You+Me - Against the World (2026) Movie Script

Vadim.
I made a choice.
One day, I'll explain how.
Why.
Because between you and us
I chose you.
And for once, without hesitation.
YOU+ME - AGAINST THE WORLD
EIGHT MONTHS EARLIER
Alma!
Coming!
DREAMS AND MAGIC OF CINEMA
- I'm going. Love you.
- Enjoy your first day at school!
- You're going to kick ass!
- Thanks.
Lily. "Kick ass?"
Sorry, Dad.
Don't worry,
we've only been waiting for ten minutes.
Basile.
- See you later, Dad.
- Have a good day.
Sweetie, wait.
It's a little early,
but I couldn't wait any longer.
Go on, open it.
INTERNATIONAL LAW INSTITUTIONS
Was this Grandma's?
She'd be proud of you joining me
at the firm in Paris. Just like I am.
It's been in your blood
since you were a kid, unlike your brother.
You'll see,
you're going to love studying law.
Yeah.
Alma!
I'm so happy to see you!
Me too. Was orientation week good?
Better than good. Are you ready?
Welcome to paradise.
- Can I show you around?
- Sure.
This is the cafeteria.
It's the same as in high school,
but with a juice bar.
It's really nice.
All the clubs are over there.
It's the epicenter of juicy gossip.
We're obsessed.
You're a regular!
If you want to know anything about anyone,
go there.
This is the law building.
You won't go there,
but now you know where it is.
Behind that gate,
you'll find the studios,
sets, editing rooms,
lots of equipment. It's awesome.
Calm down, Spielberg. It's not open yet.
I still have plenty to show you.
- Follow me.
- Hey!
I want to introduce you to some people.
Everyone likes to joke around...
You could maybe, like, apologize?
- Who was that?
- I don't know.
But he's so hot.
If I was told
the good as gold Alma Lancaster
would lie to her family to make films,
- I wouldn't have believed it.
- Stop it.
No, I swear. This is gonna be huge.
Filmmaking isn't a job.
It's a calling.
I want passion.
Fever.
And spilling your guts.
I'm Lonard Abrams.
Your lead instructor.
Welcome to film studies.
Those from here to here
won't pass the first year.
This program
is like the first year of law school.
The failure rate is 60%.
At best.
Any questions?
What will be the final exam?
You'll submit a short film in the spring.
And since you'll never make it
on your own,
you'll be working in pairs.
Either you'll both pass,
or you'll both fail.
I'll be choosing the pairs.
For the next hour,
you'll get to know each other and chat.
Right, then.
Alexia Bruniski and Matt Louns.
Jules Adler and Billie Schmidt.
Alma Lancaster and Vadim Arcadi.
Victor Bas and Pauline Leclerc.
Marc Spritz and Maria Houx.
Juliette Hall and Mathis Santos.
Ela Guillema and Yacine Kadar.
Yseult Fournier and Thomas Saoulm.
Don't want anyone to see you with me?
No. Not really.
I mean
Okay, Lancaster.
I'd rather you used my first name. Thanks.
And I'd rather work alone.
You don't always get what you want.
Didn't know what else to do
with Daddy's money?
Like every rich kid here?
Is that why you're doing film studies?
You think you're a tortured artist?
Maybe.
- Alma.
- Tim.
How are you, my love?
- Are you in class?
- Yeah, we're working.
Yeah? I can drive you home for lunch.
No, we're working on our film.
What are you doing? We're not done.
I have stuff to do too.
I don't want you getting too close
to that guy.
Why, do you know him?
Not really, but he's been coming
to our parties since last year.
Yeah?
I heard he was in jail.
- What?
- Yeah.
Seriously, it's bad for you
to be seen with him.
- Okay.
- Seriously, Alma.
You need to switch partners.
This sucks. I don't get it.
I had it all figured out.
One year to prove to my father
I was made for film, not law.
I didn't plan
to be paired up with Vadim Arcadi.
Don't worry. Listen to what I found out.
Here goes. You have nothing in common.
He's Russian. He grew up in a shelter
not far from here.
Has an attitude problem
and a history of school expulsions.
He managed to get a scholarship, though.
That's no mean feat.
And
He's a Gemini.
What about prison?
I've got nothing. Just rumors.
What are the rumors?
They range from shoplifting
to double murder.
- No way.
- I swear to God.
Total bullshit.
That's all you found? Nothing concrete?
You're funny.
I'm working with what I have.
We were in a rush.
Now, I've got to get out there
and dig up some info.
It's my first year of journalism.
But don't worry.
