FBI (2018) s07e12 Episode Script
Manhunt
1
[LAUGHTER]
[SOFT DRAMATIC MUSIC]
You're too young to have this.
Nanay would never let you.
She isn't here.
I shouldn't have let you then.
Too late.
Besides, she wouldn't have
let you get one either.
[LAUGHS]
♪
I'm going to get us out of here.
You keep saying that.
It keeps on being true.
We need to find the right time,
that's all.
♪
Sofia, on your feet. Let's go.
Please, she's exhausted.
My client is waiting. On your feet.
- Now!
- [YELPS]
Stop, stop! I'll go, I'll go
- [GASPS]
- No! Analis!
I'll go. I'll behave.
You look tired.
I'm not.
I'm ready. Please.
♪
If anyone is going to go,
it should be me.
♪
[GRUNTS]
[GASPS, GRUNTS]
[DOOR SLAMS]
[SOBS]
♪
[VEHICLES WHIR AND HONK]
You're late.
What? You said noon.
Yeah, but usually
you're ten minutes early.
I brought the money.
Quarter mil in cash.
But first, I need to see the product.
You know that's not how this works.
This client is
very particular, all right?
Wants assurances
he's getting value for money.
We ever had a problem
with quality before?
The money comes first.
Just do what they say, Martin.
They're not gonna get very far.
We have agents on every corner.
As soon as Efren's crew gets here,
we're going to arrest them.
♪
It all feels so different out here
- Yeah.
- In the field.
Yeah.
Wouldn't even be here
without you, right?
If you weren't tracking their network,
we would have never ID'd
Martin as their broker.
Are you sure he can pull this off?
No.
It's always risky putting
a criminal back in play
with the people they used to work with.
But Martin's our closest shot
at getting these smugglers.
I mean, you know, it took two
months to just set up this meet.
Like I said, it's all there.
What, you don't trust me?
It's all good.
Due diligence.
Don't worry, Martin.
The marks on the bills can't
be detected by the UV light.
Something wrong?
You tell me.
You're the one who can't keep still.
I've just never transported product
on behalf of a client before.
Usually, your guys handle the drop-off.
For this very reason.
Most people don't have
the stomach for it.
Why the switch up?
My client needs to be discreet.
He's a public figure.
He hopes you understand why
he's gotta keep
as much distance between him
and your guys as possible.
All right, Efren's making the call.
Eyes on screens. Nearby surveillance.
We are looking for a person on a phone
who could be the voice on the
other end of Efren Ocampo's call.
I'm thinking it's the head
honcho, Efren's brother Adan.
We catch him early, we can get the jump.
We need this arrest
to go as clean as possible.
Yeah, I rigged the tracker
in the duffel bag
with a cell site simulator.
What is that again?
It's a portable cell tower, so all calls
within an immediate area
are routed to us.
Give me a second.
I should be able to pull the number
on the other end of the call.
Get us a location.
Okay, the number's prepaid,
so there's no ID,
but it looks like the other
caller is at 7th Avenue.
Yeah.
No, 8th.
Now he's in Flatbush.
Astoria, Pelham Bay.
Signal's bouncing all over
the five boroughs.
All right, so what's going on here?
They're using a scrambler.
Their number changes every three
seconds, so we can't track them.
I'm gonna need some more time
to track down that real number.
Okay, how much time do you need?
More than we have.
I got eyes on the girl
and Efren's brother, Adan.
He's got a weapon.
So how do we wanna proceed here?
Should we get into position
for emergency extraction?
What's your read on these guys?
Based on their track record,
they won't hesitate to kill her.
No.
Our safest bet is to play this out.
All agents, I want you to stand
by until Martin has the girl.
Copy that.
And Martin, as soon as you get the girl,
you're gonna bring her
to the surveillance van
on the northeast corner.
Something catch your eye?
No.
That's the third time
you've looked over there.
I just don't like that we're
doing this here out in the open.
What if she screams, makes a scene?
She won't. We teach them manners.
My girls know what happens
if they misbehave.
But you may be right.
Maybe we should meet
somewhere less exposed.
The plant.
Let's go.
Text you a location later.
No, do not let them leave.
You need to keep the exchange here.
Oh hang on. Wait, wait. Hang on.
We're already here, right?
My client,
he's expecting the girl today.
Let's just make the trade
and be done with it.
This client of yours, who is he?
Keep it vague, Martin.
He's in politics.
Insists on being discreet.
Well, I want to meet him.
Tell him we insist.
I don't think he'll go for it.
Martin, I want you
to pull out your cell phone
and pretend you're
talking to your client.
Say he's around the corner.
I'm gonna put another
agent in his place.
Scola, wait for my signal.
Copy.
Fine, okay, I'll call him.
Put it on speaker.
- What?
- You heard him.
Put it on speaker.
- I want to hear him pick up.
- I can't.
Your client is not in politics, is he?
What did you do?
♪
They gave me no choice.
- [GUNSHOT]
- [WOMAN SCREAMS]
[CLAMORING]
Shots fired. Shots fired.
Scola, they're splitting up.
You take Efren.
I'm gonna take Adan and the girl.
Maggie, I'm sorry. I thought
Elise, this isn't on you.
Stay in here. Be our eyes.
FBI, move!
Everybody down!
Move out of the way! Move!
♪
Scola, Efren's currently
moving down Waverly.
Maggie, Adan is headed toward
the subway on West 4th.
I have eyes on Adan and the girl.
- [GUNSHOT]
- Hey! Everybody get down!
Get down!
♪
[GUNSHOTS]
Everybody, get down, down! Get down!
Everybody, back! Hey!
He just jumped on the A train.
I need you to shut it down
at the next stop.
Hey!
I'm Special Agent
Maggie Bell with the FBI.
I promise I'll find you!
Okay, I promise!
I will find you!
♪
[PHONES RINGING]
[INDISTINCT CHATTER]
Maggie, Adan just shot out
the cameras at the station,
so we lost eyes on him.
Was NYPD able to track
him and the girl down?
They searched everywhere.
No sign of them.
What about witnesses?
Someone had to have
seen something.
No, apparently
Adan forced all the passengers
into the next train before taking off.
Okay. Elise, what about Efren?
He was last seen on foot.
He couldn't have gotten too far.
No sign of him in a five-block radius.
He must have gotten
past our perimeter.
[SIGHS] Damn.
All right, folks, let's just
converse for a second.
Here's where we are.
Martin Petrelli, our cooperating witness
and only lead in the Ocampos
sex trafficking syndicate,
was just executed.
And in his final moments,
he tipped the Ocampos off,
which allowed Adan
to evade arrest with the victim.
So we need to find them quickly.
To help us figure out how to do that,
let's remind ourselves who they are.
Kelly, Ian, you wanna bring
the room up to speed, please?
Both brothers were booted
from the Philippine National Police
for accepting bribes.
There is practically nothing
that they will not do for money.
Including turning
young women into chattel.
For the past three years,
they've operated
a human trafficking ring.
Duped off the U.S. J-1 Au Pair program.
It started in Manila,
then expanded to the
rest of Southeast Asia.
They lure their victims
with a false pathway
to American citizenship
and make them have sex for
money once they're stateside.
Okay, what about the list
of clients Petrelli gave us?
Any leads we can work backwards from?
Negative. We spoke with their lawyers.
They are all high net worth individuals.
MO is total discretion.
They paid in cash.
And those drop points they
sent over have no surveillance.
