Beverly Hills, 90210 (1990) s10e11 Episode Script

[DOOR OPENS.]
Coming through.
Precious cargo.
[JANET CHUCKLES.]
JANET: Oh.
Welcome home, Maddy.
Yes.
This is your new house.
You know what? We're gonna need a gate on these steps.
And one for these steps too.
What's Daddy talking about, Maddy? You're not gonna be crawling for at least another eight months.
Not according to the books, you aren't.
Isn't she the cutest thing you've ever seen? No.
She runs a close second though.
[SlGHS.]
JANET: You know, this is the first moment since we've had her that is absolutely like I imagined it.
Us bringing her home, nobody but us.
Just you and me and this person who's totally depending on us to care for her, to feed.
Teach, protect.
- Pay for.
- Guide and nurture.
STEVE: And be completely responsible for, for the next 1 8 years.
[CHUCKLES.]
JANET: We can do this.
We can do this.
We are programmed to do this.
[CHUCKLES.]
[WAlLlNG.]
BOTH: Oh! You think she came with an owner's manual? God, I hope so.
Hey, what's up? You said it was important? Uh, yeah, Kelly and I are swamped here in the store.
You gotta help.
You're offering me a job? Offering? Um, no, actually I'm pleading, heh.
Besides I thought it would give us a chance to get closer.
I'd like that.
Right.
So you wanna bond with me? - We are family.
- Heh.
Whatever problems we've had in the past really shouldn't get in the way.
Well, you're right.
They shouldn't, but they have.
Look, I appreciate the offer, and I'm glad that your store is doing good, but I can't help you guys.
KELLY: Thanks.
- So how's sis? - I'm gonna tell her.
I am.
I'm just waiting for her to be a little more receptive to the idea.
Which she will be, one of these years.
So you're waiting for her sake.
How very Felice of you.
Telling Gina that she's my sister is a very difficult thing to do.
I know.
- Hi.
- Hey, thanks for coming.
You said you wanted to apologise.
I'm listening.
- Sorry.
- I'm still listening.
It was bad, what l, uh, did to you on Thanksgiving.
So torture me, okay? I should be tortured with a mediaeval instrument, with a, uh, pitted blade at the end of a long stick.
Okay? Well, heh, I don't know about you, but I feel a lot better.
Good.
Now maybe you can help me find something for my place.
Well, I only have a few minutes.
The store is incredibly crowded.
- That's the good news though, right? - Yeah, for Donna.
It's her business.
Yeah, but I'm sure you're a major part of the, uh, success.
Yeah, well, I mean, it's her calling.
Two years out of college, I think it's time I find mine.
DYLAN: Hmm.
- You got any ideas? - Hmm, none.
That's what terrifies me.
I mean, look at Matt.
He barely makes ends meet but at least he knows what he wants to do.
- Yeah, but he's a lawyer.
- He's something.
What are we? - You should buy this one.
- This one? Why? The way it's composed, its colours.
Something about it seems inspired.
Well, you'll find what you're looking for.
I will.
- I told Gina I wanted us to start over.
- You didn't tell her what it's about.
It's not gonna get better if you don't tell her.
Yeah, what if telling her makes things worse? I know I sound like my parents, but what if it's true? The way I look at it is, there are people who keep secrets.
You're not one of them.
When did you find out about Gina? Two weeks ago? - You can't even sleep at night.
- Ugh, no, I'm worried about the store.
- We've been busy.
- People can live with lies.
Even good people like your parents.
They sit with it, they rationalise it, and after a while it becomes a part of who you are.
- No.
I'm not like that.
- I know.
- I should go.
- Okay.
Mwah! - You okay? - Yeah.
Thanks, heh.
All right.
Oh, um, by the way, we were invited to some Harvard alumni party.
Did you hear about it? - No.
- No? Oh, one of my customers told me about it.
Sounds like a lot of fun.
Since you're alumni, we should go.
