The Killings at Parrish Station (2026) s01e05 Episode Script
Sos
1
Have a good night.
This is someone
who was very close
-Mick.
-to the '87 investigation.
How long you been stalking me?
Kate Reynolds is alive.
I believe you've met
Deputy Commissioner Carrick.
Did you assault Callum Parrish
this morning?
He was about to enter
a crime scene.
You remember
'The Bone Gospel'?
Evidence was taken
from the scene.
That book is gone.
It's real. It's Callum's.
You've seen this before?
It's very precious,
and now you're precious.
I spoke to the hospital.
I was clear Reynolds
was off-limits
until we got
the psych report back.
How did you know
there was something inside me?
I saw it.
Sometimes I can see things.
Farah, that stuff, cut it out.
December 1950.
She killed them, then herself.
Harriet Clay, his mother.
What's that got to do
with Kate Reynolds?
I'm telling you, there's no
evidence that she ever died.
I'm gonna live.
We need to fix this, you and me.
Long
Distance
Long distance
Give me
Hea
..ven - Two, three
Oh, operator - Operator
Information - Information
-Give me Jesus.
-Give me Jesus
On the line
Oh, operator - Operator
Information - Information
-I'd like to speak to.
-Let me speak to
-A friend of mine.
-A friend of mine
Oh, prayer is the number
Faith is the exchange
Heaven is the street
And Jesus is his name
Oh, operator - Operator
Information - Information
-Please give me Jesus.
-Give me Jesus on the line
-Whoa, whoa, operator.
-Operator
Information - Information
-Ooh! Tell my why.
-Tell me why
Whoa, yeah
This is taking so long
Operator - Operator
Information - Information
Don't try to tell me
what number to call
What number to call ♪
My mother used this number
When I was really small
And every time
she dialled ♪
Anything? Anything at all?
-Mm-mm.
-Nothing?
Well, not nothing,
Found a lovely broadband signal
from a quasar in Virgo, 3C.
It's in the report.
Faine will get a kick out of it.
Well, he's not gonna get 'em
'cause all the comms are down.
-All of them?
-Yeah.
Telefax, radio,
nothing's getting out
and nothing is getting in.
I've checked the gear, there's
nothing mechanically wrong.
Besides the fact
they don't work.
Piss off. I'm fuckin'
No. No-one's doubting
your expertise.
This prick is,
and I'm serious
-No, no, no, come on.
-It's annoying me now.
-Paul
-No, no, I'm done with it.
Can we please turn
the air conditioning up?
The heat is a fucking killer.
How did the comms
just stop working?
-How does that happen?
-Solar storm?
Happened in '72.
Wiped out radio comms
in northern Canada.
No, no, it's Tolliver,
can't you see?
He's done something.
Everything was fine
until he arrived.
He gets dropped here
a month ago,
no warning, no explanation.
Who is this guy?
And why is he stacking rocks?
There's something wrong
with him.
-I apologise.
-Ah!
Ray, we were, um, just
It's alright. I understand
the imposition. It's not ideal.
I'm grateful to all of you.
-I'll be done soon.
-Yep.
And then I'll be gone.
Radio check, radio check.
This is Parrish
Research Station. Over.
Radio check, radio check.
This is Parrish Research
Station. Over.
Oh, this fuckin' piece of shit!
Good, Katyushka.
Now you know how to say
"this fuckin' piece of shit".
Hmm. Handy.
Do you want a beer?
Spasibo.
This is not a solar storm.
Yeah, I know.
Then why did you say
it might be?
What happens if they panic,
Anton?
We're completely cut off.
What happens if Boyd loses it?
Is Edgars gonna
keep him in line?
Are you? Me?
You know the case
Tolliver carries around?
There's a book in it.
You've seen inside that case?
I didn't mean to snoop.
I'm not a snooper.
But yes, yes, I I saw it.
Why does he have
a book locked up?
And those rocks
he stacks.
I think they are markers.
Tolliver is marking something.
Well, he's creeping
everyone out.
Someone should talk to him.
