Lethal Weapon (2016) s03e05 Episode Script

Get the Picture

1 I been caught stealing Once, when I was five I enjoy stealing It's as simple as that Well, it's just a simple fact When I want something And I don't want to pay for it Well, I walk right Through the door Hey, walk right through the door Uh-huh Hey, all right If I get by (TIRES SCREECHING) Get out! Get out of the truck! Now! Get out of the truck! Come on, I said out! Down! Don't move.
(GRUNTS) On your knees.
I said get down! All right, Gatanas, get the truck ready.
Hurry up! (GRUNTS) Down.
All right, trailer's down.
Unhook the electrical.
Let's go, let's go! Hey! Gatanas! (GUN COCKS) (GUNSHOT) (GROANING SOFTLY) There (SNIFFING) There is a mirror reflecting Hey.
Happy birthday.
Andrew! (LAUGHS) Oh, it's nothing fancy.
You know, it's some baked eggs with chorizo in a fire-roasted tomato ragout.
Mmm.
Maybe it's a little fancy.
Come here.
(KNOCKING) (SIGHS) Morning, guys.
(SNIFFS) Ooh, I smell chorizo.
Cole, Maya doesn't leave for school for another 30 minutes.
Ooh, that looks delicious.
I know, I know.
I just wanted to come early and bring you your birthday gift.
(LAUGHS) Wow.
You really didn't have to do this.
- When Nat and I first met - He doesn't want to hear this.
No, it's fine.
I-I do.
Go on.
Well, Nat was treating me in a medical tent in Kashmir, and she kept complaining about the shampoo.
So I used my CIA connections to get her some alshier alsihariu, which is Arabic for "Magic Hair.
" Hmm.
He can tell a story.
I'm gonna get Maya ready.
Mm.
- He's such a sweetheart.
- What are you doing? What? Me bringing you shampoo on your birthday is our thing.
No, Cole, there is no thing.
I have a serious boyfriend, who already feels uncomfortable around you.
What do you mean? (SIGHS) He's got it in his head that you're this real-life action hero that I had this torrid love affair with.
- Which is ridiculous.
- Yes, but kinda flattering.
Listen to me.
I really like this guy, okay? Please don't mess it up.
Andrew and I just need to rap a little bit and get to know each other.
Okay? I'll just swing by the hospital later.
Do not.
It never ends well when you try to fix things.
Which is why I'm due.
I'm kidding.
Wait for Maya in the car, please.
Sure, but if you're not going to use the Magic Hair Thank you.
- Are you guys gonna eat all that? - Cole.
See you later.
RIANA: Please, Mom.
TRISH: The answer is no, Riana.
RIANA: You're being so unfair.
TRISH: How am I being unfair? RIANA: 'Cause you're not listening to me.
TRISH: I'm listening, you just don't like the response.
No need to knock.
Thank you.
RIANA: No, you haven't.
TRISH: Well, then you're the one who's not listening.
- RIANA: Ugh! You're the one - (CHUCKLING) who's not listening.
I hate it here.
What's that? Hey, baby, what's-what's going on with you and your mother up there? Why did you order a bilge pump? I thought you got rid of your boat.
(CHUCKLES) Well, that's a - an interesting story - Oh, my God, you still have it.
Shh! Shh! - Mom is going to freak.
- No, she's not, because you're not going to say anything.
Really? Riana not another word about that concert.
Oh, but you haven't even asked Dad.
Oh, well there is no need.
We are on the same page.
You'd be surprised.
Riana wants to go see Migos in concert this Thursday, even though she has school the next day.
And so do my friends, but they're all going.
And your point is? I'm just pointing out that we're all in the same boat.
Right, Dad? (SIGHS) Well, a-actually, honey, uh, Riana makes a point.
Maybe we can just, uh, make an exception this one time.
Yes! Thank you so much.
- Oh, you're messing with fire.
- (CHUCKLES) Thank you.
That-that kid, you know.
Look, I know you may think that I undercut your authority, but it's just this one time.
And I-if I reverse my decision, then I undercut my own authority.
You see the conflict? Which is what I'm gonna do, because I was wrong in the first place.
Exactly.
Tell her soon.
Yes, ma'am.
You try and set an example for your kids, and they turn around and try to blackmail you.
How's lying about having a boat setting a good example? Do you think I really want to be challenged right now? Okay, well, if it makes you feel any better, my ex just told me that I make her boyfriend uncomfortable.