I'll find some real leads.
Shit. I am so screwed.
No, it's fine.
We're just brainstorming here,
but there are some positives.
He's incredibly talented.
That's why he got the scholarship.
Chances are, with him,
you'll make a great film.
Yeah, you're right. I don't know
I'm afraid I'll fail and my dad
will make me take over the firm.
I'm glad you and Tim have my back.
It's nothing.
I won't let him take you to Paris.
And if, in exchange,
I get to have the Lancasters feed me
and paddle around in their pool
like a little duckling, I'm all for it.
Alma, time to eat.
We have to go.
Are you coming to the party at Sunset?
Yeah. Plus, my dad won't be here.
- Awesome! It's gonna be so fun.
- Yeah.
We need to make the most of it.
- Are you coming with Tim?
- No, he's having dinner with his parents.
With his parents? He won't be there?
- Stop.
- Too bad.
Send him my love.
- We'll toast him.
- You're mean.
We love him.
- Let's go.
- Yeah.
SCREENPLAY IDEAS:
VADIM ARCADI
NO RESULTS FOUND
TIM - VOICE MESSAGE
+33689601129 - MISSED CALL
Alma, listen.
I've been thinking about this guy.
You'll fail because of him.
Talk to your teacher.
Good night, my love.
Mr. Abrams! Can I talk to you?
Miss Lancaster.
I just wanted to ask,
would it be possible to switch partners?
Arcadi already asked me.
I'll give you the same answer.
No.
I won't let you switch partners
at the first sign of trouble.
I put you with Arcadi to push you.
You complement each other, believe me.
You still have time to
come up with an idea.
As a pair.
Goodbye, Alma.
Goodbye, sir.
So, you want to get rid of me?
First of all, hello.
Apparently I'm not the only one
who had the idea.
At least we agree on one thing.
- You could have called me back.
- What?
I called you the other night.
Your number starts with "0689"?
Couldn't leave a message?
Okay, we have one week left
to submit our film idea.
Are you free tonight?
No, I have plans.
Okay.
And?
I have to go. I'll call you.
And you'll pick up.
- When's Dad coming home?
- Next weekend.
Already?
Lily, please.
Handling the growth
of the firm in Paris is tough.
Why is he calling you?
What's it to you?
Who is it?
A weirdo from film studies.
Film studies? The new program?
No.
It's not the same Vadim.
Really?
Then, who is he?
Well, he's
A guy who studies law with me.
Do you know all the Vadims in the world?
Do you?
I'll tell you what.
I can't wait for Dad to come home.
Being the only man in this house is
It's unbearable. I said it.
The guy on the left is Flix Alonso,
his best friend. Pretty basic guy.
He's on scholarship too,
majoring in geography.
Why not?
On the right is Oscar Johnson.
I don't know much about him.
I just know that he's a youth worker,
he's older than us,
and his eyes are amazing.
Okay.
- Anything else?
- I don't have anything else on Vadim.
You guys have to be exemplary.
What does "exemplary" mean?
Be on time, study hard, and answer calls.
This year, I'm keeping an eye on you.
Especially you.
You have to behave
to keep your scholarship.
Who's Alma Lancaster?
My partner.
Wait. Lancaster, like the big law firm?
Yeah, I don't know.
Stay out of trouble tonight.
We always do.
Then, I'll trust you.
- Have a good night, guys.
- You too, Oscar.
I haven't written a line!
Can you believe it?
Nothing at all. It's a nightmare.
"To push you."
I'd like to see him in my shoes.
- I think I need to be pushed.
- Okay.
Tonight, I'll get him.
He's driving me crazy!
- He's so handsome.
- Thanks for your support.
No more work talk, no more partner talk.
Let's have fun, okay?
I want to see you smiling and dancing.
Come on, soldier.
- Come on!
- Okay.
To boost morale.
Cheers!
Hey. Come on, let's go home.
Is that Alma?
She's pretty cute.
Forget it. You can't afford it.
Is this why you said
you were busy tonight?
My plans changed.
I called you, but
Come on, let's go.
See you later, Lancaster.
Hey! This is an important year for me.
I can't mess it up.
- Me neither.
- Really? Doesn't seem like it.
You know nothing about me.
Okay. Well
Vadim!
Can we start over?
Come with me.
Wait, what?
Can you tell me what's going on?
Vadim, I'm talking to you.
Where are we going?
Don't worry.
Well, thanks for bringing me home.
I'm sorry.
I'm not the most sociable guy.
Coming to this rich-kid paradise every day
on a scholarship
It's not always easy.
