La La Land (2010) s01e02 Episode Script
Episode 2
Welcome to Los Angeles International Airport.
Everybody's flocking to the city of dreams, hoping to hitch their wagon to a star.
Passport, please.
What is the purpose of your visit? - I'm an actor, douche bag.
- I'm a psychic superstar.
- I'm a documentary filmmaker.
- I'm here to win prizes, sweet cheeks.
- Are you traveling alone? Uh, no.
I've got me mum in here.
What these three men don't realize is that fame and fortune are fleeting.
It's stupidity that's eternal.
Welcome to La La Land.
In Hollywood, for every fledgling actor, there's an expert waiting to help.
In preparation for an industry party tonight, Gary is meeting with a networking coach.
You're an actor, correct? Yeah.
Okay, your goal is to improve yourself with your networking and further your acting career.
And I've been in show business.
I've done acting, modeling, uh-- I was even a dancer.
I've done comedy, hosting, directing.
If it can be done in show business, I've done it.
And there's two things that I've, um, learned.
Only two things, after all that? I've learned-- No.
Don't sass me is lesson number one.
Um-- Don't what-- Sorry.
You're American, and I don't know all the lingo.
What did you say, "sense"? - Sass me.
It's like talking back.
- All right.
"Sass.
" - Yeah.
Sass me.
- I should- - I need to learn things like that.
You need to-- "Don't sass me.
" It sounds quite cool.
Okay.
And I don't know yet if you can act.
I don't-- You know, I haven't seen you perform, you know, as an actor.
- Can you do different accents? - Can do American.
Okay.
Please.
All right, man.
I'm American, man.
Okay.
That's not the way every American speaks.
- I'm Gary, man.
No.
N-No.
Forget the "man.
" - I was born in London, man.
- Forget the "man.
" Don't say "man.
" That helps me do the American thing.
Don't do it.
I just said don't do it.
If your director tells you not to do something, are you going to keep doing it? - You would be out the door by now.
- Don't sass me.
You know Medium? Medium.
Yes.
Do you know that show? Okay, imagine that with me and a private investigator.
That's why I'm gonna team up with this P.
I.
, Chico.
And you know what? I think this could be great news for me, because it will show people that I can solve crimes, Chico.
Come on.
Can you go any faster? I need to do a toilet.
I need to wee.
Have you got somewhere I can do a wee? Sorry? Have you got somewhere I can do a wee? I'm sorry? Have you got somewhere where I can do a wee? You can do "away"? Can do a wee.
I'm sorry? Have you got somewhere where I can do a wee? "Do a whey"? Sorry.
It must be the culture clash.
Yes.
Have you got somewhere I can do a wee? "Do a wee"? Do a wee.
A pee.
A "pay"? A-A pee.
Oh, oh, a pee.
You need to use the restroom.
Yes.
That's the idea.
Toilet, you say.
Hi.
Come with me.
We're gonna go ahead and meet Allen.
I'm gonna take you back to our office right now.
This is Shirley.
Hi, Shirley.
Nice to meet you.
Allen.
You ever work with a psychic before? No, not yet.
What I would do in this is, I would take care of the psychic side.
Yeah.
You would take care of the Investigation side.
Yeah.
i- Investigation side.
But we could help each other.
- 100%.
Hey, can you bring that new case in? So-- Thank you.
The information's here.
Um, she's suspecting the husband is cheating.
She thinks that he is cheating because he's working late hours.
How long have they been married for? - A while.
Uh, she said that it's not normal for him to be working late.
I mean, do you feel something in this picture? I feel that she could do better than him.
I do.
No.
Do you not? - I agree with you totally.
- From just the way he looks-- receding hair, he's trying to make up for what he's losing here here.
After two weeks in Los Angeles, filmmaker Brendan has yet to secure funding for any of his documentaries.
Undeterred, he hopes to convince producer Jeff Schubert-- Jeff Schubert - to back his latest idea.
How you doin'? Jeff Schubert.
Nice to meet you.
What about a climbing documentary? Two guys, climbing buddies.
Uh, they go up a kind of an- an icy-- icy mountain.
Um, one of them takes a tumble.
I'm close enough to get the cracks of the bones, the blood splattering on the lens.
And they have to live off their own piss for a week before they're even found.
Now this is scripted, right? No, actually doing that.
So you would have to randomly wait and see someone die? Well, not necessarily die, 'cause I think it'd be nice if there was a nice, upbeat ending-- Right.
where maybe they get found at the last minute.
But how would they be in this much peril and be on camera? I'm gonna film it.
B-- But for the audience's sake, you know, you're going on this documentary to film these two guys climbing-- Exactly.
Oh, by the way, one of them - this happened to happen.
Yes.
And then you're in a situation- It'll look like an accident-- It needs to look like an accident, otherwise I'm gonna be in a lot of legal shit.
Right.
'Cause they'll be able to say, "He tampered with the ropes.
" Right.
Right.
It'll look like an accident.
Boom.
This is what just happened to happen.
And boom, and then you're filming it - That could work.
Absolutely.
Okay, so you're gonna have a strategy here.
You have this event tonight.
Is it a party, is it-- A party, yeah.
Are you going alone? I can get, what-- a hooker or something? No.
- Well, it's easy.
I'll bring someone sexy.
I can hire someone.
- You don't hire somebody.
You ask somebody.
Tell me what you're wearing tonight or what you plan on wearing.
This means I'm looking at it? Okay.
Does it have inside pockets? No.
Where would you carry your rÃfésumÃfé? In my back-- I'll get the hooker to carry it.
You're getting a f-- I'll get the lady assistant to carry it.
Thank you.
A lady assistant and she can carry stuff.
She can carry all of it.
Tell her to carry a purse, put it-- And I'll be like, "You.
Give him a thing.
" No.
No.
Come up and give me your introduction.
You want to present yourself to me in two minutes.
I'm Gary Garner, the best extra in the world ever.
Bish, bash, bosh.
Okay, no.
"I'm Gary Garner.
" "I'm Gary Garner.
" "I just came from London.
" Think of something.
"I just came from London.
" I'm Gary Garner.
I'm here 'cause I wanna be the best actor ever.
That's better.
Keep going.
I'm hoping, with your help, I might be able to get there.
Fantastic! That's what you say! Write it down.
Write it down right now.
It's your script.
What was it? Fantastic.
"I'm Gary Garner.
" Was it the bish, bash, bosh one you liked? No.
You know which-- Come on.
