Monty Python's Flying Circus (1969) s01e06 Episode Script

The BBC Entry for the Zinc Stoat of Budapest

1 IT'S MONTY PYTHON'S FLYING CIRCUS.
U.
S.
DEPARTMENT OF EDUCATION and A&E TELEVISION NETWORKS.]
I THOUGHT YOU DID THA SO WELL, MR.
FIGGIS.
COULD I HAVE YOUR AUTOGRAPH? CERTAINLY, YES.
BEETHOVEN, MOZART, CHOPIN, LISZT, BRAHMS, PANTIES I'M SORRY.
SCHUMANN, SCHUBERT, MENDELSSOHN AND BACH.
NAMES THAT WILL LIVE FOREVER.
BUT THERE IS ONE COMPOSER WHOSE NAME IS NEVER INCLUDED WITH THE GREATS.
WHY IS IT THE WORLD NEVER REMEMBERED THE NAME OF JOHANN GAMBOLPUTTY DE VON AUSFERN- SCHPLENDEN-SCHLITTER- CRASSCRENBON-FRIED-DIGGER- DINGLE-DANGLE-DONGLE- DUNGLE-BURSTEIN-VON-KNACKER- THRASHER-APPLE-BANGER-HOROWITZ- TICOLENSIC-GRANDER-KNOTTY- SPELLTINKLE-GRANDLICH- GRUMBLEMEYER-SPELTERWASSER- KURSTLICH-HIMBLEEISEN-BAHNWAGEN- GUTENABEND-BITTE-EIN-NURNBURGER- BRATWUSTLE-GERSPURTEN-MITZ- WEIMACHE-LUBER-HUNDSFUT- GUMBERABER-SHONENDANKER- KALBSFLEISCH-MITTLER-AUCHER VON HAUTKOPFT OF ULM? TO DO JUSTICE TO THIS MAN, THOUGHT BY MANY TO BE THE GREATEST NAME IN GERMAN BAROQUE MUSIC WE PRESENT A PROFILE OF JOHANN GAMBOLPUTTY DE VON AUSFERN-SCHPLENDEN- SCHLITTER-CRASSCRENBON-FRIED- DIGGER-DINGLE-DANGLE-DONGLE- DUNGLE-BURSTEIN-VON-KNACKER- THRASHER-APPLE-BANGER-HOROWITZ- TICOLENSIC-GRANDER-KNOTTY- SPELLTINKLE-GRANDLICH- GRUMBLEMEYER-SPELTERWASSER- KURSTLICH-HIMBLEEISEN-BAHNWAGEN- GUTENABEND-BITTE-EIN-NURNBURGER- BRATWUSTLE-GERSPURTEN-MITZ- WEIMACHE-LUBER-HUNDSFUT- GUMBERABER-SHONENDANKER- KALBSFLEISCH-MITTLER-AUCHER VON HAUTKOPFT OF ULM.
