Criminal Minds s19e08 Episode Script

1
Previously on Criminal
Minds: Evolution
- (GASPS)
- Everything okay?
Henry got into San Diego.
(CHEERING)
With whom do we have
the pleasure of speaking?
LANCE (OVER PHONE): Call me God.
I recognize that voice.
It's Lance Kingston.
PRENTISS: But he can't be our guy.
LEWIS: He's his hostage.
He's been branded.
Until we have the confidence
that you're willing to work with us,
we have to limit your
access to the outside world.
How much more limited
can my access possibly be?
Your visitors are restricted
to the family members
you've already agreed to
talk to, and that's it.
JOSHUA RYAN: Mr. Voit.
(DOOR CLOSES)
My name is Joshua Ryan.
Deena Ryan was my cousin.
ROSSI: I don't see you
yelling for the warden
to let you call the BAU and
tell them you found your Fan.
You do think I'm pathetic.
Now, what did you want to show me?
(SIGHS)
I'll fucking kill you.
You're not gonna fucking kill me.
You're not even gonna have me arrested
'cause you know I wouldn't
have walked in here
if I didn't have a plan for this.
Now who's pathetic?
♪
(BIRDS CHIRPING)
(CLOCK TICKING)
ARTURO: Geez, I mean, with the add-ons,
it's like we're buying a car here.
SARITA: Arturo, please.
Stop.
Seriously, at this rate,
we're not gonna get out of
here for less than 12,000 bucks.
- (SARITA SIGHS)
- You got any cremation options?
No, we just can't.
That's what we're gonna do.
Yes, but I promised Papé
that I'd give him a proper burial.
ARTURO: He wouldn't want us to take out
- a second mortgage to do it.
- (CHUCKLES SOFTLY)
Please forgive my husband.
I completely understand.
And if I could, I would try
to offer you a better deal,
but, truthfully, all
of our costs have risen.
No, we do understand.
We do.
And Uncle Victor's funeral was just
- so lovely.
- Thank you.
Your mother, she did
such wonderful work.
How is she?
Uh, she's passed.
Six months ago.
Oh, I'm so sorry.
Thank you.
SARITA: Our condolences.
Sweetheart.
Can we just take a little more
time to think about all this?
Uh
May we call you later?
Of course. And while we
don't do cremation on site,
I can arrange everything.
And you might like to take a look
at some of these beautiful urns.
- Oh, cool. Thanks.
- Uh, no, we
we won't be needing that. (CHUCKLES)
Uh, we'll be in touch. (SNIFFLES)
(DOOR OPENS)
- (FOOTSTEPS)
- (SIGHING)
Good afternoon, Mrs. Enright.
The psoriasis on your neck clear up?
Good.
(SIGHS)
(PHONE BEEPS, LINE RINGS)
Good afternoon. This is Marvin.
Yes, from Bancroft Mortuary.
I just wanted to let you know
that Mrs. Enright is ready.
Yes.
8:00 a.m. on Thursday is perfect.
You have a wonderful rest of your day.
(PHONE BEEPS)
♪
NARRATOR (ON AUDIOBOOK):
Chapters of Grief, chapter four.
"Grieving Deliberately."
Too often, we try to rush our grief.
We simply want to push through it
so that we may move on
with our everyday lives.
But when it's someone
close to you who passes,
it leaves a wound.
Just like any other bodily injury,
it requires care and patience.
If you break your ankle one day,
you're not going to
wake up the next morning
and run a marathon.
So, as you process your grief,
you must remind yourself
that wounds take time to heal
and accept that you are human.
We eat.
We sleep.
We bleed.
We grieve.
All you can do is just
put one foot in front of the other,
and when you open
your eyes each morning,
accept every waking
minute for what it is:
An essential part of
your grieving journey.
(EXHALES)
(WEAK, SHALLOW BREATHING)
Stop.
- MARVIN: It's okay.
- Stop.
- MARVIN: Don't worry.
