NYPD Blue s04e07 Episode Script

Ted and Carey's Bogus Adventure

PREVIOUSLY ON NYPD BLUE.
SPOKE WITH SERGEANT LORENZO A LITTLE WHILE AGO ABOUT YOUR POSSIBLY WORKING IN THE SQUAD.
US AND ANTICRIME EXCHANGING P.
A.
A.
's.
WILL YOU GET THE HELL OUT OF THE STREET? I'M COUNCILMAN PAUL MANOS.
THERE'S A WOMAN IN THERE BLEEDING TO DEATH.
- GOT A PRETTY GOOD LOOK FROM THE ANKLES DOWN.
- I GOTTA GET BACK TO MY OFFICE.
COULD YOU HAVE BEEN UNDER THE TABLE, COUNCILMAN? THAT WHY YOU HAPPENED TO NOTICE THE SHOOTER'S FEET? YOU GOTTA DRINK WITH ME, MOUSE.
I'LL DANCE WITH YOU.
MORNING.
WHAT DO WE GOT? POSSIBLE RAPE VICTIM, LOCKED HERSELF IN HER BEDROOM.
THE MOTHER ASKED FOR YOU.
ME? YEAH.
SAID SHE HAD HER PURSE SNATCHED A FEW YEARS AGO AND YOU WERE REAL NICE TO HER.
UH, THELMA MORRIS.
OH, YEAH.
I REMEMBER.
CALL E.
S.
U.
? YEAH.
ON THEIR WAY.
THE ELEVATOR'S BUSTED.
YOU'RE GONNA HAVE TO HOOF IT.
GIVE US A HINT.
SEVENTH FLOOR.
I GOT FRIENDS IN HIGH PLACES.
THAT'S HILARIOUS.
[ Sighs ] [ Exhales ] THESE PEOPLE DON'T NEED NO ELEVATOR.
[ Coughs ] FOUR OR FIVE DAYS, YOU GET USED TO THIS.
[ Woman ] ANNETTE, GET YOUR BEHIND OUT OF THERE.
HEY.
THAT'S THE MOTHER.
MS.
MORRIS, WHAT'S GOING ON? THAT'S TWO MORE POLICEMEN HERE, ANNETTE.
YOU FEEL SPECIAL ENOUGH TO COME OUT NOW? WHAT HAPPENED TO YOUR DAUGHTER? THIS GIRL CAME HOME LAST NIGHT, SMELLING OF ALCOHOL, HER CLOTHES ALL TWISTED AROUND.
SHE'D BEEN WITH THOSE BOYS FROM THE PREP SCHOOL-- WHO SHE KNOWS SHE'S SUPPOSED TO STAY AWAY FROM.
- SHH, SHH, SHH, SHH.
- THEY TOOK HER OUT SOMEPLACE AND TOOK ADVANTAGE OF HER.
YOUR DAUGHTER SAY THAT, OR ARE YOU SAYING THAT? I'M SAYING WHAT I SAW ON HER FACE WHEN SHE GOT HOME.
THOSE BOYS TOOK ADVANTAGE OF HER, AND I WANT THEM ARRESTED.
- HOW OLD IS YOUR DAUGHTER? - SHE'S 17, BUT SHE'S SLOW.
DO YOU KNOW IF SHE HAS A KNIFE OR A GUN OR ANYTHING LIKE THAT? NO, NO.
STEP AWAY FROM THE DOOR, PLEASE.
ANNETTE, I'M DETECTIVE SIMONE.
DO YOU WANT TO TALK TO ME? [ Annette ] I DON'T KNOW.
YOU DO IT.
HE'S A GOOD MAN.
WE JUST WANT TO MAKE SURE THAT YOU'RE NOT HURT.
COME ON OUT AND WE'LL TALK ABOUT WHAT HAPPENED.
I DON'T WANT PEOPLE MAD AT ME.
AW, YOU MISSED THAT BOAT, BABY.
YOU GONNA SHUT YOUR YAP ANYTIME SOON, AND LET MY PARTNER DO HIS JOB? ANNETTE, JUST UNLOCK THE DOOR, OKAY? IT'S OKAY.
PUT THAT DOWN.
BUT I WANT IT.
LET HER KEEP THE DOLL.
COME ON.
YOU CAN BRING THE DOLL WITH YOU, ANNETTE.
I WANT THOSE BOYS ARRESTED.
WE'LL GO TO THE STATION HOUSE AND WE'LL TALK ABOUT IT.
FIRST WE'LL WALK DOWN SEVEN FLIGHTS OF STAIRS.
[ No Audible Dialogue ] [ Russell Laughs ] I DON'T KNOW, JIMMY.
I SEE SOME BROKEN ANKLES IN MY FUTURE.
NO.
NO, I'M GAME.
MM-HMM.
UH, YEAH.
I GOTTA GO, JIMMY.
I WILL MEET YOU AT NOON.
MM-HMM.
OKAY.
BYE.
CAN I HAVE COCOA? THINK YOU DESERVE COCOA, DO YOU? LET ME SEE WHAT WE GOT INSIDE, OKAY? I'LL MAKE IT.
SHE TAKES IT A CERTAIN WAY.
YOU STAY THERE, UNDERSTAND? AND PUT YOUR KNEES TOGETHER.
[ Simone ] RIGHT THIS WAY.
HEY.
HEY.
GIRL BARRICADED HERSELF IN HER ROOM.
HER MOM SAYS SHE WAS RAPED.
WHAT'S THE GIRL SAY? DIM BULB.
OKAY.
YOU AND BOBBY GET HER STARTED.
I'LL HAVE SPECIAL VICTIMS SEND SOMEONE OVER.
GET DIANE IN THERE TOO? YEAH.
DIANE, WOULD YOU GIVE US A HAND IN THE COFFEE ROOM? YEAH.
WHY DON'T YOU COME WITH ME? BACK HERE BY YOUR MOM.
ANNETTE? WHAT CAN YOU TELL US ABOUT THESE GUYS YESTERDAY? UH, THEY MY FRIENDS.
I SEE THEM AT JANIE'S JAVA AFTER THEY HAVE LACROSSE PRACTICE.
MM-HMM.
THAT'S HOW SHE COMES RIGHT HOME AFTER SCHOOL, GOING TO THAT COFFEE SHOP.
- MRS.
MORRIS, PLEASE.
- GO AHEAD, TELL.
AND SO THEN CAREY BOUGHT ME A CRANBERRY MUFFIN AND SAID, "SIT DOWN WITH US.
" UH, THIS WAS YESTERDAY? WELL, THAT WAS NICE.
HE'S NICE.
WHO ELSE WAS THERE? UH, CAREY AND TED AND TWO BOYS I DON'T KNOW.
AND WHAT HAPPENED AFTERWARDS, ANNETTE? AFTER THE MUFFIN? WHERE'D YOU GO? UH-- - A HOTEL.
- YOU BETTER BE LYING.
THEY SAID JUST COME FOR A WHILE.
[ Simone ] WHAT HAPPENED THERE? WE DRANK AND, UH-- OH, I CAN'T REMEMBER.
