Too Old To Die Young (2019) s01e07 Episode Script

Volume 7: The Magician

1 There's a car accident on the side of the road.
The young girl who's drunk was the driver.
An older woman's in the passenger's seat.
The car is burning.
You only have enough time to save one.
Who do you choose? MARTIN: The younger one.
Why? She has more life to live.
There's children playing in a field.
Chasing butterflies.
A young boy catches one and rips the wings right off.
He goes for another.
Do you stop him? Yes.
Why? Because it's senseless.
A teenager's deeply attracted to you.
They offer themselves to you.
What do you do? Walk away.
Do you? Yeah.
DIANA: I'm sure Viggo's told you what we do here.
What would you like to know? How do you find them? I'm a victim's advocate.
Some families require a higher form of advocacy.
So they come here.
Then, when the time is right, they make an offering to me.
They give me a name.
I pass that along to Viggo.
And he kills them.
But as you know Viggo's dying.
And then what happens? That's up to you.
[KNOCKING.]
Can I help you? MARTIN: Hi.
I'm Detective Jones from the L.
A.
County Sheriff's Department.
An incident occurred in your neighborhood last night.
I'd like to ask you a few questions about it.
What type of incident? Home invasion.
Can I come in? WOMAN: Of course.
Thank you.
Hi.
What's goin' on? Some sort of robbery here yesterday.
Lots of kids.
They all yours? WOMAN: These are our little angels.
We're foster parents.
Just us and the kids and our two cats, Muffin and Butterscotch.
- It's just - [INDISTINCT YELLING.]
That's nice.
[CLATTERING.]
Is there someone else here? - [GUNSHOT.]
- [GASPING.]
[SCREAMING.]
[GUNSHOTS.]
[GUNSHOT.]
[DOOR CREAKING.]
It's okay, children.
You can come out now.
I believe In homicide I rest my case Don't cast a sigh You better believe it That's the truth of it Take it or leave it Resign to it Homicide Homicide Homicide Homicide No one cares When someone lies They'd rather say That it's a red alert You'd better believe it That's the truth of it Take it or leave it Resign to it Homicide Homicide Homicide Homicide Homicide Homicide Homicide Homicide You try to tell me it's his fault Because he's down And let him lose this homicide So you're the famous Martin.
I'll take enough But I'll take it down Yeah.
I'll write it down I'll be in touch Eighteen.
In a big black car Must be a relief for you.
Homicide Homicide Homicide I believe In homicide I rest my case Don't cast a sigh You'd better believe it That's the truth of it Take it or leave it Resign to it Homicide Homicide Homicide Homicide Homicide Homicide Homicide Homicide Homicide Homicide Homicide Homicide Homi, homi, homi, homi, homi, homi, homi, homi Homi, homi, homi, homi, homi, homi, homi, homi Homicide [SIREN WAILING.]
Homicide Well, welcome, everybody.
Thank you for coming, all of you that constitute what we know as Janey's world.
The moment you've all been waiting for.
Janey, come on, get up here.
Get up here, come on, let's go.
[APPLAUSE.]
Hey.
I can't believe it.
My little baby, she's all grown up.
I mean, come on, some of you people have known her her entire life.
Eighteen years old.
Are you kidding me? If you're 18, what the hell does that make me? I'll tell you what that makes me.
About five years away from dating one of your girlfriends.
[LAUGHTER.]
Come on, baby, I'm talkin' to you.
Let's go! [GROWLS.]
Okay, okay, I play, I play, I'm kidding.
[LAUGHTER.]
Listen.
We all knew you were gonna grow up to be an incredible beauty, right? But please, I mean, come on.
Is she a knockout or what? - Smokin' hot, huh? - [CHEERS, APPLAUSE.]
Smokin' hot.
[CHUCKLES.]
And I must say, I had something to do with that.
I helped create that.
I mean, she's got her mother's insane body, but the brains, baby? It's all about me.
It's all about me.
You know what, we're all - Seriously, we're all so fortunate - [CELL PHONE BUZZING.]
to live in a world with Janey in it.
This one here, she's gonna do big things.
Ten years from now, all of us gonna be workin' for her.
I'm not kidding.