- (GRUNTS)
- You're doing great.
- (GRUNTS WEAKLY, WHIMPERS)
Shh.
NARRATOR (ON AUDIOBOOK):
Like a deep, running river
churning and flowing,
grief tends to resolve
itself on its own terms.
You can choose to fight it
(WHIRRING, BURBLING)
resist its chaotic nature,
or choose to embrace it.
And no matter how
powerless you may feel
(GASPING BREATHS)
always remember
that you are someone who
deserves love and respect.
And that you are the
only one who decides
whether or not you will have a good day.
♪
♪
Okay, like you mean it.
You guys, let me hear you.
- (ROARS WEAKLY)
- (MEOWS)
- GARCIA: What?
- (LAUGHTER)
You call that a roar? With passion.
- Again.
- I'm sorry.
This is a bit much.
I feel like the claws are enough.
- How dare both of you.
- (PHONE CHIMES)
Okay, now they're here.
Okay, everyone, get ready, get ready.
- Think feral, okay? Here we go.
- Shh, shh.
(DOOR OPENING)
- GARCIA: Congratulations!
- (OTHERS CHEERING)
- (ROARING)
- Congratulations!
Wow. Thanks.
Okay, your mom told you, right?
I swear I did not.
Your cars are around the corner.
ROSSI: Oh, they were.
Okay, can we work on our
not-at-work stealthiness?
No, no, it's cool.
I like it. Thanks, Auntie P.
- (GROUP MURMURING)
- So sweet.
- Meow.
- (LAUGHTER)
- This is impressive.
- (LAUGHS)
Ooh.
Oh, so Spence told me
that he's happy for Henry
but that he can still
make that call to Caltech,
you know, if he changes his mind.
You have a lot to be proud of.
You know who we're really
here to celebrate, right?
You and Will.
It's-it's been a long road.
Heard you're getting roped
into another Voit sit-down.
Oh, yeah. Should be interesting.
- What does he want?
- No idea.
The guy's gone silent since
we put him in the penalty box.
(CHUCKLING): Yeah, he-he
threw a bit of a tantrum
when we limited his visitation,
but this could be an olive branch.
Hey, chuckleheads. What
did we say? No shop talk.
- Oh.
- Yeah.
- All right.
- Busted.
Okay, my pretties,
before work consumes us,
let's take a family photo.
Now, this happens in groups of three.
So, let the first one be
just our fabulous selves.
(CAMERA BEEPING)
- (CAMERA SNAPS)
- Okay.
Now a silly one. No, no, no. Bobcat.
- Okay, uh, one, two
- (CAMERA BEEPING)
- (PHONES BUZZING, CHIMING)
- Oh.
(CAMERA CONTINUES BEEPING)
Three.
(CAMERA SNAPS)
Early this morning, a
teen wilderness troop
was happily traversing
the hills and hollers
of Darrington Nature Reserve in
Gardener County, West Virginia,
when they tragically came upon the body
of 65-year-old Sharon Fussel.
She joins Janis Kline
as the second woman
in under two weeks to
be found in that area.
Both victims had their eyes glued open
and their bodies
completely drained of blood,
phlebotomist-style.
Those women don't look dead.
Yeah, more like someone
just shook them awake.
Do we have a time of death on either?
No. And the local coroner
is just as perplexed
about the state of
these bodies as we are.
Locals should run a tox screening
for methanol and ethanol.
Embalming fluid?
Yeah, it helps preserve the bodies.
Maybe he's leaving them in a state
where he can come back and enjoy.
The victims are around
the same height, weight.
Unsub has a physical type.
But the victims are ten years apart.
There's no sign of assault.
And he glued the eyes open postmortem.
What are you thinking?
Unsubs will often force their victims
to watch what they're doing.
This guy does it after he kills them.
Well, he must feel more comfortable
"interacting" with his
victims once they're dead.
Gardener County has turned
the investigation over
to the West Virginia Staties.