I really want to get inside him, 'cause I do remote viewing.
I can get actually into that person and start seeing the world through their eyes.
Okay.
Okay.
Oh, yes.
Oh, I'm in.
I can feel him.
Um-- I'm in Starbucks.
Wait a minute.
I'm having coffee.
Don't like coffee.
Oh.
I'm eating a pastrami sandwich.
Oh, I'm gonna commit a crime.
My loins have got-- Sex in my loins.
I wanna get rid of it.
Ah, Mexican.
Mexican! Oh! Oh, it won't get out! Why won't the gas come out? I can't-- You go away-- With an erect-- - You all right? - Yeah.
I could see him.
You saw our subject? He was-- I was in him.
- That's what he's doing now? - What did he say? Gettin' coffee and some type of pastrami sandwich, and you mentioned something about an erection that you're trying to get down.
I'm not sure what that means.
I don't know, but let me take some notes right now.
Oh, fine.
Oh, shit.
I've wet myself.
Oh, fuckin' hell.
You had an orgasm? I don't know how we can tell if that is-- I don't think-- Well, I don't wanna tell.
Encouraged by producer Jeff Schubert's interest, Brendan has decided to invest his five-year-old son's school fund in his climbing documentary and begin filming immediately.
You know, if you're gonna climb, at some point, you're gonna fall, and if I'm there to catch the fall, we make some bloody money.
I'm not saying-- I don't want anybody to bloody die, Kiki.
Can I say this for the record? In fact, you should get this on camera.
Film this.
Uh, you rolling? Mm-hmm.
I want nothing bad to happen to these climbers, and if anything should happen- a tumble, a fall or a slip-- I would just like to say, for the record, that I am not for that.
That is bad, and I do not agree with any documentary maker what does that.
Brendan's a good boy.
Can you say that? "Chenna" good boy.
Brilliant.
Over in the Hollywood Hills, Gary is spending time at the home of veteran film star Ruta Lee.
Ruta is mentoring Gary through his career switch from cabdriver to actor.
Come here.
You've had a busy day today.
- Yes.
You're off to do this wonderful mee t-and-greet tonight.
Yes.
Right.
Yeah.
There will be quite a few people there, I understand.
Can you give me, like, stories so I can-- No.
No.
I cannot.
What's the best story you know? It has to be a story out of your own life.
I've got a story.
I went-- You'll love this.
Mickey, my mate Mickey-- I went out with Mickey and Tony and the boys, and we-- We was at this ribs place.
Do you have like a ribs place where you can have a bib and, like, you eat the ribs? I goes off to toilet for, you know, jimmy piss.
Come back, and they-- They put their ribs on top of mine, so mine's like double.
And I'm like, "What have you done?" And they're all lookin' at me like, "Gary!" Gary, don't tell that story.
It is so frigging boring.
It's a good story.
Come on.
Just how thrilled you are-- When I tell that story at a pub, everyone's like, "How many ribs?" I'm like, "This high.
" You keep forgetting that these people are pros-- - Yeah.
who are not the least bit interested in your stack of ribs.
On his way to meet the climbers, Brendan is drawing on his own life experience for a unique angle to his documentary film.
I mean, I think what's great about these two guys is you've got the old guy, and you've got the young guy.
Father and a son.
I mean, it's universal.
Everyone gets the old man, the young boy.
The boy learning from the old man.
The boy getting trained by the old man.
The old man taking a fall.
I mean, I'm not saying-- We'll sort something out.
Hi.
Hi.
Brendan Allen.
I'm Bob.
- Bob.
- Tony Sartin.
How you doin'? Fine.
How are you? Good, good.
Just imagine Kiki's not there.
Uh, can you hold on to this? All right.
Just pop it in your pocket.
I think I need it.
And if you get a quiet moment, if you can just start scratchin' through the ropes.
Okay, quiet now, because I do my narration live.
Okay.
Uh-- "The two pals talked happily about the up-and-coming climb.
" Tony, if you wanna T.
R.
one of those routes on the right side-- Yeah? I'll belay you, and then I could rappel off the top.
That sounds good.
That'll work.
"There was nothing about the day that seemed out of the ordinary.
"Everything seemed perfectly fine.
You could say eerily fine.
" We're goin' over here.
We're gonna do a drive-by of the residence.
We are just arriving at-- - Let me see that.
I need to make my notes.
driving by the residence.
The residence that we're watching is right down the street here.
Shall I say that into that? No.
So if a Dodge Dart's gonna pull out, we're gonna see.
You can't miss it.
Where's the Dart gonna go though? That way or this way? We don't know that.
Oh, my God.
So-- Sorry, that's spirit coming out.
Did you see that recent documentary they did on Pink Floyd? No, I didn't see it.
Is that marijuana you're smoking right now? Yeah, just-- Put that out right now.
Put that out.
I'm drivin'.
He's talking about Floyd.
I don't care.
I'm drivin'.
Put that fuckin' thing out.
There he goes, right there.
There he goes.
i- Oh, my God! - No, just stay still.
What are you doin'? Flippin' 'ell! He just went right by us.
Yeah.
Come on.
Turn around.
We are turning around.
Whoa, man! What are you doing? You're not smokin' pot in here, dude.
I'm not gonna get in fuckin' trouble because of you.
He's turning right.
Just let me do the right bit.
Let me do the right bit.
Uh-- "Subject is turning right.
" Let me see this.
- Do you want me to do driving and you sit here? I just have-- No, you're-- You're fine right-- No one-- Neither one of us are doing anything.
Yeah, you are.
You're on that, you've got the video camera.
We're fine right now.
Oh, shit.
Here he is.
You don't-- Don't duck.
You look obvious.
Don't do that.
He's gonna think that you're givin' me head right now, actually.
Because if I get pulled over and a cop smells that, I might get in trouble.
It's against the law.
We're in fuckin' America, dude.
Oh, my God! Hey.
No, out the-- No! - Have you got a bag? - Hold on.
Don't do it.
Hey.
Wait, wait.
Don't-- Hey, hey, hey! Have you got a tissue? Why'd you let me open up my mouth? You're gonna make me fuckin' throw up.
Have you got a tissue? i- What the fuck? - You're fuckin' up the case.
On the advice of his networking coach, Gary has hired a personal assistant to accompany him to tonight's event.
I've got a couple of stories.
What's the story? You tell me which one you think's best.
Do you have ribs places here where you have like a bib? Uh-huh.
Right.
