The Comeback (2005) s03e04 Episode Script

Do I have to come to your pilot taping?
What? Yeah. Yes, you have to come.
You're my good luck charm.
You come to all my pilot tapings.
I don't see how that makes me good luck.
So many don't go.
Okay, desperate to learn
this Act One speech, Mark.
It's a real tongue-twister, okay?
Well, who would even come with me?
I mean, on Room and Bored,
I used to take Greg and Stephanie.
We'd all go out for margaritas after.
- That was fun.
- Mm-hmm.
I am not inviting a man
who fired me via email
to a sitcom taping, Val.
Alright, what about
one of your pickleball guys?
They're just pickle people.
Well, new chapter, new friends.
No, pickleball guys are site-specific.
Okay.
No, sir, I am not repeating myself.
The first B&B stands for Boone and Beth.
That's my dearly departed
brother and myself.
The second B&B stands for
Bread and Breakfast.
Bed and Breakfast.
No, sir, I am not repeating.
Forgot my name.
No, sir, I am not repeating.
Alright, how am I gonna do this?
Alright, gotta just say it fast.
Boone and Beth's Bed and Breakfast.
The second B&B stands for Boone and Beth's
Bed and Breakfast.
B&B, not B and Brie.
They're not serving cheese.
Alright, that sounds good. Do we have any?
No, sir, I'm not repeating.
The first B&B stands for B-Boone and Beth.
Boone and Beth's Bed and Breakfast.
Boone and Beth's Bed and Breakfast.
Boone and Beth's Bed and Breakfast.
Boone and Beth's Bed and Breakfast.
Boone and Beth's Bed and Breakfast.
No, sir. I am not repeating.
What does it stand for?
Boone! And Beth.
Bed! And Breakfast.
B&B, B&B.
Boone and Beth's Bed and Breakfast.
Not gonna cry. The second B&B
Fucking AI.
Alright, get ready
to clap those hands and stamp those feet.
It's time to introduce
the star of How's That?!
You loved her on I'm It!
You loved her on Room and Bored.
You loved her on The Comeback.
You loved her on Seeing Red.
You loved her on The Traitors.
- Mrs. Hatt.
- Forgot Mrs. Hatt.
Valerie, we love you!
Val! Look who I brought. Fernando.
Welcome, Fernando.
Yeah, so you play pickleball with Mark?
Fernando's a doorman in our building.
- Oh.
- Mrs. Berman, it's me.
Oh, yeah, I didn't recognize you
without your uniform on.
- Oh, 'cause I have to wear the uniform
buttoned all the way up.
Yeah, I didn't even know he had a tattoo.
- Alright, here we go.
- What?
What's happening right now? What?
- Cool, right?
- Uh-huh.
Yeah, as much as I'd love
to talk tattoos with you,
- I need to work, okay?
- Mrs. Berman.
- Yeah?
- Are you famous?
Yeah.
Mrs. Berman!
- You're famous.
- Okay, yeah.
And I just wanna remind
everybody, you know,
we are in a live taping, alright?
So, please don't call out
during the show, okay?
What's this guy's fucking problem?
Places, everybody!
Okay, before we start
taping in front of you,
we're gonna show you something first.
- Oh.
- We call it a cold open.
This is a scene
we had to tape earlier today
because it has some
technical surprises in it.
Where are you, my sweet guy?
Hmm? Can't hide forever.
Come out, and I'll do that thing you love.
I'll spank your little fanny
just the way you like it.
Oh, there you are.
Aw! Well, good morning, Guy.
- Aww.
- A deal's a deal.
I'm gonna set you down and tap dat ass.
Isn't that cute?
I heard it on a streaming show.
Let me just fluff your cushion for you.
Oh.
Either I need to dust more
or buy a case of Claritin.
Sorry, but the ass play
is gonna have to wait.
I heard that on a streamer, too.
Been so busy in my art studio,
I guess I missed some cleaning days,
or years.
Oh.
You could use a little dusting, too.
And I thought I was the only thing
barely hanging on here.
And cut!
Well, that last joke didn't fly.
- No.
- I'd forgotten how awful
moments like this are.
- Uh-huh.
- And that's the end
of our cold open!
We need a new blow.
- I love your energy.
- Yeah, agreed.
I was just saying to Mary
that we need a new blow.
- I think it's fine, Jimmy.
- If by "fine,"
you mean the only one
who laughed was the writer.
Okay, no, we'll just cut out
right after the crash?
