The Keith and Paddy Picture Show (2017) s01e01 Episode Script
Dirty Dancing
1 I'm Paddy McGuinness.
And I'm Keith Lemon.
And this is The Keith And Paddy Picture Show, where we recreate classic films, in a half-hour, with the help of an all-star cast.
We're here to believe you! But the challenge of accurately remaking a Hollywood classic font color="#FFFF00 (THUD) Ow! So a documentary crew has been filming behind the scenes, as well What are you doing?! .
.
as we struggle to get our remake to the screen.
We're the biggest stars on British TV.
You want us to play a couple of font colo This week Dirty Dancing.
# Big girls don't cry 'That was the summer of 1963, before Kennedy was shot, before The Beatles, and one thing was for sure: I knew I'd never meet a guy as great as my dad.
' # They don't cry # Big girls don't cry Who said they don't cry? Doc! Max! After all these years, I finally got you up on my mountain.
Boy, are we gonna give you the holiday of a lifetime! Billy, get font color="#00 These are my beautiful daughters, Baby Hello, Mr Kellerman Gorgeous.
.
.
and Lisa.
Va-va-voom.
All right? And you know my wonderful wife, Marge.
(DEEP VOICE) So good to see you again.
Whoa! Jessica, what are you doing? Cut! I just don't know who the character is, and I just want to play.
Yeah, play around with the role, not with his I just feel there's a kind of love triangle.
I was just exploring that.
No, no, not again! Don't do it again.
It's supposed to be a loving, faithful homage to the movie.
Isn't font color=" Don't get me involved in all this.
I told you we should have done James Bond.
Dirty Dancing! Oh, yes.
The story of a teenage girl who goes on holiday and falls in love with a font col Girls' film.
Now, the dancing, the 'dirty dancing', didn't actually exist.
The choreographer, Kenny Ortega, invented it.
You seem to know an awful lot about this film.
That's because it's a good film.
I know, as a man, I'm not supposed to font co and that's why we were gonna do it properly and get our own superstar choreographer.
John is a West End legend.
He's done 'em all.
He's done Phantom Of The Opera, Evita, Miss Saigon.
I'm getting seriously worried about you.
OK, listen.
When the choreographer was developing the dirty dancing for font colo he had the entire cast pretend that they were in a night-club, and they improvised the moves.
Yeah, the whole dance is a mix of different kinds of dancing, such as rhumba, salsa and stuff.
That's really good.
So, I'd like to pretend that we are in a night-club, and I would like you to do some improvising, and I want you to feel the moves.
OK? Yeah.
Awesome.
Can we not? Can you just show us, and we'll copy you? Can you just shut up and do what I asked you to do? OK.
Here we go.
Are you gonna count us in? Yeah.
(MUSIC STARTS) Feel the moves.
OK? Feel the moves.
Five, six.
Five, six, seven, eight.
That is awesome.
Hey, let me help you.
How did you get here? What's up there? Staff quarters.
No guests allowed.
Look, if I let you come, promise not to tell your parents about this.
OK.
You bring that last one.
(POP MUSIC) Now, in this scene, in the original, they auditioned people from all over font co so they could get the sexiest set of dancing couples ever.
Luckily, I already had some hot contacts in the dance industry.
He invited his mum's salsa class.
# Do you love me # Do you love me # Now that I can dance? What are they doing? I don't know.
It's a new dance.
Kids are doing it in their basements back home.
Come on, Baby.
(THUD) # I can mashed-potato # I can do the twist # Now, tell me, baby # Do you like it like this? # Tell me # Do you love me? Paddy, you're playing Patrick Swayze's role - Johnny, one of the biggest heart-throbs in history.
How did you prepare? Well, I studied him very closely in the film, and I noticed that he shakes his head a lot.
That's my cousin Johnny and his partner Penny.
They're the professional dancers here.
They look great together.
Yeah.
