MobLand (2025) s01e07 Episode Script

1
MTV ♪
[Fisk] This is war.
- [Harry] Jan, where are you?
- What's happened?
Look at me. We have to go. Now.
[Alice] They're on the move.
[Kevin] Do you know how hard
Harry and I have been working
- to keep the peace?
- [Conrad] Your mother didn't
give the order. It was me.
We're at war! We're gonna
take those fuckers out,
one by one
their friends, their families.
[Maeve] So, there's a war on.
Seraphina's toddled off to Antwerp
with a shit ton of cash,
our cash no less, to buy
Christ-knows-what from
Christ-knows-who, with Brendan.
Bring 'em home, Harry.
[Gina] We could run away.
Look me in the eyes
and tell me you like your life!
It's not always about that.
[Maeve] I want to offer you
an olive branch.
You can do what you want
with that little bitch bastard,
but if you touch a hair
on my Brendan's head,
then you and me are no longer friends.
And you know you don't want that.
No, no!
[engine revving]
tense, pulsing music ♪
♪♪♪
[heavy door closes]
[gun cocks]
♪♪♪
- [phone ringing]
- [dog whines]
[Harry] Conrad, it's Harry.
I just got here.
Basically, everyone's dead.
There's no sign of Brendan
or Seraphina.
Looks like the Moroccans
were involved.
How do you know?
I'm looking at a dead one right now.
Got the old turtle
tattooed on his neck.
Which means he's El Youfsi.
[Conrad]
They control the Antwerp docks.
[Harry] I'm heading there now.
Bring 'em home, Harry.
- Bring my babies home.
- [Maeve cries]
I'll be in touch.
[Maeve crying]
tense, dramatic music ♪
♪♪♪
[crying]
[engine revving]
[line ringing]
- [Richie] Hello?
- Richie.
Top of the morning to you.
We had a deal.
Did we?
I gave you Seraphina.
And I took her, thank you.
Plus insurance.
Now you listen to me,
you cockney cocksucker.
If you touch one hair
on my Brendan's head,
I
Fuck off.
"Starburster" by Fontaines D.C. ♪
Fuck! Fuck!
It may feel bad ♪
It may feel bad ♪
I wanna see you alone,
I wanna sharp the stone ♪
I wanna bounce the bone,
I wanna mess with it ♪
I wanna lay the Deville,
the whole crew on the sill ♪
I want the preacher and pill,
I wanna bless with it ♪
I wanna head to a mass
and get cast in it ♪
That shit's funnier
than any A-class, innit? ♪
I wanna talk with the clown
who has apologies down ♪
Pay him 300 pounds
to take a class in it ♪
I wanna bite the phone,
I wanna bleed the tone ♪
I wanna see you alone,
alone, alone, lone ♪
I wanna strait the shark
and find me somewhere to park ♪
Like the light when it's dark,
it's dark, it's dark, dark ♪
A few stars about
make it feel like peace ♪
In a way ♪
A complimentary round ♪
Constellation got a twist in it ♪
For a GPO and all the hits in it ♪
I'm gonna hit your business
if it's momentary blissness ♪
I'm gonna hit your business
if it's momentary blissness ♪
I'm gonna hit your business
if it's momentary blissness ♪
[birds singing]
What's up with nan?
Brendan and Seraphina got kidnapped.
Is that good or bad news?
[sighs]
[door opens, closes]
[Conrad] Who knew they were in Antwerp?
Me, you.
Harry, O'Hara, Paul.
- Bella, Jan.
- Jan?
Yeah. Yeah, Bella said
that Harry told her and Jan
where he was going.
Kiko, Zosia.
Mum, of course. And Eddie.
[Maeve cries]
- [door closes]
- [Maeve sniffles]
Someone sold them out.
Someone who knew they were there.
Yeah.
We were just saying that.
This is not war anymore.
This is nuclear war.
[birds singing]
- Hi.
- Hi.
Coffee?
I didn't think I was allowed.
Harry's family.
So you are.
The bad news is
that puts you in mortal danger.
[Gina scoffs]
Now, I warn you,
I make the best cup of coffee
this side of the Irish Sea.
Question is, have you got the minerals?
No, I'm good. Thank you.
Suit yourself.
[phone ringing, buzzing]
[crying] Jan, I'm fucked.
Why? What's happened?
I don't know what to do.
Alice, you all right?
Can I please ask you
a massive, massive favor?
Can you meet me just for an hour?