Yeah.
[DOORBELL RlNGS.]
I got you.
I got you.
BOTH: Hi.
- Hey.
- Come on in.
- Is the little one taking visitors? - She certainly is.
Oh, look at her.
I could just eat her.
Not till you wash your hands with antibacterial soap, you can't.
Come on, Steve, you gotta be kidding.
- Didn't you just have the flu? - I had the flu four months ago.
I think I'm over quarantine.
Come on.
STEVE: Uh-uh, uh-uh, uh-uh [GlNA LAUGHlNG.]
Hey, hi.
Dinner is served.
- For the next month.
- Hey, thanks, Nat.
Well, you got enough to worry about.
You don't need to cook.
Janet's in the kitchen.
She'll help you unpack, okay? Okay, cool.
Kid's cute.
Well, well, well, what do we have here? - Hi.
- Here you go.
Hmm.
- Hello, gorgeous.
- Uh - Where have you been all my life? - Uh, careful.
You look just like your mommy.
Steve, you're gonna love that thing.
It's something to carry Maddy.
You should open it, take her for a walk.
A walk? In December? Ha, ha, I don't think so.
Baby, please.
Thank you.
[CHUCKLES.]
- Am I missing something? - Heh, I'll tell you while you disinfect.
- Hi.
- Hey.
I'm going to get, um, knishes.
Is that how you say it? Can I give you a hand? No.
Um I'm thinking of leaving L.
A.
- To go where? - I don't know.
Things haven't really worked out for me here the way I wanted them to.
Mm-hm.
- Am I responsible for that? - No.
Not completely.
- Hi.
- Hi.
Oh, I'm I was going to get - Knishes.
- Knishes.
DYLAN & GlNA: Right.
And I was gonna go see the kid.
Kitchen is that way.
I'm gonna go.
- So, what was that all about? - It was about nothing, David.
I just I don't feel like being around the group anymore today.
Do you want me to come with you? Kind of.
You should probably stay here with your friends.
You know, Gina, everything's gonna work out for you.
Yeah, I know.
I'll just call you later.
Okay.
- Here's some clean towels.
KELLY: Oh, thank you.
You're welcome.
- Hey.
- Hey.
I stopped by the store today to see if you wanted to get some lunch.
Donna said you were at an art gallery? Oh, yeah.
I went with Dylan.
He was trying to make up for that Thanksgiving ordeal.
- Really? - Yeah.
- Oh, hold on.
STEVE: It's okay.
It's okay.
- Okay, Steve, check this out.
- What's that? I know Maddy's not leaving the house till she's a teenager, but you'll love this.
STEVE: We should wait till she calms down.
No, no, no.
Fork her over.
Trust me.
[CRYlNG.]
- Watch her head.
Watch her head.
- Oh, God.
Now right in here.
Right in here.
Right in here.
- All right.
- Help me with straps.
Okay, okay.
She's calming down already.
Look.
Come here.
It stopped her from crying.
MATT: Shh - What is that? STEVE: It's a little backpack-y thing.
JANET: Did you bring this? Looks like he's found his calling.
He's good with kids.
Yeah, Janet is very lucky.
I was talking about Matt.
[lNAUDlBLE DlALOGUE.]
[KNOCKlNG ON DOOR.]
- Yes.
- Hi, can I come in? If this is about what happened today at the store It's not but it's really important.
Important again? Why aren't you over at Steve and Janet's? I can't wait to see Madeleine but I wanted to talk to you first.
I just wanna tell you I'm sorry.
- For what? - For not being a better friend.
For not being more understanding.
Let me just get this straight.
Today you wanted me to hang out at the store so we could bond.
Now you're saying you're sorry you haven't been a better friend? Did I miss something? Is it "Be Kind to Your Poor Cousin" Day or something? Actually I'm not here because you're my cousin.
I'm here because you're my sister.
- Right.
- Your mom slept with my dad and she got pregnant with you.