# Work, work You'd think they were a couple.
Well, aren't they? No, not since we were kids.
# I'm a love man They call me the love man Hey, cuz! What's she doing here? I carried a watermelon.
(Gosh! 'I carried a watermelon'!) # Long legs and I'm outta sight # There ain't no doubt I'm gonna take you out # Cos I'm a love man # That's what they call me I'm a love man You got it.
# Make love to you at night Cut! (MUSIC STOPS) Cut! Guys, that was appalling.
You're just not connecting with each other.
Watch me.
Oh, God! Look into my eyes, Paddy.
OK? You've got to connect with Keith.
Yeah, you've got to connect.
We are connected.
This movie is all about sex.
(GRUNTS) Sex.
That's got it.
Sex.
Now, Keith and I had done the dance before on Comic Relief, but John wanted us to do it with a bit more intensity.
Because it's the most important part of the film, where Patrick Swayze font colo Yeah, that's the problem.
How am I supposed to lift you above my head? Well, you did it for Comic Relief.
I did, yeah, but back then, we were both a lot younger.
Yeah.
Are you saying I'm fat? I was looking for you guys and I found Penny crying.
I don't know font color="# She's knocked up, Baby.
Billy! What's he gonna do about it? 'He'? Yeah, like it must be mine, right (?) Look, it's not Johnny's baby.
It's a college boy called Robbie's.
Anyway, she wants to get rid of it.
As much as I love the film, there's one area that I'm uncomfortable font color= the unwanted-pregnancy story-line.
I think it's a little bit upsetting.
I was with him on this one.
So, we thought we'd not make her pregnant, but give her another condition.
It's OK.
Johnny's here.
Let's get you up.
I'm constipated, Johnny.
I'm constipated real bad.
OK.
I just wish you'd told me sooner, as soon as you knew you were so bunged up.
The treatments are real expensive.
I don't want to take any of your salary.
Oh, God, it's hopeless! There's gotta be a way we can work it out.
You don't know anything about my problems, rich girl.
Look, I know a doctor travelling to Newport next week.
A real MD.
He can sort this out.
He's got prune juice, laxatives.
You name it.
I just need $250.
Goddamn! I think our changes worked very nicely.
Yeah, and it's still just as moving.
How goes it there, Marge? What am I doing wrong? You're not lining it up right.
Daddy, can you lend me $250? Keith, Keith Sorry.
Cut! I feel like I don't know who the character is.
I feel really lost, and I'd just like to play around with her.
Well, you play around with her.
You're an actress.
You do it.
Maybe she's having some kind of mental breakdown.
Don't go too dark with it, though.
Can I just maybe try her drunk? Drunk is fun.
How's it going there, Marge? What am I doing wrong? You're not lining it up right.
Daddy, can you lend me $250? Is it for a nose job? No.
Why would I need it for that? Oh, no reason.
What do you need the money for, then, Baby? Well, somebody's really stuck with something, and they really need to work it out.
(GROANS) I trust you, Baby.
I'll give you the 250 at dinner.
Is she getting a nose job? Cut! Was that better? Yeah What do you think? Yeah, it was good.
# Stay just a little bit longer There's the money.
Wow! Are you for real? It takes a real brave person to ask Daddy for the money.
Thanks, but I can't take it.
The only appointment she can get with the doctor is next Thursday.
On Thursdays, Johnny and Penny dance at the Sheldrake Hotel, and they need that job.
They can't miss it.
Well, can't someone else fill in? No.
People work round here.
What, do YOU wanna do it (?) That's not a bad idea.
I was joking, Billy.
I can't even do the merengue.
But you're such a strong partner, you can lead anybody.
She can't do it! She can't even do the merengue.
No.
She can't do it.
She just can't do it.
And one No! You always start on the two.
I told you - I never did any of these moves before.
OK.
You put your left leg in, your left leg out.
In, out.
In, out.
You shake it all about.
You do the Okey-Cokey and you turn around.
