David Makes Man (2019) s01e02 Episode Script
Dai Out
1 [SOMBER MUSIC.]
[DAVID.]
Previously on David Makes Man.
[GENTLE MUSIC.]
Bagging, it means you made a choice.
Stick to the promise and I'll be your man [CLAPPING.]
I look around, and you runnin' these streets with dope boys! We need a lookout for tonight.
Might have to find somebody else.
[BOY YELLING.]
[SHINOBI.]
What the fuck, where our eyes at, man? - Nigga, move! - [SIREN BLARING.]
- Bruh, who's got our back, man? - [MAN.]
Who the fuck was on watch? You ain't here, they shot your ass! You dead, go! You dead! [GENTLE MUSIC.]
[KEYS CLANKING.]
Hi, Mama.
What are you doing? I gotta go by my granddaddy's house.
I know.
Dai! What? Mom.
- Why he gettin' ready so early? - He woke me up.
Man, don't nobody wanna go all the way to Overtown with JG.
He has a mean old granddaddy.
You only goin' for tonight, JG.
Your granddaddy will bring you back in the morning.
Can you stand still sir, please? Can you do this without complaining, please? You should be on punishment anyway for getting in trouble at school.
Oh, you got stole on, Dai.
I would've murked that nigga.
You would've what? You calm your little self down before you be murkin' that room all day.
Your brother wasn't trying to fight, unlike you sir, who don't seem to know how to be still.
Go get the change.
[GLORIA AND DAI.]
Stop running! - JG? - [DOOR SLAMMING.]
[JG.]
My legs aren't as long as yours.
If you put the phone down you could walk faster.
The bus stop that way.
Let's go this way.
- [GENTLE MUSIC.]
- [BIRDS CHIRPING.]
You scared to walk over there, huh, Dai? Don't worry, Dai, if Shinobi and them try to run up on you What? Mama said you ain't tryin' to fight.
[SCOFFS.]
But I'm with it.
Boy, come on here.
You trippin'.
How many buses we gotta take? You already know, three buses and a train.
Stop acting like we if you gon' complain, tell your granddaddy to come pick you up.
He take me to school when I stay.
- Never on time.
- At least he's trying.
Hold on to the pole tight, JG.
[RAY.]
Yo, Dai, hold the bus! - [WOMAN.]
Excuse me.
- Shit.
- Dai, come on, bruh! - Shit, get on the bus, sit down, and don't move! What, the police comin' here? Get on! Yo! [TENSE MUSIC.]
[STRAINING.]
Thank you, brother Dai.
Appreciate it.
[ETHEREAL MUSIC.]
Go to college in Atlanta She from Minneapolis Say she turned on by my country grammar Something 'bout my swag say I'm way different Tell how I act I'm a dead nigga Ask her if she ever been She say hell yeah Memorial Day weekend every year But the only place she ever go is South Beach Aye, bruh, y'all keep walking so fast, you gonna miss out on everything around y'all.
Aye, JG! JG, what you doing? You know what they call this area when it was segregated? Color Town.
Damn, how you know that? David told me.
David smart as hell, he gifted.
He a'ight.
See if I'm a'ight next time you need me to bus sit your ass to your granddaddy's.
Walk up! I'm playin', I'm playin'.
He playin', brother Dai! Yo, why you out here? Don't you got a car? At my uncle's house.
It's just gone be a jam over there.
Y'all should come.
Look, I know y'all some of the toughest little niggas in The Ville, but I can't have y'all walk through Overtown unprotected.
We good, man.
Oh, so you don't want my protection? I know you got more to do besides walk with us.
We're good, Ray.
This my hood, too.
Don't.
Ain't nothing more important than family.
So we kin now, though? - But I told you - [JG.]
Villeside, Overtown! I told you I was gone be reaching out.
Villeside, Overtown, Villeside, Overtown! [DAI & RAY.]
J! Damn nigga, you rep The Ville and Overtown? You rep The Ville and you don't even leave there! I work there.
He just say that 'cause his daddy was from Overtown.
His daddy? Don't talk about my dad.
I thought y'all had the same daddy? - Nah.
- My daddy dead, nigga.
JG, hey, stop talking.
Stop, damn! His daddy dead, too, remember? - Yo chill, it's alright.
- [LIPS SMACKING.]
I'm sorry, I forgot.
Aye aye, it's all good, little man.
All good.
Aye, aye, aye look at me! That's something else we got in common.
- [CHEST POUNDING.]
- [KISSING.]
Something else we all got in common.
[SERENE MUSIC.]
- [DOOR SQUEAKING.]
- [SOUL MUSIC.]
Saul, JG here! Granddaddy! How you doing? JG, take the bag! Hey, stop coming over here yellin' all in my house.
The hell wrong with you? You know better! Got an attitude every time you come here.
I ain't gone call Gloria.
I'ma get one of these young bucks to teach yo ass.
Yellin' all in here, it's uncivil.
How you doin', Reverend Saul? Who are you? Ain't nobody call me Reverend in a minute.
I'm just taught to respect the OGs.
Somebody taught you right.
Y'all come on in and tell JG I said get you something to drink.
Ayo! This way! Make sure you put it up.
Keep track of your stuff, JG.
[SNICKERING.]
[JG.]
This way.
JG, so this how we livin' outside The Ville? [LAUGHING.]
All of this gon' be mine.
[LAUGHING.]
Raynan, what are you doing over here? What's up, B? Me and the homie came to drop JG off.
[BIANCA.]
Oh, you going to the jam today? Hell yeah! It's right by my uncle house.
I gotta pick up my car, anyway.
Yo, me and Dai slidin' over there, so make sure you bring one of your little homegirls for my boy! [BIANCA.]