I think he's worried that I'm still into her.
- Are you? - No.
Why do you ask? I don't know, I you're always talking about her.
And I've never heard you hit on another woman.
Well, maybe I haven't met one worth hitting on.
Or you don't have game.
(SCOFFS) (CHUCKLES) I have plenty of game.
What do you think, Bailey? (LAUGHS) I'm sorry.
Cole with game? I don't know.
I've never seen him hit on anyone.
- What? - Right? Exactly.
Info on the hijacked truck.
The crew swapped the cabs because the original one had a tracking system in it.
Detective Murtaugh and Cole, this is Lena Bechara.
She works for the owner of the art that was stolen, Victor Halderman.
- Nice to meet you.
- COLE: You studied in England, but you grew up in Jordan.
No.
Lebanon.
I beg your pardon? I like to guess people's accents.
I kind of have an ear for it.
Well, I suggest you get it checked, because you're wrong on all fronts.
Are these two my only option? Trust me, Ms.
Bechara, you're in very good hands.
I'll believe that when we get our art back, officer.
Here's a list of the items on board.
I'm sorry about the accent comment.
I, uh, just spent some time in those countries.
With the military? - More or less.
- I see.
Well, I hope you're as good at finding things as you are at destroying them.
No game.
Nope.
What's the chief doing here? Victor Halderman must have friends in high places.
The art needs to be returned in one piece, is that clear? Don't worry.
My officers are always cautious.
Are you and Cole not on the case anymore? You've been very snarky lately.
Halderman is sailing back from Central America and should be in L.
A.
by 4:00.
I'd love to have some positive news for him.
Absolutely.
We're on it.
Thanks, Captain Ainsley.
(MOUTHS) (GIGGLING) - These cases - That's right.
Apparently, the chief does not know my name, and do you know why? Because you haven't given him reason to.
That's why we need wins, starting now.
So what do we know about this case? Relax, Cap.
We ran the background on the two dead crew members.
Both of them did minor jail time.
Also, large traces of titanium dioxide a chemical used to make paint was found on their clothing.
- What about the driver? - Well, he's in critical but stable condition.
Cole volunteered to go question him.
- Good.
Well, let's keep digging.
- Yes.
Let's find that truck.
I want a win.
You got it, Ainsley.
Too soon, Bailey.
Her snarkiness off the charts.
MAN: Then I turned and he fired.
Got it.
Is there anything else you can tell us about these guys? I remember hearing the name Gatanas.
- Gatanas.
- (INDISTINCT CONVERSATION) I'm sorry.
With a with a G? As in Gwen Stefani? - Sure.
- Yeah, great.
Anything else? No? Keep thinking about it.
I'll be back.
- (LINE RINGING) - BAILEY: What's up? He overheard the name Gatanas.
Hold on.
That sounds familiar.
Yes.
One of the truck hijackers was a former cellmate with a Petros Gatanas.
Great.
Try to get an address.
Hey, Andrew.
Cole.
What are you doing here? I was just in the area, and I was just wondering if it was a good time to chat? Um, Cole, I'm at work, and we're in an elevator.
Don't worry.
Just take a minute.
(ALARM DINGS) Cole, y-you're making me a little nervous.
Exactly.
Hence the reason for my visit.
Andy, we need to get more comfortable around each other.
Agreed.
Uh, maybe we can start by pushing that button.
Sure, sure, after we rap a bit.
So Game of Thrones.
How cool is that show? Cole, I really don't do well in closed spaces.
(ALARM DINGS) - Oh, ow.
- Man.
- Cole, did you just head butt me? - Oh, I'm sorry.
It was an accident.
I was reaching for this engagement ring? (ELEVATOR BELL CHIMES) It's gorgeous, by the way.
Princess cut? MURTAUGH: So you went to fix the problem and ended up - making it worse.
- Natalie calls it "pulling a Cole.
" (CHUCKLES) Yeah, well I'm sorry about the ring.
That's tough.
Why? I'm totally happy for them.
- Over the moon, in fact.
- (CHUCKLES): Yeah.
I can tell by the giant vein bulging in your neck.
You're totally at peace with it.
So, we're supposed to just drive around looking for Gatanas? Bailey said that he's somewhere in the Warehouse District based on her triangulation business that she does.
