The Eternaut (2025) s01e06 Episode Script

1
-["Let It Snow!" by Dean Martin playing]
-Oh, the weather outside is frightful ♪
But the fire is so delightful ♪
And since we have no place to go ♪
Let it snow! Let it snow! Let it snow! ♪
[over mall PA]
Man, it doesn't show signs of stoppin' ♪
And I brought me some corn for poppin' ♪
The lights are turned way down low ♪
Let it snow! Let it snow! ♪
When we finally kiss good night ♪
How I hate goin' out in the storm ♪
But if you'll really hold me tight ♪
All the way home, I'll be warm ♪
And the fire is slowly dyin' ♪
And, my dear, we're still goodbyin' ♪
But as long as you'd love me so… ♪
[sighs] It's hard to decide, isn't it?
Too many options.
Yeah, I'm looking for a wetsuit right now
because one of my kids decided
he's crazy about water sports.
-Go figure.
-[chuckles] Oh wow.
-That's what teenagers are like, right?
-Mm-hmm.
They try everything.
-As long as they're happy…
-Mm.
[song distorts, fades]
When we finally kiss good night ♪
[unsettling music rises]
[whispers] I'm still here,
in some corner of my mind, you know?
Don't stop looking for me.
[unsettling music subsides]
[branches rustle]
[horse snorts]
[Clara] Dad! Dad!
-[Tano] Juan!
-[Juan grunts]
[Tano] Again?
-You passed out. Like that. You scared us!
-Give me that.
-Here.
-Are you okay?
Oh, look at the flowers!
Hold on. Be right back.
[lieutenant] Fire, soldiers! Fire!
-Keep shooting! Don't stop!
-[gunfire]
[lieutenant] Aim for the neck!
Soldiers, come on
Come on! Aim for the neck!
-[woman] Good job!
-[lieutenant] That's the weak point!
Come on! They're coming closer! Come on!
[Tano] So it's true.
You joined the military again, huh?
[lieutenant] Fire! Fire!
-[Juan] Clara!
-[soldier 2] Go, go, go! Let's go!
[gunfire continues]
You gotta listen to me, Juan.
Don't be stupid. Talk to Ana.
Ana can't help me, all right?
Okay, then.
Let's find someone at the hospital.
This can't keep happening.
The only thing I need
is to get out of here.
-[lieutenant] Let's go! Let's go!
-Alfredo Favalli!
-[lieutenant] That's it!
-Do I know you?
I need you to come
with me right now, please.
[lieutenant] Aim for the neck! The neck!
[gunfire continues]
[soldier 3] Fire! Fire, soldiers!
Over here. Come on.
[lieutenant] Fire! They're getting closer!
[soldier 4] Aim. Fire!
-[gunfire continues in distance]
-[uplifting music playing]
Tano.
There's water.
[woman on PA] We're recruiting volunteers.
This is not just about survival.
It's about getting our homes back.
I'll take these to Mama.
[woman] Please follow the instructions
as you exit the vehicles.
Register at the information point
next to the medical tent
to receive medical assistance
and supplies.
Stay calm and proceed
in an orderly manner.
[Ana] You like this one?
You like adventures, right?
I can find something else.
[indistinct chatter on PA]
Be right back. Start reading.
-Sure.
-Is that okay?
-Look. [chuckles]
-Wow, that's amazing. They bloomed.
I can't believe it.
[both laugh]
My mom?
-She's taking care of an emergency.
-[Clara] Hmm.
We should put them in water, right?
Water's a bit scarce, but let me find
a place for them, all right?
-Sure. Thanks, Auntie.
-Okay. Sure thing.
[sighs]
[woman on PA] Please follow
the instructions as you exit the vehicles.
Stay calm and proceed
in an orderly manner.
You are safe here.
Register at the information point…
Thanks. Any progress at all?
[sighs] No.
Unfortunately, there's not much we can do.
Nothing is working.
-[Clara] Mom!
-I need help.
-[Ana] Yeah, sure.
-These are for you.
Thanks, honey,
but I'd rather you weren't here, okay?
Okay, no problem.
-Let me keep these for her.
-Okay, thanks.
Sure.
-Can you get me a nurse, please?
-Sure.
[man] The marks indicate
the proximity of bugs.
Right this way, Favalli.
[man] Right here.
A little bird told us
that you're an electrical engineer.
[sighs]
Can you fix this radio?