# That's what it's all about # Agadoo-doo-doo # Push pineapple, shake the tree Two, three, four.
# Push pineapple, grind coffee Steps aren't enough.
You've got to really feel the music.
# Doo-doo-doo Come on and do the conga # Choo-choo-choo # # The Birdie Song OK.
Those dance moves are clearly too advanced for you.
We're gonna have to try something a bit simpler.
This is my dance space.
That's your dance space.
You've got to hold the frame.
OK, Penny.
Put a track on.
# THRASH METAL Penny, a different track.
(NEEDLE SCRATCHING) # ERIC CARMEN: Hungry Eyes That's better.
OK.
# I've been meaning to tell you # I've got this feeling that won't subside # I look at you and I fantasise # With these # Hungry eyes # One look at you and I can't disguise # I've got hungry eyes Hold your frame.
# I feel the magic between you and I - I've got # Hungry eyes # Now I've got you in my sights # Guys, you're not feeling it.
Paddy, put more groove in your hips.
Let the Barrowman see the boogie.
No.
That's it.
(LAUGHS) Cut! He just doesn't like people relaying his catch-phrases back to him.
No font colo (LAUGHS) No likey! Now, don't get me wrong.
I like John.
He seems like a lot of fun.
But I'm not sure where he's coming from with this 'connecting' thing.
I think you just need to be more like Patrick Swayze.
What do you mean? He's tough but not afraid to show his sensitive side.
Give over! And he's a good singer.
He sang a song on the Dirty Dancing soundtrack.
Whoa, whoa.
I'm not singing.
Maybe you should.
Maybe it'll open you up.
Not happening.
Move on.
What's happening next? Penny's been to see the doctor.
(GROANS) You said he was a real MD, Billy.
I'm sorry.
He turned out to be a phoney.
He had nothing to help font color="#00 No laxatives.
No prune juice.
He just told her to strain a bit font color="#00FF (GROANS) OK.
Clear the room.
Now, who's responsible for getting this girl constipated? I am.
(SOUNDS OF FLATULENCE) Is she gonna be OK, Doc? I'd give it around ten minutes, if I were you, and don't anybody light a font c (GROANS AND SOUNDS OF FLATULENCE) Now, one of the key factors to the success of Dirty Dancing was the font color=" and an important part of that was the song written and performed by font color=" She's Like The Wind.
Here we go.
Now, because Paddy was playing Patrick Swayze's character, I liked the idea that Paddy re-recorded that song and we used it font color="#FF I did not.
Go on.
Give it a go.
I think it'll help you get in touch with your font color=" I'll give it a go.
(MUSIC STARTS) (CLEARS THROAT) # She's like the wind # Through my tree # She rides the night # Next to me # I feel her breath on my face # Her body close to me # Can't look in her eyes # She's out of my league # Just a fool to believe I have anything she needs She's like the wind (SAXOPHONE SOLO) That was beautiful.
Well (GULPS) It's a beautiful song.
I think we just connected.
Erm yeah.
(KNOCK AT DOOR) Can I come in? Come in.
It's not a great room.
I guess you've got a great room.
No, it's it's a great room.
Sit down.
(SQUELCHING) I'm sorry about my dad.
Your dad was great.
The way he took care of Penny's constipation - that was really something.
Me - I'm nothing.
No, that's not true.
You're everything! (SQUELCHING) You don't know what it's like.
Last week I was eating Caramacs just to survive.
It doesn't have to be that way.
I've never met anybody like you.
If somebody falls, you pick them up.
If somebody bleeds I go get Daddy.
It takes some guts to get your dad! (CLATTERING) You're not scared of anybody.
Me? I'm scared of everything! But most of all, I'm scared of leaving font color and never feeling for the rest of my life the way I feel when I'm around font co (DEEP VOICE) Dance with me, Johnny.
Dance with me.
