Hudson and Rex (2019) s09e01 Episode Script

1
[UPBEAT MUSIC]
[SIREN WAILING]
[SARAH GASPS]
JESSE: Right? Yeah,
it's me, Jesse!
I thought you looked familiar.
Well, I'm trying to
man it up a little bit.
Just celebrated five months with Reya.
I want her to know I'm serious. Hence,
- the moustache.
- A moustache says serious to you?
It doesn't to you?
Well, it says something.
Okay, well, Reya
- Reya seems to like it.
- Good.
You deserve to be happy.
For the record,
so do you.
Thanks.
I think I'm getting there.
[INTRIGUING MUSIC]
- [DOOR LOCK BEEPS]
- Thank you.
- Morning.
- Good morning!
- [REX YELPS]
- And good morning to you too, Rex.
Hey, do you mind if I borrow Rex?
I've got a thing. It's a meeting.
MARK: Sure.
- You're in need of a sniffer?
DONOVAN: Not really.I just, um
I'm meeting with a new
CI. Potential.
- Really? Who?
- Kenny Meehan.
He's a, uh ex-con.
Uh, loves dogs.
So, Rex is going to charm him
- for me.
- Plan on carding him, I assume?
[DONOVAN LAUGHS]
You see this guy?
Huh? He grows a
little facial hair
and he thinks he can boss the boss, huh?
Well
I mean, I'm just, you know,
thinking about that lecture that
you gave me a couple weeks back.
DONOVAN: Right. The one that
I think I called a pep talk.
Well, how we need to be above board
ensuring compliance,
disclosure requirements.
Hey, don't worry, Moustachio!
We got this, okay?
- Rex! Let's go come on!
- JESSE: Okay.
[QUIRKY MUSIC]
[REX GRUNTS]
I think Rex just gave
my moustache a double-take.
[INTRIGUING MUSIC]
[SEAGULLS CRYING]
DONOVAN: Hey. This one's
between me and you for now, okay, boy?
- [REX WHINES]
- [DONOVAN CHUCKLES]
Yeah, I know.
I don't like keeping secrets either.
But you'll see.
You'll see.
[PHONE BUZZING]
[OMINOUS MUSIC]
Okay, bud.
Now, we wait.
SARAH: Hey, I just got a notice
from my security camera at home.
Hmm! Something suspicious?
- Well, here. I'm going to send it to you.
- Okay.
The sensor activated when I had
a package delivered yesterday
and I saw a random guy in
a hoodie across the road.
It was like he was watching
the house or something.
[COMPUTER BEEPS]
I didn't think much of it, but then,
the cameras just rang the
doorbell about an hour ago
- and he's there again.
- Let me check.
[KEYBOARD CLACKING]
[OMINOUS MUSIC]
- What?
- Yeah.
And it looks like he's
trying to hide the fact
that he's watching your place.
Could be watching for
patterns of when you're home.
Is your security system set up?
Oh, yeah. Nobody's
getting into the house
without me knowing about it.
[OMINOUS MUSIC]
[DRAMATIC MUSIC]
- GALVIN: Any sign of him?
- MARLOWE: Not yet.
But his contact is on site.
He brought a dog.
[DRAMATIC PERCUSSION]
[REX YELPS]
MARLOWE: Shall I
wait for our target?
GALVIN: No.
Kill his friend so he
knows we're serious.
And he'll give us what we want.
MARLOWE: You're the boss.
[REX GROWLS]
[DRAMATIC MUSIC]
- [REX BARKS]
- [GUN FIRES]
- [CAR HORN BLARING]
- [TIRES SCREECHING]
[DONOVAN GRUNTS]
[REX BARKS]
[REX BARKS]
[REX BARKS]
MARLOWE: I missed him. Now
his dog is coming for me.
GALVIN: Get out of there.
- [BOAT ENGINE STARTING]
- [REX BARKS]
DRIVER: Oh my God!
Are you all right?
I need an ambulance.
Quick!
[REX WHINES]
[UPBEAT THEME MUSIC]
DISPATCH: The trauma unit is
ready to receive the officer
who was hit by the car,
at West Lake Hospital.
[DRAMATIC MUSIC]
How is Joe?
- [SIREN WAILING]
- Alive, but unconscious.
I'll be heading into the
hospital with him now.
- What?
- Hey buddy, come here.