WE START WITH AN INTERVIEW WITH HIS ONLY SURVIVING RELATIVE KARL GAMBOLPUTTY DE VON WHEN I FIRST ME JOHANN GAMBOLPUTTY DE VON AUSFERN- SCHPLENDEN-SCHLITTER- CRASSCRENBON-FRIED- DIGGER-DINGLE-DANGLE- DONGLE-DUNGLE-BURSTEIN- VON-KNACKER-THRASHER-APPLE- BANGER-HOROWITZ-TICOLENSIC- GRANDER-KNOTTY- SPELLTINKLE- GRANDLICH-GRUMBLEMEYER- SPELTERWASSER-KURSTLICH- HIMBLEEISEN-BAHNWAGEN- GUTENABEND-BITTE-EIN-NURNBURGER- BRATWUSTLE- GERSPURTEN-MITZ- WEIMACHE-LUBER-HUNDSFUT- GUMBERABER-SHONENDANKER- KALBSFLEISCH- MITTLER-AUCHER VON HAUTKOPFT OF ULM WHEN HE WAS WITH HIS WIFE SARAH GAMBOLPUTTY DE VON YES, IF I MAY JUST CUT IN ON YOU THERE, HERR GAMBOLPUTTY DE VON AUSFERN-SCHPLENDEN- SCHLITTER-CRASSCRENBON-FRIED- DIGGER-DINGLE-DANGLE-DONGLE- DUNGLE-BURSTEIN-VON-KNACKER- THRASHER-APPLE-BANGER-HOROWITZ- TICOLENSIC-GRANDER- KNOTTY-SPELLTINKLE- GRANDLICH-GRUMBLEMEYER- SPELTERWASSER-KURSTLICH- HIMBLEEISEN-BAHNWAGEN- GUTENABEND-BITTE-EIN-NURNBURGER- BRATWUSTLE-GERSPURTEN-MITZ- WEIMACHE-LUBER-HUNDSFUT- GUMBERABER-SHONENDANKER- KALBSFLEISCH-MITTLER-AUCHER VON HAUTKOPFT OF ULM AND ASK YOU JUST QUICKLY IF THERE'S ANY PARTICULAR THING THAT YOU REMEMBER ABOUT JOHANN GAMBOLPUTTY DE VON AUSFERN-SCHPLENDEN- SCHLITTER-CRASSCRENBON- FRIED-DIGGER-DINGLE-DANGLE- DONGLE-DUNGLE-BURSTEIN-VON- KNACKER-THRASHER-APPLE BANGER-TICOLENSIC-GRANDER- KNOTTY-SPELLTINKLE- GRANDLICH-GRUMBLEMEYER- SPELTERWASSER-KURSTLICH- HIMBLEEISEN-BAHNWAGEN- GUTENABEND-BITTE-EIN-NURNBURGER- BRATWUSTLE-GERSPURTEN-MITZ- WEIMACHE-LUBER-HUNDSFUT- GUMBERABER-SHONENDANKER- KALBSFLEISCH-MITTLER-AUCHER VON HAUTKOPFT OF ULM.
A TRIBUTE TO JOHANN GAMBOLPUTTY DE VON AUSFERN-SCHPLENDEN-SCHLITTER- CRASSCRENBON-FRIED-DIGGER- DINGLE-DANGLE-DONGLE- DUNGLE-BURSTEIN- VON-KNACKER-THRASHER- APPLE-BANGER-HOROWITZ- TICOLENSIC- GRANDER-KNOTTY-SPELLTINKLE- GRANDLICH- GRUMBLEMEYER- SPELTERWASSER- KURSTLICH-HIMBLEEISEN- BAHNWAGEN-GUTENABEND- BITTE-EIN-NURNBURGER- BRATWUSTLE- GERSPURTEN- MITZ-WEIMACHE-LUBER-HUNDSFUT- GUMBERABER-SHONENDANKER- KALBSFLEISCH- MITTLER-AUCHER VON HAUTKOPF OF ULM.
OOF! OOF! OOH! OOH, OOH! THAT'S IT.
WE ARE NOT ABOUT TO ALLOW THIS SORT OF SMU TO BE SHOWN ON-SCREEN.
I MUST AGREE WITH THE CENSOR.
SMUT AND FILTH HAVE NO PLACE ON THE STREET SCREEN ON THE STREET NO ALL CLEAR? ALL CLEAR, BOSS.
RIGHT, THIS IS THE PLAN, THEN.
AT 10:45 YOU, REG, COLLEC ME AND KEN IN THE VAN AND TAKE US AROUND TO THE BRITISH JEWELRY CENTER IN THE HIGH STREET.
WE ARRIVE OUTSIDE THE BRITISH JEWELRY CENTER AT 10:50 A OF M.
I SHALL THEN GET OUT OF THE CAR.
YOU, REG, TAKE IT AND PARK I BACK HERE IN DENVER STREET, RIGHT? AT 10:51 I SHALL ENTER THE BRITISH JEWELRY CENTER WHERE YOU, VIC, DISGUISED AS A CUSTOMER, WILL MEET ME AND HAND ME ï½£5.