What, here? # She's Like The Wind # She's like the wind # Through my tree # She rides the night # Next to me # I feel her breath in my face # Her body close to me Can't look in her eyes It's quite a romantic film, this.
I told you, didn't I? With us finally connected, the pressure was on to nail the dance moves for the big finale.
Obviously, Paddy was a bit nervous about the lift, but it seemed all font color="# (GROANS) (THUD) # Kellermans, we come together # Singing all as one # We have shared another season's # Talent, play and fun # Summer days will soon be over Hey! (CHEERING) # And tonight our memories whisper Nobody puts Baby in the corner.
I'm not in the corner.
I'm just against the wall.
Come on.
# Join hearts and hands and voices, voices, hearts and hands # At Kellerman's # (FEEDBACK) Sorry for the interruption, folks.
You see, I normally do the end-of-season dance, but this year I've been told not to.
But I'm gonna do it, anyway.
I'm gonna do my kind of dance, with a great dance partner.
Miss Frances Houseman.
Sit down, you asshole! # Now, I've had the time of my life # No, I've never felt like this before # Yes, I swear # It's the truth # And I owe it all to you # Cos I've # Had the time of my life # And I owe it all to you # I've been waiting for so long # Now I've finally found someone to stand by me # We saw the writing on the wall # As we felt this magical fantasy Fooooook! # Just remember # You're the one thing # I can't get enough of # So I'll tell you something # This could be love, because (CHEERING) # I've had the time of my life She gets it from me! # I never felt this way before # Yes, I swear # It's the truth I know it wasn't you that got Penny constipated.
How? I found out in a previous scene that we didn't have time to recreate.
OK.
When I'm wrong, I say I'm wrong.
And, Baby, you looked wonderful up there.
Although maybe think about that nose job.
What was that? Nothing.
Nothing.
You kids go and enjoy yourselves.
Marge! (SIGHS) Regular as clockwork.
# I've had the time of my life # No, I've never felt this way before # Yes, I swear # It's the truth # And I owe it all to you # Cos I've # Had the time of my life # I've had the time of my life I've searched through every open door
And I'm Keith Lemon.
And this is The Keith And Paddy Picture Show, where we recreate classic films, in a half-hour, with the help of an all-star cast.
We're here to believe you! But the challenge of accurately remaking a Hollywood classic font color="#FFFF00 (THUD) Ow! So a documentary crew has been filming behind the scenes, as well What are you doing?! .
.
as we struggle to get our remake to the screen.
We're the biggest stars on British TV.
You want us to play a couple of font colo This week Dirty Dancing.
# Big girls don't cry 'That was the summer of 1963, before Kennedy was shot, before The Beatles, and one thing was for sure: I knew I'd never meet a guy as great as my dad.
' # They don't cry # Big girls don't cry Who said they don't cry? Doc! Max! After all these years, I finally got you up on my mountain.
Boy, are we gonna give you the holiday of a lifetime! Billy, get font color="#00 These are my beautiful daughters, Baby Hello, Mr Kellerman Gorgeous.
.
.
and Lisa.
Va-va-voom.
All right? And you know my wonderful wife, Marge.
(DEEP VOICE) So good to see you again.
Whoa! Jessica, what are you doing? Cut! I just don't know who the character is, and I just want to play.
Yeah, play around with the role, not with his I just feel there's a kind of love triangle.
I was just exploring that.
No, no, not again! Don't do it again.
It's supposed to be a loving, faithful homage to the movie.
Isn't font color=" Don't get me involved in all this.
I told you we should have done James Bond.
Dirty Dancing! Oh, yes.
The story of a teenage girl who goes on holiday and falls in love with a font col Girls' film.
Now, the dancing, the 'dirty dancing', didn't actually exist.
The choreographer, Kenny Ortega, invented it.
You seem to know an awful lot about this film.
That's because it's a good film.
I know, as a man, I'm not supposed to font co and that's why we were gonna do it properly and get our own superstar choreographer.
