Paranormal Lockdown (2016) s02e06 Episode Script
Bellaire House
1 WE WERE SO EXCITED.
IT FELT LIKE A HOME, BUT THEN IT CHANGED.
Nick: IT FEELS LIKE SOMETHING'S LURKING IN EVERY CORNER.
I THINK IT'S WAITING FOR OUR GUARD TO BE DOWN.
OH, [BLEEP.]
.
I FEEL LIKE REALLY WEIRD ALL OF A SUDDEN.
ARE YOU EVIL? THERE'S MULTIPLE ENTITIES BATTLING EACH OTHER.
[BLEEP.]
WHAT DO YOU WANT WITH NICK? OH, [BLEEP.]
, WHAT WAS THAT? THIS THING'S TALKING ABOUT KILLING A CHILD.
âªâª ⪠I'VE SEEN THE WAY ⪠⪠THROUGH ALL THE PAIN ⪠⪠I'VE WALKED THROUGH DARKNESS ⪠⪠FIRE, AND RAIN ⪠⪠THEY FILL MY GRAVE ⪠⪠BUT STILL MY SOUL REMAINS ⪠⪠HERE BETWEEN HERE AND THE BEYOND ⪠-- Captions by VITAC -- CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS Narrator: THE BELLAIRE HOUSE IN SOUTHEASTERN OHIO SITS IN THE MINERAL-RICH FOOTHILLS RISING FROM THE OHIO RIVER VALLEY.
BUILT IN 1909 BY COAL MAGNATE JACOB HEATHERINGTON, THE HOME RESTS DIRECTLY UPON A LEY LINE, A SITE WHERE THE CONCENTRATION OF THE EARTH'S CORE SPIRITUAL ENERGY MADE IT A PLACE OF WORSHIP FOR NATIVE AMERICANS, A CROSSROADS BETWEEN THE REALMS OF THE LIVING AND THE DEAD.
THE HOME PASSED TO HEATHERINGTON'S DESCENDANTS AND WAS EVENTUALLY OCCUPIED BY HIS GRANDDAUGHTER LYDE, BUT WHEN SHE DIED OF A HEART ATTACK IN THE HOME IN 1947, HER GRIEVING YOUNGER BROTHER EDWIN BECAME OBSESSED WITH CONTACTING HIS BELOVED SISTER BEYOND THE GRAVE.
MANY BELIEVE HIS SEANCES AND MEDIUMSHIP OPENED DOORWAYS FOR WANDERING SPIRITS AND POTENTIALLY DARKER, INHUMAN FORCES.
AFTER EDWIN'S EVENTUAL DEATH IN THE HOUSE, IT PASSED FROM OWNER TO OWNER, ALL MYSTERIOUSLY UNABLE TO REMAIN IN THE HOME.
IN 2005, AFTER A NATURAL DISASTER PUT KRISTIN LEE'S FAMILY IN DIRE STRAIGHTS, SHE PURCHASED THE BELLAIRE HOUSE, BUT KRISTIN AND HER FAMILY UNKNOWINGLY TRADED ONE PERSONAL TRAGEDY FOR ANOTHER.
THE PARANORMAL ACTIVITY IN THE HOUSE GREW FROM STRANGE ENCOUNTERS TO DISTURBINGLY VIOLENT ATTACKS, SOME TARGETING KRISTIN'S TWO YOUNG SONS.
SHATTERED BY THE HORRORS, KRISTIN'S FAMILY LEFT ONE BY ONE UNTIL SHE REMAINED THE SOLE OCCUPANT OF THE DREADED HOUSE.
WHILE SHE ATTEMPTED TO REN THE MASSIVE PROPERTY, THE SAME NEGATIVE FORCES DROVE AWAY HER TENANTS, LEAVING THE BELLAIRE HOUSE EMPTY.
NOW, NICK AND KATRINA WILL MOVE IN TO THIS UNINHABITABLE HOME FOR 72 HOURS, LIVING AT THE CROSSROADS OF THE DEAD AND ENGAGING WITH THE MALICIOUS ENERGIES THAT DRIVE AWAY ALL WHO DARE TO ENTER THE BELLAIRE HOUSE.
FROM THE OUTSIDE, THIS LOOKS LIKE ANY OTHER ORDINARY HOME, BUT THERE'S DEFINITELY SOMETHING DIFFEREN ABOUT IT.
Katrina: I GET THE SENSE LIKE YOU CAN ABSOLUTELY FEEL LINGERING SPIRITS HANGING OUT.
I AGREE.
WANT TO GO MEET KRISTIN? YEAH.
Katrina: HEY.
HI, GUYS.
HI, KATRINA.
NICE TO MEET YOU.
NICE TO MEET YOU.
NICK.
THANKS FOR HAVING US.
THANKS FOR COMING.
SO FIRST OFF, THIS IS A BEAUTIFUL HOME.
AND WHEN DID YOU MOVE IN? ABOUT 2004, 2005.
AT THAT TIME IT WAS MY TWO KIDS, NICK AND LANE, AND LANE'S FATHER JEFE.
OUR FAMILY WAS AFFECTED BY TWO FLASH FLOODS AND WE FELL ON HARD TIMES.
AND FEMA CAME IN, AND THEY ALLOTTED US SOME MONEY TO REBUILD OUR LIVES.
WHEN WE WALKED UP ON THE PORCH, WE WERE SO EXCITED.
I CAN TELL WHEN YOU TALK ABOUT THE HOUSE TOO, LIKE YOU CAN ALMOST SENSE LIKE HOW EXCITED YOU GUYS WERE TO GET HERE.
IT REALLY SEEMS LIKE YOUR DREAMS WERE COMING TRUE, YOU KNOW? YEAH, ABSOLUTELY.
BUT THEN IT CHANGED.
IT ALL CHANGED.
ONE BY ONE, MY FAMILY LEFT.
IT WAS JUST TOO DANGEROUS TO BE HERE.
SO YOU FEEL LIKE THERE'S SOME SORT OF RESIDUAL ENERGY THAT KIND OF COMES AND GOES IN THIS HOUSE? I KNOW THERE IS, YES, AND THAT WOULD BE EDWIN HEATHERINGTON.
DO YOU WANT TO TAKE US THROUGH THE HOUSE AND SHOW US WHERE THINGS HAVE HAPPENED TO YOU WHILE YOU LIVED HERE? SURE.
THE FIRST PROFOUND EXPERIENCE TO ME WAS IN HERE IN THE LIVING ROOM.
OKAY.
I WAS ASLEEP ON THE COUCH AND I FELT THE CUSHION GO DOWN, AND IT WOKE ME UP.
WHEN I OPENED MY EYES, I SAW THIS FIGURE OF A MAN.
DID YOU THINK IT WAS THREATENING? I JUST FEEL LIKE HE WANTED ME TO KNOW THAT HE WAS HERE.
HE QUIETLY WALKED INTO THE FOYER AND JUST DISAPPEARED.
THAT MUST HAVE BEEN TERRIFYING.
[ SNIFFLES .]
DAMN IT.
IT'S OKAY TO LET OU YOUR EMOTIONS.
IT'S OKAY.
NOT IN HERE.
YOU JUST CAN' DO THAT IN HERE.
WHY IS THAT? WHY NOT HERE? IT WILL TURN ON YOU.
DON'T TALK ABOUT YOUR FAMILY.
DON'T TALK ABOUT YOUR KIDS.
THEY'LL FLIP IT AROUND ON YOU.
Katrina: UNFORTUNATELY, HER DREAM TURNED INTO HER NIGHTMARE, ESPECIALLY GOING THROUGH WHAT HER AND HER FAMILY JUST WENT THROUGH, I COULD ONLY IMAGINE HOW BROKEN THEY MUST HAVE BEEN GOING THROUGH ALL OF IT.
DO A LOT OF PEOPLE FEEL LIKE DIZZY AND STUFF WHEN THEY WALK THROUGH HERE? DIZZY AND LIGHT-HEADED AND JUST A VERY THICK, HEAVY PRESENCE.
SPLITTING HEADACHES.
YEAH.
VERY BAD HEADACHES.
LIKE IMMEDIATELY I'M HESITANT TO GO UPSTAIRS, AND IT'S RIGHT BACK THERE.
IS THAT THE ROOM? THAT'S THE ROOM.
WHAT ROOM? IT'S THE STRAIGHT ONE.
I DON'T KNOW WHAT IT IS ABOUT THAT ROOM, BUT IMMEDIATELY JUST SEEING IT, I'M LIKE I'M STOPPING DEAD IN MY TRACKS.
SOMETHING DOES NO FEEL RIGHT TO ME.
I JUST FEEL THA CONNECTION TO THAT ROOM.
THAT MAKES ME A LITTLE NERVOUS, BECAUSE THERE IS SOMETHING IN THERE TO BE FEARFUL OF.
THE MINUTE I SAW IT COMING UP THE STAIRS, IT'S JUST -- REALLY? YEAH, IT'S LIKE A WALL LIKE TELLING ME TO -- "DON'T.
" YOU KNOW, "THAT'S OFF LIMITS, DON'T DO IT.
" DID YOU EVER HEAR OF ANYTHING BAD HAPPENING IN THIS ROOM LIKE HISTORICALLY? Kristin: NOT HISTORICALLY.
I DON'T KNOW.
I JUST KNOW WHAT'S HAPPENED TO ME.
TRIED TO GO TO SLEEP, I WENT TO LAY DOWN, AND THEN ALL OF A SUDDEN, I WAS PUSHED DOWN AND I COULD NOT MOVE.
I'VE NEVER FELT LIKE THA BEFORE IN MY LIFE.
HAD NO IDEA WHAT WAS GOING ON.
AND THEN THE DOOR OPENED AND IT FELT LIKE JUST THIS MASS OF JUST EVIL, EVIL, EVIL ENERGY.
I WAS SCARED TO DEATH.
I THOUGHT FOR SURE I WAS GOING TO BE TAKING MY LAST BREATH IN THIS ROOM.
THERE'S SOMETHING IN THIS ROOM, YOU THINK, AFFECTED NICK ENOUGH TO MAKE HIM LEAVE.
RIGHT, AND I COULDN'T DO A DAMN THING.
Nick: I CAN TELL THAT KRISTIN IS REALLY UPSE BY THE PARANORMAL ACTIVITY AT THIS LOCATION.
LET'S JUST SIT DOWN FOR A LITTLE BIT.
I NEED TO TAKE A BREAK.
IT KIND OF HITS HOME WITH ME, BECAUSE I'VE HAD SIMILAR THINGS HAPPEN IN MY OWN HOUSE WITH MY FAMILY.
I WANT TO HELP HER, I WANT TO CONFRONT THIS THING THAT HAS HURT HER AND HER FAMILY.
IT'S OKAY.
THANK YOU.
HONESTLY, IT'S OKAY.
I TELL PEOPLE, YOU CAN'T CHANGE THE PAST.
YOU'RE STRONGER, YOU CAN PUT ALL THAT BEHIND YOU, BUT IT'S HARD TO RELIVE THOSE MOMENTS.
I'M SORRY, GUYS.
I JUST -- WE NEED TO GET OUT OF HERE FOR A LITTLE BIT.
Katrina: OKAY.
LET'S TAKE A BREAK.
OKAY.
THIS IS THE STAIRCASE UP TO THE ATTIC? THIS IS THE ATTIC.
DO YOU WANT TO GO UP THERE? THE SECOND LEVEL IS KIND OF TOUGH FOR ME.
THIS IS JUS OUT OF THE QUESTION.
I DON'T FEEL COMFORTABLE GOING UP THERE.
DO YOU THINK THERE'S SOMETHING NEGATIVE UP THERE IN THE ATTIC? YES.
ABSOLUTELY, YES.
I'M JUST CURIOUS.
WE HAVE LOCKS ON THESE DOORS FOR REASONS NOW.
WHY DO YOU HAVE LOCKS ON THE DOORS? DO THEY LOCK FROM THIS SIDE? OH, THEY LOCK FROM THIS SIDE.
THEY LOCK FROM BOTH SIDES.
BUT WE HAD TO LOCK BOTH OF THEM.
WELL, SEE YA.
BYE.
YOU JUST HEARD THAT, RIGHT? ARE YOU OKAY? OH, MY GOD.
OH, [BLEEP.]
.
THERE'S FOOTSTEPS WALKING DOWN THE STAIRS.
YOU HEARD THAT RIGHT? AND IT WAS OVER HERE, TOO.