It's got to be me, hasn't it?
-Anton.
-Huh?
You know, Boyd is right,
Katyushka.
Tolliver has done something.
There is something wrong
with this place.
Get out of the heat, Anton.
I'll talk to Tolliver.
Thought you might want a drink.
Pretty hot.
I mean, the beer's hot too,
but it's beer, so
Radio's still down.
Think Boyd might lose it
if he can't listen to
the cricket after Christmas.
Hey, um, listen, Ray
I know you haven't
been here long,
but it gets easier.
The isolation.
-This place.
-There isn't a place anymore.
-What's that?
-No place.
No time.
You feel it.
Right.
It's true.
The barrier between this
and the other
is paper-thin here now.
There is no here.
There is no now.
It's coming back.
It's happened before
and now it's coming back.
W-What's coming back?
"It sleepeth
in the darkness, dead,"
"with hunger of unended years."
OK.
Listen, um, I think you should
probably get some sleep.
Oh, come on, come on.
Come on.
Anton?
Boyd?
Kate?
I
Uh
Ray, did you catch whatever
the fuck that
Ray. Ray!
Ray Oh, my
Oh, uh, um, Ray.
Ray, can you hear me?
-Put him on the couch.
-Was it heat stroke?
-He was out there for two hours.
-Just put him down here.
Oh, this is not
a heat stroke.
We need to take him to a doctor.
I'll drive him.
-Jeep doesn't work.
-What's wrong with it?
As of a week ago,
it won't start.
Uh, and you knew this?
Yeah, look, I thought it was
best not to concern anyone.
-Gee.
-Concerned?
Well, we're pretty fucking
concerned now, Paul.
-Boyd, stand back.
-He's awake.
Hey, mate.
Ray, are you OK?
-What's wrong?
-It hurts
-What hurts?
-It hurts.
-OK, yeah, just stay calm.
-It hurts. You need to
-Alright, what's wrong?
-help me.
-Yep. Just stay calm.
-You really need to help me.
-Hey, hey.
-Get it out.
Get it out!
-Ray!
-You need to get it out of me!
You need to get it out
It's not the battery,
it's not the fuel line.
-So what is it?
-I don't know.
It could be anything.
It'll take me a while
to work it out.
Fuck that. Is there
any way we could just walk?
Like, we get all the water
we can and we just go.
Yeah, we just go and walk?
Walk?! Walk for 300km?
I know for a fact
there's an old mining station
about 60km south of here.
It might have,
I don't know, radios
or vehicles or something,
like, 60 kays
Gary, listen to me.
It will kill you. You will die.
Do you understand how fucking
dangerous this situation is?
There's no danger.
We're fine. We've got
a man who's exhausted.
We'll deal with it
in the morning.
Someone needs to
stay up with him.
Ah. I'll do it.
-You need sleep.
-We all need sleep.
Alright. We alright?
Where's Tolliver?
-Ray?
-Huh?
Ray!
Hey! Hey!
Hey!
They took him.
It was a Parrish chopper.
You were supposed to
stay up with him.
OK, OK, they're coming back
for us. They must be.
Maybe they couldn't get a plane
so they're choppering us out
one by one.
How did they know
that Tolliver was sick?
It's two days to Christmas, alright?
We've got radio calls
with our families scheduled.
When we miss those, they'll
contact the police in Barrawin.
Someone will come.
Have faith.
We just need to stay calm.
Ding dong,
merrily on high
In heav'n the bells
are ringing
Ding dong, verily the sky
Is riv'n with angel singing
Gloria
Hosanna in excelsis
Gloria ♪
Hosanna
in excelsis ♪
Oh!
Fuck you!
Whew.
Come in.
It must be the starter motor.
I've tried everything else.
-If it's not
-So
can we fix it?
Maybe we can pull it apart,
clean it out, then try.
Well, that's what we do.
Paul, what the hell
are we gonna do?
-They're coming back for us.
-They're not!
We need to leave.
What we need
is to keep working.
These are the reports
from Tolliver's last shift.