JJ, Tyler, let's interview
friends and family.
Dave, Luke, review the autopsy reports.
Disturbing this unsub's dumping ground
isn't gonna slow him down.
♪
(DISTANT, INDISTINCT P.A. ANNOUNCEMENT)
LEWIS (SIGHS): Elias.
We got your message.
Let me get this straight
you want us to break
WITSEC protocol to
check in on your family.
(STAMMERING): I get it.
It's frowned upon when
government agencies
shit in each other's litter boxes,
- but given the circumstances
- LEWIS: Elias.
You'd be doing them you're
essentially cleaning up
Elias, one of our own went
into WITSEC, all right?
It's safe.
Yeah.
One of your own. This is different.
When the world learned my
name, it put them at risk.
You're right, and the
Marshals probably had to move
heaven and earth to
get them new identities.
But, unfortunately, those
were the cards they were dealt.
Cards they were dealt by you.
Now, where is this coming from?
Do you have some reason to believe
that the Fan is gonna
target your family?
I just want to know they're safe.
(SIGHS)
(SIGHS) We'll see what we can do.
♪
Yes, Mrs. Beltran.
El Paso Oak is the solid
oak with wheat corners.
Yes, I agree.
And that wouldn't cost you much more.
(SIGHS) Well, let's see.
Would you and your
husband be able to come by
Friday morning?
Perfect.
Now, you have a wonderful
rest of your day.
(BEEPING)
NARRATOR (ON AUDIOBOOK): Chapter five.
"Weathering the Storm."
Losing a loved one can
make us feel powerless.
Like we have no control.
Now, picture yourself
alone on a sailboat
that's crossing the ocean.
Dark storm clouds surround you.
Gale-force winds bearing down.
Waves crashing over the sides,
tossing the boat left and right.
Do you shut your eyes and
hope for the winds to change?
For the storm to pass?
Or do you take charge
and adjust the sails?
(BEEPS)
- WOMAN: Help me!
- (BANGING)
Anyone!
Help me!
Please, please, please help me!
Please let me out!
Please. Please.
- (DOOR OPENS)
- No.
No more. No. (EXHALES)
No more, okay?
No more. No.
What the fuck is (WHIMPERS)
(CRYING): No. What
the fuck are you doing?
What the fuck is wrong with you?
You need to eat.
(PAINED WHIMPERING)
(GURGLES, COUGHS)
(GROANS, SPITS)
You sick fuck!
(COUGHS, GAGS)
(SPITTING, GROANING)
(SIGHS)
That wasn't so bad.
(BREATHING HEAVILY)
You're only making this
harder on yourself, my dear.
(GRUNTS)
(SCREAMS)
(WHIMPERING, GURGLING)
JJ: We're so sorry
for your loss, Mr. Fussel.
TED: When they brought me in
to identify Sharon,
she still looked
so alive.
Like I just needed to shake her,
she'd get up and walk out.
Mr. Fussel, what do you remember
about the day that Sharon went missing?
It was the day after my birthday.
Two months ago.
We'd just moved into a
senior-living community,
which Sharon wasn't too thrilled about.
She'd gone out to the mailbox,
which was around the block there.
That was the last time I saw her.
You know, I didn't think that
we needed to spend the money
on one of those security
systems with cameras.
This isn't your fault.
Can you think of anyone who
would want to hurt your wife?
Not a soul.
Everybody adored her.
I'm trying not to think about
what he might have
done to her, you know?
It's all so sickening.
Why would he bother
to change her clothes?
The clothes they found her
in they weren't hers?
No.
When she left the house,
she was wearing, like,
her jogging outfit.
JJ: So, we confirmed
with Janis Kline's son
the clothes she was wearing
when she was found weren't hers, either.
Which means he's re-dressing
the victims postmortem.
Now, I'm no fashion expert,
but there don't seem to be
any striking similarities
between the clothes on Sharon and Janis.
Yeah, now that you mention it,
the style of the clothes are distinct
from different decades, maybe.