What are you talking about? That's a lie.
- They agreed to never talk about it.
- My father is Frank Kincaid.
Until I came across your birth certificate when I was researching our family tree.
I didn't expect you to believe me.
- You should go.
- We should talk about this.
I don't wanna talk about this.
You should go.
I don't know what you're trying.
This doesn't change anything.
That's funny.
Because, personally, I think it changes everything.
[KNOCKlNG ON DOOR.]
- Hey.
- Good morning.
- Uh, close your eyes.
- What? Come on.
As pretty as they are, close them.
Great.
All right.
Follow me.
How do I know this is gonna end badly? No, no, no.
You are gonna love this.
- Okay.
- Now? Yeah.
- Oh, my God, the painting.
- You still like it? Yeah, look at it.
- Dylan, you're gonna love it.
- Every time I visit you.
- What are you talking about? - It's a gift.
- Oh, Dylan, I couldn't accept that.
- Oh, yes, you can.
In fact, Kel, you have to otherwise I have to sell it back to them.
I can't take it home.
It doesn't, uh, match the wallpaper.
First, you don't know what colour your walls are.
- Blue.
- Yellow.
Nice try.
Same thing.
Anyway, you said that, um You know, you said this was inspiring.
Who knows? Look at it for a while and you become inspired.
[CHUCKLES.]
So you still think that telling her was the right thing to do? - Yep, I do.
- Yeah, I do too.
And what you said about people keeping secrets is so true.
I mean, how could anyone possibly live with a lie? What do you think about this hot little number I picked out last night? Is it presentable enough for your Harvard pals? I think you would look great in it.
I just don't know why you wanna go so bad.
Are you kidding? Getting to see you be Mr.
Ivy League is a complete rush.
And you know what I think? I think that you're part of one of those secret societies.
You know, the ones that really control the world.
I need to talk to you about something really bad.
I just want you to know that I hate you.
- Gina, it's not Donna's fault.
- It's none of your business.
- I told Dad.
- Apparently, you told other people too.
I told him that you knew.
He wants to call you.
He has.
He's called me seven times.
And you can tell your dad that he can call me 1,700 times - and I still won't wanna talk to him.
- I understand you're angry.
I am.
You don't understand.
If you did, you never would've told me about this.
I thought you should know.
GlNA: You thought I should know what, Donna? You thought I'd wanna know that I'm not the poor cousin? You thought I'd be happy to find out that I'm the only thing that could possibly be worse, the poor sister.
- Figured I'd wanna know that? - I thought you should know the truth.
- That's all.
- Right.
You wanted to remind me just how miserable my life is.
And yours isn't.
That was real sisterly of you.
Thanks.
[KNOCKlNG ON DOOR.]
- Hi.
What are you doing here? - Hey.
Um, Donna said you were working the afternoon shift but, uh, I thought we could talk first.
Okay.
Sure.
- You wanna sit down? - Yeah.
- What's up? - I don't know how to break this to you but, um, I'm in love with someone else.
- You're joking, right? - I just met her.
And we made this incredible connection.
To be honest with you, the moment I held her in my arms, I just knew it was meant to be.
And that was after Madeleine peed all over my best jacket.
Okay, so Madeleine is the one you're in love with? Yeah, well, you know, I thought you ought to know.
Mm-hm, yeah, get out of here.
Go kiss your new girlfriend.
MATT: That's nice.
- You like it? Yeah.
In kind of an abstract, "could have been painted by a first-grader" sort of way.
Yeah.
- Where'd it come from? - Remember I told you Dylan and I went to that art gallery yesterday? But you didn't tell me you bought anything.
That's because I didn't.
Dylan did.
- Oh, so it's his? - Actually, no.
Um, we were looking at it and I told him how much I liked it and that I thought he should buy it for himself.
- But he decided to buy it for you.
- Yeah.
- Heh.
- Hmm.
I told him it was way too much, but he insisted.
