Stranger Things (2016) s05e04 Episode Script

1
[CHILD PANTING]
Hey.
[DEREK GRUNTS]
I know you're scared,
and I know you're angry,
but I promise you, we
are here to help you.
- [GRUNTING]
- Hey, Derek, Derek.
If you keep doing that,
you're gonna hurt yourself.
Just calm down so we can talk, okay?
Do you know who I am?
An evil child kidnapper.
Okay, I understand why
you would think that,
but I'm not evil.
I'm just a mom, a regular mom.
That's my son, Will.
Zombie boy.
You know why they call him that?
Because he died and came back to life.
But what people don't know
is that when he went missing,
he was taken by a
terrible, scary monster.
And now, that scary
monster is after you.
Yeah, I know. Mr. Whatsit told me,
which is why you need to let me go.
No, no. Mr. Whatsit is not
who he says he is, okay?
He is lying to you. All these
monsters, they work for him.
That's why we took
you here to this barn.
We thought this barn was safe,
but he's found us.
So we have to move you again,
somewhere he can't find you.
So if I untie you, will you
cooperate and come with us?
Please?
Okay, great.
You're a very brave kid,
Derek. I want you to know that.
Very
- [YELLING]
- [GRUNTING]
- Let me go! Get off of me!
- Derek. Please!
- The door! Get the door!
- Help me!
Let me go! Get off me!
- Stay down!
- Get away!
Somebody help! I'm being kidnapped!
Get away from me! Let me go!
Mom, the rope! I need the rope!
- Let me go! Eat dirt!
- Ah!
Come try us, dipshit!
Shit!
Dude! She's not lying to you, okay?
Mr. Whatsit is a very bad guy.
He sent the monsters after you.
Suck my fat one!
Jesus! What?
You just signed your
death warrant, dipshit!
You're a psycho, and
you're going to jail!
- There is a monster coming!
- We're trying to help you.
- La, la, la, la.
- Derek, please!
You gotta come down.
I'm not listening. La, la, la, la.
[CHATTERING CONTINUES]
[DISTANT CLICKING]
[FOREBODING MUSIC PLAYING]
[DEMOGORGON SNARLING AND PANTING]
[DEMOGORGON SHRIEKING]
Stay back!
[ROARING]
You want him, you're gonna
have to come through me!
[AUDIO DISTORTIONS]
- [GRUNTING]
- [SNARLING]
[DEMOGORGON SHRIEKING]
[SCREAMING]
[LAUGHING] Yeah, we got him! We got him!
[TRANSMITTER BEEPING]
It flipped! It's headed back towards us!
Come on. What are you doing,
man? We gotta turn around!
Wait. Gates are like Peanut
Butter Boppers, right?
- What?
- The outside is, like, crunchy and tough.
But bite down on it, it gives
way to a gooey, creamy core.
Dude, what the hell
are you talking about?
I drive fast enough, the beamer
can punch a hole into the gate,
and then we can track the Demo on
its home turf in the Upside Down.
- Follow it back home.
- We're losing the signal!
We won't be able to follow
anything if we crash!
We won't crash if it's like a Bopper!
It's almost gone!
Do it.
- Oh my God! Oh my God!
- Jesus.
- Oh my God! Oh my God!
- I got it! I got it!
Oh God, no!
- It's not gonna work.
- We're not gonna make it!
- It's not a Bopper. Stop!
- Slow down! Jesus Christ!
- Shit! Oh my God!
- Hang on!
[SCREAMING]
[LAUGHING]
We did it! Woo!
[ALL LAUGHING, CHATTERING]
Signal?
- Strong!
- Oh my God!
We got you, son of a bitch! We got you!
[THUNDER CRACKS]
[ROARS]
[SCREAMING]
Will!? Will!
- [WILL GASPING]
- I'm right here, Will.
It's okay.
I got you. I got you.
I got you, sweetie.
[SYNTH THEME MUSIC PLAYING]
Uh, hockety-pockety?
Oh, yes, yes, that's right.
Hockety-pockety wockety wack ♪
Odds and ends and bric-a-brac ♪
- I'll be with you in just a minute, son.
- What?
Packing's almost done!
[ORCHESTRAL MUSIC CONTINUES ON TV]
Shush!
Jelly!
[POUNDING ON DOOR]
Alan Miller?
[SPUTTERING] I'm sorry,
what is this about?
It's your daughter, sir.
[SOMBER MUSIC PLAYING]
Our boy's taking us on a
shortcut through Roane Cemetery.
- That's almost at the county line.
- Doesn't this thing get tired?
Unfortunately, it looks like the
opposite. I think he's speeding up.
- What?
- I'm losing the signal.
You've gotta be shitting me!
- Can you go faster?
- Let's see.
- [ENGINE REVS]
- [TIRES SCREECHING]
Henderson, you've gotta
talk to me. What do you got?
- Henderson, what
- I'm picking up interference.
- How is that important?
- It means I can't hear the signal.
- Listen harder.
- What do you mean?
- You wanna put these on?
- I'm driving!
You do the driving. I do the navigating.
- What is that?
- I don't know.
Steve, slow down.
[STEVE] Is he ahead of us or not?
- Steve!
- Steve, watch out!
- [NANCY] Steve, watch out!