I see your point.
You'd expect an unsub to use a surrogate
to re-create a specific
fantasy over and over.
He's definitely preserving them
to be modeled for something.
M.E. ran additional tox screens,
and both victims, along
with embalming fluid,
had near-lethal levels of
magnesium in their systems.
I thought the cause of
death was exsanguination.
It was.
That means this guy was
force-feeding them magnesium
- over several days.
- Why magnesium?
It enhances hydration,
uh, reduces inflammation.
Some people say it makes
your skin more radiant.
All the better for him to admire.
NARRATOR (ON AUDIOBOOK):
Grief introduces chaotic forces
that can disrupt our daily routines.
But those turbulent
forces can be channeled.
Rather than trying to ignore your grief,
try listening to it.
The pain you feel is the residual effect
of loving someone.
Just because they're no longer with you
doesn't mean they can't continue
to motivate and inspire you.
But, in order to properly
channel those emotions,
you should remember this timeless maxim:
We must accept what we cannot control.
"We must accept
what we cannot control."
♪
(FLASHBULB SNAPS)
PRENTISS: Voit wants us to
find his family in WITSEC.
What prompted this?
Well, we think that it might
have something to do with
this man.
He checked in as Joshua Ryan,
cousin of Alex, Deena's father.
- Mm-hmm.
- REBECCA: He visited three times
in three days.
Watch what happened on his last visit.
LEWIS: We think that's
a photo of Voit's family.
That's what got him spooked?
Look, Voit tried to get
a message to the Fan,
inviting him to come
visit him in prison.
What if he did just that?
He didn't sign the release
for the audio recording,
and he came in with ghost glasses.
LEWIS: They emitted an infrared light
that blew out the security cameras.
PRENTISS: Holy shit.
- This is him.
- LEWIS: Yeah.
Yeah, that's not all. Look at this.
See that keychain?
It's an anime character.
Extremely similar to the artwork
that we found in Victoria
Everman's apartment.
- A trophy from his first kill.
- LEWIS: I think so.
REBECCA: Do we really
think it's possible
the Fan could actually
be Alex Ryan's cousin?
I think it's far more likely
the Fan pulled one over on Alex,
but either way, we need to get
Alex in for questioning now.
We're on it.
♪
ROSSI: Does it matter if your Fan
knows exactly where they are or not?
Because, if there's
a will, there's a way.
It's what I've been saying
ever since they locked
you up in this place.
I noticed you didn't
mention to Dr. Lewis
that he showed up to
threaten your family.
I asked her to check on them.
Eh, if I didn't know
any better, I would say
- you're up to your old tricks.
- I'm not.
You know how I know?
Because you go quiet
and you start lying to everybody,
including yourself.
(QUIET CHATTER)
As anyone who has been forced
to read Ayn Rand will tell you,
awfulness comes in three parts.
Another body in Darrington Reserve?
Nope, but a stone's throw
away in Fielder County.
Our unsub's got a new dumping ground.
I'll get Dave and head over there now.
Yeah.
REBECCA: Thanks for coming in, Mr. Ryan.
I know what you're going to ask me.
Do you?
It's about my cousin, isn't it?
Yes, it is.
Look
I know that me and my
ex-wife are the only ones
that were given permission
to speak to Voit
but I swear I-I couldn't do it.
And when Joshua reached
out, it was like
the universe stepping in to help me.
I hadn't seen Joshua in 20
I don't know, maybe 30 years.
And in all that time,
he got himself a
a PhD in criminology.
Really?
And so, I'm assuming that Joshua
offered to speak to Voit on your behalf?
He said he wanted to write
books on serial killers.
So it seemed like a good plan.
After your cousin's visits,
did he reach out to you again?
No, not yet. Why?
Mr. Ryan, we don't
believe that the person
that you interacted with was
actually your cousin Joshua.
What?
He knew everything about my family.
I'm sure that he did.
Do you have any contact
information for this man?
