
from these different points
starting here, here, and here.
It's our only shot.
- Well we haven't got much time.
That crest isn't gonna hold up there forever.
- Let's move.
(dramatic music fades)
- Can I give you a hand?
I wanted to,
I wanna say sorry about what I said earlier.
- No, don't worry about it.
We're all a little tense.
- I'm just not used to women who are, who are-
- Strong?
- I was gonna say impossible.
(Emily chuckles)
- So did your wife raise Alex?
- Alex's mom left us when he was five
and I raised him myself.
- You did a good job.
He's a nice kid.
- He's a flake,
but he's a nice flake.
Pretty soon he'll be leaving the house
and I'll have my life back.
I'll miss him.
- Tell me, uh, tell me about Diana.
- Paige's mom?
What do you wanna know?
- I don't know. What was she like?
- Outgoing, adventurous.
Diana and Paige were never apart.
If they weren't skiing,
they were kayaking or rock climbing
or mountain biking.
You know, some people thought it was unhealthy,
you know, the way she pushed Paige.
I understood it, you know.
I mean, when you're good,
you want your kid to be good.
And I've been the same way with Alex.
Maybe that's, maybe that was wrong.
- At least it's a way to communicate.
- You know, Emily,
you're never gonna top Diana.
Not to Paige.
- I don't wanna top her.
I just wanna get through to Paige.
(soft music)
(Paige and Alex chattering)
It looks like somebody already has.
- You know, this is ironic.
That's my word for the week.
Ironic.
Having an intended meaning conveyed obliquely.
It's pretty cool, huh?
- So what's ironic?
- Maybe it's the wrong word.
It's just that I've always wanted a new mom,
but Dad won't hear it.
You've got a new mom,
but you don't want one.
- Yeah, well she's not my real mom.
- Yeah, but she's still pretty awesome.
Is your dad happy?
- Yeah.
Yeah, I think he is.
- Yeah.
- Hello?
(electricity crackling) (tense music)
(Claire crying)
(beacon beeping)
- I can't see anything.
I need that flashlight.
(ominous music)
- [Reno] Come on, Emily, why are you stopping?
What is it?
- It's bad.
Be careful, you guys.
- [Reno] Oh no.
(Paige screams)
- You still wanna light that fire?
- Alex, give me the ax.
It's right there.
Come on.
Let's get out of here.
(all grunting)
- That's right, folks. Right here.
This is the area we're concentrating on.
The key is working together.
- You guys, I found it, the elevators.
Come over here.
(Emily gasps) - Hey, sorry about that.
Are you okay?
- Hey, Danny. - Hey.
- Hey, have you seen Dad?
- I thought he was with you.
- No, he went to town.
Where were you?
- In the Eagle's Nest.
- [Emily] You mean it's holding up?
- Perfect.
A lot better than the rest of the lodge.
I have never seen a building go down like this.
It's like somebody stepped on it.
- Yeah, if you'd built it to code,
maybe it would've performed better.
- What are you talking about?
I mean, nothing could've survived that avalanche.
- My husband designed a building
that you didn't build, Danny.
I know his plans didn't call for you using toothpicks.
- So what are you saying?
Who is this guy?
- This is the construction supervisor for this project.
It was his job to make sure
my husband's plans were followed.
- So?
- So they weren't.
- Of course they were.
You're implying I didn't do my job.
- I'm not implying anything.
I'm saying it flat out.
Danny, you cut some major corners.
- I've been coordinating construction
for Michael's designs for years.
We have always followed code.
You wanna accuse me of negligence?
I suggest you take that up with my lawyer.
- I plan to.
- Could we save the lawyer's stuff 'til later?
How'd you get down here?
- The stairs, but they're history.
Something crashed down from above,
completely destroyed the stairwell.
So how do we get to the Eagles Nest?
- You don't.
(dramatic music)
- The elevator shaft.
- Oh, jeez.
Look at that. It's frozen.
- Looks like we climb.
(all chattering)
- [Emily] Reno, now be careful.
(Reno grunting)
- [Reno] I don't think I can make it.
My knee's blown.
- We're gonna have to get some kind of rope.
- [Michael] Good.
We have to stay focused right in here.
(dramatic music)
Stick with it.
(snow crackling)
- [Danny] Reno can't make it.
We're gonna have to hoist him up.
- It's quite a climb for anybody.
I'm staying with you.
- No, you're not.
- Don't tell me what to do.
- I just assume find another way.
- There is no other way.
- [Emily] This is all we could find.