- Shit!
- [NANCY SCREAMS]
- [SPLATTERING]
[JOYCE ON WALKIE-TALKIE] Jonathan,
it's Mom. Answer me, please. Over.
Jonathan, please answer.
Jonathan, Nancy, Dustin,
it's Joyce. Please answer me.
[ROBIN] Hey.
Any luck?
Well, on the plus side, I guess
that means they made it through.
Do you wanna see where they're headed?
What is it?
[WILL] I don't know,
but I could feel it's important to him.
To Mr Whatsit?
His real name is Henry.
AKA Vecna.
AKA One.
That's too many names.
Why won't you just zip
it and listen, dipshit?
I had this feeling he
didn't want me there.
I wasn't supposed to see it.
You've never been this close
to the hive mind before.
I mean, that thing was, like, feet away.
Sometimes at The Squawk, when
a signal comes in too strong,
it overloads the whole system.
I think that's what
this was, an overload.
You didn't just tap into the hive mind.
You jacked right in to
the goddamn control center.
And Holly. Where was Holly?
Holly. Holly, she was
She was attached to this this spire.
And she became a part of it somehow,
like it was doing something to her.
And And there were others.
There were three others.
I thought Vecna was
just coming for dipshit.
So did I. But I only knew about
Derek because he walked right past me.
Serendipitous timing.
- You hear that? Serendipitous.
- I don't know what that means.
I'm really not loving
all of these extra spires.
I mean, night one, Vecna kidnaps
Holly. Night two, he takes three more.
He's escalating. And
he's coming for more.
Eight more, if this is accurate,
which brings him to a total of 12.
What does he want with
them? And why kids?
- And why 12?
- I don't know.
But we have to stop him
before he takes any more
and buy Dustin and the others time
to find this place, to find Holly.
If we can pinpoint his exact targets,
we could get them out of Hawkins.
And out of Vecna's reach.
Did you forget we're quarantined?
- That's not all.
- There's another problem.
On the way here, we saw
soldiers load Debbie Miller
onto a bus with a bunch more kids.
We followed them for two blocks more,
and they loaded more kids onto it.
I don't think they were
taking them to school.
Vecna's not the only one
that wants these kids.
[DR. KAY] Eleven was
at the Wheeler house
Twenty-four hours later, we've
got three more missing kids.
There's 73 children in Hawkins
between the age of nine and ten.
If the pattern holds, our next
target will be from this group.
And you believe Eleven
has taken these kids?
For what purpose?
Killing them, protecting them.
The reason doesn't matter.
These children? Where are they now?
Arriving at the MAC-Z any
moment, which is where I want you.
I should be looking for Lt.
Akers. I find Akers, I find
You'll find a dead man.
Report to the MAC-Z,
Colonel. That's an order.
Major General.
With all due respect,
these kids are in danger.
To use them as bait seems
Seems what, Sergeant?
Reckless.
It's only reckless if
you fail to protect them.
Are you telling me you
can't protect them, Sergeant?
No, ma'am.
Good.
[BIRDS CHIRPING]
I'm sorry for scaring you.
I haven't seen anyone in
a really long time, so
I guess I got excited.
Good news is it doesn't look that deep.
Not enough for stitches.
I bet it stings though, huh?
You can talk to me, you know.
I won't bite.
You do remember me, right?
I've been to your house.
Like, a lot.
You're Max, Max Mayfield.
You skateboard and never
take off your Walkman.
- That's me.
- But
How am I in here when I'm
in a coma in Hawkins General?
- That's a very reasonable question.
- [BRANCH CRACKS]
[TENSE MUSIC PLAYING]
We should get going. It's
not safe here. Come on.
- [HOLLY] Where are we going?
- [MAX] My home.
Well, I can't go far. I
came here to meet Henry.
- Do you know Henry?
- You could say that.
He left me this note. See?
And he told me to meet
him right here at the X.
- I think he's in trouble with the monsters.
- Henry is a lot of things,
but in trouble with the
monsters is not one of them.
- But the note says
- I know what the note says.
How do you know he's not
in trouble? He said hurry!
Holly, I know what the note says
because Henry didn't write it. I did.
[TENSE MUSIC CUTS OUT]
[SPLUTTERING] I don't
I don't understand.
I'm sorry.
I didn't want to lie.
I I just I had to
make sure that you came here.
You're one of them, aren't you?
- One of what?
- The monsters.
- Do I look like a monster?
- I don't know. Maybe you're in disguise.
You're dressed weird,
and you're in a coma.
Okay.
Well, would a monster know that
your brother tried to get a mohawk
until your sister stopped him,
saving him from possibly the
greatest social humiliation
that a freshman has ever
experienced at Hawkins High?
What color was this mohawk?
Hot orange.
And personally, I think
the use of the word "hot"
is a bit ironic, but
People say I'm too negative.
I just think I'm honest.
[ETHEREAL MUSIC PLAYING]
Come on.
Welcome.
Hey.
It even comes with a view.
Where are we?
In a memory.
Which exists inside a
world of 1,000 memories.
I know it might look nice,
but it's not.
This place, this world
It's a prison.
[MUSIC BECOMES UNSETTLING]
Henry's prison.
[PANTING]
It's okay, sweetie.