Mickey and Colin and all my mates--- I was, you know, havin' a jimmy piss, and they put all their ribs on top of mine.
- Like this massive pile of ribs.
- Uh-huh.
And I'm like, "You bastards! You've gone and put all the ribs!" What's the other story? Um, my mate Mickey, back at home, he had a thingy-- Uh, what's it-- Vasectomy? When you don't wanna have anymore kids.
He's already had kids.
Vasectomy.
Okay.
What? A vasectomy? That's it.
He was in the hospital-- Sorry, I-- I'm not sure like that would be the most appropriate subject to talk about with people that you don't know, you know? "It was a perfect day.
"Blue sky above, green grass below.
"The very earth itself seemed to be rejoicing, and the love shared between the old man and the boy"-- Just not used to being called "the o man.
" Well, that surprises me, 'cause you are gettin' on a bit, aren't you? Okay.
And would you say, um, your relationship with Bob-- he's kind of guided u, he's helped you in a sort of fatherly way? Uh, I don't see it that way.
He's like a father figure to you, isn't he? No, he's not! You're wrong! Well, he clearly is.
- This guy's seven or eight years older than me.
We're almost the same age.
Sorry, Bob, could you - He's finding it difficult to answer this, 'cause you're stood right in his eyeline.
It has nothin' to do with that.
Yeah, it does.
Don't tell me what it has to do, all right? I'm a director.
You're a climber.
You know what I'm thinkin' in my head now? Yes, I do.
I can see it in your eyes.
Fuck you.
Don't be silly, all right? Fuck you.
Don't be silly, man.
Don't you fuckin' tell me what's goin' on in my fuckin' head! Right, Bob.
Can you stop doing this? Get out.
Go to the back of the car, Bob.
He's still guiding you like a bloody father now, isn't he? "Bob was like a father to Tony.
" - Bullshit.
i- He is like a father to you.
He's your boss.
- Bullshit.
This is my story, all right? It's father and son-- It's not father and son, dipshit.
But you're about to go on a climb.
I'm just tryin' to build the thing here.
But Bob's no different from any of the other 50 guys.
Bob looks like he's 70 years old.
He says you look 70, Bob! 70! If you don't wanna do this, just say you don't wanna do it, 'cause this is just stupid.
Guess what? Let's not do it.
Oh, man.
How babyish.
What are you doing? Can you calm him down? Talk to him, as a dad to a son.
Tell him! He's your son.
You speak to him.
You're the one who's caused all the problems today.
Get-- Look at him.
Hang on.
Stop being a dick, mate.
Just stop being an idiot.
Hey, let go of me! All right? Stop being an idiot.
Hey, dude, if you wanna get climbing-- Oh, don't "Hey dude" me, you old bastard.
At the networking party, Gary is finally getting his chance to work a room.
I'm Gary.
Gary Garner.
Gary Garner.
Um-- I'm gonna be the best actor in Hollywood.
I might be able to help you.
Sounds great.
Oh, I'll just do a story.
Me-- I was with my mate Mickey.
We went out for some ribs.
I went off to the toilet, and I come back-- I had like three or four stacks of ribs.
They put all their ribs back on top of the other ribs.
A whole load of ribs, all on top of each other.
- Uh-huh.
I'm like, "Who done that to my ribs?" Geez.
So there's a massive stack of ribs.
I'm like, "What the fuck have you done?" Could we just stop with the rib story? Please.
Please.
Please.
What? Why? It's not funny.
It's not funny.
You have to have been there.
It's not funny.
People are looking at you like, "What else has he got?" My mate Mickey, he-- he was in hospital, and he had a-- What is it called? Vasectomy.
You know what? And he was layin' in the hospital bed.
And his dick came up.
Like not erect, but like it's gonna be a semi, and the nurse was like, "Hey, get down!" And she flicked the end of his helmet.
It was like-- You know when you put salt on top of a slug and it retracts back? I'm the best actor, and how can I help you? You fucked up big time.
Oh, man.
You have smoked pot in the car-- No, I didn't smoke pot in the car.
Threw a joint.
He threw a joint.
Don't film this.
Do not film this.
I apologize.
And admit what you did.
I'm sorry.
Right? I'm sorry, and I admit that what I did is wrong.
Here.
All right? Big meet in the climbing store.
Go to the climb.
Look, if you just call him back, we can get this.
And that's what I wanted you like-- old times.
But it's not gonna happen.
Fine.
We haven't got that bit now.
A piggyback ride? Yeah.
You haven't got that bit, so we can cancel that bit.
i- Can we just do the climb? What's this, all this-- That's nothing.
Well, let's take a look.
No, it just ends - We can end it with you climbing.
Cheers.
Cheers.
And, uh, what's-- And you-- So, you can put me in the movies and all that? I-- I do-- I do producing for movie, yeah.
And, uh, we are set to start shooting at the end of this year.
And if it needs to be, then we get our lawyers together and we sign the contract.
Mm-hmm.
Yes.
All right.
Okay.
Those two guys are not shit.
They said they might help me with a film.
That's bullshit.
Everybody in L.
A.
wants to help you with a fucking film.
Take a look at the guy's watch.
The watch is not more than $200.
Well, let's go out then, front him out.
No.
No! This is not how we do it in L.
A.
You don't front people out.
These two guys are gonna get your fucking money, fuck you in the ass and say good-bye.
Come on.
Get me a drink.
Oh, God.
Oh, God.
He's there.
He's there.
He's there.
He's there.
Shirley and private investigator Allen Horner have trailed the suspected adulterer to a Mexican restaurant in Studio City.
Okay.
We're here now.
So what can you do for the kit? Like, what are you - What would you do as a psychic? I've got an idea.
From spirit.
This is from spirit, so I'm using psychic power.
Spirit is saying to me- What about I go in-- What are you gonna do? You gonna roost the place? We're not supposed to be seen, heard, nothing else.
He's here for a reason, and we're gonna find out what that reason is.
I can tell you why he's here, 'cause she been saying to me - to meet a lady.
Okay.
Okay.
Then why are you doing anything outside the vehicle? He's gonna meet a lady.
Because you're - Let's get in there and get him.
Do what? Fuckin' have dinner with the fucker? Right.
Can you just stop this, because why are you on the-- You're allowed the camera, the little Dictaphone thing.
You've got the car.
What have I got? All I'm getting to do is channel spirit.
Is that what you-- That's what you do.
I-- You're a psychic.
I'm a private investigator.
I'm going in.
Right.
I'm going in.