Uh-huh.
What's this?
Some sort of spike.
Have you seen it? It's enormous.
Weird.
Maybe he recorded it.
Maybe.
There's so much sand and crap
in this thing.
This fucking place.
Pass me that.
Arggh! You
Oh!
-The wrong fucking wrench!
-Hey, hey, hey.
Ooh.
Of the whole world.
Paul?
Paul!
We think we know
how to fix the jeep.
Take it apart,
it becomes clearer.
Yeah, that's true.
Parts pretending to be whole,
that's all it is.
It feels better
to see it clearly.
-Paul?
-As it is.
May I show you?
You have to see.
You have to understand.
Your your room, now.
Edgars!
I'm done, man. I'm out!
We're done!
I'm done. I'm gone. I'm gone.
Where's Edgars?
The bed.
The bed, the bed, the bed.
What's he doing out there?
-Anton?
-He
He's shut
the air conditioning off.
We're getting out of here.
Frying pans and fires,
Katyushka.
OK.
Will this work?
Anton.
Anton?
Uh
I-I need my pills.
Where are they?
In the in the kitchen.
No, no.
Run!
Arggh! God!
Go, go, go, go, go!
Come on, get in!
Get in!
-Anton!
-Almost! Almost!
Now!
Oh!
Ah!
Ahhh!
Ahhh!
Gary. Gary.
-You need to help me.
-Gary
-Gary.
-You have to see.
-Look. Look.
-Gary.
Oh, Jesus!
Gary, what are you doing?
Don't leave me with this!
-Don't leave me with this.
-What are you doing?
Gary.
You
You have to hear.
You have to hear this.
You have to hear this.
I can't be here!
I can't! I can't!
Ohhh!
-What the
-L-listen.
He said there's a
a mining camp to the south.
Can you walk?
No.
OK, go find a place to hide.
-No.
-I'll go and look for help.
Wait! Here.
No, no, no, no, please, please!
-You'll be alright, yes.
-Please, no.
-Yes. Take it!
-Please!
I'll be back.
I'll be back!
Oh, my God!
I know why now.
Why it was built.
Why we're here.
Genesis -
"Come, let us build a city"
"with a tower that reaches
for the heavens"
"That we make a name
for ourselves."
You'll see.
You'll hear.
And once you've heard
It is in me.
It is in me.
Do you understand?
I can feel it.
For that is the sacrifice
to see God.
To know God.
Judges 13:22.
"'We must surely die, '"
"said Manoah to his wife,"
"'for we have seen GOD!'"
I'm sorry.
Do you understand?
I'm gonna live.
I didn't want any of this.
Sorry. I'm sorry.
Ready to go home, sweetie?
Mm-hm.
Code orange.
All trauma staff to room 301.
What what's going on?
Dad, stay with her.
This is a code orange.
Let's clear the hallways,
ladies and gentlemen.
It's a code orange.
Out of the way, everybody.
This is an emergency.
It's a code orange.
Clear the hallways.
-Excuse me, coming through.
-Yep, Michelle, let's go.
Yeah, let's keep moving.
Uh-huh, she's missing.
My boss. Detective Inspector
Millie Farah.
Yes, that one.
She went for a smoke outside
the Fox and Lion pub.
Copier's busted.
You need a code.
No, listen,
she hasn't gone home.
We've checked.
I need a fuckin' what?
We need as many units
as you can manage.
Did you know about this?
Photocopiers need codes now.
I do appreciate
it's a difficult time of year,
but can you just send some
uniforms to do a canvass?
Better than nothing. Thanks.
-We need to circulate this.
-She'll be older.
Oh, that's very astute of you.
It's a reference.
Just, OK, listen, cool it on the
Kate Reynolds stuff for a sec.
Why?
Because it's slim.
It's a hunch.
And because I'm trying to get
people to take this seriously,
and claiming
that Millie's been taken
by a woman everyone knows
is dead is not gonna help.
Kate Reynolds is alive.
With the utmost of respect
to both of
your disgraced careers,
you were institutionalised
and you should be.