JUST BAM, BAM.
YEP.
YOU KNOW WHAT I MEAN? I HEARD IT COMING RIGHT AT ME AND I FEEL STATIC ELECTRICITY JUST HITTING MY BODY LIKE THAT.
YES.
IS THAT WHAT YOU FEL WHEN YOU BACKED UP? BECAUSE YOU WALKED OUT AND -- MY ARMS ARE GOOSE BUMPED UP.
I'D LIKE TO LEAVE.
OKAY.
OKAY.
ARE YOU OKAY GETTING DOWNSTAIRS? YES, THANK YOU.
WE'LL TALK TO YOU AFTER OUR 72 HOURS ARE UP.
ALL RIGHT? GOOD LUCK, GUYS.
ALL RIGHT.
[ FOOTSTEPS .]
Nick: ARE YOU UP HERE? DID WE JUST HEAR YOU GO DOWN THE STEPS? YEAH.
IT'S DIZZY UP HERE, RIGHT? UM, I THINK I HAD A DREAM ABOUT THIS ATTIC LIKE FOUR NIGHTS AGO.
WHAT DO YOU MEAN? A FEW NIGHTS BEFORE WE CAME TO THE BELLAIRE HOUSE, I HAD A VERY VIVID NIGHTMARE.
I WAS IN AN ATTIC AND THERE WAS A LITTLE GIRL IN THE ROOM WITH ME.
AND I AM SO SCARED THAT I STARTED TO RUN OUT OF THE ROOM.
THIS FIGURE WAS STANDING RIGHT IN FRONT OF ME.
I GET THE SENSE THAT SHE HAD SOMETHING TO SAY, BUT IT WASN'T NECESSARILY A GOOD MESSAGE.
AND I RAN DOWNSTAIRS LOOKING FOR YOU BECAUSE I WAS SCARED.
FOR ME? YOU LOOKED FOR ME? YEAH, IN MY DREAM.
THIS JUST TELLS ME THA THERE HAS TO BE SOMETHING, ESPECIALLY IN THIS ATTIC.
THIS IS NOT A TYPICAL MOM AND POP HAUNTING.
THIS IS -- THIS IS SOMETHING ELSE.
THIS IS SOMETHING MUCH MORE THAN THAT.
KATRINA, WE HAVE TO GE TO THE BOTTOM OF WHAT TORMENTED HER, WHO THAT NEGATIVE ENTITY IS.
I THINK WHAT WE HAVE TO DO IS COMMUNICATE THROUGH AUDIO, OUR AUDIO DEVICES, AND TRY TO GE SOME SORT OF NAME.
IF WE CAN FIGURE OU WHAT THE NAME IS TO THIS NEGATIVE ENTITY, THEN WE CAN PROBABLY PUSH IT BACK.
Nick: AS THE FIRST NIGH OF OUR INVESTIGATION BEGINS, WE HEAD TO KRISTIN'S BEDROOM, WHERE SHE AND HER SON NICK HAD THEIR MOS TERRIFYING EXPERIENCES.
Katrina: WAS THAT YOU? YOU OKAY? WHAT'S WRONG? YOU OKAY? YEAH.
JUST THIS WHOLE HOUSE FEELS OFF.
I FEEL LIKE WE'RE -- I JUST FEEL THREATENED.
DO YOU NOT WAN TO GO IN THERE? IT JUST FEELS A LITTLE WEIRD.
I THINK IT'S WAITING.
WAITING FOR OUR GUARD TO BE DOWN.
WE'RE TOO STRONG RIGHT NOW.
IS THERE SOMETHING OVER HERE IN THIS WALL OR THIS PAR OF THE BUILDING? IT'S LIKE A -- THERE'S PRESSURE ON YOUR HEAD.
I JUST SAW SOMETHING FORM AND DISAPPEAR DIRECTLY IN FRONT OF YOU.
ARE YOU SERIOUS? IT WAS A ROUND PIECE OF LIGH ABOUT THE SIZE OF SAY A QUARTER AND THEN IT SHRUNK AS IT GOT CLOSER TO YOUR FACE AND DISAPPEARED.
ON YOUR HEAD? Katrina: SO THEN IT GOES BACK TO THIS CORNER OF THIS WALL.
THIS BACK WALL, LIKE WHY THIS BACK WALL? Nick: OH, [BLEEP.]
.
WHAT WAS THAT? Rob: SMALL PIECE OF LIGHT FORMED THEN DISAPPEARED RIGHT IN FRONT OF YOUR FACE.
Katrina: SO THEN IT GOES BACK TO THIS CORNER OF THIS WALL, THIS BACK WALL.
LIKE, WHY THIS BACK WALL? Nick: OH, [BLEEP.]
, WHAT WAS THAT? I SAW SOMETHING FLY BY AND GO THIS WAY.
WHERE'D YOU GO? Katrina: THERE'S A LOCK ON THE OUTSIDE OF THIS DOOR.
WHY WOULD THEY HAVE A LOCK ON THE OUTSIDE? Nick: I JUST HEARD A THUMP.
IT CAME RIGHT FROM THE ATTIC.
THERE'S A WEIRD FEELING UP HERE.
KIND OF SIMILAR FROM TODAY.
DIZZY.
Katrina: KRISTIN SAID THIS IS A PLACE WHERE THEY GET A LOT OF EVPs AND A LOT OF AUDIO STUFF COMES THROUGH.
SHE SAID THEY HAVE GOTTEN A BUNCH OF DIFFERENT NAMES AND THEY'VE SEEN PEOPLE UP HERE, SO I'M CURIOUS IF US DOING THIS WILL KIND OF RAMP THAT UP.
Nick: I'M GOING TO TURN THIS DEVICE UP.
WHATEVER YOU WANT TO SAY TO US, COME THROUGH AND COMMUNICATE.
[ DEVICE WARBLING .]
Katrina: WHO LIVES UP HERE IN THIS ATTIC? [ NOISE CONTINUES .]
IS THERE SOMETHING THAT'S NOT SO NICE UP HERE? IT'S DIZZINESS.
YEAH, I FELT IT TOO.
DID YOU? THAT'S SO WEIRD YOU SAID THAT.
YEAH, I FEEL REALLY DIZZY.
LIKE REALLY DIZZY, YEAH.
YEAH.
ARE YOU AFFECTING OUR BODIES RIGHT NOW? ARE YOU TRYING TO USE OUR BODIES TO COMMUNICATE? YEAH.
YEAH.
IT GOES, "YES.
" ARE YOU TRYING TO USE OUR BODIES TO COMMUNICATE? [ CLICK, NOISE STOPS .]
Nick: IT FEELS LIKE SOMETHING'S LURKING IN EVERY CORNER.
YEAH, RIGHT? LIKE NEAR THE WINDOWS, IT'S OVER THERE.
I DON'T KNOW, IT'S JUS A WEIRD FEELING UP HERE.
[ CRICKETS CHIRPING .]
WE'VE BEEN AT THIS FOR A WHILE NOW.
I SAY WE TRY TO GE A GOOD AMOUNT OF SLEEP.
I'M GOING TO GO BACK TO THE ATTIC, BECAUSE SHE WAS FRIGHTENED AND TERRIFIED ABOUT THAT LOCATION.
SHE LEFT THE ROOM.
I'LL TAKE THIS ROOM, THEN, BECAUSE KRISTIN DID SAY NOBODY CAN SLEEP IN THIS ROOM.
MORBID CURIOSITY.
I WANT TO KNOW WHY.
[ CRICKETS CHIRPING .]
THE ATTIC HAS A CERTAIN FEELING ABOUT I THAT YOU DON'T REALIZE UNTIL YOU'RE BY YOURSELF AND YOU'RE STANDING HERE IN COMPLETE DARKNESS AND YOU JUST FEEL THAT INTENSITY, LIKE SOMETHING'S AROUND YOU AND ANYTHING CAN HAPPEN.
[ CRICKETS CHIRPING .]
DAY 2 IS HERE.
REALLY STRONG ENERGY UP HERE.
HARD TO SLEEP.
I'M GOING TO GO WAKE UP KATRINA, THEN WE'RE GOING TO GET STARTED.
HOW ARE YOU DOING? Katrina: GOOD.
TIRED.
DID ANYTHING HAPPEN UP HERE? MNH-MNH.
WEIRD.
SURPRISED ABOUT THAT, YEAH.
ISN'T IT WEIRD UP HERE? MM-HMM.
YEAH.
IT'S A WEIRD SPACE.
IT'S LIKE THESE LITTLE CREVICES THAT ENERGY CAN HIDE IN.
CHECK THIS OUT.
OH, A CRAWL SPACE.
LET'S TRY THE PORTABLE GEOBOX.
[ STATIC WARBLING .]
Nick: IS THERE ANYBODY HERE? ARE YOU BACK IN HERE? WHAT HAPPENS IF KATRINA CLOSES THE DRESSER? DO YOU WANT ME TO? YEAH, CLOSE IT, SHUT IT.
SEE WHAT HAPPENS.
GOING INTO DARKNESS.
IS THAT WHAT YOU FEED OFF OF, IS DARKNESS? [ NOISE CONTINUES .]
THAT'S IT? YOU'RE NOT GOING TO TALK TO ME? ALL RIGHT, I'M LEAVING.
ALL RIGHT, KAT.
DO YOU WANT TO TAKE IT IN? YEAH.
[ GROANS .]
[ YAWNS .]
OH, MAN.
LET'S INVESTIGATE DOWNSTAIRS A LITTLE BIT MORE AND SEE IF WE CAN GE ANYTHING ELSE COMING THROUGH.
OUR INVESTIGATION CONTINUES IN KRISTIN'S ROOM ON THE SECOND FLOOR USING STEVE HUFF'S WONDERBOX TO SWEEP RADIO FREQUENCIES AND USE REVERB FOR REAL-TIME PARANORMAL COMMUNICATION.
HERE WE GO.
DO YOU WANT TO GIVE US AN IDEA OF WHO WE ARE TALKING TO? [ DEVICE WARBLING .]
WHAT'S THAT? Nick: WAIT.
Rob: HE SAID NICK.
HE SAID NICK.
BUT DOES IT -- IS IT YOU OR IS IT KRISTIN'S SON? Nick: WHOA.
NO [BLEEP.]
WAY.
WHAT DID YOU SEE? HOLY [BLEEP.]
.
Katrina: DO YOU WANT TO GIVE US AN IDEA OF WHO WE'RE TALKING TO? WHAT WAS THAT? [ DEVICE WARBLING .]
Nick: WAIT.
Rob: HE SAID NICK.
HE SAID NICK.
Katrina: BUT DOES IT -- IS IT YOU OR IS IT KRISTIN'S SON? Nick: WHOA.
NO [BLEEP.]
WAY.
WHAT DID YOU SEE? HOLY [BLEEP.]
.
BEHIND ROB, I SAW A SHADOW, LIKE AN ACTUAL FRICKING APPARITION.
ARE YOU LOOKING FOR NICK? YEAH.
Rob: YEAH.
LOOK.
LOOK AT THIS.
DUDE.
GOD.
[ WARBLING CONTINUES .]
"SAVE US.
" Nick: HOW CAN WE SAVE YOU? WHAT IS IT WE CAN DO TO HELP YOU? "LEAVE.
" LEAVE? "NO.
" "LEAVE.
" LEAVE? "NO.
" THERE'S MULTIPLE ENTITIES BATTLING EACH OTHER ON THIS THING.
WE'RE GETTING A LOT OF DISJOINTED VOICES COMING FROM MULTIPLE ROOMS THROUGHOUT THIS WHOLE HOUSE.
LISTEN, IT COULD BE TRYING TO MANIPULATE US.
IT COULD BE TRYING TO THROW US OFF TRACK.
OR THERE COULD BE SOMETHING ELSE COMING THROUGH.
A LOT OF AUDIO EVIDENCE COMING THROUGH THE DIFFERENT DEVICES THAT WE HAVE.
I THINK WE NEED TO CALL GEORGE BROWN AND STEVE HUFF, BRING THEM IN AS QUICK AS POSSIBLE FOR NIGHT 2 AND DO ONE BIG MASSIVE AUDIO EXPERIMENT TOGETHER.
AND THEY CAN BRING ALL THEIR DEVICES AND WE CAN KIND OF LIKE CONJURE THIS THING, WHATEVER THIS ENTITY IS, INTO THIS ONE FOCAL POINT.
