Law & Order Special Victims Unit s07e03 Episode Script

911

In the criminal justice system, sexually-based offenses are considered especially heinous In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as The Special Victims Unit.
These are their stories.
Police operator, 3529.
Where is your emergency? Hello? Where are you calling from? Hello? Are you in Harlem? I'm in the room.
What's wrong, sweetheart? I can't get out.
I'm hungry.
Hart, Hart! I need help.
Please, can you help me? Can you tell me where you are.
I don't know where I am.
Olivia, Olivia! I need you.
She says she's locked in her room.
- Is she hurt? - We don't know.
Parents probably didn't want to pay for a babysitter.
Just keep her talking till we can track her down.
Line 2.
All right, everybody.
Let's keep it quiet.
This is detective Benson.
Put it through.
Hello? Hi, my name's Olivia.
What's your name? Maria.
Hi, Maria.
You and me are gonna talk until my friends come and get you, okay? Have them come quick.
Are you hurt, Maria? I'm hungry.
My stomach hurts.
When's the last time you ate? Two days ago.
You must be starving.
What about drink? I finished water yesterday.
Please, will you help me? We will, sweetheart.
We're gonna be there soon.
Friday, September 23 It's an old phone with no GPS.
Registered to a cabbie, Ricardo Garcia.
He took an assault collar for whaling on his wife.
- Where'd the 911 call come from? - Spanish Harlem.
Probably the housing project on 115th and 3rd.
There's gotta be thousands of apartments there.
That's as close as the trace gets us.
The girl doesn't know her own address? No.
Probably because she hasn't eaten for two days.
Liv is talking to her now.
TARU moved her into the interview room where it's quiet.
Now, we gotta throw everything at this.
Elliot's on a case in Brooklyn.
Munch is running the door-to-door in the projects.
And I need you to find Ricardo Garcia.
The super said he moved last month, didn't leave an address.
Maria give us anything? She won't say her last name or tell us where her parents are.
- Why not? - She seems scared.
Olivia's still trying to get her address.
Maria, now, are you in a house or an apartment? I don't know.
Okay, how many rooms do you live in? I live in one room.
But I got so hungry and thirsty, I broke the lock, and I went in the other room.
There was a bottle of water.
I drank it.
Is the door always locked? When I'm alone.
Maria, did your parents lock you in this room? No.
I don't know.
Can you go outside? That door doesn't open.
Okay, can you see anything out the window? Like tall buildings, a bridge, a river, anything like that? There aren't any windows.
Just a bed and a picture on the wall.
What kind of picture? A garden.
Maria, how did you get the phone? I, I found it.
/ Where? In his jacket.
Whose jacket? Richard's jacket.
It was on the door.
The phone was in the pocket.
I didn't steal it.
Maria, who's Richard? My, my dad.
And what's his last name? - I don't know.
- You don't know? Doesn't he have the same last name as you? What about your mom? What's her name? Beatrice.
Beatrice Recinos.
And is she with Richard now? No.
/ Where is she? She's nowhere.
She died.
I'm sorry, Maria.
Run Maria Recinos through missing persons.
We're on it.
Cell phone is registered to cab driver Ricardo Garcia.
Ricardo? Richard.
That's the same name.
Sounds like it.
Fin called, managed to track him through the cab company.
Hey! - Ricardo Garcia.
- What did I do? - You got a cell phone? - Why? - Take it easy.
I lost it.
- Where? If I knew that, it wouldn't be lost.
You got a daughter? - Yeah, why? - How old is she? About nine, I don't know.
What do you mean you don't know? I've never seen her, because her loving mama stole her from me.
- Where's her mother live? - Spanish Harlem.
Come on, you're taking me there.
Where are you from, Maria? I'm from here.
America.
Your English is very good.
Where did you learn it? My mother taught me.
She was a teacher.
Did she teach you at home or at school? At home.
But where do you go to school? My dad says I don't need to.
Don't you ever go to stores or to the park? Do you ever go to movies? I don't go out.
You have to go out sometimes.
I stay in my room.
- Police, where's your daughter? - Why? What lies has this loser been telling you? You can't just walk in here.
He's got a bug up his ass.
My mom says I have to stay in.
Hello, Liv? Hold on, hold on, who is this? What's your name? Angela.
All right, sorry to bother you.
Are you all right, baby? Captain, this is Fin.
It's not Garcia.
His child's safe.
Okay.