18.
3.
AT 10:52 I SHALL APPROACH THE COUNTER AND PURCHASE A WATCH COSTING ï½£5.
18.
3.
I SHALL THEN GIVE THE WATCH TO YOU, VIC.
YOU'LL GO STRAIGHT TO NORMAN'S GARAGE IN EAST STREET.
YOU LADS COME AND PICK ME BACK UP HERE AT 10:56 AND WE RENDEZVOUS IN THE BACK ROOM OF THE COW AND SICKLE AT 11:15.
ALL RIGHT, ANY QUESTIONS? WE DON'T SEEM TO BE DOING ANYTHING ILLEGAL.
WHAT DO YOU MEAN? WELL, WE'RE PAYING FOR THE WATCH.
YEAH? WELL, WHY ARE WE PAYING FOR THE WATCH? THEY WOULDN'T GIVE IT TO US IF WE DIDN'T PAY FOR IT, WOULD THEY? I DON'T LIKE THIS OUTFIT.
WHY NOT? WELL, WE NEVER BREAK THE BLOODY LAW! WHAT DO YOU MEAN?! WELL, LOOK AT THA BANK JOB LAST WEEK.
WHAT WAS WRONG WITH THAT? WELL, HAVING TO GO IN THERE WITH A MASK ON AND ASK FOR ï½£15 OUT OF MY DEPOSIT ACCOUNT THAT'S WHA WAS WRONG.
WHAT ARE YOU TRYING TO SAY, LARRY? COULDN'T WE JUST STEAL THE WATCH, BOSS? OH, YOU DUMB CLUCK! WE SPENT WEEKS ORGANIZING THIS JOB! REG RENTED A ROOM ACROSS THE ROAD AND FILMED PEOPLE GOING IN AND OUT EVERY DAY.
VIC SPENT THREE WEEKS LOOKING AT WATCH CATALOGS TILL HE KNEW THE PRICE OF EACH ONE BACKWARDS.
AND I'M NOT GOING TO RISK THE WHOLE RAID JUST FOR THE SAKE OF BREAKING THE LAW! COULDN'T WE PARK IN THE DOUBLE YELLOW LINE? NO! COULDN' WE GE A DOG TO FOUL THE FOOT? WHAT'S THE MATTER WITH YOU? I JUST THOUGHT I'VE I LEFT THE CAR ON A METER AND IT'S OVERDUE? YES, BOSS.
HOW MUCH? I DON'T KNOW, BOSS MAYBE TWO MAYBE FIVE MINUTES.
FIVE MINUTES OVERDUE?! YOU FOOL! YOU FOOL! ALL RIGHT, WE HAVE NO TIME TO LOSE.
KEN, SHAVE ALL YOUR HAIR OFF, GET YOUR PASSPOR AND MEET ME AT THIS ADDRESS IN RIO DE JANEIRO TUESDAY NIGHT.
VIC, GO TO EAST AFRICA HAVE PLASTIC SURGERY AND MEET ME THERE.
REG, GO TO CANADA, WORK YOUR WAY SOUTH TO NICARAGUA BY JULY.
LARRY, YOU STAY HERE AS FRONT MAN.
GIVE US 15 MINUTES, THEN BLOW THE BUILDING UP.
ALL RIGHT, MAKE IT FAST.
HEY, BOSS, I CAN' BLOW THE BUILDING UP.
WHY NOT? IT'S ILLEGAL.
OH, BLOODY HELL.
WELL, WE'D BETTER GIVE OURSELVES UP, THEN.
WE CAN'T BOSS.
WHY NOT? WE HAVEN'T DONE ANYTHING ILLEGAL.
EXCUSE ME.
NO, WELL, I THINK BEING ILLEGAL MAKES IT MORE EXCITING.
YEAH, I AGREE.