Okay, so wait, we got eyes
on the victim there, right?
We ID her?
No, she's not in our system.
And Adan Ocampo ditched our tracker
and duffel on the train.
Were we able to descramble
his real cell phone number?
Descrambler was only able
to get the area code, 212.
Well, that is less than impressive.
Ian, how long will it take
to get the rest?
That's the thing it can't
without an active phone call.
- Jubal.
- Yeah.
I got eyes on Efren.
Patching you in now.
Yeah.
Traffic cam caught him on
Astor Place carjacking a cabbie.
Okay, that would explain how
he got past our perimeter.
[SUSPENSEFUL MUSIC]
♪
Elise, get that cab number.
Maggie will track it
and get you the location.
Copy. On our way now.
♪
Jubal, we've got him boxed in.
All right, Maggie, SWAT's
a block over on your nine.
[ENGINE ROARS]
[TIRES SCREECH]
Efren. There's nowhere to go.
Roll down your window
and drop your weapon.
Now!
Both hands outside.
Where's Adan?
This is your last chance, Efren.
Curious.
What happens when I run out of chances?
Life in prison without
parole, last time I checked.
What's your brother's cell phone number?
750-000.
That's six digits.
Yeah.
That's how much I'd make
in a quarter turning you out.
If I did the things
you're accusing me of.
You're well past if, pal.
I came to the park
to meet a friend who owed me
and my brother some money.
Next thing I know, Adan
shows up with his girlfriend.
Bullets start flying.
Girlfriend? We have a witness
that names you as her seller.
He's dead.
And without this girl's testimony,
who's to say what her relationship
to my brother really was?
There are a lot of times
when I can see the humanity in someone,
regardless of where they've gone wrong.
That was not one of them.
I can't stop thinking about that girl.
I promised I would find her,
and what if I can't keep that?
I'm gonna go take a run at Efren,
see if he'll give us anything.
Uh, yeah.
Hey, Maggie, I have
a 911 dispatcher here
asking specifically for you.
Says it's urgent.
- Okay, thanks.
- Yeah.
This is Special Agent Maggie Bell.
Hi, I'm Joel Lowry
from NYPD dispatch.
I've got a girl who says
she's been kidnapped.
She's scared,
talking a mile a minute.
I can't trace her or get
clear answers from her.
I've only gotten
her first name, Analis.
She asked for you by name.
Okay, patch her through.
Hi, Analis, you're on with
Special Agent Maggie Bell.
Maggie, from the train?
Yes, it's me.
Analis, where are you now?
I don't know. I'm lost.
I got away,
but Adan's looking for me.
He's going to kill me.
I don't have much time.
♪
I don't want to die, Maggie.
Analis, the FBI are
already doing everything
in our power to find you.
You are our number one priority.
There may be certain points where
you're not gonna hear my voice,
but it's only because
I'm working with my team
to try to locate you.
But Joel's gonna stay on
the phone the entire time.
Maggie's right.
I'm not going anywhere.
Hey, I have Analis on the phone.
She's the girl who was
kidnapped on the train.
Yeah, yeah, yeah. Quiet!
She escaped from Adan,
but I don't know how long
she has before he catches up
with her.
We have a location?
No, no.
Uh, Analis, what's your last name?
Bahena.
Bahena.
That's not coming up
in the system.
- Ian, could we
- Yeah, I'm already on it.
Sharing audio
and tracking the phone signal,
which is still hopscotching
all over the city.
Okay, Analis,
whose phone are you using?
Adan's.
I took it when
he wasn't looking.
That'll work.
She'll have to give us the phone number.
Okay, can you go
into your settings
and find the phone number
so we can track you faster?
I can't.
The phone's locked.
It let me make an
emergency call, but that's it.
Maggie, you'll have
to keep her on the line
so I can finish
descrambling that number.
- I'll go in the conference room.
- Yeah, yeah, yeah.
So what, there are
seven digits left?
How long is that gonna take?
Scrambler is sophisticated.
Military grade.
Maybe an hour.
We may not have that long.
Can you see any buildings
or structures around you?
I can see the city
across the water.
How did you get there?
I jumped out of Adan's car
when he was taking me back
to where they keep us.
There were warehouses
on the side of the road.
I ran into one before
he could turn around.
Okay, she could be
at any pier in the city.
Yeah, I pulled up port cams.
So far nothing.
Okay, do you remember which
road you were on or any signs?
I-I don't remember.
Ian, is there anything
we can do to speed this up?
We just have to wait
for the descrambler to finish.
- [WHISPERS] Maggie?
- Yeah.
Wait, what's going on?
Why are you whispering?
I can see him.
His car.
He's back. He just pulled up.
Okay, what kind of car
is he driving?
A gray van like the ones
they always transport us in.
Can you read the license plate?
No.
Okay, I want you to stay hidden
and keep your eyes on him.
And if you see him
get out of that van,
you need to tell me right away.
Yes. Yes.
He's going to kill me, Maggie.
That's what they do to girls
who misbehave.
And then he's going to kill
my sister, Sofia,
to teach the other girls
a lesson.
It's my fault Sofia is here.
I convinced her to join
this au pair program
and come with me.
Where are you from?
Manila.
Yeah, yeah, yeah.
Elise, you wanna?
Calling the Philippine Consulate.
If there's paper on
when Analis and her sister
arrived in the States,
maybe it'll point us
to where they were picked up.
Describe to me the
environment where they hold you.
When we arrived, Adan
and his men took our papers
and locked us up with other
girls in cages like animals.
On lucky days,
shipping containers.
All right, we're looking
for a shipyard, people.
Right, right, there are six
currently in operation.
They're spread out
throughout the city, though.
Staten Island, Brooklyn.
Okay, is there anything else
you remember?
I mean, every detail matters.
Once, he took me to a secret
room with a dragon on the wall
so that he could he could
[SOBS]
Analis, I'm so sorry.
Sofia always fought back
but couldn't stop them.
[WEEPING]
We have matching tattoos.
A butterfly on our wrists.
She said if she
just stared at it,
she could pretend to be
back home in the garden.
Please tell her I'm sorry.
Analis, you're gonna
tell her yourself.
Can you tell me where they
take you to see the men?
They take us lots of places.
Hotels,
sometimes the men's homes,
but mostly the other places
they keep us.
Wait, they don't just
keep you in one place?
Every three days,
they move us around
so the police can't find us.
They go different ways
every time.
Last time they moved us
because there was
a fire nearby.
They said it was a church.
[SUSPENSEFUL MUSIC]
There is our first
breadcrumb, people.
Any recent churches go up
like our girl said?
Okay, okay.
Analis, I want you to stay hidden
and be as quiet as possible.
Okay, okay.
I'm looking, but not seeing anything
that matches that description.
Expand the search to Jersey maybe?
I think we may have something.
There's a rehab facility
in Queens.
Used to be a church.
Four alarm fire there last week.
Pulling up surveillance.
Checking for gray vans.
Okay, worth a shot.
Okay, here's a gray van.
Yeah, keep going.
Stop right there. Push in.
Enhance.
That's definitely Analis,
and safe to say, that's Sofia.
Can we find out where
our gray van is taking them?
No, we lose visual
after a couple of blocks.
Someone please tell me there is a but
- to the end of that sentence.
- There is.
Plates are registered to a shell corp
that owns a warehouse in the
Bronx, overlooks the river.
Sounds like the making of a stash house.