[Tano] This is a relic.
Where did you get it?
Favalli, did you do your military service?
No, I didn't.
You weren't drafted?
-Medically unfit for duty.
-[captain] Unfit, huh?
What would you say if I told you
that the time has come to show
your commitment to your homeland?
[somber music playing]
[sighs deeply]
[girls chanting rhyme]
[wind gusts]
[ominous music rises]
-[Clara] Hey, Dad?
-Huh?
-[Clara] You okay?
-Yeah.
You're still getting
those weird feelings, hmm?
This place doesn't help, does it?
-No, it's not easy.
-[Clara] Hmm.
Dad.
Why can't I learn to shoot
like the others?
I never said you couldn't.
-'Kay.
-What I will say. Look at me.
Is that you're coming out
of a crisis. Hmm?
You're not ready yet.
You need time and some rest. That's all.
[Clara] Hmm.
And are you not in a crisis?
-[Juan sighs]
-You know…
I mean, from what I can tell, it seems
like you're still not yourself, and, uh…
-It's not like you're resting. Come on.
-That's completely different.
-It's not different, Dad.
-[Juan] It is.
No, because I got here
because I can fend for myself.
I'm not a kid.
I know that, honey. Really.
Well…
[Tano] What,
you're some kinda war hero now?
-Think about it.
-[Tano] What got into you?
Leave me alone. I'm not. This is insane!
-Hold that thought.
-[Clara] Sure.
[Tano] Like I'm the only person
who knows about radios.
Well, you're the only one here, at least.
-I couldn't pretend I didn't know.
-Sorry, what's the matter?
-Ask the sergeant here.
-What is it?
The military's planning on sending
a message to the survivors,
but they didn't have an engineer,
so I told them about Tano.
Yeah, and a tiny detail.
It has to be from downtown.
And how do they plan on
getting past the wall? I don't get it.
I guess they're gonna hit it with a train.
What?
It's a suicide mission,
and they want me to go do it.
No, suicide's when you don't have a plan.
This is well thought out.
We have great chances.
How do you know that?
Listen to me.
We send the message and get back.
Oh, so you're going with them?
Of course. I'm not sending him alone
to the front line.
He's nuts. Nuts, Juan. Totally nuts.
-Listen.
-He wants to kill me.
We could be saving a bunch of people
with this message.
Think about it.
No. I've been to that hell once,
and I'm not going back.
After all we've been through,
you still don't get that this
isn't just about saving yourself?
[somber music playing]
I'm sorry I'm not as enlightened as you.
I'm sorry.
You heard what they said, didn't you?
If we don't act fast, we're all in danger.
And I'm not just talkin' about the bugs.
What's up with that guy?
Who knows? He's acting strange.
-Look, the dynamic duo.
-Ah.
Oh, we have a shift in the kitchen.
Let's go.
Oh, that's right. We'll catch you later.
So? What's the word?
The word about what?
About the downtown trip.
The plan they're coming up with.
We wanna be a part of it.
I don't know. Ask Lucas.
He seems to be in the know.
I can't stop thinking about her.
-Who?
-[Juan] The woman from the mall.
I don't get how she ended up like that.
She had three kids.
[Omar] There's gonna be
crazy people everywhere.
That's why we probably shouldn't stray
from the pack.
[whistle blowing]
[tense music playing]
[woman on PA] Please follow
the instructions as you exit the vehicles.
Register at the information point
next to the medical tent
to receive medical assistance
and supplies.
Stay calm and proceed
in an orderly manner.
You are safe here.
[Tano] Wait, is that Roberto?
That's Roberto.
Roberto!
Roberto!
Roberto!
Roberto…
Roberto, it's me, Favalli.
House for house, remember?
Where's Benito? And the others?
They wrecked everything.
There's… there's… there's no one left.
No one.
[somber music playing]
[tense music fades]
They can't force you to go.
They're not forcing me.
They're asking for help.
Then just say you can't.
It's not that easy, Ana.
-How can we stay here after that?
-We don't stay.
[soldiers chatting]
We're just passing through.
We'll move on, and that's it.
Yeah? And go where?
We go where we planned.
We make our way to their house in Tigre.
Clara needs help, Juan.
Juan…
-Listen to her.
-I am.
Clara is safer here.
All Clara needs in order to recover
is some peace and quiet. That's all.
I don't know, Juan.
Maybe it's time to face reality.