JESSE: Do we know what happened?
The driver just said that Joe came
flying out in front of his car.
I'll see what else I can
get out of the driver.
Okay, I'll check with Port Authority.
See if anybody had security footage.
I'll call from the hospital.
You okay? You're not hurt?
I was just driving along and he
just came flying out in front of my car.
I think that dog pushed him.
- This dog? Rex?
- [REX WHINES]
Yeah! He jumped
on him, pushed him
and then ran off.
Rex is a highly-trained
police K9 and my partner.
- Still not human.
- [REX GRUNTS]
Listen, our colleague
was meeting someone.
You didn't see any cars, or
- anyone on foot?
- Tumbleweeds.
Cameras on your car?
I'm lucky that clunker got brakes.
Okay, you mind giving your
statement to the officer, please?
Thank you, Mr. Gale.
JESSE: Hey.
I got a list of all the
boat owners in this area.
I'll go and check for cameras.
Yeah, I'll see if I can track
down that confidential informant,
Kenny Meehan.
[OMINOUS MUSIC]
[REX WHINES]
What is it, Rex?
[REX WHINES]
- Come on.
- [REX GROANS]
[DRAMATIC MUSIC]
[SIRENS WAILING]
[SOFT MUSIC]
[REX WHINES]
MARK: How is he doing?
Ah, well he has an acute
subdural hematoma,
multiple rib fractures and a
grade-four splenic laceration.
They're prepping the OR now.
I talked to that CI Kenny.
Joe wasn't meeting with him.
[MYSTERIOUS MUSIC]
Yeah. He's been hiding something.
We can look at his phone. See
if he was texting with someone.
You know the code?
I don't but it's fingerprint-activated.
- [SARAH SIGHS]
- I think we should do it.
Okay.
[REX GRUNTS]
- PA: 8310355486.
- [PHONE BUZZES]
All right. I'm doing
this for you, Joe.
Let's see.
Joe says,"Rex is with me".
- Joe texted that to who?
- I don't know.
Also, "there's an
arrest warrant out on me?"
He was meeting with someone
with an arrest warrant on them?
Joe is lying to us about
meeting with criminals?
What's that about?
[MYSTERIOUS MUSIC]
I'm sure Joe has an explanation.
I'll get Jesse looking
into outstanding warrants
to see if that can
help us narrow things
- Okay.
- down. Where's Rex?
- Oh!
- [DRAMATIC MUSIC]
[INDISTINCT PA]
[REX YELPS]
Did you see a large
dog come through here?
No? Okay.
- [DRAMATIC MUSIC]
- Oh!
WOMAN: Hey!
[SOFT MUSIC]
[REX SNIFFS]
[REX BARKS]
[REX WHINES]
Hey, partner.
[REX MOANS] [REX BARKS]
Come on!
Come here!
- Would you reach out for me ♪
- Good boy!
- [REX WHINES]
- I missed you, pal.
Would you try
or leave me be ♪
Yeah, I missed you too.
- I know!
- Could I reach out to you ♪
- After all you put me through ♪
- Good boy.
- MARK: Rex?
- SARAH: Rex?
Where is he?
No.
Hey. Soon, okay?
I promise.
Good boy.
MARK: Rex?
Oh!
There you are!
Hey, you doing all right, partner?
Yeah!
[SUSPENSEFUL MUSIC]
SARAH: Joe's accident
must have him frazzled.
- [REX WHINES]
- Hmm.
Rex?
Hey!
What's going on, buddy?
- MARK: Everything okay?
- [CHARLIE SIGHS]
Hey!
[DOOR OPENING]
[DOOR CLOSING]
[DRAMATIC MUSIC]
JESSE: Okay, no luck
on the street cameras.
So I reached out to all the boat owners
who had an angle on the accident
to see if anybody had
any security cameras.
The first one just came in
but I'm afraid it doesn't
look very good for us.
[REX WHINES]
Ah, this doesn't make any sense.
Rex, he wouldn't do this on on purpose.
Well, there's no way but I'm
worried that the video
could imply otherwise
to anyone who doesn't know him.
JESSE: Yeah, what if we
find a different angle on Rex
leading up to that moment?
MARK: Think you can?
Okay, here's a map of the wharf.
- [COMPUTER TRILLING]
- Berth 17
would have the clearest view.