There's no evidence
that she's dead.
Just because you can't prove
that someone is dead
doesn't make them alive.
Hey, you can't fucking smoke
in here!
-Oh, my God.
-This just came through.
Thanks.
I'm gonna look at
the CCTV footage.
God. It's like babysitting
enormous toddlers.
You OK, sweetie?
-Where have you been?
-How is she?
She's in theatre.
We haven't heard anything yet.
Listen,
I need to tell you something.
In 1950, there was
a ritual murder-suicide.
Uh, it's not pretty.
We'll know more soon.
Right now,
we've got all resources
out looking for Kate Reynolds.
She's covered in blood.
She's alone.
So, you know,
we'll uh, we'll find her.
I just wanna know
how the fuck this happened.
Reynolds had help.
This isn't one person,
this is a group.
-What are you talking about?
-This is a occult group.
In 1950, there was a woman
named Harriet Clay,
a ritual murder-suicide.
It was the same thing
as out at Parrish Station.
The piles of stone.
-'The Bone Gospel'.
-'The Bone Gospel'?!
I don't know what the connection
is, but there will be one.
Fuckin' hell!
Farah might die.
Do you understand that?!
The kid might die and you're
still on about this shit.
And she's been slit
from ear to ear
by the woman you were so sure
was just a victim
of circumstance.
And only you could see that, right?
'Cause everyone else around you,
all of us, we were too stupid.
Is that right?
Oh, the fuckin' arrogance
on you.
-If you want to find her
-What I want!
I want you gone.
Tony?
I want you gone.
Alright, you take Frankie
and fuck off.
Come on, love. Come on.
So she takes the podcaster
because he's spouting
all this shit about her.
Bit of an overreaction,
don't you think?
He spouts shit about you
on that podcast.
Do you see yourself gutting him
for that?
No, but I'm not insane.
Nine out of 10 doctors disagree.
But why Finch and Wallace?
I mean, why does she take
a uni student
and a 50-year-old con man?
It's not her.
Maybe there's some connection
from her new life.
She's gotta be doing something
the last 37 years, right?
Yeah.
Oh. You're over here now.
Nice.
Ooh. Wait there.
Just rewind that.
Stop.
That van.
You think Reynolds
could have been using a van
to move those people round?
The time's correct.
What's that on the side
of the van?
That's a street kitchen van
from the church.
I've been in it.
I know who Kate Reynolds became.
She's just gonna read
one last chapter, love,
but she's nearly down.
Hey, I thought I might, uh,
pop over to June's tonight.
I don't have to if you need help
with Frank or company
It's fine, go.
Alright, well, just make sure
you get some rest, eh?
-Yeah.
-Yeah?
'Cause you're looking
pretty wrecked, love.
Hey, what Lockwood said
at the hospital, I mean
-Dad. Dad!
-He was angry.
I'm fine.
Yeah, righto, OK.
Love you.
Hey.
I'm sorry, Mum.
Baby, what are you sorry about?
Hey, you know that nothing
that happened today -
absolutely nothing of that -
was your fault.
I spoke to her.
You spoke to who?
The lady in the hospital.
The lady
The lady that hurt Millie?
Frankie?
-Was it that lady?
-I'm sorry.
No, no, no, it's OK,
you're not in trouble, but
Hey, this is important.
What did you speak about?
Frankie, what did you
speak about?
She said she was
going to be OK.
Why was she gonna be OK?
'Cause it he was going to
make her OK.
He was going to fix her.
She just had to get it out.
Who was gonna fix her?
The man with the special book.
Where are we going?
Are we going to see the lady?
I don't want to see the lady.
She's wrong.
Yeah, why is that, poss?
You're gonna stay in the car,
OK?
Promise me.
OK, I've got 11:29
and 34, 35, 36.
You got that? OK.
Let her go!
Let her go!
Kill me!
You have to kill me!
Let her go!
Go home, Cooke.
This is not for you.
Go home.
Arggh!
Mum?
-Ugh!
-Mum!
Get the child!