Let's get down there
and see what they're storing.
[SUSPENSEFUL MUSIC]
♪
Gray van matching
Analis's description.
It's still warm.
Expect some company.
Clear.
Already cleared them out.
Maybe they know the walls
are closing in on them.
Is there something burning?
Do you smell that?
[FIRE CRACKLING]
FBI!
Don't move.
Put your hands in the air.
[GUNSHOTS]
♪
[GUN CLICKS]
His gun jammed.
You're outnumbered.
How you wanna walk out
of here is up to you.
Set it down slowly.
- Where are the girls?
- What girls?
[GRUNTING]
You're under arrest. Where are they?
I want a lawyer.
We'll find them, Maggie.
Okay.
Jubal, we just ran into
a couple of Adan's guys.
Still no sign of Analis.
Yeah, copy.
Continue canvassing the facility.
I'm gonna check in with dispatch.
Yeah.
Joel, are you still there?
Yep, I still
have Analis here.
Analis, did you hear gunshots?
No. Why?
We traced a gray van back
to one of the warehouses
where they hold you.
We're searching nearby now.
I hear footsteps.
Is that you?
No, no, no, it's not me.
Okay, I want you to
make sure you don't hang up,
but hide your phone.
Okay.
[SCREAMS]
Your sister's next.
No, I'll be good! I'll be
[GUNSHOT]
Analis?
Analis?
[TENSE MUSIC]
Analis.
Analis.
[HEAVY BREATHING]
♪
Adan, I'm gonna find you.
Agent Bell, we lost connection.
We'll continue monitoring
all incoming calls.
Agent Bell, are you there?
Yeah, I'm here.
He said her sister's next.
Does that mean Analis is
All it means is I need
to find Sofia before he does.
- Elise, did you find them?
- No.
I keep running over every
detail from this morning.
What'd I miss?
What if I could've prepped more,
could've anticipated
what they'd do if it went bad?
Things go bad in the field every day.
I mean, it can turn in a second.
This was my investigation.
I brought it to the team.
And I looked Analis in the eyes
and I promised that I would find her.
So we're both on the hook.
What we need to be thinking
about now is what's next.
We still have to find those other girls.
[SIGHS]
I've been trying to narrow down
where the Ocampos might be holding them.
This is a list of every
drop point Petrelli gave us.
Where clients pick up the girls.
Exactly. They're all in
remote areas on the water.
Okay, this is good.
This means that their base of operations
is in striking distance, but where?
Harlem? Brooklyn?
Well, if you look at
every location like a spoke
and try to find the hub,
it looks to me like it's Jersey City.
But this is as far as I got.
You know what?
This might help.
Got this key off
of one of Ocampo's guys.
Maybe the jock can
narrow down the location.
Look, we're gonna find them.
How can you be so sure?
Because we have the best team.
Ian, any chance we can
narrow down that number?
There are 10,000 possibilities
for the remaining four digits.
So not great odds.
All right, folks, we need
to get creative here.
We already found one place where
Analis and Sofia were being held.
Was there anything there
that could point us
to where Sofia is being held now?
- Hey, boss, check this out.
- What?
We pulled this off of one
of the traffickers' bodies.
- What is that, a car key?
- And it's a digital key fob.
We traced it back
to a local security company
who gave up the location
of the door it's connected to.
It's a chemical warehouse
in Jersey City.
Okay, Analis said they were moved around
day to day, different places.
That's worth a shot.
Look, the reality is that
these girls could already be gone
in a shipping container, on their way
- to who knows where.
- I know.
But I'd rather be out here
than chasing leads at 26 Fed.
That's a good point.
[PHONE BUZZING]
- The dispatcher.
- [PHONE BEEPS]
- Hey.
- Agent Bell, any updates?
We have a possible lead
at one of their stash houses.
We're headed there now.
You work fast.
So the odds of finding Sofia
are looking up?
Well, that's too soon to say.
Look, we got no eyes in the sky
and the blueprints that we have
are outdated,
so we're basically flying blind.
Maybe I can help with that.
Let me make a few calls.
Okay, great.
Thanks, Joel.
- [PHONE BEEPS]
- Friend of yours?
I mean, he just wants to help.
All hands on deck. It can't hurt.
[SUSPENSEFUL MUSIC]
♪
FEMA lent us this X-ray finder.
The radar is gonna
identify the heat signatures
- and show us who's inside.
- Wow.
Okay, so we got nine heartbeats
moving around the warehouse.
And then there's this other group of ten
that are all clumped together.
Yeah. That's gotta be the girls.
Okay, we have nine
of Ocampo's men inside.
I'm not liking these numbers.
Let's go in quietly.
♪
[BEEP, LOCK CLICKS]
♪
[GRUNTING]
[PANTING] One down. Eight to go.
No sign of Sofia. Keep your eyes open.
Copy.
SWAT team moving
to the fourth floor.
Copy that.
[TV PLAYING INDISTINCTLY]
[GRUNTING]
♪
[HISSING]
[SCREAMS]
Suspect's down.
I've got eyes on the girls.
Southeast corridor.
On my way.
♪
[GUN CLICKS]
You must be lost.
[GUNSHOT]
Okay, we got shots fired, shots fired.
I need SWAT to my position now.
They would have heard that.
We don't have a lot of time.
Okay. Keys.
♪
Hey.
[GIRLS WHIMPERING]
I'm Special Agent Bell.
I'm with the FBI.
We're gonna get you out of here.
Come on. Come on. Get up.
We're gonna get you out of here, okay?
You're safe. You're safe.
Let's go.
You're gonna be okay. Let's go.
You're gonna be okay.
All right, let's go.
- [GUNSHOTS]
- [GIRLS WHIMPER]
Get back, get back.
[GUNFIRE]
We're taking fire. Ground floor.
SWAT is on the way.
We're clear.
Clear.
Okay, okay.
Come here. We can go.
Are any of you Sofia?
Sofia Bahena?
No, not me.
In there.
Escort them out.
Let's go.
Hey. Go with them.
[SOMBER MUSIC]
♪
- Is it, uh
- Yeah.
It's Analis's sister.
♪
Am I under arrest?
What? No, no. Of course not.
Not at all.
Uh, look, we know what
you've been through is
is just it's unimaginable.
But we are hoping that you can
answer some questions for us
so we can make sure nothing
like this ever happens again.
[SOFT DRAMATIC MUSIC]
Great. Thank you.
Why don't we start with your name?
Marisol.
Marisol. Okay.
And Marisol, do you know
how long you were kept in the
the Ocampos's captivity for?
We're not supposed to talk to police,
or there'll be consequences.
Marisol, you don't have
to worry about that.
You're safe now. It's over.
Is Adan dead?
Uh, no.
Then it's not over.
But we can we can protect you.
We can bring you someplace
that he will never be able to find you.
I just wanna go home.
We can arrange that. Where is home?
Singapore.
I haven't seen my family in years.
Three, maybe. Four.
Instead, I I've been
♪
I-I know the details
are painful to recount,
but anything you say
may help us find Adan
and put a real stop to this.
We were told about a room that
had a wall with a dragon on it.
Do you remember being
in a room like that?
No.
I-I just got to the city
a few weeks ago.
I don't understand.
If you just got to the city,
where have you been the last few years?
The first year, they put me in Miami.
The next, I got moved to Baltimore.
After that, Boston.
♪
Okay, thank you.
Hey, where are we with
the sites Marisol gave us?