YOU DRANK ALCOHOL? I LAID DOWN.
I WAS SLEEPING.
[ Russell ] WHAT'S THE NEXT THING YOU REMEMBER? I THINK THEY HAD SEX ON ME.
ALL THE BOYS HAD SEX WITH YOU? - IN MY MOUTH.
- BASTARDS! - I WAS SLEEPING.
-[ Russell ] YOU REMEMBER THIS HAPPENING THOUGH? DO YOU REMEMBER IF YOU STRUGGLED WITH THEM? ASKED THEM TO STOP? WELL, I ASKED THEM TO STOP, AND THEN WHEN THEY DIDN'T, I JUST TRIED TO SLEEP.
YOU ASKED THEM TO STOP, AND YOU TRIED TO SLEEP WHEN THEY WOULDN'T? WHAT WAS THE NAME OF THE HOTEL, ANNETTE? DO YOU REMEMBER THAT? OH, I GOT SOUVENIR MATCHES.
YOU GOT SOUVENIR MATCHES? YOU TOOK A SOUVENIR? I'M SORRY WHAT HAPPENED.
ALL I TRIED AND IT DON'T MATTER, - 'CAUSE THE FIRST PERSON ASKED, YOU LAY DOWN.
- I'M SORRY WHAT HAPPENED.
MRS.
MORRIS-- ARE YOU GONNA ARREST THEM? WE'RE GONNA TALK TO OUR BOSS AND SEE HOW HE WANTS TO HANDLE IT.
- I WANT THEM ARRESTED.
- I'M SURE HE'S GONNA WANT THESE KIDS BROUGHT IN.
IF YOU COULD KEEP ANNETTE AT HOME-- IN CASE WE NEED HER TO MAKE A PHOTO I.
D.
HEY, JOSH.
DO ME A FAVOR? I THINK THE BOSS IS GONNA WANT MRS.
MORRIS AND ANNETTE TAKEN HOME.
HMM.
SHE WENT WITH FOUR BOYS TO THE ADELPHI.
SAYS THEY GAVE HER LIQUOR AND THEN THEY GOT OVER ON HER-- FORCED HER TO HAVE ORAL SEX.
[ Sipowicz ] WANT US TO GIVE THE NAMES TO SPECIAL VICTIMS? SHE GAVE US THE NAMES OF TWO OF THE GUYS AND THEIR SCHOOL.
SPECIAL VICTIMS WANTS US ON IT TILL THEIR LATE TOUR'S IN.
GO TO THE SCHOOL AND PICK THEM UP.
- THE BOYS ARE GONNA SAY IT WAS CONSENSUAL.
- SHE SAYS IT WASN'T.
NO.
LIKING THE BOYS WAS CONSENSUAL, GOING TO THE HOTEL WAS CONSENSUAL.
-THE REST OF IT, SHE WAS ASLEEP.
- WANT TO CANVASS THE ADELPHI? UH, I GOTTA GO MEET THAT JIMMY LIERY.
OKAY.
I'LL GIVE IT TO JAMES AND GREG.
I GOT TIME TO CALL THE BABYSITTER BEFORE I PICK THESE GUYS UP? YEAH.
WHERE YOU MEETING LIERY? AT THE PARK.
WE'RE GOING ROLLER-SKATING.
DON'T FORGET YOUR KNEE PADS.
I'LL SEE YOU.
YEAH.
UGH.
LINE'S BUSY.
SHE MUST HAVE STOCK IN THE PHONE COMPANY.
MAN, SOMEBODY TRIED DROWNING THIS GUY IN AFTERSHAVE.
I KNOW HIM.
I PUT HIM IN BELLEVUE FOUR YEARS AGO.
HE KEPT BITING THE HEADS OFF HIS MOM'S PARAKEETS.
CAN I HELP YOU? WHOOP.
GOLLY, GOLLY, GOLLY.
GOLLY, GOLLY, GOLLY.
FRED, RIGHT? - WHOOP.
- YOU AND ME MET OVER THOSE, UH, BIRD DIFFICULTIES.
REMEMBER? OH, GOLLY.
HOW'S IT GOING? WHAT'S WITH ALL THE "GOLLY"? WHOOP, WHOOP, WHOOP.
[ Sniffs ] YOU'RE WEARING A LOT OF PERFUME THERE, FRED.
-I'LL TELL YOU THAT.
- [ Fred ] OH, GOLLY.
SO, WHAT, ARE YOU LIVING WITH YOUR MOM STILL, OR DID YOU MOVE SOMEWHERE ELSE? - GOLLY, GOLLY, GOLLY.
- MOVED TO GOLLY MANOR? GOLLY, WHOOP.
WHOOP, WHOOP, WHOOP.
[ Hoots ] YOU SAID A MOUTHFUL THERE, FRED.
YEAH.
SO, UH, WHAT CAN I DO FOR YOU, HUH? WHOOP.
- WELL, ANYWAYS, THANKS FOR DROPPING BY.
- OH, GOLLY.
YEAH, SOMETIMES IT GOES LIKE THAT.
TRY A DIFFERENT FRAGRANCE MAYBE, HMM? WHOOP.
YOU STAYING AWAY FROM THEM PARAKEETS? OOH.
YEAH.
YOU DON'T WANT TO BE DECAPITATING NO MORE BIRDS.
OH, GOLLY.
ALL RIGHT, WELL, IT'S GREAT SEEING YOU AGAIN, AND YOU KEEP IN TOUCH.
OOH.
GOLLY.
WANNA PICK UP THESE KIDS? NO, I DON'T WANT TO, BUT BY GOLLY, I THINK WE HAVE TO.
[ No Audible Dialogue, No Audible Sound Effects ] STRETCH OUT, MOUSE.
CAT'S ON YOUR TAIL.
YEAH? I DON'T MIND GETTING CAUGHT.
YEAH? HMM.
YOU KNOW WHERE I SEE US, MOUSE? UP IN THE SPOTLIGHT-- BIG OLYMPIC EVENT.
I TOSS YOU HIGH UP IN THE AIR, I CATCH YOU, LAY DOWN ON THE ICE.
SLIDE YOU THROUGH MY LEGS, EVERY OTHER DAMN THING.
MMM.
DO WE WIN THE MEDAL? THE ONES WE DON'T, WE STEAL.
OH! [ Grunts ] SORRY.
YOU OKAY? - I'M OKAY.
- YEAH, WELL, IT'S BECAUSE YOU BUMPED INTO HER.
- ANYWAY, THERE'S NO HARM DONE.
-NO HARM DONE, HUH? - OH, THAT'S YOU DECIDES, HUH? - [ Groans ] - JIMMY! - HEY, YOU BUMPED INTO HER, MY MAN.
YOU'RE THE ONE WITH THE PROBLEM, HUH? [ Groans ] JIMMY! [ Groaning ] OH, GOD.
- HUH? YOU LITTLE DIRTY JEW.
- JIMMY, CUT IT OUT.
GET OFF HIM.
EASY THERE, MOUSE.
WHAT, AM I UNDER ARREST NOW? COME WITH ME.
I'M CALLING 911.