Nice to meet you. Alma.
Vadim.
So, where do we start?
Now?
Why not?
Well
I don't know.
Why do you want to make films?
Because of my parents.
Are they in the industry?
They were.
Sorry.
You?
In films, you can build
whatever life you choose.
You're not happy with your life?
I can't really complain.
And why couldn't you?
I'd better go.
Thanks.
Lancaster!
Thanks.
I dare you to do it again.
See you tomorrow.
INT. CAR - NIGHHe drives, focused.
Beside him, the warm air
lifts a lock of the girl's hair.
He shifts gears, their hands almost touch.
He touches her thigh. It gets hotter.
They look at each other.
Yes?
You okay?
I'm sorry.
Dinner went on forever.
I thought I'd never get out of there.
What are you doing?
Working after your party?
I was just finishing
Can I read it?
It is a draft.
I'm not done yet.
Can you put this away?
Sure.
You okay?
Yeah, you?
Are you fucking kidding me?
Where were you?
Nowhere.
Don't take me for a fool.
You were with that rich girl.
Don't you get that "lawyer"
means "danger" for us?
A lawyer's daughter is the same.
She sticks her nose in our business,
we're dead.
How would Oscar react?
He'd kill us.
Wake up, man!
I'm warning you.
This time, you'll go down on your own.
I won't always be there.
Hello?
Vadim?
Stay away from Vadim, rich girl.
We know where you live.
- This number is not in use.
- I don't know. It's weird.
Maybe it was an ex of his.
A jealous ex who sees you as a threat.
I wouldn't be surprised.
No. It was a man's voice.
Really?
I'm seeing him later. I'll ask him.
You minx!
Really? What are you guys doing?
Working.
Working. Sure.
Your characters must choke, suffocate,
feel the walls closing in.
It's then, and only then,
that a small spark can ignite
and set their spirits on fire.
Then, the world.
Hand in your papers.
Make sure you've written your names.
SOLANGE AND MILO
He is quite mysterious.
A shadow.
Everywhere and nowhere at the same time.
Vadim?
I'm Michelle Kerry,
a friend of your mom's.
You know, I've known you
since you were little.
I don't remember you.
Of course. You were only three years old.
As soon as you came of age,
I hired the best lawyers.
But I had a hell of a time finding you.
Your name was wiped from the records.
Have you visited their graves?
Not until I know what really happened.
I understand.
I don't believe it was an accident either.
But it was over 15 years ago.
You need to think about your future now.
I heard you're a film student.
Your parents would be so proud.
Thank you for coming.
There are many things you don't know.
When you're ready,
I'm staying at the Grestonia Hotel.
You're no longer alone, Vadim.
ARCADI CASE: REVENGE OR ACCIDENT?
So, did you meet up with Vadim?
No, he didn't show up.
What if he never comes back?
How can I pass without a partner?
Coach did a great job.
He recruited some new players.
We have a great team this year.
I think we can win it all.
It's gonna be crazy.
- Are you listening, Alma?
- Yes, yes.
- What the hell are you doing?
- Sorry, I didn't see you.
Thanks for the homework, Lancaster.
I owe you one.
What an asshole.
You didn't switch partners, then?
Abrams wouldn't let me.
You sure you handled it right?
I can talk to your professor.
It's okay. I've got it.
Tim, what the hell are you doing?
We have practice.
I'm coming, okay?
Fuck, I'm really late.
See you later.
10 P.M. TONIGHT. I DARE YOU.
"I dare you?" You have to do it.
First of all, I don't want to.
Second, I can't.
But why? Give me one good reason.
Tim's coming over for dinner.
Tim always comes over for dinner.
I can't take anymore.
Enough with the dinners.
You could learn more about him.
You should go. It's so exciting!
I'm not lying to everyone for some guy
who goes MIA and then hands me a note.
You're already lying to everyone.
But it's your choice, I guess.
Not everyone.
What if I had a plan? Would you say yes?
No.
We'll call it Operation Russian.
Why?
All the best operations have a name.
- It's not a heist.
- Yes, it is.
Given how strict your dad is,
this is a really tough job.
Let me explain how it's going to work.
You're going to act as usual at dinner.
Tim, our first regatta
was four or five years ago now, wasn't it?
Four and a half years ago.
Now that I have a real partner,
maybe I'll finally beat you.
At 9:30 p.m. sharp, I'll call you.
I'll pretend to be heartbroken.
I'll cry, I'll scream.
There'll be snot and everything.
You, my best friend, must come save me.
I'm not sure that will work.