We were able to recover
70 trafficking victims
a house in Boston,
another in the suburbs.
- But no sign of Adan?
- Nothing.
Damn it.
Maybe Maggie and Scola
are having better luck.
♪
Gael Medina won't talk.
Won't give up Adan's location
it's the same as Efren.
Any word from the dispatcher?
No.
You know, you told me
a long time ago that
we never give up hope here.
Yeah, you're right.
But if we're gonna find Adan,
somebody needs to talk.
Right.
But they're all scared of the boss.
They won't admit it.
It's just too much pride and ego.
You're right.
- You got an idea?
- Yeah.
I'm gonna hit him where it hurts.
[DOOR BUZZES]
You're wasting your time.
Delaying until you have to let me go.
You recognize him?
Gael, part of your crew?
He's in the other room.
We just had a nice chat.
Oh. [CHUCKLES]
He's willing to testify against you.
You were a cop in Manila,
so you know how this goes.
He's gonna flip,
and then you're finished.
I've done nothing.
I mean, that's not what Gael said.
I'm inclined to cut him a deal.
- Unless
- Unless what?
You and I work together.
Why don't you tell me
your brother's location?
Let the real boss take the fall.
Oh. The real boss?
But you and I both know that
you're not the one in power.
And Gael just confirmed it.
Gael wouldn't talk.
He knows better.
Then why did he tell me about the room
with the dragon on the wall?
[TENSE MUSIC]
See, he did talk.
And I couldn't shut him up.
He told me everything Adan does
to those girls in that room.
♪
Now, it's clear to me that Gael
is very afraid of your brother,
because when I mentioned
your name, there was nothing.
No fear.
There's no respect.
Adan is nothing without me.
He never was.
But everyone's afraid of him.
- Including you.
- I'm not afraid.
I'm his partner.
Then why are you sitting here
and all of your guys
are turning against you?
[EXHALES]
It is in your best interest to help us.
[SIGHS]
When we go dark,
he goes to the hideout.
Where is that?
[SUSPENSEFUL MUSIC]
[ENGINE ROARS]
♪
FBI!
Adan Ocampo, don't move.
Put your hands where I can see them.
Now.
If you had left us alone,
Analis would be here right now.
But you gave her hope.
You should not have done that.
Do not let him get in your head, Maggie.
She knew what happens
when you break the rules.
But you confused her,
made her run.
You might as well have
pulled the trigger yourself.
Where is she?
You'll never find her.
Down on the ground now.
Tell me, Agent Bell.
How does it feel to know
that you are responsible
for Analis's death?
[GUNSHOTS]
♪
[POLICE RADIO CHATTER]
Was Analis my fault?
Maggie, you did everything you could.
Yeah.
Still too late.
We took out the Ocampo brothers
and their entire network.
They'll never do this to anybody again.
Well, sometimes it's not
about chasing the bad guys.
Sometimes it's about
saving the good ones.
Yeah, you did some of that too.
[PHONE BUZZES]
Hello?
Agent Bell, hold.
Okay, we're online.
[SOBBING] Maggie, help me.
He shot me. Please find me.
It's Analis. She's alive.
I'm in the trunk of a car.
I can't get out. [SOBS]
Analis, can you see
a green lever in the trunk?
It's usually glow in the dark.
Yes, I see something
kind of green.
Okay, can you pull on that?
[GRUNTS]
He cut it, Maggie.
I'm going to die.
No, no, you're not.
Look, Analis, is the car still moving?
No, the car stopped moving
a while ago.
He never let me out.
- I can't see anything.
- [MACHINERY RUMBLING]
I'm picking up some noise
in the background.
Yeah, Analis, what is that?
Can you describe that sound?
I don't know.
Some kind of machine.
Maybe construction.
Okay, are there any people around?
- Can you hear them?
- No.
I'm sorry, I don't know.
It's okay, it's okay.
Just stay calm and keep putting
pressure on that wound, okay?
[SUSPENSEFUL MUSIC]
- Ian, how much longer?
- About 30 seconds.
All right, Maggie, we're almost there.
Just keep Analis on the phone.
Okay, Analis,
just a few more seconds, okay?
We're gonna find you.
And then we can find my sister?
Got it.
212-144-7569.
Analis is at a junkyard.
Adan must have ditched the car there.
Okay, Analis, we found you.
We're coming.
♪
Everybody spread out
and search every car.
Analis, we're here,
and we're looking for you.
Okay, I need you to make some noise.
Anything. We'll hear you.
[WEAKLY] I-I can't.
I'm sorry.
Analis. Analis?
- Come on. Stay with me.
- [SHALLOW BREATHING]
Here, here, here.
Analis!
- [GRUNTS]
- I think she's blacking out.
I think that was the last one.
You guys find anything?
Negative.
[GLASS SHATTERING]
[MACHINERY WHIRRING]
Scola.
[MACHINE RUMBLING]
- Come on, come on, come on.
- [GRUNTS]
We found her.
Analis.
She's breathing.
She's barely alive.
How long for the ambulance?
- It's four minutes out.
- That's too long.
Let's get her out.
♪
Okay.
She's already turning blue.
Maggie. Maggie, can you hear me?
Yeah, Joel. What's up?
All right, check her nails.
Are they blue too?
Yes, they are. What does that mean?
Maggie, listen to me.
I was an EMT before this.
These are signs
of tension pneumothorax.
There's air filling in
the pleural space of her chest
and putting pressure
on her heart and her lungs.
If you don't release the air
trapped in Analis's chest,
she's gonna die.
- Okay, so then what do we do?
- I'll walk you through it.
First, you need a place
the chest seal on her wound.
Okay.
It should look like a bandage.
Okay, yeah.
Okay, okay, it's on. Now what?
All right,
you need to release the air
through a needle decompression.
Do you have a needle?
- Here.
- Yep, yep.
Okay, where am I putting this?
Okay, so you're gonna
push the needle
between Analis's upper ribs.
Okay, yeah.
How hard do I have to do this?
Push until you hear
the air trying to escape.
Okay.
Then detach the plunger
from the tip of the needle
to fully release the air.
You got it?
Come on, Analis, stay with me.
Okay.
[AIR HISSING]
Okay, I think I hear it.
I can hear it. It's working.
Analis.
- Analis.
- [GASPING]
Hey. Hey.
I'm here. Here.
- Hey.
- Maggie.
Yes.
I told you I was gonna find you.
♪
Hey.
She hasn't woken up yet.
You know, I think I'm gonna
stay here until she does.
Okay.
I'll head back, finish up the paperwork.
[SIGHS] Long day.
Long day.
Hi. Excuse me?
Sorry, I don't even know
if I'm on the right floor.
I'm looking for
Special Agent Maggie Bell.
Joel?
Agent Bell.
Yeah. Hi. What are you doing here?
Hey.
I was, um
well, I wanted an update on Analis.
I my job was done once you found her,
so I never got to know.
Yeah, um, she's gonna be okay.
Oh, that's great.
What about her sister? Is she here too?
[SOMBER MUSIC]
She's not.
She didn't make it.
I'm sorry to hear that.
I haven't even told Analis yet.
It's definitely
the hardest part of my job.
Yeah.
It sounds like you're in
for quite a night.
Yeah.
You know what makes
hospital coffee taste better?
Powdered sugar.
Definitely that.
And if someone else is paying.
♪
Come on. I'm buying.
Okay.