These are the good guys. They're
going to keep everyone safe.
Just try and think of
this as a field trip.
Mm-hmm. A learning expedition.
Cargo has arrived. I
repeat, cargo has arrived.
They're taking them into a
barracks second from the library.
Tunnels.
Yeah. See? The north tunnel of the MAC-Z
runs right underneath the barracks.
- Lucky break.
- Bound to happen one of these days.
Gonna need more luck if
we want this plan to work.
If we're right, the military
is trying to protect these kids.
So this barracks is
gonna be heavily guarded.
We have to dig up into
the barracks, unnoticed,
grab the kids, get them to Murray,
smuggle them out of Hawkins.
All before anyone notices they're gone.
- Dick.
- What?
What? Oh.
Sorry. Did I say that out loud? I
thought I was talking in my head.
But you guys know Tom,
Dick, and Harry, right?
Seriously? None of you have
seen The Great Escape?
- ["THEME FROM THE GREAT ESCAPE" PLAYING]
- Basically, it's about these POWs, right?
And they're stuck in a
barracks just like this one.
They need to escape, so
they dig these tunnels,
and they call their tunnels
Tom, Dick, and Harry.
They have to hide the
tunnels from the Nazis.
So they put Tom in this dark corner,
and they put Harry under the stove,
and they put Dick in the washroom.
And personally, for us, I like Dick.
Oh, um Sorry. The washroom. I
actually don't even Never mind.
Okay, say we go with Dick.
How do we find the washroom?
And how do we get the kids to it?
How do we know which kids
are being targeted by Vecna?
We use an inside man, someone
who could get into the barracks,
measure the distance to the washroom,
find out which kids
have seen Mr. Whatsit,
and somehow avoid the military.
Well, that's a lovely
plan, but isn't it a tad
Mission Impossible-y.
Yeah. I mean, Mike, who are
you gonna get to do this?
Bond? Magnum?
No, no, we don't want a superspy.
We want the opposite. We want
someone no one would suspect.
Someone that could just
walk in, no questions asked.
The one kid the military
failed to wrangle.
What?
- [THUNDER RUMBLING]
- [HAND AGGRESSIVELY SLAMS WALL]
Two grunts in the
tower by the west gate.
One more in the tower by the east gate.
One, two, three, four on the ground.
I hope to God you're right,
and Vecna is in there,
because we might just
die trying to break in.
I am right.
You can't be right about everything.
Your theories aren't exactly lining up.
- Why not?
- You heard kryptonite.
If Vecna's in there, he
doesn't have his powers.
If he doesn't have his powers,
how could he have anything
to do with Holly's kidnapping?
You can ask him before I kill him.
How high is that fence?
Hey, you're not jumping that.
Why not?
Because this is not training.
This is a real-world situation.
And that roof is metal.
You hit that on a jump, you're
gonna alert the whole damn base.
Not if I time it with the thunder.
[LAUGHS SARCASTICALLY] Yeah.
It's seven seconds.
[THUNDER RUMBLES]
One, two, three, four, five, six
[THUNDER RUMBLES]
Seven.
Okay. You got lucky.
- [DUSTIN] Hopper, do you copy?
- Dustin!
Over. This is Dustin.
Hopper, do you copy? This is Dustin.
Hey, hey, it's Hop. I copy.
Holy shit! Okay. They're alive!
El! Ask about El.
El. Is El with you? Over.
Yes. I'm here. Over.
Okay. Yay. Terrific.
I don't know if you're caught
up in something important, but
- Dustin. Come on.
- Meet us!
Meet us at Roane
Cemetery church, please.
Roane Cemetery. How the hell
are you contacting us from there?
Right. You don't know.
We're in the Upside Down.
What?
Long story short, we're here to track
a Demogorgon using
our telemetry tracker,
only to then hit a wall. Literally.
Now, Steve's beamer is stuck,
so we need El to come and
pry it loose using her powers
so we can resume the
search for said Demogorgon
which will, in theory, lead us to
Holly. Does any of this make sense?
Do you need additional details?
Questions? Concerns? Over.
You hit a wall?
What kind of wall, exactly?
Uh it's a bit hard to describe.
- Sort of
- [NANCY] Huge?
[JONATHAN] Disgusting.
[STEVE] Smells like Henderson's armpit.
We hit the same thing, but
not at the Roane Cemetery.
We hit it a quarter mile
southeast of the old Hagen Bridge.
That's the opposite side of town.
Fascinating.
We don't know what it is, but
we think Holly's behind it.
Don't bother trying to
break through. You can't.
We're working on a solution.
- Nancy.
- Solution? What kind of solution?
[HELICOPTER WHIRRING]
Wait, what kind of solution? Hopper!
Listen, we gotta keep the
airwaves clear, all right?
We'll come get you. Just stay put.
[ELEVEN] You think they're safe?
I mean, compared to us? Yeah.
Okay.
Let's go see if that
training has paid off.
You're gonna let me jump?
Let's go before I change my mind.
[MAX] Vecna's curse,
it never goes away.
Never leaves you.
With each victim that he
took, he created a new gate.
A gate to the Upside Down?
When he took me, he opened
the fourth, final gate,
splitting Hawkins in two.
Wait, but if Mr. Whatsit I mean
Henry, took you, how are you here?