Nick: AS NIGHT 2 FALLS, WE CONTAC PARANORMAL-TECHNOLOGY ENGINEERS STEVE HUFF AND GEORGE BROWN, WHO AGREE TO COME AID IN OUR INVESTIGATION OF THE BELLAIRE HOUSE.
I BROUGHT BASICALLY ANOTHER WONDERBOX PORTAL.
Katrina: OKAY.
A LITTLE DIFFERENT.
THE MESSAGES I'VE ALWAYS RECEIVED OVER YEARS IS THEY ALWAYS ASK FOR MORE POWER, AND THEY'VE EVEN MENTIONED ELECTRICITY.
WHEN I STARTED GETTING THESE MESSAGES, I MADE THIS, BECAUSE THIS HAS A LO OF ELECTRIC CURREN GOING THROUGH IT.
THEY'RE ABLE TO COME THROUGH AND GIVE DIRECT, RELEVANT REPLIES.
KEEP THOSE DOWN.
ALL RIGHT, WHO'S HERE WITH US? Nick: "ED.
" DID THAT JUST SAY ED? YEAH.
DOES THIS NEGATIVE ENTITY HAVE A NAME? [ DEVICE WARBLING .]
WHAT WAS THAT? I DON'T KNOW.
IT WAS TERRIFYING.
THAT WAS A WEIRD LAUGH.
SO WHAT DID YOU BRING, GEORGE? I BROUGHT A GEOBOX.
THIS IS JUS A DIFFERENT STYLE.
IT HAS LIKE FOUR RADIO SCANNERS IN I AND MULTIPLE BEDS IN IT, SO IT'LL PROBABLY INCREASE THE RESPONSES THA WE RECEIVE THROUGH IT.
AND THIS IS A COMBINATION OF GEOBOX AND THE SAME THINGS FOR THE PORTAL.
IT'S A GeoPort DEVICE.
SO IT WORKS THE SAME WAY AS THE GEOBOX, EXCEPT INSTEAD OF MANIPULATING THE WAVES ON KIND OF LIKE A MECHANICAL OR A MAGNETIC LEVEL, THEY ACTUALLY MANIPULATE THE CIRCUITS INSIDE THE BOX.
[ DEVICE WARBLING .]
ARE THERE ANY SPIRITS THAT WOULD LIKE TO TRY TO USE THIS DEVICE TO SPEAK? "HELP.
" "HELP.
" HELP? THAT WAS CLEAR.
All: "ED.
" Katrina: WE'VE BEEN GETTING PRETTY CLEAR VOICE ACTIVITY ON ALL OF THESE DEVICES HERE SO FAR.
IF WE CAN BREAK ALL OF THIS UP, GO INTO SEPARATE ROOMS, TRY ALL OF THEM AT THE SAME TIME AND SEE IF ANY OF THOSE RESULTS MATCH UP TOGETHER.
ALL RIGHT, SO, KATRINA, DO YOU WANT TO STAY DOWN HERE IN THE LIVING ROOM, SINCE WE'RE GETTING SO MUCH ACTIVITY HERE? YEAH.
I'LL GO INTO WHERE KRISTIN HAD HER WORST EXPERIENCE, BECAUSE I ACTUALLY -- I HAVEN'T BEEN IN THAT ROOM TO INVESTIGATE SOLELY BY MYSELF.
GEORGE, DO YOU WANT TO GO IN THIS OTHER ROOM OVER HERE? AND STEVE, IF YOU WANT TO GO IN THE ATTIC, I SLEPT THERE, AND IT'S JUST BEEN SO STRANGE UP THERE.
ALL RIGHT, LET'S GO.
OKAY, GREAT.
START THE SCANNER.
[ STATIC CRACKLING .]
[ DEVICE WARBLING .]
WHO'S HERE WITH ME? [ DEVICE WARBLING .]
Steve: SOON AS I WALKED UP HERE, I FELT THAT MASS OF ELECTRICITY.
UM I'M TRYING TO PINPOINT IT, THOUGH.
ACTUALLY, WE'RE GOING TO MOVE OVER HERE.
[ LAUGHS .]
SOON AS I WALK OVER HERE, I GET A MASSIVE SURGE OF ELECTRICITY.
[ STATIC CRACKLING .]
RIGHT WHEN I WALKED IN, I COULD FEEL THAT SOMETHING WAS WRONG ABOUT THIS PLACE.
"NICK.
" [ DEVICE WARBLING .]
ARE YOU TALKING ABOUT NICK GROFF? OR THE NICK THAT USED TO LIVE HERE? WHAT DO YOU WANT WITH NICK? WHAT ARE YOU? DEAD? [ STATIC CRACKLING .]
IT'S LIKE THEY'RE TALKING TO EACH OTHER.
[ DEVICE WARBLING .]
ATTIC? DID YOU JUST SAY "ATTIC"? [ WARBLING CONTINUES .]
IS THAT WHERE YOU ARE RIGHT NOW? ARE YOU IN THE ATTIC? WHY ARE YOU IN THIS ROOM? WHY ARE YOU IN THIS HOUSE? "ED.
" YOU'RE IN THIS HOUSE BECAUSE OF ED? "YES.
" ED DID SEANCES HERE.
IS THERE SOMETHING NEGATIVE IN THIS ROOM? EVERYBODY'S BEEN TELLING ME, WARNING ME NOT TO COME IN THIS ROOM.
[ DEVICE WARBLING .]
YOU FOUND ME? Steve: YOU'VE BEEN WAITING? ARE YOU EVIL? CAN YOU TELL ME WHAT YOU NEED? [ CRICKETS CHIRPING .]
[ CRICKETS CHIRPING .]
I HAVE TO WALK AWAY FOR A SECOND.
I DON'T LIKE TO SAY THIS, BUT I WAS GETTING THE FEELING LIKE SOMETHING BAD IN THIS LITTLE AREA HAPPENED.
Nick: WE FINISH OUR EXPERIMEN AND MEET DOWNSTAIRS TO COMPARE EVIDENCE AND DRAW ANY CONNECTIONS.
IT WAS QUIET AT FIRST.
IT WAS VERY JUST CASUAL, QUIET, DARK ROOM.
VERY OMINOUS, AND THEN SUDDENLY JUST THE VOICES STARTED COMING THROUGH THAT WAS A LITTLE BIT MORE CLEAR, A LITTLE BIT MORE INTELLIGENT.
WHAT ARE YOU? DEAD? AND ONE TIME I THOUGHT I HEARD A CHILD'S VOICE COME THROUGH, TRY TO COME THROUGH A COUPLE OF TIMES.
Katrina: A BOY OR A GIRL? A GIRL.
A LOT OF DIFFERENT VOICES THAT WERE COMING THROUGH AT DIFFERENT TIMES, AND I THINK I GOT NICK'S NAME A COUPLE OF TIMES.
RIGHT WHEN I WALKED IN, I COULD FEEL THAT SOMETHING WAS WRONG ABOUT THIS PLACE.
"NICK.
" THIS IS WHAT WE'VE BEEN TRYING TO FIGURE OUT.
THE WOMAN WHO LIVED HERE ALSO HAD A SON NAMED NICK.
IS SOMETHING ASKING FOR HER SON OR IS SOMETHING ASKING FOR NICK, OR, I MEAN, NICK AND I DO PRETTY CRAZY CASES WHERE -- I MEAN, YOU GUYS KNOW HOW THESE THINGS WORK, THAT THE DARKER STUFF WORKS IN A HIERARCHY, SO THEY ALL KNOW YOU.
SO IS IT SOMETHING ELSE COMING THROUGH? I WAS GETTING THE INTENSE FEELING THAT THERE WAS SOMETHING DARK AND SOMETHING TO DO WITH A CHILD.
SO WHAT STOOD OU TO YOU THE MOST? ONE OF THEM WAS "HE WILL FLY" AFTER -- I BELIEVE IT WAS AFTER "SEND THE CHILD.
" Nick: THESE VOICES COMING THROUGH IN THE ATTIC ARE ABSOLUTELY INCREDIBLE.
THESE ARE SENTENCES.
THEY'RE COMING THROUGH, TELLING US INTELLIGENT THINGS.
THIS EXPERIMENT IS ABSOLUTELY WORKING.
APPRECIATE YOUR -- YOU GUYS COMING HERE AND REALLY ASSISTING US IN THIS, BECAUSE THIS WAS CRUCIAL, I THINK, IN OUR INVESTIGATION, TO TRY TO DECIPHER THESE MESSAGES.
THANK YOU SO MUCH.
YEAH, THANKS, GUYS.
THANK YOU.
Nick: GEORGE AND STEVE HEAD OUT, BUT WE HAVE QUESTIONS FROM THE EXPERIMEN AND 26 HOURS LEF IN OUR INVESTIGATION TO FIND ANSWERS.
WE'VE BEEN UP NEARLY 24 HOURS.
IT IS IMPORTANT FOR US TO SEPARATE TO SLEEP TO SEE IF THE SPIRITS CAN MAKE CONTACT WITH US IN ISOLATION.
KATRINA HEADS DOWNSTAIRS TO THE COUCH WHERE KRISTIN HAD HER FIRST PARANORMAL EXPERIENCE IN THE HOUSE.
I WILL SLEEP IN KRISTIN'S BEDROOM, WHERE SHE HAD HER FINAL ENCOUNTER THAT DROVE HER FROM THE HOME.
[ CRICKETS CHIRPING .]
Katrina: HEY.
WERE YOU JUS TALKING TO YOURSELF? Nick: LET'S DO THIS.
READY? Katrina: YEAH.
I REALLY DON'T FEEL LIKE I SLEPT AT ALL.
IT'S CRAZY.
Nick: ME EITHER.
[ HIGH-PITCHED WARBLE .]
[ STATIC CRACKLING .]
Nick: NEED HELP? Nick: FIND HIM? YEAH, I THINK THERE'S SOMETHING LARGER HAPPENING HERE THAT WE DON' FULLY UNDERSTAND.
I THINK WHEN EDWIN ACTUALLY PASSED AWAY AFTER HE CONJURED UP THE SPIRITS TO THIS HOUSE THROUGH THE SEANCES, I THINK THOSE -- THOSE ENTITIES, WHATEVER THEY ARE THEY, THEY'RE NOW CONTROLLING HIM AT THIS HOUSE AND I THINK THEY'RE USING HIM LIKE WE'RE USING THIS DEVICE TO SPEAK TO THEM, BUT THEY'RE USING HIM TO SPEAK BACK TO US.
I WANT TO TALK TO KRISTIN MORE, AND I DEFINITELY -- WE DEFINITELY HAVE TO DO SOME RESEARCH TODAY.
YEAH.
WE HAVE TO REVIEW THAT AUDIO EVIDENCE, TOO, FROM LAST NIGHT.
REVIEW THE AUDIO EVIDENCE.
[ BIRDS CHIRPING .]
ALL RIGHT, I HAVE THE SPEAKER.
OKAY, GREAT.
LET'S START REVIEWING THE FOOTAGE.
SO THE STEVE HUFF FOOTAGE FROM LAST NIGHT, HIS AUDIO FROM THE ATTIC IS ALL QUEUED UP.
Steve: ARE YOU EVIL? [ DEVICE WARBLING .]
"SLEEP PRECIOUS.
" "SLEEP PRECIOUS.
" "MY BLOOD.
" [ WARBLING CONTINUES .]
"THE CHILD.
" "HE FLIES.
" HE FLIES? HE FLIES.
THAT'S ALL MESSED UP.
"SLEEP PRECIOUS, SEND THE CHILD.
HE FLIES"? TO ME, THAT'S LIKE THIS THING'S TALKING ABOUT KILLING A CHILD.
[ BIRDS CHIRPING .]
THAT'S ALL MESSED UP.
"SLEEP PRECIOUS.
SEND THE CHILD.
HE FLIES"? TO ME, THAT'S LIKE THIS THING'S TALKING ABOUT KILLING A CHILD.
I'VE NEVER HEARD SOMETHING SO CLEAR AND SO CONCISE COME THROUGH BEFORE ON A DEVICE.
Nick: WE'RE TALKING TO SOMETHING VERY INTELLIGENT.
IT WANTS TO MURDER CHILDREN.
THIS IS SCARY.
IT'S GETTING REALLY SERIOUS.
THIS IS MORE THAN JUS GETTING EVIDENCE RIGHT NOW.
WE HAVE TO ASK WHAT HAPPENED IN THIS HOUSE.
