Twin Peaks s03e17 Episode Script

The Return: Part 17

1 [ELECTRICITY CRACKLING] [ATMOSPHERIC MUSIC] [JULEE CRUISE'S "FALLING" PLAYING] [DISTANT BIRDS CALLING] [LIQUID POURING] You okay, Gordon? I couldn't do it, Albert.
I couldn't do it.
You've gone soft in your old age.
What? I said, "You've gone soft in your old age.
" Not where it counts, buddy.
Here's to the Bureau.
- To the Bureau.
- To the Bureau.
Now listen to me.
For 25 years, I've kept something from you, Albert.
Before he disappeared, Major Briggs shared with me and Cooper his discovery of an entity, an extreme negative force called in olden times "Jowday.
" Over time, it's become "Judy.
" Major Briggs, Cooper, and I put together a plan that could lead us to Judy.
And then something happened to Major Briggs, and something happened to Cooper.
Phillip Jeffries, who doesn't really exist anymore, at least not in the normal sense, told me a long time ago he was onto this entity, and he disappeared.
Now, the last thing Cooper told me was "If I disappear like the others, do everything you can to find me.
I'm trying to kill two birds with one stone.
" And now this thing of two Coopers.
And recently, a paid informant named Ray Monroe sent a cryptic message indicating that the Cooper we met at prison is looking for coordinates, coordinates from a certain Major Briggs.
This plan, Albert, I couldn't tell you about, and I'm sorry.
I understand.
I know you understand, Albert, yet I'm still sorry.
And I don't know at all if this plan is unfolding properly 'cause we should have heard by now from our dear Dale Cooper.
[TELEPHONE RINGS] [BEEPS] This is Cole.
[HEADLEY] Agent Headley here, sir.
We found him.
We found Douglas Jones.
[HEADLEY] But we don't know where he is.
Has my watch stopped, or is that one of the Marx Brothers? What the hell does that mean, Headley? The bed is empty.
My team is sending everything to you as we speak.
[HEADLEY] Director Cole, we got it all the whole story.
Is that Gordon Cole on the phone? Yes, it is.
- Why? - I have a message for him.
A message from Dougie.
What's that? [LOUDER] What's that? Uh, there's a man here he says he has a message for you from Douglas Jones.
Well, give it to me.
Am I talking to Mr.
Gordon Cole? Yes, you are.
[MULLINS] Well, Dougie wanted me to read you this "I am headed for Sheriff Truman's.
It is 2:53 in Las Vegas, and that adds up to a ten, the number of completion.
" That's all he wrote.
And what is your name, sir? [MULLINS] Bushnell Mullins.
Lucky 7 Insurance.
I'm his boss.
Thank you, Mr.
Mullins.
Thank you very much.
And that makes two of us.
[DISTANT INDISTINCT CHATTER] [LOUDLY] Dougie is Cooper? How the hell is this? [DEVICES WHIRRING, BEEPING] They blew up Dougie Jones' car.
Then a notorious hit man tried to shoot him outside his place of business.
He's been spotted in the company of two organized-crime figures.
He electrocuted himself by sticking a fork in a wall socket.
That's strange, even for Cooper.
A Blue Rose case, most definitely.
He was hospitalized in a coma until earlier this afternoon.
Pack it up! I know where he's going.
[INSECTS CHIRPING] [SNORING LIGHTLY] Finally.
[SNORING] - [DISTANT CELL DOOR CLANKS] - [GASPS] You fucker.
Fucker.
Fuck you.
Fuck you.
[OMINOUS SCRATCHING] [OMINOUS ATMOSPHERIC MUSIC] [ENGINE REVVING] [WHEEZING] [WHINING] [WHEEZING CONTINUES] What the hell is that? No clue, mate.
"No clue, mate.
" [WHINING INCREASES] [IMITATES WHINING MOCKINGLY] [WHINING CONTINUES] [IMITATES WHINING MOCKINGLY] [GROANS SOFTLY] [WHINING INTENSIFIES] [IMITATES WHINING MOCKINGLY] [WATERFALL RESOUNDING] Wyoming? [WILLIAMS] Yes, sir.
Is your name Ben? Yes.
