Urban Legends: Final Cut (2000) Movie Script
Are you afraid to fly?
Do not worry. It is very safe. | Except in this film.
In which drew a creature | on the wing.
They say it really happened.
planes crash all | the time.
But they hide it, bribe | witnesses.
Where the hell are | the attendants?
Everything is based on aerodynamics | of Hydrometeorology.
Hey, you've never heard of ... | Club Mile High?
Ven.
is sick.
I do not know whether we should do this.
Oh, really?
No. Yes we should.
Come here!
"They're going down."
For here I come, baby.
No. Rob!
Yeah, stop!
What the hell is going on here? | Come! Run, run!
My God!
Help! Help!
Help!
Help! Help!
Cut!
Hey, guys! When I say | "court", means that you stop!
Thanks.
Sandra. You must not fly the plane.
Jesus! Vanessa.
Thanks for coming back to get | the microphone into the socket.
Poor Sandra.
The complaint as a whole director.
Excuse me. I mean, who | are we kidding?
Sandra is no Jamie Lee Curtis. | But will improve.
The action of this woman would be | a disgrace in a porn movie.
You're right. I've seen in a pair. | It's very bad.
"I thought he had ... | - quiet, scrotum.
Get me a coffee.
Hi, Amy.
I'll do something new
This time, if it turns out well, | I'll kill you!
Va again. Back | to the top.
Take 41:
Effects.
Effects. Effects!
-Records sound. | -Sound recording.
-wheel camera. | -Rolling.
Scene 16, take 41:
Damn action.
As chairman of the department | Film ...
... I wish them well now | who begin their spring semester ...
... and remind them the honor | and the privilege of attending a. ..
... the most excellent film school | ever.
So try not to burn | buildings.
"Mr. Solomon?
Did you have a sunny holiday?
I would like to welcome | Melvin Zarcoff ...
... a great director who joins us.
Welcome.
Mr. Zarcoff ...
... is a veteran of more than | 50 movies ...
$ 10 to you croak | semester.
You have $ 10. Spent all | in your "movie."
A little courtesy?
Yeah, shut up, dammit.
Too bad you are.
Clive LaVey has a course | Super-8.
Action!
That is a requirement for shops | video.
Did not he "The Cheerleaders | Diggers"?
No, that was Nick Clive LaVey made the | in "Splash Village."
They lacked blood.
Some have not yet delivered | their scripts.
This semester may submit | thesis films ...
... to be considered for the prestigious | Hitchcock Award ...
... that not only includes the sum | of $ 15.000 ...
... but that has become a springboard | for success in Hollywood ...
-... graduate as Cecily ... | - Spector.
Josh Bouvet.
Chip Voelker.
... and Chip Voelker.
teen!
Come here! Come here! What are you doing here | outside in the dark?
I was going to the library.
Alone? "At this hour?" | "In this weather?
Get on. I'll take you.
How cold it is.
Nothing of "show me your plate" | o "have any identification?
Do you have any identification?
I have not.
Where you going?
At the library, right.
Congratulations, baby.
My name is Reese. And you, sweetheart?
I'm Amy.
What a beautiful lion. | Do not have guns hidden there?
- Why do you ask? | Film-study.
In a class of the semester | last saw Pam Grier.
In a film hides his gun | inside a lion like that.
Coffy.
It's one of my favorite movies.
My gun even has the same | gold touches hers.
Look at that.
I love Foxy Brown.
"This is my sister, baby.
It is a remarkable woman! "
Will you do films like Coffy?.
I do not know, I have to make a movie | and I have a good story.
I have a good story.
Yes, it's about a mass murderer in | a university kills eight ...
... but nothing happens because | the university hides everything.
I knew that. It was assumed that | came in Pendleton.
It was just an urban legend.
No let me finish.
After the killings, the head | security ...
... I did not want to hide anything, | is fired.
He spends all year looking for work.
Finally, get another position, | on duty at another university.
Thanks for the ride.
-Yeah, baby, when you like. | -Good evening.
What urban legend or do anything.
Many film historians | not seem to measure ...
... are two examples that are | mutually exclusive.
... the lack of staging?
Go ahead.
-Godard victims ... | - Sorry. Return to time.
... hanging tree | in the French countryside.
I had just had an idea | for my thesis y. ..
Go. Sit.
Hello, Dr. Fain.
Well ...
... the film is about | a mass murderer ...
... whose murders are based | urban legends.
Sounds interesting.
But it is precisely what | we expect from a Mayfield.
I know, but I think I'm ready | for fiction.
Me too. Do we let it, Richard?
Can you shut the door ...
... when you leave?
What do you think?
"Terror and suspense?
A little of both.
As Hitchcock.
Perhaps Hitchcock themes | serve you.
The paranoia, the fear of prison, | the prosecution of the innocent ...
... how to erase the boundaries | between fantasy and reality.
So, okay?
It's great.
Travis Stark.
Who would have thought that | going to be another Spielberg?
-Yeah, sure. | "Please.
Enjoy it before going to the real world.
Here's to unemployment.
I drink because I came back | to save your life.
Two plus.
Will you give me a private function | when he returns?
We'll see.
I worked hard in your movie.
"In all your films. | " And so, I adore you.
Thanks.
Bride because I adore that.
Take it.
Do not have to take a plane?
Drunk I enjoy it more.
I have to finish working | in my film. Bon voyage.
See you when you return.
That guy is an idiot.
I am also a director.
Really?
Do directors earn much?
Quite.
Then you will pay for drinks.
Excuse me.
Excuse me.
Hello?
911: State your emergency.
I woke up in a tub of ice ...
"Do not tell me. You're missing a kidney. | -Yes.
heart, I have a Princess Di | on line 4. I have to go.
What?
So look.
It's a tradition in tests | end.
All the uncovering of studying ...
... and, at midnight, everyone yells | to release tension.
At the same time, between 12:00 and 12:01 ...
... a student is attacked | brutally.
No shout their cries because | they drown the cries of all.
true story, right?
Yes, they say happened at Harvard.
No.
It's an urban legend.
How did the girl who eats a "burrito" | with a pregnant cockroach ...
... and the eggs hatch in the nose?
Or as the girl who bites | chicken sandwich ...
... and discover that mayonnaise is | really pus from a chicken tumor?
Or the type that has crabs, | is lowered to close ...
All right!
captures well the idea.
I have my thesis film.
Do you have a paper for me?
You know scream, right?
Help! Help! Help!
Help! Help!
I almost shit's scary!
We are monsters movie.
- Want to be the Earl? | "The Condom.
Got it?
Travis Stark, a genius of cinema.