Bring me the child!
Arggh!
Have a good night.
This is someone
who was very close
-Mick.
-to the '87 investigation.
How long you been stalking me?
Kate Reynolds is alive.
I believe you've met
Deputy Commissioner Carrick.
Did you assault Callum Parrish
this morning?
He was about to enter
a crime scene.
You remember
'The Bone Gospel'?
Evidence was taken
from the scene.
That book is gone.
It's real. It's Callum's.
You've seen this before?
It's very precious,
and now you're precious.
I spoke to the hospital.
I was clear Reynolds
was off-limits
until we got
the psych report back.
How did you know
there was something inside me?
I saw it.
Sometimes I can see things.
Farah, that stuff, cut it out.
December 1950.
She killed them, then herself.
Harriet Clay, his mother.
What's that got to do
with Kate Reynolds?
I'm telling you, there's no
evidence that she ever died.
I'm gonna live.
We need to fix this, you and me.
Long
Distance
Long distance
Give me
Hea
..ven - Two, three
Oh, operator - Operator
Information - Information
-Give me Jesus.
-Give me Jesus
On the line
Oh, operator - Operator
Information - Information
-I'd like to speak to.
-Let me speak to
-A friend of mine.
-A friend of mine
Oh, prayer is the number
Faith is the exchange
Heaven is the street
And Jesus is his name
Oh, operator - Operator
Information - Information
-Please give me Jesus.
-Give me Jesus on the line
-Whoa, whoa, operator.
-Operator
Information - Information
-Ooh! Tell my why.
-Tell me why
Whoa, yeah
This is taking so long
Operator - Operator
Information - Information
Don't try to tell me
what number to call
What number to call ♪
My mother used this number
When I was really small
And every time
she dialled ♪
Anything? Anything at all?
-Mm-mm.
-Nothing?
Well, not nothing,
Found a lovely broadband signal
from a quasar in Virgo, 3C.
It's in the report.
Faine will get a kick out of it.
Well, he's not gonna get 'em
'cause all the comms are down.
-All of them?
-Yeah.
Telefax, radio,
nothing's getting out
and nothing is getting in.
I've checked the gear, there's
nothing mechanically wrong.
Besides the fact
they don't work.
Piss off. I'm fuckin'
No. No-one's doubting
your expertise.
This prick is,
and I'm serious
-No, no, no, come on.
-It's annoying me now.
-Paul
-No, no, I'm done with it.
Can we please turn
the air conditioning up?
The heat is a fucking killer.
How did the comms
just stop working?
-How does that happen?
-Solar storm?
Happened in '72.
Wiped out radio comms
in northern Canada.
No, no, it's Tolliver,
can't you see?
He's done something.
Everything was fine
until he arrived.
He gets dropped here
a month ago,
no warning, no explanation.
Who is this guy?
And why is he stacking rocks?
There's something wrong
with him.
-I apologise.
-Ah!
Ray, we were, um, just
It's alright. I understand
the imposition. It's not ideal.
I'm grateful to all of you.
-I'll be done soon.
-Yep.
And then I'll be gone.
Radio check, radio check.
This is Parrish
Research Station. Over.
Radio check, radio check.
This is Parrish Research
Station. Over.
Oh, this fuckin' piece of shit!
Good, Katyushka.
Now you know how to say
"this fuckin' piece of shit".
Hmm. Handy.
Do you want a beer?
Spasibo.
This is not a solar storm.
Yeah, I know.
Then why did you say
it might be?
What happens if they panic,
Anton?
We're completely cut off.
What happens if Boyd loses it?
Is Edgars gonna
keep him in line?
Are you? Me?
You know the case
Tolliver carries around?
There's a book in it.
You've seen inside that case?
I didn't mean to snoop.
I'm not a snooper.
But yes, yes, I I saw it.
Why does he have
a book locked up?
And those rocks
he stacks.
I think they are markers.
Tolliver is marking something.
Well, he's creeping
everyone out.
Someone should talk to him.
It's got to be me, hasn't it?