Uh, we
we only wrote emails back and forth.
The last one bounced
bounced back for some reason.
(SUCKS TEETH)
Who would do this?
(LEWIS TAKES DEEP BREATH)
(SIREN WAILING)
They get an I.D. on the victim?
State Police identified
her as Chloe Watts.
She was reported
missing three weeks ago.
Same as the two other
victims over in Gardener.
Eyes glued open.
TOOMEY: I can't be certain
of cause or time of death,
but the staging is clearly the same.
How old was she?
Forty-three.
Well, finally, a
distinct pattern emerges.
Each victim is getting
younger by a decade.
You know, and the clothing style
seems to get more
dated with each victim.
It's as if he's honoring someone,
like a wife or a family member who died.
And if that's the case,
these clothes might very well be hers.
They haven't been soaked in bleach.
That woman's DNA might still be on them.
Yeah, that's what I'm betting on.
Dr. Toomey, we're gonna need to run
a fiber analysis on her clothes.
Absolutely.
("O MIO BABBINO CARO" FROM
PUCCINI'S GIANNI SCHICCHI PLAYS)
(ARIA CONTINUES WITH
OPERATIC SINGING IN ITALIAN)
(ARIA CONTINUES PLAYING IN OTHER ROOM)
(GRUNTING)
(STRAINING)
(GRUNTS)
(PANTING): Oh, fuck
(PANTING)
(GRUNTS)
(PANTING)
(LIGHTER FLICKS)
(GRUNTS QUIETLY)
(MUFFLED GRUNTING)
(MUFFLED SCREAMING)
(ARIA CONTINUES)
(INHALES DEEPLY)
(EXHALES)
(MUFFLED GROANING)
(MUFFLED SCREAMING)
I have so much to tell you.
(ARIA CONTINUES)
(MUFFLED SCREAMING)
(PAINED YELLING)
(WHIMPERING)
♪
(DRIBBLES BALL)
(BALL DROPS THROUGH NET)
(BALL BOUNCING)
♪
(CLEARS THROAT QUIETLY)
(SIGHS)
- HOLLY: Dad, stop talking.
- (TIRES SQUEAL)
(SIGHS): Okay.
I can't drive and
listen at the same time.
No, hey, hey, you are doing great.
What's the point of this?
Driverless cars are like two years away.
Oh, my God, do you know
what driving represents?
Our addiction to fossil fuels?
Driving represents freedom.
- (SCOFFS)
- Hey.
A couple years, your
world is going to open up,
and there's gonna be no more
homework, no more curfew
No angsty parents
peeking over my shoulder.
No angsty parents.
Life is gonna give you room to run,
and I'm not gonna be
here to ride shotgun,
so I need to know that you are
ready to take the wheel, okay?
Got it.
One little problem.
- Hmm?
- I don't have my permit.
What do we tell Mom?
It'll be our secret.
What she doesn't know can't hurt her.
Right. Okay.
- (SIGHS): Okay.
- Hands at ten and two.
And just try to lay off the
brake this time, all right?
(SIGHS) Yeah, Dad. I got it.
(SIGHS)
- (BUZZING)
- (DOOR CLANKS OPEN)
(INDISTINCT SHOUTING IN DISTANCE)
Elias.
Elias, we know the Fan visited you
and threatened your family.
He had a picture of them.
It could've been a
part of a court record.
He could've lifted it
off a police server.
REBECCA: Director of the
U.S. Marshals assured me
that whatever threat
the Fan made was a bluff.
Your family's new identities
have never been compromised.
Nevertheless, the
Marshals are increasing
the protective detail on
your family as we speak.
They are safe.
LEWIS: And you can help us.
All right? Because you
just sat down with this man.
Tell us what you talked about.
♪
I need to see them first.
We swear we would if we could,
but cooperating with the BAU
also helps ensure their safety.
Yeah, or it just plays into his hands.
All right.
I know you're scared.