The Port Authority log said there was
a boat called Carla's Hope here.
[REX WHINES]
It's actually a
privately-owned docking berth.
Let's hope the owners
have security cameras.
JESSE: Yeah.
The Port Authority says
that particular boat
was docked during the
time of the accident
but left shortly after.
- Hmm.
- Our new chief is looking for updates.
- I've got to give her something.
- [DOOR LOCK BEEPS]
MARK: Yeah, we don't
want Rex to wear this.
Maybe we give it a beat
before we loop her in?
I think we should be transparent.
I know her, she's reasonable.
SULLIVAN: Not just
another pretty face?
Oh, Chief Sullivan, Hi.
Who wants to fill me in?
Uhh
We know that Rex knocked Donovan down.
Uh, we just don't know why.
Has he done anything like this before?
- [REX WHINES]
- SARAH: No. Never.
- We're missing a piece.
- Well, clearly.
But it's not like he's going to tell us.
- No offence.
- [REX GROANS]
JESSE: You know, um, the boat
Carla's Hope would have a clearer view
but we're just waiting for the
owner to get back from fishing.
I'm going to head back down to the
wharf to see if I can catch him.
SULLIVAN: Whoa, whoa,
whoa! Where's he going now?
If Rex was a two-legged officer,
I'd be asking for his gun and his badge
- until we could clear him.
- [REX GROANS]
SARAH: Rex's ability to track
could be more important than ever.
Well, fair enough. He can
sniff on a leash, can't he?
[REX GROANS]
Uhh
I'm not trying to shag up
your dynamic here people
but we can't have our asset
getting into any more trouble
- before he's cleared.
- Understood.
[SULLIVAN SIGHS]
Keep me posted.
- Right?
- Yes, ma'am.
Will do.
- Let's watch that video again.
- Okay.
MARK: So, it says
here Carla's Hope /i
docked 7:15 to 8:15 this morning.
MAURICE: If that's what the
log says then he was docked.
The problem is, I
called the skipper's wife
and she said that they'd
been out on the Grand Banks
for the past few days and not
due back here until tomorrow.
[FOGHORN BLOWS]
This is your signature?
[MAURICE SIGHS] They're
going to ream me out for this.
Look, some guy paid me
a hundred bucks to lie.
- Who?
- Some tanned fella.
Maybe 40? Said he
parked here by accident.
And then he had to run into the shop
to pick up some supplies
before heading back out.
I'm going to need every detail.
- [DRAMATIC MUSIC]
- She's a white boat, I'd say,
maybe 30-40 foot.
Something like that.
[MYSTERIOUS MUSIC]
[DOOR LOCK BEEPS]
Uncle Charlie!
Hey. Hey, kiddo.
Did you meet your friend?
CHARLIE: No, I tried.
But things went
Mmm.
Hey, honey.
Why don't we go watch some TV?
Come on.
[CHILDREN'S TV SHOW]
We just got those phones.
There's no way he's tapped into them.
Well, somehow,
Galvin's men figured out
where I was meeting Joe.
And they tried to take him out.
Is he okay?
He's alive.
I went to the hospital to
see him but there was
There was too many people.
Sarah was there.
- I just couldn't do it.
- Oh my God.
Why would he try and hurt Joe?
They'll kill anyone in
their path to get to me.
I'm the only one who knows how to access
those accounts for the cartel.
And when you don't give
them what they want,
they will kill your friends one by one.
[CHILDREN'S TV SHOW]
We need to get into Sarah's house.
No.
After what happened to Joe,
I'm not getting Sarah involved
in this. It's too dangerous.
You have to break into her house.
We need to get that flash drive.
I can't get into Sarah's
house without her knowing it.
You got yourself out of prison.
You figured out how to get
the three of us out of Belize
and into this country. You
can get into that house.
I didn't The only
way I broke out of prison
and the only way I
smuggled us onto that boat
was because your mother was helping us.
I cannot involve Sarah.
- Okay, okay.
- Or anyone else.
We'll keep your friends
off of his radar.
[TV MUSIC]
Sarah moved houses.
Why would she still even have my stuff?
She wouldn't throw away a framed
picture of you and Jack. She has it.
We'll get that flash drive.
We make that deal with Interpol.
And then you get your life back.
[SIREN WAILING]
- SARAH: Wait. Rewind.
- Okay.