I MEAN, IF YOU'RE GOING TO GO STRAIGH YOU MIGHT AS WELL BE A VICAR OR SOMETHING.
WHAT? I AGREE.
IF THERE WERE FEWER ROBBERS THERE WOULDN'T BE SO MANY OF THEM, NUMERICALLY SPEAKING.
I THINK SEXUAL ECSTASY IS OVERRATED.
WELL, HOW VERY INTERESTING BECAUSE I'M NOW MADE ENTIRELY OF TIN.
AFTER A FEW MORE OF THESE REMARKS I SHALL BE APPEARING IN A SKETCH, SO STAY TUNED.
IT'S THE UNIFORM THAT PUTS THEM OFF THAT AND MY BAD BREATH.
WE LIKE DRESSING UP, YES.
HELLO AGAIN.
I AM AT PRESENT STILL ON FILM, BUT IN A FEW SECONDS I SHALL BE APPEARING IN THE STUDIO.
THANK YOU.
HELLO.
MR.
MILTON, YOU ARE SOLE PROPRIETOR AND OWNER OF THE WHIZZO CHOCOLATE COMPANY? I AM.
SUPERINTENDENT PARROT AND I ARE FROM THE HYGIENE SQUAD.
WE WANT TO HAVE A WORD WITH YOU ABOUT YOUR BOX OF CHOCOLATES ENTITLED "THE WHIZZO QUALITY ASSORTMENT.
" AH, YES.
IF I MAY BEGIN AT THE BEGINNING.
FIRST THERE IS THE "CHERRY FONDUE.
" THIS IS EXTREMELY NASTY, BUT WE CAN'T PROSECUTE YOU FOR THAT.
AGREED.
NEXT, WE HAVE NUMBER FOUR "CRUNCHY FROG.
" AH, YES.
AM I RIGH IN THINKING THERE'S A REAL FROG IN HERE? YES, A LITTLE ONE.
WHAT SORT OF FROG? A DEAD FROG.
IS IT COOKED? NO.
WHAT, A RAW FROG? WE USE ONLY THE FINEST BABY FROGS DEW PICKED AND FLOWN FROM IRAQ CLEANSED IN THE FINEST QUALITY SPRING WATER, LIGHTLY KILLED AND THEN SEALED IN A SUCCULEN SWISS QUINTUPLE SMOOTH TREBLE CREAM MILK CHOCOLATE ENVELOPE AND LOVINGLY FROSTED WITH GLUCOSE.
THAT'S AS MAYBE, IT'S STILL A FROG.
OH, WHAT ELSE? WELL, DON'T YOU EVEN TAKE THE BONES OUT? IF WE TOOK THE BONES OU IT WOULDN'T BE CRUNCHY, WOULD IT? SUPERINTENDENT PARRO ATE ONE OF THOSE.
EXCUSE ME A MOMENT.
IT SAYS "CRUNCHY FROG" QUITE CLEARLY.
WELL, THE SUPERINTENDEN THOUGHT IT WAS AN ALMOND WHIRL.
PEOPLE WON'T EXPECT THERE TO BE A FROG IN THERE.
THEY'RE BOUND TO THINK IT'S SOME FORM OF MOCK FROG.
MOCK FROG? WE USE NO ARTIFICIAL PRESERVATIVES OR ADDITIVES OF ANY KIND.
NEVERTHELESS, I MUS WARN YOU THAT IN FUTURE YOU SHOULD DELETE THE WORDS "CRUNCHY FROG" AND REPLACE THEM WITH THE LEGEND "CRUNCHY, RAW, UNBONED, REAL DEAD FROG" IF YOU WANT TO AVOID PROSECUTION.
WHAT ABOUT OUR SALES? I'M NOT INTERESTED IN YOUR SALES.
I HAVE TO PROTEC THE GENERAL PUBLIC.
NOW, HOW ABOUT THIS ONE? IT WAS NUMBER FIVE, WASN'T IT? NUMBER FIVE "RAM'S BLADDER CUP.