- What are you doing? | -Looking for her.
I was looking out the window. | I wanted to attract you.
A hundred percent.
Sorry.
Let's play hopscotch.
Anyway ...
- Is it your thesis film? | "Yes, but I have not finished.
It must be a mess now.
I would not call it a mess.
Sure. Say ...
... to me just approved the script | for my film and I thought ...
... you might like to | have a look.
Why do not you come on Tuesday | night and talked?
Okay.
I'll call you.
By telephone.
Do not give brain cancer cell?
It's an urban legend.
Too bad.
This is what we'll shoot.
Take $ 20. Go wash my car.
Go.
It's a production assistant, | not a slave.
It's the same. The type and asked to enter | a film school 3 times.
Well, there's a girl ...
... who is afraid of the dark.
The girl lowers his hand, | and if the dog licks ...
... feel safe.
Let me be the dog, | I am very good licking.
That said Dirk.
One day you wake up in the morning ...
... walking to the bathroom and sees the dog | hanging from the shower pipe.
And a message. | -THE LICK TOO HUMAN
Latex and cereal. We can do that.
"Latex and cereal? A call to my dad | and we do digitally.
Down with the digital. Viva latex.
That's not what your god says Lucas.
Yeah, well, to hell with George Lucas.
"I'll go to hell. | " I know.
I need to talk to you, Mayfield.
Private.
Be right back.
- Where were you? | "It's a good script, Mayfield.
De terror.
It is not like yours, | is rather paranoid thriller ...
Lies Mayfield, | you stole my fucking genre.
"Believe me, did not steal anything. | - What do you believe?
Yes, I think ...
... able to steal my Hitchcock.
No one is going to steal my Hitchcock.
And except you, baby.
Are you all right, Travis?
I was given the status | of my film.
I got 6.
How can that be?
Goodbye, Hitchcock.
You do not need.
You're above that.
You're the most talented filmmaker | school.
Amy, I have no money.
I have no contacts.
I think it's terrible to ask this now ...
... but I'm desperate.
Toby got out of my team today.
Yes His name is Simon.
He shot my film.
-I call it if you like. | "Well.
Everything will be alright.
We'll see.
Hey, guys.
- Have you seen Sandra? | - Naked?
Who would not?
I heard you!
- Look out! | - God!
Is ...
My God!
I cheated.
It's a great actress, right?
Pure movie magic.
My God.
"I" when "?
What were you doing?
Rehearsing.
I have a hearing parent | comatose for "ER."
"With the help of Daddy Graham. | " It was nothing.
Thank you, my love.
Let's see how the lava.
You hear a noise while in the bathroom. | You go here.
The camera follows you from the door, | approach.
You see the dog, you turn ...
... you see the message, then leaves | the murderer. Scream and now.
That's it. Got it?
I have picture.
Rueda sound.
Graham, hello!
Will I wait a second?
Recording.
Excuse me?
Is this the set of Amy Mayfield?
Yes, I'm Amy.
I'm Schorm Jabuscko.
Travis. Yes
Thanks for coming. Unfortunately ...
... this camera is all we have ...
... Schorm.
You can tell me Simon.
Do not worry.
I bring mine.
This is my baby ...
... baby.
You know what? | You're a beautiful woman.
You are also adorable, | cameraman.
If you were a woman, | I lay with you.
- Really? | -Yes.
-Hi, baby. | "Hi, baby.
Do you leave somewhere?
You left me fried.
Fuck!
Jesus!
What an idiot, Sandra. What an idiot!
Okay. Keys, keys. Where would | if I were some keys? Keys.
Damn. Keys.
Hello. Where are they? Keys.
What a pigsty.
Disgusting. Damn.
That's it!
Court.
-What evil acts. | -Urban Legends, scene 3 takes 28.
The dog acts well.
Action.
, can become comedy. | -Scene 3.
Take twenty-fuck-nine.
Well, action.
Court. Please clip.
What the ...?
- Is it ours? | -Roll wrong.
Ah, Sandra.
- What do you do? | "It's her best angle.
That's Sandra's ass.
Take spontaneous ass.
Hey, that was very real.
Do not let it go. Kill.
Do you cut a main artery | and that is all the blood?
O.J. let more blood in the Bronco.
It was good.
you " did that?
I do not. And you?
Simon?
But I like it.
And the roll was here?
I do not know.
Do you swear that you did this?
Yes, Dirk and I would better.
Do not you think real?
No. Lacking blood.
Please, is classic Sandra.
"I think he did it to his roll. | - Who shot it?
Boys. Travis Stark ...
... is dead.
and the majority seem to | know the news.
For those who do not ...
... Travis Stark took his life last night.
It's hard to know what to say.
He was blown away in the Tower | college, literally.
-teeth, unrecognizable. | "It's important ...
... to celebrate who was ...
... and I think that | could be back.
He was a talented filmmaker | that raised the level of all.
But not only failed himself | failed us all.
All at one time | we feel alone and desperate.
We need to be patient ...
... and remember that we can not | do the impossible.
... Truffaut asked the question:
"Is the cinema more important | than life?"
I had a great talent.
Are you OK?
Have not you seen Sandra?
Sandra is in a coma.
In an emergency room, | in Los Angeles.
You should let me help you.
I know that you're releasing me.
With the contacts of my father, I can | make your movie tomorrow.
I would try it out alone.
Do not give me hypocrisy.
I know who you are.
You're a Hollywood girl like me.
What? I grew up in Chicago.
No, before 1992, no.
You were 13 when you and your mom | went to Beverly Hills.
After | your father died filming ...
... the same shit Nature | that your film.
Do not act surprised.
is in your admission file.
Being the daughter of a filmmaker | who won the Oscar ...
... do not be difficult to get a | this school.
Why not let the image | ordinary girl?
You need to be successful to | avoid humiliation ...
... to the same degree as me.
Maybe even more.
See you on the set ...
... dear.
They say he was blown away | on the tower of the university.
CAUTION
Hello? Who's there?
Travis?
I said you were killed.
Did you meet him?
What?
My brother. Did you meet him?
I do not understand.
I'm Trevor Stark.
I'm his brother.
I did not know Travis | had a brother.
When did you last see?
I saw a couple of days.
Were you upset?
I was depressed and drinking by | the classification of the film.
I thought you could not | Award winning Hitchcock.
I thought that's why you ...
... is ...
... was killed.
Is that all think?
Wait, please.
If you are not Travis, what are you doing here?
Please.
My brother did not commit suicide.
Believe me. He did not commit suicide.
What do you mean? | Do you think he was murdered?