[ Man ] IS THAT GUY ALL RIGHT? WHAT'S THE MATTER WITH YOU? MOUSE, I'M ON PAROLE NOW.
I'M NOT LEAVING HIM LIKE THAT.
WE'LL BE GONE BEFORE THEY GET HERE.
MOUSE-- DEFENDER OF THE SUFFERING DOWNTRODDEN.
YEAH, I WANT TO REPORT A MAN HURT IN WASHINGTON SQUARE PARK.
HE'S GONNA NEED AN AMBULANCE.
PROTECTING THE MEEK OF THE EARTH.
UH, WEST SIDE OF THE PARK, NEAR THE FOUNTAIN.
NO, I DON'T WANT TO GIVE MY NAME.
HEY, LOOK AT THAT.
HUH? HE'S UP.
FEELS BETTER JUST KNOWING YOU CARE.
HOW ABOUT I TAKE CAREY INTO THE COFFEE ROOM? TED AND ME WILL TALK IN THE POKEY.
I KNOW WHAT THIS IS GONNA BE ABOUT, AND NO ONE FORCED ANYONE TO DO ANYTHING.
YEAH.
THIS IS ABOUT ANNETTE, RIGHT? ALL RIGHT, WE HAD OUR LITTLE CHAT NOW? EVERYBODY ON THE SAME PAGE? HEY, TED, YOUR DAD'S IN HERE, MAN.
COME ON, TED.
LET'S GO.
THIS IS AN UPSTANDING KID YOU'RE HASSLING.
HE IS A NATIONAL MERIT SCHOLAR.
HE'S GOING TO HARVARD NEXT FALL.
[ Fancy ] COUNCILMAN, HIS NAME'S BEEN MENTIONED IN AN ALLEGATION OF SEXUAL ASSAULT.
BALONEY.
I'M TELLING YOU WHY HE'S HERE.
THIS KID IS GOING TO HARVARD NEXT FALL.
I'M TAKING HIM HOME.
I DON'T KNOW THAT YOU WANT TO DO THAT, COUNCILMAN-- FORCE EVERYONE TO THEIR LEGAL REMEDIES? SITUATION'S PUBLICIZED, EVEN IF CHARGES DON'T GET FILED.
YOU THINK THERE WON'T BE CHARGES? I'M NOT PREPARED TO SAY THAT.
I CAN TELL YOU IT'S NOT CLEAR AT THIS POINT IF CHARGES WILL BE FILED.
'CAUSE THIS COULD DESTROY A BOY'S WHOLE FUTURE.
WELL, THE BEST COURSE YOUR SON CAN FOLLOW IS TO GIVE A FORTHRIGHT STATEMENT.
I'M GONNA BE WITH HIM FOR THAT.
- HOW OLD IS YOUR BOY? - HEY, I'M IN THERE OR HE'S NOT SAYING ANYTHING.
I'LL TAKE YOU IN.
[ Ted ] YOU GOTTA UNDERSTAND THAT A LOT OF GIRLS THINK CAREY'S LIKE GOD OR SOMETHING.
YOU KNOW? THEY'VE GOT THESE HUGE CRUSHES ON HIM.
THEY WANT TO MAKE HIM HAPPY.
SO THIS WAS CAREY'S IDEA? LET HER MAKE HIM HAPPY HAVING SEX WITH YOU GUYS? NO, THAT'S NOT WHAT I MEAN.
MAKING HIM HAPPY WAS HER IDEA.
[ Knocking ] - DAD.
THIS IS NUTS.
-[ Manos ] IT'S ALL RIGHT, SON.
YOU KNOW DETECTIVE SIPOWICZ.
YEAH, YOU WERE A WITNESS IN A HOMICIDE I WORKED.
- THAT SHOOTING AT THE COFFEE SHOP.
- THAT'S RIGHT.
THIS GIRL HAS SAID SOME COMPLETELY WRONG THINGS.
YOU'RE SAYING NOTHING HAPPENED BETWEEN YOU AND HER? SON, I WANT YOU TO SPEAK VERY SLOWLY AND CAREFULLY-- STEP BY STEP-- WHAT WENT ON.
VERY SLOWLY.
THIS GIRL HANGS OUT AT JANIE'S JAVA EVERY DAY.
SHE TRIED TO GET CAREY TO PICK HER UP.
WE'RE TALKING ABOUT ANNETTE, WHO'S BORDERLINE RETARDED.
YOU DIDN'T KNOW SHE WAS RETARDED? DAD, THIS GIRL IS COMPLETELY DEVELOPED.
SHE'S GOT A HUGE CRUSH ON CAREY.
SHE GOES TO A PUBLIC SCHOOL.
I COULDN'T TELL IF SHE'S RETARDED.
[ Manos ] SO DID YOU GO WITH CAREY OR SOMETHING AFTER THIS GIRL PICKED HIM UP? CAREY HAD A CREDIT CARD AND WE WENT TO A HOTEL TO PARTY.
SEE, THIS IS WHAT I DON'T LIKE ABOUT THIS SCHOOL.
GREAT CREDENTIALS ON COLLEGE ADMISSIONS.
I DON'T LIKE THE SENSE OF VALUES.
BUNCH OF OVERPRIVILEGED KIDS.
HOW ABOUT LETTING TED TELL WHAT HAPPENED? YOU WEREN'T HIDING UNDER A TABLE, WERE YOU, TED? WE WENT UP TO THE ROOM, AND WE WERE DRINKING.
OH, THAT WE'RE GONNA TALK ABOUT WHEN WE GET HOME.
I GUESS SHE WAS A LITTLE LOADED, BUT, YOU KNOW, WE WERE ALL KIND OF LOADED, AND, UH, THEN SHE STARTED TAKING TURNS ON THE GUYS.
- THAT'S WHAT SHE WAS DOING.
- AND YOU WERE RESISTING WITH ALL YOUR MIGHT.
-HE'S TRYING TO BE COOPERATIVE.
- DID THE GIRL EVER SAY, "I DON'T WANT TO DO THIS"? -NEVER SHOWED ANY RELUCTANCE? - NO, SHE DIDN'T.
THIS GIRL WENT HOME AND LOCKED HERSELF IN HER BEDROOM, AND PUT HERSELF IN ALL KINDS OF TROUBLE WITH HER MOTHER BEING ASHAMED AND TRYING TO HIDE WHAT HAPPENED.
THAT'S 'CAUSE SHE DIDN'T HAVE ANY PROBLEM WITH IT? OH, WHAT'S THE INDICATION HERE, BESIDES WHAT SHE'S SAYING-- THIS HAPPENED AGAINST HER WILL.
-ARE THERE BRUISES ON THIS GIRL? -MAYBE SHE HAD A PROBLEM WITH IT AFTER SHE SOBERED UP.
FOUR OF YOU MAKE HER HAVE ORAL SEX, AND THAT WAS FUN FOR HER? LET'S NOT PRETEND IT'S NEVER HAPPENED.
WHY DON'T YOU KEEP YOUR MOUTH SHUT? - WHO WERE THE OTHER TWO GUYS? - SAM TUCKER AND JOHNNY KORTH.