And the colleges are begging for her.
She got into every single university that she applied to.
That is pretty cool and pretty impressive.
But you know what? I told her not to go.
Because she is so cool.
So guess what she's gonna do.
She's comin' to work for Daddy.
[APPLAUSE.]
[CELL PHONE BUZZING.]
THEO: I mean, please, with her brains, her creativity, her ideas and my, uh, Rolodex and cash flow, I think we'll be pretty unstoppable.
Hey.
DAMIAN: Hey.
I'm busy right now.
We have a problem.
Someone tried to kill me.
All right, give me a minute.
ALL: Happy birthday to you Happy birthday to you Happy birthday, dear Janey [MUFFLED MUSIC.]
[KNOCKING.]
[LOCKS CLICKING.]
MAN: What's up, man? MARTIN: What's up? Where's he at? MAN: He's in the back.
How are you healing up? Keeps ripping open.
But you're okay? I'm good.
So what's up? The Mexicans.
They shot Celestino.
Why? We've been having some territorial disputes.
Seems like it's a war now.
So what do you need from me? I need to find out what the police know.
The shooter's dead.
I've got my people on the streets asking around.
But I need all the help I can get.
I want to know I'm killing the right enemy.
Can you do that for me? I can make a phone call for you.
[PHONE LINE RINGING.]
Hey, hey, partner.
How's your cock? MARTIN: Hey, Red.
'Cause you're on sick leave.
You're just lying around pullin' your pud, right? Look, I gotta run something by you.
Come on.
Let me hear you whackin' it.
[SMACKING NOISES.]
Hey, do you want to hear about my cock? No.
[SCOFFS.]
I don't know, man, I'm just so fuckin' horny all the time.
You know what I'm sayin'? I don't know what it is.
That's great.
Hey, so you know that shooting outside an ice rink? Uh yeah.
Yeah, yeah, yeah.
MARTIN: You guys get a hit on that yet? Why? You know somethin'? No, I just got a tip from an old source, and I want to see if it checks out.
Well, look at you.
You're tryin' to join the FFA.
MARTIN: What's that? That's the Fist Fuckin' Association, my friend.
See, you're tryin' to get your whole fist up the lieutenant's ass while you're not even on the clock.
Impressive.
Hey, Red.
Just give me a call if you hear anything.
Sure.
What's the magic word? Please.
No.
Okay.
Cock.
Yes.
I'll see what they got.
But you're gonna have to wait 'til tomorrow.
Oh, hey, listen.
Me and lieutenant are workin' on a two man show for the ball.
You should join us, be our straight man.
You got a great serious face MARTIN: Thanks, Red.
Whew.
Please tell me that motherfucker isn't a real cop.
MARTIN: He's a real cop.
Kinda.
Take care of yourself.
I'll let you know if I hear anything.
Thank you.
Hey.
Hey.
Where'd you go? I had a work thing.
I thought you were on sick leave.
They needed me for something.
Sorry.
It's okay.
So, how was the rest of the party? Fine.
MARTIN: You okay? JANEY: I just thought I'd feel different.
[GROWLING.]
[SNORTS.]
Oh.
Morning, my tiger.
[CHUCKLES.]
Sweet dreams? Huh? [SNORTS.]
Sleeping beauty.
[GROANS.]
I enjoy watching you sleep.
[SNORTS.]
[COUGHS.]
That's a pretty nasty wound you got there, my friend.
[SNORTS.]
Might want to be careful.
You know, you can, uh [SNORTS.]
wind up, uh with an infection.
[CHUCKLES.]
Could kill ya.
[SNORTS.]
Yeah.
Where's Janey? School.
[SNORTS.]
Finals.
Why don't you get up, get dressed? I'd, uh I'd like to watch.
[SINGSONGY.]
Got something I want to show you.
[SNORTS.]
Wanna see? [POLICE RADIO CHATTER.]
- Hi.
- Hi.
License and registration, please.
Yeah.
Here you go.
- Mona? - Mm-hm.
Whoa.
I like that name.
[CHUCKLES.]
Mona.
Mona.
Mona.
[LAUGHING.]
You sure you're only 21, Mona? MONA: Yep.
And a donor.