I know who killed him.
- Have you told the police? | I can not.
Why not?
Nothing more I can not. Look ...
... do not tell anyone | that I saw here.
Please.
I passed something to my brother | and I will find out what happened.
Three, two, one, midnight.
And cut.
Thank you. | Thanks. Well, just.
You can go. Just for today.
-Sorry for the hour. | - What?
Nothing.
Something is wrong.
Nothing. Nothing more ... Wait. | Hey, guys.
I need help with | these tracks effects.
Great. They're gone.
I'll help.
I just need a track | of them screaming. Go to sleep.
- You sure? | "Yes, I do.
We talk.
I need to smoke.
I need a lot of screaming very loud.
You're a beautiful woman.
Is it a Beaulieu?
A Bolieux.
"I can see?
No.
Have a good night.
Well, and rolling.
Remember: very strong.
Help!
Help! Help!
Help!
And cut.
Help me!
That girl!
Almost gave me a heart scare.
Have you been watching these monitors?
Yes
What, you signatures and my checks?
I think I heard someone shout | as if they were attacking.
Have you heard someone else?
I brought headphones.
I was recording shouting.
You were recorded screams | and then you hear ...
... screams.
You're getting paranoid.
Can we see the last | time of these monitors?
The last time? | I have to go round.
You think I only see movies?
Can I borrow the tapes?
I'll return them. Really.
Okay.
If you see something weird ...
... and by that I mean | something very strange ...
... the bring me to look at it.
And put a bell | in the neck or something!
"Stan?
It's not funny.
Really. Stop it.
Damn! | Girl, I'm getting tired of this!
Someone is chasing me.
How did you find me?
See? Yes I look at those things.
I had a tape in my bag when | I threw. I ran the study, but ...
... I had another tape. I dropped. | Did not you see?
I looked, but did not see any tape, | just your crazy side in the drainage.
I saw how they killed Simon. | I saw the attack.
Look, honey, no evidence ...
This is a test.
Vandals.
Any police overwhelmed | with a long list of cases ...
... I will say this is vandalism.
Baby, believe me.
That's the way. | Let me take you home ...
... to make you change your clothes.
And so maybe I can go home.
Hello, this is Travis. Let.
Hello, am I the tower.
I do not know if you're there, | but I need to talk to you.
It's about Travis.
I think you're right.
After his escape, I realized | Sandra that it was real.
You think that also killed | your friend Sandra.
Yes And that would have been | the third murder.
Have not you told anyone?
I would tell the police.
You can not tell the police.
Why not?
This is the second time you say that.
Look ...
... Travis and I had a certain | amount of creativity.
I used mine for projects | less deserving.
As a result, my relationship | with the authorities is not wonderful.
But thanks to Travis, | I'm beginning to reform me.
He was always asking me | that did not end anything.
So I'm indebted to him.
Do you understand?
Yes
I remember my dad.
He was a filmmaker.
It was documentary.
After he died ...
... I thought if I did not | documentary was going to forget.
But he would love to know | I'm doing something I love.
So I decided to do | my fiction film.
No it was likely | to win ...
What?
The Hitchcock Award.
The winner goes straight | a lead in Hollywood.
Does anyone would kill for that?
Maybe.
Wait.
Where are you going to film tomorrow?
At the amusement park.
Because if you're right, the murderer | back to try to kill you.
This is our chance | to lure the murderer.
Trevor, I can not.
I know you're afraid.
I mean, me too.
But do not we owe | Travis and your friends?
Do not let anything happen to you.
I'll be there.
Trust me.
"I have a good story. | -Sandra is in a coma.
I heard he blew his head.
You did not see me, right?
Latex and cereal.
"I was very talented. | " Do not surprise you much.
"Goodbye to Hitchcock. | " No one will steal me.
-... fantasy and reality. | "I'm good at it.
You need to be successful in no | humbly, as I do.
tragic.
"Believe me. | -Paranoia.
I know who you are.
-Fear of jail. | "Do not expect that ...
-Script of terror. | -Innocent defendant.
-especially you. | "My brother did not commit suicide.
Do not say you saw me.
"Believe me. | " Believe me.
You cheated!
You paint very well. What are | working? "In another urban legend?
"The Tunnel of Terror."
A carnival comes to town. | But it's a different carnival.
It has a tunnel filled with terror | bloody corpses.
It seems the attraction | more fear.
Then in the morning, | the carnival is no longer ...
... and many children have disappeared.
It turns out that in the Tunnel | The corpses were real.
Is this the Tunnel of Terror?
HAPPY MINERS
He's going to be.
Hello, greenhorn.
You have to be high | of my tool to enter.
I told you.
Look no more.
Do not want a corpse?
My God.
- Is this the Tunnel of Terror? | "All depends on you.
"We need three hours. | -Have one.
"Perfect. | " You only have to negotiate.
... Twin powers activate!
Break it. Let's move on.
Good luck.
Sorry, doll.
Dirk! How are you going down there?
to work boys.
You got the power.
They're alive! | Watch this hand, baby.
Come quickly. These things are grim.
Are you scared about mine? | You're a coward, my friend.
Shut up and come here.
I can not believe | that Simon was we wrong.
I do.
What happened to the good Simon?
What's he doing here?
Loading things. | I wanted to help. What is it?
That's my team. That is.
I do not want so many people here.
Look at these kids.
This little piggy bought an egg, | I cooked this little piggy ...
Good job, buddy.
Bring the other lamps. | Let me put here.
What, Dopey?
Do not you think you are going | hand with this masterpiece?
Do you get to scold | front of everyone?
You should not do that.
Me not.
I'm outta here. | Pack these things.
This will be long.
Get out to eat | before we get bogged down.
- You sure? | -Yes.
I'm staying here. | Just back in an hour.
Okay. I bring you something.
Okay. Boys, for lunch. | One hour.
Just be careful.
always.
I got the lights. How do you go?
All right.
Let go of power.
"I will despatch my baby. | -Use a condom.
Dirk and Stan, do you hear?
Are you okay there? Are you listening?
Are you going to take a tour?
Yes, I'm coming.
Well, you hit the red ...
No. No. Green.
green pushes and pulls the peak | and everything should start.
-Start. | "Understood.
Hello, and welcome inexperienced. | Do not you stand up to the end.
To not miss nuggets | on the road.
Goodbye, stranger.
You're doing a tour.
Hurry!
Hurry up.
Now we look like us. | You'll love.
DATE BACK THE MEDIA, | WAITING MUCH TORTURE!
Going.
BY HERE
Very funny, guys.
Okay, guys. | I am very scared. Enough.