John is a West End legend.
He's done 'em all.
He's done Phantom Of The Opera, Evita, Miss Saigon.
I'm getting seriously worried about you.
OK, listen.
When the choreographer was developing the dirty dancing for font colo he had the entire cast pretend that they were in a night-club, and they improvised the moves.
Yeah, the whole dance is a mix of different kinds of dancing, such as rhumba, salsa and stuff.
That's really good.
So, I'd like to pretend that we are in a night-club, and I would like you to do some improvising, and I want you to feel the moves.
OK? Yeah.
Awesome.
Can we not? Can you just show us, and we'll copy you? Can you just shut up and do what I asked you to do? OK.
Here we go.
Are you gonna count us in? Yeah.
(MUSIC STARTS) Feel the moves.
OK? Feel the moves.
Five, six.
Five, six, seven, eight.
That is awesome.
Hey, let me help you.
How did you get here? What's up there? Staff quarters.
No guests allowed.
Look, if I let you come, promise not to tell your parents about this.
OK.
You bring that last one.
(POP MUSIC) Now, in this scene, in the original, they auditioned people from all over font co so they could get the sexiest set of dancing couples ever.
Luckily, I already had some hot contacts in the dance industry.
He invited his mum's salsa class.
# Do you love me # Do you love me # Now that I can dance? What are they doing? I don't know.
It's a new dance.
Kids are doing it in their basements back home.
Come on, Baby.
(THUD) # I can mashed-potato # I can do the twist # Now, tell me, baby # Do you like it like this? # Tell me # Do you love me? Paddy, you're playing Patrick Swayze's role - Johnny, one of the biggest heart-throbs in history.
How did you prepare? Well, I studied him very closely in the film, and I noticed that he shakes his head a lot.
That's my cousin Johnny and his partner Penny.
They're the professional dancers here.
They look great together.
Yeah.
# Work, work You'd think they were a couple.
Well, aren't they? No, not since we were kids.
# I'm a love man They call me the love man Hey, cuz! What's she doing here? I carried a watermelon.
(Gosh! 'I carried a watermelon'!) # Long legs and I'm outta sight # There ain't no doubt I'm gonna take you out # Cos I'm a love man # That's what they call me I'm a love man You got it.
# Make love to you at night Cut! (MUSIC STOPS) Cut! Guys, that was appalling.
You're just not connecting with each other.
Watch me.
Oh, God! Look into my eyes, Paddy.
OK? You've got to connect with Keith.
Yeah, you've got to connect.
We are connected.
This movie is all about sex.
(GRUNTS) Sex.
That's got it.
Sex.
Now, Keith and I had done the dance before on Comic Relief, but John wanted us to do it with a bit more intensity.
Because it's the most important part of the film, where Patrick Swayze font colo Yeah, that's the problem.
How am I supposed to lift you above my head? Well, you did it for Comic Relief.
I did, yeah, but back then, we were both a lot younger.
Yeah.
Are you saying I'm fat? I was looking for you guys and I found Penny crying.
I don't know font color="# She's knocked up, Baby.
Billy! What's he gonna do about it? 'He'? Yeah, like it must be mine, right (?) Look, it's not Johnny's baby.
It's a college boy called Robbie's.
Anyway, she wants to get rid of it.
As much as I love the film, there's one area that I'm uncomfortable font color= the unwanted-pregnancy story-line.
I think it's a little bit upsetting.
I was with him on this one.
So, we thought we'd not make her pregnant, but give her another condition.
It's OK.
Johnny's here.
Let's get you up.
I'm constipated, Johnny.
I'm constipated real bad.
OK.
I just wish you'd told me sooner, as soon as you knew you were so bunged up.
The treatments are real expensive.
I don't want to take any of your salary.
Oh, God, it's hopeless! There's gotta be a way we can work it out.
You don't know anything about my problems, rich girl.
Look, I know a doctor travelling to Newport next week.
A real MD.