It's beautiful, don't you think? When I came in here and I told you that I was in love with someone else, - that freaked you out a bit, didn't it? - Yeah.
Good.
Then I guess I don't have to explain to you how this makes me feel.
It's a gift from a friend.
Nothing more.
Kelly, you cannot accept that.
- It's a painting, Matt.
- No, it's not.
Not to me.
[SlGHS.]
[SlGHS.]
[GRUNTS.]
DONNA: Of course Gina hates me more than ever.
- How can I expect her not to? - Give her time, she'll come around.
I turn her life upside down, I destroy every sense of who she is, and then I'm like, "By the way, hope this can bring us closer.
' - I'm such an idiot.
- You did the right thing.
Once she understands you're a victim just like she is it'll make you closer.
Thanks.
You know, I couldn't get through this without you.
That's good, because you don't have to.
You know, I look at the way my parents handle things, how they cover up their mistakes with lies, and it just makes me so happy that I'm with someone like you.
A lot of people live with lies, Donna.
I know.
You don't.
You're honest and decent and Were you always like that, or did they drum that into you at Harvard? I wouldn't know.
Well, my guess is you were like that from the very start.
I mean, I wouldn't know about Harvard.
The truth is, I never went.
My dad went.
I was supposed to go if things turned out differently.
What things? Remember the accident I told you about? Yeah, of course, where your girlfriend died.
How could I forget that? After that happened, my father made a large contribution to a local sheriff.
He was then re-elected and, uh, no charges were filed against me.
What kind of charges? DUl, reckless endangerment.
Look, I'm not saying there shouldn't have been charges filed.
The point is there wasn't.
I didn't ask for my parents' help.
Once they got involved, I did what they said.
Which meant skipping school and moving to Hawaii.
When were you planning on telling me this? If I hadn't pushed about that Harvard party - would this never have come out? - I don't know.
That's it? That's all you have to say? Look, I told you people live with lies.
You didn't tell me that you were one of them.
[SlGHS.]
- Hey.
- Oh, hey, heh.
I've been looking for you.
Yeah, I was, uh, walking.
What's up? Well, I made us reservations at this little bed and breakfast on Catalina.
If we leave now we can catch the 4::00 ferry out of Long Beach.
I can't.
[SlGHS.]
Did you know that there are wild buffalo on Catalina? - Really? - Oh, yeah.
And from my experience, the only way to cure a bad mood is to get a little drunk, sit on the hill, and take in just how ugly those animals are.
I've had a really bad day.
- That's exactly why we should go.
- I mean, like a horrifically bad day.
Ah, it wasn't more with Donna, was it? Did you know that we're sisters? My mom and her dad That's a little more than buffalo, isn't it? Yeah, just a bit.
- Uh - You wanna talk or anything? Yeah.
I'm Just not right now.
I just think I need to be alone for a little bit.
- You sure? - Yeah.
I'll just call you later, okay? Bye.
[LlNE RlNGS.]
- Hello.
GlNA [OVER PHONE.]
: Hi, it's me.
Listen, something's happened and I don't really wanna be alone right now.
I'll be right down.
You wanna know the best part? The best part is that Donna figured that I would think that this is such great news.
Because, of course, I should be so grateful to be a Martin.
Well, it sounds to me like Donna was just a messenger here.
See, you know what it is? It's just I always figured being born poor [WHlMPERS.]
was just, I don't know, bad luck or something.
You know? And now I know, because of Donna, that that's not the case.
I was just rejected.
Oh, come on, hey, look, sit down.
No, I don't know what I'm supposed to think or say about this.
Have you called anybody? Well, I wanted to call my mom but she'll just get defensive and say all the wrong things.
What about David? David has too much history with Donna.
There's no way he could be impartial.
- I know I shouldn't have called you.
- That's okay.
I didn't have anybody else to call.
Come here.
Hey.
Have you got a minute? Sure.
[KELLY SlGHS.]