♪
[DRAMATIC MUSIC]
♪
[WOLF HOWLS]
[LAUGHTER]
[SOFT DRAMATIC MUSIC]
You're too young to have this.
Nanay would never let you.
She isn't here.
I shouldn't have let you then.
Too late.
Besides, she wouldn't have
let you get one either.
[LAUGHS]
♪
I'm going to get us out of here.
You keep saying that.
It keeps on being true.
We need to find the right time,
that's all.
♪
Sofia, on your feet. Let's go.
Please, she's exhausted.
My client is waiting. On your feet.
- Now!
- [YELPS]
Stop, stop! I'll go, I'll go
- [GASPS]
- No! Analis!
I'll go. I'll behave.
You look tired.
I'm not.
I'm ready. Please.
♪
If anyone is going to go,
it should be me.
♪
[GRUNTS]
[GASPS, GRUNTS]
[DOOR SLAMS]
[SOBS]
♪
[VEHICLES WHIR AND HONK]
You're late.
What? You said noon.
Yeah, but usually
you're ten minutes early.
I brought the money.
Quarter mil in cash.
But first, I need to see the product.
You know that's not how this works.
This client is
very particular, all right?
Wants assurances
he's getting value for money.
We ever had a problem
with quality before?
The money comes first.
Just do what they say, Martin.
They're not gonna get very far.
We have agents on every corner.
As soon as Efren's crew gets here,
we're going to arrest them.
♪
It all feels so different out here
- Yeah.
- In the field.
Yeah.
Wouldn't even be here
without you, right?
If you weren't tracking their network,
we would have never ID'd
Martin as their broker.
Are you sure he can pull this off?
No.
It's always risky putting
a criminal back in play
with the people they used to work with.
But Martin's our closest shot
at getting these smugglers.
I mean, you know, it took two
months to just set up this meet.
Like I said, it's all there.
What, you don't trust me?
It's all good.
Due diligence.
Don't worry, Martin.
The marks on the bills can't
be detected by the UV light.
Something wrong?
You tell me.
You're the one who can't keep still.
I've just never transported product
on behalf of a client before.
Usually, your guys handle the drop-off.
For this very reason.
Most people don't have
the stomach for it.
Why the switch up?
My client needs to be discreet.
He's a public figure.
He hopes you understand why
he's gotta keep
as much distance between him
and your guys as possible.
All right, Efren's making the call.
Eyes on screens. Nearby surveillance.
We are looking for a person on a phone
who could be the voice on the
other end of Efren Ocampo's call.
I'm thinking it's the head
honcho, Efren's brother Adan.
We catch him early, we can get the jump.
We need this arrest
to go as clean as possible.
Yeah, I rigged the tracker
in the duffel bag
with a cell site simulator.
What is that again?
It's a portable cell tower, so all calls
within an immediate area
are routed to us.
Give me a second.
I should be able to pull the number
on the other end of the call.
Get us a location.
Okay, the number's prepaid,
so there's no ID,
but it looks like the other
caller is at 7th Avenue.
Yeah.
No, 8th.
Now he's in Flatbush.
Astoria, Pelham Bay.
Signal's bouncing all over
the five boroughs.
All right, so what's going on here?
They're using a scrambler.
Their number changes every three
seconds, so we can't track them.
I'm gonna need some more time
to track down that real number.
Okay, how much time do you need?
More than we have.
I got eyes on the girl
and Efren's brother, Adan.
He's got a weapon.
So how do we wanna proceed here?
Should we get into position
for emergency extraction?
What's your read on these guys?
Based on their track record,
they won't hesitate to kill her.
No.
Our safest bet is to play this out.
All agents, I want you to stand
by until Martin has the girl.
Copy that.
And Martin, as soon as you get the girl,
you're gonna bring her
to the surveillance van
on the northeast corner.
Something catch your eye?
No.
That's the third time
you've looked over there.
I just don't like that we're
doing this here out in the open.
What if she screams, makes a scene?
She won't. We teach them manners.
My girls know what happens
if they misbehave.
But you may be right.
Maybe we should meet
somewhere less exposed.
The plant.
Let's go.
Text you a location later.
No, do not let them leave.
You need to keep the exchange here.
Oh hang on. Wait, wait. Hang on.
We're already here, right?
My client,
he's expecting the girl today.
Let's just make the trade
and be done with it.
This client of yours, who is he?
Keep it vague, Martin.
He's in politics.
Insists on being discreet.
Well, I want to meet him.
Tell him we insist.
I don't think he'll go for it.
Martin, I want you
to pull out your cell phone
and pretend you're
talking to your client.
Say he's around the corner.
I'm gonna put another
agent in his place.
Scola, wait for my signal.
Copy.
Fine, okay, I'll call him.
Put it on speaker.
- What?
- You heard him.
Put it on speaker.
- I want to hear him pick up.
- I can't.
Your client is not in politics, is he?
What did you do?
♪
They gave me no choice.
- [GUNSHOT]
- [WOMAN SCREAMS]
[CLAMORING]
Shots fired. Shots fired.
Scola, they're splitting up.
You take Efren.
I'm gonna take Adan and the girl.
Maggie, I'm sorry. I thought
Elise, this isn't on you.
Stay in here. Be our eyes.
FBI, move!
Everybody down!
Move out of the way! Move!
♪
Scola, Efren's currently
moving down Waverly.
Maggie, Adan is headed toward
the subway on West 4th.
I have eyes on Adan and the girl.
- [GUNSHOT]
- Hey! Everybody get down!
Get down!
♪
[GUNSHOTS]
Everybody, get down, down! Get down!
Everybody, back! Hey!
He just jumped on the A train.
I need you to shut it down
at the next stop.
Hey!
I'm Special Agent
Maggie Bell with the FBI.
I promise I'll find you!
Okay, I promise!
I will find you!
♪
[PHONES RINGING]
[INDISTINCT CHATTER]
Maggie, Adan just shot out
the cameras at the station,
so we lost eyes on him.
Was NYPD able to track
him and the girl down?
They searched everywhere.
No sign of them.
What about witnesses?
Someone had to have
seen something.
No, apparently
Adan forced all the passengers
into the next train before taking off.
Okay. Elise, what about Efren?
He was last seen on foot.
He couldn't have gotten too far.
No sign of him in a five-block radius.
He must have gotten
past our perimeter.
[SIGHS] Damn.
All right, folks, let's just
converse for a second.
Here's where we are.
Martin Petrelli, our cooperating witness
and only lead in the Ocampos
sex trafficking syndicate,
was just executed.
And in his final moments,
he tipped the Ocampos off,
which allowed Adan
to evade arrest with the victim.
So we need to find them quickly.
To help us figure out how to do that,
let's remind ourselves who they are.
Kelly, Ian, you wanna bring
the room up to speed, please?
Both brothers were booted
from the Philippine National Police
for accepting bribes.
There is practically nothing
that they will not do for money.
Including turning
young women into chattel.
For the past three years,
they've operated
a human trafficking ring.
Duped off the U.S. J-1 Au Pair program.
It started in Manila,
then expanded to the
rest of Southeast Asia.
They lure their victims
with a false pathway
to American citizenship
and make them have sex for
money once they're stateside.
Okay, what about the list
of clients Petrelli gave us?
Any leads we can work backwards from?
Negative. We spoke with their lawyers.
They are all high net worth individuals.
MO is total discretion.
They paid in cash.
And those drop points they
sent over have no surveillance.