Generous.
She's a saint.
A saint with a pretty face.
[CHUCKLES.]
Hey, Mona.
If I take this back to my car and I run it, will I find anything? - No.
- No.
Mm-mm.
Okay.
Well, uh, I'll leave you two alone to, uh, get better acquainted with each other.
So, what do you think, tiger? It's all right.
All right? [LAUGHS.]
Just all right? Very articulate.
You wouldn't know art if it punched you in the face.
[SNORTS.]
And trust me.
I will find something.
I always find something.
And you know what that gets you? That gets you a trip to jail where you're gonna make some new friends that just love to eat pussy.
MONA: I'm sorry, what? OFFICER: Let me ask you something.
You like eating pussy? MONA: Mm no.
OFFICER: No.
That's too bad.
So, what are you gonna do with it? Who the fuck knows.
Excellent question, though.
[SNORTS.]
Not that you have any say in the matter.
We'll give Janey a call.
She's always got lots of great ideas.
[SNORTS.]
Guess what? This right here better be the best blowjob you ever No, no, no, no.
[CHUCKLES.]
No, don't cry.
Mona.
She never told you she was coming to work for me, did she? - No.
- No.
[SNORTS.]
[CHUCKLES.]
OFFICER: Open that pretty mouth.
Open up wide.
I saw you two last night.
[SNORTS.]
I was watching.
It was fun.
You two looked like you were having a good time.
[CHUCKLES.]
Tell me, tiger, what do you think? My Janey, she's, what between us men she's a 10, right? She's She's a 10.
You know, I always thought if she wasn't my daughter [CHUCKLES.]
[PANTING.]
[MOANING.]
[ZIPPER UNZIPS.]
[MOANS.]
[PANTING.]
[SIGHS.]
[GRUNTING.]
[GRUNTING.]
[GROANING.]
[PANTING.]
[SNORTS.]
[WHEEZING.]
[SNORTS.]
Got to admit I was a little jealous watching a Neanderthal like you make love to my little princess.
But now that I own you brings me back to a nagging question that I've been wanting to ask for a long, long time.
[SNORTS.]
What happened in your pathetic life? How did it become so incredibly banal that you were willing to throw it all away over a little bit of young pussy, huh? [SNORTS.]
Why don't you tell me, Martin? Give me a little peak little peak into who you really are.
Huh? Just tell me about that.
[SNORTS.]
Yeah.
[GROWLING.]
Hey, where you goin', tiger? Goin' for a little bit more young pussy? [GUNSHOT.]
[GRUNTS.]
[GRUNTS.]
[PANTING.]
[BONES CRACKING.]
[PANTING.]
I need to get rid of someone.
MARTIN: Hey.
VIGGO: Hey.
Who's this? Someone who needed to go.
What did he do? And you need my help.
I need to get rid of the body.
And the car.
VIGGO: Follow me.
JANEY: Daddy? Dad? He's not here.
You want a Topo Chico? CARRIE: You want to do some coke? JANEY: Sure.
But I want a Topo Chico first.
We rented a place in the Hamptons for the summer.
You want to come? I can't.
We're going to Mykonos.
You and Martin? No.
Me and my dad.
What about Martin? I don't think he can get that much time off work.
He could take a week off, though, right? Come for part of the time.
I don't think he'd like it.
Hm.
So you finally met him? Who? Don't be such a cunt.
I don't know.
He seemed fine.
Just fine? He was kind of rude, honestly.
We fucked last night.
Right there, actually.
Gross.
He always lets me come first.
You know, this morning I woke up he was lying next to me.
I looked at him.
He was asleep.
And he was covered in blood.
He's got that wound that just won't heal.
It turned me on.
What is wrong with you? I'm serious.
What's wrong with you? I love him.
You're gonna end up with someone like your dad.
So what are you doing? [BEEPING.]
Is this Detective Jones, vice president of the FFA? MARTIN: Hey, Red.
So, why are you callin'? Uh, your tip.
The gang killings.
You hear anything? Well, I found out that there's no leads, there's no suspects, there's no evidence, there's no minorities.
Nothin'.
But who cares? Let 'em all kill each other.
Hey, uh, hang on, Jones.