And what reality is that? Tell me.
Maybe the island is no man's land now.
This is all we have.
[snoring]
[man coughs]
[ominous music playing]
Why don't you show your face?
You think I didn't see you?
-Why are you following me?
-You've got the wrong idea, sir.
-The hell do you want?
-Excuse me, boss. We wanna talk to you.
-Huh. Sure, you do.
-Relax. We're unarmed.
We're not looking for trouble. Trust us.
Trust you? Seriously?
After you mysteriously disappeared
right before the massacre?
-No, you've got it all wrong.
-[Juan] Really?
Yeah.
When they attacked the mall,
we were already here.
If you don't believe me, ask the captain.
You've been avoiding us
from the start, right?
That's why we're doing this now.
So you can convince your buddy,
the one with the mustache,
to come on this mission with us, downtown.
[man] The engine's
in a workshop in José León Suárez.
The train tracks end near the building.
Almost by the entrance.
And what guarantee do you have it'll work?
I'm a train engineer.
I grew up on one with my grandfather.
That's the guarantee.
Do you perform miracles?
Sorry if we spooked you.
Have a good night.
Hey, you gotta have faith.
The dragon is on the loose.
[music grows somber]
[distorted gunfire echoes]
SAINT GEORGE
[distorted explosions blast and echo]
[music fades slowly]
[Pecas sniffles]
[sobs]
[singing "Farewell Song" in Spanish]
Why lose our hope ♪
When there is so much to see? ♪
Why lose our hope ♪
If there's so much love around? ♪
It is not a farewell ♪
But a brief goodbye ♪
Very soon, by the fire ♪
We will meet again ♪
Hand in hand ♪
By the fire ♪
Tonight we will make ♪
A circle of love ♪
Why lose our hope ♪
To meet again? ♪
Why lose our hope ♪
If there's so much love around? ♪
[water lapping]
[unsettling music playing]
[quietly] Come on.
[planes engines whirring in distance]
Damn it, what the fuck is that noise?
Look.
Are they ours?
-I have no idea.
-But this is good news, right?
I guess folks are getting organized.
Maybe they're from Córdoba
or something. Who knows?
[Omar] It's a good sign.
A sign that we are not alone.
Let's go. I don't wanna hear a sound.
RAILWAY COMPANY
[wind gusting]
[whistles]
Franco, what's the plan?
You organize everyone. I'll give orders.
Moro.
Soldiers! Two groups! Right and left.
[energetic music playing]
Hey, careful.
There.
[woman] It has to be a perfect fit.
There. That's it.
[grunting]
Let's go, come on!
Let's go. Move it.
We need to attach it to the other one.
[Juan sighs]
We're working our butts off here,
and he's got a front-row seat, man.
Well, he's the expert.
I swear I know him from somewhere,
and I don't trust that guy.
[Omar whistles]
That's a fancy setup right there.
Well, this is the heart of the locomotive.
And this right here is the injection pump.
To think that my dream job as a boy
was to be a conductor. [chuckles]
[engine starts up]
[engine turns off]
[tense music playing]
Coast is clear.
Okay. Hurry, guys! C'mon!
Come on. Hurry, guys.
Now! Get on board! Let's go!
[tense music pulsing]
[music fades]
[unsettling music playing]
Group B! You're coming with me!
You're coming with me, kid.
What? I'm with these guys.
Do what he says. Don't argue.
-[lieutenant] B, get ready to get off!
-Inga!
They need you somewhere else, Pablo.
They know what they're doing.
-What are you doing? Let's go, come on!
-[Omar] Go.
[Juan] Go, go.
[low rumbling]
[unsettling music playing]
[bugs hissing]
Two minutes, Captain!
Two minutes! Hold on tight!
Prepare for impact! May God be with you!
Soldiers, two minutes until impact!
-Long live the homeland!
-[soldiers] Long live the homeland!
[bugs hissing]
[singing "Jugo de tomate" in Spanish]
The land that gives you your life ♪
Also gives you time to decide ♪
By choosing smartly ♪
Everybody could be happy ♪
Cold tomato juice ♪
Cold tomato juice ♪
[all join in] In your veins ♪
In your veins, you must have ♪
Cold tomato juice! ♪
In your veins ♪
-In your… ♪
-[rumbling]
[metal screeching]
[bugs hissing]
[triumphant string music playing]
[group coughing]
We made it through!