- [KEYBOARD CLACKING]
- Uh, there. Stop.
- Did you see that?
- See what?
- Zoom in on the cliff.
- Okay.
[COMPUTER TRILLING]
- Do you see it?
- I see it.
- Something hit the rock.
- Yeah.
[KEYBOARD CLACKING]
Rex pushed Joe out of
the way of a bullet.
- This clears Rex!
- Yeah.
It also means someone is out
there trying to kill cops.
- [PHONE RINGING]
- Oh.
- Hey.
- Hey.
I got a break in the case.
SARAH: So do we.
It looks like someone
might have shot at Joe.
- Rex was saving him.
- [REX WHINES]
[MARK SIGHS] Of course he was.
Now this is a case of attempted
murder on a police officer.
- What did you find?
- There was spalling on the rock
across from where Joe
was standing. It's fuzzy
but we're pretty sure.
MARK: Who would shoot at Joe?
SARAH: We've got to find out.
The bullet hit near graffiti.
I'll go check it out.
Come on, Rex.
[REX GROANS]
[REX GROANS]
[SUSPENSEFUL MUSIC]
[INDISTINCT CHATTER]
[REX SNIFFING]
[REX WHINES]
MAURICE: What's going on?
Poor thing's stuck.
[REX WHINING]
Tangled up there, fella?
[SUSPENSEFUL MUSIC]
Let me get you unstuck here, bud!
Ahh.
Hey?
Ahh. Oh no!
- [DRAMATIC MUSIC]
- Where'd you come from?
MAURICE: Hey, no, hey,
where are you going?
Ah, come on!
- MARK: Hey, Rex!
- MAURICE: Hey!
MARK: Rex!
MAURICE: Hey, come back! Hey!
[SHIP HORN BLARING]
[MYSTERIOUS MUSIC]
[REX SNIFFS]
[REX SNIFFS]
[BUS BRAKES]
[REX SNIFFS]
[DRAMATIC MUSIC]
JESSE: Sarah.
You haven't seen Rex, have you?
- He's with Mark.
- No, he pulled a fast one.
- Mark is still looking for him.
- We need to find him.
Oh, and before Chief
Sullivan hears about it.
Yeah, I'll tap into the neighborhood
communities on social media.
If a stray dog walks past
a little old lady's window
somewhere in the city
somebody's posting about it.
Also, Mark did find the bullet.
- He sent it over to Ballistics.
- Great.
[DRAMATIC MUSIC]
[BUS BRAKES]
Yes.
Yes, I'm checking on Joseph Donovan.
MAN: Is he a family member?
Yeah, I'm, uh Yeah,
I'm a relative. Brother.
MAN: We can't disclose
patient information.
What, you can't even
tell me if he's alive?
MAN: Not over the phone, no.
- Yeah, fine. Yeah.
- MAN: I'm sorry.
Whatever.
- MARIA: Oh honey, please.
- [SCRATCHING AT THE DOOR]
[OMINOUS MUSIC]
[SCRATCHING]
[SOFT MUSIC]
[CHARLIE EXHALES]
Hey!
- [REX WHINES]
- Good to see you, pal.
Hey guys, come here.
Good boy.
Hey, Rex.
I want you to meet my nephew, Jaco.
And my sister-in-law,
Maria. This is Rex.
Is that your superpup?
CHARLIE: That's him.
[REX BARKS]
Hey, you find Rex?
Check this out on the old
West End community group.
Somebody posted a photo of Rex
walking up Patrick
Street 20 minutes ago.
That's great. You called Mark?
Yeah, yeah, he's on his way there now.
- Hey, did you get a result on that bullet?
- Yeah.
I'm sending it to you right now.
Came from a British military
precision rifle.
That's one expensive rifle.
Yeah, I'm not finding any investigations
linked to this type of gun.
Ooh. We didn't look into
international warrants.
They don't show up on
our regular database.
Wait a minute.
- [COMPUTER TRILLING]
- Someone just posted in the group.
A German shepherd on their hind legs,
outside a room at the Fresh Air Motel.
[COMPUTER TRILLING]
You can see a room number.
- [COMPUTER BEEPS]
- Okay, I'm texting Mark now.
[PHONE CHIMES]
Hey.
Joe is waking up.
[INDISTINCT PA]
SARAH: Hey.
Hey.
How are you doing?