Come on back.
Now, how the hell did Maria end up with Garcia's phone? Her dad could've stolen it.
He could even have cloned the number.
I thought that went out in the '90s.
It's back.
All you need is a DDI.
- Well, speak English, for god's sake.
- Digital data interceptor.
Scan the airwaves, steal any number you want.
So we can't even trace this guy through his phone bills.
We can, but it'd take days.
She's already been on 50 minutes.
John.
- Munch.
- How's it going? Oh, great.
I got 60 men trying to search TARU's gonna have to tighten the noose, or the girl's got to give us more help.
Tell me, Maria, is there anything else in the room? Like papers, letters, bills with an address on it? Nothing.
Just a big plastic bag.
Did you look inside it? It's got clothes.
What kind of clothes.
Girl's clothes.
Are they yours? I have to wear them sometimes, when I dress up.
Maria, what about your dad's jacket? Why don't you look inside and tell me if there's anything else in the pockets, okay? Okay.
Missing persons drew a blank on Maria Recinos.
- Are you getting anything? - Not a lot.
She's still afraid.
Is there any chance she's making this up? Some of the things don't make sense.
I think she's for real.
I've got a dialect expert coming in to track her accent.
- Maybe that'll help.
- Olivia.
I found a piece of paper all squashed up.
Good job, sweetheart, what does it say? Felipe's burgers.
and then lots of numbers.
It's hard, do you know the place? Maria, listen to me, this is very important.
Do you know Felipe's burgers? Yes.
/ Are you sure? It's where Richard buys my food.
out of the search area.
But if this Richard buys her food there all the time, they probably know him.
Good job, Maria, very good job.
This is it.
What do you mean? There's nothing here.
Ma'am.
You know where Felipe's burgers is? - You're looking at it.
- What happened? They had a fire three months ago.
Sold it, tore down what was left.
- Thank you.
- No loss.
Burgers were lousy.
Captain, this place is gone.
It burnt down three months ago.
Sometimes he gives me hot dogs.
- Felipe's burned down 3 months ago.
- But not with mustard, only ketchup.
I like French fries best.
Maria, when is the last time Richard brought you food from Felipe's? I, I don't know.
Two days ago? Felipe's burned down three months ago, Maria.
How is that possible? I don't know.
We've got more than 100 officers out there chasing shadows.
You have got to push her.
Maria I can't help you if you're lying to me.
He said this would happen.
Said what would happen? He said if I told the police, they wouldn't believe me.
Told them what? Maria? She hung up.
Call her again.
I'm on it.
We're sorry.
The number you have reached / Try her again.
Even if the phone is out of service, she could still make 911 calls.
We're sorry.
The number you have reached We're sorry.
The number you have reached is no longer in service.
I lost her.
We've alerted the call center.
They'll put her through if she phones again.
She won't.
I was too tough on her.
She calls here asking for help, and I accuse her of lying.
We had to find out.
You know, there might be another explanation.
Oh, what do you mean? You remember Jessica, September '04? She calls 911.
Says she's four years old and that her mommy has stopped breathing.
She gave the cops a home address, a school, even a teacher's name before she hung up.
They searched, never found a single one of them.
Dozens of cops tied up.
Thousands of hours wasted.
It was all a hoax by an 18-year-old girl.
Captain! I've got something.
I've enhanced the background.
Listen.
Felipe's burgers.
34294th street and then lots of numbers.
Well, sounds like traffic, but with something else underneath like some kind of hum.
- Play it again.
- I'll try and eq the voice out.
It's an engine, a car or truck.
She's moving? She said she was locked in a room.
She could be in a tractor trailer or in a cargo container on a flatbed.
But the phone signal wasn't moving.
Well, maybe she's parked somewhere or just moving within the search area.
Captain, this is Julia Ortiz, dialect expert.
I worked with her in court.
- Donald Cragen, Olivia Benson.
- Hey.
Tell us what you need.
Brooklyn, New York, 6:53 PM Ronda, I think it's her.
It's the same number.
Hello? Is this Maria? Yes, can I talk to a lady called Olivia? Sure, honey.
I'll put you right through to her.
Holland tunnel? She's leaving Manhattan.
Liv, Maria called 911 again.
They're putting her through.
Now, the call location has changed to near the Holland tunnel, so she must've moved.
I'm stopping the search in Harlem and sending Fin downtown.
- Any luck? - I think she's from central America.
