Too Old To Die Young (2019) s01e08 Episode Script

Volume 8: The Hanged Man

1 Nails.
[WOMEN GIGGLING.]
Spear.
Democracy's my bitch.
Democracy's my bitch.
Democracy's my bitch.
Democracy's my bitch! Democracy's my bitch! [GRUNTING.]
And this is from the NRA.
Bitch.
[GRUNTS.]
[GROANING.]
[LAUGHS.]
[LAUGHING.]
Fake news! Fake news! Fake news! Fake news! Fake news! Fake news! [BREATHING HEAVILY.]
Marty why have you forsaken me? It's my time to go.
I'm sorry.
[WHEEZING.]
Judas.
I knew it was you.
I don't mean literally, but I am disappointed.
I thought you and I were made from the same rib.
I had high hopes.
I know.
I hate to let you down.
That's okay, I get it.
I'm the one who told you to pay attention to the universe.
[WHEEZING.]
I can't complain if you want to go with the flow.
Hold on.
Here comes the climax.
[WHEEZING.]
[GASPING.]
Jesus Christ.
Jesus Christ.
Jesus Christ! [SOBBING.]
I, Mary Magdalene, want you to release him! He has suffered enough.
[SCREAMS.]
[SCREAMS.]
[SOBBING.]
[CHEERING, APPLAUSE.]
ALL: [CHANTING.]
Jesus! Jesus! Jesus! Jesus! Jesus! Jesus! Jesus! Jesus! Jesus! [CHEERING.]
WOMAN: Superstar! I forgive you, my son.
And I release you from the vow you took to serve this community.
[CRUNCHING.]
You take care, Jones.
You're one of the good ones.
But remember, not even Jesus was that nice to everyone.
[LISPING.]
So don't spend your silver all in one place, sister.
[LAUGHTER, APPLAUSE.]
[WHOOPING.]
[CHEERING, APPLAUSE.]
[TRAIN RUMBLING.]
[IN SPANISH.]
What did I tell you? Paradise, right? Flies don't even come here.
You get the farm house and me and my men will stay in that small house.
Where are we going to do it? I thought in the barn over here.
I'll show you if you want.
Come on.
It's super safe here.
[IN SPANISH.]
This place is perfect.
You'll love it, I swear.
place for a barbecue, huh? No one can hear you scream in here.
[HORSE WHINNIES.]
[HORSES SNORTING, HUFFING.]
[IN SPANISH.]
What do you think? It's ok.
What's in there? [IN SPANISH.]
Show me.
WOMAN: When was the last time you saw your father? Five days ago.
WOMAN: You haven't been in contact with him since? No.
I texted him but he didn't respond.
WOMAN: Has anything like this ever happened before? No.
Not really.
He's run off with girlfriends.
But he always contacts me.
WOMAN: How long would he disappear for? Couple days.
Two weeks one time.
But we always keep in touch.
We're close.
Does he have a girlfriend now? It's not like he's run away with some girl, okay? It's different.
Something's wrong.
Five days ago, what was the last thing he said to you? I don't know.
Happy birthday, maybe.
It was my 18th birthday, we had a party.
I went to school the next morning, and then I came home, and his car was gone.
And you were the last person to see him? I think that Martin saw him.
WOMAN: Martin? Who's that? My boyfriend.
He saw your father after you left? I think so.
Oh But you're not sure.
He said that Dad was making coffee.
That was when he left for work.
And what does he do? Your boyfriend.
He's a cop.
Oh Did you say you just turned 18? Yeah.
Last week.
So, um, when did you start seeing Martin? What does that have to do with my dad? I'm just trying to get an idea of what's going on around here.
How did your father feel about you dating an older man? He's fine with it.
Martin stays here all the time.
All the time? Yeah.
Why are you so interested in my sex life? WOMAN: Why do you think? How did you two meet? And remember it's obstruction if you lie to the police.
I was a witness at a crime scene.
WOMAN: What crime? My mom killed herself.
She walked into traffic.
WOMAN: In front of you? I said I was a witness, didn't I? She was fucked up, okay? How old were you when your mother died? Sixteen.
So you started dating a cop when you were a minor? It's a serious crime.
Statutory rape.
Well, it's not like I'm gonna press charges, is it? That might not be up to you.
Did I get him in trouble? WOMAN: No.
You did not do anything wrong.
I promise you, I will look for your father.
But I am concerned.
And you should be, too.
You must feel a great sense of relief now that you're no longer badge number 556.
I've got plenty of time now.
Time is a river.
It flows both ways.
Look at me.
[INHALES, EXHALES.]
His name is Redford.
What did he do? She was six.
Were there others? There will be.
Viggo knows where to find him.
MAN [ON RADIO.]
: Now, if you think we haven't been invaded by a hostile force, then I would tell you to look to the sky, because that's where the enemy is.
The aliens, they walk among us.
Their faces are your friends and neighbors the mailman, the cop on the corner.