I've been thinking about what you said and I've decided to give Dylan back the painting.
I'm glad.
The reason that I'm giving it back is because it's important to you.
- As opposed to? - It being important to me.
Giving it back, that is.
Because that would mean the painting had some sort of significance, other than being a gift, which is doesn't.
Do you know how much that painting cost? - No, I don't.
- I do.
I called the gallery and they told me it cost $1 6,000.
Okay, so, heh, it was an expensive gift.
That doesn't mean it was a meaningful one.
Maybe not.
But it makes it more than I can afford to give you.
My affection cannot be bought, Matt.
Kelly, I wish I could buy you anything you want, but I can't.
I also wish that I was secure enough about your relationship with Dylan so that his spending money on you didn't bother me so much.
- But you know what? It does.
- Yes, I know.
You keep saying that.
I'm sorry.
I came here to tell you that I'm doing what you want.
I thought you would be happy but instead, you keep coming up with reasons to be mad at me.
Well, that's because the more you say that a $1 6,000 painting is just a gift the more I think you're protesting just a little too much.
Don't you see, it's not the painting that bugs me.
- It's what it represents.
- It represents nothing.
I want you to do me a favour.
I want you to take some time and I want you to think about that.
Search your soul.
Whatever answer you give me I promise not to question it.
But if you say you wanna be with me, then that's it.
There's no turning back.
- Sound fair? - Yeah.
Okay.
- Hey.
- Look, I've been thinking, all right.
- Listen-- - The last thing you need is to be alone.
You're right.
Let me tell you something-- This is hard for you and this is painful stuff, but if you just talk to somebody about what's going on I should probably go now.
- David, let me explain.
- Explain what? I told you to talk to someone about what's going on and you did.
You just didn't talk to me.
There's a good reason for that, David.
Yeah, I'm sure it's not one I wanna hear.
GlNA: Hey Hey, David.
Listen.
You think you could listen for a second? No.
I don't think I will.
- She didn't think you'd hear her out.
- Forget it.
Just stop.
- You've got a past history with Donna.
- It doesn't matter.
[DAVlD GRUNTS.]
[DYLAN GRUNTS.]
GlNA: Dylan! - Oh, my God, are you okay? - Yeah, never better.
GlNA: You sure? DYLAN: Yeah.
[GROANS.]
You should just go.
[ENGlNE REVS.]
Babies are not supposed to sleep on their stomach before six months old.
I know.
That's why she's sleeping on her back.
Yeah, but what if she turns over? When she's sleeping, I'm sleeping.
And when she's awake, I'm awake.
Look, she's sleeping.
Good night.
She's not moving.
That's because she's asleep.
[SlGHS.]
[MADDY WAlLlNG.]
Okay, that's it.
I'm sorry.
I was just worried.
Worry is one thing, Steve, but you're panicking.
I don't want anything to happen to her.
I know, but it will.
She may chip her tooth and she may get cut.
She may even get a cold.
But she will survive all of these things.
Except for you smothering her.
So don't.
Right? [SOFT JAZZ PLAYlNG OVER SPEAKERS.]
[CHUCKLES.]
[DOOR CHlMES JlNGLE.]
- Hi.
Sorry.
- Hmm.
Hey, do you remember my dad? No, not really.
He was a pilot.
He crashed into a mountain.
And that's how he died.
Yeah, I knew that.
I was just thinking about when I was 4 years old.
One day I told him that I wanted to be just like him when I grow up.
That I wanted to fly.
He took me in the back yard.
We had this swing back there and he pushed me on it so high that I felt like I was flying, heh.
You know, biology doesn't make someone your father, actions do.
You had a Dad and he loved you very much.
Nothing's ever gonna change that.
- Yeah, I wish that was true.
- It is true.
The only thing that's changed and what matters now is that we're sisters.
You know, I understand how you can feel that way.
I mean, nothing's really changed for you.
You know, your father just has another kid.