You mean, shouldn't I be dead?
It's okay. It's a fair question.
I definitely should be.
And for a moment
I was.
[BONE CRUNCHING]
[LUCAS SCREAMING]
[MAX] I don't know how long I was gone.
But then I felt
something calling to me.
- [MAX GASPING]
- [LIGHT BUZZING]
[BELL RINGING]
[PEOPLE CHATTERING]
["SH-BOOM" BY THE CHORDS PLAYING]
Life could be dream ♪
If I could take you up ♪
In Paradise up above ♪
If you would tell me I'm the only ♪
[JOYCE] One night only. Don't
miss it. Tickets are only 50 cents.
That's two quarters for you poindexters.
- Joyce! This that stupid play of yours?
- I better see you there, Harrington.
Friday night? You wish.
Life could be dream ♪
Nice shot, jerk.
If only all my precious
plans would come true ♪
[MAX] Somehow, I was in another time.
Hawkins.
Thirty years ago.
Time travel.
Only, I wasn't actually there.
Not really. I was just
an observer.
And that's when I understood.
I was trapped inside
Henry's mind, his memories.
Like a nightmare prison world
ruled by an evil,
psychopathic piece of shit.
Like Camazotz.
Cama What?
Camazotz. From A Wrinkle in Time.
- Never read it.
- You should. It's amazing.
Camazotz is like this dark planet
that's under the control of IT,
which is this giant,
disembodied, evil brain.
Anyways, Meg's dad
Meg's the main character.
he gets taken prisoner there.
So, Henry's kinda like IT, and
you're kinda like Meg's dad.
Okay. Well
I don't know if Meg's dad would
agree, but the way I see it,
when you're a prisoner in
a messed up prison world,
you really only have a
few doors open to you.
Door one, you take your own life.
Door two, accept your fate.
- Or door three
- You escape.
- I chose door three.
- That seems like the best door.
So, I kept moving.
From memory to memory.
Only, this place is a maze.
I became lost, turned around.
I got so turned around,
I actually ended up right
back at the beginning.
[DARK MUSIC PLAYING]
And that's when I heard her.
["RUNNING UP THAT HILL (A DEAL
WITH GOD)" BY KATE BUSH PLAYING]
I heard Kate Bush.
Is she one of your friends?
You could say that.
Do you wanna hear about
the deal that I'm making? ♪
[MAX] Music has a way of finding
you, even in the darkest of places.
Lucas had used it before, to reach
me, to guide me out of Vecna's mind,
back to the light.
If I only could make a deal with God ♪
And I'd get him to swap our places ♪
Be runnin' up that road ♪
So, this music was coming from
Lucas, from the real world?
Even after all this time,
he hadn't given up on me.
If you follow this music,
then what?
Then it would lead me out of here.
Back home.
At least, that's what I thought.
But then
everything went wrong.
Oh, come on, angel ♪
Come on, come on, darlin' ♪
Let's exchange the ♪
- [LOUD RIPPING]
- [TENSE MUSIC PLAYING]
[SOLDIER CHATTERING ON WALKIE-TALKIE]
Hey!
What the hell are you doing? Can't
you read, kid? No trespassing.
Right, I see that, officer.
It's just my school is missing.
- [DEREK GRUNTS]
- [SOLDIER] Let's go.
Move it.
Holy shit! Are those laser blasters?
Might just be.
And they'll blast you if
you don't keep it moving.
- Boys.
- Can't get me!
Boys!
All right. Absolutely not.
Whoa. Whoa. Whoa. Whoa.
This is Private Chapman.
You do exactly as he says.
You got any questions,
direct them to him.
Where might I relieve myself?
Breaking bar.
Shovel.
Five safety goggles.
A surveyor's wheel and
Hold for applause.
Santa's sleigh is
ready for his reindeer.
We got built-in benches,
seat belts, foam padding.
Everything a kidnapped
child could desire.
Foam padding?
Don't want to break any
eggs en route, now do we?
[DEREK] I'm in. Do you copy?
Repeat, I'm in. Do you copy?
Yes, yes, we copy. We
copy. Where are you?
Bathroom. Back stall. 45 of my
paces from the front entrance.
Good job. Now round up anyone
who's seen Mr. Whatsit,
and we'll be there soon.
And remember, you're not
Dipshit Derek. You're
Delightful Derek.
[HOPPER] Okay, once you get
that gate open, and I'm inside
- You lead.
- That's right.
And you?
I will destroy your
kryptonite. Don't worry.
[SOFTLY] Okay.
[EXHALES SHARPLY]
[THUNDER RUMBLES]
[THUNDER CRACKS LOUDLY]
[INTENSE MUSIC PLAYING]
All right, come on. Come on,
you got this. You got this.
[THUNDER CRACKS LOUDLY]
[GRUNTS]
[EXHALES SHARPLY]
Wait. You're too
early. You're too early.
[GRUNTS]
- [CLATTERING]
- [GRUNTS]
God.
[THUNDER RUMBLES]
Sorry.
[GRUNTS]
You trying to give your
old man a heart attack?
Nice job, by the way.
Hop?
Yeah?
Thank you.
For what?
For teaching me.
And trusting me.
Always.
[DEREK] The day of
reckoning has arrived.