Katrina: DO YOU WANT TO GO STRAIGHT TO THE ATTIC, THEN, USE THE WONDERBOX UP THERE? Nick: ARE YOU STILL HERE WITH US? SEE THAT [BLEEP.]
? [BLEEP.]
WATCH YOUR FINGERS.
YEAH, THIS HAS BEEN CLOSED.
I'M TELLING YOU.
LOOK.
[ STOMPING .]
SEE WHAT I'M SAYING? HOW DOES THAT JUST OPEN? Rob: [ MUMBLES .]
YEAH, I DON'T KNOW.
THAT'S SO FREAKING WEIRD.
[ CRICKETS CHIRPING .]
[ DEVICE WARBLING .]
WHAT WAS THAT? Rob: I HEARD THAT.
WHAT WAS THAT? WHAT WAS THAT KID CRYING? WHAT WAS THAT? WHAT WAS THAT? IT WAS A DISEMBODIED LIKE CRY IN HERE.
I DON'T THINK THERE'S A KID.
IF YOU'RE MANIPULATING US, I MEAN, WE KIND OF KNOW BETTER, SO Nick: YOU CAN'T ALWAYS TRUS THE VOICES THA ARE COMING THROUGH, BECAUSE THEY MIGHT BE TRYING TO MANIPULATE YOU, ESPECIALLY WHEN YOU'RE DEALING WITH SOMETHING THAT'S NEGATIVE IN NATURE.
YOU HAVE TO BE REALLY CAREFUL DURING YOUR INVESTIGATION, BECAUSE WE TRULY DON'T KNOW WHO WE'RE DEALING WITH ON THE OTHER SIDE.
WE'RE GETTING A LO OF CLEAR VOICES THAT SHOULD NOT BE COMING THROUGH.
I THINK WE SHOULD SEPARATE FOR A LITTLE BIT.
ALL RIGHT.
Nick: KATRINA TAKES THE GeoPort TO THE BACK BEDROOM WHILE I STAY WITH THE WONDERBOX IN THE ATTIC.
SO THIS IS NICK'S ROOM.
IT'S THE LAST PLACE WHERE KRISTIN WAS.
[ STATIC BUZZES, CRACKLING .]
SOMETHING DOES NO FEEL RIGHT TO ME.
IT'S A WEIRD MIXTURE OF BEING CALLED TO THAT ROOM, FEELING VERY ATTRACTED TO IT, BUT ALSO KNOWING THA I'M BEING MANIPULATED AND THAT THERE IS SOMETHING IN THERE TO BE FEARFUL OF.
BUT THIS SPOT YOU SEEM TO BE COMMUNICATING WITH US VERY STRONGLY.
DOES THIS HAVE ANYTHING TO DO WITH SOMETHING THAT HAPPENED HERE RIGHT IN THIS AREA? NICK? WHAT IS GOING ON? THIS IS SO WEIRD.
[ CRACKLING CONTINUES .]
WANT TO TALK TO THIS NEGATIVE ENTITY HERE.
I JUST -- I FEEL LIKE REALLY WEIRD ALL OF A SUDDEN.
[ CRACKLING CONTINUES .]
"HAD" -- "HAD A BOY"? "WHERE IS HE"? "HAD A BOY, WHERE IS HE"? WHO'RE YOU LOOKING FOR? WHO ARE YOU LOOKING FOR? YOUR TWIN? Katrina: WHAT DO YOU WAN WITH A CHILD? IF YOU WANT ME TO LEAVE, YOU HAVE TO DO SOMETHING BIGGER THAN THAT.
DO YOU KNOW THAT? YOU MIGHT BE ABLE TO MAKE ME FEEL SICK, BUT THAT'S ONLY GOING TO LAST A LITTLE WHILE.
AND FRANKLY, YOU'RE NOT ALLOWED TO DO SOMETHING BIGGER THAN THAT TO ME.
THAT WAS WEIRD.
WITH THIS WINDOW OPEN, DID SOMETHING HAPPEN? YES? WHAT HAPPENED? ARE YOU TRYING TO GET SOMEBODY TO JUMP OUT THE WINDOW? WHO ARE YOU TRYING TO GE TO JUMP OUT THE WINDOW? DID IT JUST SAY NICK? YOU'RE TRYING TO GET NICK TO FALL OUT THE WINDOW? DO YOU NEED ME TO OPEN THE WINDOWS? NICK! OH, MY GOD.
NICK.
NICK? [ CRICKETS CHIRPING .]
THAT WAS WEIRD.
WITH THIS WINDOW OPEN, DID SOMETHING HAPPEN? YES? WHAT HAPPENED? ARE YOU TRYING TO GET SOMEBODY TO JUMP OUT THE WINDOW? WHO ARE YOU TRYING TO GE TO JUMP OUT THE WINDOW? DID IT SAY NICK? DO YOU NEED ME TO OPEN THE WINDOWS? NICK! OH, MY GOD.
NICK? NICK.
Katrina: ARE YOU ALL RIGHT? Nick: WHAT? I WAS ZONED OUT.
I WAS SO LOST IN LIKE A TRANCE, MAN, WITH LIKE WHAT HAPPENED.
DO YOU SEE HOW SCARY THAT LOOKS? YOU'LL LIKE DROP RIGHT OFF.
JUST A LITTLE BIT AGO, IT STARTED TO GET VERY STRANGE WITH THE WAY SPIRITS WERE SPEAKING TO ME.
IT SAID "BRING THE BOY" AGAIN.
DID IT? YEAH.
AND THEN IT STARTED TALKING ABOUT A CHILD.
I THINK IT SAID SOMETHING TO DO WITH A TWIN.
IT CONFUSED THE CRAP OUT OF ME.
WHAT HAPPENED TO YOU? I FELT REALLY, REALLY SICK.
I WAS DOWNSTAIRS.
I WAS RIGHT BELOW YOU.
LITERALLY RIGHT BELOW YOU.
IN NICK'S ROOM? YEAH, IN NICK'S ROOM.
I WONDER IF IT'S JUST -- IT' SOMETHING WITH THIS SECTION OF THE HOUSE SPECIFICALLY? RIGHT HERE, THIS SPOT.
HERE AND DOWN, AND IF YOU THINK ABOUT IT, WHAT'S UNDER NICK'S ROOM IS THE DINING ROOM, WHICH, I MEAN, I WOULD THINK IF ED WAS GOING TO HAVE SEANCES, THAT MIGHT BE A REALLY GOOD PLACE TO DO IT.
SO, SHOOTING STRAIGHT UP THIS HOUSE.
MAYBE THIS IS -- MAYBE THIS IS KIND OF THE DOORWAY.
KAT, I REALLY THINK YOU SHOULD SLEEP BY YOURSELF.
I WAS UP HERE BY MYSELF.
I'M TELLING YOU, IT WAS TOTALLY DIFFERENT.
[ CRICKETS CHIRPING .]
Nick: KATRINA AGREES TO SLEEP IN THE ATTIC WHILE I SLEEP TWO FLOORS DIRECTLY BELOW HER IN THE DINING ROOM.
Katrina: CONSISTENTLY FOR THE LAST COUPLE OF DAYS, IT SEEMS LIKE THE ATTIC IS THE HOT SPOT.
I HAD A DREAM ABOU A CHILD IN THERE.
WE ARE GETTING -- ALL THESE OMINOUS THINGS ABOUT CHILDREN ARE COMING THROUGH ON OUR DEVICES, AND NOW I'M GOING TO SLEEP THERE.
[ GROANS .]
I DON'T EVEN KNOW IF I GOT MUCH SLEEP UP THERE.
I'M GOING TO WAKE NICK UP.
IT'S OUR LAST DAY.
I THINK, YOU KNOW, WE'VE GATHERED ALL THE INFORMATION THAT WE CAN GATHER.
I THINK OUR BEST BET NOW IS TO MEET WITH KRISTIN.
Katrina: NICHOLAS.
ANYTHING HAPPEN? I'M NOT SURE.
YOU READY TO START THE DAY? I WANT TO MEET KRISTIN.
Nick: OUR 72 HOURS ARE COMING TO A CLOSE, BUT WE STILL NEED ANSWERS.
WE INVITE KRISTIN BACK TO DISCUSS THE AUDIO EVIDENCE WE CAPTURED AND SEE IF SHE CAN MAKE ANY CONNECTIONS FOR US TO THE HOUSE'S HISTORY OR HER OWN EXPERIENCES.
WE GOT INFORMATION THAT SEEMED TO MATCH UP WITH SOME OF THE HISTORY THAT WE KNEW.
WE CONSTANTLY GOT THE NAME "ED" COMING THROUGH.
OKAY.
AND THAT'S WHERE IT GOT REALLY STRANGE.
AND THE VOICES WERE ACTUALLY VERY PARTICULAR IN WHAT THEY WERE TELLING US.
I GOT SOMETHING THAT SAID "TWIN.
" THAT MAKES SENSE, THEN.
THAT ISN'T ABOUT US.
THAT'S ABOU EDWIN AND LYDE.
EDWIN WAS ACTUALLY A TWIN.
OH.
WAIT, WHAT? YEAH, EDWIN HAD A TWIN THAT DIED.
I THINK THA THAT WAS A LITTLE GIRL.
HEARING THAT EDWIN HAD A TWIN IS BLOWING ME AWAY RIGHT NOW, KNOWING THAT THIS CHILD DIED AT AGE TWO.
AND IT MAKES ME WONDER IF THAT'S WHY EDWIN GOT INTO SEANCES.
I THINK THAT'S WHAT POSSIBLY DREW IN OTHER NEGATIVE ENTITIES.
IS THIS THE KICK-START TO ALL THIS STUFF IN THE HOUSE? IS THIS THE LITTLE GHOST GIRL THAT PEOPLE HAVE SEEN? IS THIS THE LITTLE GHOST GIRL THAT I SAW IN MY DREAM? IT ALSO SAYS, "SEND THE CHILD.
SLEEP PRECIOUS.
MY BLOOD.
MY CHILD.
HE FLIES.
" BECAUSE IT WAS DIRECTING US TO THIS WINDOW OR SOMETHING IN THE ATTIC, AND I STARTED TO NOTICE THE LOCKS ON THE DOORS.
THAT IS VERY, VERY PERSONAL WITH MY YOUNGEST SON.
WE PUT THEM UP BECAUSE SOMETHING WAS TRYING TO LURE HIM OUTSIDE ON THE ROOF.
HE WAS OVER HERE AND THE WINDOWS WERE OPEN.
HIS FEET WERE ON THE LEDGE AND HE WAS READY TO JUMP OUT.
HE SAID THAT HE WAS GOING TO FLY.
Nick: HE SAID HE WAS GOING TO FLY? THAT'S THE VOICE WE GOT.
I THINK THERE'S A DEEPER LAYER THAT WE ALL FELT HERE AND I THINK THAT THE STUFF THAT WE GOT COMING THROUGH ON OUR DEVICES BACKS UP THE THINGS YOUR FAMILY EXPERIENCED HERE.
YOU KNOW, WE CAN NEVER FORGE THAT EVERY DAY, THERE'S PEOPLE THA GO THROUGH THIS AND THEY HAVE NOWHERE TO TURN AND THEY HARDLY HAVE ANYBODY WHO BELIEVES THEM.
THANK YOU, GUYS, SO MUCH.
THANK YOU.
THANKS FOR COMING ALL THE WAY AND USING YOUR TOOLS TO HELP UNRAVEL THE PIECES OF THE PUZZLE HERE.
OUR PLEASURE.
TAKE CARE.
GIVE ME A CALL IF YOU NEED ANYTHING, AND STAY STRONG.
ALL RIGHT, THANK YOU.
Nick: MANY TIMES IN PARANORMAL INVESTIGATIONS, THE MORE WE DISCOVER, THE MORE QUESTIONS WE RAISE.
AFTER 72 HOURS IN THE BELLAIRE HOUSE, WE MADE CLEAR CONTAC WITH A NEGATIVE SPIRI THAT TARGETS CHILDREN AND FAMILIES IN THE HOME.
WAS THIS THE VENGEFUL SPIRI OF EDWIN'S TWIN SISTER BROUGHT BACK BY A SEANCE? WE MAY NEVER KNOW, BUT TAKE COMFORT IN THE FAC THAT WE WERE ABLE TO GIVE KRISTIN THE VALIDATION THAT SHE NEEDS TO BEGIN TO PU THESE TERRIFYING EXPERIENCES BEHIND HER.