Beth needs a line.
She needs a reaction to the fact
that the ceiling just fell in.
Okay. I'm so sorry. Yeah,
she cannot have mac and cheese again.
- What's happened?
- Joshy.
New jokey.
I like it, it tells us
Beth's fragile emotional state.
It shows us how she and the house
are falling apart. It's smart.
Yeah, hard to top the big crash, though.
We need a harder laugh.
A lot of you didn't raise your hand.
- I can't do this all night.
On Fetch, we learned
to trust our own voice, so.
So, I guess Fetch wasn't funny.
Oh, Jimmy. Pilot cold open, okay?
The end can't just lay there.
People are gonna click away.
And they'll never come back.
- I know.
Hey, writer's assistant, are you a writer?
Hopefully. That's my goal.
'Cause I wanna get,
like, a really nice house.
And you thought TV writer
in this day and age was the way to go?
Isn't it?
Hey! You know what is a good way
to get our energy up?
I say we dance!
- What does Hal have?
- It's Al.
Al. Hal. Same evil computer character.
We need a joke
about how surprised she is
that the house is falling apart.
Mrs. Berman!
- Okay, I have 15 responses.
Already? Fifteen? Okay.
One, "I'm so surprised
the house is falling apart."
Well, there's hope. That's not gonna put
any writers out of business.
Oh, that one's mine.
Is it?
- Yeah.
- You love it! We love it!
The rest are all Allassist pitches.
- Okay, what have we got?
- Which one do you think, Jimmy?
Let's go with four. Four will do.
Bev, we're gonna need
a lot of dust upstage.
- We're gonna reshoot the blow.
- Copy.
We're gonna reshoot the blow! Got it, Val?
- Yeah, got it.
- Here we go, people.
Looks like we are going
to be redoing the end
of the cold open, live!
- Whoa!
- Alright, so let's remember,
the ceiling piece had just fallen
and Beth was shocked.
Hazard pay.
And action!
Well, I guess those ants were termites!
Cut it! Bang, bang, moving on.
- Aw.
- Oh!
- Oh, Marky-Mark.
- Great show, so funny.
Aw, thank you.
Yeah, you leave your friend alone there?
What? No, he's okay,
he's talking to the warm-up guy.
Okay. Listen, I have to do reshoots,
so you two go have margaritas without me.
Oh, okay.
- Listen to me, man.
- Mark?
Never get up in my face
- like that again.
- Are you serious?
- Go. Maybe go, yeah.
- Yeah.
- You can't be serious, dude.
- I know the star.
Sorry, they were a lot prettier
before that second fall off the sun porch.
You've never heard
of 1-800-FLOWERS, Wilson?
- I'm slipping.
- Oh.
Well, these flowers need water.
I'm fine!
And cut.
- You guys okay?
- It's fine.
- It's not fine.
- It's midnight, it's fine.
Okay, that's a wrap
on the pilot, everybody!
- Aw.
- Thank you very much!
Are you gonna be
like this the whole time?
Mary, our names are on
a 1-800-FLOWERS joke.
- Josh.
- Aw, Bev, thank you.
- Oh, sure.
- Thank you, yeah.
Aw, Zeke, thank you!
- You got it.
- Yeah. Oh.
You. Thank you.
Thank everyone, for all of it. Yeah.
- Ah, Jimmy.
- Val.
- Very good, honey.
- Ah! So fun.
Oh, that was so fun!
And we're just getting started.
Yeah, well, thanks for the opportunity,
but I'm not gonna do any more.
No, but tonight was so good.
Good, but never gonna be great.
Well, we can make it great.
No, we can't, because we need writers.
You know, the machine is fast
and cooperative, I'll give it that.
But I saw every one of those jokes coming,
and so did you.
- Yeah, well.
- Surprising only comes
from a group of writers
huddled in a corner,
beating themselves up
to beat out a better joke.
- No, no, Val.
It's the chubby guy
who's a secret alcoholic.
It's the gay guy who,
despite all the work he's done,
still hates himself a little.
- Yeah.
- Or the funny woman
who's been invisible for way too long.
They turn all that pain into a joke.
And, Val, those broken, beautiful souls
are what make something great.
And you didn't see it coming.
Okay, but no, we've got writers,
Josh and Mary,
and they seem pretty broken to me.
Val, they're not engaged.
Plus, I have a fun clause.
If I'm not having any fun, I'm out.
- I'm not fun?