It will! Trust me.
I took drama in sixth grade.
Adding that specialty
From a purely business point of view
- You okay?
- Yeah.
Maybe Tim could check
the company's legal status with you.
Sorry, Dad. It's Clem.
- Hello?
- Alma!
We had a fight. I'm so sad.
You need to come over right away.
They think you're studying law?
No one has found out yet?
Apparently not.
I'm up for the biggest liar award.
All this to make films?
I can't do anything else.
I don't want to do anything else.
I don't know how to do anything else.
I don't know how to put it.
It's like ever since I was little
You've seen things differently
from other people?
Exactly.
For me, everything becomes a scene.
Arguments at the dinner table,
doors slamming, a ray of sunshine.
Everything, everywhere.
I come here for inspiration.
I go into my own little bubble,
and the rest of the world just disappears.
So, you disappear a lot?
No one is paying for my education.
So
Well, I have
Obligations.
I've never been here before.
It's isolated.
What? Are you afraid?
Not at all.
I dare you to jump into the water.
Okay.
But you first.
Okay.
- Hello?
- Alma, it's past midnight.
Yes.
It's just that Clem's not feeling well.
Really?
So, I don't think
I should leave her alone.
Okay, see you tomorrow.
Thanks, Dad. Love you.
So, you're sleeping
at your friend's place?
She's not alone.
That wasn't the plan.
We could go to my place.
Here.
Thanks.
You look a lot like your father.
The only photo I have of the three of us.
What happened to them?
They died in a car accident. Apparently.
I'm sorry. I didn't mean to pry.
No, it's okay.
If you don't want to talk about it,
that's fine.
When they died, I was put in a shelter.
And
Then I was in and out of foster homes.
It always went badly.
Why?
Sorry.
Then I met Flix.
We were eight.
And
Even though the families
were horrible sometimes,
we just wanted to stay together.
We had each other's backs.
Is he like a brother to you?
Yeah.
He is my brother.
And what about your youth worker?
Oscar?
We met him when we were 14.
Flix and I
were getting into all kinds of trouble.
What kind of trouble?
Just kid stuff.
We hated everyone, so
Let's just say that when we met Oscar,
we calmed down.
He helped us get our act together.
He was the first person
to talk to us like adults.
Yes, but at 14, you're not an adult.
So?
You seem better.
- Yeah.
- Flix said you were sick yesterday.
Next time, let me know.
I always need to know where you are.
Yeah, I know.
Okay.
I have to go.
Be my guest.
Just remember one thing.
Don't mess with me.
Okay?
Hi!
You okay?
- It's Clem's.
- Is she feeling better?
Yes.
I know Marcus was with her last night.
Who were you with?
- I was with...
- You're clearly making something up.
Lie to your whole family if you want,
but not to me, okay?
- I can explain, I swear.
- Don't bother, Alma.
I'd choose my reputation over your lie
in a heartbeat.
Don't ever do that again, okay?
Can't sleep?
No.
I've been doing some investigating.
What are you talking about?
There is no one called Vadim
in first-year law.
Leave me alone, Basile.
You mean too much to Dad's plans
for me to let you screw them up.
Good night.
I was an idiot, sorry.
I don't want to ruin everything.
It's not just rich men.
There are rich women too.
Is that Oscar?
What's he doing here?
Is there a problem?
No, I just wanted to check
everything was okay.
Yeah, everything's fine.
Having a nice night?
Yeah, very nice.
You seem nervous.
No, not at all. It's all good.
Who's that?
That's Marcus.
He's a friend. No worries.
What's up, man? Okay?
- What are you doing?
- Are you serious?
Vadim!
Tim sends his regards.
What was that about?
- Vadim!
- I don't know.
What do you mean?
Isn't Tim Alma's boyfriend?
How do you know that?
I told you that girl was trouble.
Stop seeing her. It's over.
If not, you'll regret it. Got it?
What happens when, in your script,
everything is too easy?
It's super boring.
Exactly.
Thank you, Billie.
Without obstacles, we're bored.
Your scripts are too linear.
Explore other paths.
We need doubt.
Your characters need to hesitate.
To be pulled in two directions.
If they choose one path,
they could lose everything else.
We need to fear for them.
You have one hour. Get to work.
Alma.
Look at this.
Wait, where was it?
Here.
Something's missing.
We need more tension.
- Are you okay?
- Yeah.
Maybe we could add
A love story.
That's kind of clich.
Not if we tell it physically,
with the camera.
To give it a real cinematic edge.
- I don't quite follow.
- Look.