- Yeah, you know, maybe if you let us check those
chests back there. - We don't have time, okay?
That's what we have to do.
- If you saw a storage chest- - Reno cannot climb the shaft.
All right, he cannot go.
(all chattering)
- Stop it!
All of you!
I know this isn't gonna be easy,
but we are all going up there as a team,
working together.
Does everyone understand that concept?
- Alex, would you check those knots?
Make sure they're tight.
- Dad, I got my Boy Scout merit badge for knots.
Where else do you think I learned morse code?
- Great.
I can do this.
- I don't want you to go first.
- I climbed Devil's Peak when I was 10 years old, Emily.
I think that I can manage an elevator shaft.
(dramatic music)
- All right, be careful, Paige.
- Hey, I'm always careful.
That's why I'm good.
(suspenseful music)
Okay.
(wires snapping)
(Paige screams)
- Paige.
- I'm okay.
(suspenseful music continues)
I can do this.
I can do this. - You're almost there.
- What is that smell?
- It's propane.
(gas hissing)
Looks like there's a crack in the pipe.
Be careful!
- [Paige] I'm fine!
- Look out!
Be careful.
- All right.
Way to go, Paige.
(tense music)
- All right, here it comes.
- All right, Danny, you're the strongest.
You go up first.
Make sure you go and tie this off tight.
It's gotta carry Reno's weight.
You understand?
- Easy for you to say.
(Danny grunting) (tense music continues)
(fabric ripping)
- Pull this off me. - Yeah.
What are you lugging this thing around for?
- It's a survival kit.
- I don't know if I can do this.
- You can do it. Come on.
You can do it.
(tense music continues)
- [Reno] You can do it, Monique.
Come on, sweetheart.
(fabric ripping)
- Grab my arm. - Come on.
(Paige grunts)
(Monique panting)
- I made it.
(Monique and Paige laugh)
(gas hissing)
- So Alex, you know what to do, right?
- Yeah, yeah.
We tie one end of this rope around Dad's foot.
We're gonna throw him out
over with his arms- - Alex, you know what?
Knock it off. It's not the time, okay?
- Come on. - All right.
See you up there. - You ready? Here we go.
- Be careful. - Okay, there you go.
(tense music)
Are you okay? - Yeah.
(fabric ripping)
- Be careful.
(Emily grunting)
- There you go.
Your foot goes right there.
You all right? - Yeah.
- Try to swing your leg up and over there.
- Come on, come on.
(all grunting)
- Look out.
- Thanks.
- All right.
- Wrap it around.
- Thanks, buddy.
Take up the slack.
- Everybody ready? - Yeah.
- Let's do it. Come on. - Okay.
(Reno grunts)
(Emily grunting)
Come on, Reno! - Here we go, tough guy.
- Come on, Reno. - You got it.
Come on.
(gas hissing)
(all grunting)
Come on, you can do it. - Come on.
- Good, Reno. - You gotta get him.
You gotta get Alex.
The gas is getting stronger.
- Coming up.
(Alex laughs)
(tense music continues)
Woo-hoo!
- Alex, stop goofing off.
(fabric ripping)
(Alex grunting)
(fabric ripping)
(Alex screams)
Alex!
(Emily grunting)
(all grunting)
- Pull! Pull!
- [Reno] Come on, pull!
- [Paige] Quick! Pull his leg!
Get it out! Come on!
- (screams) Open the door!
- [Paige] Come on, get it off!
- [Reno] The elevator's coming down!
- Open the door!
- Undo his shoe! - Get my shoe off!
(Danny grunting)
- Push it!
Get his leg out!
(Alex screams)
Oh God.
Oh, Alex.
I got you, son.
I got you.
- Dad, Dad, I can't...
Would you let me breathe?
- Okay.
(building creaking)
(dramatic music)
(snow crashing)
- [Michael] AJ, what's your status?
- [AJ] I'm setting the charges now.
I figure if I plan 'em in a V pattern,
they'll divert the runoff to either side.
- [Michael] How long have we got until the next one hits?
- [AJ] Maybe a half hour at the most.
(charge beeping)
- [Emily] We need something to clean this.
- Oh, Alex, look at your leg.
- Monique, tear off some of that sheet.
Let's make a bandage.
- [Emily] Can you lift your ankle at all?
- You won't be skiing much.
(tense music)
- That's quite a survival kit you have there.
- Yeah.
(Michael grunting)
- [AJ] What's the matter?
- I hit a solid wall of ice.
- I can take care of that.
- Let me do it.