With this in mind, I've
been sent by Mr. Whatsit
to gather the chosen ones.
If you've been visited
by Mr. Whatsit, speak now.
And when night falls,
follow me to the latrine,
and I will lead you to
our savior, to safety.
Derek's gone mental.
The monsters are coming,
and you're all gonna die.
[LAUGHS SARCASTICALLY]
[DEBBIE] Derek?
Were you talking about Henry?
[LUCAS] Any word from Derek yet?
[JOYCE] Not yet.
Just give him time. It
hasn't been that long.
I just can't get over the fact
that the fate of the world
rests on Derek freakin' Turnbow.
When you look in the mirror, do you see
a Navy SEAL looking back at you?
Sometimes people need
someone to believe in them.
And then they can do amazing things.
Your mom and Robin are
getting along better.
Well, it didn't hurt that
Mom scared off that Demo.
Saved Robin's life, everybody's life.
So, when your mom, when she had her axe,
you could see her?
- Like, through the Demo's eyes?
- Yeah.
And I was so close to the hive,
it's like I could feel what it
was feeling, like this anger.
That I was still in there too.
And I was afraid. I
was afraid for my mom.
- You wanted to protect her.
- Yeah. But I I just couldn't.
It was like this scary movie
you just can't turn off.
[MURRAY GRUNTING] Open sesame.
Oh. Well, have fun.
Thanks.
- Are you positive you didn't?
- Didn't what?
Turn off the scary movie.
Protect your mom, not
the other way around.
No offense. I know she's badass
and everything, but you know.
- Yeah, she's 5'3".
- Yeah!
And Vecna likes to control the
hive mind like a puppet master.
So maybe when you tap into the
hive, you can pull the strings too.
Except I'm not Vecna.
You sorta are.
You're trying to say that I'm evil
and hell-bent on destroying the world?
Totally.
No, I'm just saying that, you
know, you're like a wizard like him.
In D&D, Mike, not real life.
True. In real life, you're
more like a sorcerer,
because your powers don't come from
a book of spells. They're innate.
[CHUCKLING]
Listen, as far as crazy
theories go, I've had crazier.
And with Eleven in the Upside Down,
we really need some magic up here.
[MYSTERIOUS AUDIO DISTORTIONS]
Working on a solution?
I mean, if Hopper has a solution
to get through this and to get to Holly,
he should he should share it with us!
I just say we ignore the old man.
We keep moving. Look
for a door or something.
Yeah, and just curious.
This door of yours, it's soft
like a Peanut Butter Bopper?
You got something to say,
Byers, why don't you say it?
I'm just saying maybe you shouldn't
be making the calls from now on.
It was not just his call. It
was mine because it's my sister.
And
I agree with Steve. Okay,
we can't just sit here.
I don't know about a door, but
this wall can't go on forever.
There has to be a way around it.
There isn't.
This wall is a circle.
A circle completely
surrounding the Upside Down.
Oh yeah? How do you figure that?
Because unlike you, I didn't
sleep through Algebra 1.
[THUNDER RUMBLING]
My telemetry tracker picked up a
weird frequency coming from the wall,
and it took me a bit to place,
but I've heard it before.
Rather, we have. Remember when
we were out looking for Hop,
and you heard that
sound off of Irwin Road?
- Yeah. You said it was interference.
- It was.
But this interference, it wasn't coming
from a military broadcast or an EMI.
It was coming from this
wall, which is important,
because that gives us
three known locations.
So, I connected the dots,
measured the midpoints, drew
the perpendicular bisectors
All right! Yeah, we're
not your teachers.
We don't need to see your work.
We get it. You think
it's all a big circle.
I don't think. I know.
I triple checked, and my
calculations are correct.
Whatever! I still don't see how
this gets us closer to finding Holly.
Because it's not about the
circle. It's about the center.
The DOE. The Department of Energy.
- That's
- Hawkins Lab.
What are the chances that
the center of this wall
happens to be in the place
where all of this started,
where the Upside Down was created?
So, the lab created the wall?
No idea. But I think we should find out.
Don't you?
[MAX] The music, it
led me to a new memory.
Only, something was
different about this memory.
- [DISORIENTING AUDIO DISTORTIONS]
- I was there.
It was the day that Henry cursed me.
It was his first memory of me.
I know, as if this goddamn
place wasn't heady enough, right?
But I still had the music to guide me.
So I followed it.
And it led me through new memories.
[VOICE BREAKING] Terrible memories.
- Let go!
- Follow me into death.
[GROWLING]
And it felt like they would never end.
But then eventually, they did.
It was the night that Vecna killed me.
["RUNNING UP THAT HILL (A DEAL
WITH GOD)" BY KATE BUSH RESUMES]
[MAX] The night he took me prisoner.
Yeah, yeah, yo ♪
Do you wanna know ♪
Know that it doesn't hurt me? ♪
[MAX] I'd finally found it.
Do you wanna hear about
the deal that I'm making? ♪
The way out.
[DISTANT RUMBLING]
It's you and me ♪
And if I only could ♪
I'd make a deal with God ♪
And I'd get him to swap ♪
[HOPEFUL MUSIC PLAYING]
And I was so close.
[HEART MONITOR BEEPING]
So close that I could
feel his hand on mine.