Did she say that there was chemicals used to make paint on the two crew members who were shot during the heist? Yeah, why? MAN: Two of my men got killed, okay? You paid us to get you your art, and we got it.
Now, I want my damn Okay, someone hired him.
- MAN: You hear me? - No.
H-Hold on.
If there's a firefight, paint thinner in those tanks could blow up the whole collection.
I don't care about no collection.
What about us? Exactly, it's a lose-lose.
So, then, what's your plan? Okay, here's the plan.
I'm gonna go in there and draw him away from his gun.
You go in when I give you the signal.
Okay, which is what? You'll know when you see it.
No, I want to know now.
You'll know.
You'll know.
Tell me, tell me, tell me.
No, no.
Excuse me.
Hi.
I, uh, I'm on my way to the Laker game, and I would love to paint my entire body gold first.
I was wondering if you could help me out with that.
(BLOWS) Swish.
Okay, is that the signal? We're not open.
COLE: Aw.
That is so disappointing.
You sure you can't, uh, slip me a gallon on the QT? Is that it? Purple also works.
- That's not it.
- I mean, if I show up like this, I'm gonna look like an idiot.
You know what I'm talking about.
Right? Right? Oh, that's it.
No, that's not it.
Roger.
Roger.
LAPD, put it down! COLE: Roger, the art! MURTAUGH: I'm working on it.
(COLE SHOUTS) (SHOUTS) (GRUNTING) Oops.
Okay.
Yeah, so, we messed up a few paintings, but overall, - not that bad.
- Who says we don't get wins? (GLASS SHATTERING) - Avery's gonna be pissed.
- Big-time.
Oh, this is a classic: fire damage and bullet holes.
- What the hell happened? - We had a communication issue.
If you wanted the signal to be a fist, you should have said that.
I thought it was pretty obvious.
MURTAUGH: No, a loud whistle is obvious.
Or even a "ca-caw, ca-caw" is obvious.
But a fist I don't know what that is.
What is this, Captain? COLE: I actually don't "ca-caw.
" For personal reasons.
(DOOR OPENS) Congratulations.
I heard your shock and awe campaign against our art was a success.
- I'm sorry, and you are? - This is Lena Bechara.
- She works for Victor Halderman.
- AVERY: Right, of course.
We are so sorry.
Please assure Mr.
Halderman we'll catch the person responsible.
I'm sorry, will catch? So you neither protected the art nor caught the person that stole it? Did I get that right, Captain? Ainsley.
Where are the pieces now? - I want to see them immediately.
- Right.
I'm sure one of these officers will happily take you.
- Detective Cole? - He just made a fist.
He's Officer Cole.
- I don't think I made a fist.
- (PHONE BUZZES) Don't worry, Captain.
We're gonna get this fixed.
I hope so, because I am so tired of not getting any respect around here.
- RIANA: What's up, Dad? - MURTAUGH: Hey.
You-you remember when I said that you could go to that concert? (CHUCKLES) Well what I had meant I hope you're not changing your mind, because it would be unwise to rock the boat at this point, if you know what I'm saying.
I know exactly what you're saying.
And do you think you're gonna get away with this, young lady? I could ask you the same question.
Okay.
(CHUCKLES) Maybe there's an arrangement that can be made.
What if I bought all the Mugo albums? It's Migos, and nice try.
I want tickets to see them this Saturday in San Diego.
Fine.
For me and five friends.
Are you kidding me? And they'd have to be great seats.
- General admission.
- Floor.
Upper level.
Floor.
You know that this is extortion.
I can have you arrested.
- You know that? - Thanks, Daddy.
Love you.
- MURTAUGH: You don't - (BEEP) me.
Love doesn't hurt their d Hello? - What's she got on you? - You know what, Bailey, this is a snark-free zone.
- Let's keep it that way.
- Fine.
But it turns out Gatanas was paid from an offshore account the day before the robbery.
I traced the IP address, and guess what it's linked to? Halderman's gallery.
So Halderman robbed himself so he can collect the insurance.
Okay.
Maybe it's time to pay him a visit down at the marina.
Hey, can I give you a hand? Thanks, but the goal is to not destroy any more artwork.
(SIGHS) Where is that? Anfeh Beach.
My mother used to take me there as a child.
In Lebanon's Koura District.
I've been there.
You've been to Anfeh? Yeah, long time ago.
You are from Lebanon.
You lied to me.
I just didn't feel like being hit on at a police station.