[sighs] I'm in the Cotswolds.
[cries]
Please, Jan, I could come to you.
There's a
there's a pub in the village
called The Falkland Arms.
I'll be there. Thank you so much, Jan.
I'll see you there at 1:00.
- [Bella] Jan?
- I've got to go. Sorry, sorry.
Mic drop.
[Bella] Your cleaner.
- Maria?
- Yeah.
Can I get her number?
Ours quit when the house
Well [scoffs] understandably.
Yeah, sure. I'll text it to you.
Perfect. Thanks.
[O'Hara] Look, the filth
have been up our holes
since pre-Archie.
Now with Archie's body rocking up,
the disappearance of Tommy,
not to mention
Vron's recent car trouble,
we've got heat on us like never before.
I mean, my guess is
Fisk has a dedicated unit,
working 24/7 to break the two families
once and for all.
Yeah, well, all I can say to that
good fucking luck. [chuckles]
[scoffs] Maeve.
This would be bad news
at the best of times.
This morning's far from that.
And it gets worse.
Harry's arrest, Brendan and Seraphina
getting lifted in Antwerp
all point to the same fucking thing.
There's a rat in this family.
Eerie music playing ♪
[Conrad] 1984, I was in the Scrubs,
working on a shiv.
I've fashioned this
to a very fine sharp point
for a month now.
And my cellmate, he rats me out.
Now, he gets a room
with a TV and a toilet.
I get six weeks in solitary and
a year on top of my sentence.
When I get out in 1988, I find the rat.
Ah, he was very surprised to see me.
And I sit him there
in the old armchair,
and I get the television flex,
and I bound his hands
and cut out his tongue.
And then I go into the kitchen,
I fetch a spoon,
and I feed him his eyes.
And then,
I cut the rat's throat.
[engine revving]
Harry. Yeah, it's me, it's me.
¿Qué pasa?
[Harry] I'm at the docks. Stand by.
Any news on the POWs?
Not yet.
I got that number for you.
Maria. Harry's cleaner.
- All right. Thank you.
- I'll send it to you.
Are you gonna tell me why you want it?
No.
[phone ringing]
Yes?
Antoine, it's me.
There's been some progress.
My father's made contact
with the home secretary,
and the home secretary
is excited to meet you
to discuss your proposal.
The answer is no.
Is there a problem?
The problem, Ms. Harrigan,
is that you sent
your attack dog to eat me alive.
I'm giving you
another chance here, Antoine.
If you hadn't tried to fuck with me,
that wouldn't have happened.
So the lesson is:
don't try to fuck with me,
because there's absolutely
nothing to worry about.
I want a 50% reduction.
Are you trying to fuck
with me, Antoine?
[Kevin] Hello.
Is that Maria?
Hello, it's Kevin Harrigan.
Yeah, that's right, Harry's friend.
Twenty percent. That's it.
I'll call you tomorrow
with the time and venue.
Slow, suspenseful music ♪
Did you, uh, manage
to check that name for me?
[Maria over phone] Uh, yeah, I did.
His name is Rusby. Alan Rusby.
All right. And, uh,
what's the name and address
of the care home?
It's Meadow Stone Court.
I'll text you the address.
- Lovely. All right, thank you.
- No problem.
- Take care, Maria. Bye.
- Bye.
[phone clicks]
- [door closes]
- No
No, no! [screams]
♪♪♪
[birds chirping]
[gate creaking]
Paul, come in.
Yeah, go ahead.
Jan's leaving the property.
Follow her.
[Eddie] Well, my mum
just overcompensates.
She treats me like I'm still 12.
Could be worse.
And my dad
he's never here.
And when he is, he's not.
Yeah, tell me about it.
Like, I know if I needed him
like, really needed him
there's no way he'd be there.
I was meant to be doing
my GCSEs right now.
My dad came and yanked me
right out of my psychology exam.
I worked really fucking hard on that,
and now it's all just gone to fuck.
Slow, suspenseful music ♪
[indistinct chatter]
- Sorry.
- Sorry.
Thanks.
Hey.
Thanks for coming.
[Jan] What happened?
So, he got up,
he got out of the bed to go
to the bathroom.
As he did, he subtly
pushed his phone under his pillow.
[Jan] Oh.
And I'm sitting there,
listening to him take a piss,
and I-I pick up his phone
and I put in his password
and there's this text.
His reply, her reply, his reply.