Are you receiving me? Get back in the car.
Okay, I just passed suspect, and I am observing and recording.
Suspect is on telephone.
Suspect is waiting at table.
Are you hearing me? We knew subject was sittin' at the table fuckin' an hour ago.
Yeah, he's-- Guys.
Can I just say-- I've just been speaking to Mina, right? Yes, sir.
And your watch is worthless.
It's less than $200, Mina's saying.
It's rubbish.
And you're leading me down a garden path, going, "Oh, yeah.
We're gonna sort this out for you, Gary.
" And it's bullshit.
Don't disrespect me in that type of way if you don't know who the hell I am.
And let's be honest about that.
Okay? I've worked very hard for this shit.
I invested millions of dollars in fuckin' movies! I could get you 30 people right now who will kick your ass right now that work for me! I know Bill Clinton! I didn't bring in the Rolex or anything because I didn't wanna impress anybody about this shit! I don't believe in this.
You know me.
- I don't believe it.
And this is better.
This is not what-- That's my drink.
We're-- We're actually out of here, guys, 'cause we've got things to do, all right, with real people who can actually help us, right? Please stop talking.
Stop talking.
Gary, let's go.
You are never going to make it by being that fucking honest.
They are idiots, though, and I've told 'em they're idiots.
Oh, my God.
But you cannot say that! It's better if you're honest.
You don't wanna lie to people.
You wanna tell the truth.
Then you're in the wrong industry.
You are in the wrong industry if you think you're gonna succeed in any way, shape or form.
I'm sorry, Mina.
Please.
Mina.
You're in the wrong fucking industry.
I am going in.
Wish me luck.
Everything all right with your food, yes? Everything all right with your food? Everything.
Thank you.
Great.
Everything all right with your food here? Great.
Everything all right with your food here? Okay.
I'm the manager of the restaurant.
Luigi.
Okay.
All right, babe.
How 'bout a photograph? Sure.
Hold on.
Is, uh-- Always do the photograph for Luigi.
Here.
Okay.
No! Okay.
This is fuckin' bullshit.
Can I see the photograph? No! Can I just see the photograph here? No, no, no! Can I-- Don't-- I need the photograph.
I need to-- All right.
Come on.
Okay.
If I don't get the photograph, there's gonna be troub here tonight.
There's gonna be trouble? Yeah.
Okay.
All right.
That did not bloody work.
Do not come to my car.
Do not come to my car.
Pardon? I cannot hear you.
I'm not getting a loud transmission from you.
Do not come to my car.
Walk away from my car.
Why did you get in my car? Right.
I did-- My car won't start right now.
Oh, shit.
What did you mean, your car's not gonna start? For some reason, it's dead.
The fuckin' battery's dead.
Lock the doors.
Lock the doors now, please! Get out there and just-- No! Get out there and fight him.
I ain't gonna fight nobody.
We have got case solved.
He kissed me on the lips, with my tongue and everything.
Did you or did you not see me get a photograph of him and me kissing? I saw you fuckin' out there, lookin' like a fuckin' jackass.
Why are you bullyin' on me? I'm not bullying you.
You're fuckin' making yourself look like an idiot.
I am not an idiot.
I'm a psychic, and you're afraid of me.
You're a psychic? You're a psychic? What the fuck did you do this last fuckin' hour that was so fuckin' psychic? Right.
I'm sorry.
Okay? I apologize.
Just-- Just do what you would do.
Okay.
I'm gonna go set up the rope.
Kiki.
Come on.
- Can I do a quick interview? - Okay.
Let's go over there.
Bob? Kiki.
Have you got it? I'm gonna lower the rope down.
Why don't we go and do an interview over here.
Okay.
So, uh-- Um-- What-- How would you feel if you lost Bob? I don't think he would think of it more as losing a son.
Well, he already said it was like losing a son.
- The other one, Kiki.
- So we're ready? Head down? Yeah, head down.
Cool.
Kiki, can you cut through the-- - Hey, Brendan.
What are you doing? - No.
Everything's fine.
What was Kiki doing? - Nothing.
I've told-- got Kiki to stop doing-- She's just-- doesn't know what she's doing.
What did she do? Nothing.
I don't know what you did up there.
Oh, they come.
Right, Kiki, that's yours.
Pop it in your pocket.
No, the-- the knife.
Hi, guys.
Can we turn off the camera for a sec, please? If we do-- Are you the director? Yes.
What's your name? Uh, Brendan Allen.
They're responsible for their own safety.
When someone tampers with their safety - I haven't touched anything.
You know if I fall and this anchor fails, and you guys fuck with the anchor, it's murder and it's a conspiracy.
Let's ask Kiki.
Let's ask-- Kiki, what did you do? No, let's not ask Kiki.
We're talkin' murder one, dude.
What were you doing, Kiki? Were you doing anything? What have you been doing, Kiki, with that? Kiki? It's a knife.
I did see Brendan give that knife to her down below.
No.
Wh-- Why? I saw you.
What're you saying that for? 'Cause it's true.
You're tryin' to ruin my film.
I could give a fuck about your film, man.
You sound like a real fuckin' prick too.
Oh.
I'm just tryin' to make a movie! All I'm trying to do is psychically get your car started.
Okay.
Come on.
Start the car! Just start the car.
Start-- Little more, buddy.
Are we going? Yeah.
Not fucking yet.
Come on.
Pop the hood and I'll fiddle around and see if I can pull some things off.
No, I'm fine.
I'm gonna jump it the right way.
Honestly.
Come on.
No.
Okay.
Look at me.
Look at me.
And sleep.
No.
'Scuse me.
Can I get a pint of lager? Yes.
Please? Thank you.
Thank you for coming back.
I really, really appreciate it.
I have faith in you.
Really? Yes.
She's got faith in me.
- Mate, I am so sorry.
- Well, how about shaking hands? i- How 'bout shaking hands? Let's shake hands.
- I'm sorry, man.
That's fine.
Peace.
Peace.
I'm sorry.
All right.
Right, I'm gettin'-- Drinks are on me! Everyone just put your order in.
i- Who's mad, man? - Hey, listen.
and we go to Vegas.
- Have you-- Have you ever been to one of those ribs places, where they wear the bibs? 'Cause-- Oi.
Listen to this.
You're not-- You won't believe this.
I was in one of those ribs places where they have the bibs, right? Anyhow, I'm there with my mate Mickey.
Mickey was there.
He's got-- I go off to the toilet, right, and I come back, and-- the ribs are stacked right up high.