" WHAT KIND OF CONFECTION IS THIS? WE USE CHOICEST, JUICY CHUNKS OF FRESH CORNISH RAM'S BLADDER EMPTIED, STEAMED, FLAVORED WITH SESAME SEEDS WHIPPED INTO A FONDUE AND GARNISHED WITH LARK'S VOMIT.
LARK'S VOMIT? CORRECT.
WELL, IT DON'T SAY NOTHING ABOUT THAT HERE.
OH, YES, IT DOES, ON THE BOTTOM OF THE BOX AFTER MONOSODIUM GLUTAMATE.
WELL, I HARDLY THINK THIS IS GOOD ENOUGH.
I THINK IT WOULD BE MORE APPROPRIATE IF THE BOX BORE A LARGE RED LABEL WARNING, "LARK'S VOMIT.
" OUR SALES WOULD PLUMMET.
WELL, WHY DON'T YOU MOVE INTO MORE CONVENTIONAL AREAS OF CONFECTIONERY LIKE PRALINE OR LIME CREAM? A VERY POPULAR FLAVOR I'M LED TO UNDERSTAND.
I MEAN, LOOK AT THIS ONE "COCKROACH CLUSTER.
" "ANTHRAX RIPPLE.
" WHAT'S THIS ONE "SPRING SURPRISE"? AH, NOW, THAT'S OUR SPECIALTY COVERED IN DARKES CREAMY CHOCOLATE WHEN YOU POP IT IN YOUR MOUTH, STEEL BOLTS SPRING OU AND PLUNGE STRAIGH THROUGH BOTH CHEEKS.
WELL, WHERE'S THE PLEASURE IN THAT? IF PEOPLE PLACE A NICE CHOCKY IN THEIR MOUTHS THEY DON'T WAN THEIR CHEEKS PIERCED.
IN ANY CASE THIS IS AN INADEQUATE DESCRIPTION OF THE SWEETMEAT.
I SHOULD HAVE TO ASK YOU TO ACCOMPANY ME TO THE STATION.
IT'S A FAIR COP.
STOP TALKING TO THE CAMERA.
I'M SORRY.
IF ONLY THE GENERAL PUBLIC WOULD TAKE MORE CARE WHEN BUYING ITS SWEETIES IT WOULD REDUCE THE NUMBER OF MAN-HOURS LOST TO THE NATION AND THEY WOULD SPEND LESS TIME HAVING THEIR STOMACHS PUMPED AND SITTING AROUND IN PUBLIC LAVATORIES.
THE BBC WOULD LIKE TO APOLOGIZE FOR THE EXTREMELY POOR QUALITY OF THE NEXT ANNOUNCEMEN ONLY HE IS NOT AT ALL WELL.
WE PRESENT "THE DULL LIFE OF A CITY STOCKBROKER.
" YES, SIR, COMING RIGHT UP, THE THEATER SKETCH, SO DON'T MOVE.
ME HEAP WANT SEE PLAY.
ME WANT PLAY START HEAP SOON.
YES, WELL, I THINK IT BEGINS IN A MINUTE.
ME HEAP BIG FAN CICELY COURTNEIDGE.
YES, SHE'S VERY GOOD.
SHE FINE ACTRESS.
SHE MAKE INTERPRETATION HEAP SUBTLE.
SHE HEAP GOOD DICTION AND TIMING.
SHE MAKE PART REALLY LIVE FOR INDIAN BRAVE.
YES, YES, SHE'S MARVELOUS.
MY FATHER CHIEF RUNNING STAG, LEADER OF MIGHTY REDFOOT TRIBE HIM HEAP KEEN ON MICHAEL DENISON AND DULCIE GRAY.
UM, DO YOU GO TO THE THEATER A LOT? WHEN MOON HIGH OVER PRAIRIE, WHEN WOLF HOWL OVER MOUNTAIN WHEN MIGHTY WIND ROAR THROUGH YELLOW VALLEY WE GO LEATHERHEAD REP.