Because even though you pride yourself
on being able to profile
serial killer behavior,
you have been wrong about
the Fan from the very start.
You underestimated the
pace of his evolution.
You misinterpreted his motivations.
This guy is creeping
around in your blind spot.
He knows it, and that's
why he can provoke you.
REBECCA: That could be
part of his game, too,
like a shell game.
Right? While we're focusing on you
and your family, he's free
- to pursue his real goal.
- Yeah.
And if you're right, then
everything he shared with me
is just gonna lead you
into a trap, isn't it?
♪
(VOIT SIGHS)
- (COMPUTER CHIMES)
- (GASPS)
Fresh from the West
Virginia Crime Lab oven,
we have confirmation that there was DNA
of an unidentified woman on the
clothes of all three victims.
No hit from CODIS just yet,
but they did send us a
clear genetic profile.
Basically, she's
Caucasian, medium build,
with dark hair and blue eyes.
Which matches our victims.
This woman would've been ripped
from our unsub's life in a terrible way.
Name that tragedy.
Accident, homicide, suicide.
And these women are some
sort of a tribute to her.
Okay, but why go to such great lengths
to preserve them only to discard them?
GREEN: I think I know why.
There were trace amounts of acetic acid
found on Chloe Watts's body.
Acetic acid is used in
the development process
of old-school black-and-white
film photography.
So he's keeping the
memory of this woman alive
by photographing these
victims in her image.
Penelope, can you start
culling through the names
of embalmers, undertakers and morticians
that reside in the tri-county area?
- Yeah.
- JJ: And focus your search on
those who've lost a close
female family member.
Spreading out my digital tentacles now.
- (COMPUTER CHIMES)
- Which, oops, I have to retract,
'cause we just got a
missing persons report
from Fielder County.
Grace Menard, 27.
That tracks with his victimology.
How long has she been gone?
Uh, her mom filed the report.
The last time they
talked was three days ago.
If the unsub took her,
she doesn't have much time.
- The Platinum Series.
- (PENCIL SCRATCHING ON PAPER)
Excellent choice.
Well, as my mother always said,
preparedness is next to godliness.
♪
(BREATHING HEAVILY)
Thank you.
I feel as if she's
still with me every day.
(BREATHING HEAVILY)
(YELLS)
(CHIMING, VIBRATING)
Of course. That's
That's very kind of you
to say, Mrs. Buchwalter.
You have a wonderful rest of your day.
(SIGHS)
(FOOTFALLS DESCENDING STAIRS)
♪
(GLASS CRUNCHING)
(SCREAMS)
(GROANS)
(SHUDDERING BREATHS)
(GASPING)
(DOORKNOB JIGGLING)
(GRUNTS) Son of a bitch.
(PANTING)
(SNIFFLES)
(SNIFFLES)
(WHIMPERS)
- (WHOOSHING, ELECTRICAL BUZZING)
- (GRUNTS, WHIMPERS)
(THUDS)
(BUZZING STOPS)
Okay, dreamboats, based on
the wonderful parameters
- (FOOTSTEPS APPROACHING)
- Hi. Come on in.
that you gave me,
I was able to uncover
the recent, untimely death
of a one Katrina Bancroft.
She died in a single-car
accident six months ago.
It says here she drove off a cliff
near the Darrington Reserve,
where the first two victims were found.
Suicide.
Yeah, that's what the
authorities deemed it as,
especially because her
car was filled to the brim
with personal items.
Body burned so badly
they needed dental
records to identify her.
ALVEZ: She was the owner and operator
of a funeral home in Fielder County.
Yes, and that was bequeathed
to her one and only son,
Marvin Bancroft, who
filed multiple claims
on his mom's insurance,
all which were denied,
demanding compensation
for the, quote-unquote,
"priceless portraits" of his mother
that were taken every
year on her birthday
for the better part of 68 years.
Do we have an address for Marvin?
Of course we do. I just
sent it to your phones.
Have the deputies meet us on site.