Imagine that's Solange and that's Milo.
Right?
The camera follows them.
Look at the arrows.
It has to be beautiful,
like the world stops when they talk.
When their eyes meet.
It's not just a story with words.
It has to be visual.
- See what I mean?
- Yeah.
Yeah.
- I don't know
- Yes, you do!
I don't get sequence four.
Can you come to the dock?
No, I can't right now.
But it's simple.
Once she falls in love,
the camera approaches them.
- It's
- Yeah, but...
I gotta go.
- How's it going?
- Good.
Who was that?
- It was my sister.
- Okay.
Dock? Tomorrow?
Can't wait to see you. Vadim.
Imagine you're Solange and I'm Milo. Okay?
The camera is far away,
to show the scenery and both characters.
Then they slowly move forward.
Here, the camera locks onto their eyes.
The camera is getting closer.
Solange and Milo walk past each other.
But he ignores her.
Then, Milo realizes he's making
the biggest mistake of his life
and turns around.
Solange thinks the same
and turns around too.
The camera zooms in.
And they kiss passionately.
- We've got it.
- Yeah, great.
You kissed?
- Stop it, Clem.
- Okay! Amazing!
- It was fake.
- Yeah, of course it was fake.
Come on, give me the details. How was it?
- Quick.
- So, you've been thinking about it?
- No. Okay, okay.
- Yes, you have.
Maybe it didn't mean anything to him.
I don't know.
There's only one way to find out.
Do it again.
- You're too much.
- Yeah, do it again.
No, I feel terrible, actually.
Why? Because of Tim?
We're done with Tim.
He's exhausting, I swear.
He's stifling you.
He won't let you live your life.
Don't you want to feel free?
You have one new message.
You just don't get it.
Stay away from Vadim.
I won't say it again.
Don't leave cables lying around.
You should know that by third year.
Can you go get Clmence?
Clmence, we're going to set up.
The point of no return.
POINT OF NO RETURN
At first,
your characters refuse the mission.
In fact, they're dead set against it.
- I'm blowing a kiss to the camera.
- Wait.
Wait, I'm trying a close-up.
Then comes the moment to make a choice.
Without even realizing it.
Spring break.
The character gets into a car
Jumps from a train
Throws a grenade,
or kisses the bad boy.
Wait, I'm so scared!
And that's the point of no return.
Once the obstacle is overcome
The hero is faced with
A rebirth.
I booked us a weekend by the sea.
I think it'll be good for us to reconnect.
We leave on Saturday, okay?
I want us to stop.
Stop what?
Us.
Because of Vadim?
Not at all. What are you on about?
Do you think I'm stupid?
Do you think I haven't noticed?
You disappear,
you don't reply to messages, you lie.
You've changed
since you started working with him.
- He's dangerous, Alma.
- Yeah.
For you and your family.
Are you sure about this?
Yes.
I won't cover for you anymore.
Don't come crying to me
if your dad drags you to Paris.
Alma?
- Is something wrong?
- No, I'm fine.
I can see you're not.
What's going on?
Sweetie.
It's going to be okay.
Is it your classes?
Did you get bad grades?
Dad, leave me alone.
I'm sick of it! The classes, the firm,
how lucky I am thanks to you.
Did you ever consider
that law wasn't for me?
Leave me alone.
Alma!
You said that to succeed,
you had to "build character."
It's working, huh?
HIDDEN NUMBER
I warned you, Alma.
That's so creepy.
Who could have sent it?
Oh, fuck, Alma.
Don't worry. I'll take care of it.
What's with the graffiti?
Are you dating Arcadi?
Hey. I'm talking to you.
Are you dating him?
No, it's not like that. He's a friend.
A friend?
So, you're doing drugs?
What?
Everyone knows
Vadim is the campus drug dealer.
Why else would you hang out with him?
It's nothing, Basile.
Really, it's nothing.
Yeah, we'll see about that.
My brother will find out
I'm in film studies.
I'm in so much trouble. Damn.
He told me something else.
Are you really a drug dealer, Vadim?
Are you going to see him again?
I don't know.
If he's a drug dealer, that's bad news.
- You need to talk to him.
- Yeah, I know.
If only he answered my calls.
Hello, Vadim.
I'm glad you came.
I would like us to talk
about your parents.
They left you everything.
What do you mean, "everything"?
The lawyer can tell you more than I can.
You need to come with me to Los Angeles
to see him.
It's complicated. I can't just leave.
Los Angeles, bro?
That's so cool. You have to go.
I'm not sure.
I don't know how to tell Oscar.