Couple of broken ribs. Uh
Brain bleed.
No biggie.
- How's Rex?
- Ah, he's shaken up a bit.
Do you remember what happened?
I'm still trying to
put the pieces together.
- I think I heard a gunshot.
- Yep.
Rex pushed you out of the way.
He saved me.
What am I doing here?
You were hit by a car when
Rex pushed you out of the way.
Oh God.
Joe, we know that you
weren't meeting with that CI.
So, can you tell me what you
were doing out there with Rex?
- It's confidential, Sarah.
- It's an investigation.
The chief is going to want answers.
Yeah, well, everyone
will know soon enough.
That's cryptic.
I'd love to tell you.
But I can't.
In all the years we've worked together,
I've never known you
to be this secretive.
I'm sorry.
And believe me. This is all
going to make sense soon enough.
Okay.
You call me
- if you need anything. All right?
- Yeah.
Thank you.
Okay.
[JOE SIGHS]
CHARLIE: He likes it
when you scratch behind his ears.
[DRAMATIC MUSIC]
[REX SNIFFING]
What have you got, pal?
Is something wrong with this?
Huh.
Where did he get this toy?
My mother gave it to him.
Before we left Belize.
[STITCHES RIPPING]
Somebody got to it.
Is that a tracker?
No.
It's a passive recorder.
Which means that somebody has been
listening to us this whole time.
- My mother would never do that.
- CHARLIE: Okay.
I know we've been careful
about what we've been saying
but we've got to get out of here.
We need to get to another hotel.
[REX GROWLS] [REX BARKS]
[REX GROWLS]
[REX BARKS]
[REX WHINES]
- What?
- [KNOCKING ON DOOR]
MARK: I'm with the St. John's
Police Department. Open the door.
Open the door.
[REX BARKS]
Yeah, I'm not the person
who tried to hurt Joe.
There's a kid in here, so,
please put the gun down.
[REX BARKS]
Gun's holstered.
Open the door and put your
hands where I can see them.
It's Detective Mark Hudson.
Hi.
I'm Charlie Hudson.
Charlie.
CHARLIE: Look,
there's no time to explain
but this is Maria. This is Jaco.
We've got to get out of here.
[SUSPENSEFUL MUSIC]
MARK: You should all
be safe out here.
You ever hear of Gabe Galvin?
Yeah, heads up one of
the cartels down there.
Maria was an accountant for Galvin.
Jack and Maria, they
used to date years ago.
Then they reconnected once
Jack found out that
Maria had had his son,
my nephew Jaco.
Maria confessed that she
was in deep with the cartel.
She wanted out.
Jack got Maria and Jaco into hiding.
I was looking for Jack. I
found Maria and Jaco, but
They caught up with Jack before I uh
could find him.
And thanks to a couple of
cops on Galvin's payroll,
they switched my identity with Jack's.
Pinned his death on me.
Now there's an international warrant
out on Jack who is actually me.
[MARK SIGHS]
That is a living nightmare.
But you're here. You made it.
How's she doing?
Sarah.
It's been a rough year.
I mean, it's Sarah. She's, uh
She's strong. She's holding
herself together, but
It's been hard for her to accept.
[SOFT MUSIC]
Uh and this guy?
He been good?
I don't need to tell you how
extraordinary this dog is.
Yeah, I can't wait to
get back and see
everybody. Get my life back.
Somehow.
But I've got to deal
with this situation first.
What do you need?
To get into Sarah's house
- without her knowing.
- [REX GRUNTS]
Maria said Jack sent me
everything that they had
before he died as a backup,
in a framed photograph
of us when we were kids.
A flash drive with encrypted
codes to offshore accounts,
other evidence linking Galvin
to racketeering charges.
I mean, shouldn't we just
call Sarah?
- I'm sure she kept the photo.
- I called Joe. Look what happened.
Yeah, he'll try to kill her too.
Galvin's everywhere.
We've got to keep Sarah off his radar.
I don't know how long
it's going to take him
to track us down again
but I need to get
into Sarah's house now.
And I'm doing it alone.
[REX BARKS]
I agree with Rex.
We need to bring the cartel down.
And you need help.
[DRAMATIC PERCUSSION]
[SUSPENSEFUL MUSIC]
JESSE: Well, if he says
he can't talk about it,
maybe we just wait until
he can. I don't know.