It's just that now mine doesn't exist.
[KNOCKlNG ON DOOR.]
- Ah! - Hi.
Just the person I wanted to see.
So, what do you think? It doesn't clash.
Yeah, I couldn't tell.
Why are you limping? Oh, just, uh, David, he, uh, got a little jealous, pushed me in front of an oncoming car.
- Seriously.
- Seriously, David got a lot jealous.
- Why? What did you do? - I didn't do anything.
David thinks you come between him and Gina, right? Well, he's wrong.
Matt thinks you come between me and him.
- Am I sensing a pattern here? - Yeah, you are.
And I'm getting a little sick of it, Dylan.
- Of what? - The hinting around.
The "it's just a gift from a friend" routine.
That's all that it was, Kel.
- Was it? - Yeah.
- Stop it, Dylan.
- Stop what? If you bought me that painting because you think there's something between us, something unfinished.
Something that's gonna keep us from being able to be with other people - then I say we finish it.
- We finish it? Commit to it, to each other.
Really commit, Dylan.
House, dog, 2.
2 kids.
- All or nothing? - All or nothing.
[SlGHS.]
So we're clear? Yeah.
Yeah, we're clear.
Good.
KELLY: I can't believe you didn't go to the party.
We didn't feel like going.
What, Harvard is not good enough for you? NOAH: My friends are back East.
It'd be a waste of time.
- Hey.
- Hi.
- What's going on? - Stuff.
Listen.
You take your time.
I'll cover the morning rush.
Thanks.
I missed you last night.
The couch was kind of rough.
I heard you and Kelly talking.
You lied to her.
Where I went to college is none of her business.
I understand that.
But I didn't cover up for my parents.
You told me not to.
And l shouldn't have to cover up for you.
I took you into my confidence and I trusted you.
- You're gonna broadcast it? - I'm not gonna broadcast it.
I'm not gonna lie for you.
Whatever stand you took with your parents, I supported it.
This is my life.
It's my secret.
I wanna keep it that way.
- Hey.
- Hi.
I thought you might wanna know that Dylan's okay.
- Good.
- I also wanted to tell you that I'm sorry for anything that I did that led up to that whole situation.
You know, and I'm really sorry, David, that I confided in him instead of you.
Just forget about it.
Forget it? Yeah, I mean, it's what you do, isn't it? I thought I could change that, but, uh, I guess I was wrong.
So where does that leave us? There's no "us.
' Gina.
You know, I feel like it's just me.
You know, I feel like it's me waiting for you when you're not with Dylan.
And it's me forgiving you for what you did to my father.
And that's not an "us.
' That's a "me.
' So where does that leave you? I could have killed my friend yesterday.
I feel I feel crazy.
You know, I feel like I need to take care of myself.
You're right.
I need to protect myself from you.
Steve? Steve? STEVE: Heh, wait till you taste ice cream.
Ice cream is really good.
I love ice cream.
Because it's cool and it feels nice in your mouth and what else? You're gonna like Doughnuts are good too.
Hey, look who it is.
It's Mommy.
- Hi.
- Hi.
Look how happy she is.
Oh, do you love this? Do you? Do you have the bravest Daddy in the world for taking you on a walk in December? Madeleine and l talked all about that.
About not being an overprotective father and allowing her to lead a full, if reckless life.
Your first heart-to-heart.
That is so cute.
Yeah, I really feel like a dad.
Like the voice of authority, commanding respect.
When I looked into her face to see if she understood, she smiled.
Well, usually at that age, it means that they're passing gas.
STEVE: Heh.
- Respectfully, I'm sure.
I got rid of all those surgical masks.
And how do you feel about that? Like I want to keep anything bad from happening to her.
I want her to be healthy and happy and never know one minute of sadness.
But I know that's not possible.
So instead, I say let's party.
Right, kiddo? Baby! [STEVE GRUNTlNG RHYTHMlCALLY.]