And it was like I was there.
Like I was with him in that hospital.
["RUNNING UP THAT HILL"
CONTINUES IN DISTANCE]
[HOPEFUL MUSIC RISES]
Come on, Angel ♪
Come on, come on, darling ♪
Let's exchange the experience ♪
[HEART MONITOR GETS LOUDER]
[MUSIC ENDS]
No.
No.
[CASSETTE REWINDING, WHIRRING]
Lucas!
Lucas! Lucas! Lucas!
[INTENSE MUSIC PLAYING]
Hello, Max.
- [MUSIC ENDS]
- I ran.
And I kept running.
[INTENSE MUSIC RESUMES]
[MAX] I'll never forget the
look on his face that day.
- He was scared.
- [SHUDDERING]
More than scared, he was terrified.
There's something about this cave
this memory.
He won't come in.
In here,
I'm safe.
So I turned it into my sanctuary.
My home.
I took door two.
Shitty door two.
Accept your fate.
That was,
until you showed up.
And now door three is back.
Escape.
I have a plan, a plan
to get us out of here.
And it's gonna take time,
more time than we have now.
Henry will return to his house soon.
And when he does, he cannot
know that you're gone.
You want me to go back there?
Back to him? Back to Henry? No, I
I know. It's scary.
But if you wanna get out of here,
if you wanna escape Camazotz,
this is the only way.
It's the only way.
Tell me what I need to do.
[CLICKING]
Hey, wh
- Hey.
- Hi.
Do you, um, by any chance,
remember Tammy Thompson?
Yeah. Isn't she that terrible singer?
[LAUGHS] Yeah.
But in the ninth grade,
I thought that she sounded
like Whitney goddamn Houston.
I mean, the first time I saw her,
oh my God, like, time slowed down.
It was like a scene
from some lame-o movie.
You know, her hair blew in the
wind, and she just looked perfect.
So goddamn perfect.
And, uh, it was right then and
there that I knew she was the one.
That with Tammy, I would
finally be able to be myself,
you know, all of myself.
Because there was always this part of me
that kind of scared me, you know?
But I thought that if
Tammy loved me, all of me,
you know, I wouldn't
be so scared anymore.
And then he showed up,
Steve "The Hair" Harrington.
[CHUCKLES] Oh God.
You probably can guess the rest.
Tammy fell for him hard.
And my entire fantasy life with
her, along with the rest of my life,
pretty much imploded before my eyes.
I mean, my grades
plummeted. I got grounded.
I had to stay home every
weekend doing chores.
But then one day, I was cleaning
bat shit out of my parents' garage,
and I found this 8-millimeter
film reel. You know?
And it was just from this silly
movie that I made in fourth grade,
but I got it up on the projector,
and all of a sudden, I was looking
at this little version of myself.
And that little me, I
could hardly recognize her.
You know, she was so carefree
and, like, fearless.
She just loved every part of herself.
And that's when it hit me.
It was never about Tone-deaf Tammy.
It was always just about me.
I was looking for answers
in somebody else, but
I had all the answers.
I just needed to stop
being so goddamn scared.
Scared of who I really was.
Once I did that, oh,
I felt so free.
It's like I could fly, you
know? Like, I could finally be
Rockin' Robin.
Yeah. Rockin' Robin.
[LUCAS] Hey, guys!
Take your time, will ya?
Did you finally hit Dick?
- Hit the Dick.
- Yep.
Let's just hope it's not too hard.
If it is,
I'll soften it.
Hey!
Hey!
Hey!
Take me to Kay.
Damn it! Damn it!
Make a sound, it'll be your
last. Nod if you understand.
[INTENSE MUSIC PLAYING]
Move! Move it! Come on, let's go!
Come on!
[LOCK BEEPING]
It's not working.
- How do we get through?
- I don't have clearance.
I didn't ask if you have clearance.
I asked, how do we get through?
You can't.
Dr. Kay, your boss, she got clearance?
I don't know.
You don't know.
- Thanks for your help.
- [GRUNTING]
Plan B.
[DOORS CREAKING]
[POWER CUTS]
[ALARM BLARING]
- Stop! Stop!
- El!
[PULSING]
- El!
- Stop!
[SOLDIERS CHATTERING]
We're through.
- Oh, shit.
- [CLANGING]
[CLANGING CONTINUES]
[PIPE CREAKING]
[CREAKING GROWS LOUDER]
Oh, shit.
[CREAKING FADES OUT]
[SCOFFS]
[KIDS CHATTERING]
[DEREK] I want you to close your
eyes and focus on your breathing.
Breathe in and out.
As you continue breathing,
I want you to picture
yourself on a beach.
The water is blue. Blue as a Smurf.
You listen to it lap the sandy shore,
like a dog slurping from his bowl.
[SLURPING]
It's called visualization.
Mom does it when she's out of Valium.
[WALKIE-TALKIE BEEPING]
[WHISPERING] Go.
[TENSE MUSIC PLAYING]
[DOOR CREAKING]
[POUNDING]
[STRAINING]
[EXHALING SHARPLY]
Howdy.
[WALKIE-TALKIE BEEPING]
[DEREK] Feel the sand under your
butt. It feels cool and soft.
[LUCAS] time. There you go.