Sorry I didn't call you back.
Oscar's pressuring me.
And I just found out
I have to go to Los Angeles soon.
Things are complicated for me right now.
I understand,
but I really need to talk to you.
Can we meet up?
Alma.
You wanted to see me?
Are you really a drug dealer?
Of course not.
Is that really how you see me?
I'm sorry.
I freaked out.
I've been getting threats
since I started seeing you.
And I'm afraid
Of my father,
of us failing this year.
You're afraid of everything, all the time.
That's the problem, Lancaster.
Forget it.
Yeah.
I'm used to being forgotten.
Wait.
Yes, I'm afraid.
Of liking this.
Then, we have something in common.
Let's go.
- Are you sure?
- I want you. I'm sure.
I dare you to
Hey!
Come back! Stop! Hey!
Are you Solange?
No.
HIDDEN NUMBER
You should have listened to me.
Yes?
Can I talk to you for a minute?
I found this in the mailbox.
DORVAN UNIVERSITY
CERTIFICATE OF ENROLLMENALMA LANCASTER - FILM STUDIES
So, you're not enrolled in law.
No.
I'm sorry, Mom.
I really am.
Dad's been putting so much pressure on me
about the firm
I didn't want to disappoint you guys. I'm
So, you lied to us.
I really want to make films, Mom.
If you want to follow that path,
you have to tell your father.
- It's not easy to talk to him.
- I know.
But you have no choice.
If you don't tell him, I will.
Okay?
It can't all end now. That's impossible.
I don't want him to take me to Paris,
away from you.
- I need to keep investigating.
- Okay.
But my first suspect is your ex.
- But...
- Wait. Here comes Tim. I'll ask him.
Happy your plan worked?
- What?
- The graffiti, the pictures, the texts.
And the letter to my mom.
- You know what? Well done.
- What are you talking about?
Do you really think I would do that?
Alma, I'm so disappointed in you.
It makes me sick thinking of you
with that guy.
But I could never do that to you.
All your problems started
when you began seeing him.
So, ask yourself the right questions.
I wasn't there for the graffiti.
I was in London for a game.
Feel free to check.
Are you okay?
If it's not him, then who?
I don't know, but we'll find out, promise.
How's your civil law class going?
You haven't said.
Yes. Yes, yes. It's fine.
Bro, where are you?
I won't cover for you tonight. Come now!
Vadim. Leave a message.
HIDDEN NUMBER - Vadim's waiting for you.
South Gate parking lot.
Hey, man. What's up?
I have everything.
What the hell is she doing here?
Care to explain?
You can't stay here.
You deal drugs, don't you?
So, you lied to me.
Wow. Great.
You wouldn't understand.
We're not from the same world.
You know what? You're right.
I'm ashamed to be with someone like you.
I told you, bro.
PAST - PRESENT - FUTURE
Does that make sense?
YOUR TRIP TO LOS ANGELES INTERNATIONAL
Happy birthday, dear Alma.
Happy birthday to you.
Not having a boyfriend, I mean,
a partner, doesn't mean you'll fail.
I don't have a film either.
In two months, my father will find out
and make me take over the firm.
I bet if you make a great film
on your own,
your teacher will let you pass.
So, get your camera ready
and finish your film during spring break!
SPRING BREAK
MARISMA EDITION
It's absolutely incredible!
See that apartment?
That's our balcony up there.
I fought like crazy
to get us the best room.
The balcony overlooks the ocean.
We can take so many photos.
It will be so much fun!
Cool.
Stop sulking. This is awesome, look!
We're so lucky.
We'll be able to let go
and get some distance.
No unknown texter, no law firm in Paris.
- Stop thinking about all that, okay?
- Yeah.
- Yeah?
- Yeah, you're right.
- Yes, amazing! Let's go.
- Come on.
- Is everything okay with Vadim?
- Yeah, don't worry.
- It'll be fine.
- Are you sure?
- Yeah.
- Okay.
- What about you?
- What?
The guys here So many options.
Actually, I've been seeing someone.
- For a while now.
- What do you mean, "for a while"?
I didn't tell you
because the situation was a bit awkward.
I didn't want to
But it's going well. I'm happy.
What's his name?
No. I'm not telling you.
- Are you for real?
- Yeah.
I want to keep it a secret
for a little while.
- People gossip too much.
- And you don't!
- No way!
- Yes, it's true!
It can't be.
I swear, it's true.
- No way.
- It can't be.
- He's lying.
- I knew it!
What a liar.
I knew you were like that.
He ratted you out.
Let's keep going. It was my turn.