Someone tried to kill him.
No. Pull up the
international warrants list
and see if there are any with
a connect to Newfoundland.
- Okay.
- [PHONE RINGS]
Mark, hey. Did you find Rex?
MARK: Yeah. Uh yeah, I did.
And what was he was looking for?
I don't know! Uh,
whatever it was, he uh
He didn't find it.
I'm going to head back to
the station soon, but I
I've got Rex here in the
car with me. And um
he seems out of sorts because of Joe.
I'd like to drop him at your place.
- [SUSPENSEFUL MUSIC]
- Uh okay, I can be there in 15.
Or you could give me the code.
Uh, oh sure, sure. Okay, 35359.
Great. I will drop him off and
see you at the office shortly.
Okay, thanks, Mark.
I'll have to obscure the
camera. She'll be watching.
Sarah.
What?
Jack Hudson?
- Is Jack here?
- I don't know!
[PHONE CHIMES]
[MARK SIGHS]
- CHARLIE: Track me. Find my stuff.
- [REX SNIFFS]
- You got me, pal?
- [REX WHINES]
Go find it.
[SUSPENSEFUL MUSIC]
All right, let's go.
[REX BARKS]
[RUSTLING NOISE]
[SUSPENSEFUL MUSIC]
- [REX YELPS]
- You got something?
Good job, partner.
[DOOR OPENING AND CLOSING]
[SARAH GASPS]
[CHARLIE GASPS]
[REX GRUNTS]
Sarah.
What is happening?
- Charlie!
- [THRILLING MUSIC]
Sarah. Hi.
[SARAH CRIES]
I don't understand.
I know.
I thought you were dead.
I didn't think I'd ever see you again.
It's okay.
How is this possible?
Charlie, what the hell ?
I saw an arrest warrant for Jack!
I know. I can explain later.
No! No no no.
[REX WHINES]
Charlie, it's been a year!
I know.
I know it's confusing, but I
I don't have time to explain.
- You have to trust me.
- Charlie.
I don't care what's going on.
I need you to explain.
I need you to explain it to me now.
- So who knew?
- Mark found out about an hour ago.
- Rex, you?
- [REX GRUNTS]
[REX GROANS]
Joe too, obviously.
It wasn't that I didn't
want to reach out.
Look, I have a hitman
trying to track me down,
so he can get his hands on this.
I didn't want to involve you.
Since when did I
become a wilting flower?
I'm just as trained to
deal with any of this.
[REX GRUNTS]
You're right.
I'm sorry.
What's the plan?
I need to see what Jack left me on this.
- [COMPUTER PINGS]
- Ah, it's all encrypted.
I shouldn't even try opening it.
I'm going to call Maria,
tell her we're bringing it to her now.
[PHONE DIALING]
[PHONE RINGING]
- MARLOWE: Mr. Hudson.
- [OMINOUS MUSIC]
- Who is this?
- MARLOWE: An employee of Mr. Galvin.
You have something that belongs to him.
Where are Maria and Jaco?
MARLOWE: Mr. Galvin
needs his money.
So I'll give you an hour to meet me
- and hand over the codes.
- Where do you want to meet?
MARLOWE: You can suggest
somewhere secluded
with a clear vantage point.
Witless Bay power lines.
MARLOWE: Make sure you
come alone, of course.
I want to talk to Maria.
[PHONE BEEPS]
[DRAMATIC MUSIC]
CHARLIE: I need
to go alone, Mark.
But I'm with Rex.
MARK: I'll be nearby and ready.
Say the word.
[CROW CAWING]
[BIRD TWEETING]
[GUN COCKING]
[OMINOUS MUSIC]
[SUSPENSEFUL MUSIC]
Do you have what I'm looking for?
Yeah, it's all right here on the stick.
MARLOWE: Go get it. Get out!
Out, now.
You. You stay. You, go get it.
Ow!
Give it to her.
On the hood. Go.
Get to work.
Shouldn't take too long.
I heard she's very good with numbers.
[LAPTOP PINGS]
- Hurry up, Maria.
- MARIA: Okay, I'm trying.
MARLOWE: Go faster.
It's bleak here. Isn't it?
Chilly.
Big change from Belize,
although maybe you
appreciate the fresh air
after a year in that stuffy cell.
Yeah, we don't need to do the chitchat.
I'm happy to wait in silence.