Three times high! Here's to Mickey.
Everybody's flocking to the city of dreams, hoping to hitch their wagon to a star.
Passport, please.
What is the purpose of your visit? - I'm an actor, douche bag.
- I'm a psychic superstar.
- I'm a documentary filmmaker.
- I'm here to win prizes, sweet cheeks.
- Are you traveling alone? Uh, no.
I've got me mum in here.
What these three men don't realize is that fame and fortune are fleeting.
It's stupidity that's eternal.
Welcome to La La Land.
In Hollywood, for every fledgling actor, there's an expert waiting to help.
In preparation for an industry party tonight, Gary is meeting with a networking coach.
You're an actor, correct? Yeah.
Okay, your goal is to improve yourself with your networking and further your acting career.
And I've been in show business.
I've done acting, modeling, uh-- I was even a dancer.
I've done comedy, hosting, directing.
If it can be done in show business, I've done it.
And there's two things that I've, um, learned.
Only two things, after all that? I've learned-- No.
Don't sass me is lesson number one.
Um-- Don't what-- Sorry.
You're American, and I don't know all the lingo.
What did you say, "sense"? - Sass me.
It's like talking back.
- All right.
"Sass.
" - Yeah.
Sass me.
- I should- - I need to learn things like that.
You need to-- "Don't sass me.
" It sounds quite cool.
Okay.
And I don't know yet if you can act.
I don't-- You know, I haven't seen you perform, you know, as an actor.
- Can you do different accents? - Can do American.
Okay.
Please.
All right, man.
I'm American, man.
Okay.
That's not the way every American speaks.
- I'm Gary, man.
No.
N-No.
Forget the "man.
" - I was born in London, man.
- Forget the "man.
" Don't say "man.
" That helps me do the American thing.
Don't do it.
I just said don't do it.
If your director tells you not to do something, are you going to keep doing it? - You would be out the door by now.
- Don't sass me.
You know Medium? Medium.
Yes.
Do you know that show? Okay, imagine that with me and a private investigator.
That's why I'm gonna team up with this P.
I.
, Chico.
And you know what? I think this could be great news for me, because it will show people that I can solve crimes, Chico.
Come on.
Can you go any faster? I need to do a toilet.
I need to wee.
Have you got somewhere I can do a wee? Sorry? Have you got somewhere I can do a wee? I'm sorry? Have you got somewhere where I can do a wee? You can do "away"? Can do a wee.
I'm sorry? Have you got somewhere where I can do a wee? "Do a whey"? Sorry.
It must be the culture clash.
Yes.
Have you got somewhere I can do a wee? "Do a wee"? Do a wee.
A pee.
A "pay"? A-A pee.
Oh, oh, a pee.
You need to use the restroom.
Yes.
That's the idea.
Toilet, you say.
Hi.
Come with me.
We're gonna go ahead and meet Allen.
I'm gonna take you back to our office right now.
This is Shirley.
Hi, Shirley.
Nice to meet you.
Allen.
You ever work with a psychic before? No, not yet.
What I would do in this is, I would take care of the psychic side.
Yeah.
You would take care of the Investigation side.
Yeah.
i- Investigation side.
But we could help each other.
- 100%.
Hey, can you bring that new case in? So-- Thank you.
The information's here.
Um, she's suspecting the husband is cheating.
She thinks that he is cheating because he's working late hours.
How long have they been married for? - A while.
Uh, she said that it's not normal for him to be working late.
I mean, do you feel something in this picture? I feel that she could do better than him.
I do.
No.
Do you not? - I agree with you totally.
- From just the way he looks-- receding hair, he's trying to make up for what he's losing here here.
After two weeks in Los Angeles, filmmaker Brendan has yet to secure funding for any of his documentaries.
Undeterred, he hopes to convince producer Jeff Schubert-- Jeff Schubert - to back his latest idea.
How you doin'? Jeff Schubert.
Nice to meet you.
What about a climbing documentary? Two guys, climbing buddies.
Uh, they go up a kind of an- an icy-- icy mountain.
Um, one of them takes a tumble.
I'm close enough to get the cracks of the bones, the blood splattering on the lens.
And they have to live off their own piss for a week before they're even found.
Now this is scripted, right? No, actually doing that.
So you would have to randomly wait and see someone die? Well, not necessarily die, 'cause I think it'd be nice if there was a nice, upbeat ending-- Right.
where maybe they get found at the last minute.
But how would they be in this much peril and be on camera? I'm gonna film it.
B-- But for the audience's sake, you know, you're going on this documentary to film these two guys climbing-- Exactly.
Oh, by the way, one of them - this happened to happen.
Yes.
And then you're in a situation- It'll look like an accident-- It needs to look like an accident, otherwise I'm gonna be in a lot of legal shit.
Right.
'Cause they'll be able to say, "He tampered with the ropes.
" Right.
Right.
It'll look like an accident.
Boom.
This is what just happened to happen.
And boom, and then you're filming it - That could work.
Absolutely.
Okay, so you're gonna have a strategy here.
You have this event tonight.
Is it a party, is it-- A party, yeah.
Are you going alone? I can get, what-- a hooker or something? No.
- Well, it's easy.
I'll bring someone sexy.
I can hire someone.
- You don't hire somebody.
You ask somebody.
Tell me what you're wearing tonight or what you plan on wearing.
This means I'm looking at it? Okay.
Does it have inside pockets? No.
Where would you carry your rÃfésumÃfé? In my back-- I'll get the hooker to carry it.
You're getting a f-- I'll get the lady assistant to carry it.
Thank you.
A lady assistant and she can carry stuff.
She can carry all of it.
Tell her to carry a purse, put it-- And I'll be like, "You.
Give him a thing.
" No.
No.
Come up and give me your introduction.
You want to present yourself to me in two minutes.
I'm Gary Garner, the best extra in the world ever.
Bish, bash, bosh.
Okay, no.
"I'm Gary Garner.
" "I'm Gary Garner.
" "I just came from London.
" Think of something.
"I just came from London.
" I'm Gary Garner.
I'm here 'cause I wanna be the best actor ever.
That's better.
Keep going.
I'm hoping, with your help, I might be able to get there.
Fantastic! That's what you say! Write it down.
Write it down right now.
It's your script.
What was it? Fantastic.
"I'm Gary Garner.
" Was it the bish, bash, bosh one you liked? No.
You know which-- Come on.
I really want to get inside him, 'cause I do remote viewing.