IT FELT LIKE A HOME, BUT THEN IT CHANGED.
Nick: IT FEELS LIKE SOMETHING'S LURKING IN EVERY CORNER.
I THINK IT'S WAITING FOR OUR GUARD TO BE DOWN.
OH, [BLEEP.]
.
I FEEL LIKE REALLY WEIRD ALL OF A SUDDEN.
ARE YOU EVIL? THERE'S MULTIPLE ENTITIES BATTLING EACH OTHER.
[BLEEP.]
WHAT DO YOU WANT WITH NICK? OH, [BLEEP.]
, WHAT WAS THAT? THIS THING'S TALKING ABOUT KILLING A CHILD.
âªâª ⪠I'VE SEEN THE WAY ⪠⪠THROUGH ALL THE PAIN ⪠⪠I'VE WALKED THROUGH DARKNESS ⪠⪠FIRE, AND RAIN ⪠⪠THEY FILL MY GRAVE ⪠⪠BUT STILL MY SOUL REMAINS ⪠⪠HERE BETWEEN HERE AND THE BEYOND ⪠-- Captions by VITAC -- CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS Narrator: THE BELLAIRE HOUSE IN SOUTHEASTERN OHIO SITS IN THE MINERAL-RICH FOOTHILLS RISING FROM THE OHIO RIVER VALLEY.
BUILT IN 1909 BY COAL MAGNATE JACOB HEATHERINGTON, THE HOME RESTS DIRECTLY UPON A LEY LINE, A SITE WHERE THE CONCENTRATION OF THE EARTH'S CORE SPIRITUAL ENERGY MADE IT A PLACE OF WORSHIP FOR NATIVE AMERICANS, A CROSSROADS BETWEEN THE REALMS OF THE LIVING AND THE DEAD.
THE HOME PASSED TO HEATHERINGTON'S DESCENDANTS AND WAS EVENTUALLY OCCUPIED BY HIS GRANDDAUGHTER LYDE, BUT WHEN SHE DIED OF A HEART ATTACK IN THE HOME IN 1947, HER GRIEVING YOUNGER BROTHER EDWIN BECAME OBSESSED WITH CONTACTING HIS BELOVED SISTER BEYOND THE GRAVE.
MANY BELIEVE HIS SEANCES AND MEDIUMSHIP OPENED DOORWAYS FOR WANDERING SPIRITS AND POTENTIALLY DARKER, INHUMAN FORCES.
AFTER EDWIN'S EVENTUAL DEATH IN THE HOUSE, IT PASSED FROM OWNER TO OWNER, ALL MYSTERIOUSLY UNABLE TO REMAIN IN THE HOME.
IN 2005, AFTER A NATURAL DISASTER PUT KRISTIN LEE'S FAMILY IN DIRE STRAIGHTS, SHE PURCHASED THE BELLAIRE HOUSE, BUT KRISTIN AND HER FAMILY UNKNOWINGLY TRADED ONE PERSONAL TRAGEDY FOR ANOTHER.
THE PARANORMAL ACTIVITY IN THE HOUSE GREW FROM STRANGE ENCOUNTERS TO DISTURBINGLY VIOLENT ATTACKS, SOME TARGETING KRISTIN'S TWO YOUNG SONS.
SHATTERED BY THE HORRORS, KRISTIN'S FAMILY LEFT ONE BY ONE UNTIL SHE REMAINED THE SOLE OCCUPANT OF THE DREADED HOUSE.
WHILE SHE ATTEMPTED TO REN THE MASSIVE PROPERTY, THE SAME NEGATIVE FORCES DROVE AWAY HER TENANTS, LEAVING THE BELLAIRE HOUSE EMPTY.
NOW, NICK AND KATRINA WILL MOVE IN TO THIS UNINHABITABLE HOME FOR 72 HOURS, LIVING AT THE CROSSROADS OF THE DEAD AND ENGAGING WITH THE MALICIOUS ENERGIES THAT DRIVE AWAY ALL WHO DARE TO ENTER THE BELLAIRE HOUSE.
FROM THE OUTSIDE, THIS LOOKS LIKE ANY OTHER ORDINARY HOME, BUT THERE'S DEFINITELY SOMETHING DIFFEREN ABOUT IT.
Katrina: I GET THE SENSE LIKE YOU CAN ABSOLUTELY FEEL LINGERING SPIRITS HANGING OUT.
I AGREE.
WANT TO GO MEET KRISTIN? YEAH.
Katrina: HEY.
HI, GUYS.
HI, KATRINA.
NICE TO MEET YOU.
NICE TO MEET YOU.
NICK.
THANKS FOR HAVING US.
THANKS FOR COMING.
SO FIRST OFF, THIS IS A BEAUTIFUL HOME.
AND WHEN DID YOU MOVE IN? ABOUT 2004, 2005.
AT THAT TIME IT WAS MY TWO KIDS, NICK AND LANE, AND LANE'S FATHER JEFE.
OUR FAMILY WAS AFFECTED BY TWO FLASH FLOODS AND WE FELL ON HARD TIMES.
AND FEMA CAME IN, AND THEY ALLOTTED US SOME MONEY TO REBUILD OUR LIVES.
WHEN WE WALKED UP ON THE PORCH, WE WERE SO EXCITED.
I CAN TELL WHEN YOU TALK ABOUT THE HOUSE TOO, LIKE YOU CAN ALMOST SENSE LIKE HOW EXCITED YOU GUYS WERE TO GET HERE.
IT REALLY SEEMS LIKE YOUR DREAMS WERE COMING TRUE, YOU KNOW? YEAH, ABSOLUTELY.
BUT THEN IT CHANGED.
IT ALL CHANGED.
ONE BY ONE, MY FAMILY LEFT.
IT WAS JUST TOO DANGEROUS TO BE HERE.
SO YOU FEEL LIKE THERE'S SOME SORT OF RESIDUAL ENERGY THAT KIND OF COMES AND GOES IN THIS HOUSE? I KNOW THERE IS, YES, AND THAT WOULD BE EDWIN HEATHERINGTON.
DO YOU WANT TO TAKE US THROUGH THE HOUSE AND SHOW US WHERE THINGS HAVE HAPPENED TO YOU WHILE YOU LIVED HERE? SURE.
THE FIRST PROFOUND EXPERIENCE TO ME WAS IN HERE IN THE LIVING ROOM.
OKAY.
I WAS ASLEEP ON THE COUCH AND I FELT THE CUSHION GO DOWN, AND IT WOKE ME UP.
WHEN I OPENED MY EYES, I SAW THIS FIGURE OF A MAN.
DID YOU THINK IT WAS THREATENING? I JUST FEEL LIKE HE WANTED ME TO KNOW THAT HE WAS HERE.
HE QUIETLY WALKED INTO THE FOYER AND JUST DISAPPEARED.
THAT MUST HAVE BEEN TERRIFYING.
[ SNIFFLES .]
DAMN IT.
IT'S OKAY TO LET OU YOUR EMOTIONS.
IT'S OKAY.
NOT IN HERE.
YOU JUST CAN' DO THAT IN HERE.
WHY IS THAT? WHY NOT HERE? IT WILL TURN ON YOU.
DON'T TALK ABOUT YOUR FAMILY.
DON'T TALK ABOUT YOUR KIDS.
THEY'LL FLIP IT AROUND ON YOU.
Katrina: UNFORTUNATELY, HER DREAM TURNED INTO HER NIGHTMARE, ESPECIALLY GOING THROUGH WHAT HER AND HER FAMILY JUST WENT THROUGH, I COULD ONLY IMAGINE HOW BROKEN THEY MUST HAVE BEEN GOING THROUGH ALL OF IT.
DO A LOT OF PEOPLE FEEL LIKE DIZZY AND STUFF WHEN THEY WALK THROUGH HERE? DIZZY AND LIGHT-HEADED AND JUST A VERY THICK, HEAVY PRESENCE.
SPLITTING HEADACHES.
YEAH.
VERY BAD HEADACHES.
LIKE IMMEDIATELY I'M HESITANT TO GO UPSTAIRS, AND IT'S RIGHT BACK THERE.
IS THAT THE ROOM? THAT'S THE ROOM.
WHAT ROOM? IT'S THE STRAIGHT ONE.
I DON'T KNOW WHAT IT IS ABOUT THAT ROOM, BUT IMMEDIATELY JUST SEEING IT, I'M LIKE I'M STOPPING DEAD IN MY TRACKS.
SOMETHING DOES NO FEEL RIGHT TO ME.
I JUST FEEL THA CONNECTION TO THAT ROOM.
THAT MAKES ME A LITTLE NERVOUS, BECAUSE THERE IS SOMETHING IN THERE TO BE FEARFUL OF.
THE MINUTE I SAW IT COMING UP THE STAIRS, IT'S JUST -- REALLY? YEAH, IT'S LIKE A WALL LIKE TELLING ME TO -- "DON'T.
" YOU KNOW, "THAT'S OFF LIMITS, DON'T DO IT.
" DID YOU EVER HEAR OF ANYTHING BAD HAPPENING IN THIS ROOM LIKE HISTORICALLY? Kristin: NOT HISTORICALLY.
I DON'T KNOW.
I JUST KNOW WHAT'S HAPPENED TO ME.
TRIED TO GO TO SLEEP, I WENT TO LAY DOWN, AND THEN ALL OF A SUDDEN, I WAS PUSHED DOWN AND I COULD NOT MOVE.
I'VE NEVER FELT LIKE THA BEFORE IN MY LIFE.
HAD NO IDEA WHAT WAS GOING ON.
AND THEN THE DOOR OPENED AND IT FELT LIKE JUST THIS MASS OF JUST EVIL, EVIL, EVIL ENERGY.
I WAS SCARED TO DEATH.
I THOUGHT FOR SURE I WAS GOING TO BE TAKING MY LAST BREATH IN THIS ROOM.
THERE'S SOMETHING IN THIS ROOM, YOU THINK, AFFECTED NICK ENOUGH TO MAKE HIM LEAVE.
RIGHT, AND I COULDN'T DO A DAMN THING.
Nick: I CAN TELL THAT KRISTIN IS REALLY UPSE BY THE PARANORMAL ACTIVITY AT THIS LOCATION.
LET'S JUST SIT DOWN FOR A LITTLE BIT.
I NEED TO TAKE A BREAK.
IT KIND OF HITS HOME WITH ME, BECAUSE I'VE HAD SIMILAR THINGS HAPPEN IN MY OWN HOUSE WITH MY FAMILY.
I WANT TO HELP HER, I WANT TO CONFRONT THIS THING THAT HAS HURT HER AND HER FAMILY.
IT'S OKAY.
THANK YOU.
HONESTLY, IT'S OKAY.
I TELL PEOPLE, YOU CAN'T CHANGE THE PAST.
YOU'RE STRONGER, YOU CAN PUT ALL THAT BEHIND YOU, BUT IT'S HARD TO RELIVE THOSE MOMENTS.
I'M SORRY, GUYS.
I JUST -- WE NEED TO GET OUT OF HERE FOR A LITTLE BIT.
Katrina: OKAY.
LET'S TAKE A BREAK.
OKAY.
THIS IS THE STAIRCASE UP TO THE ATTIC? THIS IS THE ATTIC.
DO YOU WANT TO GO UP THERE? THE SECOND LEVEL IS KIND OF TOUGH FOR ME.
THIS IS JUS OUT OF THE QUESTION.
I DON'T FEEL COMFORTABLE GOING UP THERE.
DO YOU THINK THERE'S SOMETHING NEGATIVE UP THERE IN THE ATTIC? YES.
ABSOLUTELY, YES.
I'M JUST CURIOUS.
WE HAVE LOCKS ON THESE DOORS FOR REASONS NOW.
WHY DO YOU HAVE LOCKS ON THE DOORS? DO THEY LOCK FROM THIS SIDE? OH, THEY LOCK FROM THIS SIDE.
THEY LOCK FROM BOTH SIDES.
BUT WE HAD TO LOCK BOTH OF THEM.
WELL, SEE YA.
BYE.
YOU JUST HEARD THAT, RIGHT? ARE YOU OKAY? OH, MY GOD.
OH, [BLEEP.]
.
THERE'S FOOTSTEPS WALKING DOWN THE STAIRS.
YOU HEARD THAT RIGHT? AND IT WAS OVER HERE, TOO.
JUST BAM, BAM.