He can sort this out.
He's got prune juice, laxatives.
You name it.
I just need $250.
Goddamn! I think our changes worked very nicely.
Yeah, and it's still just as moving.
How goes it there, Marge? What am I doing wrong? You're not lining it up right.
Daddy, can you lend me $250? Keith, Keith Sorry.
Cut! I feel like I don't know who the character is.
I feel really lost, and I'd just like to play around with her.
Well, you play around with her.
You're an actress.
You do it.
Maybe she's having some kind of mental breakdown.
Don't go too dark with it, though.
Can I just maybe try her drunk? Drunk is fun.
How's it going there, Marge? What am I doing wrong? You're not lining it up right.
Daddy, can you lend me $250? Is it for a nose job? No.
Why would I need it for that? Oh, no reason.
What do you need the money for, then, Baby? Well, somebody's really stuck with something, and they really need to work it out.
(GROANS) I trust you, Baby.
I'll give you the 250 at dinner.
Is she getting a nose job? Cut! Was that better? Yeah What do you think? Yeah, it was good.
# Stay just a little bit longer There's the money.
Wow! Are you for real? It takes a real brave person to ask Daddy for the money.
Thanks, but I can't take it.
The only appointment she can get with the doctor is next Thursday.
On Thursdays, Johnny and Penny dance at the Sheldrake Hotel, and they need that job.
They can't miss it.
Well, can't someone else fill in? No.
People work round here.
What, do YOU wanna do it (?) That's not a bad idea.
I was joking, Billy.
I can't even do the merengue.
But you're such a strong partner, you can lead anybody.
She can't do it! She can't even do the merengue.
No.
She can't do it.
She just can't do it.
And one No! You always start on the two.
I told you - I never did any of these moves before.
OK.
You put your left leg in, your left leg out.
In, out.
In, out.
You shake it all about.
You do the Okey-Cokey and you turn around.
# That's what it's all about # Agadoo-doo-doo # Push pineapple, shake the tree Two, three, four.
# Push pineapple, grind coffee Steps aren't enough.
You've got to really feel the music.
# Doo-doo-doo Come on and do the conga # Choo-choo-choo # # The Birdie Song OK.
Those dance moves are clearly too advanced for you.
We're gonna have to try something a bit simpler.
This is my dance space.
That's your dance space.
You've got to hold the frame.
OK, Penny.
Put a track on.
# THRASH METAL Penny, a different track.
(NEEDLE SCRATCHING) # ERIC CARMEN: Hungry Eyes That's better.
OK.
# I've been meaning to tell you # I've got this feeling that won't subside # I look at you and I fantasise # With these # Hungry eyes # One look at you and I can't disguise # I've got hungry eyes Hold your frame.
# I feel the magic between you and I - I've got # Hungry eyes # Now I've got you in my sights # Guys, you're not feeling it.
Paddy, put more groove in your hips.
Let the Barrowman see the boogie.
No.
That's it.
(LAUGHS) Cut! He just doesn't like people relaying his catch-phrases back to him.
No font colo (LAUGHS) No likey! Now, don't get me wrong.
I like John.
He seems like a lot of fun.
But I'm not sure where he's coming from with this 'connecting' thing.
I think you just need to be more like Patrick Swayze.
What do you mean? He's tough but not afraid to show his sensitive side.
Give over! And he's a good singer.
He sang a song on the Dirty Dancing soundtrack.
Whoa, whoa.
I'm not singing.
Maybe you should.
Maybe it'll open you up.
Not happening.
Move on.
What's happening next? Penny's been to see the doctor.
(GROANS) You said he was a real MD, Billy.
I'm sorry.
He turned out to be a phoney.
He had nothing to help font color="#00 No laxatives.
No prune juice.
He just told her to strain a bit font color="#00FF (GROANS) OK.
Clear the room.
Now, who's responsible for getting this girl constipated? I am.