AND THEY'RE GONNA GIVE US THE SAME STORY? LOOK, I AM SORRY THAT SHE IS UPSET.
IF I HAD ANY IDEA THAT SHE HAD A PROBLEM WITH IT, BELIEVE ME, IT NEVER WOULD HAVE HAPPENED.
YOU KNOW, MAYBE I WAS INSENSITIVE, NOT REALIZING SHE MIGHT HAVE A PROBLEM WITH IT LATER, BUT-- AW, YOU'RE A PHONY BASTARD.
THAT'S IT.
REMINDS ME OF THAT TV KISS-ASS ON THATLEAVE IT TO BEAVER.
ALL RIGHT, DETECTIVE.
THIS IS BASELESS, AND IF ANYONE TRIES TO MAKE CAPITAL OUT OF THE FACT THAT HE WAS COOPERATIVE, I'M COMING AFTER HIM.
WE APPRECIATE YOUR COOPERATION.
SURE.
-[ Fancy ] WHAT DID HE SAY? - OH, SHE HAD A BIG CRUSH ON HIM.
HE SAID SHE LIKED TO PARTY.
EVERYONE GETS DRUNK.
SHE TAKES 'EM ALL ON.
ONLY THING FROM THAT HOTEL, FLOOR MAID SAW FOUR GUYS LET THIS GIRL IN FROM THE INSIDE FIRE STAIRS.
ROOM CLERK WAS DEFINITE THE GIRL WASN'T WITH THE BOYS WHEN THEY REGISTERED, WHICH I GUESS YOU CAN ARGUE SNEAKING HER UP SHOWS THEM HAVING A GUILTY MIND.
LIKE THEY WON'T SAY THAT WAS HER IDEA.
WE GOT TEAM PHOTOS FROM THE LACROSSE COACH.
TAKE 'EM TO THE APARTMENT.
MAYBE SHE CAN PICK THE OTHER TWO OUT.
MY ASSHOLE GAVE UP THEIR NAMES.
GIVE THE MOTHER THE LAY OF THE LAND? D.
A.
's CALL, BUT I THINK HE CAN PREPARE A PROSECUTION'S UNLIKELY.
YOU KNOW, THIS KID-- WE COULD HAVE TALKED TO HIM ALL DAY.
HIS PARENTS ARE SOMEWHERE IN GREECE.
THAT'S CAREY AND TED.
CAREY'S THE CAPTAIN.
WHO ARE THE OTHER TWO FROM THE HOTEL, ANNETTE? UH, I DON'T KNOW THEIR NAMES.
IT'S THESE TWO.
- ARE YOU GONNA ARREST THEM? - WE ALREADY HAD CAREY AND TED IN.
CAREY MAD AT ME? YOU HUSH UP.
HERE'S HOW IT WORKS, MRS.
MORRIS.
WE'LL TURN IN THE RESULTS OF OUR INTERVIEWS OVER TO THE DISTRICT ATTORNEY TO DECIDE IF CHARGES WILL BE FILED.
OH, THEY'RE GONNA CHARGE THE FOUR OF THEM FOR WHAT THEY DID.
AND THEY SHOULD CHARGE THE ONE SPECIAL FOR LEADING HER ON.
THE ONE YOU SO WORRIED'S MAD AT YOU.
MRS.
MORRIS, I THINK YOU GOT TO PREPARE YOURSELF.
MAYBE CHARGES WON'T GET BROUGHT.
[ Simone ] THAT'S NOT TO SAY ANNETTE ISN'T TELLING THE TRUTH.
I THINK EVERYONE PRETTY MUCH AGREES THAT SHE IS, AND IT WAS A BAD THING THAT HAPPENED UP THERE.
- DID THEY BRIBE YOU? IS THAT WHAT HAPPENED? - NOBODY GOT BRIBED.
THEY FORCED SEX ON THIS GIRL.
- I-- I DON'T WANT TO TALK ABOUT THIS ANYMORE.
- ANNETTE-- MAYBE IF YOU LET US TALK TO JUST YOUR MOM A LITTLE, OKAY? - EXCUSE US FOR A COUPLE OF MINUTES, AND THEN WE'LL LEAVE.
- WHAT IS IT-- BECAUSE THEY SAID SHE COOPERATED? THEY DON'T EVEN WANT TO FILE CHARGES 'CAUSE YOU MADE IT TOO EASY FOR THOSE BOYS.
CAN'T EVEN GET 'EM LEGAL PUNISHMENT 'CAUSE OF HOW YOU ARE.
I'M SORRY THEN.
YEAH, YOU ARE SORRY.
YOU A SORRY CASE.
COME ON, THAT'S ENOUGH.
[ Door Slams ] LOOK, WE KNOW THIS HAS REALLY BEEN TOUGH ON YOU, AND I'M SURE YOU REALIZE IT'S BEEN TOUGH ON YOUR DAUGHTER-- OH, YOU'RE GONNA LECTURE ME NOW.
YOU SAY YOU WON'T DO YOUR JOBS, THEN YOU'RE GONNA TELL ME HOW TO DEAL WITH MY DAUGHTER? MRS.
MORRIS, I'M TRYING TO TELL YOU THAT YOUR DAUGHTER JUST HAD HER FIRST SEXUAL EXPERIENCE.
I DON'T KNOW IF THAT'S TRUE.
I DON'T EVEN KNOW IF THAT WAS HER FIRST SEX.
IF IT WAS OR WASN'T HER FIRST SEX, THAT'S STILL YOUR DAUGHTER IN THERE.
J-JUST GET OUT OF HERE.
GET OUT! AND LET ME SEE TO HER.
[ No Audible Dialogue, No Audible Sound Effects ] YOU'RE NOT AFRAID THEY'RE GONNA COME LOOK FOR YOU? YOU TAKE A LOOK AT THAT GUY'S EYES? HE DON'T WANNA FIND ANYBODY.
"OH, THAT JIMMY.
WHAT AM I GONNA DO ABOUT HIM?" SOMETHING LIKE THAT.
"I MEAN, IS HE ACTUALLY CRAZY? WHAT HAVE I GOTTEN MYSELF INTO?" YEAH, YOU DO THAT STUFF FOR MY BENEFIT, JIMMY, DON'T.
IT'S NOT CUTE TO ME, IMPRESSIVE, NOTHING.
OKAY, LOOK, MOUSE.
ANYONE CAUSES YOU DISCOMFORT, IT JUST SENDS ME.
I CAN'T STAND FOR IT.
YOU'RE LOOKING PRETTY HAGGARD, JIMMY.
HOW'D WE GET THERE? I'M JUST SAYING HOW YOU LOOK AND HOW YOU'RE ACTING.
I'M LIVING UNDER PRESSURE.
MAYBE A LITTLE STEAM BLEW ON THE JEW BOY.
WHOA, NOW, HEY.
HEY, HEY, HEY.
HEY.
HEY, MOUSE.
YOU MAKE ME SICK-- WHAT YOU SAY AND HOW YOU ACT.
I APOLOGIZE.
WHAT DO YOU WANT ME TO CALL THE GUY, HUH? NOT "CHRIST KILLER," RIGHT? HOW ABOUT "OUR FELLOW MONOTHEIST"? SOMEBODY REALLY GOT IN YOUR HEAD GROWING UP.