I wasn't hitting on you, okay? I just have an ear for accents.
Fine.
My apologies.
Anfeh's gorgeous, by the way.
It's very romantic.
Well, next time you should bring someone.
I did, actually.
We're not together anymore.
She's getting proposed to.
An anesthesiologist.
I'm over the moon about it.
(SIGHS) I'm afraid I misjudged you, Cole.
- You'd be crazy not to.
- And if it makes you feel any better, no woman's excited to marry someone who puts people to sleep for a living.
I've never had that problem.
I bet you haven't.
MURTAUGH: Mr.
Halderman.
LAPD.
Like to ask you a few questions.
Uh-huh? About what the millions your department just torched? Come with us downtown, and we'll explain.
Oh, I prefer to stay on my giant yacht, - but, uh, thanks.
- Suit yourself.
We know that you're committing fraud.
Oh, fraud? - Oh.
- Sounds more illegal when he says it.
And how exactly have I been doing that? Your gallery wired money to the man responsible for the theft of your art two days ago.
- Uh-huh.
- I believe this is your signature on the approval form? Not even close.
And two days ago I was in Panama, scouting artifacts.
Does anybody else have access to that account? Yeah.
One person.
COLE: I mean, I do have to confess, I might have been flirting with you this morning, like, a little bit.
I have a confession, too.
I kind of liked it.
(PHONE RINGS) Sorry, it's my partner.
What's up? - Are you with Lena? - Yeah, and she's loving me, okay? Who's got game now, buddy? This guy.
She's the one who hired Gatanas.
- Arrest her.
- What? Sorry, Cole.
(GRUNTING) Murtaugh.
Hang on.
(GROANS) Hey, you okay? Never better.
(GROANS) (ENGINE STARTING) Huh.
I guess she's the one that got away.
To recap, you guys destroyed most of Halderman's art, falsely accused him of fraud and let the real thief escape.
I'd worry you were trying to destroy my good name, but luckily, the chief doesn't know it.
So, what do we know about this Lena? Uh, not much, because it's not her name.
Lena Bechara died a year ago at 80.
- It was a phony identity.
- Great.
So we've got nothing.
Well, we know that she's originally from Lebanon, and that she has an emotional tie to the painting.
If we learn more about it, then we'll learn more about her.
Sure, run with it.
- (PHONE RINGS) - Oh.
That's Trish.
- Look, I'm still not convinced that - (PHONE RINGS) Halderman's hands are clean in all of this.
Yeah, Trish.
Oh, yeah, he's right here.
I don't know why he didn't answer.
(WHISPERING): I know that you're frustrated, but this is petty.
Answer the phone.
Hey, Trishy.
Uh, yes.
N-No.
I'm in a bad area.
I-I know.
I'm in the captain's but I'm under a beam.
Okay, I'll be right there.
(DOOR OPENS, CLOSES) Roger.
Good evening.
Did you buy $1,500 worth of tickets to see Migos this Saturday in San Diego? Uh yes, because they are terrific, and I figured it would be fun if you and I went and just made a weekend of it.
Roger, what's going on? (CLEARS THROAT) Okay, you want the truth? - I do.
- The truth is that - Dad still has his boat.
- Wait.
What? Your boat? Roger.
Okay, it's true, and she used that information to blackmail me.
- TRISH: To wh? - Mm-hmm.
- Riana.
- Get on her.
Okay, okay.
Let's deal with one awful decision at a time, shall we? Go.
Why don't we deal with hers first? Okay, look, I just couldn't get rid of her.
I mean, Lucille is my sanctuary.
Sanctuary from what? From all of this.
I mean, sometimes, all I get is grief from you people.
- You people? - You Murtaugh people.
The Murts.
Listen, Lulu is one of the few places where I can go and be alone.
Well, maybe now's a good time to pay her a visit.
(DOOR OPENS, CLOSES) - (SIGHS) - (CLEARS THROAT) So, um, if you aren't gonna use those tickets Uh.
I'll be upstairs.
(SIGHS) COLE: Thanks for staying late, Bailey.
Oh, please.
Once I take an airbag to the face, I'm all in.
Wait.
There.
That's it.
Shati Bahr by Aleah Khudari.
What can we learn about her? What exactly are we looking for? That one.
This is an obituary from 2000.
"Aleah Khudari, a prominent "local artist, was killed during a rebel attack "near her home in Tripoli.