- Go on.
- Dare.
Kiss me.
He's not gonna do it. He won't.
Okay, okay, okay! No.
That deserves some applause.
You can stop!
Chill, guys!
- Are you jealous?
- No.
- It's my turn.
- Okay, it's your turn.
- Truth.
- You're no fun.
Have you ever harassed someone?
- What do you mean?
- I asked you a question.
Why, want me to start?
- No.
- Easy.
Okay, Alma's turn.
She's got some stories to tell
Dare, then.
- Okay, Lancaster!
- She's here to play!
She's here to play.
Kiss Vadim.
- Thanks.
- No, sweetie!
- What's the matter?
- You're an idiot.
We're just kidding. She's touchy.
- You're annoying.
- I'm annoying?
Alma!
Chill.
What are you doing? It's not funny.
- Why are you so aggressive?
- Why are you always watching me?
Because I'm your brother.
I look out for you.
You don't seem to give a damn
about what people expect of you now.
That's a good thing.
All I've ever wanted
is to be you.
To be the prodigal child.
If I give you a hard time,
it's just because
I'm a little jealous.
In the family, there's Alma,
the future of the Parisian firm, and
Her brother.
I'm sorry, Basile, but
Put yourself in my shoes for a second.
You can't imagine the pressure
I'm under from Dad.
For something I don't even want to do.
It's not me.
I'm sorry.
I really am.
So, you sent the anonymous messages.
What messages?
Forget it.
Come on, man.
We get it, you're in a bad place.
You've been driving us crazy
for weeks now. Enough already.
Oscar is leaving us alone.
That's great, right?
Yeah, it's great.
But I'm not like you.
Go on, then.
I know you're dying to.
Go on, make my day.
Can we talk?
Not here.
Okay, I'm listening.
Okay. I do deal drugs, but
So, you lied to me.
It's more complicated than that.
Actually
Oscar isn't really my youth worker.
He's my boss.
Except I can't quit.
I don't understand.
Since the shelter,
Flix and I have been dealing for him.
Why do you keep doing it?
He threatens to pin it all on us
if we stop.
We'd go to prison.
We're trapped.
But meeting you, Alma, changed everything.
Every second I think about you.
I don't care
if we're not from the same world.
It's you and me,
and that's all.
You're so annoying, Vadim.
I've missed you so much.
I've missed you too.
But I'm so afraid
I'll receive more messages.
We'll find out who it is.
Now it's us against the world.
Even if we have to hide.
I dare you.
That's Neymar in the quarterfinals!
What's the score?
- Go for it!
- That's my guy!
Happy birthday.
Two Magnets.
Thanks.
Yes?
You okay?
Your mom was right. The trip did you good.
But that's not why I'm here.
Are you seeing Vadim Arcadi?
I received a video.
What of?
You two are very different.
I'm not judging, but he might be with you
for the wrong reasons.
So, you are judging.
I'm asking.
I won't let him jeopardize your future.
Wait, Dad. How do you know about him?
He was there and we didn't see him?
I'm losing my mind.
As long as we're together,
it'll never end.
HIDDEN NUMBER
ATTACHMENT 1 IMAGE
He's here.
What the hell?
Can you see him?
- Come on, let's go.
- Yeah.
I don't know. It could be Flix.
Or Clem.
No.
After everything I've done for you?
You think I could betray you?
I had to ask.
VADIM It's not Flix.
YOUR FLIGHT TO LOS ANGELES INTERNATIONAL
- Hello?
- Hello, Michelle.
Vadim? Are you okay?
How did you find me?
Spring break was amazing.
I'm so tired, though.
We should have drunk more water.
Are you okay?
There's a new anonymous video.
Seriously? Why didn't you tell me?
A video of what?
- The weekend away, the second night.
- That means he was there.
He or she.
Do you think it could be a girl?
I hadn't thought of that.
Could it be Billie?
I don't think it's Billie.
But
Are you for real?
You think I could do that to you?
Apparently, anything's possible this year.
I don't know what to say.
Since you got back together with Vadim,
you've been losing it.
I've been bending over backward
to help you from the start.
You know what?
Stay paranoid. I don't care.
Can you show me the video, please?
Sure.
Here.
Fuck!
What?
I filmed that.
Did you send it to anyone?
Who?
Who, Clem?
I sent it to my boyfriend.
Who's your boyfriend?
Oscar.
Fuck.
Alma, I'm sorry.
You should lock your door.
It's always open.
I ran into Flix.
He seemed nervous. It got me thinking.
So we had a little chat.