All right, I'll see what I can do.
- [RAY.]
You'll make that happen? - [BIANCA.]
Mm-hmm.
[VIDEO GAME MUSIC.]
I'm gon' slice with you to keep it chill.
[BIANCA.]
Okay, you know I gotta look cute for you.
[RAY.]
Aye, let's make it happen.
Make sure you bring shorty.
- [BIANCA.]
Oh, I'ma bring her.
- [DOOR SQUEAKING.]
Dai, where y'all going? I wanna go.
I'm goin' home, now get in the house! I heard Bianca say that Raynan said [SAUL'S WIFE.]
Aye, who got the door open? Y'all lettin' all my good air out! You don't pay no damn bills around here! JG, try these on.
See if they fit.
Oh! Ooh! Bye, Dai! [RAP MUSIC.]
You really do love making people chase you, huh? It's a bus coming in five minutes.
Man, fuck that bus! Bianca said she bringing a homegirl for you to the block party.
Don't have me out here looking like a liar, Dai.
Man, you know how my mom get.
Come on! Ms.
Glo was young once.
Hell, she still is.
And you ain't missing out on shit in The Ville right now.
You can mob around Miami 'til the party start.
Nah, man, I can't, man I'm tired.
Bruh, you know how this go.
Yeah, a'ight.
I don't want you falling asleep on look out - like you did the other night.
- I wasn't asleep! Yo, it's cool, Dai! Nah, for real.
It's whatever, man.
I was tryna squash it out here.
You know, spend time, chill, get right out here? Don't say I ain't try to make things right.
Once we get back to The Ville, we can settle up.
If that's the way you want it.
Nah, I ain't mean it like that.
Look, I ain't even trying to get you in trouble, man.
I don't want none for me, either.
Shit, my moms would kill me if I got in trouble with Metro.
You'll keep me out of trouble.
We can just vibe 'til the party start, man.
And then we square, no beef, no nothin'.
You can ride out and get you home in time to beat Miss Glo.
Come on! [SOMBER MUSIC.]
Rebel, rebel, rebel, rebel Rebel, do what I want so I guess that makes me A rebel, rebel, rebel, rebel You want? Rebel, rebel, rebel Flash and I flaunt baby because I'm a Let's go, let's go Every since I was born I was the rebel type Yeah! [LAUGHING.]
Continue on the edge, I live a rebel's life Hot headed, yeah I know it, but I'm tryna change But it's like everybody else up in my lane Excuse me, mami.
Chocolate! [CHOMPING.]
Don't suit me, salute me 'Cause I kept it 100 from the jump Took the kicks and took the punches What's good, mami? Chocolate! [CHOMPING.]
[LAUGHING.]
What's good, mami? What's good, mami? Yeah, let it roll of the tongue.
What's good, mami? What's good, mami? - Chocolate! - Chocolate! - [BOTH PLAYFULLY CHOMPING.]
- Yeah! - What's good, mami? - What's good, mami? Swag it out, yeah, yeah, yeah, yeah, relaxin'.
Smilin' at, uh-uh! - Chocolate.
- Uh-huh.
Chocolate.
I got [MUMBLES.]
Do what I want so I guess that makes me A rebel, rebel, rebel, rebel, rebel Flash and I flaunt baby because I'm a Let's go, let's go [RAP MUSIC.]
You know he got this for me? Yeah.
He was good at birthdays.
He could make you feel like the only person in the world.
I know you know.
You miss him? What happened? I was racing, doing like a buck, buck 20 on I-95.
I slammed on my brakes trying not to hit the car in front of me, but then I hydroplaned, and it spun across three lanes of traffic into the the SunPass lane, and smacked dead into the wall.
Came out with no scratches.
You try to show out for these hoes and got caught slippin'.
I still remember the look on my dad's face when he found out.
I don't think I ever seen him so pissed off.
I know Sky took you under his wing, tried to play Daddy but, I bet you ain't never seen that side of him.
That kind of mad, he only reserved for me.
[SOMBER MUSIC.]
Him being gone, it's It's never your fault, but you still feel.
[BOTH.]
Regret.
[SOMBER MUSIC.]
Regret the things we can not change.
Longing for the wisdom to know the difference.
[SNICKERING.]
You know he ain't make that shit up, right? Yeah I know.
I saw it in a AA packet my mom had.
Yeah, he could make everything that came out his mouth seem like it was the first time it was ever said, right? Yeah.
Yeah.
Wish like hell I could hear him say it.
[SOMBER MUSIC.]
What? Anything.
I think I think I see Sky [TIRES SCREECHING.]
- Whoa! - Shoot! What the fuck y'all two little niggas hanging outside my house? [SPEAKING IN A FOREIGN LANGUAGE.]
Hey Mr.
Teo, it's nice [KEYS JINGLING.]
[TEO.]
Come on, nephew, get in the house.
Come in my office, man, have a seat.
Need something? Get in the house.
[TEO.]
Sorry, I can't offer you a seat in here, sir.
But my nephew didn't warn me y'all would be so early.
Plus, I don't do business in front of guests.
- [HAND RUBBING.]
- [SNIFFING.]
[GLASS CLINKS.]
[TEO.]
If the cops are coming around stopping your flow, say that! Communicate! Don't let the boss have to chase you about a profit.
[SOMBER MUSIC.]
See, my nephew, he like that.
He ain't lazy or stupid, he just messy.
Why not communicate, huh? Why not just communicate, hmm? That's why I don't wanna give you a package! 'Cause you let the police roll up on a nickel-and-dime operation! [SCREECHING.]
What happens when it's big money? [SPEAKING IN A FOREIGN LANGUAGE.]