-Anton.
-Huh?
You know, Boyd is right,
Katyushka.
Tolliver has done something.
There is something wrong
with this place.
Get out of the heat, Anton.
I'll talk to Tolliver.
Thought you might want a drink.
Pretty hot.
I mean, the beer's hot too,
but it's beer, so
Radio's still down.
Think Boyd might lose it
if he can't listen to
the cricket after Christmas.
Hey, um, listen, Ray
I know you haven't
been here long,
but it gets easier.
The isolation.
-This place.
-There isn't a place anymore.
-What's that?
-No place.
No time.
You feel it.
Right.
It's true.
The barrier between this
and the other
is paper-thin here now.
There is no here.
There is no now.
It's coming back.
It's happened before
and now it's coming back.
W-What's coming back?
"It sleepeth
in the darkness, dead,"
"with hunger of unended years."
OK.
Listen, um, I think you should
probably get some sleep.
Oh, come on, come on.
Come on.
Anton?
Boyd?
Kate?
I
Uh
Ray, did you catch whatever
the fuck that
Ray. Ray!
Ray Oh, my
Oh, uh, um, Ray.
Ray, can you hear me?
-Put him on the couch.
-Was it heat stroke?
-He was out there for two hours.
-Just put him down here.
Oh, this is not
a heat stroke.
We need to take him to a doctor.
I'll drive him.
-Jeep doesn't work.
-What's wrong with it?
As of a week ago,
it won't start.
Uh, and you knew this?
Yeah, look, I thought it was
best not to concern anyone.
-Gee.
-Concerned?
Well, we're pretty fucking
concerned now, Paul.
-Boyd, stand back.
-He's awake.
Hey, mate.
Ray, are you OK?
-What's wrong?
-It hurts
-What hurts?
-It hurts.
-OK, yeah, just stay calm.
-It hurts. You need to
-Alright, what's wrong?
-help me.
-Yep. Just stay calm.
-You really need to help me.
-Hey, hey.
-Get it out.
Get it out!
-Ray!
-You need to get it out of me!
You need to get it out
It's not the battery,
it's not the fuel line.
-So what is it?
-I don't know.
It could be anything.
It'll take me a while
to work it out.
Fuck that. Is there
any way we could just walk?
Like, we get all the water
we can and we just go.
Yeah, we just go and walk?
Walk?! Walk for 300km?
I know for a fact
there's an old mining station
about 60km south of here.
It might have,
I don't know, radios
or vehicles or something,
like, 60 kays
Gary, listen to me.
It will kill you. You will die.
Do you understand how fucking
dangerous this situation is?
There's no danger.
We're fine. We've got
a man who's exhausted.
We'll deal with it
in the morning.
Someone needs to
stay up with him.
Ah. I'll do it.
-You need sleep.
-We all need sleep.
Alright. We alright?
Where's Tolliver?
-Ray?
-Huh?
Ray!
Hey! Hey!
Hey!
They took him.
It was a Parrish chopper.
You were supposed to
stay up with him.
OK, OK, they're coming back
for us. They must be.
Maybe they couldn't get a plane
so they're choppering us out
one by one.
How did they know
that Tolliver was sick?
It's two days to Christmas, alright?
We've got radio calls
with our families scheduled.
When we miss those, they'll
contact the police in Barrawin.
Someone will come.
Have faith.
We just need to stay calm.
Ding dong,
merrily on high
In heav'n the bells
are ringing
Ding dong, verily the sky
Is riv'n with angel singing
Gloria
Hosanna in excelsis
Gloria ♪
Hosanna
in excelsis ♪
Oh!
Fuck you!
Whew.
Come in.
It must be the starter motor.
I've tried everything else.
-If it's not
-So
can we fix it?
Maybe we can pull it apart,
clean it out, then try.
Well, that's what we do.
Paul, what the hell
are we gonna do?
-They're coming back for us.
-They're not!
We need to leave.
What we need
is to keep working.
These are the reports
from Tolliver's last shift.
Uh-huh.
What's this?