Good job, good job. All right.
Hey, sweetie. Um, what's your name?
Debbie.
Do you work for Mr. Whatsit?
Mr. Whatsit.
Oh. Um, yes. Of course.
I'm one of his elves.
You know, like a a magic elf.
[WALKIE-TALKIE BEEPING]
[PIPE CREAKING]
[LUCAS] Right here. A couple more steps.
All right. Yes, okay.
All right. Great job. Step by step.
[WATER TRICKLING]
Shit.
[ALARM BLARING]
[INTENSE MUSIC PLAYING]
[MUSIC STOPS]
[ELEVEN GROANING]
Eleven.
[MOANING]
I have been looking for
you for a very long time.
My name is
Dr. Kay.
[FOREBODING MUSIC PLAYING]
I know who you are.
I know who you've taken.
And I also know
that you and your men
are going to die.
What the hell?
[STEAM HISSING]
[BOTH GRUNTING]
[BLADE RINGING]
- [BURNING]
- [SCREAMING]
[CREATURE SCREECHING]
[GROANING]
[DR. KAY] It's best not to struggle.
The greater the perceived threat,
the more aggressive its response.
[MARY] Miss Robin,
what about the others?
Uh, just Robin. And don't
worry. They're right behind us.
- [BOY] Something's wrong, isn't it?
- No. No, siree.
Everything is going
exactly according to plan.
- Airlock Wrap it with your jacket.
- I got it.
Hold it. Hold it. Hold it.
Here. Try it
Hey. Sorry. Bit of a
plumbing problem here.
Are you by chance
looking for Mr. Whatsit?
- Right through there.
- Right there.
[BOTH STRAINING]
[WALKIE-TALKIE BEEPING]
[DEREK] There's a little breeze
in the air telling you a secret.
You look up at the sky, searching
for clouds, but all you
Mr. Whatsit?
Shit!
Officer! Officer!
Whoa, whoa, whoa. Hey, calm down.
- What's going on?
- Shitballs.
Good job, man.
- Lucas! We've been spotted!
- No, no!
Get 'em out of here. Go.
- What about the others?
- Just go! Go, go, go!
Damn it! Okay, come on, guys.
- [CLICKING BUTTON]
- [BEEPING]
Move! Move! Move! Move!
Move! Move! Move! Move! Move!
Hey, stop right there!
Ashley Klein is a snitch!
Hey!
Open the door! Open the goddamn door!
So you're the reason.
The reason she's been so hard to track.
The thorn in my side.
And after all that effort to hide her,
you bring her here, of all places?
Why?
Why risk her life for the other?
What do you know that I don't?
[GROANING]
It's actually holding
back, if you can believe it.
That heat you feel
weakens it.
[PANTING]
But in the cold, it thrives.
- [STRAINING]
- I can stop it.
But you're gonna have to start talking.
[ELEVEN GRUNTING]
[PANTING]
Go to hell.
[LOUD BANG]
[STRAINING]
In your current state,
I'm afraid that won't work.
[YELLING]
Not the sharpest, are we?
You're too late. Cavalry's on its way.
That's all right.
I'll be quick.
[POUNDING]
Grocery delivery.
Where's everyone else?
Coming.
Come on, sweetie. Come on down. Come on.
You get down here right now,
or a monster's gonna eat you.
Open the door!
You little shit!
Get out of the way!
About goddamn time!
[JOYCE] I got you.
That's good. Good, good.
Hey there. Where do
you think you're going?
[HOPPER YELLING]
What are you doing?
Hey, you gotta go.
You gotta go. Come on.
We're gonna get to the woods.
The kryptonite shit can't get you there.
Hop, we can't. We can't
leave. We came for Henry.
Hey. You take this compass.
You're gonna follow it northeast.
That'll take you to the graveyard.
You're gonna find Nancy and the others.
Whoa, whoa, whoa. Hey, hey, hey. Hey.
What is that?
It's just a failsafe, okay?
- It's a failsafe.
- No.
I gotta make sure he goes down with me.
- No. No, Hop.
- It's the only way. It's the only way.
I'm not gonna risk losing you.
I will not risk it.
- Hopper. No.
- Listen, I want you to know something.
From here on out,
I want you to know
how proud I am of you.
I am so proud of you. I am so
proud of what you've overcome.
[MELANCHOLY MUSIC PLAYING]
I'm proud of who you are.
No.
No. No, Hop. Hopper!
- I love you, Jane.
- Hopper! No! Hopper!
[MUSIC BUILDS]
[GROANING]
Hop!
Hopper!
Hopper!
Hop!
Hopper!
[BEEPING]
Hopper!
Hopper! Hopper!
Hopper!
[CRYING SOFTLY]
[HEART MONITOR DRONING]
[DOCTOR] Pulse ox is falling.
Flatlining!
[CHATTERING HAPPILY]
[LOCK BEEPING]
All right, kids. Come on.
Find a seat in the back.
[MURRAY] Hi.
All right.
Okay, let's have some fun, huh?
This is gonna be great, huh?
Okay. Let's get our seat belts on, hmm?
Safety first. Come on. Time's a-wastin'.
- Pretty comfy, huh?
- Not really.
[SARCASTICALLY] Oh, sorry.