IT WAS SCHOOL.
MAYBE ONE OF THE FATHERS, BUT I DON'T THINK HE WAS GETTING IN MY HEAD.
MAYBE HIM REACHING INTO MY PANTS IS WHAT TURNED ME AROUND.
MOUSE, SAVE ME, HUH? WHO'S THE PATRON SAINT OF LOST CAUSES? HMM.
OKAY, I TOLD YOU ABOUT WAITING FOR MY FRIEND, RIGHT? YOU DIDN'T TELL ME ANYTHING.
YOU SAID SOMETHING WAS COMING TO THE AIRPORT.
IS THAT WHAT I SAID? NOT A FRIEND? YEAH.
YEAH, YEAH.
MAYBE IT WAS A BOX.
MAYBE THAT'S WHY I'M OVERWROUGHT, NOT FANCY-FREE JIMMY.
WHAT'S IN THE BOX? WHAT BOX? THE BOX COMING TO THE AIRPORT.
YOU KNOW THAT GUY? [ Russell ] NO.
NO? MM-MMM.
YOU KNOW WHAT GUY I'M TALKING ABOUT.
I THOUGHT YOU WERE TALKING ABOUT THE GUY WITH THE RED HAIR.
LOOKED LIKE HE RECOGNIZED YOU.
NOW HE'S TRYING TO GET OVER LIKE HE DON'T KNOW YOU FROM ADAM.
I'M SLEEPING WITH HIM, JIMMY.
YEAH? YEAH.
YOU GONNA GIVE HIM A BEATING NOW? NO, I'M GONNA STAY ON YOUR GOOD SIDE, MOUSE.
I'VE FORSWORN ALL VIOLENCE.
HUH? - YOU FEEL YOU COVERED ALL RIGHT? - GUY'S A FULL-ON WACKO.
HOW DO I KNOW IF IT'S GONNA COME BACK UP? - I'M NOT SURE WHAT YOU'RE TELLING ME, DIANE.
- GUY GIVES A BEATING TO SOME POOR BASTARD MINDING HIS OWN BUSINESS SKATING, DOESN'T EVEN WANT ME TO CALL 911.
[ Knocks ] YEAH.
DIANE, I HOPE I DIDN'T LOUSE NOTHIN' UP FOR YOU IN THE PARK.
I THINK IT WAS ALL RIGHT, GREG.
YEAH, I WAS JOGGING OUT THERE WITH ABBY SULLIVAN-- INSTEAD OF HAVING LUNCH.
YEAH.
GREAT, GREG.
ANYWAYS, UH-- [ Sighs ] MAYBE YOU NEED A CONVERSATION AT O.
C.
C.
B.
- LOOK TO GET OFF THIS.
- I'M JUST REACHING THE GUY.
HE'S REACHING YOU TOO.
WELL, YEAH-- YEAH, HE IS.
SO-- OH, AND THEY SAID IT WAS GONNA BE ALL FUN-- THE JOB.
DON'T TRY TO LAUGH YOUR FEELINGS OFF, DIANE.
THEY CAN FIND OTHER WAYS TO GO AT THIS GUY.
ALL RIGHT.
THANKS, BOSS.
YEAH.
YOU KNOW, I PULLED SOME KIND OF BACK MUSCLE, TWICE UP AND DOWN SEVEN FLIGHTS OF STAIRS.
YEAH, BUT YOU GOT YOUR EXERCISE.
TODAY THROUGH FRIDAY.
AW, SYLVIA'S GONNA HATE THIS CASE.
SHE'S RIDING TODAY? HOW YOU GONNA FILE ON THESE PISS POTS? HEY, THERE'S YOUR PAL.
FRED.
OH, GOLLY.
I'LL TELL YA, FRED, YOU NEED SOMETHING THAT'S ONE THING, BUT YOU AND ME CAN'T HANG OUT.
- WHOOP.
WANNA.
-"WHOOP, WANNA.
" BIG VOCABULARY BREAKTHROUGH.
WHOOP.
WANNA.
WHOOP, WANNA WHAT, FRED? WHAT DO YOU WANNA WHOOP? W-WANNA MAMA.
YOU WANNA MAMA? YOU GOT A MAMA, FRED.
WHOOP.
OH, GOLLY.
WHERE'S YOUR MAMA, FRED? IS YOUR MOM OKAY? WHOOP.
WHOOP.
GOLLY, GOLLY.
[ Hooting ] UH, WANNA.
YOU GOT A PHONE, FRED? WHOOP, WHOOP.
YOU GOT YOUR PHONE NUMBER? OOH, GOLLY.
OOH.
COME HERE.
LET'S CALL YOUR MOM.
OH, GOLLY.
COME HERE.
SIT DOWN.
OH, GOLLY.
HEY.
SO HOW'S IT GOING? OKAY, I GUESS.
YEAH? THAT GUY'S PRETTY STRANGE.
GUY WITH ANDY? SEEMS LIKE HE'S GOT SOME KIND OF PRIVATE LANGUAGE.
YEAH, YOU'LL GET SOME OF THAT-- PEOPLE CONTROLLED FROM RADIO TOWERS, TIME TRAVELERS.
I GUESS HE'S PRETTY HARMLESS.
I THINK SO.
YEAH.
ANDY SAYS HE BIT THE HEADS OFF OF HIS MOTHER'S BIRDS, BUT I THINK THAT WAS KIND OF LIKE A FAMILY SITUATION.
BUT I MEAN, IN GENERAL, YOU SETTLING IN OKAY? YEAH.
IN GENERAL, YEAH.
YEAH? 'CAUSE, UH, I'M SURE GLAD YOU'RE DOWN HERE.
I FIGURED A ROSE WAS TOO MUCH OF A STATEMENT.
AN APPLE WON'T RAISE NO EYEBROWS.
THANKS.
- THERE'S NO ANSWER.
- WHOOP.
WHOOP.
ALL RIGHT, YOU WROTE DOWN YOUR NUMBER, FRED.
IS THERE ANYTHING ELSE YOU WANT TO WRITE ME? ANYTHING ELSE YOU WANT TO WRITE ABOUT YOUR MOM? WHOOP.
WHOOP.
WHOOP.
LET'S TAKE A RIDE, FRED.
OH, GOLLY.
BOBBY, CAN YOU RUN WHAT WE GOT WITH SYLVIA? I GOTTA TAKE A RIDE WITH FRED.
OOH! OKAY.
YOU GOT THAT INTERVIEW SUMMARY FROM THAT COUNCILMAN'S KID? - YEAH.
- DETECTIVE, YOU'VE GOTTA HELP ME.
- WHAT'S WRONG, MRS.
MORRIS? - I DON'T KNOW WHERE SHE WENT.
I WENT TO TAKE OUT THE GARBAGE, I COME BACK, AND SHE WAS GONE OUT THE BACK STAIRS.
DOES YOUR DAUGHTER DO THAT? NO, SHE'S NEVER DONE THAT, AND SHE'S UPSET.