[CHAIR SLIDING.]
Huh? What, cat's got your tongue? That was my fault! That was me! I messed up on the look out the other night.
I messed up.
I appreciate you owning up to your shit.
But those kind of mistakes are dangerous.
We can't have any more of them.
[LIPS SMACKING.]
See, that's how you tell a knight from a pawn right there.
Yeah, I told you he was the best.
My dad said How you know which I mean? For all you know, little man might be a pawn.
Pawns become king.
[SOMBER MUSIC.]
[SPEAKING IN A FOREIGN LANGUAGE.]
What's your name, again? - Dai.
- [SHUSHING.]
David, sir.
David.
Listen, David, y'all just need to get organized.
If the cops keep coming around again and again, then you just go with them.
It's all part of the game.
If you ain't doin' nothing, - then there's no need - Ain't no need to run.
Yeah.
[LAUGHING.]
Ooh, man! Nephew, you don't know what you got in your hands right here, uh! This one could move any way.
Step into my office.
[SOMBER MUSIC.]
I wanna start you off small.
These are just samples.
If it gets bigger, you get more, but I wanna know if the people in The Ville will bite.
Been waiting to try this out for awhile.
Yeah.
See, my brother-in-law, your former boss, - he was trying to - I ain't work for Sky.
So you was looking out for Sky for no reason? - He was like - Like a mentor? A boys-and-girls after school kinda shit? [SNICKERING.]
The fuck outta here.
Shit, he was a drug dealer! Mind you, he was selling weed and that ghetto shit, but you was learning from him.
But he ain't never want me to move.
Well, I do.
Raynan relatively new down there, but you're not.
- I don't - Don't, don't! Don't, don't give your quick no.
Please! Think on it, huh? Look, y'all living down there for a reason.
I know y'all situation ain't tenable.
We straight, though.
[SCOFFS.]
Give me a slow yes.
[DANCE MUSIC.]
[RAY.]
Unc? Sir, do I look like I'm talking to you? I promised my dude a party and to get him home at a decent hour.
Party's starting, Dai.
- [PEOPLE CHATTERING.]
- [PARTY MUSIC.]
Thank you, David.
I appreciate you, man.
- What's my name - Al - Gotta do what's on it - Get it down, daddy I'm from California - [WOMAN PLAYFULLY SCREAMING.]
- Gotta move your arms Move your arms Everybody Don't stop and rock and shake it Let's rock and shake it bunk it Your body rocking shaking All the way to the ground, let's go, y'all Too fast, too fast, let's go y'all Rock it on, rock it on, work it out y'all Cool, play time's up.
Better get a move on.
- Hey ladies - What's he saying - Shake it hard - Yeah, yeah Out here we'll make you say Going hard now Who along all the ladies in the house say Aye, this bag ain't gon' take itself back to The Ville.
[PHONE VIBRATING.]
Party And find the house don't be scared say it Oh yeah Go along onto the side Make you wanna say what Oh yeah - Mix it up, mix it up - [PHONE VIBRATING.]
- [PHONE BEEPING.]
- [SOUL MUSIC.]
Don't leave everything right on dial Y'all know how we rock the house [MELLOW MUSIC.]
I got a beat with words on it Baby daddy Boy, don't be stupid.
Keep it closed.
["MIX IT UP" BY DJ UNCLE AL PLAYING.]
We gotta take care of each other, Dai.
You know I smoothed out that look out situation with Teo.
Now return the favor.
It's light work.
Look, ain't nobody checkin' for a kid on his way home.
Just act normal and keep your mouth shut.
Go see Shinobi when you get back to The Ville then it's done.
We done.
- [SCREECHING.]
- [HEAVY BREATHING.]
["MIX IT UP" BY DJ UNCLE AL PLAYING.]
Get by the house, don't be scared, say it - Oh yeah - Pull along to the side Baby want some wood Oh yeah Mix it up, mix it up, mix it up, y'all Mix it up, mix it up, mix it up, y'all Mix it up, mix it up, mix it up, y'all - [DRAMATIC MUSIC.]
- [HEAVY BREATHING.]
[SOMBER MUSIC.]
[SNORING.]
[MAN.]
What's happening? [SOMBER MUSIC.]
What the fuck is this? Morphimax? [MYSTERIOUS MUSIC.]
Damn, somebody on this bus loud as fuck! Who that is smellin' like a whole pound? [PASSENGERS LAUGHING.]
[PLAYFUL MYSTERIOUS MUSIC.]
[BUS CHIMES.]
[BUS DRIVER.]
Overtown.
[MYSTERIOUS SYMPHONIC MUSIC.]
- [BABY CRYING.]
- [MELLOW MUSIC.]
[WOMAN OVER P.
A.
.]
Security on four please.
- Darrell.
- Hey! [CUSTOMERS CHATTERING.]
[MELLOW MUSIC.]
[BEEPING.]
That all for today? Total's $1.
55.
- Where's the restroom? - [REGISTER BEEPING.]
[WOMAN OVER P.
A.
.]
Attention to the checkout station, please? [PLASTIC RUSTLING.]
- [MYSTERIOUS MUSIC.]
- [PHONE VIBRATING.]
[BEEPS.]
Hello? [BEEPING.]
[MYSTERIOUS MUSIC.]
[PEOPLE CHATTERING.]
[AIR FRESHENER SPRAYING.]
- [BEEPING.]
- [MYSTERIOUS MUSIC.]
[PEOPLE CHATTERING.]
Excuse me, ma'am? What? May I use your phone to call my mama? Where your phone? It died.
Uh-uh, you should've charged it.
Look, I don't play about my phone.
It's just I gotta meet mom when she gets off.