BLOCK BOOKING, UPPER CIRCLE WHOLE TRIBE GET IN ON 3/6d EACH.
THAT'S VERY GOOD.
STAGE MANAGER, STAN WILSON, HEAP GOOD FRIEND REDFOOT TRIBE.
AFTER SHOW, WE GO POWWOW, SPEAKUM WITH DIRECTOR SANDY CAMP IN SNUG BAR OF BELL AND COMPASSES.
HIM MIGHTY FINE DIRECTOR.
HIM HEAP FAMOUS.
YES, I DON' KNOW HIM MYSELF.
HIM SAY LEATHERHEAD REP LIKE TO PLAY WITH REDFOOT TRIBE.
OH, THAT'S GOOD.
WE DO DIAL M FOR MURDER.
CHIEF RUNNING ELK, HIM KILL BUFFALO WITH BARE HANDS RUN THOUSAND PACES WHILE THE SUN IS HIGH HIM PLAY CHIEF INSPECTOR HARDY.
HEAP GOOD FINE ACTOR.
YOU DO A LO OF ACTING, DO YOU? YES, REDFOOT TRIBE LIVE BY ACTING AND HUNTING.
YOU DON'T FIGHT ANYMORE? YES! REDFOOT MAKE WAR.
WHEN CHIEF YELLOW SNAKE WAS LEADER AND MIGHTY EAGLE WAS IN LAND OF FOREFATHER WE FIGHT PAWNEE AT OXBOW CROSSING.
WHEN PAWNEE STEAL OUR REHEARSAL COPIES OF RELUCTANT DEBUTANTE WE KILL 50 PAWNEE.
HOUSES HEAP FULL EVERY NIGHT.
HEAP GOOD PUBLICITY.
I THINK IT'S ABOUT TO START NOW.
THANK GOD FOR THAT.
PALEFACE LIKE EAT CHOCOLATE? NO, THANK YOU VERY MUCH.
MMM, CRUNCHY FROG, HEAP GOOD.
LADIES AND GENTLEMEN, BEFORE THE PLAY STARTS I WOULD LIKE TO APOLOGIZE TO YOU ALL BUT UNFORTUNATELY, MISS CICELY COURTNEIDGE IS UNABLE TO APPEAR OWING TO OH, DID YOU READ THAT, EDGAR? WHAT WAS THAT, DEAR? THERE'S BEEN ANOTHER INDIAN MASSACRE AT DORKING CIVIC THEATER.
ABOUT TIME, TOO, DEAR.
"THOSE WHO WERE LEFT ALIVE AT THE END GOT THEIR MONEY BACK.
" THAT'S WHA LIVE THEATER NEEDS A FEW MORE MASSACRES.
"THE POLICE ARE ANXIOUS TO SPEAK "TO ANYONE WHO SAW THE CRIME "LADIES WITH LARGE BREASTS OR JUST ANYONE WHO LIKES POLICEMEN.
" YES, POLICEMEN MAKE WONDERFUL FRIENDS.
SO IF YOU ARE OVER SIX FEET TALL AND WOULD LIKE A FRIEND A PEN FRIEND IN THE POLICE FORCE MRS.
ENA FROG 8 MASONIC APRON STREET, COWDENBEATH.
REMEMBER, POLICEMEN MAKE WONDERFUL FRIENDS SO WRITE TODAY AND TAKE ADVANTAGE OF OUR FREE OFFICER.
THANK YOU.
NOW FOR THE NEXT SKETCH.
OOH OH, THANK YOU.
OOH, A SCOTSMAN ON A HORSE! FOR MRS.
EMMA HAMILTON OF NELSON A SCOTSMAN ON A HORSE.
OH, I LIKED THAT.
I WANT TO GET ONE OF THOSE FOR MYSELF, TOO, PEACHY-FACE.
OOH! WHOA! WHOA! THE POLICE, PERCY! WE KNOW YOU'RE IN THERE SO COME OU WITH YOUR HANDS UP AND THERE'LL BE NO TROUBLE.