- THINK SHE'S GONNA HARM HERSELF? - YOU GOTTA HELP ME! - OKAY, OKAY, MRS.
MORRIS.
- FRED, UH, YOU STAY HERE.
YOU SIT DOWN RIGHT HERE AND YOU DON'T MOVE, OKAY, GOLLY? [ Fred Hoots ] GINA, KEEP AN EYE ON HIM.
COME ON.
LET'S-- LET'S GO.
DON'T YOU MOVE.
[ Fred Hooting ] SHE WOULDN'T HAVE WROTE A NOTE.
SHE DON'T LIKE WRITING.
WELL, YOU WON'T GIVE UP ANY IDEAS WHERE ELSE SHE WOULD BE, MRS.
MORRIS.
- NOT PAST THAT COFFEE HOUSE.
- WHICH SHE'S NOT AT.
SO IF THERE'S NO NOTE, WE'RE KIND OF OUT OF IDEAS OURSELVES HOW TO HELP YOU.
DON'T YOU TAKE A TONE WITH ME.
HE'S TAKING A TONE 'CAUSE YOU'RE DOING NOTHING BUT BREAK BALLS, MRS.
MORRIS-- WHICH WE KNOW YOU'RE UPSET, BUT IT DON'T MAKE NO SENSE TO MY PARTNER, YOU HAVING NO IDEA FOR US TO LOOK FOR ANNETTE.
LOOK, IF IT'S PRIDE THAT'S HOLDING YOU BACK, MRS.
MORRIS, WELL, THAT'S YOUR BUSINESS, BUT DON'T CALL US TO HELP YOU - AND THEN DON'T COOPERATE.
-[ Phone Rings ] WHERE YOU AT? THAT GIRL IS UPSET.
WHAT ARE YOU DOING TALKING TO HER? OH, MY GOD.
OH, GOD.
TELL HER TO COME DOWN.
TELL HER I LOVE HER.
DON'T LET HER COME TO NO HARM.
SHE'S UP ON THE ROOF BY A WOMAN WHO USED TO TEACH HER KINDERGARTEN.
TWO BLOCKS DOWN.
OH, PLEASE DON'T LET HER COME TO NO HARM.
[ Chattering ] [ Siren Wailing ] YOU OUGHT TO STAY INSIDE HERE, MRS.
MORRIS, TILL WE SEE WHERE THINGS ARE GOING.
NO, NO.
LET ME TALK TO HER.
[ Wailing ] ANNETTE! [ No Audio ] [ No Audio ] SO IN TERMS OF HIM SEEING THE COPS FROM YOUR OFFICE, YOU'RE SATISFIED YOU DEFLECTED SUSPICION? SEE YOU'RE REAL UPSET ABOUT THE CIVILIAN GOT BEATEN.
I'M SORRY ABOUT THE CIVILIAN.
YOU SAID YOU GOT HIM AN AMBULANCE.
MY CONCERN IS IF YOU'RE EXPOSED WITH LIERY.
I THINK THAT'S ALL RIGHT, OKAY? I THINK THAT PART'S ALL RIGHT.
HOW ARE THINGS WITH BOBBY? THE SAME.
WORSE.
THIS CAN'T BE HELPING.
ME BEING UNDERCOVER ISN'T OUR PROBLEM.
YOU SAID YOU DIDN'T THINK HE KNEW YOU LOVED HIM.
WHAT DO YOU CHARGE FOR THESE SESSIONS? DO YOU LET HIM KNOW YOUR FEELINGS? I TRY.
HE WANTS WHAT HE WANTS.
HE WANTS TO GET MARRIED AND HE WANTS TO START A FAMILY.
WELL, IT'S NOT EXACTLY AS IF YOU DON'T.
RIGHT? YOU SAID THIS WAS ABOUT TAKING TIME WITH YOUR MOM AND BROTHER.
- IF I WAS TELLING THE TRUTH.
- WHY WOULDN'T YOU BE? MAYBE I JUST DON'T WANT TO GET MARRIED AND HAVE KIDS.
MAYBE I'M NOT GOOD ENOUGH FOR THAT KIND OF LIFE.
CAN WE DROP THIS? DIANE, IF YOU DON'T KNOW YOU'RE A GOOD PERSON, UNDERCOVER'S A REAL EASY PLACE TO START THINKING YOU'RE NOT.
I'VE KNOWN YOU FOR SEVEN YEARS.
I'M YOUR FRIEND.
DO YOU WANT ME TO FIND ANOTHER WAY AT THIS GUY? - NO.
- THAT'S TODAY.
OKAY.
TOMORROW YOU CAN SAY YES.
YEAH.
THANKS, JANE.
GET MY GESTAPO COAT.
KEEP REACHING OUT TO BOBBY.
- WHOOP! - JUST A MINUTE, FRED.
NO, I'M NOT AWARE OF ANY NOTE, ANY MENTION OF THEIR NAMES.
I DON'T KNOW THAT THAT'S NECESSARY, COUNCILMAN.
I MEAN, UH, I DON'T THINK IT IS NECESSARY.
YEAH.
YEAH.
ALL RIGHT.
HYPOCRITE BASTARD'S BRINGING HIS SON AND THE OTHERS UP FOR A TALKING TO.
- IS THAT COUNCILMAN MANOS? - YEAH.
I GOTTA GO WITH THIS NUT JOB, SEE DID HE TAKE HIS MOTHER'S HEAD OFF.
WELL, I'LL TALK TO THE SONS OF BITCHES.
[ Sipowicz ] WHAT'S NADINE SAY ABOUT THEO? HE'S FINE.
I JUST TALKED TO HER - SO IS THERE AN INDICTMENT IN THIS? - NAH.
WHERE IS ANDY GOING? [ Simone ] THIS GUY TALKS SOME KIND OF GIBBERISH.
ANDY THINKS HE WAS TRYING TO GET ACROSS SOMETHING HAPPENED TO HIS MOTHER.
- D.
O.
A.
's MOTHER HAVE ANYONE TO BE WITH HER? - NO.
OH, GOLLY.
YEAH, NO "OH, GOLLY," FRED.
WE'RE GONNA GO SEE YOUR MOM.
WHOOP.
[ Sighs ] COME ON, GIVE ME YOUR KEYS.
GIVE ME YOUR KEYS, FRED.
[ Panting ] WHOOP, WANNA.
DON'T BREAK MY SHOES HERE, FRED, ALL RIGHT? WHOOP, WANNA.
YOU'RE GONNA MAKE ME LOSE MY TEMPER.
WHOOP, WANNA.
GOLLY, GOLLY, GOLLY.
GOLLY, GOLLY, GOLLY.
GOLLY, GOLLY, GOLLY.
- THAT'S WHERE MAMA IS? - GOLLY, GOLLY, GOLLY.
WHOOP.
WHOOP.
GOLLY, GOLLY.
OOH.
OOH.
GOLLY, GOLLY.
WHOOP.
WHOOP.
GEEZ.
MOM'S DEAD, FRED.
DID YOU KILL HER? WHOOP.
MOM WAS GETTING ON IN YEARS.
MAYBE SHE HAD SOME SICKNESS.