All done while
we're sitting in bed together,
after I've made him his coffee.
- Why didn't you confront him?
- I will, I
I just need 30 minutes with his phone
so I can get the whole story.
That is fucking awful.
Suspenseful music ♪
[engine revving]
[indistinct chatter]
[engine turns off]
All right, lads.
Any of you know El Youfsi?
Do you know a Youfsi?
Where's your boss, mate?
- Are you a criminal?
- [grumbles]
- You fucking look like one.
- [men speaking Arabic]
You want a hole in your sweater?
Fuck are you going?!
[engine starts, revs]
[tires screech]
[tires screeching]
[tires screech]
Where you going, you cunt?
Your boss. Where is he?
Could your mum and dad
name three of your mates?
Mum could. Dad, no way.
My dad couldn't pick my mates
out of a lineup.
[laughs softly]
Then I come here with this lot, and
I don't know.
I just feel a bit
What?
Lost.
[Alice] So, what brings us
to the Cotswolds?
Hmm. Long story.
Please tell me you're having an affair.
[both chuckle]
No, just a few days away.
Just you and Harry?
- And Gina.
- Oh, nice.
- Where are you staying?
- Conrad's, actually.
The boss. The silver fox.
- Mm, lucky you.
- Mm.
So, is Harry there now?
You know, I'd love to meet him.
Harry has gone abroad.
Where's he gone?
Antwerp. [scoffs]
slow, eerie music ♪
[coughing, gurgling]
[chatter nearby]
[men speaking Arabic]
[men shouting]
[men shouting]
pulsing music ♪
[indistinct shouting]
[man exclaims]
Vas-y, vas-y.
[man] Please.
Ouvrir. Ouvrir. Open.
Open.
[men shouting]
[man shouting]
[cries out]
♪♪♪
[objects clattering]
[ragged breathing]
[weakly] Who are you?
Brendan and Seraphina Harrigan.
Where are they?
[Conrad] It's not Harry.
[Maeve] If you're so sure,
why did you have his wife followed?
Why did you go put
the frighteners on her?
- In her home?
- How do you know that?
Oh, I know everything.
- [water running]
- You know,
sometimes when you're close to someone,
when you trust them,
you can't see what's
right in front of your nose.
Are you toying with me, Maeve?
Is this some kind of game
you're playing?
Atmospheric music ♪
Look, I couldn't say this
in front of the others,
with all that, you know, that rat talk
- flying around.
- Uh-huh.
[sighs]
What happened?
I got a text from Richie.
- And you're telling me this now?
- Yes.
You got a text from Richie?
Yes, I just said I did.
- When?
- What does that matter?
What did it say?
He's got them.
He's got Brendan.
Oh, Jesus.
And Seraphina?
Fucking shit,
you little
I tell you, this fucking [yells]
Maeve.
Okay.
Show me the text.
[stammers]
You don't believe me?
Show me the text.
I mean, are you saying, Conrad,
- that you don't believe me?
- Huh.
Well, of course I'll show you
but it'll be the last thing
I ever show you,
because the second you lose trust in me
is the second this family
- turns to dust.
- [door opens]
I've got Harry on speaker.
They're in Amsterdam.
Oh, Jesus,
don't tell me it's the Mexicans.
Richie couldn't get to Antwerp in time,
so he's called the Lopezes.
The Lopezes called
the Moroccans, the Moroccans,
they've lifted them
and took them to an airfield
just outside Amsterdam.
The cartel have them.
I'll be at the airfield in two hours.
Slow, dramatic music ♪
[filtered breathing]
[Brendan straining]
[straining]
[exhales]
Don't.
[engine revving]
[Kevin] The Lopezes have
a warehouse in the west port.
It's like a fucking fortress.
Yeah, well, there is one option.
I speak with Jaime
and offer him long on the Fire.
Jaime Lopez told Archie he'd
rather cut his own balls off
than break bread
- with the Harrigans.
- Money talks!
We need to get to Jaime.
The only one of us who could possibly
have done that was Archie.
Face it, Dad. We've fucked this.
For God's sake, man!
Will you let a man think?
[door closes]
[Alice] Thank you,
Jan.
For what?
I don't know, I
I-I feel like I've made a friend.
A real friend.
- Snap.
- [chuckles]
I need a wee.
Another drink?
Lovely. Yeah.
Atmospheric music ♪
[phone chimes]
[sighs]
[Eddie] You know how to ride a horse?
[Gina] I've never even touched one.