YOU'LL NEVER TAKE ME ALIVE, COPPER.
OOH, ALL RIGHT.
GOOD MORNING, BOYS.
GOOD MORNING, MR.
SALTZBERG.
SIT DOWN, SIT DOWN, SIT DOWN, SIT DOWN.
WELL, BOYS, I WANT YOU TO KNOW THAT I THINK YOU'RE THE BES SIX WRITERS IN MOVIES TODAY.
AND I WANT YOU TO KNOW THAT I'VE HAD AN IDEA FOR THE NEXT MOVIE I'M GOING TO PRODUCE AND I WANT YOU BOYS TO WRITE IT.
OH, SIT DOWN, SIT DOWN, SIT DOWN, SIT DOWN.
THERE'LL BE PLENTY OF TIME FOR THAT LATER ON.
NOW, HERE'S MY IDEA.
IT'S GREAT.
YOU LIKE IT? DO YOU LIKE IT? OH, YEAH, YEAH, YEAH, YEAH.
WHAT DO YOU LIKE BEST ABOUT IT? OH, WELL, YOU HAVEN' TOLD US WHAT IT IS YET.
WHAT? UM I LIKE WHAT HE LIKES.
WHAT DO YOU LIKE? OH, I LIKE WHAT HE LIKES.
I LIKE WHAT HE LIKES.
I LIKE WHAT HE LIKES.
I'M JUST CRAZY ABOUT WHAT HE LIKES.
WHAT DO YOU LIKE ABOUT IT? I AGREE WITH THEM.
GOOD, NOW WE'RE GETTING SOMEWHERE.
NOW, HERE'S THE STAR OF THE MOVIE.
I SEE SNOW WHITE SNOW.
THINK OF THE COLORS! AND IN THE SNOW, I SEE A TREE.
WAIT, WAIT, I HAVEN'T FINISHED YET.
THERE'S MORE? AND BY THIS TREE, GENTLEMEN I SEE A DOG.
OLE! AND, GENTLEMEN, THIS DOG GOES UP TO THE TREE AND HE PIDDLES ON IT.
HALLELUJAH! HAVE WE GOT A MOVIE! HE TELLS I THE WAY IT IS.
IT'S WHERE IT'S AT.
THIS IS SOMETHING ELSE.
IT'S OU OF SIGHT! I LIKE IT, I LIKE IT! OH, YEAH? YEAH, YEAH, I PROMISE I LIKE IT.
SIR, I DON'T KNOW HOW TO SAY THIS BUT I'VE GOT TO BE PERFECTLY FRANK.
I REALLY AND TRULY BELIEVE THIS STORY OF YOURS IS THE GREATEST STORY IN MOTION PICTURE HISTORY.
GET OUT! IF THERE'S ONE THING I CAN' STAND, IT'S A YES-MAN.
GET OUT! I'LL SEE YOU NEVER WORK AGAIN! WHAT DO YOU THINK? WELL, I UH JUST BECAUSE I HAVE AN IDEA IT DOESN'T MEAN IT'S GREAT.
IT COULD BE LOUSY.
IT COULD? YEAH, WHAT DO YOU THINK? IT'S LOUSY.
THERE YOU ARE, YOU SEE, HE SPOKE HIS MIND.
HE SAID MY IDEA WAS LOUSY.
JUST SO HAPPENS MY IDEA ISN'T LOUSY.
SO GET OUT, YOU GODDAMN PINKO SUBVERSIVE, GET OUT! YOU! WELL, I I THINK IT'S AN EXCELLENT IDEA.
ARE YOU A YES-MAN? NO I MEAN, THERE MAY BE THINGS AGAINST IT.
YOU THINK IT'S LOUSY? NO, NO I MEAN, IT TAKES TIME.
ARE YOU BEING INDECISIVE? YO NES PERHAPS.