YEP.
YOU KNOW WHAT I MEAN? I HEARD IT COMING RIGHT AT ME AND I FEEL STATIC ELECTRICITY JUST HITTING MY BODY LIKE THAT.
YES.
IS THAT WHAT YOU FEL WHEN YOU BACKED UP? BECAUSE YOU WALKED OUT AND -- MY ARMS ARE GOOSE BUMPED UP.
I'D LIKE TO LEAVE.
OKAY.
OKAY.
ARE YOU OKAY GETTING DOWNSTAIRS? YES, THANK YOU.
WE'LL TALK TO YOU AFTER OUR 72 HOURS ARE UP.
ALL RIGHT? GOOD LUCK, GUYS.
ALL RIGHT.
[ FOOTSTEPS .]
Nick: ARE YOU UP HERE? DID WE JUST HEAR YOU GO DOWN THE STEPS? YEAH.
IT'S DIZZY UP HERE, RIGHT? UM, I THINK I HAD A DREAM ABOUT THIS ATTIC LIKE FOUR NIGHTS AGO.
WHAT DO YOU MEAN? A FEW NIGHTS BEFORE WE CAME TO THE BELLAIRE HOUSE, I HAD A VERY VIVID NIGHTMARE.
I WAS IN AN ATTIC AND THERE WAS A LITTLE GIRL IN THE ROOM WITH ME.
AND I AM SO SCARED THAT I STARTED TO RUN OUT OF THE ROOM.
THIS FIGURE WAS STANDING RIGHT IN FRONT OF ME.
I GET THE SENSE THAT SHE HAD SOMETHING TO SAY, BUT IT WASN'T NECESSARILY A GOOD MESSAGE.
AND I RAN DOWNSTAIRS LOOKING FOR YOU BECAUSE I WAS SCARED.
FOR ME? YOU LOOKED FOR ME? YEAH, IN MY DREAM.
THIS JUST TELLS ME THA THERE HAS TO BE SOMETHING, ESPECIALLY IN THIS ATTIC.
THIS IS NOT A TYPICAL MOM AND POP HAUNTING.
THIS IS -- THIS IS SOMETHING ELSE.
THIS IS SOMETHING MUCH MORE THAN THAT.
KATRINA, WE HAVE TO GE TO THE BOTTOM OF WHAT TORMENTED HER, WHO THAT NEGATIVE ENTITY IS.
I THINK WHAT WE HAVE TO DO IS COMMUNICATE THROUGH AUDIO, OUR AUDIO DEVICES, AND TRY TO GE SOME SORT OF NAME.
IF WE CAN FIGURE OU WHAT THE NAME IS TO THIS NEGATIVE ENTITY, THEN WE CAN PROBABLY PUSH IT BACK.
Nick: AS THE FIRST NIGH OF OUR INVESTIGATION BEGINS, WE HEAD TO KRISTIN'S BEDROOM, WHERE SHE AND HER SON NICK HAD THEIR MOS TERRIFYING EXPERIENCES.
Katrina: WAS THAT YOU? YOU OKAY? WHAT'S WRONG? YOU OKAY? YEAH.
JUST THIS WHOLE HOUSE FEELS OFF.
I FEEL LIKE WE'RE -- I JUST FEEL THREATENED.
DO YOU NOT WAN TO GO IN THERE? IT JUST FEELS A LITTLE WEIRD.
I THINK IT'S WAITING.
WAITING FOR OUR GUARD TO BE DOWN.
WE'RE TOO STRONG RIGHT NOW.
IS THERE SOMETHING OVER HERE IN THIS WALL OR THIS PAR OF THE BUILDING? IT'S LIKE A -- THERE'S PRESSURE ON YOUR HEAD.
I JUST SAW SOMETHING FORM AND DISAPPEAR DIRECTLY IN FRONT OF YOU.
ARE YOU SERIOUS? IT WAS A ROUND PIECE OF LIGH ABOUT THE SIZE OF SAY A QUARTER AND THEN IT SHRUNK AS IT GOT CLOSER TO YOUR FACE AND DISAPPEARED.
ON YOUR HEAD? Katrina: SO THEN IT GOES BACK TO THIS CORNER OF THIS WALL.
THIS BACK WALL, LIKE WHY THIS BACK WALL? Nick: OH, [BLEEP.]
.
WHAT WAS THAT? Rob: SMALL PIECE OF LIGHT FORMED THEN DISAPPEARED RIGHT IN FRONT OF YOUR FACE.
Katrina: SO THEN IT GOES BACK TO THIS CORNER OF THIS WALL, THIS BACK WALL.
LIKE, WHY THIS BACK WALL? Nick: OH, [BLEEP.]
, WHAT WAS THAT? I SAW SOMETHING FLY BY AND GO THIS WAY.
WHERE'D YOU GO? Katrina: THERE'S A LOCK ON THE OUTSIDE OF THIS DOOR.
WHY WOULD THEY HAVE A LOCK ON THE OUTSIDE? Nick: I JUST HEARD A THUMP.
IT CAME RIGHT FROM THE ATTIC.
THERE'S A WEIRD FEELING UP HERE.
KIND OF SIMILAR FROM TODAY.
DIZZY.
Katrina: KRISTIN SAID THIS IS A PLACE WHERE THEY GET A LOT OF EVPs AND A LOT OF AUDIO STUFF COMES THROUGH.
SHE SAID THEY HAVE GOTTEN A BUNCH OF DIFFERENT NAMES AND THEY'VE SEEN PEOPLE UP HERE, SO I'M CURIOUS IF US DOING THIS WILL KIND OF RAMP THAT UP.
Nick: I'M GOING TO TURN THIS DEVICE UP.
WHATEVER YOU WANT TO SAY TO US, COME THROUGH AND COMMUNICATE.
[ DEVICE WARBLING .]
Katrina: WHO LIVES UP HERE IN THIS ATTIC? [ NOISE CONTINUES .]
IS THERE SOMETHING THAT'S NOT SO NICE UP HERE? IT'S DIZZINESS.
YEAH, I FELT IT TOO.
DID YOU? THAT'S SO WEIRD YOU SAID THAT.
YEAH, I FEEL REALLY DIZZY.
LIKE REALLY DIZZY, YEAH.
YEAH.
ARE YOU AFFECTING OUR BODIES RIGHT NOW? ARE YOU TRYING TO USE OUR BODIES TO COMMUNICATE? YEAH.
YEAH.
IT GOES, "YES.
" ARE YOU TRYING TO USE OUR BODIES TO COMMUNICATE? [ CLICK, NOISE STOPS .]
Nick: IT FEELS LIKE SOMETHING'S LURKING IN EVERY CORNER.
YEAH, RIGHT? LIKE NEAR THE WINDOWS, IT'S OVER THERE.
I DON'T KNOW, IT'S JUS A WEIRD FEELING UP HERE.
[ CRICKETS CHIRPING .]
WE'VE BEEN AT THIS FOR A WHILE NOW.
I SAY WE TRY TO GE A GOOD AMOUNT OF SLEEP.
I'M GOING TO GO BACK TO THE ATTIC, BECAUSE SHE WAS FRIGHTENED AND TERRIFIED ABOUT THAT LOCATION.
SHE LEFT THE ROOM.
I'LL TAKE THIS ROOM, THEN, BECAUSE KRISTIN DID SAY NOBODY CAN SLEEP IN THIS ROOM.
MORBID CURIOSITY.
I WANT TO KNOW WHY.
[ CRICKETS CHIRPING .]
THE ATTIC HAS A CERTAIN FEELING ABOUT I THAT YOU DON'T REALIZE UNTIL YOU'RE BY YOURSELF AND YOU'RE STANDING HERE IN COMPLETE DARKNESS AND YOU JUST FEEL THAT INTENSITY, LIKE SOMETHING'S AROUND YOU AND ANYTHING CAN HAPPEN.
[ CRICKETS CHIRPING .]
DAY 2 IS HERE.
REALLY STRONG ENERGY UP HERE.
HARD TO SLEEP.
I'M GOING TO GO WAKE UP KATRINA, THEN WE'RE GOING TO GET STARTED.
HOW ARE YOU DOING? Katrina: GOOD.
TIRED.
DID ANYTHING HAPPEN UP HERE? MNH-MNH.
WEIRD.
SURPRISED ABOUT THAT, YEAH.
ISN'T IT WEIRD UP HERE? MM-HMM.
YEAH.
IT'S A WEIRD SPACE.
IT'S LIKE THESE LITTLE CREVICES THAT ENERGY CAN HIDE IN.
CHECK THIS OUT.
OH, A CRAWL SPACE.
LET'S TRY THE PORTABLE GEOBOX.
[ STATIC WARBLING .]
Nick: IS THERE ANYBODY HERE? ARE YOU BACK IN HERE? WHAT HAPPENS IF KATRINA CLOSES THE DRESSER? DO YOU WANT ME TO? YEAH, CLOSE IT, SHUT IT.
SEE WHAT HAPPENS.
GOING INTO DARKNESS.
IS THAT WHAT YOU FEED OFF OF, IS DARKNESS? [ NOISE CONTINUES .]
THAT'S IT? YOU'RE NOT GOING TO TALK TO ME? ALL RIGHT, I'M LEAVING.
ALL RIGHT, KAT.
DO YOU WANT TO TAKE IT IN? YEAH.
[ GROANS .]
[ YAWNS .]
OH, MAN.
LET'S INVESTIGATE DOWNSTAIRS A LITTLE BIT MORE AND SEE IF WE CAN GE ANYTHING ELSE COMING THROUGH.
OUR INVESTIGATION CONTINUES IN KRISTIN'S ROOM ON THE SECOND FLOOR USING STEVE HUFF'S WONDERBOX TO SWEEP RADIO FREQUENCIES AND USE REVERB FOR REAL-TIME PARANORMAL COMMUNICATION.
HERE WE GO.
DO YOU WANT TO GIVE US AN IDEA OF WHO WE ARE TALKING TO? [ DEVICE WARBLING .]
WHAT'S THAT? Nick: WAIT.
Rob: HE SAID NICK.
HE SAID NICK.
BUT DOES IT -- IS IT YOU OR IS IT KRISTIN'S SON? Nick: WHOA.
NO [BLEEP.]
WAY.
WHAT DID YOU SEE? HOLY [BLEEP.]
.
Katrina: DO YOU WANT TO GIVE US AN IDEA OF WHO WE'RE TALKING TO? WHAT WAS THAT? [ DEVICE WARBLING .]
Nick: WAIT.
Rob: HE SAID NICK.
HE SAID NICK.
Katrina: BUT DOES IT -- IS IT YOU OR IS IT KRISTIN'S SON? Nick: WHOA.
NO [BLEEP.]
WAY.
WHAT DID YOU SEE? HOLY [BLEEP.]
.
BEHIND ROB, I SAW A SHADOW, LIKE AN ACTUAL FRICKING APPARITION.
ARE YOU LOOKING FOR NICK? YEAH.
Rob: YEAH.
LOOK.
LOOK AT THIS.
DUDE.
GOD.
[ WARBLING CONTINUES .]
"SAVE US.
" Nick: HOW CAN WE SAVE YOU? WHAT IS IT WE CAN DO TO HELP YOU? "LEAVE.
" LEAVE? "NO.
" "LEAVE.
" LEAVE? "NO.
" THERE'S MULTIPLE ENTITIES BATTLING EACH OTHER ON THIS THING.
WE'RE GETTING A LOT OF DISJOINTED VOICES COMING FROM MULTIPLE ROOMS THROUGHOUT THIS WHOLE HOUSE.
LISTEN, IT COULD BE TRYING TO MANIPULATE US.
IT COULD BE TRYING TO THROW US OFF TRACK.
OR THERE COULD BE SOMETHING ELSE COMING THROUGH.
A LOT OF AUDIO EVIDENCE COMING THROUGH THE DIFFERENT DEVICES THAT WE HAVE.
I THINK WE NEED TO CALL GEORGE BROWN AND STEVE HUFF, BRING THEM IN AS QUICK AS POSSIBLE FOR NIGHT 2 AND DO ONE BIG MASSIVE AUDIO EXPERIMENT TOGETHER.
AND THEY CAN BRING ALL THEIR DEVICES AND WE CAN KIND OF LIKE CONJURE THIS THING, WHATEVER THIS ENTITY IS, INTO THIS ONE FOCAL POINT.