- Party? - Oh, yeah, baby.
Steve, we need to talk.
Steve.
- Hey.
- Hi.
Uh - I got a client.
- Okay, sure.
That search you asked me to go on.
I went.
I'm back.
It was a quick trip.
- Did you find what you're looking for? - Yeah.
I did.
He's standing right in front of me.
Hmm.
- Really? - Mm-hm.
KELLY: Hmm.
Um, you said you had a client? Hmm? Oh, no, heh.
No, there's nobody there.
I just - Said that in case your trip went badly.
- It didn't.
But l, uh, gotta-- I have to go to work, heh.
- Oh, okay.
- Okay.
- So we're good, right? - Yeah, yeah.
We, uh-- We are good.
Okay, thank God you're here.
I have to talk to you about Noah.
- What? - We didn't go to that Harvard party because Noah didn't go to Harvard.
Now after he tells me the truth, he tells me to keep it a secret.
Okay, ding, ding, ding! Red flag.
I know you love him, but you have to ask yourself what kind of guy are you dealing with.
I know.
I have been ever since he told me.
And I don't think he's the kind of guy I wanna be with.
[SlGHS.]
[KNOCKlNG ON DOOR.]
Hey.
[SlGHS.]
I heard you were okay and you look okay.
I'll live.
Can I come in? - What do you want? - Gina and I broke up.
- I'm very sorry to hear that.
- Yeah.
- I'm sure that just tears you up.
- Is that what this is about? You want me to apologise for something not my fault? - Because if it is, there's-- - Just forget it, all right? This isn't about Gina, is it? No.
You ever been depressed? It's like having these walls, you know.
They just keep closing in until you feel like you can't move.
What do you need? I need us to be friends again.
I'd like that.
Oh, heh.
Hi.
I'm sorry.
Oh, I'm sorry to bother you.
- Can I help you? - Um, no.
Oh, well, l - I used to live here.
- Oh, did you? Yeah, when I was a little girl.
I haven't been here since I was about 7 years old.
You know, I wasn't even sure if it would still be here.
Sorry.
Would you like to come in? Really? I'd love to if it's not too much trouble.
Not at all.
Come on.
[CHUCKLES.]
It's just so different.
It's better, ha, ha.
It's When I lived here, the paint was all cracked.
We had bars on the windows.
Well, we've only lived here three years and all that was gone before then.
[PHONE RlNGlNG.]
I'm gonna get that.
And when I'm done, I'll bring out some lemonade and then I wanna hear all about what you remember.
Thanks.
Here's your credit card and your receipt.
Thank you.
Ugh, tell me she is the last customer.
Quick, lock the door.
I don't care if lvana Trump comes in.
[CHUCKLES.]
- Hi.
- Hello.
Mwah! Hi, Donna.
Anyone need a ride home? Thanks, but we have, like, a half hour of closing.
All right.
I'll grab a coffee, catch up on some reading.
I'll be in the courtyard when you're done.
Okay? All right.
Okay, it's official.
You guys are too cute.
Heh, right.
Um, I will do the cash.
You're also so disgustingly sure.
- One, two - Right? You are sure about him? Of course, I'm sure.
I think.
[CHUCKLES.]
- Let's hear it.
- It's nothing really.
Last night I kind of, sort of, proposed to Dylan.
What? Proposed, like, "will you marry me" proposal? No, no one got down on one knee or anything but I did mention picket fences and a dog and our future together.
- What about Matt? - What about him? I'm still with him.
Donna, the reason I asked Dylan was because I knew he would say no.
Ew! That's kind of weird, don't you think? No, I think it makes perfect sense.
See, I let him know that it was all or nothing.
And naturally, he chose nothing.
And if he hadn't? That wasn't gonna happen.
Donna, I love Matt.
He's honest and kind and safe and secure.
- Well, what if Dylan had said yes? - But he didn't.
But if he had? I don't know what I would have done.
I don't know.