Lieutenant wants to say hey.
[LISPING.]
Hey, polyester.
[CHUCKLES.]
Hey, lieutenant.
A little gerbil named Red's been singing your praises in my ear all day.
Says you're ready to get back to it.
Not really.
I just wanted to check on a lead.
That's what I like to hear.
You know what? I'm gonna call your doctor and tell him you're ready to come back, get you reinstated early, you big lug.
I probably need another week or so.
Balderdash.
It's just a knife wound, man.
I mean, look what happened to Jesus.
He had nails hammered through him.
That would be painful.
He was back on his feet in three days.
Yeah, you're just dying to come back to work and you know it.
Next time, we should exterminate 'em all, one by one.
- Yeah.
- Return this country to what is used to be; shining city on a hill.
Sure.
I'll talk to my doctor.
[MACHINERY GRINDING.]
[METAL CRUNCHING.]
Do you mind if we make a stop on the way back? No.
I gotta give a friend some bad news.
More bad news, huh? [METAL CRUNCHING.]
[ENGINE REVVING.]
Hey, pull over.
You okay? Yeah, just pull over right here.
[RETCHING.]
[GROANS.]
Feelin' better? I gotta tell you something.
What's that? You know that guy in the trunk of the car? That was my girlfriend's dad.
Why did you kill him? I don't know.
Shouldn't have lied to me.
What does the girl know? She doesn't know anything.
When she starts asking questions, what then? Will you kill her, too? No, I wouldn't do that.
I'll figure it out.
I just thought I could control it.
I feel like two different people.
I don't like it.
I don't want to be a cop anymore.
You want to come in? Sure.
[DOORS OPEN.]
[DOORS CLOSE.]
[REGGAE MUFFLED.]
[KNOCKING.]
[MUFFLED MUSIC.]
[KNOCKING.]
[INDISTINCT SINGING.]
Before the day Before the end [INDISTINCT SINGING.]
Before the day That's all I know I'm gonna take over now I'm gonna take over now Right now, I'm gonna do it I'm gonna take over now I'm telling you no lie I'm gonna take over now Right now, I'm gonna do it I'm gonna take over now I'm gonna take over now I'm telling you no lie I'm the song that my enemies sing So it's better to be on the wing It's comfort they bring But I remember what my father sing To keep a smile on my face To catch flies you don't need The look in my eyes Sometimes they might take by surprise But it's not every day the spirit of God strike at man Yet the Bible say Evil can never stand I'm the song that my enemies sing I'm bewildered all the time But I know just one thing How long will my enemies shine I'm the song that my enemies sing All the time But it's not every day the spirit of God strike at man Yet the Bible say Evil can never stand Yeah, I'm the song that my enemies sing I'm bewildered all the time But I know just one thing How long will my enemies shine I'm the song that my enemies sing All the time [DOOR OPENS.]
MAN: All right.
Here it is.
You might want to be careful and not get him all over your shoes.
[CHUCKLES.]
Hey.
Look at me.
[WHIMPERING.]
Just kill me.
No.
We're not gonna kill you.
We're gonna make an example of you.
You can't take our territory.
No one can.
So you're gonna be a big neon sign that says this is what happens to people who take what's ours.
We left your hands for your people to find.
I'm gonna cut out your tongue next.
And we're gonna leave that on your mother's doorstep.
Then I'm gonna take your eyes and I'm gonna hand them to your daughter.
But we're not gonna touch those ears.
Would you like to know why? Why? So you can hear all the life that you'll be missing.
[PANTING.]
It's Jesus.
Right? I have your picture.
And I I I got it from the cop who killed your mother.
What? You're so stupid.
You shot the wrong cop.
What do you know about it? I know everything you don't.
Tell me.
No.
We're gonna make a deal.
What's that? Kill me.
Fast.
And clean.
You promise me that.
You give me your word.
As a man.
And I'll tell you everything about your mother's death.
[BREATHING HEAVILY.]
Okay.
Talk.
There's this cop that worked for me.
Martin.
Martin Jones.
Homicide division.
He's the one who killed your mother.
You shot the wrong cop.
[LAUGHING.]
[LAUGHING CONTINUES.]

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