Some sort of spike.
Have you seen it? It's enormous.
Weird.
Maybe he recorded it.
Maybe.
There's so much sand and crap
in this thing.
This fucking place.
Pass me that.
Arggh! You
Oh!
-The wrong fucking wrench!
-Hey, hey, hey.
Ooh.
Of the whole world.
Paul?
Paul!
We think we know
how to fix the jeep.
Take it apart,
it becomes clearer.
Yeah, that's true.
Parts pretending to be whole,
that's all it is.
It feels better
to see it clearly.
-Paul?
-As it is.
May I show you?
You have to see.
You have to understand.
Your your room, now.
Edgars!
I'm done, man. I'm out!
We're done!
I'm done. I'm gone. I'm gone.
Where's Edgars?
The bed.
The bed, the bed, the bed.
What's he doing out there?
-Anton?
-He
He's shut
the air conditioning off.
We're getting out of here.
Frying pans and fires,
Katyushka.
OK.
Will this work?
Anton.
Anton?
Uh
I-I need my pills.
Where are they?
In the in the kitchen.
No, no.
Run!
Arggh! God!
Go, go, go, go, go!
Come on, get in!
Get in!
-Anton!
-Almost! Almost!
Now!
Oh!
Ah!
Ahhh!
Ahhh!
Gary. Gary.
-You need to help me.
-Gary
-Gary.
-You have to see.
-Look. Look.
-Gary.
Oh, Jesus!
Gary, what are you doing?
Don't leave me with this!
-Don't leave me with this.
-What are you doing?
Gary.
You
You have to hear.
You have to hear this.
You have to hear this.
I can't be here!
I can't! I can't!
Ohhh!
-What the
-L-listen.
He said there's a
a mining camp to the south.
Can you walk?
No.
OK, go find a place to hide.
-No.
-I'll go and look for help.
Wait! Here.
No, no, no, no, please, please!
-You'll be alright, yes.
-Please, no.
-Yes. Take it!
-Please!
I'll be back.
I'll be back!
Oh, my God!
I know why now.
Why it was built.
Why we're here.
Genesis -
"Come, let us build a city"
"with a tower that reaches
for the heavens"
"That we make a name
for ourselves."
You'll see.
You'll hear.
And once you've heard
It is in me.
It is in me.
Do you understand?
I can feel it.
For that is the sacrifice
to see God.
To know God.
Judges 13:22.
"'We must surely die, '"
"said Manoah to his wife,"
"'for we have seen GOD!'"
I'm sorry.
Do you understand?
I'm gonna live.
I didn't want any of this.
Sorry. I'm sorry.
Ready to go home, sweetie?
Mm-hm.
Code orange.
All trauma staff to room 301.
What what's going on?
Dad, stay with her.
This is a code orange.
Let's clear the hallways,
ladies and gentlemen.
It's a code orange.
Out of the way, everybody.
This is an emergency.
It's a code orange.
Clear the hallways.
-Excuse me, coming through.
-Yep, Michelle, let's go.
Yeah, let's keep moving.
Uh-huh, she's missing.
My boss. Detective Inspector
Millie Farah.
Yes, that one.
She went for a smoke outside
the Fox and Lion pub.
Copier's busted.
You need a code.
No, listen,
she hasn't gone home.
We've checked.
I need a fuckin' what?
We need as many units
as you can manage.
Did you know about this?
Photocopiers need codes now.
I do appreciate
it's a difficult time of year,
but can you just send some
uniforms to do a canvass?
Better than nothing. Thanks.
-We need to circulate this.
-She'll be older.
Oh, that's very astute of you.
It's a reference.
Just, OK, listen, cool it on the
Kate Reynolds stuff for a sec.
Why?
Because it's slim.
It's a hunch.
And because I'm trying to get
people to take this seriously,
and claiming
that Millie's been taken
by a woman everyone knows
is dead is not gonna help.
Kate Reynolds is alive.
With the utmost of respect
to both of
your disgraced careers,
you were institutionalised
and you should be.
There's no evidence
that she's dead.