We did it!
We did it!
[all cheering]
-[Franco] We're alive, I can't believe it!
-Yeah, we're alive, bro!
Juan! We did it!
[Lucas] We did it!
[Omar] Let's go!
[all cheering]
-[epic music concludes]
-[gunfire]
[gunfire]
-[gunfire echoes]
-Three rounds! That's the signal.
Let's go, guys! Move!
[soldier grunts]
What's wrong, soldier?
Your friends are alive.
Aren't you happy about that?
I should be with them.
I don't get why I'm here.
Wait, wait.
I almost forgot.
This is from that girl.
A good luck charm for you.
-Her brother's cap.
-[chuckles]
[rails screeching]
-Why did we stop?
-It's the end of the tracks.
Take a look.
[soldier] The tank is totaled.
[Franco] It's okay. We're a couple
of hundred yards away. After the bend.
The one we saw from the tracks.
[Inga] I told you it was a Hercules.
Who could've brought it down?
Not the bugs, that's for sure.
They don't fly.
[unsettling music playing]
[whistling]
[Moro] Come on!
Come on.
Fuck. It's too quiet.
It's creeping me out.
I know what you mean.
I've had a weird feeling
since we got here.
Weird? Why? What?
Where are the bugs?
We haven't seen any
since we crossed the wall.
[whistling]
[panting]
[Juan] Here. Careful.
Hey, Tano.
Not too long ago, there were people here.
Look at that.
There's no way to be sure how long,
but… they were definitely organized,
no doubt about that.
But why would they leave?
There's no sign of a bug attack.
Well, maybe they went
to Campo de Mayo, right?
No, no way.
Not many people got there from downtown.
Well, maybe people
are getting organized elsewhere.
You know, we can't be the only ones
forming a resistance
[Moro] Listen up!
Bob, Raúl, Inga, you're coming with me.
That's an order! Come on.
No, no, wait. No.
She's… she's staying here with me.
She's under my command. If you don't
like it, complain at Campo de Mayo.
You know what? I will.
You're treating us like pack mules.
-Take it easy. Calm down.
-I'll go. You stay.
I chose to fight, so I'll fight.
I don't wanna lose you, Inga.
[Inga chuckles]
Take care.
Let's keep moving.
[tense music playing]
[music fades]
PERUVIAN ARMED FORCES
[eerie music playing]
[Inga whistles]
Looks like they left us a gift.
[Inga] Lieutenant!
They were going to the stadium.
Why would they come all the way
from Peru to bomb a soccer field?
Maybe there's something there.
Let's bring this back to get it looked at.
[man grunts]
[tense music rises]
Hey!
[chilling music playing]
[music fades]
[soldier] Attention, attention.
This is an important message
from the Argentine Army.
Our nation is currently facing
an unknown enemy.
Our streets have been plunged
into darkness and silence
after an unprecedented attack.
[uplifting music playing]
But we are not defeated.
The Resistance lives on.
We call on all survivors.
[on radio] …call on all survivors
to make their way to Campo de Mayo.
We repeat.
Those who can make their way
to Campo de Mayo
will find refuge and safety there.
You are not alone.
Together, we are stronger.
This message will repeat
every five minutes.
If you hear this, please spread the word.
Long live the Resistance.
Long live Argentina.
[static crackling]
Shouldn't we be hearing something already?
Have some.
[Ana] Thanks.
[Elena] They're leaving? Now?
Why don't they wait till morning?
I tried to stop her, but there's no use.
Is it me, or are they taking Inga's car?
Yeah. They asked if they could borrow it
from her before she left.
[engine starts]
Are you sad that they're leaving?
-Pecas hates me.
-[Ana] No, Clari. She's just…
-She's sad about her brother.
-She doesn't.
Why do you say that, honey?
Because she does.
[soldier on radio] …but we
are not defeated. The Resistance lives on.
We call on all survivors…
Yes! I knew it!
-It's working, god damn it!
-Where?
You can hea… Check the end of the dial!
It's working! It's at the end of the dial!
[soldier] …will find refuge
and safety there.
-You are not alone.
-Yes!
-That's them!
-Yes!
[all cheering]
[hopeful music playing]
Suruka!
Over there! Over there!
[Suruka] Great! Great!
-[exclaims]
-The light!
-Here. Here.
-[speaking indistinctly]
Here. Okay, now. Point. Point!