DID YOU DO IT LIKE A-- LIKE A MERCY KILLING? WHOOP, WANNA.
YOU WANNA KILL MAMA? PUT HER TO SLEEP? STOP HER SUFFERING? MAYBE PUT A PILLOW OVER HER HEAD? GOLLY, WANNA.
UH-UH, WANNA.
NOW CUT OUT THE INDIAN TALK.
I'LL GIVE YOU A SMACK.
OH, BOY.
OH, GOLLY.
OOH.
OOH.
OOH.
DON'T TOUCH MAMA.
OOH.
WHAT IS THAT? THAT NITROGLYCERIN, FRED? MAMA HAVE A HEART ATTACK? MAMA WENT BAD? YOU PUT PERFUME ON, HUH, FRED? FINALLY PUT MAMA IN THE DUMPSTER.
OH, WANNA.
OH, WANNA MAMA.
ALL RIGHT.
ALL RIGHT, ALL RIGHT, FRED.
MAMA.
MAMA.
[ Sobbing ] ALL RIGHT, I DON'T WANT YOU TO SHORT SHRIFT WITH THESE KIDS, OR PULL ANY PUNCHES, WHAT THEY NEARLY DID HERE.
THEY DIDN'T "NEARLY" DO ANYTHING, COUNCILMAN.
THIS IS WHAT NEARLY HAPPENED TO YOUR FUTURE.
WELL, BASED ON THE DETECTIVES' INTERVIEW REPORTS, MY JUDGMENT IS THAT EVEN IF ANNETTE MORRIS HADN'T KILLED HERSELF, YOU WOULDN'T BE INDICTED.
WHICH IN NO WAY SHOULD PREVENT YOUR LESSON FOR THE THIN ICE YOU JUST SKATED ON AND YOUR ENTIRE FUTURE CAREERS.
SO WHATEVER LESSONS YOU'RE GOING TO TAKE FROM THIS WON'T COME FROM THE LEGAL SYSTEM, BUT FROM YOUR OWN MORAL SENSE OF WHAT YOU DID TO THIS GIRL.
NOW I GATHER THAT YOU ALL FEEL THAT THIS WAS PRETTY MUCH VOLUNTARY ON ANNETTE'S PART.
YOU'RE ALL PUTTING YOUR PENISES IN HER MOUTH, WHILE SHE WAS SEMICONSCIOUS, AND EJACULATING SEMEN.
YOU ALL FEEL THAT WAS SOMETHING THAT SHE HAD SOMEHOW CONSENTED TO.
WHICH IN NO WAY MAKES IT LESS SAD.
AND THAT SHE'D TAKE HER OWN LIFE-- OH, NO, ABSOLUTELY NOT.
NO LESS SAD AT ALL.
AND BECAUSE THERE ARE NO LEGAL PENALTIES THAT ANY OF YOU CAN EXPECT TO SUFFER, AND BECAUSE NONE OF YOU EXHIBITS THE SLIGHTEST MORAL SENSE OR QUALITY OF CHARACTER WHICH WOULD BRING YOU TO CONFRONT YOUR DISGRACEFUL COMPLICITY IN WHAT HAPPENED TO THIS GIRL ON YOUR OWN, AND BECAUSE IT'S CLEAR THAT THERE IS NO GUIDANCE FORTHCOMING FROM ANYONE'S PARENTS-- WHOSE FATHER ARE YOU, COUNCILMAN? I'M TED'S FATHER.
WELL, YOU ARE OBVIOUSLY A CYNIC AND AN OPPORTUNIST, AND BY MY HUSBAND'S ACCOUNT, A COWARD AND A LIAR.
AND NONE OF THE OTHER PARENTS HAVE EVEN SEEN FIT TO MAKE A PHONE CALL.
MY PARENTS ARE IN GREECE.
WHICH IS WHY I AM SO CONFIDENT THAT YOU BOYS WILL LEAVE THIS ROOM TO LEAD LIVES FILLED WITH THE DISGUSTING AND CONTEMPTIBLE BEHAVIOR, THE SELFISH AND EMPTY VICIOUSNESS THAT YOU DISPLAYED SO PRECOCIOUSLY IN THE MATTER OF THIS GIRL'S DEATH.
OKAY? HEY, ANDY.
HEY.
SO I HEARD THAT WACKO'S MOTHER WAS A D.
O.
A.
, HUH? JUST PUT THE KID BACK IN BELLEVUE.
DID HE, UH, GET OFF OF THAT MUMBO JUMBO? HIS DOC SAID THE "WANNAS" WERE A GOOD SIGN, WHATEVER THE HELL REASON IS BEHIND THAT.
FELT LIKE I UNDERSTOOD FRED BETTER THAN HIM.
TIRED, HUH? MMM.
UP AND DOWN THEM STAIRS.
WHEN'S YOUR NEXT WEIGH-IN? FRIDAY.
YOU GONNA BUST MY NUTS ABOUT MY WEIGHT NOW? GONNA HIT ME WHILE I'M DOWN FROM EXHAUSTION? I WAS JUST THINKING MAYBE YOU'D SEE SOME RESULT FROM ALL YOUR EXERCISE, AND IT'D BE LIKE A GOOD REINFORCEMENT.
YOU WANNA KNOW A GOOD REINFORCEMENT? A STEAK, BAKED POTATO WITH A BIG BUTTER DOLLOP.
AND REPLACE MY VEGETABLES WITH ANOTHER BAKED POTATO.
OH, YEAH, THAT-- THAT WOULD TAKE IT OFF.
CHEESECAKE AND SOME BUTTERSCOTCH SAUCE.
[ Man ] I WANNA FILE A COMPLAINT AGAINST SOMEBODY.
WHO DO I TALK TO? YOU TALK TO A DETECTIVE.
I WAS BEATEN UP IN THE PARK, AND I DECIDED I WANNA PRESS CHARGES.
[ Gina ] DETECTIVE? EXCUSE ME.
CAN I HELP YOU? GOOD NIGHT.
NIGHT.
I WAS BEATEN BY SOMEONE WHILE I WAS ROLLER-SKATING, AND I DECIDED I WANT TO FOLLOW THROUGH ON CHARGES.
COME ON BACK HERE.
WHY DON'T YOU HAVE A SEAT OVER HERE? WHAT'S UP? I WAS IN THE PARK WITH JIMMY LIERY WHEN HE BEAT THAT GUY UP.
YEAH, ALL RIGHT.
I DID WHAT I COULD FOR HIM.
I'D NEVER EVEN SEEN HIM BEFORE IN MY LIFE.
HE JUST STARTED BEATING ON ME FOR NO REASON.
EXCUSE ME.
UH-- YOU PROBABLY WANT TO TAKE THIS GENTLEMAN'S COMPLAINT IN THE INTERVIEW ROOM, ANDY, HUH? YEAH, THAT'S JUST WHAT I WANT TO DO.
ALL RIGHT, WHY DON'T WE GO ON DOWN THE HALL HERE AND GET A LITTLE EXERCISE? WHAT DO YOU MEAN BY THAT? NOTHIN'.
COME ON.
MRS.
MORRIS.