[BUS ENGINE REVVING.]
What's the number? - Thank you.
- Uh-uh! Tell it to me! I told you, I don't play about my phone.
Stay right there.
- [PHONE RINGING.]
- [SOUL MUSIC.]
Hello? [DAI.]
Ma, it's Dai.
David, where you? The phone died, I had to use someone else's.
[GLORIA.]
Who? This nice lady.
Hey, this Raquel, don't worry ma'am.
He here at the Day Land bus stop.
Oh, okay, thank you.
Can I speak to David, please? I'm right here.
David, don't let me beat you home, okay? Get home.
Yes, ma'am.
[PHONE BEEPS.]
[PEOPLE CHATTERING.]
[SIGHING.]
[FOOTSTEPS TAPPING.]
[SOMBER MUSIC.]
[INSECTS CHIRPING.]
[SOMBER MUSIC.]
[HEAVY BREATHING.]
[INSECTS CHIRPING.]
[SUSPENSEFUL MUSIC.]
[GRUNTING.]
[INSECTS CHIRPING.]
[SOMBER MUSIC.]
God! [FOOTSTEPS THUMPING.]
[SOMBER MUSIC.]
[HEAVY BREATHING.]
[FOOTSTEPS THUMPING.]
[METAL CLANKING.]
[HEAVY BREATHING.]
Uh-uh, don't walk up on me like that.
Yeah, I'm real.
Excuse me, miss How you know I'm not married? Mrs.
? My name's Ramela, but you can call me Fammie, everybody does.
That's usually where you say your name.
Don't be typical now.
No manners and you thirsty? Know how many rude, thirsty men come up in through here? Starry, get him a water.
Scared you? You didn't see all these eyes on you? [BUSHES RUSTLING.]
It's all right, everybody don't need to see everything.
You want this water or no? Snap it open so he know we not trying to hurt him.
- It's okay, thank you.
- [SPLASHING.]
[FAMMIE.]
Wow, see, why you throw it so hard? [MAN.]
He's so cute.
You need to take less tea, sir.
All aggressive for no reason.
And you can't even catch! [PEOPLE LAUGHING.]
Good, 'cause you wasn't gettin' another one.
[GULPING.]
Why they all back there? We just waiting on our ride.
What you doing out here? I'm on my way home.
You waitin' on the X, too? Girl, I mean, boy, child, that thing never run right.
Starry waitin' on it, too.
Where you goin', The Ville? Yeah, I know all about The Ville.
Plenty of trade up in The Ville.
Come up in here looking just like you, thirsty and rude.
Y'all just alike.
Neither one of you say more than two words.
David.
Nice to meet you, David.
Star, she calls me Starry.
Yeah, he caught that.
You catch on quick, right, David? Yes ma'am.
Oh, yes ma'am? You keep flirting like you do, you might get another water.
[LAUGHING.]
[TIRES SCREECHING.]
David, you and Starry get a move on now, I think I hear your bus coming.
I'ma keep walking.
Boy, you ain't finna hitch it to home safe, dude, with you backpack smelling like Reggaefest and nobody on your guard.
Starry's trustworthy.
Now I'm not gonna tell you again, your bus is coming.
[CAB DRIVER.]
Get out of my car, you trick! [HOOKER.]
Get off me! - [HEAVY METAL ROCK MUSIC.]
- [SLAPPING.]
Hey, close my door, you dumb fuck! Is that a girl or a dude? Aye, don't be trans-phobic, David.
Go! Stand behind us, girl.
[HEAVY METAL MUSIC.]
- You're a real piece of shit.
- Go! Bus stop, sweetie.
What the [FAMMIE.]
We got a free one for you right now, baby.
[SLAMMING.]
- Big ass bitch! - [THUMPING.]
[BUS SCREECHING.]
I got you.
[CHANGE CLANKING.]
- [TIRES SCREECHING.]
- [GLASS BREAKING.]
[BUS REVVING.]
You sweatin' hard.
It's hot! But even on the bus, you were sweatin'.
Here.
Your adrenals must be up.
You anxious about something? Wipe your face, so you don't break out.
Keep it.
Thanks.
I ain't never seen you in The Ville.
Just here temporary.
Where about? From Tampa.
Fammie set me up with a friend of hers.
They're gonna look out for me for a little while.
Well, look who showed up baring gifts? My mom Not home, as far as I know.
I'm glad you made it.
Come on.
You look tired, you both do.
So this is the friend? Morning, David.
Upstairs and to the right, young sir.
Now I got a few rules, I'm the only hoe in this house.
You hear me? And while we stay here, you family to anyone who need to know.
You let me know if you got any problems.
Did you eat already? - [FOOTSTEPS THUMPING.]
- [DOG BARKING.]
- [CLAPPING.]
- Bellacrew! - [CLAPPING.]
- Bellacrew! Shinobi.
Bet, hold up.
The fuck took you so long? - Come up.
- Come down.
You crazy, nigga? I ain't 'bout to walk to you, fam.
I'll leave this shit right here.
Damn, little nigga, what you scared for? Ain't nobody gone hurt you.
I know that.
Yo, hurry up before my mama beat me to the house.
At the wall, nigga.
[SOMBER MUSIC.]
I'm sorry! I'm so sorry, I know.
I know, I'm sorry! The fuck taking so long, yo? I'm sorry.
[SOMBER MUSIC.]
[GENTLE MUSIC.]
[KEYS CLANKING.]
[DOOR SQUEAKS.]
[MELLOW DRAMATIC MUSIC.]
[KNOCKING.]
[DOOR SQUEAKS.]
[GLORIA.]
David, I'm home.
[SOMBER MUSIC.]