Just because you can't prove
that someone is dead
doesn't make them alive.
Hey, you can't fucking smoke
in here!
-Oh, my God.
-This just came through.
Thanks.
I'm gonna look at
the CCTV footage.
God. It's like babysitting
enormous toddlers.
You OK, sweetie?
-Where have you been?
-How is she?
She's in theatre.
We haven't heard anything yet.
Listen,
I need to tell you something.
In 1950, there was
a ritual murder-suicide.
Uh, it's not pretty.
We'll know more soon.
Right now,
we've got all resources
out looking for Kate Reynolds.
She's covered in blood.
She's alone.
So, you know,
we'll uh, we'll find her.
I just wanna know
how the fuck this happened.
Reynolds had help.
This isn't one person,
this is a group.
-What are you talking about?
-This is a occult group.
In 1950, there was a woman
named Harriet Clay,
a ritual murder-suicide.
It was the same thing
as out at Parrish Station.
The piles of stone.
-'The Bone Gospel'.
-'The Bone Gospel'?!
I don't know what the connection
is, but there will be one.
Fuckin' hell!
Farah might die.
Do you understand that?!
The kid might die and you're
still on about this shit.
And she's been slit
from ear to ear
by the woman you were so sure
was just a victim
of circumstance.
And only you could see that, right?
'Cause everyone else around you,
all of us, we were too stupid.
Is that right?
Oh, the fuckin' arrogance
on you.
-If you want to find her
-What I want!
I want you gone.
Tony?
I want you gone.
Alright, you take Frankie
and fuck off.
Come on, love. Come on.
So she takes the podcaster
because he's spouting
all this shit about her.
Bit of an overreaction,
don't you think?
He spouts shit about you
on that podcast.
Do you see yourself gutting him
for that?
No, but I'm not insane.
Nine out of 10 doctors disagree.
But why Finch and Wallace?
I mean, why does she take
a uni student
and a 50-year-old con man?
It's not her.
Maybe there's some connection
from her new life.
She's gotta be doing something
the last 37 years, right?
Yeah.
Oh. You're over here now.
Nice.
Ooh. Wait there.
Just rewind that.
Stop.
That van.
You think Reynolds
could have been using a van
to move those people round?
The time's correct.
What's that on the side
of the van?
That's a street kitchen van
from the church.
I've been in it.
I know who Kate Reynolds became.
She's just gonna read
one last chapter, love,
but she's nearly down.
Hey, I thought I might, uh,
pop over to June's tonight.
I don't have to if you need help
with Frank or company
It's fine, go.
Alright, well, just make sure
you get some rest, eh?
-Yeah.
-Yeah?
'Cause you're looking
pretty wrecked, love.
Hey, what Lockwood said
at the hospital, I mean
-Dad. Dad!
-He was angry.
I'm fine.
Yeah, righto, OK.
Love you.
Hey.
I'm sorry, Mum.
Baby, what are you sorry about?
Hey, you know that nothing
that happened today -
absolutely nothing of that -
was your fault.
I spoke to her.
You spoke to who?
The lady in the hospital.
The lady
The lady that hurt Millie?
Frankie?
-Was it that lady?
-I'm sorry.
No, no, no, it's OK,
you're not in trouble, but
Hey, this is important.
What did you speak about?
Frankie, what did you
speak about?
She said she was
going to be OK.
Why was she gonna be OK?
'Cause it he was going to
make her OK.
He was going to fix her.
She just had to get it out.
Who was gonna fix her?
The man with the special book.
Where are we going?
Are we going to see the lady?
I don't want to see the lady.
She's wrong.
Yeah, why is that, poss?
You're gonna stay in the car,
OK?
Promise me.
OK, I've got 11:29
and 34, 35, 36.
You got that? OK.
Let her go!
Let her go!
Kill me!
You have to kill me!
Let her go!
Go home, Cooke.
This is not for you.
Go home.
Arggh!
Mum?
-Ugh!
-Mum!
Get the child!
Bring me the child!
Arggh!