She's survived by her daughter Layla, age ten.
" So today, Layla would be 28.
Let's see if she has a passport.
Layla Khudari.
Layla Khudari.
Find out if she's booked on any international flights.
Where do you think she's going? Well, my guess is now that she's got the painting from Halderman, she wants to take it home.
(INHALES SHARPLY) (GROANING) (GROANS) COLE: Who would have thought running from the cops on a racing bike could be so dangerous? Drop the gun, Layla.
- You need to go to the hospital.
- I need to go home.
(GROANS) No one was supposed to die in that robbery.
I just wanted what belonged to me.
I believe you.
I know all about your mother's painting, but you have to drop the gun.
(SNIFFLES) I won't take you to a hospital, but I can get you help.
But you got to trust me.
Do you trust me? (KNOCKING) I was in the middle of my birthday dinner.
This better be an emergency.
She needs your help.
- Okay, all done.
- Thank you.
You should try to get some sleep.
Here you go.
Do you have a minute? - (WATER RUNNING) - She has a bad wound.
Possibly a broken rib.
You should get her to a hospital for X-rays.
I will.
Thank you so much.
Cole, what is going on? Did you just tag me into a really weird first date? No, that-that's not what's happening, okay? Trust me.
Then what is it? Is she like an international art thief or something? (LAUGHING): Yeah, right.
Tell me what's going on.
You've interrupted my birthday twice now.
I can't.
You can't.
Of course you can't.
Our entire relationship was built on that phrase.
You should put it on your tombstone.
Nat.
(DOOR OPENS) I'm just trying to protect you.
That's the woman you went to Anfeh Beach with, right? (FOOTSTEPS APPROACHING) Who's there? Whoa.
Relax.
I've been calling you all morning.
Did you sleep here? It's actually quite comfortable.
Is it? It doesn't look comfortable.
Can I help you with something? We were right about Halderman.
The gallery in Colombia that he was shipping to is actually a shell corp set up by people who are associated with a Colombian guerrilla group called BACRIM.
Doesn't sound like art aficionados.
Where's Cole? I don't know.
He won't answer, either.
COLE: So, last night you mentioned Halderman was responsible for your mother's death.
How so? He was doing business with the rebel group that killed her.
- Whoa.
- And her painting ended up in his possession.
What would you think? (PHONE BUZZING) I'm sorry.
One minute.
Roger.
- I've got an update.
- MURTAUGH: Me, too.
Halderman's last art shipment was going to BACRIM.
BACRIM? The Colombian gang? MURTAUGH: No, as in the boy band.
Yes, the gang.
Who are you talking to? Is that Lena? Don't worry.
She's not going anywhere.
Halderman's whole business is dealing with rogue military groups.
What's he providing them? I'm not exactly sure, but it's expensive.
BACRIM paid him ten million for that art even though it's worth no more than two.
I can't hear you.
Put us on speaker phone.
I think I just figured out what Halderman is really selling.
MAN: Where are my chips?! Relax.
Relax.
- We paid you a lot of money for them.
- All right, relax.
Relax, man.
Relax.
Come on, they're all in tubes at LAPD, you know? I'm-I'm confident I'll get 'em back soon.
One, however, was taken, but the second that this is activated, we're gonna know precisely where it is.
There.
Huh? Yeah.
Yeah.
See? - (GRUNTS) - (THUMP) LAYLA: What did you find? This is a plan for an RDD.
These animals are trying to build a dirty bomb.
- (KNOCKING) - Roger? If you guys wouldn't mind removing your shoes before entering, I'd really appreciate it.
- (PHONE RINGING) - Looks like Cole was right.
All of these tubes have chips in them.
That's him now.
Hey.
Where the hell have you been? We got the rest of the chips.
Yeah, about that, Roger.
I got a new friend who wants to talk to you.
I believe you have my paintings.
Who the hell is this? And what are you doing with my partner? I want you to deliver them to me within the hour, on the water so we know you're alone.
If not, we will chop up him and his friend and feed them to the sharks.
Sharks don't feed until dusk, so we have at least four hours.
Granted, that's not quality time.
Do you always joke when your life's in danger? That's how I cope.
Please stop coping.
Don't worry.
My partner's on his way.
He knows exactly what to do.
(ENGINE RUMBLING) You're in neutral.
Wait, wait, wait.
Whoa, whoa, whoa, whoa, whoa.