GARCIA: You got it.
(BIRDS CHIRPING)
(PLAYING "AVE MARIA")
("AVE MARIA" CONTINUES)
♪
♪
(SNIFFS)
What the fuck?
Hold still, please.
What is this?
- What are you doing?
- Shh.
Don't worry.
I promise you that
you are in good hands.
What the fuck are you doing?
(LIQUID POURING)
Hey, hey.
Hey, hey, hey, hey, that-that's
that's-that's your
mom in the other room?
Pardon?
In there, in
I'm right, aren't I?
And-and-and she-she she passed away?
Yeah?
I'm so sorry.
I'm so sorry for your loss.
What was her name?
- Katrina.
- Katrina.
Um, what did
It's a beautiful name.
What did she name you?
- Marvin.
- Marvin.
Yeah. Marvin. Marvin.
My mom named me Grace. (CHUCKLES)
(LAUGHING): Like the blessing.
(GRACE TAKES DEEP BREATH)
I'm sure your mom is really
really, really proud of you, Marvin.
Yeah.
- (CRYING): Thank you, Grace.
- (CHUCKLING): Yeah.
Mm-hmm.
(WHIMPERING): No, no, no, no.
No, no, no, no, no.
Hey. Hey.
Marvin.
You do not have to do
all of this, Marvin.
Okay?
(PANTING)
Okay? (WHIMPERS)
(GRUNTS) No.
(WHIMPERING)
(SOBBING)
(SOBBING): I'm begging you, Marvin.
- (SIREN WAILING)
- (TIRES SQUEALING)
♪
ROSSI: Tyler and I will cover the back.
You two take the front.
(LOCK CLICKS)
(CHIMES, VIBRATES)
No.
No, no, no, no!
(BURBLING)
FBI!
JJ: Marvin Bancroft!
Grace? Grace, you're gonna be okay.
You're all right, okay? Just breathe.
We need medical.
All right?
- Come on, get her out of here.
- (GRACE GRUNTING WEAKLY)
Put the gun down and turn around.
I can't leave her.
JJ: You're not leaving her.
She's always with you.
Yes, she is.
That's-that's right.
See, Marvin, I I'm a mom.
And I know moms never
want to see their kids get hurt.
So I'm gonna need you
to just put the gun down.
"We must accept what we can't control."
(EXHALES)
(KICKS GUN AWAY)
(SIREN WAILS QUIETLY)
♪
JJ: "There is an enduring tenderness
"in the love of a mother to a son
that transcends all other
affections of the heart."
Washington Irving.
GARCIA: Oh, look at
that gorgeous creature.
- (GASPS)
- (JJ SIGHS)
JJ: Okay, I promised myself
I would hold off on reminiscing, but
Oh, come on. Indulge, my sweet friend.
- Indulge.
- (DOOR OPENS)
(GASPS) Yes.
JJ: Henry.
GARCIA: Oh, yes.
The handsome plane has landed.
Where did you get the suit?
It was a wave of my
fairy godmother wand.
An early graduation present,
and Luke was nice enough to pick it up.
It's classy, right?
(SIGHS): Oh, God, you
you look
so grown-up. (CHUCKLES)
- HENRY: Mom.
- What?
You're doing the thing again.
(LAUGHING): Deal with
it, okay? Come here.
Um, I'm hungry.
Mm. Of course you are.
That makes two of us.
I told the rest of the team
to meet us at Verano, so
Well, it's too late now.
(ITALIAN ACCENT): Never
too late for Verano's.
(NORMAL ACCENT): Come on, I'm
They're gonna be there. I'm paying.
Well, then I'll take care
of the apps and the zerts.
- Great.
- Can I change, then?
ALVEZ: What, are you crazy?
No way, man. You got
to take it for a spin.
Come on. Let's go.
- (HUSHED): Yes!
- ALVEZ: All right?
- (DOOR OPENS)
- Gonna get my stuff.
It's exciting.