Good. I hate horsey birds.
I hate a lot of things, really.
A lot of people.
But not you.
You're all right.
Everyone at school thought I was gay.
I did, for a bit.
But I'm just
What?
- Sensitive.
- [coughs]
Fucking hell. [coughs]
Do you think I'm thick?
What?
"I'm just sensitive."
"I'm lost."
"My father is never here."
He really isn't.
It's called mirroring.
I did my whole GCSE course work on it.
You size me up, tell me
what you think I want to hear,
and I turn to mush and suck your cock.
[chuckles]
Worth a try.
Yeah.
If my type is useless drips.
[Alice] I've always been
attracted to bad boys.
[chuckles] What about you?
Is Harry a bad boy?
Jesus.
[laughs softly] I don't know.
What do you mean you don't know?
[clears throat] I, uh, suppose
that's what got me into this mess.
Look, we can't help it.
I think it's the movies.
No one writes films about
fucking quantity surveying.
- [laughs]
- It's all killers and gangsters.
What's all killers and gangsters?
Hi.
Hey.
You're coming with me now, Jan.
- Paul
- Jan?
I said come with me.
Sorry, Alice, um
I'll call you.
Tense music ♪
Oh.
[door opens]
You hear that, Alice?
[door closes]
She's gonna call you.
Go back to London, sweetheart,
before you find yourself
in a whole heap of trouble
that you can't get out of.
Do you hear?
[whispers] Hey.
I said, do you hear?
Yes.
Okay.
Killers and gangsters, eh?
When I walked in, I heard her
say "killers and gangsters."
What was that all about?
It's all about context, Paul.
Of course it is.
This Alice, how well do you know her?
I've known her a few weeks.
And she comes all this way?
Wow, isn't that nice?
She's that kind of person.
- Is she, now?
- Yeah.
And what's that, exactly?
Or could you really not say,
on account of the fact
that you've only known her
five fucking minutes?
Do you know anything
about her at all, Jan?
She's just a friend, Paul.
Okay.
And what reason did you give her
for being here?
I said that me and Harry
were on a mini break.
- [engine turns off]
- [car doors open]
[car doors close]
- Hello.
- Evening, all.
Hi, Mum.
- [Brendan crying]
- [Seraphina] Brendan
Brendan,
fucking pull yourself together.
- [sobbing]
- Brendan.
I'm-I'm gonna die.
We are so gonna fucking die!
Will you keep it down, you fucking
Get a grip, mate.
If they were gonna straight
kill us, we wouldn't be here.
We'd be dead, along with all the others
back in that fucking warehouse.
Just pull yourself together,
just let me think.
I'm sorr I'm sorry, I'm sorry.
Did you see anyone? Any of the gunmen?
[sniffles] I just saw flashes.
- Man, I
- Okay, g-go back over it.
- We were doing the deal.
- Yeah.
We were doing the deal, and then I-I
I went to shake Samuel's hand,
and then his
fucking head disappeared and
and then, and then
all hell broke loose.
I pissed myself, got bundled up.
I shat myself,
got thrown into a fucking crate
and then passed out
and then woke up here.
[sniffles] You?
Same.
Except the piss and shit bit.
[crying] Never seen so much
- fucking carnage, man.
- Brendan.
[crying] I'm sorry!
I'm sorry.
[sniffles]
Fuck.
What?
This isn't your fault.
It isn't?
This isn't a double cross.
They killed everyone, both sides.
[whispers] This is the Stevensons.
No, no, no. No.
Someone tipped Richie off
that we were in Antwerp.
I didn't see Richie or any of his mob.
- It's not. No, no, no.
- No, this is Richie,
- all right.
- Seraphina, you're wrong.
- This is Richie.
- It's not Richie.
- Yes, it is. Yes, it is.
- No, it's not.
[metal door creaks open]
♪♪♪
What's that?
Excuse me, what's go
what's going on?
Oh, God.
[switch clicks]
[door closes]
- [Jaime speaking Spanish]
- Fuck.
[continues speaking Spanish]
[continues speaking Spanish]
[speaking Spanish]
Sorry for that.
My name is Jaime Lopez.
You have harmed
a business associate of mine.
So we need to do this.
¡Vamos!
- What? Sorry, what? Do what?
- Wait, stop, stop, stop. Wait.
Give-give me 30 seconds.
I've got a preposition for you.
My father Conrad Harrigan
will pay you twice
what Richie is paying you.