[TRANSITIONS TO DREAMY MUSIC.]
[DAVID.]
Previously on David Makes Man.
[GENTLE MUSIC.]
Bagging, it means you made a choice.
Stick to the promise and I'll be your man [CLAPPING.]
I look around, and you runnin' these streets with dope boys! We need a lookout for tonight.
Might have to find somebody else.
[BOY YELLING.]
[SHINOBI.]
What the fuck, where our eyes at, man? - Nigga, move! - [SIREN BLARING.]
- Bruh, who's got our back, man? - [MAN.]
Who the fuck was on watch? You ain't here, they shot your ass! You dead, go! You dead! [GENTLE MUSIC.]
[KEYS CLANKING.]
Hi, Mama.
What are you doing? I gotta go by my granddaddy's house.
I know.
Dai! What? Mom.
- Why he gettin' ready so early? - He woke me up.
Man, don't nobody wanna go all the way to Overtown with JG.
He has a mean old granddaddy.
You only goin' for tonight, JG.
Your granddaddy will bring you back in the morning.
Can you stand still sir, please? Can you do this without complaining, please? You should be on punishment anyway for getting in trouble at school.
Oh, you got stole on, Dai.
I would've murked that nigga.
You would've what? You calm your little self down before you be murkin' that room all day.
Your brother wasn't trying to fight, unlike you sir, who don't seem to know how to be still.
Go get the change.
[GLORIA AND DAI.]
Stop running! - JG? - [DOOR SLAMMING.]
[JG.]
My legs aren't as long as yours.
If you put the phone down you could walk faster.
The bus stop that way.
Let's go this way.
- [GENTLE MUSIC.]
- [BIRDS CHIRPING.]
You scared to walk over there, huh, Dai? Don't worry, Dai, if Shinobi and them try to run up on you What? Mama said you ain't tryin' to fight.
[SCOFFS.]
But I'm with it.
Boy, come on here.
You trippin'.
How many buses we gotta take? You already know, three buses and a train.
Stop acting like we if you gon' complain, tell your granddaddy to come pick you up.
He take me to school when I stay.
- Never on time.
- At least he's trying.
Hold on to the pole tight, JG.
[RAY.]
Yo, Dai, hold the bus! - [WOMAN.]
Excuse me.
- Shit.
- Dai, come on, bruh! - Shit, get on the bus, sit down, and don't move! What, the police comin' here? Get on! Yo! [TENSE MUSIC.]
[STRAINING.]
Thank you, brother Dai.
Appreciate it.
[ETHEREAL MUSIC.]
Go to college in Atlanta She from Minneapolis Say she turned on by my country grammar Something 'bout my swag say I'm way different Tell how I act I'm a dead nigga Ask her if she ever been She say hell yeah Memorial Day weekend every year But the only place she ever go is South Beach Aye, bruh, y'all keep walking so fast, you gonna miss out on everything around y'all.
Aye, JG! JG, what you doing? You know what they call this area when it was segregated? Color Town.
Damn, how you know that? David told me.
David smart as hell, he gifted.
He a'ight.
See if I'm a'ight next time you need me to bus sit your ass to your granddaddy's.
Walk up! I'm playin', I'm playin'.
He playin', brother Dai! Yo, why you out here? Don't you got a car? At my uncle's house.
It's just gone be a jam over there.
Y'all should come.
Look, I know y'all some of the toughest little niggas in The Ville, but I can't have y'all walk through Overtown unprotected.
We good, man.
Oh, so you don't want my protection? I know you got more to do besides walk with us.
We're good, Ray.
This my hood, too.
Don't.
Ain't nothing more important than family.
So we kin now, though? - But I told you - [JG.]
Villeside, Overtown! I told you I was gone be reaching out.
Villeside, Overtown, Villeside, Overtown! [DAI & RAY.]
J! Damn nigga, you rep The Ville and Overtown? You rep The Ville and you don't even leave there! I work there.
He just say that 'cause his daddy was from Overtown.
His daddy? Don't talk about my dad.
I thought y'all had the same daddy? - Nah.
- My daddy dead, nigga.
JG, hey, stop talking.
Stop, damn! His daddy dead, too, remember? - Yo chill, it's alright.
- [LIPS SMACKING.]
I'm sorry, I forgot.
Aye aye, it's all good, little man.
All good.
Aye, aye, aye look at me! That's something else we got in common.
- [CHEST POUNDING.]
- [KISSING.]
Something else we all got in common.
[SERENE MUSIC.]
- [DOOR SQUEAKING.]
- [SOUL MUSIC.]
Saul, JG here! Granddaddy! How you doing? JG, take the bag! Hey, stop coming over here yellin' all in my house.
The hell wrong with you? You know better! Got an attitude every time you come here.
I ain't gone call Gloria.
I'ma get one of these young bucks to teach yo ass.
Yellin' all in here, it's uncivil.
How you doin', Reverend Saul? Who are you? Ain't nobody call me Reverend in a minute.
I'm just taught to respect the OGs.
Somebody taught you right.
Y'all come on in and tell JG I said get you something to drink.
Ayo! This way! Make sure you put it up.
Keep track of your stuff, JG.
[SNICKERING.]
[JG.]
This way.
JG, so this how we livin' outside The Ville? [LAUGHING.]
All of this gon' be mine.
[LAUGHING.]
Raynan, what are you doing over here? What's up, B? Me and the homie came to drop JG off.
[BIANCA.]
Oh, you going to the jam today? Hell yeah! It's right by my uncle house.
I gotta pick up my car, anyway.
Yo, me and Dai slidin' over there, so make sure you bring one of your little homegirls for my boy! [BIANCA.]
All right, I'll see what I can do.