And make no mistake, they have colonized.
And I'm not talking about colonization on a visible plane.
I'm talking about colonization of the mind.
- [VIGGO COUGHING.]
- Our entire thought process has been corrupted.
- [COUGHING.]
- They're in your head, buddy.
They are intruders.
We used to be able to do things, build things.
Skyscrapers [COUGHING.]
[COUGHING.]
[COUGHING.]
[COUGHING.]
MARTIN: You all right? [COUGHING.]
Where is he? [COUGHING, WHEEZING.]
He's downstairs.
[COUGHING.]
[GUN COCKS.]
[GUN COCKS.]
MAN: What are you doing? MARTIN: I'm just hanging out.
MAN: Who are you? MARTIN: Nobody.
I'm just looking for a place to lay low.
MAN: Go and do it somewhere else.
MARTIN: Okay.
[SPITTING.]
Your name's Redford, right? REDFORD: Yeah.
Why? MARTIN: Your mother sent me.
[GUNSHOTS.]
[GUNSHOT.]
VIGGO: Did you kill him? MARTIN: Yeah.
- MARTIN: You need to see a doctor? - VIGGO: No.
Just take me home, I'll be all right.
[COUGHING.]
[DOOR OPENS.]
[COUGHING.]
[COUGHING CONTINUES.]
Anything I can do? [COUGHING.]
Will you hold me? [SHUDDERING.]
[COUGHING.]
[COUGHS.]
WOMAN: Are you my son? No.
I'm just a friend.
Oh.
That's nice.
Can I tell you something? Okay.
Come sit with me.
Would you like to know about when he died? Sure.
MARTIN: Hi.
How'd you sleep? I had a dream about my dad.
It was somewhere in the future.
I couldn't remember him.
I was walking around the house and there was nothing here to remind me of him.
It was like he'd vanished.
And the weird thing was I wasn't even sad.
It scared me.
I felt so alone.
MARTIN: You're not alone.
Promise? MARTIN: I'm not going anywhere.
I'll always protect you.
Come on.
Let's get out of here.
[BIRD SQUAWKING.]
JANEY: If you could live anywhere in the world, where would you live? MARTIN: I don't know.
You? JANEY: Montana.
MARTIN: Why Montana? JANEY: I went there once with my mom.
It was just the two of us.
I was, like, seven.
And then we left.
We lived in this small house surrounded by flowers.
The sky was so big out there.
Clouds kind of look like planets.
Felt like they could swallow me up.
I've always wanted to go back.
[BIRD SQUAWKING.]
[CELL PHONE BUZZING.]
[IN SPANISH.]
What's up? No, I've been following that penche placas all day.
He's at the beach.
With some girl, I don't know.
You want me to do it now? You mean, like, right now? Okay.
[SIGHS.]
[WHISTLES.]
[FOOTSTEPS APPROACHING.]
- [GRUNTING.]
- [GASPING.]
Mom.
No.
[GRUNTING, BLOWS LANDING.]
[GRUNTING, BLOWS LANDING CONTINUES.]
ALFONSO: Had enough, puto? [GRUNTING, BLOWS LANDING.]
[WHISTLES.]
[IN SPANISH.]
That's enough.
[SCUFFLING.]
[CHAIN RATTLING.]
[METAL CLANKING.]
[GRUNTING.]
[GROANING.]
[SPEAKING SPANISH.]
[SPITTING.]
[IN SPANISH.]
Out.
Let's go.
[SPITTING.]
Look at me.
Know who I am? What did you do to her? Same thing you did to my mom.
Shot her in the face.
Do you want to know what I'm gonna do to you? The next three days, I'm gonna beat you.
Then I'm gonna kill you.
[GRUNTING.]
[WHIP CRACKING.]
[WHIP CRACKING.]
[IN SPANISH.]
Put out your hands.
[HORSE NEIGHING.]
You don't remember me And I've forgotten you But it's not so long ago That we fist fucked, too Strangers in the night Sees the world in black and white Lost souls And a burning bluff Forgotten sons And a brother, ooh Twisted values And a wrecked mind Greased warriors Of a rejected kind Let's fist again Let's fist again Let's fist again Some like to Do it with a gun But you know me [WHIP CRACKS.]
[HORSE NEIGHING.]
[WHIP CRACKING.]
[HORSE NEIGHING.]
[WHIP CRACKS.]
[HORSE NEIGHING.]
[WHIP CRACKS.]
[WHIP CRACKS.]
[DOOR OPENS, CLOSES.]
[IN SPANISH.]
You shouldn't be here.
Get out.
Get your things.
Never come back to this house.
Yes, ma'am.
[HEAVY BREATHING.]
[PANTING.]
[GRUNTING.]
[PANTING.]
[GAGGING.]
[HORSE NEIGHING.]
[NEIGHING.]
[WHIP CRACKING.]
[MEN SPEAKING SPANISH.]
[WOMAN GROANING.]
[MAN LAUGHING.]
[WOMAN SCREAMING.]
[ENGINE STARTS.]
[ENGINE REVS.]
[POUNDING.]
[ENGINE STARTS.]
[MAN CHUCKLING.]
[SPEAKING SPANISH.]
MAN: Come on, man.
Hurry up.
Hey, how you doin'? Hi, guys.
[GRUNTING.]
[SCREAMING.]
[GROANING.]
[GROANING.]
[GUN COCKS.]
[IN SPANISH.]
Get your sister.
And tell everyone.
Tell them that The High Priestess of Death saved you.
[GRUNTING.]
[GRUNTING.]
[PANTING.]
[GRUNTING.]
[GRUNTING.]
[GRUNTING.]
[PANTING.]
[HORSE NEIGHING.]
[TRAIN RUMBLING.]
It's time.
When we're done, I want you to bring everything from my mom's house.
Move it here.
This place is sacred ground to me now.
We live here now.
You want me to wake him up for you, boss? [IN SPANISH.]
Take him down.
[BODY THUDDING.]

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