He will also offer you
five million cash for our lives
on top of the deal.
Why would I believe that?
You have my word.
Listen.
I've met a lot of people
in your position,
sitting where you are now.
People tend to say things
just to save their skins.
I'm telling the truth.
My father trusts me. I speak for him.
Your father insulted my father
in Las Vegas at the Lewis-McCall fight.
I was there.
He called him "Greasy Mexican,
taco-breathed cocksucker."
- That was 30 years ago.
- My father died
with that slur on his name.
I can guarantee you twice
what Richie is paying you.
And an apology.
Apologies?
You cannot apologize to the dead.
Come on. Surely, you know,
that it's been a
Sorry, it's been a minute.
And, you know, it's like
I mean, you know,
water under the bridge.
What did you say?
- Nothing. Nothing.
- What did you say?
No, no, I didn't say nothing.
Ah.
Even if I was ready
to let the insult go,
which, under certain circumstances,
I would consider,
I'm afraid I must decline your offer.
You see, your father is
not the man he was.
Ten years ago,
I saw a powerful man.
A cunning rival.
- Dangerous.
- [snaps fingers]
Now I only see a madman.
Old.
Chaotic.
The Harrigans may be big in London.
But in my world?
Nah. Not so much.
Poquito, poquito, tantito.
Do you understand?
[phone clicks]
[line ringing]
- [Richie over phone] Jaime.
- [imitates engine revving]
Richie.
We're ready.
[phone chimes]
[Conrad] What the fuck is this?
[Kevin] It's a video link.
Don't press it. Here.
[Richie over phone] Hello, Conrad.
Maeve.
Kevin. Nice.
You're just in time for the show.
[Maeve] Richie Stevenson,
the road you're on
leads straight to hell,
and you know it.
You know what, Maeve?
I used to respect you.
You had power.
But not anymore.
Now, I'm a busy man,
so do me a favor
and shut your cake hole,
you dried-up old sack of fuck.
I'm gonna eat your face,
Stevenson!
So,
if you're all sitting comfy,
let the show begin.
Dark, eerie music ♪
- Dad.
- Mum!
- [Seraphina] Dad.
- [Brendan] Mum.
- Please help.
- Mum, save me!
Brendan!
Mum. Mama, Mama, help.
Help me.
- Mum, help me.
- [Seraphina] Dad!
- Where's your phone?
- Here you go.
[Brendan] Mum. Mum! Save me!
[Richie] It's like what they say.
An eye for an eye
and a tooth for a tooth.
This is what happens
when you fuck
with Richie Stevenson.
- [chain saw revs]
- [Seraphina gasps]
[Maeve] Brendan!
[phone ringing]
- [Harry] Conrad.
- It's Kev, Kevin.
Um Richie's gonna do them both.
Right now.
- All right, give me two minutes.
- All right.
- [chain saw revving]
- [Seraphina] Please, no.
[Brendan whimpering]
[phone ringing]
What?
It's Harry. Harry Da Souza.
I need to, I need to speak
to Kat. It's urgent.
[Donnie] Oh, so now it's urgent?
Just do as you're fucking told,
Donnie, yeah?
Get me Kat. Do it now.
[chain saw revving]
[phone ringing]
Hello?
Yes, a moment.
It's Harry Da Souza.
Suspenseful music ♪
Hello, Harry.
- Have you been avoiding me?
- No. No, not at all.
Been a bit rushed off my feet.
I need a favor, Kat,
and, uh, it's super urgent.
It's really super fucking urgent.
[chain saw revs]
Is it a big favor?
Yeah, Kat, it is.
It's-it's, uh, it's a big favor.
Well, now I'm intrigued.
[both whimpering]
Okay, come on, Harry.
What can I do for you?
- [wet crunch]
- [Brendan screaming]
Mum, Mum.
[crying]
[phone ringing]
¿Sí?
[Seraphina crying] Please!
Please!
[chain saw revving]
Stop!
[crying]
Kat, I'm afraid you're a little late.
- [Seraphina crying]
- [phone beeps]
Limpia esto.
Jaime?
[whispers] Oh, fuck. Fuck, fuck.
[crying]
No.
[phone ringing]
Kat.
- Donnie will be in touch.
- Thank you.
Thank you.
Harry?
Yes, Kat?
You owe me.
"Divide and Conquer" by IDLES ♪
♪♪♪
Ha ♪
Ha ♪
Ha ♪
Ha ♪