- [RAY.]
You'll make that happen? - [BIANCA.]
Mm-hmm.
[VIDEO GAME MUSIC.]
I'm gon' slice with you to keep it chill.
[BIANCA.]
Okay, you know I gotta look cute for you.
[RAY.]
Aye, let's make it happen.
Make sure you bring shorty.
- [BIANCA.]
Oh, I'ma bring her.
- [DOOR SQUEAKING.]
Dai, where y'all going? I wanna go.
I'm goin' home, now get in the house! I heard Bianca say that Raynan said [SAUL'S WIFE.]
Aye, who got the door open? Y'all lettin' all my good air out! You don't pay no damn bills around here! JG, try these on.
See if they fit.
Oh! Ooh! Bye, Dai! [RAP MUSIC.]
You really do love making people chase you, huh? It's a bus coming in five minutes.
Man, fuck that bus! Bianca said she bringing a homegirl for you to the block party.
Don't have me out here looking like a liar, Dai.
Man, you know how my mom get.
Come on! Ms.
Glo was young once.
Hell, she still is.
And you ain't missing out on shit in The Ville right now.
You can mob around Miami 'til the party start.
Nah, man, I can't, man I'm tired.
Bruh, you know how this go.
Yeah, a'ight.
I don't want you falling asleep on look out - like you did the other night.
- I wasn't asleep! Yo, it's cool, Dai! Nah, for real.
It's whatever, man.
I was tryna squash it out here.
You know, spend time, chill, get right out here? Don't say I ain't try to make things right.
Once we get back to The Ville, we can settle up.
If that's the way you want it.
Nah, I ain't mean it like that.
Look, I ain't even trying to get you in trouble, man.
I don't want none for me, either.
Shit, my moms would kill me if I got in trouble with Metro.
You'll keep me out of trouble.
We can just vibe 'til the party start, man.
And then we square, no beef, no nothin'.
You can ride out and get you home in time to beat Miss Glo.
Come on! [SOMBER MUSIC.]
Rebel, rebel, rebel, rebel Rebel, do what I want so I guess that makes me A rebel, rebel, rebel, rebel You want? Rebel, rebel, rebel Flash and I flaunt baby because I'm a Let's go, let's go Every since I was born I was the rebel type Yeah! [LAUGHING.]
Continue on the edge, I live a rebel's life Hot headed, yeah I know it, but I'm tryna change But it's like everybody else up in my lane Excuse me, mami.
Chocolate! [CHOMPING.]
Don't suit me, salute me 'Cause I kept it 100 from the jump Took the kicks and took the punches What's good, mami? Chocolate! [CHOMPING.]
[LAUGHING.]
What's good, mami? What's good, mami? Yeah, let it roll of the tongue.
What's good, mami? What's good, mami? - Chocolate! - Chocolate! - [BOTH PLAYFULLY CHOMPING.]
- Yeah! - What's good, mami? - What's good, mami? Swag it out, yeah, yeah, yeah, yeah, relaxin'.
Smilin' at, uh-uh! - Chocolate.
- Uh-huh.
Chocolate.
I got [MUMBLES.]
Do what I want so I guess that makes me A rebel, rebel, rebel, rebel, rebel Flash and I flaunt baby because I'm a Let's go, let's go [RAP MUSIC.]
You know he got this for me? Yeah.
He was good at birthdays.
He could make you feel like the only person in the world.
I know you know.
You miss him? What happened? I was racing, doing like a buck, buck 20 on I-95.
I slammed on my brakes trying not to hit the car in front of me, but then I hydroplaned, and it spun across three lanes of traffic into the the SunPass lane, and smacked dead into the wall.
Came out with no scratches.
You try to show out for these hoes and got caught slippin'.
I still remember the look on my dad's face when he found out.
I don't think I ever seen him so pissed off.
I know Sky took you under his wing, tried to play Daddy but, I bet you ain't never seen that side of him.
That kind of mad, he only reserved for me.
[SOMBER MUSIC.]
Him being gone, it's It's never your fault, but you still feel.
[BOTH.]
Regret.
[SOMBER MUSIC.]
Regret the things we can not change.
Longing for the wisdom to know the difference.
[SNICKERING.]
You know he ain't make that shit up, right? Yeah I know.
I saw it in a AA packet my mom had.
Yeah, he could make everything that came out his mouth seem like it was the first time it was ever said, right? Yeah.
Yeah.
Wish like hell I could hear him say it.
[SOMBER MUSIC.]
What? Anything.
I think I think I see Sky [TIRES SCREECHING.]
- Whoa! - Shoot! What the fuck y'all two little niggas hanging outside my house? [SPEAKING IN A FOREIGN LANGUAGE.]
Hey Mr.
Teo, it's nice [KEYS JINGLING.]
[TEO.]
Come on, nephew, get in the house.
Come in my office, man, have a seat.
Need something? Get in the house.
[TEO.]
Sorry, I can't offer you a seat in here, sir.
But my nephew didn't warn me y'all would be so early.
Plus, I don't do business in front of guests.
- [HAND RUBBING.]
- [SNIFFING.]
[GLASS CLINKS.]
[TEO.]
If the cops are coming around stopping your flow, say that! Communicate! Don't let the boss have to chase you about a profit.
[SOMBER MUSIC.]
See, my nephew, he like that.
He ain't lazy or stupid, he just messy.
Why not communicate, huh? Why not just communicate, hmm? That's why I don't wanna give you a package! 'Cause you let the police roll up on a nickel-and-dime operation! [SCREECHING.]
What happens when it's big money? [SPEAKING IN A FOREIGN LANGUAGE.]
[CHAIR SLIDING.]