Nick: AS NIGHT 2 FALLS, WE CONTAC PARANORMAL-TECHNOLOGY ENGINEERS STEVE HUFF AND GEORGE BROWN, WHO AGREE TO COME AID IN OUR INVESTIGATION OF THE BELLAIRE HOUSE.
I BROUGHT BASICALLY ANOTHER WONDERBOX PORTAL.
Katrina: OKAY.
A LITTLE DIFFERENT.
THE MESSAGES I'VE ALWAYS RECEIVED OVER YEARS IS THEY ALWAYS ASK FOR MORE POWER, AND THEY'VE EVEN MENTIONED ELECTRICITY.
WHEN I STARTED GETTING THESE MESSAGES, I MADE THIS, BECAUSE THIS HAS A LO OF ELECTRIC CURREN GOING THROUGH IT.
THEY'RE ABLE TO COME THROUGH AND GIVE DIRECT, RELEVANT REPLIES.
KEEP THOSE DOWN.
ALL RIGHT, WHO'S HERE WITH US? Nick: "ED.
" DID THAT JUST SAY ED? YEAH.
DOES THIS NEGATIVE ENTITY HAVE A NAME? [ DEVICE WARBLING .]
WHAT WAS THAT? I DON'T KNOW.
IT WAS TERRIFYING.
THAT WAS A WEIRD LAUGH.
SO WHAT DID YOU BRING, GEORGE? I BROUGHT A GEOBOX.
THIS IS JUS A DIFFERENT STYLE.
IT HAS LIKE FOUR RADIO SCANNERS IN I AND MULTIPLE BEDS IN IT, SO IT'LL PROBABLY INCREASE THE RESPONSES THA WE RECEIVE THROUGH IT.
AND THIS IS A COMBINATION OF GEOBOX AND THE SAME THINGS FOR THE PORTAL.
IT'S A GeoPort DEVICE.
SO IT WORKS THE SAME WAY AS THE GEOBOX, EXCEPT INSTEAD OF MANIPULATING THE WAVES ON KIND OF LIKE A MECHANICAL OR A MAGNETIC LEVEL, THEY ACTUALLY MANIPULATE THE CIRCUITS INSIDE THE BOX.
[ DEVICE WARBLING .]
ARE THERE ANY SPIRITS THAT WOULD LIKE TO TRY TO USE THIS DEVICE TO SPEAK? "HELP.
" "HELP.
" HELP? THAT WAS CLEAR.
All: "ED.
" Katrina: WE'VE BEEN GETTING PRETTY CLEAR VOICE ACTIVITY ON ALL OF THESE DEVICES HERE SO FAR.
IF WE CAN BREAK ALL OF THIS UP, GO INTO SEPARATE ROOMS, TRY ALL OF THEM AT THE SAME TIME AND SEE IF ANY OF THOSE RESULTS MATCH UP TOGETHER.
ALL RIGHT, SO, KATRINA, DO YOU WANT TO STAY DOWN HERE IN THE LIVING ROOM, SINCE WE'RE GETTING SO MUCH ACTIVITY HERE? YEAH.
I'LL GO INTO WHERE KRISTIN HAD HER WORST EXPERIENCE, BECAUSE I ACTUALLY -- I HAVEN'T BEEN IN THAT ROOM TO INVESTIGATE SOLELY BY MYSELF.
GEORGE, DO YOU WANT TO GO IN THIS OTHER ROOM OVER HERE? AND STEVE, IF YOU WANT TO GO IN THE ATTIC, I SLEPT THERE, AND IT'S JUST BEEN SO STRANGE UP THERE.
ALL RIGHT, LET'S GO.
OKAY, GREAT.
START THE SCANNER.
[ STATIC CRACKLING .]
[ DEVICE WARBLING .]
WHO'S HERE WITH ME? [ DEVICE WARBLING .]
Steve: SOON AS I WALKED UP HERE, I FELT THAT MASS OF ELECTRICITY.
UM I'M TRYING TO PINPOINT IT, THOUGH.
ACTUALLY, WE'RE GOING TO MOVE OVER HERE.
[ LAUGHS .]
SOON AS I WALK OVER HERE, I GET A MASSIVE SURGE OF ELECTRICITY.
[ STATIC CRACKLING .]
RIGHT WHEN I WALKED IN, I COULD FEEL THAT SOMETHING WAS WRONG ABOUT THIS PLACE.
"NICK.
" [ DEVICE WARBLING .]
ARE YOU TALKING ABOUT NICK GROFF? OR THE NICK THAT USED TO LIVE HERE? WHAT DO YOU WANT WITH NICK? WHAT ARE YOU? DEAD? [ STATIC CRACKLING .]
IT'S LIKE THEY'RE TALKING TO EACH OTHER.
[ DEVICE WARBLING .]
ATTIC? DID YOU JUST SAY "ATTIC"? [ WARBLING CONTINUES .]
IS THAT WHERE YOU ARE RIGHT NOW? ARE YOU IN THE ATTIC? WHY ARE YOU IN THIS ROOM? WHY ARE YOU IN THIS HOUSE? "ED.
" YOU'RE IN THIS HOUSE BECAUSE OF ED? "YES.
" ED DID SEANCES HERE.
IS THERE SOMETHING NEGATIVE IN THIS ROOM? EVERYBODY'S BEEN TELLING ME, WARNING ME NOT TO COME IN THIS ROOM.
[ DEVICE WARBLING .]
YOU FOUND ME? Steve: YOU'VE BEEN WAITING? ARE YOU EVIL? CAN YOU TELL ME WHAT YOU NEED? [ CRICKETS CHIRPING .]
[ CRICKETS CHIRPING .]
I HAVE TO WALK AWAY FOR A SECOND.
I DON'T LIKE TO SAY THIS, BUT I WAS GETTING THE FEELING LIKE SOMETHING BAD IN THIS LITTLE AREA HAPPENED.
Nick: WE FINISH OUR EXPERIMEN AND MEET DOWNSTAIRS TO COMPARE EVIDENCE AND DRAW ANY CONNECTIONS.
IT WAS QUIET AT FIRST.
IT WAS VERY JUST CASUAL, QUIET, DARK ROOM.
VERY OMINOUS, AND THEN SUDDENLY JUST THE VOICES STARTED COMING THROUGH THAT WAS A LITTLE BIT MORE CLEAR, A LITTLE BIT MORE INTELLIGENT.
WHAT ARE YOU? DEAD? AND ONE TIME I THOUGHT I HEARD A CHILD'S VOICE COME THROUGH, TRY TO COME THROUGH A COUPLE OF TIMES.
Katrina: A BOY OR A GIRL? A GIRL.
A LOT OF DIFFERENT VOICES THAT WERE COMING THROUGH AT DIFFERENT TIMES, AND I THINK I GOT NICK'S NAME A COUPLE OF TIMES.
RIGHT WHEN I WALKED IN, I COULD FEEL THAT SOMETHING WAS WRONG ABOUT THIS PLACE.
"NICK.
" THIS IS WHAT WE'VE BEEN TRYING TO FIGURE OUT.
THE WOMAN WHO LIVED HERE ALSO HAD A SON NAMED NICK.
IS SOMETHING ASKING FOR HER SON OR IS SOMETHING ASKING FOR NICK, OR, I MEAN, NICK AND I DO PRETTY CRAZY CASES WHERE -- I MEAN, YOU GUYS KNOW HOW THESE THINGS WORK, THAT THE DARKER STUFF WORKS IN A HIERARCHY, SO THEY ALL KNOW YOU.
SO IS IT SOMETHING ELSE COMING THROUGH? I WAS GETTING THE INTENSE FEELING THAT THERE WAS SOMETHING DARK AND SOMETHING TO DO WITH A CHILD.
SO WHAT STOOD OU TO YOU THE MOST? ONE OF THEM WAS "HE WILL FLY" AFTER -- I BELIEVE IT WAS AFTER "SEND THE CHILD.
" Nick: THESE VOICES COMING THROUGH IN THE ATTIC ARE ABSOLUTELY INCREDIBLE.
THESE ARE SENTENCES.
THEY'RE COMING THROUGH, TELLING US INTELLIGENT THINGS.
THIS EXPERIMENT IS ABSOLUTELY WORKING.
APPRECIATE YOUR -- YOU GUYS COMING HERE AND REALLY ASSISTING US IN THIS, BECAUSE THIS WAS CRUCIAL, I THINK, IN OUR INVESTIGATION, TO TRY TO DECIPHER THESE MESSAGES.
THANK YOU SO MUCH.
YEAH, THANKS, GUYS.
THANK YOU.
Nick: GEORGE AND STEVE HEAD OUT, BUT WE HAVE QUESTIONS FROM THE EXPERIMEN AND 26 HOURS LEF IN OUR INVESTIGATION TO FIND ANSWERS.
WE'VE BEEN UP NEARLY 24 HOURS.
IT IS IMPORTANT FOR US TO SEPARATE TO SLEEP TO SEE IF THE SPIRITS CAN MAKE CONTACT WITH US IN ISOLATION.
KATRINA HEADS DOWNSTAIRS TO THE COUCH WHERE KRISTIN HAD HER FIRST PARANORMAL EXPERIENCE IN THE HOUSE.
I WILL SLEEP IN KRISTIN'S BEDROOM, WHERE SHE HAD HER FINAL ENCOUNTER THAT DROVE HER FROM THE HOME.
[ CRICKETS CHIRPING .]
Katrina: HEY.
WERE YOU JUS TALKING TO YOURSELF? Nick: LET'S DO THIS.
READY? Katrina: YEAH.
I REALLY DON'T FEEL LIKE I SLEPT AT ALL.
IT'S CRAZY.
Nick: ME EITHER.
[ HIGH-PITCHED WARBLE .]
[ STATIC CRACKLING .]
Nick: NEED HELP? Nick: FIND HIM? YEAH, I THINK THERE'S SOMETHING LARGER HAPPENING HERE THAT WE DON' FULLY UNDERSTAND.
I THINK WHEN EDWIN ACTUALLY PASSED AWAY AFTER HE CONJURED UP THE SPIRITS TO THIS HOUSE THROUGH THE SEANCES, I THINK THOSE -- THOSE ENTITIES, WHATEVER THEY ARE THEY, THEY'RE NOW CONTROLLING HIM AT THIS HOUSE AND I THINK THEY'RE USING HIM LIKE WE'RE USING THIS DEVICE TO SPEAK TO THEM, BUT THEY'RE USING HIM TO SPEAK BACK TO US.
I WANT TO TALK TO KRISTIN MORE, AND I DEFINITELY -- WE DEFINITELY HAVE TO DO SOME RESEARCH TODAY.
YEAH.
WE HAVE TO REVIEW THAT AUDIO EVIDENCE, TOO, FROM LAST NIGHT.
REVIEW THE AUDIO EVIDENCE.
[ BIRDS CHIRPING .]
ALL RIGHT, I HAVE THE SPEAKER.
OKAY, GREAT.
LET'S START REVIEWING THE FOOTAGE.
SO THE STEVE HUFF FOOTAGE FROM LAST NIGHT, HIS AUDIO FROM THE ATTIC IS ALL QUEUED UP.
Steve: ARE YOU EVIL? [ DEVICE WARBLING .]
"SLEEP PRECIOUS.
" "SLEEP PRECIOUS.
" "MY BLOOD.
" [ WARBLING CONTINUES .]
"THE CHILD.
" "HE FLIES.
" HE FLIES? HE FLIES.
THAT'S ALL MESSED UP.
"SLEEP PRECIOUS, SEND THE CHILD.
HE FLIES"? TO ME, THAT'S LIKE THIS THING'S TALKING ABOUT KILLING A CHILD.
[ BIRDS CHIRPING .]
THAT'S ALL MESSED UP.
"SLEEP PRECIOUS.
SEND THE CHILD.
HE FLIES"? TO ME, THAT'S LIKE THIS THING'S TALKING ABOUT KILLING A CHILD.
I'VE NEVER HEARD SOMETHING SO CLEAR AND SO CONCISE COME THROUGH BEFORE ON A DEVICE.
Nick: WE'RE TALKING TO SOMETHING VERY INTELLIGENT.
IT WANTS TO MURDER CHILDREN.
THIS IS SCARY.
IT'S GETTING REALLY SERIOUS.
THIS IS MORE THAN JUS GETTING EVIDENCE RIGHT NOW.
WE HAVE TO ASK WHAT HAPPENED IN THIS HOUSE.