- No, honey, you're fun.
And the cast is fun.
It's a shame, too.
This was a really good part for you.
Could have been the one.
- See you, Val.
- Okay.
Yeah.
Does it worry you that Jimmy left
- because of AI?
- Oh, no. No.
He's old-fashioned, you know? Love him.
- Congratulations, Ms. Cherish!
- Aw.
That was just so fun.
It was so fun.
- Yeah, it was fun.
- I'll say!
- The people, the energy!
- Yeah.
I feel like I'm 50 again.
Anybody got any blow?
Oh! Jane, did you get that?
Cocaine joke, so cute.
Mark, is that you?
Yep.
Well, I'm in here reading the new episode
that just came in.
I have returned.
Mrs. Berman.
This script doesn't make any sense, Mark.
Well, I'll tell you
what doesn't make sense.
I still have my clothes on,
Mrs. Berman
Look at this here. Look.
She's in prison. It's the second episode.
She's nowhere near the rest of the cast.
'Cause she's in prison.
Mm, well, I am in horny prison.
Come on, Mrs. Berman, you're the only one
- with the keys.
- Right.
No. Okay, mwah. I can't now, Mark.
- Mm.
- Why don't you go to bed, right?
'Cause you know, Marky,
nothing's gonna happen
in the state you're in.
Right? Yeah.
- Mm?
in this building, I am the only one
- he would hang with.
- Wow.
Hot.
Mm-hmm.
No, that's not good, Mark.
- I'm the only one.
- Yeah, quieter.
And what about his tattoo?
- A Mayan sun.
- Yeah. Big.
- Mark.
- Hmm?
Honey, I'm working.
Lucky.
What are you doing down there? You okay?
- Yeah.
- Yeah.
I feel good for the first time today.
I may just sleep on the floor.
Maybe you can bring some of this energy
to Finance Dudes.
I hate this new chapter, Val.
No, you've just had too much to drink.
Yeah.
"Oh, don't worry about me, Nathan.
"I'll just sit in this jail cell
and continue to rot.
How's that?!"
Alright. And end of show.
Very nice.
Is it?
Yeah, it's very nice.
Let's take a half an hour, and then
- we'll start putting it on its feet.
- Yeah, okay.
- Fucking nonsense.
- What's wrong with him?
Well, he's barely in it, you know?
So are you.
- Stupid script.
- Well, I have one scene.
No, but Frank, this is Episode Two, okay?
Regular cast has to be in it
so people can get to know them.
Valerie, do you think
that I could get a paper script?
This security case the network's
making us carry the iPad in
- is so cumbersome.
- Yeah. Yeah, just tell Bev.
You know, Bev?
- Yeah?
- Bev, can we get paper scripts?
- These are so cumbersome.
- Please?
- Yeah, she gets it.
- No, it's security shit.
Alright. Honey, I gotta talk to Josh.
- Well, he just walked out.
- He did?
While I was standing here
talking to you about cumbersome?
Yeah, okay.
Oh, there's the director.
- Hey.
- Hi.
I was just coming over to talk to you.
- Bryan Frasier.
- Valerie Cherish.
- Very excited to get to work with you.
- Yeah, me, too.
- Yeah, yeah.
- What's all this?
Oh. Oh, yeah, no, this is
for the doc series, you know,
- the show and me, yeah.
- Documentary?
Just ignore them.
- Okay.
- Yeah.
So you look so familiar.
Have you directed me before?
- I don't think so.
- Oh.
But you might recognize my face
because I starred
on a Fox sitcom a few years ago.
- Oh!
- Yeah, Cubicle.
Ah, uh-huh.
Cubicle, with me and Ryan Reynolds.
- Two young guys in a cubicle?
- Oh!
- That sounds so fun.
- It was very fun.
- Yeah, yeah.
- It only went for one season,
but people were always like,
"Ryan and Bryan."
- Yeah, yeah.
- "Bryan and Ryan."
Yeah. Sounds the same.
And then he got Two Guys,
a Girl and a Pizza Place
I went here.
Directing, yeah. Smart, right?
- So smart.
- Yeah, it's a pivot.
Yeah. Good for you.
- Bryan.
- Right, okay.
So sorry. Bryan, yeah.
So this script doesn't work.
I'm in prison for no reason.
Didn't you kill your brother?
No, that was just a comedy runner
- in the pilot.
- Oh.
Yeah, you didn't read it?
I just got this job two hours ago.