DID YOU ARREST THEM BOYS? NOT AS YET, NO.
THEY'RE NOT GONNA BE ARRESTED? I DON'T THINK THE D.
A.
HAS MADE THAT FINAL DECISION.
I CALLED A LAWYER.
HE SAID I MIGHT HAVE A LAWSUIT.
MIGHT HAVE CIVIL REMEDIES.
WELL, THOSE PEOPLE DO HAVE DEEP POCKETS, AND THEY DON'T LIKE PUBLICITY.
I TOLD HIM IT MIGHT HAVE BEEN MY VOICE MADE HER JUMP.
WHY DON'T YOU COME ON AND SIT OVER HERE, ALL RIGHT? I'LL GET YOU SOMETHING TO DRINK.
SHE LEFT HER DOLL SOMEPLACE.
DO YOU KNOW IF SHE LEFT IT HERE? WELL, WE WERE ALL IN THE COFFEE ROOM BEFORE.
LET ME GO LOOK FOR IT.
I TOLD HER TO KEEP IT AT HOME.
COME ON, COME ON.
SIT DOWN WITH ME FOR A SECOND.
ELEVATOR'S BUSTED.
MAYBE YOU SHOULD THINK ABOUT STAYING SOMEWHERE ELSE TONIGHT.
SHE ASKED IF SHE COULD LIVE WITH THE KINDERGARTEN TEACHER, AND THEN AFTER WENT UP ON THE ROOF WHEN SHE COULDN'T.
I WAS THERE WHEN MRS.
BEACHUM WAS TELLING YOU.
I SAID THAT SHE SHOULDN'T TAKE IT ON HERSELF.
I MEAN, IF ANYTHING, IT WAS MY VOICE AND-- WHAT THOSE BOYS DID TO HER.
MY SCREAMING.
UH, I DON'T FIND IT JUST NOW.
OKAY.
WE'LL KEEP LOOKING FOR IT AND, UH, WE'LL KEEP YOU POSTED, MRS.
MORRIS.
I'M SO TIRED.
ELEVATOR'S BUSTED.
MRS.
MORRIS, I'D REALLY LIKE YOU TO THINK IF THERE'S SOMEONE YOU COULD STAY WITH.
I WAS WITH HER.
POOR WOMAN.
SO WHAT WAS THIS BEEF ABOUT IN THE PARK? JIMMY WENT OFF ON THE GUY FOR ABSOLUTELY NO REASON.
I GOT IT STOPPED.
I CALLED 911.
I'M SICK ABOUT IT.
HE MAKES ME SICK.
NIGHT.
NIGHT, GREG.
NIGHT.
YOU KNOW YOU GOTTA GET OFF OF THIS.
I'M JUST GETTING TO HIM.
HE'S UP TO SOMETHING BAD.
ME AND ANDY-- WE CAN COLLAR HIM OFF OF BEATING THIS GUY.
WITH HIS SHEET WE'RE LOOKING AT A POUND.
WE COULD FLIP HIM OFF THAT.
- HE'D NEVER FLIP.
- OH, NO, HUH? JIMMY WOULDN'T? I DON'T NEED YOU CRITICIZING ME WHEN I'M JUST LOOKING FOR A FRIENDLY VOICE.
HOW WAS I CRITICIZING YOU, DIANE? I'M SAYING IT'S A WAY OUT.
MAYBE YOU'RE JUST TOO CLOSE TO SEE IT.
YOU KNOW, YOU WANT TO TALK ABOUT YOUR PROBLEMS, BUT NOT NO SOLUTIONS.
YOU CAN REALLY SOUND LIKE AN OLD WOMAN SOMETIMES.
OH, YEAH, HUH? WELL, YOU KNOW WHAT? HERE'S AN OLD WOMAN TELLING YOU TO KISS HIS ASS.
HI.
HI.
HEY.
HOW YOU DOING? LOUSY CASE.
WOMAN LOST HER DAUGHTER.
THAT WAS HER GOING DOWN THE STAIRS? ANDY LOST HIS BOY LAST YEAR, DIDN'T HE? Y-YOU GOT KIDS? TWO BOYS.
THEIR DAD'S GOT 'EM THIS WEEK.
I'M DOING FOUR-BYS SO I DON'T MISS THEM SO MUCH.
GOD SPARE ME EVER KNOWING WHAT THAT'S LIKE.
- YOU WANT SOME COFFEE? - NO, THANKS.
YEAH, UH, I DON'T EITHER.
[ Chuckles ] YOU GOT KIDS? NO.
NOT YET.
- NIGHT.
- NIGHT.
[ Ringing ] NO.
SHE'S GONE.
THERE HE IS.
IS HE MAKING THAT GOOFY LOOK HE STARTED MAKING? NO, NOT RIGHT NOW.
REMEMBER THAT DAVE GARROWAY? THAT'S WHO HE LOOKS LIKE WHEN HE MAKES THAT EXPRESSION.
YOU DONOTLOOK LIKE DAVE GARROWAY, THEO.
YOU LOOK LIKE J.
FRED MUGGS.
MAURY ABRAMS ASKED ME TO TRY THE SUAREZ CASE.
WHEN DID YOU PISS HIM OFF? IT'S SUPPOSED TO BE A COMPLIMENT.
EVERYBODY IN MY OFFICE HAD THEIR HANDS RAISED FOR THAT CASE.
-YOU TELL ME WHO'S RIGHT IN THAT MESS.
- WELL, NOT EDDIE SUAREZ.
HOW ABOUT THOSE DOZEN HOOKED-UP GUYS HE'S STANDING IN FOR? WELL, MAYBE IF HE'S CONVICTED HE'LL FLIP.
SYLVIA, THESE GUYS PUT A PACKAGE TOGETHER AND SUAREZ SIGNED ON.
NOBODY'S GONNA FLIP.
WHEN I WAS TALKING TO THOSE KIDS TODAY I GOT THIS EMPTY FEELING.
I KNEW THAT NOTHING I SAID WAS GONNA MAKE ANY DIFFERENCE TO ANYONE IN THAT ROOM.
AND SINCE I'VE BEEN BACK, I'LL BE RUNNING A PLEA AGREEMENT PAST MAURY, OR DECIDING WHETHER OR NOT WE SHOULD TAKE A CASE, AND SUDDENLY I WILL GET THIS FEELING THAT I SHOULD BE BACK HERE, WITH THEO-- LIKE I'M IN THE WRONG ROOM.
SYLVIA, IF YOU WANNA QUIT, I COULD MAKE ENOUGH.
I CAN GET SECURITY WORK.
NO PROBLEM.
BUT THEN I THINK, IF NOBODY GOES INTO THAT ROOM WITH THOSE KIDS-- ME OR THE LIEUTENANT OR BOBBY-- THERE'S JUST THAT CLOWN COUNCILMAN IN THERE WITH THEM.
THEN EVERYBODY GETS WHAT THEY DESERVE.
[ Whimpers ] AH.
HEY.
HE'S GONNA SLEEP GOOD TONIGHT.
SURE.
HE KNOWS HIS MAMA'S KEEPING THE REPUBLIC SAFE.