Huh? What, cat's got your tongue? That was my fault! That was me! I messed up on the look out the other night.
I messed up.
I appreciate you owning up to your shit.
But those kind of mistakes are dangerous.
We can't have any more of them.
[LIPS SMACKING.]
See, that's how you tell a knight from a pawn right there.
Yeah, I told you he was the best.
My dad said How you know which I mean? For all you know, little man might be a pawn.
Pawns become king.
[SOMBER MUSIC.]
[SPEAKING IN A FOREIGN LANGUAGE.]
What's your name, again? - Dai.
- [SHUSHING.]
David, sir.
David.
Listen, David, y'all just need to get organized.
If the cops keep coming around again and again, then you just go with them.
It's all part of the game.
If you ain't doin' nothing, - then there's no need - Ain't no need to run.
Yeah.
[LAUGHING.]
Ooh, man! Nephew, you don't know what you got in your hands right here, uh! This one could move any way.
Step into my office.
[SOMBER MUSIC.]
I wanna start you off small.
These are just samples.
If it gets bigger, you get more, but I wanna know if the people in The Ville will bite.
Been waiting to try this out for awhile.
Yeah.
See, my brother-in-law, your former boss, - he was trying to - I ain't work for Sky.
So you was looking out for Sky for no reason? - He was like - Like a mentor? A boys-and-girls after school kinda shit? [SNICKERING.]
The fuck outta here.
Shit, he was a drug dealer! Mind you, he was selling weed and that ghetto shit, but you was learning from him.
But he ain't never want me to move.
Well, I do.
Raynan relatively new down there, but you're not.
- I don't - Don't, don't! Don't, don't give your quick no.
Please! Think on it, huh? Look, y'all living down there for a reason.
I know y'all situation ain't tenable.
We straight, though.
[SCOFFS.]
Give me a slow yes.
[DANCE MUSIC.]
[RAY.]
Unc? Sir, do I look like I'm talking to you? I promised my dude a party and to get him home at a decent hour.
Party's starting, Dai.
- [PEOPLE CHATTERING.]
- [PARTY MUSIC.]
Thank you, David.
I appreciate you, man.
- What's my name - Al - Gotta do what's on it - Get it down, daddy I'm from California - [WOMAN PLAYFULLY SCREAMING.]
- Gotta move your arms Move your arms Everybody Don't stop and rock and shake it Let's rock and shake it bunk it Your body rocking shaking All the way to the ground, let's go, y'all Too fast, too fast, let's go y'all Rock it on, rock it on, work it out y'all Cool, play time's up.
Better get a move on.
- Hey ladies - What's he saying - Shake it hard - Yeah, yeah Out here we'll make you say Going hard now Who along all the ladies in the house say Aye, this bag ain't gon' take itself back to The Ville.
[PHONE VIBRATING.]
Party And find the house don't be scared say it Oh yeah Go along onto the side Make you wanna say what Oh yeah - Mix it up, mix it up - [PHONE VIBRATING.]
- [PHONE BEEPING.]
- [SOUL MUSIC.]
Don't leave everything right on dial Y'all know how we rock the house [MELLOW MUSIC.]
I got a beat with words on it Baby daddy Boy, don't be stupid.
Keep it closed.
["MIX IT UP" BY DJ UNCLE AL PLAYING.]
We gotta take care of each other, Dai.
You know I smoothed out that look out situation with Teo.
Now return the favor.
It's light work.
Look, ain't nobody checkin' for a kid on his way home.
Just act normal and keep your mouth shut.
Go see Shinobi when you get back to The Ville then it's done.
We done.
- [SCREECHING.]
- [HEAVY BREATHING.]
["MIX IT UP" BY DJ UNCLE AL PLAYING.]
Get by the house, don't be scared, say it - Oh yeah - Pull along to the side Baby want some wood Oh yeah Mix it up, mix it up, mix it up, y'all Mix it up, mix it up, mix it up, y'all Mix it up, mix it up, mix it up, y'all - [DRAMATIC MUSIC.]
- [HEAVY BREATHING.]
[SOMBER MUSIC.]
[SNORING.]
[MAN.]
What's happening? [SOMBER MUSIC.]
What the fuck is this? Morphimax? [MYSTERIOUS MUSIC.]
Damn, somebody on this bus loud as fuck! Who that is smellin' like a whole pound? [PASSENGERS LAUGHING.]
[PLAYFUL MYSTERIOUS MUSIC.]
[BUS CHIMES.]
[BUS DRIVER.]
Overtown.
[MYSTERIOUS SYMPHONIC MUSIC.]
- [BABY CRYING.]
- [MELLOW MUSIC.]
[WOMAN OVER P.
A.
.]
Security on four please.
- Darrell.
- Hey! [CUSTOMERS CHATTERING.]
[MELLOW MUSIC.]
[BEEPING.]
That all for today? Total's $1.
55.
- Where's the restroom? - [REGISTER BEEPING.]
[WOMAN OVER P.
A.
.]
Attention to the checkout station, please? [PLASTIC RUSTLING.]
- [MYSTERIOUS MUSIC.]
- [PHONE VIBRATING.]
[BEEPS.]
Hello? [BEEPING.]
[MYSTERIOUS MUSIC.]
[PEOPLE CHATTERING.]
[AIR FRESHENER SPRAYING.]
- [BEEPING.]
- [MYSTERIOUS MUSIC.]
[PEOPLE CHATTERING.]
Excuse me, ma'am? What? May I use your phone to call my mama? Where your phone? It died.
Uh-uh, you should've charged it.
Look, I don't play about my phone.
It's just I gotta meet mom when she gets off.
[BUS ENGINE REVVING.]