-[uplifting music building]
-[group cheering]
-Yeah!
-Yes!
[both laughing]
[cheering]
[Omar] We made it!
We did it, Juan! Come on!
[group cheering and laughing]
[captain] So?
You could hear it okay, though there were
some occasional thuds from the microphone.
Oh! Uh, no, it must be the wind, you know?
We have to take it somewhere sheltered.
[Omar] What's that?
Over there!
[ominous music rises]
I don't know, but don't get distracted!
The transmission's what matters right now.
Come on, let's get this gear moved.
This way.
[captain] I'll head down
and prepare for departure.
[static crackling on radio]
[soldier] Attention, attention.
This is a message from the Argentine Army.
Our nation is facing an unknown enemy.
I've always wanted to be a radio operator.
[Juan] Hey.
Hey! Listen.
Won't you send someone there
to investigate?
The light. You saw it.
-That's for another mission.
-No! Wait, listen to me.
It's nearby.
What if it's important?
No, they're not back from the plane yet.
I can't risk anybody else.
-They haven't come back yet.
-Who hasn't?
-Inga and everyone who went to the plane.
-What? They're back.
-Wait, what?
-Huh?
-Abate just said they hadn't.
-[Lucas] It must be a misunderstanding.
I spoke to someone who came from there.
They told me they were back.
They sent them straight
to the train to save time.
Why didn't those idiots say anything?
-I'm gonna go check the train, then.
-[Lucas] Wait. Are you crazy?
It's like a maze in here, you know?
If you find her and get lost… Stay here.
Let's not cause any trouble.
We'll get the hell outta here soon.
-It's cold out here, isn't it?
-[Juan] Mmm.
Why don't we see
if we can find somewhere warm to wait?
[Omar] You know how they say
we all have a soulmate?
Well, yours lives here.
Look.
[sighs]
[Juan] Wow. Nice.
[Lucas] It looks like a museum in here.
Oh wow, look at this!
This really is a relic. Ah!
-[Juan] Amazing.
-[Omar] Told you.
What's the deal?
How did you find this apartment?
I was so nervous about Inga,
I was climbing the walls.
A "key-whis." Like Ruso used to say.
-[Juan] I could definitely use one.
-[Tano chuckles]
-[Juan] What?
-Better late than never. Look, Juan.
Remember the time we spent looking for it?
Oh, no way. How could I forget?
We spent all afternoon strolling
through the mall, right?
-Remember?
-Lucas! Lucas, check it out.
-[Juan] Do you remember?
-Amazing. Right?
["Blues del atardecer"
by El Reloj playing]
[Juan] Cheers!
-Cheers.
-Cheers.
Come on, Omar. And Lucas.
Here's to you all. Huh, guys?
Mm. [exhales]
-['70s rock music continues]
-[Juan] It's delicious.
It's crazy how everything changed
in such a short time.
[Juan] Mm-hmm.
Some things never change, right, Luqui?
Shall we play some Truco? Hmm?
In memory of Ruso?
[soldier panting] Captain…
-Yes?
-There's movement 200 yards from here.
-[Abate] Is it bugs?
-A civilian.
[Abate] Okay.
Turn that off!
It's Moro!
Moro, what took you so long?
What happened?
["Alguien más en quien confiar"
by El Reloj playing]
You're on. I've got moon and sun, 31.
[Omar laughs]
-[Juan] Let's see.
-Damn it.
There it is! Thirty-one!
-Nice debut.
-[Omar] I know, right?
-What did you have?
-[Lucas] 29.
-[Juan] Good.
-I wanna see them. Show me.
-What, you don't trust me?
-It's not that!
You're going off on your own.
You know, I get worked up.
-You know I get worked up.
-Hey, come on, boys. Chill.
We said we were gonna play
to have fun, get our minds off things,
not to end up fighting.
I wasn't bluffing. I had 29. 22 and 7, 29.
-[Juan] They're sore losers.
-[Omar laughs]
Listen, you're not paying attention.
You're too distracted.
We can win if we concentrate.
You're losing at every hand.
Oh, I'm losing on my own?
I thought this was a team game, right?
[Tano] Come on, you've been going off
on your own, dammit.
I had 29. Just give me a break.
-[Juan] Cut the deck.
-[Omar] There.
-Do they always fight like that?
-Come on.
No, on the contrary,
you mentioned soulmates, right?
These two are soulmates.