Oh, and with the back of it.
Oh, this is gonna be great.
PRENTISS: You know, I can't
help thinking there's a method
behind the Fan's madness,
because he is consistent.
Each time he makes us commit
to heading in one direction, he dekes.
So, let's go back over
the timeline again.
Absolutely.
Eight weeks ago, the Fan
kills Victoria Everman.
♪
(YELPS, GROANS)
- (GRUNTING)
- (WHIMPERING)
(SIGHS)
PRENTISS: Strangles her.
And takes a souvenir.
As far as we know, that's
an isolated act of violence.
But one week after that,
Voit goes on Brian Garrity's podcast.
VOIT: There's nothing
romantic about me.
It's sad how pathetic I am,
but you know who's even more pathetic?
Someone who makes a show about it.
- And anyone who listens to it.
- (BANGING)
Which opens an entirely
new can of worms.
The Fan is clearly innervated.
And he responds a week later
by sending a message to Voit.
A week after that, he sends Voit
the photos of Laura Boyd.
Two days after that,
he kidnaps Laura's ex,
Lance Kingston.
The Fan uses Lance
as a proxy to try to
communicate with Voit,
and then he punishes him by branding him
over and over again with the same word
Voit used to describe him:
- "Pathetic."
- LEWIS: Hmm.
Then silence for another week.
Until he risks everything by
talking to Voit face-to-face.
And threatened his family.
Where'd you get that?
Presumably to poke the bear,
but the question is: Why?
Do you think that he
knew we were out of town?
- I wouldn't put it past him.
- Hmm.
Now, I understand the
simmering psychopathy
that led inevitably to him
murdering Victoria Everman.
I understand his desire
to gain the attention
of one of the most notorious
serial killers of all time.
I understand what it means
to have his heart broken by his idol.
But what I don't get is Laura and Lance.
Why do these two play such a key role in
the Fan's psychodrama?
I mean, they have to be
connected to Voit somehow.
But they aren't.
Maybe to his family.
But not before they joined WITSEC.
Otherwise, there's no way
we wouldn't have made that connection.
Yeah, you're right.
And neither Laura nor Lance
see any connection, either.
No, they don't, and neither does Voit.
(SIGHS) Unless
(CLICKS TONGUE) Unless
Voit's lying to us.
I don't think he is lying.
I-I think he's wrong.
It's what you said
this guy has thrown Voit for a loop.
I mean, he is definitely
living rent-free
in Voit's head right now.
So, based on the murder
of Victoria Everman,
the Fan's profile suggests
Laura Boyd means something to him.
The U.S. Marshals stopped
monitoring Laura weeks ago.
Same with Lance.
As soon as he was
discharged from the hospital.
(SIGHS) Rebecca's got to make a call.
Okay, right now, I'd say
Laura Boyd is our priority.
And we need to take her
back into protective custody
until we've eliminated
the threat the Fan poses.
- Thank you.
- No problem.
- (VEHICLE APPROACHES)
- (HORN HONKS)
- COWORKER: See you, Laura.
- Night.
(PHONE RINGING)
- (CHUCKLES)
- (PHONE BEEPS)
Oh, wow. Five after 10:00.
Starting to get worried.
Yeah, they kept me late again.
They have me proofreading
this food allergy cookbook.
If I have to read one
more word about aquafaba,
I am going to hurl.
(CHUCKLES SOFTLY)
I know.
Living the dream.
In my foolish lover's game ♪
- (LOCK BEEPS)
- (KEYS DROP TO GROUND)
(LAUGHING): I know.
I know, but why should
I have to do something
that A.I. could do
in like three seconds?
You're right.
You're always right.
All righty, Mom.
I know.
Okay. Will do.
I love you, too.
Good night.
(PHONE BEEPS)
- Watching in slow motion ♪
- (TAKES DEEP BREATH)
- As you turn around and say ♪
- (GASPING)
(COUGHING, CHOKING)
Take my breath away. ♪