I can get actually into that person and start seeing the world through their eyes.
Okay.
Okay.
Oh, yes.
Oh, I'm in.
I can feel him.
Um-- I'm in Starbucks.
Wait a minute.
I'm having coffee.
Don't like coffee.
Oh.
I'm eating a pastrami sandwich.
Oh, I'm gonna commit a crime.
My loins have got-- Sex in my loins.
I wanna get rid of it.
Ah, Mexican.
Mexican! Oh! Oh, it won't get out! Why won't the gas come out? I can't-- You go away-- With an erect-- - You all right? - Yeah.
I could see him.
You saw our subject? He was-- I was in him.
- That's what he's doing now? - What did he say? Gettin' coffee and some type of pastrami sandwich, and you mentioned something about an erection that you're trying to get down.
I'm not sure what that means.
I don't know, but let me take some notes right now.
Oh, fine.
Oh, shit.
I've wet myself.
Oh, fuckin' hell.
You had an orgasm? I don't know how we can tell if that is-- I don't think-- Well, I don't wanna tell.
Encouraged by producer Jeff Schubert's interest, Brendan has decided to invest his five-year-old son's school fund in his climbing documentary and begin filming immediately.
You know, if you're gonna climb, at some point, you're gonna fall, and if I'm there to catch the fall, we make some bloody money.
I'm not saying-- I don't want anybody to bloody die, Kiki.
Can I say this for the record? In fact, you should get this on camera.
Film this.
Uh, you rolling? Mm-hmm.
I want nothing bad to happen to these climbers, and if anything should happen- a tumble, a fall or a slip-- I would just like to say, for the record, that I am not for that.
That is bad, and I do not agree with any documentary maker what does that.
Brendan's a good boy.
Can you say that? "Chenna" good boy.
Brilliant.
Over in the Hollywood Hills, Gary is spending time at the home of veteran film star Ruta Lee.
Ruta is mentoring Gary through his career switch from cabdriver to actor.
Come here.
You've had a busy day today.
- Yes.
You're off to do this wonderful mee t-and-greet tonight.
Yes.
Right.
Yeah.
There will be quite a few people there, I understand.
Can you give me, like, stories so I can-- No.
No.
I cannot.
What's the best story you know? It has to be a story out of your own life.
I've got a story.
I went-- You'll love this.
Mickey, my mate Mickey-- I went out with Mickey and Tony and the boys, and we-- We was at this ribs place.
Do you have like a ribs place where you can have a bib and, like, you eat the ribs? I goes off to toilet for, you know, jimmy piss.
Come back, and they-- They put their ribs on top of mine, so mine's like double.
And I'm like, "What have you done?" And they're all lookin' at me like, "Gary!" Gary, don't tell that story.
It is so frigging boring.
It's a good story.
Come on.
Just how thrilled you are-- When I tell that story at a pub, everyone's like, "How many ribs?" I'm like, "This high.
" You keep forgetting that these people are pros-- - Yeah.
who are not the least bit interested in your stack of ribs.
On his way to meet the climbers, Brendan is drawing on his own life experience for a unique angle to his documentary film.
I mean, I think what's great about these two guys is you've got the old guy, and you've got the young guy.
Father and a son.
I mean, it's universal.
Everyone gets the old man, the young boy.
The boy learning from the old man.
The boy getting trained by the old man.
The old man taking a fall.
I mean, I'm not saying-- We'll sort something out.
Hi.
Hi.
Brendan Allen.
I'm Bob.
- Bob.
- Tony Sartin.
How you doin'? Fine.
How are you? Good, good.
Just imagine Kiki's not there.
Uh, can you hold on to this? All right.
Just pop it in your pocket.
I think I need it.
And if you get a quiet moment, if you can just start scratchin' through the ropes.
Okay, quiet now, because I do my narration live.
Okay.
Uh-- "The two pals talked happily about the up-and-coming climb.
" Tony, if you wanna T.
R.
one of those routes on the right side-- Yeah? I'll belay you, and then I could rappel off the top.
That sounds good.
That'll work.
"There was nothing about the day that seemed out of the ordinary.
"Everything seemed perfectly fine.
You could say eerily fine.
" We're goin' over here.
We're gonna do a drive-by of the residence.
We are just arriving at-- - Let me see that.
I need to make my notes.
driving by the residence.
The residence that we're watching is right down the street here.
Shall I say that into that? No.
So if a Dodge Dart's gonna pull out, we're gonna see.
You can't miss it.
Where's the Dart gonna go though? That way or this way? We don't know that.
Oh, my God.
So-- Sorry, that's spirit coming out.
Did you see that recent documentary they did on Pink Floyd? No, I didn't see it.
Is that marijuana you're smoking right now? Yeah, just-- Put that out right now.
Put that out.
I'm drivin'.
He's talking about Floyd.
I don't care.
I'm drivin'.
Put that fuckin' thing out.
There he goes, right there.
There he goes.
i- Oh, my God! - No, just stay still.
What are you doin'? Flippin' 'ell! He just went right by us.
Yeah.
Come on.
Turn around.
We are turning around.
Whoa, man! What are you doing? You're not smokin' pot in here, dude.
I'm not gonna get in fuckin' trouble because of you.
He's turning right.
Just let me do the right bit.
Let me do the right bit.
Uh-- "Subject is turning right.
" Let me see this.
- Do you want me to do driving and you sit here? I just have-- No, you're-- You're fine right-- No one-- Neither one of us are doing anything.
Yeah, you are.
You're on that, you've got the video camera.
We're fine right now.
Oh, shit.
Here he is.
You don't-- Don't duck.
You look obvious.
Don't do that.
He's gonna think that you're givin' me head right now, actually.
Because if I get pulled over and a cop smells that, I might get in trouble.
It's against the law.
We're in fuckin' America, dude.
Oh, my God! Hey.
No, out the-- No! - Have you got a bag? - Hold on.
Don't do it.
Hey.
Wait, wait.
Don't-- Hey, hey, hey! Have you got a tissue? Why'd you let me open up my mouth? You're gonna make me fuckin' throw up.
Have you got a tissue? i- What the fuck? - You're fuckin' up the case.
On the advice of his networking coach, Gary has hired a personal assistant to accompany him to tonight's event.
I've got a couple of stories.
What's the story? You tell me which one you think's best.
Do you have ribs places here where you have like a bib? Uh-huh.
Right.
Mickey and Colin and all my mates--- I was, you know, havin' a jimmy piss, and they put all their ribs on top of mine.