-I don't know what got into them.
-Come on, deal. Do it.
[Omar] My go.
There. Easy.
-Envido.
-Envido.
-I've got envido.
-[Omar laughs]
Are you sure, Luqui?
He's hotheaded.
That's just the anger.
He's angry, and he's got nothin'.
Look. Look! Look at his face. Look at him.
-Shall we?
-Do whatever you want. I don't know.
Fine. I'm in. Twenty-eight.
-[Juan sighs]
-Twenty-eight?
[counting silently]
Tano, what do you have?
[Omar laughs]
I have nothing.
-You signaled me.
-[Tano] What? How?
[Lucas] You did. With your nose.
-[Tano] What?
-You touched your nose with your finger.
-[Tano] No. I did not signal you, damn it!
-The signal.
You're kidding, are you not?
-Wait, you saw the signal, didn't you?
-No, I didn't.
[Tano] But you called Envido twice
with no cards!
What is wrong with you?
What's going on?
Throw me a bone here, Lucas.
Help me out. Give me one win.
Please!
[rock music building]
God damn it! That's enough! I'm out!
Hey, wait! Don't be like that.
You're friends-- [inhales sharply]
-Lucas…
-[Omar moaning]
[groaning]
-[chilling music rises]
-[Juan] Lucas…
-[Omar grunts]
-[knife clatters]
What's wrong with you?
What happened? Are you okay?
-Wait. Let me see.
-[Omar] I'm not okay.
-Let me see.
-[Juan] Put pressure on it.
-[Omar] Help.
-[Juan] Put pressure on it!
-I'll be back!
-[Tano] Yeah, I'm doing it!
[footsteps on stairs]
[tense music playing]
[door closes]
-[Tano] Let me see.
-[Omar] Okay.
I'll get the first aid kit.
It's upstairs. Be right back. Promise.
But hurry back. Please hurry back.
[wind whistling]
I know what you're saying about me
because I can hear everything.
Beware of what you say.
They're tapping the phone lines.
What's going on, Lucas?
[Lucas] Someone wants
to harm the foundation.
Someone is conspiring…
Stay there. Stay there.
Stay right there.
[Tano] Luqui…
What are you doing?
Don't move, Tano. Don't move.
Turn off the flashlight.
Things are goin' great here. Just amazing.
And if you guys all decide to mess it up,
it's gonna be terrible.
Don't pay anything. It is all paid for.
If they ask for it in cash, say no.
You're being robbed.
We are here.
With you.
[Tano] It's okay, Luqui.
Why don't you try and explain it to us?
We can help you. We're your friends.
[somber music playing]
[chuckling softly]
The sky is lit up right now.
[solemn music swells]
-[music cuts out]
-[Juan and Tano] No, no! No, no, no, no!
[loud thud]
[both breathing shakily]
[Tano sobbing loudly]
[ominous music swells]
[Tano crying]
Tano! Tano!
Look there. We have to go right now.
-Let's go, come on!
-No.
-No.
-Come on! This way.
[soldier] The batteries are dead.
We need to leave here.
Come on! Let's go! Let's go! Now!
[unsettling music building]
[tense music continues]
[static crackling on player]
[Omar panting]
[footsteps fade on stairs]
[Omar, quietly] Fucking A.
I can't do this.
-How much longer?
-[Tano] I don't know. Not too long.
[wind whistling]
[Tano] Juan!
What?
[Tano] Luqui. What do we do?
[Juan] Nothing.
There's nothing we can do.
You understand? It's over.
Okay. Is that Bob?
[Juan] What? Yes.
-[Tano] He's completely clueless.
-[Juan] What is he doing?
[Omar] Bob! Hey, Bob!
Here! It's them!
Let's all go!
-Get them! Now!
-[Tano] No, he's with them.
-[Juan] Let's go! Come on!
-[Tano] He's with them!
[suspenseful music playing]
[Omar grunts]
[Juan] Fuck.
Hurry!
-[Omar groans]
-[Juan] Come on.
-[banging on door]
-[Juan] Hang in there!
[Tano] Yeah.
[banging on door continues]
[Tano] It's okay, Omar.
It's okay. We made it.
-[Juan] Over here!
-[Omar groans]
-They're not here, damn it!
-[Omar] They went back to Campo de Mayo!
[Tano] Motherfuckers!
They left us here!
They fucking ditched us!
Calm down. Breathe! Breathe!