Boys, are well down there?
What a beautiful set. | Where is your team?
Those are the two. | Both were electrocuted.
Children stupid.
And that is your final statement?
Can you tell us otherwise, | he went off the light?
What's more, heart?
Let the case to us, detective.
No, there is nothing more to say.
Okay. We will be in touch.
Where were you?
Is this what you call execute a plan?
Do not help me. Do not protect me.
Not true.
I saw what happened to Graham. | So I followed him.
When I returned, there were police | everywhere. What happened?
Just what you said would happen.
It came again.
And Dirk killed and Stan.
God.
I trusted you.
Amy, sorry.
At least we know it is not Graham.
We do not know.
Now I fail at anything.
Why?
Dirk and Stan were sophomores.
They could not win the Hitchcock Award.
So, why kill them?
I do not know what to do.
I have much fear.
Do not worry.
I'm here.
Look.
You need to rest a bit, okay?
Then go to the tower | and start again.
You need to go to sleep. | You're exhausted.
"I know, but ... | -'re exhausted.
Maybe we missed something.
Something that can help us.
Just do not leave me again, okay?
I'm not going to leave.
I promise.
Vanessa.
I got your note.
Let me tell you what | I felt when I read this.
What?
At first, I was surprised | a bit, but ...
... I mean, really, no.
But I ...
Vanessa, I wrote you | no letter.
What?
God.
Who is able to do this?
Come on!
Amy, what happens?
What are we running away?
What's up, Amy?
Oh, shit.
Who the fuck is there?
What the hell down there?
Who's down there?
Oh, rats!
Come!
What? Are you kidding?
No, it's no joke.
- Did you hear that? | -Yes.
What the hell?
I do not hear anything.
Help!
What the hell?
Amy. What?
is Vanessa.
- What? | - In the tower!
Why do not I see you waking?
Amy, I discovered something.
I have to believe. | Let's go.
So I got to thinking ...
... if the murderer is not eliminating | rivals for Hitchcock ...
... just students of cinema, | must have a connection.
But I do not find it.
So I took off to you ...
... of the equation.
SEARCHING ...
"THE GODS OF MEN"
The project of my brother. | All the victims worked on it.
I have it.
END
That was awful.
How could make a | film so bad?
Directed by Travis Stark
I think I saw something.
"It's a joint. | - So what?
It's a physical connection.
There is a piece of tape connecting | the last frame of the movie ...
... to the first frame of the credits.
- Is not that normal? | -No.
This is a final copy.
is a copy of a negative. | There should be no joints.
"changed the credits | Travis film?
They changed the movie | Travis credits.
"To appropriate the film?
There is a person of this team | film that is still alive.
God.
What the Wind.
Okay, okay.
What?
Travis.
Not going to go.
What is it, Toby?
It seems you saw a ghost.
Professor Solomon.
Can you talk to them? | Have a gun ...
Shut up!
Travis?
Professor.
But I believed ...
Thanks for coming, Professor Solomon.
And I'm sorry.
Maybe I should sit.
Grab a chair professor.
Why the gun?
It's lies. It props.
God.
What's going on here?
Toby stole my movie | and changed the credits.
"That's the problem? | Well, do not flatter yourself.
Time. Travis, why the charade? | I thought you were dead.
We'll get to that.
Toby film was | from bad to worse.
My film was good and Toby | had made the sound.
No, I did the sound of your | film pretends-psychotic suicides.
You did and you know it.
You gave me credit for | I graduated.
You never see your film?
No, I never went to your movie.
Professor, help me.
Do you realize what | this means?
Do you realize what | this means?
What?
What you got "10" in sound for anything.
The film is a collaborative medium.
Who the hell are you?
I got a gun | Travis in the mouth.
And I pulled the trigger.
Why?
Why?
to incriminate you.
It's more ...
... put your fingerprints on the weapon to | try to kill Toby and Travis.
And this poor failed.
"So your name is Trevor?
Nice.
Run, Amy!
Get up!
If no salts, choking!
Move!
Come out here before | he kills someone else.
Amy, do not go.
Is it true about the twins? | Did you feel when you killed your brother?
It's going to hurt to die twice, | right?
Release.
I got what I wanted.
Do you think this is what I wanted?
To hell with teaching!
What are you talking about?
When I studied here ...
... the right not decide, | for Hitchcock, between my movie ...
... and a piece of shit | Chip Voelker.
So I asked a great filmmaker | to give the deciding vote.
Taylor Mayfield ...
... porter of documentaries.
With that vote ...
... your dad stole my career that | I should have done in Hollywood.
Thus I am stuck here since.
But then ...
... Travis did a brilliant film.
And I saw it was my outlet.
But I needed an alibi.
And then, bingo.
You walk into my office with your little | perverted idea for your movie ...
... giving me a good protection.
He killed all those who worked | Travis in the movie ...
... to present it as their own.
Yeah, baby, whatever.
As you just | lesbian in jail ...
... I'll go with the film Travis | and treatment of 3 films.
That only works in movies, idiot.
Nobody move!
Thank God.
"I would be killed. | " You're lying.
First things first.
I want the girl drop the gun | pate and me!
But he's lying!
I said let go and kick me!
Thanks.
Now go all | this creepy cemetery!
That includes the revived!
Professor, release the blade.
She's the one you | was out of the tower.
"Do not mind him. | " Come on, professor.
It's safe.
It's true, right?
I saw you coming out of the tower.
Listen.
But I never told anyone I saw.
You bastard!
Damn bastard!
Look out!
Well, everyone, calm down!
Well, everyone, calm down!
What you say, darling?
Put me a shot.
You filmed the death of Sandra.
Nice touch, eh?
I was out of focus.
But you know what they say.
Those who can not do, teach.
What are you doing?
Come on.
Shoot.
hand it to me.
God!
Thank God.
That's my sister, baby. | It's all woman.
We need help | in the film department.
It's been a year of pain | and large losses
And our grand prize also | is tinged with sadness ...
... as the recipient | is no longer with us.
But we are fortunate | your brother ...
... I accept your behalf.
We are proud to award | Hitchcock Award this year ...
... in memory of Travis Stark ...
... and the gods of men.
Stop!
psychotic bastard!
And cut.
- How many times did we do? " | " Is printed.
Let's do this again. | From the beginning.
Let me help.
Look, I am the agent | Amy Mayfield.
The minimum is a deal of 3 films.
- How do I? | -De wonder.
You too.
I have already picture.
Well, again. And rolling.
"Let us get it right. | -Sound recording.
Urban Legends, | scene 6, take 1: Slate.