El Salvador, Nicaragua, Honduras.
I hear more, I can narrow it down.
Olivia, it's her.
Maria, it's Olivia.
I'm so glad you called back.
I wasn't lying to you.
You didn't have to get angry.
I wasn't angry with you, sweetheart.
Yes, you were.
Your voice was angry.
No, honey, I was just worried.
Now, listen to me.
Maria, we are tracking your phone call because that's how we're gonna find you.
And I can see here that you've moved.
No, I'm still here.
Well, then is the room moving? Rooms can't move.
Why are you teasing me? I'm not, I'm just trying to work things out.
Maria, hold on, okay? What are we gonna believe? The technology or the girl? Maria, can you hear any noises? I don't know.
I think I can hear cars.
I'll see where Fin is.
Fin, it's Cragen.
What's your location? Approaching the tunnel.
Traffic's already backed up.
What do you want me to do, captain? I'll get onto port authority PD.
We shut down the tunnel.
Search every van, every truck leaving Manhattan.
Tunnel's gonna be shut down for hours.
Yep.
I'll get back to you.
Maria, were you born in New York? Yes.
No? Okay.
Maria, my friend Julia's here, and she can tell exactly where people are from just by listening to them talk.
No.
I can't talk anymore.
I'll get in trouble.
Why will you get in trouble? Richard will be angry.
He'll do things.
I have to go.
Go, bye.
No, no, Maria.
Please don't go.
It's okay, honey, please don't go.
"Me da mincho" means "I'm scared.
" It's Honduran slang.
Okay.
Honey, you're not gonna get into any trouble.
Are you from Honduras? Will you get here before he does? I will.
Yes.
Where in Honduras? Tegus.
It's what the locals call Tegucigalpa.
It's the capital.
And where in Tegus are you from? We're gonna need to talk to the Honduran consul.
Maria, who brought you to America? He's tied up.
There's some sort of reception going on at the consulate.
What do you want the consul to do? Put us in touch with the Honduran police.
Okay, I'll go see him in person.
- You know him? - Not yet.
We came across the desert and through the big fence.
A man was waiting.
He took me to New York.
And this was after your mom died? No.
She was still alive.
Your mom sent you away? To be with my dad in America.
You mean Richard.
I, I don't know.
Please, when are you coming to get me? Soon, Maria.
You have to be brave.
Did your mom send you to Richard? He made me promise not to tell.
Maria, listen to me.
Richard isn't gonna hurt you.
Did your mom send you to him? No.
She sent me to my old dad.
Sweetheart, I don't understand.
I thought Richard is your dad.
He's my new dad.
My mom and dad sold me for much money, so I belong to Richard now.
And I have to do what he wants.
What does he do, Maria? I don't want to talk about it.
Does he do bad things to you? He hurts me a lot.
And then his friends hurt me so that he can take his pictures.
Port authority PD's already got roadblocks in place.
We want all trucks, big rigs, panel trucks, tractor trailers, whatever.
Pull them onto Watts, no exceptions.
What do we got? Get it outta here.
Honduran Consulate How can you be certain she's from Honduras? A dialect expert identified her accent, and the girl herself confirmed it.
It could be a practical joke, or she's just trying to get attention.
Mr.
Farias, this girl is terrified, and she's starving.
If we don't get to her soon, then we'll find her dead body.
Then guess who'll be getting some attention? What do you want me to do? Connect us with the police in Tegucigalpa, the higher up the better.
You can open doors for us.
We got a problem, captain.
The second call came in at 6:54.
Now it's 7:29.
If she's moving, the tower position would've changed by now.
She's probably stuck in traffic, behind our roadblocks.
Well, even with those, she would've moved a couple blocks in a half an hour.
There's something else.
The phone signal.
Normally calls triangulate off three cell phone towers.
But both times, this phone is only giving us a reading off of two.
I've asked a communications expert from the FBI to come in.
But what can we do now? Ask Maria to hang up and call in again.
We'll see what happens to the signal.
No.
We can't risk losing her again.
Liv's been talking to her for nearly two hours.
We're still no closer to finding her.
What have we got to lose? You want me to hang up? For two seconds, that's all.
And then dial 911 just like you did before.
But why? Because, Maria, it's gonna help us find you.
Please, just do it for me.
Olivia, she's on.
- Maria.
- It's me.
I knew you'd come back.