Hang in there. Hang in there.
-I'm losing a lot of blood, Juan.
-[Juan] No, come on. You're fine.
-[Tano] Juan!
They're here.
-The lights! Juan!
-Okay. Look! Grab on to me.
-Grab on to me. Keep going. You got it.
-[Omar] I can't.
-[Juan] You got this.
-[Tano] Let's go.
Come on, Omar. Keep going!
-Yeah.
-[tense music playing]
[soldier] Think anyone else made it out?
-[Juan] Don't know. We'll find out.
-Let's go.
[Omar] Inga. What if Inga's there?
-[Juan] It's okay. Hopefully, she's there.
-Almost.
-Relax.
-Keep going.
[Omar groans]
-[Juan] They're coming!
-[Tano] Motherfuckers!
-Go!
-[Omar] Sons of bitches!
-Hurry!
-Inga!
[tense music continues]
[gunfire]
[Omar grunts]
[Tano] Come on, Omar! Go!
-Where are the others?
-[Juan] There's no one left!
-Let's go!
-[Tano] Get on! Get on, Omar!
[gunfire continues]
-[Omar cries out]
-[Tano] Get on!
-[engine starts]
-[Juan] Quick, get on!
Hurry up!
[gunfire]
[tense music fades slowly]
What the fuck is going on?
[Tano] I don't know.
They came out of nowhere
and started shooting right at us.
It's the same thing that happened…
at the mall, right?
Are you saying they're collaborators?
I don't know, but for some reason,
they let us send that message.
What if it was a trap?
God damn it. I can't abandon her.
I have to go and look for her.
Stay right there, Omar.
You can't go anywhere.
And my partner?
-Did you see him?
-[Tano] Wasn't he with you?
[Franco] He went back to the building
to check on you guys.
We didn't see him.
We saw Bob and the lieutenant.
They switched sides.
You got any spare cartridges?
Yes. Two.
-[Juan] Give 'em to me.
-What's your plan, Juan?
I'm going to the stadium.
I want to investigate.
We have to go to Campo de Mayo
and tell them what we saw.
[Juan] You go ahead and do that.
Tano…
Think about it.
We're so close to that light.
Think of Lucas.
[Franco] I'm going with you.
You see, I need to find my partner.
Wait, if you're going, who's driving this?
That was your dream, right?
Come with me.
I'll show you how to do it. Come on!
[Tano grunts]
[Tano] Take care of yourself.
[softly] Go.
[Omar] Juan…
Find Inga.
This lever here is the handbrake.
-It works like a ratchet. Look.
-Okay.
[clanking]
That is how you brake.
And this lever right here releases it.
Good luck.
What are you writing?
Everything that just happened.
I don't wanna miss a thing.
Hmm. What are you, a writer?
No, a journalist.
Mosca. Ruperto Mosca. Nice to meet you.
You too.
[nearby gunfire]
[gunfire continues]
[Franco] What do we do?
I don't know.
I'd stay clear of any more trouble.
We have to get to the stadium.
That's all that matters.
What if it's our guys?
[eerie music playing]
[gunfire]
[ethereal music building]
[automated voice] C-35 passengers.
Remember, the card that is
in your right pocket
holds the number to your group.
[gunfire]
What the hell is that?
[gunfire continues]
[gunfire continues in distance]
Give me the gun.
[grunts]
[Juan] Where the fuck are the stairs?
[Franco] What if Mosca's right
and they're all collaborators?
[Juan] Men and bugs together?
How do they understand each other?
What language do they speak?
[unsettling music rises]
[loud blast]
[distorted tango resonates and echoes]
[blasts echo]
[blaze roars]
[shouting inaudibly]
Come on, almost there.
[screams inaudibly]
[feedback squeals]
[Franco, echoing] Are you okay?
[gasps]
[tense music playing]
[quietly] Fuck.
[chilling music building]
I just realized where I know you from.
I've been here… before.
I've lived this already.
[Franco] Juan.
Look at the gazebo.
What the hell is that thing?
The enemy.
That thing is the real enemy.
[hypnotic melody playing]
[Franco] That thing controls them.
They're like robots.
[haunting, ethereal melody continues]
[dramatic, determined music playing]
[music intensifies]
[music ends]
["Porque hoy nací" by Manal playing]
['70s Argentinian blues rock ends]
Subtitle translation by:
Daiana Estefanía Díaz