Do not you love that movie?
I think we have much in common.
Do not worry. It is very safe. | Except in this film.
In which drew a creature | on the wing.
They say it really happened.
planes crash all | the time.
But they hide it, bribe | witnesses.
Where the hell are | the attendants?
Everything is based on aerodynamics | of Hydrometeorology.
Hey, you've never heard of ... | Club Mile High?
Ven.
is sick.
I do not know whether we should do this.
Oh, really?
No. Yes we should.
Come here!
"They're going down."
For here I come, baby.
No. Rob!
Yeah, stop!
What the hell is going on here? | Come! Run, run!
My God!
Help! Help!
Help!
Help! Help!
Cut!
Hey, guys! When I say | "court", means that you stop!
Thanks.
Sandra. You must not fly the plane.
Jesus! Vanessa.
Thanks for coming back to get | the microphone into the socket.
Poor Sandra.
The complaint as a whole director.
Excuse me. I mean, who | are we kidding?
Sandra is no Jamie Lee Curtis. | But will improve.
The action of this woman would be | a disgrace in a porn movie.
You're right. I've seen in a pair. | It's very bad.
"I thought he had ... | - quiet, scrotum.
Get me a coffee.
Hi, Amy.
I'll do something new
This time, if it turns out well, | I'll kill you!
Va again. Back | to the top.
Take 41:
Effects.
Effects. Effects!
-Records sound. | -Sound recording.
-wheel camera. | -Rolling.
Scene 16, take 41:
Damn action.
As chairman of the department | Film ...
... I wish them well now | who begin their spring semester ...
... and remind them the honor | and the privilege of attending a. ..
... the most excellent film school | ever.
So try not to burn | buildings.
"Mr. Solomon?
Did you have a sunny holiday?
I would like to welcome | Melvin Zarcoff ...
... a great director who joins us.
Welcome.
Mr. Zarcoff ...
... is a veteran of more than | 50 movies ...
$ 10 to you croak | semester.
You have $ 10. Spent all | in your "movie."
A little courtesy?
Yeah, shut up, dammit.
Too bad you are.
Clive LaVey has a course | Super-8.
Action!
That is a requirement for shops | video.
Did not he "The Cheerleaders | Diggers"?
No, that was Nick Clive LaVey made the | in "Splash Village."
They lacked blood.
Some have not yet delivered | their scripts.
This semester may submit | thesis films ...
... to be considered for the prestigious | Hitchcock Award ...
... that not only includes the sum | of $ 15.000 ...
... but that has become a springboard | for success in Hollywood ...
-... graduate as Cecily ... | - Spector.
Josh Bouvet.
Chip Voelker.
... and Chip Voelker.
teen!
Come here! Come here! What are you doing here | outside in the dark?
I was going to the library.
Alone? "At this hour?" | "In this weather?
Get on. I'll take you.
How cold it is.
Nothing of "show me your plate" | o "have any identification?
Do you have any identification?
I have not.
Where you going?
At the library, right.
Congratulations, baby.
My name is Reese. And you, sweetheart?
I'm Amy.
What a beautiful lion. | Do not have guns hidden there?
- Why do you ask? | Film-study.
In a class of the semester | last saw Pam Grier.
In a film hides his gun | inside a lion like that.
Coffy.
It's one of my favorite movies.
My gun even has the same | gold touches hers.
Look at that.
I love Foxy Brown.
"This is my sister, baby.
It is a remarkable woman! "
Will you do films like Coffy?.
I do not know, I have to make a movie | and I have a good story.
I have a good story.
Yes, it's about a mass murderer in | a university kills eight ...
... but nothing happens because | the university hides everything.
I knew that. It was assumed that | came in Pendleton.
It was just an urban legend.
No let me finish.
After the killings, the head | security ...
... I did not want to hide anything, | is fired.
He spends all year looking for work.
Finally, get another position, | on duty at another university.
Thanks for the ride.
-Yeah, baby, when you like. | -Good evening.
What urban legend or do anything.
Many film historians | not seem to measure ...
... are two examples that are | mutually exclusive.
... the lack of staging?
Go ahead.
-Godard victims ... | - Sorry. Return to time.
... hanging tree | in the French countryside.
I had just had an idea | for my thesis y. ..
Go. Sit.
Hello, Dr. Fain.
Well ...
... the film is about | a mass murderer ...
... whose murders are based | urban legends.
Sounds interesting.
But it is precisely what | we expect from a Mayfield.
I know, but I think I'm ready | for fiction.
Me too. Do we let it, Richard?
Can you shut the door ...
... when you leave?
What do you think?
"Terror and suspense?
A little of both.
As Hitchcock.
Perhaps Hitchcock themes | serve you.
The paranoia, the fear of prison, | the prosecution of the innocent ...
... how to erase the boundaries | between fantasy and reality.
So, okay?
It's great.
Travis Stark.
Who would have thought that | going to be another Spielberg?
-Yeah, sure. | "Please.
Enjoy it before going to the real world.
Here's to unemployment.
I drink because I came back | to save your life.
Two plus.
Will you give me a private function | when he returns?
We'll see.
I worked hard in your movie.
"In all your films. | " And so, I adore you.
Thanks.
Bride because I adore that.
Take it.
Do not have to take a plane?
Drunk I enjoy it more.
I have to finish working | in my film. Bon voyage.
See you when you return.
That guy is an idiot.
I am also a director.
Really?
Do directors earn much?
Quite.
Then you will pay for drinks.
Excuse me.
Excuse me.
Hello?
911: State your emergency.
I woke up in a tub of ice ...
"Do not tell me. You're missing a kidney. | -Yes.
heart, I have a Princess Di | on line 4. I have to go.
What?
So look.
It's a tradition in tests | end.
All the uncovering of studying ...
... and, at midnight, everyone yells | to release tension.
At the same time, between 12:00 and 12:01 ...
... a student is attacked | brutally.
No shout their cries because | they drown the cries of all.
true story, right?
Yes, they say happened at Harvard.
No.
It's an urban legend.
How did the girl who eats a "burrito" | with a pregnant cockroach ...
... and the eggs hatch in the nose?
Or as the girl who bites | chicken sandwich ...
... and discover that mayonnaise is | really pus from a chicken tumor?
Or the type that has crabs, | is lowered to close ...
All right!
captures well the idea.
I have my thesis film.
Do you have a paper for me?
You know scream, right?
Help! Help! Help!
Help! Help!
I almost shit's scary!
We are monsters movie.
- Want to be the Earl? | "The Condom.
Got it?
Travis Stark, a genius of cinema.
- What are you doing? | -Looking for her.