Wrong direction! Wrong direction! Go back! Back, back, back, back, back! Have you ever driven this thing before? I'm not even supposed to have it.
- Okay, maybe we should call Avery.
- No.
I got to go this alone.
Besides, I got this.
Whoa Murtaugh Murtaugh, do you know what you're doing? Stay out of sight.
And be ready to drive off if things go south.
Good luck.
And thank you.
For what? The fresh air.
Ahoy there, Cap'n.
Did you bring them? Watch out! Watch out! What was that? We're taking on water.
MAN: Give me the chips! (GRUNTING) (GRUNTING) (GRUNTING, STRAINING) Help! Cole.
- Cole - No! No! (GRUNTS) Bailey! Go! (ENGINE STARTS) You see? A fist is the perfect signal.
BAILEY: Uh, guys? The bullets ripped a hole through the boat.
We're going down.
My first and last voyage.
We need a plan.
You got a bilge pump? This great city trusts you to keep it safe, and today you more than met that challenge.
That's why I wanted to thank you for foiling - this international arms deal.
- Thank you, sir.
MAN: Good job, Murtaugh.
WOMAN: Good job, guys.
WOMAN: Way to go.
Um (CLEARS THROAT) here's a few expenses that you accrued in the process.
(CLEARS THROAT) A boat? Her name was Lucille, sir.
Lulu, I called her.
Anyway, uh, Captain Avery said that I should clear any reimbursements with you, Chief.
- Who the hell's Captain Avery? - Exactly.
(STAMMERS) Can you give us a minute? Are you going to miss me? Well hopefully, you won't be gone long.
I'm betting that they're gonna give you a reduced sentence for cooperating.
Thank you, Cole.
For everything.
And when you get out, your mother's painting will be waiting for you at the National Museum of Lebanon.
Where it belongs.
You need to tell her, Cole.
Tell who? The one you took to Anfeh.
Your ex.
Tell her you still have feelings for her before it is too late.
- The boat is gone.
- Hmm.
I've heard that before.
Well, this time it sleeps with the fishes.
Honey I am sorry about your sanctuary.
It wasn't really about that.
Besides, any grief that I feel from you guys is tiny compared to the grief I feel when we're apart.
Then why was it so important to you? My entire life, I've only been one place.
And even though I never took the boat anywhere, just knowing that I could was enough.
Well, you just say the word, and I will go anywhere with you, Roger Mayfield Murtaugh.
(LAUGHS) And besides you are going somewhere.
Oh? - Mm-hmm.
- Where? Mm.
To see Migos in San Diego with your daughter and five of her screaming friends.
(LAUGHS) Wine? - (WHISPERS): Yeah.
- Okay.
- Lots.
- Lots of wine.
(LAUGHS) (QUIETLY): Natalie, there's something I haven't been totally honest with you about.
No.
Natalie there's something I have to tell you.
Cole.
Hey.
We meet again.
(CHUCKLES) Andrew.
Is, uh, is Natalie here? She's not, actually.
She's not home yet.
Is there something I can pass on for you? No, just some Maya scheduling stuff.
I'll call her.
Hey, Cole.
Before you go I just want to say thank you.
For not telling Natalie my secret.
No problem.
Yeah.
I'm actually really nervous about the whole thing.
I'm doing the traditional thing, you know, roses, champagne, a walk on the beach.
I I don't know, do you think she'll like that? I only ask because you two go way back.
I think she'll love that.
- Yeah? - Yeah.
Good luck.
Thanks.
Cole.
What are you doing here? I-I just came to thank you for being there for me last night.
Oh.
Always, Cole.
You know that.
That's why I love you.
The book of love Is long and boring And written very long ago It's full of flowers And heart-shaped boxes And things we're all too young to know (PHONE RINGS) Hey.
MURTAUGH: Hey.
What are you up to? Oh, I just went to my ex's house to confess my feelings, and I got cold feet.
How about you? Mm, well, I'm sorry to hear that.
Maybe you shouldn't be alone this weekend.
What do you got in mind? Me, you, concert, San Diego, ladies.
Sounds awesome.
There's a catch.
If you touch the ladies, I'll kill you.
That sounds less awesome.
There's more.
Are you familiar with this group, the Mugos? Roger, some alone time actually sounds nice.
No, no, no.
You owe me for the "bilge pump" comment.
(COLE CHUCKLES)
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