You all right, kiddo?
[TUBE SNAPS]
[FLUID DRIPPING]
[LAPTOP TRILLING]
- Okay.
- [LAPTOP PINGS]
Okay. I'm in.
[COMPUTER TRILLING]
[LAPTOP TRILLING] [LAPTOP PINGS]
MARIA: That's it.
[LIQUID DRIPPING]
[LAPTOP PINGS]
Thank you for your service.
Put it in the back seat.
All right.
Now let him go.
Go ahead.
Go on.
[DRAMATIC MUSIC]
- JACO: Mom!
- MARIA: Jaco! Jaco!
- Let him go!
- No! No!!
No!
- Let him go!
- Mom!
MARLOWE: Get on the floor.
- [MARIA CRIES]
- Get on the floor!
If you follow me,
I will show you just how
much I dislike children.
[MARIA CRIES] MARIA: No!
No, no!!
Jaco!
No!
No.
JACO: Charlie!
[MARIA CRIES]
CHARLIE: The gunman
has taken Jaco.
They're headed west on
the Witless Bay Line.
[ENGINE ROARING]
[TENSE MUSIC]
[SUSPENSEFUL MUSIC]
There! There.
[ENGINE ROARING]
[CAR WARNING BEEP]
[SIRENS WAILING]
[REX GROWLS]
[REX SNARLING]
[SIRENS WAILING]
OFFICERS: Watch out!
Don't move, don't move!
Give me your hands!
Hands, hands let me see them!
[REX SNARLING]
- MARLOWE: Ughh!
- CHARLIE: Hands up!
Out!
You're under arrest!
MARIA: Jaco, I got
you! I got you!
You got him, Maria?
Cuff him.
Hey.
Jaco.
You're safe.
- It's over.
- It's not.
I cracked the accounts. I gave
Galvin access to everything.
Not before we made a copy.
They're checking the online
interaction now with Interpol.
Sarah took it down to the station.
They should be knocking
on Galvin's door as we speak.
[CHARLIE EXHALES]
Hey.
Good job, partner.
[UPLIFTING MUSIC]
[DISTANT SIREN WAILING]
CHARLIE: These officers
are from Interpol.
I've been assured that
you're going to be protected.
Jaco's going to be safe.
And you're going to be in a
city not that far from here.
I want you to come with us.
I'm sorry, pal.
My life's here.
But, when Galvin
and his crew are eliminated,
I'm going to come visit
you. Promise.
With the superpup?
CHARLIE: Yeah! Well, uh, maybe.
- Yes!
- [CHARLIE CHUCKLES]
Charlie. What am I
going to do without you?
Sometimes I wish that I
I just kept my mouth shut.
Jack would still be alive.
Hey, Jack would have done this
with or without you, all right?
And we did it.
He didn't die in vain.
[SOFT MUSIC]
Hope so.
Just take care of the kid.
[MARIA SIGHS]
[CHARLIE CLEARS THROAT]
Hmm!
I've heard much about you,
Charlie Hudson. You've been missed.
- Well, I'm excited to be back.
- We'll see.
You have to go through
the recertification process
to get your badge back.
There's a lot of hoops
to jump through still.
You were a dead man as
of yesterday, Hudson.
JESSE: Charlie! Charlie!
- Hey, Jesse.
- I thought We thought
Oh!
What?!
I have no words! I have no words!!
Lots to talk about.
- Yeah!
- That
I have a moustache now.
I like it. Looks good!
[THEY CHUCKLE]
You should go see Joe.
Come on, pal.
[DISTANT SIREN]
MARK: There he is.
- Oh, my hero!
- CHARLIE: Ah, look at you.
Lying down on the job as usual.
Well aren't you a sight for sore eyes.
Sore bones and
sore head.
Sorry I got you into this.
I didn't want to get any
of you involved in this.
[SARAH SIGHS]
I know, this is complex.
Ooh.
Yeah, it is.
Um
I'm
so glad you're alive, but um
Sorry.
I think I just need to get some sleep.
Yeah.
Why don't we just, uh
- call it a day?
- Yup.
Okay. Come on, Rex, let's go.
[REX WHINES]
Or
You want to stay with Charlie?
[REX BARKS]
SARAH: Hey. You want
to come with me?
[SOFT MUSIC]
[CLOSING THEME MUSIC]