I was looking out the window. | I wanted to attract you.
A hundred percent.
Sorry.
Let's play hopscotch.
Anyway ...
- Is it your thesis film? | "Yes, but I have not finished.
It must be a mess now.
I would not call it a mess.
Sure. Say ...
... to me just approved the script | for my film and I thought ...
... you might like to | have a look.
Why do not you come on Tuesday | night and talked?
Okay.
I'll call you.
By telephone.
Do not give brain cancer cell?
It's an urban legend.
Too bad.
This is what we'll shoot.
Take $ 20. Go wash my car.
Go.
It's a production assistant, | not a slave.
It's the same. The type and asked to enter | a film school 3 times.
Well, there's a girl ...
... who is afraid of the dark.
The girl lowers his hand, | and if the dog licks ...
... feel safe.
Let me be the dog, | I am very good licking.
That said Dirk.
One day you wake up in the morning ...
... walking to the bathroom and sees the dog | hanging from the shower pipe.
And a message. | -THE LICK TOO HUMAN
Latex and cereal. We can do that.
"Latex and cereal? A call to my dad | and we do digitally.
Down with the digital. Viva latex.
That's not what your god says Lucas.
Yeah, well, to hell with George Lucas.
"I'll go to hell. | " I know.
I need to talk to you, Mayfield.
Private.
Be right back.
- Where were you? | "It's a good script, Mayfield.
De terror.
It is not like yours, | is rather paranoid thriller ...
Lies Mayfield, | you stole my fucking genre.
"Believe me, did not steal anything. | - What do you believe?
Yes, I think ...
... able to steal my Hitchcock.
No one is going to steal my Hitchcock.
And except you, baby.
Are you all right, Travis?
I was given the status | of my film.
I got 6.
How can that be?
Goodbye, Hitchcock.
You do not need.
You're above that.
You're the most talented filmmaker | school.
Amy, I have no money.
I have no contacts.
I think it's terrible to ask this now ...
... but I'm desperate.
Toby got out of my team today.
Yes His name is Simon.
He shot my film.
-I call it if you like. | "Well.
Everything will be alright.
We'll see.
Hey, guys.
- Have you seen Sandra? | - Naked?
Who would not?
I heard you!
- Look out! | - God!
Is ...
My God!
I cheated.
It's a great actress, right?
Pure movie magic.
My God.
"I" when "?
What were you doing?
Rehearsing.
I have a hearing parent | comatose for "ER."
"With the help of Daddy Graham. | " It was nothing.
Thank you, my love.
Let's see how the lava.
You hear a noise while in the bathroom. | You go here.
The camera follows you from the door, | approach.
You see the dog, you turn ...
... you see the message, then leaves | the murderer. Scream and now.
That's it. Got it?
I have picture.
Rueda sound.
Graham, hello!
Will I wait a second?
Recording.
Excuse me?
Is this the set of Amy Mayfield?
Yes, I'm Amy.
I'm Schorm Jabuscko.
Travis. Yes
Thanks for coming. Unfortunately ...
... this camera is all we have ...
... Schorm.
You can tell me Simon.
Do not worry.
I bring mine.
This is my baby ...
... baby.
You know what? | You're a beautiful woman.
You are also adorable, | cameraman.
If you were a woman, | I lay with you.
- Really? | -Yes.
-Hi, baby. | "Hi, baby.
Do you leave somewhere?
You left me fried.
Fuck!
Jesus!
What an idiot, Sandra. What an idiot!
Okay. Keys, keys. Where would | if I were some keys? Keys.
Damn. Keys.
Hello. Where are they? Keys.
What a pigsty.
Disgusting. Damn.
That's it!
Court.
-What evil acts. | -Urban Legends, scene 3 takes 28.
The dog acts well.
Action.
, can become comedy. | -Scene 3.
Take twenty-fuck-nine.
Well, action.
Court. Please clip.
What the ...?
- Is it ours? | -Roll wrong.
Ah, Sandra.
- What do you do? | "It's her best angle.
That's Sandra's ass.
Take spontaneous ass.
Hey, that was very real.
Do not let it go. Kill.
Do you cut a main artery | and that is all the blood?
O.J. let more blood in the Bronco.
It was good.
you " did that?
I do not. And you?
Simon?
But I like it.
And the roll was here?
I do not know.
Do you swear that you did this?
Yes, Dirk and I would better.
Do not you think real?
No. Lacking blood.
Please, is classic Sandra.
"I think he did it to his roll. | - Who shot it?
Boys. Travis Stark ...
... is dead.
and the majority seem to | know the news.
For those who do not ...
... Travis Stark took his life last night.
It's hard to know what to say.
He was blown away in the Tower | college, literally.
-teeth, unrecognizable. | "It's important ...
... to celebrate who was ...
... and I think that | could be back.
He was a talented filmmaker | that raised the level of all.
But not only failed himself | failed us all.
All at one time | we feel alone and desperate.
We need to be patient ...
... and remember that we can not | do the impossible.
... Truffaut asked the question:
"Is the cinema more important | than life?"
I had a great talent.
Are you OK?
Have not you seen Sandra?
Sandra is in a coma.
In an emergency room, | in Los Angeles.
You should let me help you.
I know that you're releasing me.
With the contacts of my father, I can | make your movie tomorrow.
I would try it out alone.
Do not give me hypocrisy.
I know who you are.
You're a Hollywood girl like me.
What? I grew up in Chicago.
No, before 1992, no.
You were 13 when you and your mom | went to Beverly Hills.
After | your father died filming ...
... the same shit Nature | that your film.
Do not act surprised.
is in your admission file.
Being the daughter of a filmmaker | who won the Oscar ...
... do not be difficult to get a | this school.
Why not let the image | ordinary girl?
You need to be successful to | avoid humiliation ...
... to the same degree as me.
Maybe even more.
See you on the set ...
... dear.
They say he was blown away | on the tower of the university.
CAUTION
Hello? Who's there?
Travis?
I said you were killed.
Did you meet him?
What?
My brother. Did you meet him?
I do not understand.
I'm Trevor Stark.
I'm his brother.
I did not know Travis | had a brother.
When did you last see?
I saw a couple of days.
Were you upset?
I was depressed and drinking by | the classification of the film.
I thought you could not | Award winning Hitchcock.
I thought that's why you ...
... is ...
... was killed.
Is that all think?
Wait, please.
If you are not Travis, what are you doing here?
Please.
My brother did not commit suicide.
Believe me. He did not commit suicide.
What do you mean? | Do you think he was murdered?
I know who killed him.
- Have you told the police? | I can not.