[ERICA] Robin, Lucas, do you copy? Over.
Copy. It's Robin.
Lucas. I copy.
We've got a problem here at the MAC.
What kind of problem?
Let go of me, you asshole!
You want to explain to me what
in God's name is going on here?
Get the hell off me.
- We've got five missing kids, sir.
- You've lost five kids?
- How is that possible?
- This woman
Joyce Byers.
She broke into the barracks.
She's been helping them escape
through some kind of tunnel.
I'm sorry. Can you repeat that?
Listen. These kids, they are not
safe, okay? They are in danger.
And why exactly do you think
they're here, ma'am? Hmm?
They're under our protection.
If I may interject, officer.
I've seen what's coming.
And no disrespect meant, but you
and your men can't protect shit!
- [SOLDIER] Private!
- Hey! Hey!
- Get off him!
- Hey, Private!
[SOLDIER] What the hell
is wrong with you, Private?
Keep your hands off him.
[FOOTSTEPS APPROACHING]
Is that all the military does? Hit kids?
- Will!
- Will! Will! Will!
Are you okay? Baby, are you okay?
[PANTING]
They're here.
[ELECTRICITY CRACKLING]
[GUNS COCKING]
[LOUD BANGING]
[DISTANT SNARLING]
[LOUD BANGING]
[DEMOGORGON GROWLING]
Take the nearest
threat! Engage on sight!
We're all gonna die!
We're all gonna die!
Guys! Guys! Guys! Get
behind me! Get behind me!
[ROARING]
Get back!
[INTENSE MUSIC PLAYING]
[SOLDIER SCREAMING]
[ROARING]
Under the beds! Under the beds!
Under the beds! Under the beds!
Under the beds! Under the beds!
[SCREAMING]
Stay behind me. Stay behind me.
Move! Move! Move!
[JOYCE] Will!
We are under attack. I
repeat, we are under attack.
We gotta go. We gotta go!
What about the other kids? Shit!
[LUCAS PANTING]
Go, go, go, go, go!
- [ENGINE SPUTTERING]
- [ROBIN] Come on, shall we?
We shall!
[SNARLING]
[LOUD GUNSHOT]
We're getting out of here, all
right? Eyes on me! Stay close!
Okay, okay.
Will, come on. Come on!
- Come on.
- [MARY] Wait for me, please! Wait!
[DEREK] I'm not ready to die!
- [MARY] Wait up!
- [MIKE] Stay close!
[MARY] Derek! Hurry up, let's go!
- Is everybody okay? Are you guys okay?
- Yeah.
Okay. The Radio Shack. If we move
quick enough, I think we can make it.
Get into the tunnels
and get out of here.
- [MARY] Okay.
- Okay?
Eyes on me. Remember?
Stop, stop, stop, stop!
All right, go!
[SOLDIER] Get some!
[DEREK] Go, go, go! Oh my God.
Oh my God!
[ROARING]
[DEMOGORGON SCREECHING]
Just hold on, baby! Hold on!
[SCREECHING]
- What the hell just happened?
- I have no idea, but I love it!
[LAUGHING]
[WILL SCREAMING]
- [POWER CUTS OUT]
- [GASPS]
- [POWERING DOWN]
- [ALARM BLARING]
[METALLIC BANGING]
[LOCK CLICKS]
[MYSTERIOUS MUSIC PLAYING]
[HOPEFUL SYNTH MUSIC PLAYING]
Sister.
Sister.
[FOREBODING MUSIC PLAYING]
[LOW GROWLING]
[SCREAMING]
[SCREAMS]
Unload!
Watch out!
[SCREAMING]
[SINISTER MUSIC RISING]
Murray!
[INTENSE MUSIC PLAYING]
Son of a bitch!
Oh, shit, shit, shit!
Whoa!
The kids!
Hold on!
Move, move, move! Let's go, guys!
Back up, guys! Back up!
[LOW GROWLING]
[LOW GROWLING]
Stay away from him! You stay away!
[PANTING]
[GROANS]
[FOREBODING MUSIC PLAYING]
Can you see them
William?
Can you see the children?
Do you know why?
Why I chose them to reshape the world?
[LUCAS GRUNTING]
[VECNA] It's because they are weak.
Weak in body and mind.
Please!
[VECNA] Easily broken.
Easily reshaped.
Controlled.
The perfect vessels.
And you
Will.
You were the first.
And you broke so easily.
You showed me what was possible,
what I could achieve.
Some minds, it turns out,
simply do not belong in this world.
[DARK MUSIC RISING]
They belong in mine.
[MUSIC HALTS]
[DEMOGORGON SCREECHING IN DISTANCE]
[ROARING]
[ROBIN] I was looking for the
answers in somebody else, but
I had all the answers.
[BOYS LAUGHING]
Do you wanna be friends?
[ROBIN] I just
needed to stop being so goddamn scared.
Scared of who I really was.
[GASPING]
Wow! It's so good!
[ROBIN] And once I did that,
I was so free.
It's like I could fly.
[PANTING]
[DISTORTED SHRIEKING]
[HOPEFUL MUSIC PLAYING]
[CRUNCHING]
[MUSIC FADES OUT]
[INTENSE ELECTRONIC MUSIC PLAYING]
[MUSIC FADES OUT]