Anyway, yeah, so this just feels like
this is just the wrong script, right?
- Okay.
- It should be a later episode.
So, maybe it was misnumbered, right?
'Cause who is this Nathan character?
- Right.
- Where did he come from?
Is he Beth's love interest?
And again, why are they in jail, you know?
- Yeah.
I hear you. But I think
we should just let them
finish building the jail,
and then we'll put it
- on its feet for the writers.
- Okay.
Well, it shouldn't even be a jail set.
It's costing money.
I'm an executive producer.
There's Marco.
Okay, I'm gonna talk to him.
Excuse me, Ryan, sorry.
- Bryan.
- Yeah.
- Marco?
- Yeah, what's up?
Okay, it feels like this script
is misnumbered. Wrong episode.
It's the wrong script.
- It is.
- Go on.
I think it is, yeah.
I'm sorry, who are you? What's happening?
Oh, I, I'm Evan.
- like, troubleshoot tech guy.
- Oh!
He was just explaining
What were you explaining to me?
Oh, I think it's a hallucination.
It's a hallucination?
- Yeah.
- Okay.
- What does that mean?
It's a mismatch
between the prompt
and the AI's knowledge base.
So, it leads it to generate
basically plausible but incorrect answers
that are just trying to fill in the gaps.
- Okay.
- So, in this case, it put in Nathan Drake,
who's a video game character
And in jail with you.
Sorry, what's happening?
- Oh, sorry, yeah, no.
Yeah, that's just,
the last AI project I worked on,
the crew wasn't really happy
- I was there.
- Oh.
- So, I had a couple body checks.
- Oh!
Okay, well, you know what?
On this set, nobody knows.
It's a secret. Nobody knows it's AI.
- Oh.
But anyway, yeah.
Everyone, everyone!
This is a safe set now, right?
We practice safe set!
Cute way of saying it.
Alright, can you, Marco,
please talk to Josh and Mary,
let them know that this jail episode
is a video game and they need
to write a new script?
Yeah, Mary's phone
went straight to voicemail,
and I'm not really allowed
in the writers' office anymore.
Okay, well.
Yeah, Billy. I'll find Billy.
Yeah, probably. Yeah.
Okay. PDP, listen to me.
- Mm-mm.
- This is the wrong script.
- It's a mistake.
- I killed last night, Val.
You heard how hard I killed it.
I should have gotten
more scenes, not just one.
- Okay, not listening to me.
- And why am I in the kitchen with everyone
else baking a file into a cake?
Is this a cartoon now?
- Yeah. Not listening to me at all.
- And I don't even have
- one triplet exit/entrance.
- Yeah.
How will anybody know I'm a different one?
Okay, why don't you slow down
before you swallow your tongue,
and listen to me?
This script is wrong.
It's not good. It's no bueno.
- Okay?
- I was the good one.
I shouldn't be punished.
Sorry, I heard you.
I just had to get that out.
- Okay.
- It's old twin shit.
I understand.
Yeah, but, you know, I'm gonna talk
to my producing partner,
and he's gonna get us
- a new script, okay?
- Thanks.
- Yeah.
- Val.
- Yeah?
- You're my hero.
Aw.
Actors. They're a lot.
- Coming through.
- There he is.
- Over here.
- Okay, Billy?
- Good, cut.
- Billy, we have a problem.
I'm in the middle of a photo shoot.
Oh.
Patience, what are you doing here?
Billy asked me to help cover this for him.
Yeah, it's Variety's "50 Over 50."
Okay.
Val, if you're in the shot,
that's the one they're gonna use.
I am suicidal for some solo press.
- Then alright, come over here.
- I'll be right back.
Okay, let's take five.
Okay, they're building a jail in there.
Building a jail?
I don't know what that means.
Well, as executive producer,
you should know what that means.
Alright? I left you two voicemails
- about this last night.
- No one listens to voicemails.
Send me a voice memo.
Okay. Note taken. Alright.
Anyway, they think that the Allassist
short-circuited or something.
The script is unusable.
So, I need you to go to the writers
and ask them to write another script.
- Okay, done. Yeah.
- Good. Good.
I'll do it as soon
as I'm done with my solo,
and then the "50 Over 50" group shot.
What? No, well, that's too late.
They're building a jail.
Again with the jail.
- Alright, Jane?
- Can I get some powder?
We're gonna have to take a cart
and do it ourselves.
Patience, my purse, everything's in there.
You gotta move it into my room.