Why not?
Nothing more I can not. Look ...
... do not tell anyone | that I saw here.
Please.
I passed something to my brother | and I will find out what happened.
Three, two, one, midnight.
And cut.
Thank you. | Thanks. Well, just.
You can go. Just for today.
-Sorry for the hour. | - What?
Nothing.
Something is wrong.
Nothing. Nothing more ... Wait. | Hey, guys.
I need help with | these tracks effects.
Great. They're gone.
I'll help.
I just need a track | of them screaming. Go to sleep.
- You sure? | "Yes, I do.
We talk.
I need to smoke.
I need a lot of screaming very loud.
You're a beautiful woman.
Is it a Beaulieu?
A Bolieux.
"I can see?
No.
Have a good night.
Well, and rolling.
Remember: very strong.
Help!
Help! Help!
Help!
And cut.
Help me!
That girl!
Almost gave me a heart scare.
Have you been watching these monitors?
Yes
What, you signatures and my checks?
I think I heard someone shout | as if they were attacking.
Have you heard someone else?
I brought headphones.
I was recording shouting.
You were recorded screams | and then you hear ...
... screams.
You're getting paranoid.
Can we see the last | time of these monitors?
The last time? | I have to go round.
You think I only see movies?
Can I borrow the tapes?
I'll return them. Really.
Okay.
If you see something weird ...
... and by that I mean | something very strange ...
... the bring me to look at it.
And put a bell | in the neck or something!
"Stan?
It's not funny.
Really. Stop it.
Damn! | Girl, I'm getting tired of this!
Someone is chasing me.
How did you find me?
See? Yes I look at those things.
I had a tape in my bag when | I threw. I ran the study, but ...
... I had another tape. I dropped. | Did not you see?
I looked, but did not see any tape, | just your crazy side in the drainage.
I saw how they killed Simon. | I saw the attack.
Look, honey, no evidence ...
This is a test.
Vandals.
Any police overwhelmed | with a long list of cases ...
... I will say this is vandalism.
Baby, believe me.
That's the way. | Let me take you home ...
... to make you change your clothes.
And so maybe I can go home.
Hello, this is Travis. Let.
Hello, am I the tower.
I do not know if you're there, | but I need to talk to you.
It's about Travis.
I think you're right.
After his escape, I realized | Sandra that it was real.
You think that also killed | your friend Sandra.
Yes And that would have been | the third murder.
Have not you told anyone?
I would tell the police.
You can not tell the police.
Why not?
This is the second time you say that.
Look ...
... Travis and I had a certain | amount of creativity.
I used mine for projects | less deserving.
As a result, my relationship | with the authorities is not wonderful.
But thanks to Travis, | I'm beginning to reform me.
He was always asking me | that did not end anything.
So I'm indebted to him.
Do you understand?
Yes
I remember my dad.
He was a filmmaker.
It was documentary.
After he died ...
... I thought if I did not | documentary was going to forget.
But he would love to know | I'm doing something I love.
So I decided to do | my fiction film.
No it was likely | to win ...
What?
The Hitchcock Award.
The winner goes straight | a lead in Hollywood.
Does anyone would kill for that?
Maybe.
Wait.
Where are you going to film tomorrow?
At the amusement park.
Because if you're right, the murderer | back to try to kill you.
This is our chance | to lure the murderer.
Trevor, I can not.
I know you're afraid.
I mean, me too.
But do not we owe | Travis and your friends?
Do not let anything happen to you.
I'll be there.
Trust me.
"I have a good story. | -Sandra is in a coma.
I heard he blew his head.
You did not see me, right?
Latex and cereal.
"I was very talented. | " Do not surprise you much.
"Goodbye to Hitchcock. | " No one will steal me.
-... fantasy and reality. | "I'm good at it.
You need to be successful in no | humbly, as I do.
tragic.
"Believe me. | -Paranoia.
I know who you are.
-Fear of jail. | "Do not expect that ...
-Script of terror. | -Innocent defendant.
-especially you. | "My brother did not commit suicide.
Do not say you saw me.
"Believe me. | " Believe me.
You cheated!
You paint very well. What are | working? "In another urban legend?
"The Tunnel of Terror."
A carnival comes to town. | But it's a different carnival.
It has a tunnel filled with terror | bloody corpses.
It seems the attraction | more fear.
Then in the morning, | the carnival is no longer ...
... and many children have disappeared.
It turns out that in the Tunnel | The corpses were real.
Is this the Tunnel of Terror?
HAPPY MINERS
He's going to be.
Hello, greenhorn.
You have to be high | of my tool to enter.
I told you.
Look no more.
Do not want a corpse?
My God.
- Is this the Tunnel of Terror? | "All depends on you.
"We need three hours. | -Have one.
"Perfect. | " You only have to negotiate.
... Twin powers activate!
Break it. Let's move on.
Good luck.
Sorry, doll.
Dirk! How are you going down there?
to work boys.
You got the power.
They're alive! | Watch this hand, baby.
Come quickly. These things are grim.
Are you scared about mine? | You're a coward, my friend.
Shut up and come here.
I can not believe | that Simon was we wrong.
I do.
What happened to the good Simon?
What's he doing here?
Loading things. | I wanted to help. What is it?
That's my team. That is.
I do not want so many people here.
Look at these kids.
This little piggy bought an egg, | I cooked this little piggy ...
Good job, buddy.
Bring the other lamps. | Let me put here.
What, Dopey?
Do not you think you are going | hand with this masterpiece?
Do you get to scold | front of everyone?
You should not do that.
Me not.
I'm outta here. | Pack these things.
This will be long.
Get out to eat | before we get bogged down.
- You sure? | -Yes.
I'm staying here. | Just back in an hour.
Okay. I bring you something.
Okay. Boys, for lunch. | One hour.
Just be careful.
always.
I got the lights. How do you go?
All right.
Let go of power.
"I will despatch my baby. | -Use a condom.
Dirk and Stan, do you hear?
Are you okay there? Are you listening?
Are you going to take a tour?
Yes, I'm coming.
Well, you hit the red ...
No. No. Green.
green pushes and pulls the peak | and everything should start.
-Start. | "Understood.
Hello, and welcome inexperienced. | Do not you stand up to the end.
To not miss nuggets | on the road.
Goodbye, stranger.
You're doing a tour.
Hurry!
Hurry up.
Now we look like us. | You'll love.
DATE BACK THE MEDIA, | WAITING MUCH TORTURE!
Going.
BY HERE
Very funny, guys.
Okay, guys. | I am very scared. Enough.
Boys, are well down there?