Did it work? Can you see where I am now? She's in Queens? From the Holland tunnel to Queens in two minutes? - That's impossible.
- How do we explain it? We don't.
We're being played.
Olivia, can you see me now? Yes, we can see.
Then will you come and get me? Soon, honey.
Very soon.
I don't care what technology says.
This girl is real.
Listen to her.
What if it isn't a girl? What do you mean? Benson.
Hello? It's another girl.
Put her on speaker.
I'm scared.
I need your help.
Who is this? Please, I don't know who else to call.
I'm being held prisoner.
Olivia, come here.
How did you get this number? Olivia, you gave it to me, don't you remember? What the hell are you doing? It's a voice changer.
Intelligence agencies use it.
It allows you to alter your voice however you want.
What's your point? This whole thing could be a sick joke.
This sweet little girl doesn't even exist.
Olivia, did you like it? Olivia! Sorry, Maria, I liked it.
- What's wrong? - Nothing's wrong.
Your voice is angry again.
I'm not angry, Maria, I'm really not.
Why don't you say the rhyme again, and this time I'm gonna listen really hard so I can learn it too.
Nobody would invent the nightmare that she has been through.
Why are you trying to poke holes in her story rather than trying to find her? Because Munch found some spook toy? Whoever's doing this likes spook toys.
He's already using at least one device.
What are you talking about? Listen to the background.
That same sequence of car horns repeats every seven minutes.
The traffic sounds are on a tape loop.
It's called sound cover.
It enables any smartass to pretend he's somewhere that he's not, like an airport, the freeway, anywhere.
So can't we track this guy through the gadgets? I mean, where does he buy them? Sound cover is only available through a website in Germany where it's now 2 A.
M.
Voice changers are available at any spy store in the country.
You may be right.
I may be an idiot.
But I am talking to this girl until I am proven wrong.
Did Fin arrange a door-to-door in Queens? I'm not sending another hundred men on a wild goose chase.
I'm sorry.
Manzana apple / Manzana apple Verde green / Verde green Castillo castle / Castillo castle Y reina queen / Y reina queen Novak just called from the consulate.
Honduran police just spoke to Maria's mother, Beatrice.
- But she's supposed to be dead.
- No, it's the daughter who's dead.
Maria? How, for god's sake? Trying to sneak across the U.
S.
border to join her dad in Las Vegas.
Honduran cops are getting photos from mom.
Tell Liv.
I don't know if this makes it better or worse.
I'm looking for captain Cragen.
You found him.
Special agent Rachel Sorannis, FBI.
I hear you got a phone problem.
This way.
Maria Recinos is dead? Her cousin was taking her to her dad's in Las Vegas, lost her in the desert when they were surprised by the border patrol.
Did they find a body? No.
Well, that's convenient.
What if this cousin is a sleaze? And instead of losing her in the desert, he sells her to a pedophile? - That's a bit of a stretch, Liv.
- Is it? She's living with a guy who says he's her dad, and she doesn't even know his last name.
If Maria Recinos is dead, then who is that on the phone? I don't know.
Honduran cops are sending us photos of Maria from her mother.
Olivia, can I stop now? Olivia, where are you? I'm here, I'm here.
Maria, I have something to tell you.
Your mother is alive.
The police in Tegus just spoke with her.
But Richard said Richard's lying to you.
Your mother's alive.
Maria, I have to ask you a question.
What happened when you were in the desert? Did, did your cousin lose you? No, he took me through the fence and gave me to a man who said he'd take me to my dad.
But he took me to Richard instead.
Olivia, phone is saying something.
Battery low.
Any ideas? Uh, yes, we think so.
Best guess, something's diverting the phone signal, sending it to different cell towers each time a call is made.
Look, assume Maria's telling the truth.
She and her cell phone are in one place.
The nearest cell towers should receive the phone's signal.
If you vector back from the cell tower, you can get an approximate location.
But Maria's jumping all over the map.
She's in Harlem and Holland tunnel, Queens.
How could somebody make this happen? Hack into the cell company's switchboard and program a virus.
So that whenever this particular phone calls, the virus recognizes the number and diverts the signal to random cell towers.
And how do we fix this? The cell company has at least ten switchboards in Manhattan.
I scan each one for the virus and download this.
It'll spot any anomalous programs, and we can remove them.
- How long? - Cell company's giving us full access.
How long? Captain.
We got a photo coming in.
Meet Maria Recinos.
Honduran police just scanned it through.