- Like this massive pile of ribs.
- Uh-huh.
And I'm like, "You bastards! You've gone and put all the ribs!" What's the other story? Um, my mate Mickey, back at home, he had a thingy-- Uh, what's it-- Vasectomy? When you don't wanna have anymore kids.
He's already had kids.
Vasectomy.
Okay.
What? A vasectomy? That's it.
He was in the hospital-- Sorry, I-- I'm not sure like that would be the most appropriate subject to talk about with people that you don't know, you know? "It was a perfect day.
"Blue sky above, green grass below.
"The very earth itself seemed to be rejoicing, and the love shared between the old man and the boy"-- Just not used to being called "the o man.
" Well, that surprises me, 'cause you are gettin' on a bit, aren't you? Okay.
And would you say, um, your relationship with Bob-- he's kind of guided u, he's helped you in a sort of fatherly way? Uh, I don't see it that way.
He's like a father figure to you, isn't he? No, he's not! You're wrong! Well, he clearly is.
- This guy's seven or eight years older than me.
We're almost the same age.
Sorry, Bob, could you - He's finding it difficult to answer this, 'cause you're stood right in his eyeline.
It has nothin' to do with that.
Yeah, it does.
Don't tell me what it has to do, all right? I'm a director.
You're a climber.
You know what I'm thinkin' in my head now? Yes, I do.
I can see it in your eyes.
Fuck you.
Don't be silly, all right? Fuck you.
Don't be silly, man.
Don't you fuckin' tell me what's goin' on in my fuckin' head! Right, Bob.
Can you stop doing this? Get out.
Go to the back of the car, Bob.
He's still guiding you like a bloody father now, isn't he? "Bob was like a father to Tony.
" - Bullshit.
i- He is like a father to you.
He's your boss.
- Bullshit.
This is my story, all right? It's father and son-- It's not father and son, dipshit.
But you're about to go on a climb.
I'm just tryin' to build the thing here.
But Bob's no different from any of the other 50 guys.
Bob looks like he's 70 years old.
He says you look 70, Bob! 70! If you don't wanna do this, just say you don't wanna do it, 'cause this is just stupid.
Guess what? Let's not do it.
Oh, man.
How babyish.
What are you doing? Can you calm him down? Talk to him, as a dad to a son.
Tell him! He's your son.
You speak to him.
You're the one who's caused all the problems today.
Get-- Look at him.
Hang on.
Stop being a dick, mate.
Just stop being an idiot.
Hey, let go of me! All right? Stop being an idiot.
Hey, dude, if you wanna get climbing-- Oh, don't "Hey dude" me, you old bastard.
At the networking party, Gary is finally getting his chance to work a room.
I'm Gary.
Gary Garner.
Gary Garner.
Um-- I'm gonna be the best actor in Hollywood.
I might be able to help you.
Sounds great.
Oh, I'll just do a story.
Me-- I was with my mate Mickey.
We went out for some ribs.
I went off to the toilet, and I come back-- I had like three or four stacks of ribs.
They put all their ribs back on top of the other ribs.
A whole load of ribs, all on top of each other.
- Uh-huh.
I'm like, "Who done that to my ribs?" Geez.
So there's a massive stack of ribs.
I'm like, "What the fuck have you done?" Could we just stop with the rib story? Please.
Please.
Please.
What? Why? It's not funny.
It's not funny.
You have to have been there.
It's not funny.
People are looking at you like, "What else has he got?" My mate Mickey, he-- he was in hospital, and he had a-- What is it called? Vasectomy.
You know what? And he was layin' in the hospital bed.
And his dick came up.
Like not erect, but like it's gonna be a semi, and the nurse was like, "Hey, get down!" And she flicked the end of his helmet.
It was like-- You know when you put salt on top of a slug and it retracts back? I'm the best actor, and how can I help you? You fucked up big time.
Oh, man.
You have smoked pot in the car-- No, I didn't smoke pot in the car.
Threw a joint.
He threw a joint.
Don't film this.
Do not film this.
I apologize.
And admit what you did.
I'm sorry.
Right? I'm sorry, and I admit that what I did is wrong.
Here.
All right? Big meet in the climbing store.
Go to the climb.
Look, if you just call him back, we can get this.
And that's what I wanted you like-- old times.
But it's not gonna happen.
Fine.
We haven't got that bit now.
A piggyback ride? Yeah.
You haven't got that bit, so we can cancel that bit.
i- Can we just do the climb? What's this, all this-- That's nothing.
Well, let's take a look.
No, it just ends - We can end it with you climbing.
Cheers.
Cheers.
And, uh, what's-- And you-- So, you can put me in the movies and all that? I-- I do-- I do producing for movie, yeah.
And, uh, we are set to start shooting at the end of this year.
And if it needs to be, then we get our lawyers together and we sign the contract.
Mm-hmm.
Yes.
All right.
Okay.
Those two guys are not shit.
They said they might help me with a film.
That's bullshit.
Everybody in L.
A.
wants to help you with a fucking film.
Take a look at the guy's watch.
The watch is not more than $200.
Well, let's go out then, front him out.
No.
No! This is not how we do it in L.
A.
You don't front people out.
These two guys are gonna get your fucking money, fuck you in the ass and say good-bye.
Come on.
Get me a drink.
Oh, God.
Oh, God.
He's there.
He's there.
He's there.
He's there.
Shirley and private investigator Allen Horner have trailed the suspected adulterer to a Mexican restaurant in Studio City.
Okay.
We're here now.
So what can you do for the kit? Like, what are you - What would you do as a psychic? I've got an idea.
From spirit.
This is from spirit, so I'm using psychic power.
Spirit is saying to me- What about I go in-- What are you gonna do? You gonna roost the place? We're not supposed to be seen, heard, nothing else.
He's here for a reason, and we're gonna find out what that reason is.
I can tell you why he's here, 'cause she been saying to me - to meet a lady.
Okay.
Okay.
Then why are you doing anything outside the vehicle? He's gonna meet a lady.
Because you're - Let's get in there and get him.
Do what? Fuckin' have dinner with the fucker? Right.
Can you just stop this, because why are you on the-- You're allowed the camera, the little Dictaphone thing.
You've got the car.
What have I got? All I'm getting to do is channel spirit.
Is that what you-- That's what you do.
I-- You're a psychic.
I'm a private investigator.
I'm going in.
Right.
I'm going in.
Are you receiving me? Get back in the car.