- [Monique] I think I got it. Ready?
One, two, three.
(Paige and Monique grunt)
- All right, shoe is definitely gone.
- I'm not buying it, Danny.
- Yeah, I don't buy it either.
Looks like you ripped off a hotel safe.
- I'm telling you,
some of our subs will only take cash.
I was going into town to pay them off
when the avalanche hit.
- Sure you were.
- You can't believe I stole this.
- Oh, no.
I think you earned it.
I think it was a payoff.
- What?
You're out of your mind.
- When you showed those
certificates of occupancy this morning,
I knew something wasn't right, Danny.
I just couldn't figure it out.
But you know what?
Now it all makes sense.
There is no way the inspectors
would approve this kind of work
unless you'd paid them off.
(Reno laughs)
- You can't prove that.
- Yeah.
Maybe I can't.
My guess is that Finley took a few shortcuts
and you helped him.
You paid off the local officials,
and then you went and signed the approvals
for Cooper Peterson.
What's Michael gonna think about all this cash?
Or weren't you planning on sharing it with him?
- Emily, Dad would never do something like that.
- I know he wouldn't.
I just wanna hear Danny say it.
- Don't you threaten me with Michael.
I gave my life to him.
We started this company with nothing
and we'd still have nothing if it wasn't for me.
I've been with him since day one.
I helped Paige when she was three hours old.
I stood with them both when Diana died.
I've always stood by them
and what do I get for it?
Zip, nothing.
Because you waltzed in.
You took advantage of a man who lost a wife
and was trying to raise a daughter by himself,
and now half the company is yours
and Michael wants me out.
You think I don't know whose idea that was?
You don't deserve the company.
You deserve each other.
(tense music)
No!
(electricity sparks)
(Danny screams)
- Let's go.
It stinks in here.
- I'm sorry, Danny.
I didn't know that Michael had asked you to leave.
But how could you do this?
- I needed the money.
I didn't intend for people to die.
(dramatic music)
- Wait a minute.
Hey, don't do it!
- Danny!
No, it's not worth it!
Don't be a fool!
- The gas!
You gotta get outta there!
(dramatic music continues)
(gas hissing)
(explosion booming) (Danny screams)
(Emily screams)
(Emily and Reno grunting)
(charge beeping)
- That wasn't me.
- That came from inside.
We've run out of time.
We've gotta blow through that ice now.
(charges beeping)
- You all right, Emily?
- I'm gonna check the elevator.
- There's nothing to see.
Come on.
Let's get out of here.
Come on, come on.
Let's go.
Emily, Emily.
(somber music)
- Everybody move!
- [AJ] Get down. We're gonna blast the ice.
(dramatic music)
- Do it. We're clear.
- Fire in the hole.
(explosions booming)
(chainsaw buzzing)
- Okay, here we go. Come on. - We've got support!
- [Volunteer] Let's go!
(electricity crackling)
- Hey, hey, you guys.
There's somebody here.
- Hello there.
- Hello.
Hi, are you all right?
- I know them.
Hi.
- Hello there.
You know what, we're gonna get you out of here, okay?
- No.
My wife, she can't be moved.
- Hey, that's all right.
We're gonna carry her.
- No, no, please.
(soft music)
- We'll bring help, okay?
- There is one thing you could do.
Seems I'm always asking you favors.
It's a letter to our daughter.
We want to tell her
how much joy she's brought to us.
How much we love her. - That's right.
- I'm afraid we haven't told her that often enough.
- I promise I'll bring this to her.
Now you stay warm, okay?
We'll be back.
- All right.
Get out of my way.
Let me through there.
Move it.
Gentlemen, this dig is over.
Put down your picks and shovels and get out.
This site's been declared an official disaster area.
- Maybe you could grab a shovel and start digging.
We could use the help.
- Don't make me have these two cops here arrest you.
- I know you're just doing your job,
but I've been here before.
I lost my wife in an emergency situation.
Two cops held me back while she drowned in a river.
The paramedics were on their way,
but they got there too late.
Those last few minutes made all the difference.
No, I'm not gonna be there again.
My family's down there
and nobody's gonna tell me
that I'm not gonna try to dig them out.
- All right, you guys, come on.
Let's get out of here, come on.
Hurry up, come on.
(fire sizzling)
(all coughing)
- We gotta turn this gas off.
- I can do this.
- No, Alex, you can't.
It's too dangerous.
- No, he's okay.
Let him do it.
- Just tell me where the valve's at.
- You gotta go down the aisle.
Against the wall there are three valves.