Her mother said this was taken at her ninth birthday party.
I'll get the photo to the media.
Wait, hold on.
Show it to Olivia first.
Let's make sure it's not another stunt.
I had cousins but no brothers or sisters.
Do you have children, Olivia? No.
Don't you like them? I love them.
I would love to have a child.
You wouldn't send her away, would you? - Like my mother sent me? - Maria Recinos from her mom.
Her ninth birthday.
We gotta be sure.
Especially my cat.
His name was Chimichanga.
You know, like the food.
Maria.
Do you remember your last birthday? Yes.
Do you remember what you were wearing? A pink dress with a big yellow bow.
And mama let me wear her gold bracelets even though they were too big.
I blew out the candles on my first try.
I've seen her before.
I'm switching to the portable.
Olivia, what's happening? I'm looking for something that might help us find you.
Hold on.
Looking for what? I don't understand.
Sweetheart, I need you to hold on right now, okay? What is it, Liv? Montreal SVU did a mailing to all precincts.
Photos of a girl.
I know that I have them.
Olivia, I'm tired.
Can we stop talking now? No, baby, I need you to just to hang on, okay? Just one second.
Why don't you sing me a song? Let's check the file room.
Good.
Sing me a song, sweetie.
What's your favorite song? I don't know.
Yes, you do.
You know your favorite song.
Just sing it to me right now.
God knows how long we have until her cell phone dies.
What are you looking for? Photos of a girl.
Montreal SVU has seen her in dozens of porn shots, never able to identify.
I got it.
That's it.
It's her.
It's her, she said there was a picture of a garden on the wall.
Are you convinced? This man is one of the worst child pornographers they've ever seen, and they don't know a thing about him.
That explains the bells and whistles on the phone.
He wants to make sure his kiddie porn business doesn't get traced.
Call Montreal, let them know.
Olivia, get a description of this guy.
I'm trying.
This girl is exhausted.
Please tell me that you've got something on the trace.
We know how he's rerouting the calls but not where he's doing it from.
It says low battery.
We'll be there soon, baby.
I promise.
Sweetheart, can you describe the picture on the wall for me? It's a garden with flowers and trees.
And there's a white fence.
Is this where Richard takes the pictures of you? It's where he does everything.
Tell me what he looks like, Maria.
What color are his eyes and his hair? He has brown hair.
I don't remember his eyes.
And is there anything special about him? Does he wear glasses or have a moustache? - Are there any scars? - He has silver glasses.
And when he does bad things, he takes them off.
And he folds them up, and he puts them in a blue case.
Olivia, my eyes are sleepy.
Can we stop now? I know, sweetie.
I know that you're tired, honey.
But you have to keep talking to me.
We're getting so close, okay? You keep saying that, but you're not.
He'll be back soon.
I'll hear him on the stairs.
The stairs? When he comes to see me.
Sometimes just his footsteps.
Sometimes more.
Those days I want to die.
Stairs, no windows.
Could be a basement.
Get his description to Montreal PD.
See if it matches anybody.
And tell them he's an electronics junkie.
/ Damn it! You got anything? Eight out of twelve switchboards scanned.
Nothing so far.
- And if you're wrong about this? - Don't ask.
Olivia, can I go now? No, baby, you gotta stay with me.
But I'm not with you.
As long as you're on the phone, you're with me, okay? I'm not letting you go.
It's okay.
You can let me go.
What do you mean, Maria? My stomach doesn't hurt anymore.
I can sleep.
No, honey, you can't sleep.
You have to stay awake now.
Listen, my phone's sleepy too.
I'm gonna sleep.
Maria, listen, you can't sleep now, okay? I want you to talk to me.
Just why don't you sing to me? Sing me a song, okay? Maria, listen, listen, ready? Pollito chicken, gallina hen, come on.
Maria, Maria, please talk to me now.
You have to talk to me, okay? Baby, please don't leave me now.
Recharge battery.
My phone's going out.
Bye, Olivia.
No, no, honey, listen to me.
Ready? - The battery's going.
- We know.
Come on, Maria.
cena, dinner, cuchara, spoon.
Come on, baby, keep talking to me.
That's good.
Now just keep it going, ready? Got something! Maria, I still can't hear you.
Stay awake, honey, you've gotta stay awake.
Put me through to 118.
Come on, Maria, I can't hear you.
Virus is on your board at 118th.
He hacked in through your ODBC driver.