NOW, I HOPE YOU THREE GENTLEMEN AREN'T GOING TO BE INDECIS WHAT THE HELL ARE YOU DOING UNDER THAT TABLE? WE DROPPED OUR PENCILS.
PENCIL-DROPPERS, EH? NO, NO, NO.
RIGHT.
NOW, I WANT YOUR OPINION OF MY IDEA.
YOU! HAS HE HAD A HEART ATTACK? IF THERE'S ONE THING I CAN'T STAND IT'S PEOPLE WHO HAVE HEART ATTACKS! I FEEL FINE NOW.
WELL, WHAT DO YOU THINK? UH YOU DIDN' ASK ME, YOU ASKED HIM.
OH YOU DIDN' ASK ME, YOU ASKED HIM.
UH HIM.
I'VE CHANGED MY MIND.
I'M ASKING YOU, THE ONE IN THE MIDDLE.
THE ONE IN THE MIDDLE? YES, THE ONE IN THE MIDDLE! HELLO? YES, DMITRI.
NO, NO, IT'S ALL RIGHT.
JUST A SECOND WHAT THE HELL ARE YOU DOING? UH, THINKING.
GET BACK IN THOSE SEATS IMMEDIATELY.
YEAH, SURE, SURE, SURE.
RIGHT, YOU, THE ONE IN THE MIDDLE.
WHAT DO YOU THINK? COME ON! SPLUNGE! DID HE SAY "SPLUNGE"? YEAH.
WHAT DOES "SPLUNGE" MEAN? IT MEANS IT'S A GREAT IDEA BUT POSSIBLY NOT.
AND I'M NOT BEING INDECISIVE.
GOOD, ALL RIGHT, WHAT DO YOU THINK? UH, SPLUNGE? OKAY.
YEAH, SPLUNGE FOR ME, TOO.
SO ALL THREE OF YOU THINK SPLUNGE.
WELL, NOW WE'RE GETTING SOMEWHERE.
NO, WAIT, A NEW ANGLE: IN THE SNOW, INSTEAD OF THE TREE, I SEE ROCK HUDSON.
YEAH.
AND INSTEAD OF THE DOG, I SEE DORIS DAY.
OH, YES.
AND GENTLEMEN, DORIS DAY GOES UP TO ROCK HUDSON AND SHE KISSES ON HIM.
IT'S A LOVE STORY.
INTERCOURSE ITALIAN-STYLE.
DAVID HEMMINGS AS A HIPPIE GESTAPO OFFICER.
FRONTAL NUDITY.
A FAMILY PICTURE.
A COMEDY.
AND THEN WHEN DORIS DAY'S KISSED ROCK HUDSON SHE SAYS SOMETHING FUNNY LIKE GOOD EVENING? DORIS DAY'S A COMEDIENNE, NOT A NEWSREADER! GET OUT! SHE SAYS SOMETHING FUNNY LIKE UH SPLUNGE.
THAT'S THE STUPIDEST IDEA I EVER HEARD.
GET OUT! DORIS DOG KISSES ROCK TREE AND SHE SAYS? I CAN'T TAKE IT ANYMORE! I LIKE THAT, I LIKE THAT "I CAN'T TAKE IT ANYMORE.
" AND THEN ROCK HUDSON SAYS "I'M A VERY RICH FILM PRODUCER AND I NEED A LOBOTOMY.
" AND THEN DORIS DOG SAYS, "I THINK YOU'RE VERY HANDSOME AND I'M GOING TO TAKE ALL MY CLOTHES OFF.
" AND THEN DORIS DOG TURNS INTO A YAK AND GOES TO THE BATHROOM ON DAVID LEMMING NO, WAIT, WAIT.
HELLO? HELLO? Hello, who are you? You're an out-of-work writer? Well, you're fired! Roll the credits! Produced by Irving C.
Saltzberg Jnr.
And Irving C.
Saltzberg Productions Ltd.
And Saltzberg Art Films, Oil, Real Estate, Banking and Prostitution Inc.

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