What a beautiful set. | Where is your team?
Those are the two. | Both were electrocuted.
Children stupid.
And that is your final statement?
Can you tell us otherwise, | he went off the light?
What's more, heart?
Let the case to us, detective.
No, there is nothing more to say.
Okay. We will be in touch.
Where were you?
Is this what you call execute a plan?
Do not help me. Do not protect me.
Not true.
I saw what happened to Graham. | So I followed him.
When I returned, there were police | everywhere. What happened?
Just what you said would happen.
It came again.
And Dirk killed and Stan.
God.
I trusted you.
Amy, sorry.
At least we know it is not Graham.
We do not know.
Now I fail at anything.
Why?
Dirk and Stan were sophomores.
They could not win the Hitchcock Award.
So, why kill them?
I do not know what to do.
I have much fear.
Do not worry.
I'm here.
Look.
You need to rest a bit, okay?
Then go to the tower | and start again.
You need to go to sleep. | You're exhausted.
"I know, but ... | -'re exhausted.
Maybe we missed something.
Something that can help us.
Just do not leave me again, okay?
I'm not going to leave.
I promise.
Vanessa.
I got your note.
Let me tell you what | I felt when I read this.
What?
At first, I was surprised | a bit, but ...
... I mean, really, no.
But I ...
Vanessa, I wrote you | no letter.
What?
God.
Who is able to do this?
Come on!
Amy, what happens?
What are we running away?
What's up, Amy?
Oh, shit.
Who the fuck is there?
What the hell down there?
Who's down there?
Oh, rats!
Come!
What? Are you kidding?
No, it's no joke.
- Did you hear that? | -Yes.
What the hell?
I do not hear anything.
Help!
What the hell?
Amy. What?
is Vanessa.
- What? | - In the tower!
Why do not I see you waking?
Amy, I discovered something.
I have to believe. | Let's go.
So I got to thinking ...
... if the murderer is not eliminating | rivals for Hitchcock ...
... just students of cinema, | must have a connection.
But I do not find it.
So I took off to you ...
... of the equation.
SEARCHING ...
"THE GODS OF MEN"
The project of my brother. | All the victims worked on it.
I have it.
END
That was awful.
How could make a | film so bad?
Directed by Travis Stark
I think I saw something.
"It's a joint. | - So what?
It's a physical connection.
There is a piece of tape connecting | the last frame of the movie ...
... to the first frame of the credits.
- Is not that normal? | -No.
This is a final copy.
is a copy of a negative. | There should be no joints.
"changed the credits | Travis film?
They changed the movie | Travis credits.
"To appropriate the film?
There is a person of this team | film that is still alive.
God.
What the Wind.
Okay, okay.
What?
Travis.
Not going to go.
What is it, Toby?
It seems you saw a ghost.
Professor Solomon.
Can you talk to them? | Have a gun ...
Shut up!
Travis?
Professor.
But I believed ...
Thanks for coming, Professor Solomon.
And I'm sorry.
Maybe I should sit.
Grab a chair professor.
Why the gun?
It's lies. It props.
God.
What's going on here?
Toby stole my movie | and changed the credits.
"That's the problem? | Well, do not flatter yourself.
Time. Travis, why the charade? | I thought you were dead.
We'll get to that.
Toby film was | from bad to worse.
My film was good and Toby | had made the sound.
No, I did the sound of your | film pretends-psychotic suicides.
You did and you know it.
You gave me credit for | I graduated.
You never see your film?
No, I never went to your movie.
Professor, help me.
Do you realize what | this means?
Do you realize what | this means?
What?
What you got "10" in sound for anything.
The film is a collaborative medium.
Who the hell are you?
I got a gun | Travis in the mouth.
And I pulled the trigger.
Why?
Why?
to incriminate you.
It's more ...
... put your fingerprints on the weapon to | try to kill Toby and Travis.
And this poor failed.
"So your name is Trevor?
Nice.
Run, Amy!
Get up!
If no salts, choking!
Move!
Come out here before | he kills someone else.
Amy, do not go.
Is it true about the twins? | Did you feel when you killed your brother?
It's going to hurt to die twice, | right?
Release.
I got what I wanted.
Do you think this is what I wanted?
To hell with teaching!
What are you talking about?
When I studied here ...
... the right not decide, | for Hitchcock, between my movie ...
... and a piece of shit | Chip Voelker.
So I asked a great filmmaker | to give the deciding vote.
Taylor Mayfield ...
... porter of documentaries.
With that vote ...
... your dad stole my career that | I should have done in Hollywood.
Thus I am stuck here since.
But then ...
... Travis did a brilliant film.
And I saw it was my outlet.
But I needed an alibi.
And then, bingo.
You walk into my office with your little | perverted idea for your movie ...
... giving me a good protection.
He killed all those who worked | Travis in the movie ...
... to present it as their own.
Yeah, baby, whatever.
As you just | lesbian in jail ...
... I'll go with the film Travis | and treatment of 3 films.
That only works in movies, idiot.
Nobody move!
Thank God.
"I would be killed. | " You're lying.
First things first.
I want the girl drop the gun | pate and me!
But he's lying!
I said let go and kick me!
Thanks.
Now go all | this creepy cemetery!
That includes the revived!
Professor, release the blade.
She's the one you | was out of the tower.
"Do not mind him. | " Come on, professor.
It's safe.
It's true, right?
I saw you coming out of the tower.
Listen.
But I never told anyone I saw.
You bastard!
Damn bastard!
Look out!
Well, everyone, calm down!
Well, everyone, calm down!
What you say, darling?
Put me a shot.
You filmed the death of Sandra.
Nice touch, eh?
I was out of focus.
But you know what they say.
Those who can not do, teach.
What are you doing?
Come on.
Shoot.
hand it to me.
God!
Thank God.
That's my sister, baby. | It's all woman.
We need help | in the film department.
It's been a year of pain | and large losses
And our grand prize also | is tinged with sadness ...
... as the recipient | is no longer with us.
But we are fortunate | your brother ...
... I accept your behalf.
We are proud to award | Hitchcock Award this year ...
... in memory of Travis Stark ...
... and the gods of men.
Stop!
psychotic bastard!
And cut.
- How many times did we do? " | " Is printed.
Let's do this again. | From the beginning.
Let me help.
Look, I am the agent | Amy Mayfield.
The minimum is a deal of 3 films.
- How do I? | -De wonder.
You too.
I have already picture.
Well, again. And rolling.
"Let us get it right. | -Sound recording.
Urban Legends, | scene 6, take 1: Slate.
Do not you love that movie?
I think we have much in common.