Okay, so wait, we got eyes
on the victim there, right?
We ID her?
No, she's not in our system.
And Adan Ocampo ditched our tracker
and duffel on the train.
Were we able to descramble
his real cell phone number?
Descrambler was only able
to get the area code, 212.
Well, that is less than impressive.
Ian, how long will it take
to get the rest?
That's the thing it can't
without an active phone call.
- Jubal.
- Yeah.
I got eyes on Efren.
Patching you in now.
Yeah.
Traffic cam caught him on
Astor Place carjacking a cabbie.
Okay, that would explain how
he got past our perimeter.
[SUSPENSEFUL MUSIC]
♪
Elise, get that cab number.
Maggie will track it
and get you the location.
Copy. On our way now.
♪
Jubal, we've got him boxed in.
All right, Maggie, SWAT's
a block over on your nine.
[ENGINE ROARS]
[TIRES SCREECH]
Efren. There's nowhere to go.
Roll down your window
and drop your weapon.
Now!
Both hands outside.
Where's Adan?
This is your last chance, Efren.
Curious.
What happens when I run out of chances?
Life in prison without
parole, last time I checked.
What's your brother's cell phone number?
750-000.
That's six digits.
Yeah.
That's how much I'd make
in a quarter turning you out.
If I did the things
you're accusing me of.
You're well past if, pal.
I came to the park
to meet a friend who owed me
and my brother some money.
Next thing I know, Adan
shows up with his girlfriend.
Bullets start flying.
Girlfriend? We have a witness
that names you as her seller.
He's dead.
And without this girl's testimony,
who's to say what her relationship
to my brother really was?
There are a lot of times
when I can see the humanity in someone,
regardless of where they've gone wrong.
That was not one of them.
I can't stop thinking about that girl.
I promised I would find her,
and what if I can't keep that?
I'm gonna go take a run at Efren,
see if he'll give us anything.
Uh, yeah.
Hey, Maggie, I have
a 911 dispatcher here
asking specifically for you.
Says it's urgent.
- Okay, thanks.
- Yeah.
This is Special Agent Maggie Bell.
Hi, I'm Joel Lowry
from NYPD dispatch.
I've got a girl who says
she's been kidnapped.
She's scared,
talking a mile a minute.
I can't trace her or get
clear answers from her.
I've only gotten
her first name, Analis.
She asked for you by name.
Okay, patch her through.
Hi, Analis, you're on with
Special Agent Maggie Bell.
Maggie, from the train?
Yes, it's me.
Analis, where are you now?
I don't know. I'm lost.
I got away,
but Adan's looking for me.
He's going to kill me.
I don't have much time.
♪
I don't want to die, Maggie.
Analis, the FBI are
already doing everything
in our power to find you.
You are our number one priority.
There may be certain points where
you're not gonna hear my voice,
but it's only because
I'm working with my team
to try to locate you.
But Joel's gonna stay on
the phone the entire time.
Maggie's right.
I'm not going anywhere.
Hey, I have Analis on the phone.
She's the girl who was
kidnapped on the train.
Yeah, yeah, yeah. Quiet!
She escaped from Adan,
but I don't know how long
she has before he catches up
with her.
We have a location?
No, no.
Uh, Analis, what's your last name?
Bahena.
Bahena.
That's not coming up
in the system.
- Ian, could we
- Yeah, I'm already on it.
Sharing audio
and tracking the phone signal,
which is still hopscotching
all over the city.
Okay, Analis,
whose phone are you using?
Adan's.
I took it when
he wasn't looking.
That'll work.
She'll have to give us the phone number.
Okay, can you go
into your settings
and find the phone number
so we can track you faster?
I can't.
The phone's locked.
It let me make an
emergency call, but that's it.
Maggie, you'll have
to keep her on the line
so I can finish
descrambling that number.
- I'll go in the conference room.
- Yeah, yeah, yeah.
So what, there are
seven digits left?
How long is that gonna take?
Scrambler is sophisticated.
Military grade.
Maybe an hour.
We may not have that long.
Can you see any buildings
or structures around you?
I can see the city
across the water.
How did you get there?
I jumped out of Adan's car
when he was taking me back
to where they keep us.
There were warehouses
on the side of the road.
I ran into one before
he could turn around.
Okay, she could be
at any pier in the city.
Yeah, I pulled up port cams.
So far nothing.
Okay, do you remember which
road you were on or any signs?
I-I don't remember.
Ian, is there anything
we can do to speed this up?
We just have to wait
for the descrambler to finish.
- [WHISPERS] Maggie?
- Yeah.
Wait, what's going on?
Why are you whispering?
I can see him.
His car.
He's back. He just pulled up.
Okay, what kind of car
is he driving?
A gray van like the ones
they always transport us in.
Can you read the license plate?
No.
Okay, I want you to stay hidden
and keep your eyes on him.
And if you see him
get out of that van,
you need to tell me right away.
Yes. Yes.
He's going to kill me, Maggie.
That's what they do to girls
who misbehave.
And then he's going to kill
my sister, Sofia,
to teach the other girls
a lesson.
It's my fault Sofia is here.
I convinced her to join
this au pair program
and come with me.
Where are you from?
Manila.
Yeah, yeah, yeah.
Elise, you wanna?
Calling the Philippine Consulate.
If there's paper on
when Analis and her sister
arrived in the States,
maybe it'll point us
to where they were picked up.
Describe to me the
environment where they hold you.
When we arrived, Adan
and his men took our papers
and locked us up with other
girls in cages like animals.
On lucky days,
shipping containers.
All right, we're looking
for a shipyard, people.
Right, right, there are six
currently in operation.
They're spread out
throughout the city, though.
Staten Island, Brooklyn.
Okay, is there anything else
you remember?
I mean, every detail matters.
Once, he took me to a secret
room with a dragon on the wall
so that he could he could
[SOBS]
Analis, I'm so sorry.
Sofia always fought back
but couldn't stop them.
[WEEPING]
We have matching tattoos.
A butterfly on our wrists.
She said if she
just stared at it,
she could pretend to be
back home in the garden.
Please tell her I'm sorry.
Analis, you're gonna
tell her yourself.
Can you tell me where they
take you to see the men?
They take us lots of places.
Hotels,
sometimes the men's homes,
but mostly the other places
they keep us.
Wait, they don't just
keep you in one place?
Every three days,
they move us around
so the police can't find us.
They go different ways
every time.
Last time they moved us
because there was
a fire nearby.
They said it was a church.
[SUSPENSEFUL MUSIC]
There is our first
breadcrumb, people.
Any recent churches go up
like our girl said?
Okay, okay.
Analis, I want you to stay hidden
and be as quiet as possible.
Okay, okay.
I'm looking, but not seeing anything
that matches that description.
Expand the search to Jersey maybe?
I think we may have something.
There's a rehab facility
in Queens.
Used to be a church.
Four alarm fire there last week.
Pulling up surveillance.
Checking for gray vans.
Okay, worth a shot.
Okay, here's a gray van.
Yeah, keep going.
Stop right there. Push in.
Enhance.
That's definitely Analis,
and safe to say, that's Sofia.
Can we find out where
our gray van is taking them?
No, we lose visual
after a couple of blocks.
Someone please tell me there is a but
- to the end of that sentence.
- There is.
Plates are registered to a shell corp
that owns a warehouse in the
Bronx, overlooks the river.
Sounds like the making of a stash house.
Let's get down there
and see what they're storing.