Okay, I just passed suspect, and I am observing and recording.
Suspect is on telephone.
Suspect is waiting at table.
Are you hearing me? We knew subject was sittin' at the table fuckin' an hour ago.
Yeah, he's-- Guys.
Can I just say-- I've just been speaking to Mina, right? Yes, sir.
And your watch is worthless.
It's less than $200, Mina's saying.
It's rubbish.
And you're leading me down a garden path, going, "Oh, yeah.
We're gonna sort this out for you, Gary.
" And it's bullshit.
Don't disrespect me in that type of way if you don't know who the hell I am.
And let's be honest about that.
Okay? I've worked very hard for this shit.
I invested millions of dollars in fuckin' movies! I could get you 30 people right now who will kick your ass right now that work for me! I know Bill Clinton! I didn't bring in the Rolex or anything because I didn't wanna impress anybody about this shit! I don't believe in this.
You know me.
- I don't believe it.
And this is better.
This is not what-- That's my drink.
We're-- We're actually out of here, guys, 'cause we've got things to do, all right, with real people who can actually help us, right? Please stop talking.
Stop talking.
Gary, let's go.
You are never going to make it by being that fucking honest.
They are idiots, though, and I've told 'em they're idiots.
Oh, my God.
But you cannot say that! It's better if you're honest.
You don't wanna lie to people.
You wanna tell the truth.
Then you're in the wrong industry.
You are in the wrong industry if you think you're gonna succeed in any way, shape or form.
I'm sorry, Mina.
Please.
Mina.
You're in the wrong fucking industry.
I am going in.
Wish me luck.
Everything all right with your food, yes? Everything all right with your food? Everything.
Thank you.
Great.
Everything all right with your food here? Great.
Everything all right with your food here? Okay.
I'm the manager of the restaurant.
Luigi.
Okay.
All right, babe.
How 'bout a photograph? Sure.
Hold on.
Is, uh-- Always do the photograph for Luigi.
Here.
Okay.
No! Okay.
This is fuckin' bullshit.
Can I see the photograph? No! Can I just see the photograph here? No, no, no! Can I-- Don't-- I need the photograph.
I need to-- All right.
Come on.
Okay.
If I don't get the photograph, there's gonna be troub here tonight.
There's gonna be trouble? Yeah.
Okay.
All right.
That did not bloody work.
Do not come to my car.
Do not come to my car.
Pardon? I cannot hear you.
I'm not getting a loud transmission from you.
Do not come to my car.
Walk away from my car.
Why did you get in my car? Right.
I did-- My car won't start right now.
Oh, shit.
What did you mean, your car's not gonna start? For some reason, it's dead.
The fuckin' battery's dead.
Lock the doors.
Lock the doors now, please! Get out there and just-- No! Get out there and fight him.
I ain't gonna fight nobody.
We have got case solved.
He kissed me on the lips, with my tongue and everything.
Did you or did you not see me get a photograph of him and me kissing? I saw you fuckin' out there, lookin' like a fuckin' jackass.
Why are you bullyin' on me? I'm not bullying you.
You're fuckin' making yourself look like an idiot.
I am not an idiot.
I'm a psychic, and you're afraid of me.
You're a psychic? You're a psychic? What the fuck did you do this last fuckin' hour that was so fuckin' psychic? Right.
I'm sorry.
Okay? I apologize.
Just-- Just do what you would do.
Okay.
I'm gonna go set up the rope.
Kiki.
Come on.
- Can I do a quick interview? - Okay.
Let's go over there.
Bob? Kiki.
Have you got it? I'm gonna lower the rope down.
Why don't we go and do an interview over here.
Okay.
So, uh-- Um-- What-- How would you feel if you lost Bob? I don't think he would think of it more as losing a son.
Well, he already said it was like losing a son.
- The other one, Kiki.
- So we're ready? Head down? Yeah, head down.
Cool.
Kiki, can you cut through the-- - Hey, Brendan.
What are you doing? - No.
Everything's fine.
What was Kiki doing? - Nothing.
I've told-- got Kiki to stop doing-- She's just-- doesn't know what she's doing.
What did she do? Nothing.
I don't know what you did up there.
Oh, they come.
Right, Kiki, that's yours.
Pop it in your pocket.
No, the-- the knife.
Hi, guys.
Can we turn off the camera for a sec, please? If we do-- Are you the director? Yes.
What's your name? Uh, Brendan Allen.
They're responsible for their own safety.
When someone tampers with their safety - I haven't touched anything.
You know if I fall and this anchor fails, and you guys fuck with the anchor, it's murder and it's a conspiracy.
Let's ask Kiki.
Let's ask-- Kiki, what did you do? No, let's not ask Kiki.
We're talkin' murder one, dude.
What were you doing, Kiki? Were you doing anything? What have you been doing, Kiki, with that? Kiki? It's a knife.
I did see Brendan give that knife to her down below.
No.
Wh-- Why? I saw you.
What're you saying that for? 'Cause it's true.
You're tryin' to ruin my film.
I could give a fuck about your film, man.
You sound like a real fuckin' prick too.
Oh.
I'm just tryin' to make a movie! All I'm trying to do is psychically get your car started.
Okay.
Come on.
Start the car! Just start the car.
Start-- Little more, buddy.
Are we going? Yeah.
Not fucking yet.
Come on.
Pop the hood and I'll fiddle around and see if I can pull some things off.
No, I'm fine.
I'm gonna jump it the right way.
Honestly.
Come on.
No.
Okay.
Look at me.
Look at me.
And sleep.
No.
'Scuse me.
Can I get a pint of lager? Yes.
Please? Thank you.
Thank you for coming back.
I really, really appreciate it.
I have faith in you.
Really? Yes.
She's got faith in me.
- Mate, I am so sorry.
- Well, how about shaking hands? i- How 'bout shaking hands? Let's shake hands.
- I'm sorry, man.
That's fine.
Peace.
Peace.
I'm sorry.
All right.
Right, I'm gettin'-- Drinks are on me! Everyone just put your order in.
i- Who's mad, man? - Hey, listen.
and we go to Vegas.
- Have you-- Have you ever been to one of those ribs places, where they wear the bibs? 'Cause-- Oi.
Listen to this.
You're not-- You won't believe this.
I was in one of those ribs places where they have the bibs, right? Anyhow, I'm there with my mate Mickey.
Mickey was there.
He's got-- I go off to the toilet, right, and I come back, and-- the ribs are stacked right up high.
Three times high! Here's to Mickey.