I just want you to turn off the middle valve.
You understand?
- Alex, take these.
(Monique yells)
- [Emily] Here, Monique.
- They're hot.
- [Emily] You're okay.
- Go for it, son.
(dramatic music)
- I can't get to the valve.
Can someone help me?
- Yeah.
- No, Paige, no!
(Paige coughing)
- You okay?
- I found it.
- [Claire] Hello?
- There's somebody alive in there.
- Can anybody hear me?
- Where are you?
- I'm in the waiter station.
- Are you hurt?
- I don't think so.
I just can't move.
My baby.
I'm worried about my baby.
I haven't felt him move in a while.
Maybe he's just taking a nap.
- I'm gonna need to move this to get to her.
- [Alex] Okay, let me get this side of it here.
- Careful, Reno. - Oh my God. Ready?
Ready?
(Reno grunting)
(Paige screaming)
- Dad! Dad!
(dramatic music)
(beacon beeping)
- Mike.
- Where do you want us?
(building creaking)
- Help.
- Don't! It'll collapse more.
It'll collapse more!
- She's right. Stop.
- Listen, you guys have gotta find the fireplace
and start climbing.
- Stop talking.
- Listen, son,
you can't help me.
What you can do is get yourself outta here.
- Reno, you gotta hang in there.
We are so close.
- Just get going
and take him with you.
- Come on.
Okay, Paige.
We gotta go.
You guys too.
- I'm staying with my dad.
- No, you're not.
You're going with the others.
(somber music)
(Claire groans)
- Oh, he kicked.
He's all right.
(Emily and Claire laugh)
- That's great.
Okay.
Paige, how me find that fireplace, okay?
- You do what Emily says, okay?
I'm very proud of you, Alex.
You hear me?
Now get outta here, son.
- Hey.
When we get outta here, I'm taking you to dinner.
- I'll think about it.
(building creaking)
(dramatic music)
(dramatic music continues)
- The chimney's collapsed on itself.
Nobody's going up there.
- This is it?
This is it?
(Monique grunts)
- I thought if we got here, we'd get out.
(somber music)
After all I put you through,
I thought I was right.
I'm sorry.
I'm so sorry.
(Emily crying)
- Emily.
No, no, Emily.
Emily, please don't say that.
Look, Emily, if it weren't for you,
I mean, we'd all be dead.
Look, we've been through so much, Emily.
You just, you can't give up now, okay?
We need you.
I mean, you were with us the whole time.
No matter what.
Even when we were arguing
and even when we were so mean to you.
I mean, look, we're here.
We're all still alive right now,
and that is what is important, Emily.
It doesn't matter. None of this matters.
We will get out of here.
We'll find another way.
There's gotta be another way, just please.
Emily.
(chainsaw buzzing)
- Emily! Paige!
(triumphant music)
(dramatic music)
(snow crashing)
- My god.
Are you okay? - Yeah, I'm okay.
- Come on, we gotta get outta here.
Come here, baby, let's go.
(dramatic music continues)
- [AJ] Come on, sweetheart.
- My dad, he needs help.
- Where? - He's over here.
- Come on, this way.
(dramatic music continues)
- Go, go.
- [Paige] Dad, what are we doing?
- [Michael] AJ's gonna try to blast it away from the hotel.
- I've started them,
but I've never tried to stop one before.
What if it doesn't work?
- Just do it.
(explosions booming)
(ethereal music) (wind roaring)
- [Volunteer] They made it!
(people applauding) (triumphant music)
- I'll pick you up at 8:00.
Wear something nice.
- Oh no.
I'll pick you up at 8:00
and you wear something nice.
- Just be there, okay?
Hey, champ.
- I love you.
- I love you too, son.
(people chattering) (gentle music)
- [Reporter] Tell us what happened in there.
What was it like?
Are you hurt? Who got you out?
- Do you see that woman right over there?
That's Emily Cooper
and she got us out.
If it weren't for her, we'd all be dead.
- [Reporter] And who are you?
- I'm her daughter.
(uplifting music)
Dad?
- [Michael] Yeah, honey?
- [Paige] Emily and I were wondering.
- [Michael] Yes?
- [Paige] Well, for our next vacation,
could we please go to Hawaii?
(Michael laughs)
- [Michael] Sure.
(gentle uplifting music)
(gentle uplifting music continues)
(gentle uplifting music continues)
(gentle uplifting music continues)
(gentle uplifting music continues)
(gentle uplifting music continues)
(explosion booming)
(bright orchestral music)