Just run the virus scan.
- What now? - We remove the virus.
Ask Maria to phone again.
We'll get a real trace.
Maria, I still can't hear you.
Stay awake, baby.
You've got to stay awake.
I can't.
Yes, you can, Maria.
I know that you can.
Talk to me, honey.
Sing to me, anything.
Virus is removed.
They found it, Liv.
She's gotta hang up and call back.
Maria.
My friends fixed the phone.
Now, all you have to do is dial 911, and we're gonna know exactly where you are.
Please, Maria, just one more time.
Come on, honey.
Hang up, dial 911, just like you did before.
I know that you can do this.
Maria, wake up! Maria! Maria? Who is this? This is the police.
We know exactly where you are.
No, you don't.
No.
No! Amber alert is out on Maria.
Montreal sent us more photos.
Munch is going through them, looking for location cues.
Fin and Sorranis are at the cell company switchboard.
And the judge has given us warrants to examine company employee files, cross-check against sex offender registries.
We'll find this guy.
He's not gonna be on any registry.
He took a girl that nobody would miss.
He kept her in a place that nobody would find.
We'll find him through the cell company.
If he just hacked in, he'll still have left some trace.
Even if we catch him he's had plenty of time to get rid of the body.
I hear you had a date.
Yeah.
Even had theater tickets.
To what? Spamalot.
I hear it's funny.
Detective Tutuola.
Come and pollute your soul with some child porn, my friend.
Any luck with the phone company? No.
You get anything here? Not yet.
Now, look at this beside the bed.
What? The cup? The logo on it.
Fill it, fill it, Fel - Felipe's.
- Felipe's burgers.
She read the cup.
That's why she thought that Richard brought her food from there.
That place burned down.
You want us to go back there? Across the street from Felipe's there's an electronics store.
Our perp's a communications freak.
This place has been closed a while, Liv.
Do we get a warrant? On what grounds? Police! Stop the car! Hey! Hey! What is this? Police business.
I don't understand.
What did I do? Empty.
What do you know? Richard Dwyer.
What are you doing here, Richard? I stopped to buy a soda.
You live all the way in Long island.
You came way over here to get a soda? I was passing through.
What the hell are you looking for? Nothing here.
What do you have to do with that store? - Why do you want to know? - Why won't you answer her? Maybe his keys will open the door.
Hey! You can't do that! Keep him here.
Give me that light.
Maria Maria? It's the stairs.
Ammonia.
He cleaned up.
Maria? Maria! Maria He got her.
But he only got her an hour ago.
She could still be alive.
Bring him down here.
This is Maria Recinos.
I spoke to her for more than two hours today on your phone.
That's impossible.
My phone's been with me the whole time.
She described you.
She told me everything that you did to her, here in this room.
We have hundreds of photos like this, all taken here.
Please, I honestly don't know what you're saying.
I'm a day trader.
I live on Long island.
Then why do you have the keys to the store? It belongs to my dad.
I hardly ever come here.
I'm trying to sell it.
Then where are you gonna make your child porn? I would never do such a thing.
I swear, I haven't been down here in years.
Maybe one of the people who worked for my dad kept keys.
- I can give you names.
- Why are you here tonight? I had a business meeting downtown.
I stopped by to check everything was okay.
You know where she is.
Now, if she dies, I promise you I will make the rest of your life hell.
You can't do this to me.
I want my lawyer.
I want my lawyer.
Fin! If I'm not under arrest, I want to go.
You said you had a business meeting.
That's right.
/ So why have you got mud on your shoes? Get off me! You can't do this! Soon as the lab gets this, they're gonna tell us exactly where you buried her.
Last chance, Richard.
Where is she? Liv, look at this.
Burnt wood.
Felipe's burgers burned down.
There was charred beams.
She's in the empty lot.
Okay, divide it up.
Look for any disturbed or darker earth footprints.
Let's go.
I got something! This ground's been disturbed.
Footprint.
We need to dig.
Get some tools! Okay, use wood, get pieces of fence.
Anything! Wait! Wait! Dig! What the hell is this? - I smell chloroform.
- Oh, god.
Help me lift her up.
Come on, come on.
She's not breathing.
Okay.
Stay with me.
Come on, Maria.
Come on, girl.
Come on, yeah.
Yeah, it's okay, honey.
It's okay.
Good girl.
It's okay.
It's okay, Maria.
It's okay.
Olivia.

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