- Yeah.
- Okay.
- Hurry.
- Okay.
No, Val, over here. Let them get in there.
They should get in here
- and I'll take this one, yeah.
- Yeah, yeah.
They said the writers' office
is on the end of this street.
Are you nervous about the AI
making these kinds of mistakes?
Nervous? No.
You know, no matter
who's writing a script,
they need to be rewritten, you know?
And sometimes a whole episode
is a misfire.
Happens all the time.
They know, they know. It's not working.
So, why are you going over there?
Just checking.
You know, want to engage.
Show support.
Yeah.
- So, that's alright.
Oh, I think maybe you'd stay here.
You know? Just not to poke a bear
Poke a bear with a stick.
You know, "script" is more clever.
Maybe keep that.
Right? Yeah.
Okay.
Wow, yeah.
Excuse me. Hi.
Oh, wow. You're the star.
Valerie Cherish. Hello.
Yeah, I'm looking for Josh and Mary.
- Upstairs.
- Thank you.
So cute.
Oh, okay.
- Two.
- Oh, God, it's hard!
- Okay.
- Someone's here.
- Yeah, sorry.
- It's her, it's her!
Hey, wait, wait, wait. Hey!
Hi! I loved you on Traitors. Oh, my God.
- Could I get a quick video for my sosh?
- Aw.
Hey, look who I'm with! What up, what up?
Yeah, hello, hello, hello. Yeah.
- Say the thing.
- Huh?
The thing you said on Traitors.
- Yeah.
- That, "I'm a Faithful."
- I'm a Faithful.
- "Stressful."
- Okay, that's enough.
- Stress!
'Cause now I have work to do.
Yeah, thank you.
- Valerie, did you need me?
- Yeah.
You know what? I'll ask Mary, yeah.
- Okay.
- Yeah, thank you.
Mm!
- Oh.
- So good.
- Mm!
- Aw, so cute. Yeah, hi.
I'm looking for Mary.
Are you the nanny?
I'm the Abrams' executive assistant.
Oh, 'kay.
Mary's out back there. Smoking.
Okay. Okay.
Thank you.
Well, look at you.
Ha-ha! I'm jealous.
I used to smoke.
I love the smell.
Still do.
I love the smell of something
in the morning.
Robert Duvall from Apocalypse Now.
Okay, anyway, we've got our own apocalypse
on stage 24 right now.
What's the problem? I'm writing.
Oh, you're writing!
Okay, so you've been told
and you're writing, that's good.
- How's it coming?
- Not the sitcom.
We're writing Inside Out 6.
Riley loses her virginity.
Aw, that's great. Okay.
apparently, Al has gone crazy
and hallucinated a 53-page script
where I'm in jail with
a video game character.
Yeah.
Okay.
That's the first time
I've laughed in four years.
Oh, okay, yeah. So, blowing off steam.
Important, yeah.
Yeah, so okay, that script's a wash.
And we're gonna need a new Episode Two
from Josh and you.
Scooby-Doo.
Yeah, that's not what
we're supposed to be doing here.
What? What does that mean?
What are you supposed to be doing here?
We're supposed to be babysitting
the program, not writing.
Oh! No. No, no.
Brandon, head of NuNet,
he told me you were the showrunners.
So, yeah, you're allowed to write.
You are. You know,
Episode Two is important, right?
I mean, as you know, second episode
can make or break a series.
But now what?
You know, what happens now?
You know, so I,
I've talked to the director,
talked to the writer,
and, you know, you're busy.
You've got that movie to do,
your kids are upstairs.
You know, Josh is busy.
He's lifting weights with,
I guess his trainer.
So, should I call the studio?
You don't have to call the studio.
Well, I do, darlin', if that's
the only way I can get a new script.
Okay, I get it. You need a new story.
- Okay. Okay.
- Oh, good, yeah.
- That's a good idea.
- Yeah.
Yeah, okay.
Oh, you've got one going already.
Okay.
The guy, the comic love interest,
the schoolteacher,
I don't remember his name.
Oh, Wilson! Oh, that's great.
To work him in, right?
'Cause in the pilot,
the audience really responded
to him and Beth in her bed.
- No. No, no, no, no.
I can't, okay?
This is what Josh is for, okay?
I can't stand working with actors.
That's why I'm desperate
for this shift to animation.
The studio wanted our name
on How's That?! and they got our name.
I am not going to fucking teach Al
how to be better.