[SUSPENSEFUL MUSIC]
♪
Gray van matching
Analis's description.
It's still warm.
Expect some company.
Clear.
Already cleared them out.
Maybe they know the walls
are closing in on them.
Is there something burning?
Do you smell that?
[FIRE CRACKLING]
FBI!
Don't move.
Put your hands in the air.
[GUNSHOTS]
♪
[GUN CLICKS]
His gun jammed.
You're outnumbered.
How you wanna walk out
of here is up to you.
Set it down slowly.
- Where are the girls?
- What girls?
[GRUNTING]
You're under arrest. Where are they?
I want a lawyer.
We'll find them, Maggie.
Okay.
Jubal, we just ran into
a couple of Adan's guys.
Still no sign of Analis.
Yeah, copy.
Continue canvassing the facility.
I'm gonna check in with dispatch.
Yeah.
Joel, are you still there?
Yep, I still
have Analis here.
Analis, did you hear gunshots?
No. Why?
We traced a gray van back
to one of the warehouses
where they hold you.
We're searching nearby now.
I hear footsteps.
Is that you?
No, no, no, it's not me.
Okay, I want you to
make sure you don't hang up,
but hide your phone.
Okay.
[SCREAMS]
Your sister's next.
No, I'll be good! I'll be
[GUNSHOT]
Analis?
Analis?
[TENSE MUSIC]
Analis.
Analis.
[HEAVY BREATHING]
♪
Adan, I'm gonna find you.
Agent Bell, we lost connection.
We'll continue monitoring
all incoming calls.
Agent Bell, are you there?
Yeah, I'm here.
He said her sister's next.
Does that mean Analis is
All it means is I need
to find Sofia before he does.
- Elise, did you find them?
- No.
I keep running over every
detail from this morning.
What'd I miss?
What if I could've prepped more,
could've anticipated
what they'd do if it went bad?
Things go bad in the field every day.
I mean, it can turn in a second.
This was my investigation.
I brought it to the team.
And I looked Analis in the eyes
and I promised that I would find her.
So we're both on the hook.
What we need to be thinking
about now is what's next.
We still have to find those other girls.
[SIGHS]
I've been trying to narrow down
where the Ocampos might be holding them.
This is a list of every
drop point Petrelli gave us.
Where clients pick up the girls.
Exactly. They're all in
remote areas on the water.
Okay, this is good.
This means that their base of operations
is in striking distance, but where?
Harlem? Brooklyn?
Well, if you look at
every location like a spoke
and try to find the hub,
it looks to me like it's Jersey City.
But this is as far as I got.
You know what?
This might help.
Got this key off
of one of Ocampo's guys.
Maybe the jock can
narrow down the location.
Look, we're gonna find them.
How can you be so sure?
Because we have the best team.
Ian, any chance we can
narrow down that number?
There are 10,000 possibilities
for the remaining four digits.
So not great odds.
All right, folks, we need
to get creative here.
We already found one place where
Analis and Sofia were being held.
Was there anything there
that could point us
to where Sofia is being held now?
- Hey, boss, check this out.
- What?
We pulled this off of one
of the traffickers' bodies.
- What is that, a car key?
- And it's a digital key fob.
We traced it back
to a local security company
who gave up the location
of the door it's connected to.
It's a chemical warehouse
in Jersey City.
Okay, Analis said they were moved around
day to day, different places.
That's worth a shot.
Look, the reality is that
these girls could already be gone
in a shipping container, on their way
- to who knows where.
- I know.
But I'd rather be out here
than chasing leads at 26 Fed.
That's a good point.
[PHONE BUZZING]
- The dispatcher.
- [PHONE BEEPS]
- Hey.
- Agent Bell, any updates?
We have a possible lead
at one of their stash houses.
We're headed there now.
You work fast.
So the odds of finding Sofia
are looking up?
Well, that's too soon to say.
Look, we got no eyes in the sky
and the blueprints that we have
are outdated,
so we're basically flying blind.
Maybe I can help with that.
Let me make a few calls.
Okay, great.
Thanks, Joel.
- [PHONE BEEPS]
- Friend of yours?
I mean, he just wants to help.
All hands on deck. It can't hurt.
[SUSPENSEFUL MUSIC]
♪
FEMA lent us this X-ray finder.
The radar is gonna
identify the heat signatures
- and show us who's inside.
- Wow.
Okay, so we got nine heartbeats
moving around the warehouse.
And then there's this other group of ten
that are all clumped together.
Yeah. That's gotta be the girls.
Okay, we have nine
of Ocampo's men inside.
I'm not liking these numbers.
Let's go in quietly.
♪
[BEEP, LOCK CLICKS]
♪
[GRUNTING]
[PANTING] One down. Eight to go.
No sign of Sofia. Keep your eyes open.
Copy.
SWAT team moving
to the fourth floor.
Copy that.
[TV PLAYING INDISTINCTLY]
[GRUNTING]
♪
[HISSING]
[SCREAMS]
Suspect's down.
I've got eyes on the girls.
Southeast corridor.
On my way.
♪
[GUN CLICKS]
You must be lost.
[GUNSHOT]
Okay, we got shots fired, shots fired.
I need SWAT to my position now.
They would have heard that.
We don't have a lot of time.
Okay. Keys.
♪
Hey.
[GIRLS WHIMPERING]
I'm Special Agent Bell.
I'm with the FBI.
We're gonna get you out of here.
Come on. Come on. Get up.
We're gonna get you out of here, okay?
You're safe. You're safe.
Let's go.
You're gonna be okay. Let's go.
You're gonna be okay.
All right, let's go.
- [GUNSHOTS]
- [GIRLS WHIMPER]
Get back, get back.
[GUNFIRE]
We're taking fire. Ground floor.
SWAT is on the way.
We're clear.
Clear.
Okay, okay.
Come here. We can go.
Are any of you Sofia?
Sofia Bahena?
No, not me.
In there.
Escort them out.
Let's go.
Hey. Go with them.
[SOMBER MUSIC]
♪
- Is it, uh
- Yeah.
It's Analis's sister.
♪
Am I under arrest?
What? No, no. Of course not.
Not at all.
Uh, look, we know what
you've been through is
is just it's unimaginable.
But we are hoping that you can
answer some questions for us
so we can make sure nothing
like this ever happens again.
[SOFT DRAMATIC MUSIC]
Great. Thank you.
Why don't we start with your name?
Marisol.
Marisol. Okay.
And Marisol, do you know
how long you were kept in the
the Ocampos's captivity for?
We're not supposed to talk to police,
or there'll be consequences.
Marisol, you don't have
to worry about that.
You're safe now. It's over.
Is Adan dead?
Uh, no.
Then it's not over.
But we can we can protect you.
We can bring you someplace
that he will never be able to find you.
I just wanna go home.
We can arrange that. Where is home?
Singapore.
I haven't seen my family in years.
Three, maybe. Four.
Instead, I I've been
♪
I-I know the details
are painful to recount,
but anything you say
may help us find Adan
and put a real stop to this.
We were told about a room that
had a wall with a dragon on it.
Do you remember being
in a room like that?
No.
I-I just got to the city
a few weeks ago.
I don't understand.
If you just got to the city,
where have you been the last few years?
The first year, they put me in Miami.
The next, I got moved to Baltimore.
After that, Boston.
♪
Okay, thank you.
Hey, where are we with
the sites Marisol gave us?