(SOUNDS OF FLATULENCE) Is she gonna be OK, Doc? I'd give it around ten minutes, if I were you, and don't anybody light a font c (GROANS AND SOUNDS OF FLATULENCE) Now, one of the key factors to the success of Dirty Dancing was the font color=" and an important part of that was the song written and performed by font color=" She's Like The Wind.
Here we go.
Now, because Paddy was playing Patrick Swayze's character, I liked the idea that Paddy re-recorded that song and we used it font color="#FF I did not.
Go on.
Give it a go.
I think it'll help you get in touch with your font color=" I'll give it a go.
(MUSIC STARTS) (CLEARS THROAT) # She's like the wind # Through my tree # She rides the night # Next to me # I feel her breath on my face # Her body close to me # Can't look in her eyes # She's out of my league # Just a fool to believe I have anything she needs She's like the wind (SAXOPHONE SOLO) That was beautiful.
Well (GULPS) It's a beautiful song.
I think we just connected.
Erm yeah.
(KNOCK AT DOOR) Can I come in? Come in.
It's not a great room.
I guess you've got a great room.
No, it's it's a great room.
Sit down.
(SQUELCHING) I'm sorry about my dad.
Your dad was great.
The way he took care of Penny's constipation - that was really something.
Me - I'm nothing.
No, that's not true.
You're everything! (SQUELCHING) You don't know what it's like.
Last week I was eating Caramacs just to survive.
It doesn't have to be that way.
I've never met anybody like you.
If somebody falls, you pick them up.
If somebody bleeds I go get Daddy.
It takes some guts to get your dad! (CLATTERING) You're not scared of anybody.
Me? I'm scared of everything! But most of all, I'm scared of leaving font color and never feeling for the rest of my life the way I feel when I'm around font co (DEEP VOICE) Dance with me, Johnny.
Dance with me.
What, here? # She's Like The Wind # She's like the wind # Through my tree # She rides the night # Next to me # I feel her breath in my face # Her body close to me Can't look in her eyes It's quite a romantic film, this.
I told you, didn't I? With us finally connected, the pressure was on to nail the dance moves for the big finale.
Obviously, Paddy was a bit nervous about the lift, but it seemed all font color="# (GROANS) (THUD) # Kellermans, we come together # Singing all as one # We have shared another season's # Talent, play and fun # Summer days will soon be over Hey! (CHEERING) # And tonight our memories whisper Nobody puts Baby in the corner.
I'm not in the corner.
I'm just against the wall.
Come on.
# Join hearts and hands and voices, voices, hearts and hands # At Kellerman's # (FEEDBACK) Sorry for the interruption, folks.
You see, I normally do the end-of-season dance, but this year I've been told not to.
But I'm gonna do it, anyway.
I'm gonna do my kind of dance, with a great dance partner.
Miss Frances Houseman.
Sit down, you asshole! # Now, I've had the time of my life # No, I've never felt like this before # Yes, I swear # It's the truth # And I owe it all to you # Cos I've # Had the time of my life # And I owe it all to you # I've been waiting for so long # Now I've finally found someone to stand by me # We saw the writing on the wall # As we felt this magical fantasy Fooooook! # Just remember # You're the one thing # I can't get enough of # So I'll tell you something # This could be love, because (CHEERING) # I've had the time of my life She gets it from me! # I never felt this way before # Yes, I swear # It's the truth I know it wasn't you that got Penny constipated.
How? I found out in a previous scene that we didn't have time to recreate.
OK.
When I'm wrong, I say I'm wrong.
And, Baby, you looked wonderful up there.
Although maybe think about that nose job.
What was that? Nothing.
Nothing.
You kids go and enjoy yourselves.
Marge! (SIGHS) Regular as clockwork.
# I've had the time of my life # No, I've never felt this way before # Yes, I swear # It's the truth # And I owe it all to you # Cos I've # Had the time of my life # I've had the time of my life I've searched through every open door