I'm not helping to build the scaffold
that kills my profession.
We took this job because if it works,
it'll be a paycheck forever.
And now, I don't even
give a fuck if it works or not.
- I don't care what you need.
- Go over there
- I don't care what you're catching me say
- with your cameras here.
- Okay, well.
- Jesus.
- No. No.
We're good 'cause
I have final edit on those.
Yeah, okay, yeah, yeah.
You wanna call the studio?
Call the studio, 'cause
I don't give a fuck about this.
How's that? How's That?!
I am just trying to get me and my kids
out of this town before it explodes.
So, you and Josh are never
gonna write on this, ever?
I hope Rome burns to the ground.
Okay, listen up! "50 Over 50."
There he is. Jane, there he is.
- There's Billy.
- Jesus.
- Yeah, no, that's good.
- Okay.
- Raoul Martinez?
- Billy?
- Martinez!
- Raoul Martinez!
- Billy.
- Oh, hey, Val. You came to watch?
- How fun!
- No, not fun, no.
- It's bad, it's bad.
- What? What's wrong?
She's not here to help, okay?
She's here to watch Rome go on fire.
- Who is?
- Mary.
- The writer lady, okay?
- Oh.
She's trying to ruin the whole thing!
This is serious, Billy. Our whole thing
- is blowing up now, alright?
- Dylan Moller?
- I need you to do something.
You gotta make a call.
I've got my doc series and I'm acting.
And, look, I don't wanna go into
the studio with this, you know?
- Yeah.
- It's too many hats, right?
It's not sexy. You said that yourself.
- Okay. Okay, alright.
- Okay.
You know what? I'm gonna record it
to get the words exactly right.
- Good. Okay.
- Valerie, go.
Mary just told me
she wants the show to fail.
She and Josh are never writing again.
They're only in it for the money.
I'm all alone there on that stage.
They're never there.
Marco's the only one engaging with me
over there, right? And thank God for him.
The studio needs to step in.
- Okay.
- Yeah.
- Great.
- Okay.
Sent.
Okay. To who?
- To NuNet.
- What?!
- Why would you do that?!
- What?
You just said you didn't wanna
have to go into the studio,
so I sent a voice memo.
With my voice! Not yours!
Not yours!
I didn't want you to do that!
- God, Billy!
- Please, stand on your assigned number.
- What?
- Thank you.
Say it, Val.
Okay, okay.
You really let me down today.
Alright? You're not being
a good producing partner.
- You're not.
- Okay.
Well, as long as we're saying
the uncomfortable stuff,
they want to fire Mark
off of Finance Dudes.
What?
No, no, they can't, they can't.
He can't get fired from
a fake investment firm, too.
- He's not good.
- Well, you're not good.
Okay? There, we're even.
Never say bad things about Mark.
Billy Stanton, place number six, please.
Bad timing, Val, but I gotta go.
Alright, well, what if I go on
with him on Finance Dudes?
Yes, everybody would love that!
Valerie Cherish on Finance Dudes?
- Are you kidding me? Yes!
- Billy Stanton,
- place number six, please.
- They need you, doll.
- Billy Stanton! Place number six, please.
- Yeah, they need you.
Could I get a ride back with you guys?
- Yeah, well, sure.
- Thank you, Billy Stanton.
That was fully fucking disturbing.
Who the fuck does that guy think he is?
Well, Billy's just not thinking
clearly right now.
You know, sometimes it's just up
to just me.
And that's okay. You know?
'Cause I love a challenge.
It's an opportunity
to rise to the occasion.
I am so sunburned.
Not just an actress learning lines.
Oh, Patience fell.
Fell off? Patience did?
- Yeah, sorry.
- That's alright.
- You have to hold on, you know?
- Yeah.
Okay. Are you holding on?
- Yeah.
- Alright.
Oh, this is closed.
Yeah, alright.
Isn't this the way we came, though?
- So, now what?
- I don't think so.
They closed it off?
Sorry, you guys gotta be careful.
I think we could
- get there that way, yeah.
- Everyone, say, "50 Over 50"!
50 Over 50!
Oh, this is closed, too.
- Again.
- 50 Over 50!
- Turning around, yeah.
- Again.
- 50 over 50!
- Careful.
- Yeah.
- Again!
- 50 Over 50!
I don't know what I'm doing.
Everyone say, "50 Over 50"!
50 Over 50!
- What am I doing?
- Again!
50 Over 50!
- Again!
- 50 Over 50!