What did you do to him?
Nothing, don't worry.
I heard you have something to tell me.
You're going on vacation?
It's over, Oscar.
I don't owe you anything.
I met a lady named Michelle Kerry.
Sounds familiar, right?
She's been looking for me for two years.
Two years.
Crazy, right?
Like someone was blocking everything.
So, she hired a law firm.
The Lancaster Law Firm.
Does that sound familiar too?
That's why you didn't want me near Alma.
- I was trying to protect you.
- Protect me from whom?
You think you can walk away from me?
You owe me everything, got it?
Keep your mouth shut and do as I say.
You're going nowhere.
Alma's calling you.
Please, pick up.
Vadim!
Vadim!
What the hell?
Fuck!
Hello, Clem?
I've just arrived at Vadim's.
It's a mess. There's blood.
Fuck!
- I don't know where he is.
- We'll find him. I'll call Flix.
Your parents keep calling me.
Something might have happened.
- You need to go home.
- I'm on my way.
- Dad! Mom!
- Alma!
Is everything all right?
Do you think I'm an idiot?
How much longer
did you think you could fool me?
Your mother told me everything.
UCI 06 Program, Film Studies.
You never would have let me, Dad.
So, you lied to me?
For an entire year?
Do you realize what you've done?
You betrayed me.
Wait. That's not all. It gets worse.
Vadim Arcadi.
A criminal. Repeat offender.
I'll spare you the sordid details
of his past.
You investigated Vadim.
His case file is at the office.
Are you kidding?
FLIX I know where Vadim is
I have to go.
Go to your room. Trust me,
you won't be out anytime soon.
Am I supposed to obey you forever, Dad?
You've never tried to understand
who I am or what I want.
Never.
All you care about
is your neat, tidy little life
where we have to do
what you want, when you want.
Your life is sad, Dad.
It's over.
I'm done.
I'm tired of obeying you.
Vadim!
I was so scared.
You weren't answering your phone.
It was Oscar.
I know.
Did he do this to you?
Does it hurt?
No, I'm fine.
I'm afraid of what he might do.
I love you, Vadim Arcadi.
I love you, Alma Lancaster.
Police!
Don't move!
Your hands.
Come on.
Let's go.
What did they tell you?
Oscar told them everything.
I'll spend the next ten years in jail.
That won't happen, I promise.
How can you be so sure?
Alma.
Come on, let's go.
It's you and me. Don't forget.
Come on.
Come on.
Listen to me, Dad, please.
Oscar organized the whole thing.
The police found drugs in Vadim's car.
- You're a suspected accomplice.
- I didn't do it. Neither did Vadim.
- Oscar's running the whole thing.
- Stop. Enough.
- What about Vadim, Dad?
- No, Alma.
Please!
Get him out and I'll do whatever you want.
All right.
Tomorrow, you're coming with me to Paris.
I'll train you to take over the firm.
And that's not all.
You'll never see Vadim again.
But
It's up to you.
Ten years behind bars is a long time.
So?
Okay.
Hello, Henri?
I'm calling about a sensitive matter.
Can you pull the Arcadi file for me?
Vadim, I'm not leaving you.
I'm being torn away from you.
Thank you.
I made a choice.
One day, I'll explain how.
Why.
THANKS FOR EVERYTHING
ALMA
YOU+ME
A FILM BY ALMA LANCASTER AND VADIM ARCADI
Because between you and us, I chose you.
And for once, without hesitation.
You are released on bail
and prohibited from leaving the country.
Thank you.
Thank you.
VADIM ARCADI
ALMA LANCASTER
You can hate me all you want.
I'd do it ten times over.
A hundred times.
A billion times.
Vadim, you've shown me
that I have the right to live.
To act.
To think how I want to.
Be happy.
Be crazy.
Be free.
Please, never forget me.
And if one day, by some miracle,
my path crosses yours again
If you and me
are as strong as I think we are,
I'll say the same words to you again.
I love you, Vadim.
SOME TIME LATER
- Hello, Mr. Arcadi.
- Hello, Jules.
Someone dropped this off for you.
- Thank you.
- You're welcome.
After you left me,
I finally went to Los Angeles.
LATIN QUARTER, PARIS.
5:22 P.M.
to get my parents' inheritance.
The promise of a fresh start.
Yet, I can't seem to forget you.
Even though
I have every right to hate you,
the one thing I won't give up
is you and me.
I dare you, Alma.
YOU+ME - AGAINST THE WORLD
ADAPTED FROM THE LITERARY WORK TOI+MOI
BY EMMA GREEN