We were able to recover
70 trafficking victims
a house in Boston,
another in the suburbs.
- But no sign of Adan?
- Nothing.
Damn it.
Maybe Maggie and Scola
are having better luck.
♪
Gael Medina won't talk.
Won't give up Adan's location
it's the same as Efren.
Any word from the dispatcher?
No.
You know, you told me
a long time ago that
we never give up hope here.
Yeah, you're right.
But if we're gonna find Adan,
somebody needs to talk.
Right.
But they're all scared of the boss.
They won't admit it.
It's just too much pride and ego.
You're right.
- You got an idea?
- Yeah.
I'm gonna hit him where it hurts.
[DOOR BUZZES]
You're wasting your time.
Delaying until you have to let me go.
You recognize him?
Gael, part of your crew?
He's in the other room.
We just had a nice chat.
Oh. [CHUCKLES]
He's willing to testify against you.
You were a cop in Manila,
so you know how this goes.
He's gonna flip,
and then you're finished.
I've done nothing.
I mean, that's not what Gael said.
I'm inclined to cut him a deal.
- Unless
- Unless what?
You and I work together.
Why don't you tell me
your brother's location?
Let the real boss take the fall.
Oh. The real boss?
But you and I both know that
you're not the one in power.
And Gael just confirmed it.
Gael wouldn't talk.
He knows better.
Then why did he tell me about the room
with the dragon on the wall?
[TENSE MUSIC]
See, he did talk.
And I couldn't shut him up.
He told me everything Adan does
to those girls in that room.
♪
Now, it's clear to me that Gael
is very afraid of your brother,
because when I mentioned
your name, there was nothing.
No fear.
There's no respect.
Adan is nothing without me.
He never was.
But everyone's afraid of him.
- Including you.
- I'm not afraid.
I'm his partner.
Then why are you sitting here
and all of your guys
are turning against you?
[EXHALES]
It is in your best interest to help us.
[SIGHS]
When we go dark,
he goes to the hideout.
Where is that?
[SUSPENSEFUL MUSIC]
[ENGINE ROARS]
♪
FBI!
Adan Ocampo, don't move.
Put your hands where I can see them.
Now.
If you had left us alone,
Analis would be here right now.
But you gave her hope.
You should not have done that.
Do not let him get in your head, Maggie.
She knew what happens
when you break the rules.
But you confused her,
made her run.
You might as well have
pulled the trigger yourself.
Where is she?
You'll never find her.
Down on the ground now.
Tell me, Agent Bell.
How does it feel to know
that you are responsible
for Analis's death?
[GUNSHOTS]
♪
[POLICE RADIO CHATTER]
Was Analis my fault?
Maggie, you did everything you could.
Yeah.
Still too late.
We took out the Ocampo brothers
and their entire network.
They'll never do this to anybody again.
Well, sometimes it's not
about chasing the bad guys.
Sometimes it's about
saving the good ones.
Yeah, you did some of that too.
[PHONE BUZZES]
Hello?
Agent Bell, hold.
Okay, we're online.
[SOBBING] Maggie, help me.
He shot me. Please find me.
It's Analis. She's alive.
I'm in the trunk of a car.
I can't get out. [SOBS]
Analis, can you see
a green lever in the trunk?
It's usually glow in the dark.
Yes, I see something
kind of green.
Okay, can you pull on that?
[GRUNTS]
He cut it, Maggie.
I'm going to die.
No, no, you're not.
Look, Analis, is the car still moving?
No, the car stopped moving
a while ago.
He never let me out.
- I can't see anything.
- [MACHINERY RUMBLING]
I'm picking up some noise
in the background.
Yeah, Analis, what is that?
Can you describe that sound?
I don't know.
Some kind of machine.
Maybe construction.
Okay, are there any people around?
- Can you hear them?
- No.
I'm sorry, I don't know.
It's okay, it's okay.
Just stay calm and keep putting
pressure on that wound, okay?
[SUSPENSEFUL MUSIC]
- Ian, how much longer?
- About 30 seconds.
All right, Maggie, we're almost there.
Just keep Analis on the phone.
Okay, Analis,
just a few more seconds, okay?
We're gonna find you.
And then we can find my sister?
Got it.
212-144-7569.
Analis is at a junkyard.
Adan must have ditched the car there.
Okay, Analis, we found you.
We're coming.
♪
Everybody spread out
and search every car.
Analis, we're here,
and we're looking for you.
Okay, I need you to make some noise.
Anything. We'll hear you.
[WEAKLY] I-I can't.
I'm sorry.
Analis. Analis?
- Come on. Stay with me.
- [SHALLOW BREATHING]
Here, here, here.
Analis!
- [GRUNTS]
- I think she's blacking out.
I think that was the last one.
You guys find anything?
Negative.
[GLASS SHATTERING]
[MACHINERY WHIRRING]
Scola.
[MACHINE RUMBLING]
- Come on, come on, come on.
- [GRUNTS]
We found her.
Analis.
She's breathing.
She's barely alive.
How long for the ambulance?
- It's four minutes out.
- That's too long.
Let's get her out.
♪
Okay.
She's already turning blue.
Maggie. Maggie, can you hear me?
Yeah, Joel. What's up?
All right, check her nails.
Are they blue too?
Yes, they are. What does that mean?
Maggie, listen to me.
I was an EMT before this.
These are signs
of tension pneumothorax.
There's air filling in
the pleural space of her chest
and putting pressure
on her heart and her lungs.
If you don't release the air
trapped in Analis's chest,
she's gonna die.
- Okay, so then what do we do?
- I'll walk you through it.
First, you need a place
the chest seal on her wound.
Okay.
It should look like a bandage.
Okay, yeah.
Okay, okay, it's on. Now what?
All right,
you need to release the air
through a needle decompression.
Do you have a needle?
- Here.
- Yep, yep.
Okay, where am I putting this?
Okay, so you're gonna
push the needle
between Analis's upper ribs.
Okay, yeah.
How hard do I have to do this?
Push until you hear
the air trying to escape.
Okay.
Then detach the plunger
from the tip of the needle
to fully release the air.
You got it?
Come on, Analis, stay with me.
Okay.
[AIR HISSING]
Okay, I think I hear it.
I can hear it. It's working.
Analis.
- Analis.
- [GASPING]
Hey. Hey.
I'm here. Here.
- Hey.
- Maggie.
Yes.
I told you I was gonna find you.
♪
Hey.
She hasn't woken up yet.
You know, I think I'm gonna
stay here until she does.
Okay.
I'll head back, finish up the paperwork.
[SIGHS] Long day.
Long day.
Hi. Excuse me?
Sorry, I don't even know
if I'm on the right floor.
I'm looking for
Special Agent Maggie Bell.
Joel?
Agent Bell.
Yeah. Hi. What are you doing here?
Hey.
I was, um
well, I wanted an update on Analis.
I my job was done once you found her,
so I never got to know.
Yeah, um, she's gonna be okay.
Oh, that's great.
What about her sister? Is she here too?
[SOMBER MUSIC]
She's not.
She didn't make it.
I'm sorry to hear that.
I haven't even told Analis yet.
It's definitely
the hardest part of my job.
Yeah.
It sounds like you're in
for quite a night.
Yeah.
You know what makes
hospital coffee taste better?
Powdered sugar.
Definitely that.
And if someone else is paying.
♪
Come on. I'm buying.
Okay.
♪
[DRAMATIC MUSIC]
♪
[WOLF HOWLS]