Katrina: DO YOU WANT TO GO STRAIGHT TO THE ATTIC, THEN, USE THE WONDERBOX UP THERE? Nick: ARE YOU STILL HERE WITH US? SEE THAT [BLEEP.]
? [BLEEP.]
WATCH YOUR FINGERS.
YEAH, THIS HAS BEEN CLOSED.
I'M TELLING YOU.
LOOK.
[ STOMPING .]
SEE WHAT I'M SAYING? HOW DOES THAT JUST OPEN? Rob: [ MUMBLES .]
YEAH, I DON'T KNOW.
THAT'S SO FREAKING WEIRD.
[ CRICKETS CHIRPING .]
[ DEVICE WARBLING .]
WHAT WAS THAT? Rob: I HEARD THAT.
WHAT WAS THAT? WHAT WAS THAT KID CRYING? WHAT WAS THAT? WHAT WAS THAT? IT WAS A DISEMBODIED LIKE CRY IN HERE.
I DON'T THINK THERE'S A KID.
IF YOU'RE MANIPULATING US, I MEAN, WE KIND OF KNOW BETTER, SO Nick: YOU CAN'T ALWAYS TRUS THE VOICES THA ARE COMING THROUGH, BECAUSE THEY MIGHT BE TRYING TO MANIPULATE YOU, ESPECIALLY WHEN YOU'RE DEALING WITH SOMETHING THAT'S NEGATIVE IN NATURE.
YOU HAVE TO BE REALLY CAREFUL DURING YOUR INVESTIGATION, BECAUSE WE TRULY DON'T KNOW WHO WE'RE DEALING WITH ON THE OTHER SIDE.
WE'RE GETTING A LO OF CLEAR VOICES THAT SHOULD NOT BE COMING THROUGH.
I THINK WE SHOULD SEPARATE FOR A LITTLE BIT.
ALL RIGHT.
Nick: KATRINA TAKES THE GeoPort TO THE BACK BEDROOM WHILE I STAY WITH THE WONDERBOX IN THE ATTIC.
SO THIS IS NICK'S ROOM.
IT'S THE LAST PLACE WHERE KRISTIN WAS.
[ STATIC BUZZES, CRACKLING .]
SOMETHING DOES NO FEEL RIGHT TO ME.
IT'S A WEIRD MIXTURE OF BEING CALLED TO THAT ROOM, FEELING VERY ATTRACTED TO IT, BUT ALSO KNOWING THA I'M BEING MANIPULATED AND THAT THERE IS SOMETHING IN THERE TO BE FEARFUL OF.
BUT THIS SPOT YOU SEEM TO BE COMMUNICATING WITH US VERY STRONGLY.
DOES THIS HAVE ANYTHING TO DO WITH SOMETHING THAT HAPPENED HERE RIGHT IN THIS AREA? NICK? WHAT IS GOING ON? THIS IS SO WEIRD.
[ CRACKLING CONTINUES .]
WANT TO TALK TO THIS NEGATIVE ENTITY HERE.
I JUST -- I FEEL LIKE REALLY WEIRD ALL OF A SUDDEN.
[ CRACKLING CONTINUES .]
"HAD" -- "HAD A BOY"? "WHERE IS HE"? "HAD A BOY, WHERE IS HE"? WHO'RE YOU LOOKING FOR? WHO ARE YOU LOOKING FOR? YOUR TWIN? Katrina: WHAT DO YOU WAN WITH A CHILD? IF YOU WANT ME TO LEAVE, YOU HAVE TO DO SOMETHING BIGGER THAN THAT.
DO YOU KNOW THAT? YOU MIGHT BE ABLE TO MAKE ME FEEL SICK, BUT THAT'S ONLY GOING TO LAST A LITTLE WHILE.
AND FRANKLY, YOU'RE NOT ALLOWED TO DO SOMETHING BIGGER THAN THAT TO ME.
THAT WAS WEIRD.
WITH THIS WINDOW OPEN, DID SOMETHING HAPPEN? YES? WHAT HAPPENED? ARE YOU TRYING TO GET SOMEBODY TO JUMP OUT THE WINDOW? WHO ARE YOU TRYING TO GE TO JUMP OUT THE WINDOW? DID IT JUST SAY NICK? YOU'RE TRYING TO GET NICK TO FALL OUT THE WINDOW? DO YOU NEED ME TO OPEN THE WINDOWS? NICK! OH, MY GOD.
NICK.
NICK? [ CRICKETS CHIRPING .]
THAT WAS WEIRD.
WITH THIS WINDOW OPEN, DID SOMETHING HAPPEN? YES? WHAT HAPPENED? ARE YOU TRYING TO GET SOMEBODY TO JUMP OUT THE WINDOW? WHO ARE YOU TRYING TO GE TO JUMP OUT THE WINDOW? DID IT SAY NICK? DO YOU NEED ME TO OPEN THE WINDOWS? NICK! OH, MY GOD.
NICK? NICK.
Katrina: ARE YOU ALL RIGHT? Nick: WHAT? I WAS ZONED OUT.
I WAS SO LOST IN LIKE A TRANCE, MAN, WITH LIKE WHAT HAPPENED.
DO YOU SEE HOW SCARY THAT LOOKS? YOU'LL LIKE DROP RIGHT OFF.
JUST A LITTLE BIT AGO, IT STARTED TO GET VERY STRANGE WITH THE WAY SPIRITS WERE SPEAKING TO ME.
IT SAID "BRING THE BOY" AGAIN.
DID IT? YEAH.
AND THEN IT STARTED TALKING ABOUT A CHILD.
I THINK IT SAID SOMETHING TO DO WITH A TWIN.
IT CONFUSED THE CRAP OUT OF ME.
WHAT HAPPENED TO YOU? I FELT REALLY, REALLY SICK.
I WAS DOWNSTAIRS.
I WAS RIGHT BELOW YOU.
LITERALLY RIGHT BELOW YOU.
IN NICK'S ROOM? YEAH, IN NICK'S ROOM.
I WONDER IF IT'S JUST -- IT' SOMETHING WITH THIS SECTION OF THE HOUSE SPECIFICALLY? RIGHT HERE, THIS SPOT.
HERE AND DOWN, AND IF YOU THINK ABOUT IT, WHAT'S UNDER NICK'S ROOM IS THE DINING ROOM, WHICH, I MEAN, I WOULD THINK IF ED WAS GOING TO HAVE SEANCES, THAT MIGHT BE A REALLY GOOD PLACE TO DO IT.
SO, SHOOTING STRAIGHT UP THIS HOUSE.
MAYBE THIS IS -- MAYBE THIS IS KIND OF THE DOORWAY.
KAT, I REALLY THINK YOU SHOULD SLEEP BY YOURSELF.
I WAS UP HERE BY MYSELF.
I'M TELLING YOU, IT WAS TOTALLY DIFFERENT.
[ CRICKETS CHIRPING .]
Nick: KATRINA AGREES TO SLEEP IN THE ATTIC WHILE I SLEEP TWO FLOORS DIRECTLY BELOW HER IN THE DINING ROOM.
Katrina: CONSISTENTLY FOR THE LAST COUPLE OF DAYS, IT SEEMS LIKE THE ATTIC IS THE HOT SPOT.
I HAD A DREAM ABOU A CHILD IN THERE.
WE ARE GETTING -- ALL THESE OMINOUS THINGS ABOUT CHILDREN ARE COMING THROUGH ON OUR DEVICES, AND NOW I'M GOING TO SLEEP THERE.
[ GROANS .]
I DON'T EVEN KNOW IF I GOT MUCH SLEEP UP THERE.
I'M GOING TO WAKE NICK UP.
IT'S OUR LAST DAY.
I THINK, YOU KNOW, WE'VE GATHERED ALL THE INFORMATION THAT WE CAN GATHER.
I THINK OUR BEST BET NOW IS TO MEET WITH KRISTIN.
Katrina: NICHOLAS.
ANYTHING HAPPEN? I'M NOT SURE.
YOU READY TO START THE DAY? I WANT TO MEET KRISTIN.
Nick: OUR 72 HOURS ARE COMING TO A CLOSE, BUT WE STILL NEED ANSWERS.
WE INVITE KRISTIN BACK TO DISCUSS THE AUDIO EVIDENCE WE CAPTURED AND SEE IF SHE CAN MAKE ANY CONNECTIONS FOR US TO THE HOUSE'S HISTORY OR HER OWN EXPERIENCES.
WE GOT INFORMATION THAT SEEMED TO MATCH UP WITH SOME OF THE HISTORY THAT WE KNEW.
WE CONSTANTLY GOT THE NAME "ED" COMING THROUGH.
OKAY.
AND THAT'S WHERE IT GOT REALLY STRANGE.
AND THE VOICES WERE ACTUALLY VERY PARTICULAR IN WHAT THEY WERE TELLING US.
I GOT SOMETHING THAT SAID "TWIN.
" THAT MAKES SENSE, THEN.
THAT ISN'T ABOUT US.
THAT'S ABOU EDWIN AND LYDE.
EDWIN WAS ACTUALLY A TWIN.
OH.
WAIT, WHAT? YEAH, EDWIN HAD A TWIN THAT DIED.
I THINK THA THAT WAS A LITTLE GIRL.
HEARING THAT EDWIN HAD A TWIN IS BLOWING ME AWAY RIGHT NOW, KNOWING THAT THIS CHILD DIED AT AGE TWO.
AND IT MAKES ME WONDER IF THAT'S WHY EDWIN GOT INTO SEANCES.
I THINK THAT'S WHAT POSSIBLY DREW IN OTHER NEGATIVE ENTITIES.
IS THIS THE KICK-START TO ALL THIS STUFF IN THE HOUSE? IS THIS THE LITTLE GHOST GIRL THAT PEOPLE HAVE SEEN? IS THIS THE LITTLE GHOST GIRL THAT I SAW IN MY DREAM? IT ALSO SAYS, "SEND THE CHILD.
SLEEP PRECIOUS.
MY BLOOD.
MY CHILD.
HE FLIES.
" BECAUSE IT WAS DIRECTING US TO THIS WINDOW OR SOMETHING IN THE ATTIC, AND I STARTED TO NOTICE THE LOCKS ON THE DOORS.
THAT IS VERY, VERY PERSONAL WITH MY YOUNGEST SON.
WE PUT THEM UP BECAUSE SOMETHING WAS TRYING TO LURE HIM OUTSIDE ON THE ROOF.
HE WAS OVER HERE AND THE WINDOWS WERE OPEN.
HIS FEET WERE ON THE LEDGE AND HE WAS READY TO JUMP OUT.
HE SAID THAT HE WAS GOING TO FLY.
Nick: HE SAID HE WAS GOING TO FLY? THAT'S THE VOICE WE GOT.
I THINK THERE'S A DEEPER LAYER THAT WE ALL FELT HERE AND I THINK THAT THE STUFF THAT WE GOT COMING THROUGH ON OUR DEVICES BACKS UP THE THINGS YOUR FAMILY EXPERIENCED HERE.
YOU KNOW, WE CAN NEVER FORGE THAT EVERY DAY, THERE'S PEOPLE THA GO THROUGH THIS AND THEY HAVE NOWHERE TO TURN AND THEY HARDLY HAVE ANYBODY WHO BELIEVES THEM.
THANK YOU, GUYS, SO MUCH.
THANK YOU.
THANKS FOR COMING ALL THE WAY AND USING YOUR TOOLS TO HELP UNRAVEL THE PIECES OF THE PUZZLE HERE.
OUR PLEASURE.
TAKE CARE.
GIVE ME A CALL IF YOU NEED ANYTHING, AND STAY STRONG.
ALL RIGHT, THANK YOU.
Nick: MANY TIMES IN PARANORMAL INVESTIGATIONS, THE MORE WE DISCOVER, THE MORE QUESTIONS WE RAISE.
AFTER 72 HOURS IN THE BELLAIRE HOUSE, WE MADE CLEAR CONTAC WITH A NEGATIVE SPIRI THAT TARGETS CHILDREN AND FAMILIES IN THE HOME.
WAS THIS THE VENGEFUL SPIRI OF EDWIN'S TWIN SISTER BROUGHT BACK BY A SEANCE? WE MAY NEVER KNOW, BUT TAKE COMFORT IN THE FAC THAT WE WERE ABLE TO GIVE KRISTIN THE VALIDATION THAT SHE NEEDS TO BEGIN TO PU THESE TERRIFYING EXPERIENCES BEHIND HER.