What's the number? - Thank you.
- Uh-uh! Tell it to me! I told you, I don't play about my phone.
Stay right there.
- [PHONE RINGING.]
- [SOUL MUSIC.]
Hello? [DAI.]
Ma, it's Dai.
David, where you? The phone died, I had to use someone else's.
[GLORIA.]
Who? This nice lady.
Hey, this Raquel, don't worry ma'am.
He here at the Day Land bus stop.
Oh, okay, thank you.
Can I speak to David, please? I'm right here.
David, don't let me beat you home, okay? Get home.
Yes, ma'am.
[PHONE BEEPS.]
[PEOPLE CHATTERING.]
[SIGHING.]
[FOOTSTEPS TAPPING.]
[SOMBER MUSIC.]
[INSECTS CHIRPING.]
[SOMBER MUSIC.]
[HEAVY BREATHING.]
[INSECTS CHIRPING.]
[SUSPENSEFUL MUSIC.]
[GRUNTING.]
[INSECTS CHIRPING.]
[SOMBER MUSIC.]
God! [FOOTSTEPS THUMPING.]
[SOMBER MUSIC.]
[HEAVY BREATHING.]
[FOOTSTEPS THUMPING.]
[METAL CLANKING.]
[HEAVY BREATHING.]
Uh-uh, don't walk up on me like that.
Yeah, I'm real.
Excuse me, miss How you know I'm not married? Mrs.
? My name's Ramela, but you can call me Fammie, everybody does.
That's usually where you say your name.
Don't be typical now.
No manners and you thirsty? Know how many rude, thirsty men come up in through here? Starry, get him a water.
Scared you? You didn't see all these eyes on you? [BUSHES RUSTLING.]
It's all right, everybody don't need to see everything.
You want this water or no? Snap it open so he know we not trying to hurt him.
- It's okay, thank you.
- [SPLASHING.]
[FAMMIE.]
Wow, see, why you throw it so hard? [MAN.]
He's so cute.
You need to take less tea, sir.
All aggressive for no reason.
And you can't even catch! [PEOPLE LAUGHING.]
Good, 'cause you wasn't gettin' another one.
[GULPING.]
Why they all back there? We just waiting on our ride.
What you doing out here? I'm on my way home.
You waitin' on the X, too? Girl, I mean, boy, child, that thing never run right.
Starry waitin' on it, too.
Where you goin', The Ville? Yeah, I know all about The Ville.
Plenty of trade up in The Ville.
Come up in here looking just like you, thirsty and rude.
Y'all just alike.
Neither one of you say more than two words.
David.
Nice to meet you, David.
Star, she calls me Starry.
Yeah, he caught that.
You catch on quick, right, David? Yes ma'am.
Oh, yes ma'am? You keep flirting like you do, you might get another water.
[LAUGHING.]
[TIRES SCREECHING.]
David, you and Starry get a move on now, I think I hear your bus coming.
I'ma keep walking.
Boy, you ain't finna hitch it to home safe, dude, with you backpack smelling like Reggaefest and nobody on your guard.
Starry's trustworthy.
Now I'm not gonna tell you again, your bus is coming.
[CAB DRIVER.]
Get out of my car, you trick! [HOOKER.]
Get off me! - [HEAVY METAL ROCK MUSIC.]
- [SLAPPING.]
Hey, close my door, you dumb fuck! Is that a girl or a dude? Aye, don't be trans-phobic, David.
Go! Stand behind us, girl.
[HEAVY METAL MUSIC.]
- You're a real piece of shit.
- Go! Bus stop, sweetie.
What the [FAMMIE.]
We got a free one for you right now, baby.
[SLAMMING.]
- Big ass bitch! - [THUMPING.]
[BUS SCREECHING.]
I got you.
[CHANGE CLANKING.]
- [TIRES SCREECHING.]
- [GLASS BREAKING.]
[BUS REVVING.]
You sweatin' hard.
It's hot! But even on the bus, you were sweatin'.
Here.
Your adrenals must be up.
You anxious about something? Wipe your face, so you don't break out.
Keep it.
Thanks.
I ain't never seen you in The Ville.
Just here temporary.
Where about? From Tampa.
Fammie set me up with a friend of hers.
They're gonna look out for me for a little while.
Well, look who showed up baring gifts? My mom Not home, as far as I know.
I'm glad you made it.
Come on.
You look tired, you both do.
So this is the friend? Morning, David.
Upstairs and to the right, young sir.
Now I got a few rules, I'm the only hoe in this house.
You hear me? And while we stay here, you family to anyone who need to know.
You let me know if you got any problems.
Did you eat already? - [FOOTSTEPS THUMPING.]
- [DOG BARKING.]
- [CLAPPING.]
- Bellacrew! - [CLAPPING.]
- Bellacrew! Shinobi.
Bet, hold up.
The fuck took you so long? - Come up.
- Come down.
You crazy, nigga? I ain't 'bout to walk to you, fam.
I'll leave this shit right here.
Damn, little nigga, what you scared for? Ain't nobody gone hurt you.
I know that.
Yo, hurry up before my mama beat me to the house.
At the wall, nigga.
[SOMBER MUSIC.]
I'm sorry! I'm so sorry, I know.
I know, I'm sorry! The fuck taking so long, yo? I'm sorry.
[SOMBER MUSIC.]
[GENTLE MUSIC.]
[KEYS CLANKING.]
[DOOR SQUEAKS.]
[MELLOW DRAMATIC MUSIC.]
[KNOCKING.]
[DOOR SQUEAKS.]
[GLORIA.]
David, I'm home.
[SOMBER MUSIC.]
[TRANSITIONS TO DREAMY MUSIC.]