[WILLIAMS] Got a guy here no identification, won't give his name, says he's your brother.
Says his binoculars killed somebody.
That's my brother, Jerry Horne.
Is he charged with anything? [WILLIAMS] No.
I'll make arrangements to get him home.
What's your name again? Sergeant Williams, Jackson Hole Police.
[BEN SIGHS] [WILLIAMS] And you can send clothes.
When we picked him up, he was completely naked.
[SIGHS SOFTLY] Have a good day, sir.
[LINE CLICKS, DIAL TONE DRONES] [OMINOUS SCRATCHING] [BROODING ATMOSPHERIC MUSIC] [TREES RUSTLING SOFTLY] [FOOTSTEPS APPROACHING] [FAINT ELECTRICAL SCRATCHING] [THUNDER RUMBLES] [OMINOUS ATMOSPHERIC MUSIC] [FAINT ELECTRICAL SCRATCHING] [OMINOUS TONE] [STATIC SPUTTERING] [WIND WHOOSHING] [ELECTRICITY CRACKLING] [WHOOSHING INTENSIFIES] [ELECTRICITY CRACKLING] [WHOOSHING CONTINUES] [WHOOSHING STOPS] [ATMOSPHERIC HUM] [LOUD CLANK] [FAINT WHOOSHING] [INTENSE WHOOSH] [INTENSE WHOOSH] [FAINT SCRATCHING] [INTENSE WHOOSH] [ELECTRICAL RUMBLING] [LOCK CLICKS] [DOOR CREAKS OPEN] [ATMOSPHERIC HUMMING CONTINUES] [DISTANT ELECTRICAL RUMBLING CONTINUES] [SOFT WHOOSH] [MOTORIZED DEVICE HUMMING] [MOTORIZED DEVICE CLICKS] [ELECTRICITY CRACKLING FAINTLY] [OMINOUS WHOOSHING] [OMINOUS WHOOSHING INTENSIFIES] [GASPS] [WHIMPERING] [OMINOUS ATMOSPHERIC MUSIC] [COOPER] What is this? [DISTANT BIRDS CAWING] Agent Cooper, is that you? Agent Cooper, it is you.
We were just talking about you.
Hello, Andy.
[WHIMPERING SHAKILY] [CHATTERING ODDLY] What's going on? I think she's trying to say something.
[CHATTERING MOCKINGLY] [WOMAN CONTINUES CHATTERING ODDLY] [CLANK] [SNORING LIGHTLY] [WOMAN CONTINUES CHATTERING ODDLY] Everyone's gonna be so happy to see you.
And I would like to see them, too.
Come on in.
I was just taking this picnic basket in.
We'll make a fresh pot of coffee.
[DOOR OPENS] [ANDY] Lucy.
Lucy, look who's here.
- Agent Cooper! - Hello, Lucy.
We were just talking about you.
So I understand.
Sheriff Truman, this is Special Agent Dale Cooper.
We haven't seen him since before Wally was born.
Sheriff Truman? I'm Sheriff Frank Truman, Harry's brother.
- Sheriff.
- Nice to meet you.
Come into the office and sit down.
[OMINOUS ATMOSPHERIC MUSIC SLOWLY INTENSIFIES] [LUCY BREATHES SHAKILY] [OMINOUS WHOOSHING] [ATMOSPHERIC MUSIC SUBSIDES] Andy? [LOCK CLICKS] [WOMAN CHATTERING SOFTLY] [DRUNK MAN SNORING SOFTLY] [LOCK CLICKS] [FAINT ATMOSPHERIC MUSIC] [LOCK CLICKS] Have a seat, Agent Cooper.
[DISTANT BIRDS CAWING] Would you like a cup of coffee? No, thanks.
I'm all right.
Okay.
I'm going to go tell Hawk you're here.
[CHATTERING ODDLY] [GASPS] [BULLETS RATTLING] [ATMOSPHERIC MUSIC BUILDS] Cooper.
[SMACKS LIPS] Cooper.
In the flesh.
[CHATTERING ODDLY] [DRUNK MAN GRUNTING] - [BREATHING HEAVILY] - [FLESH TEARING] [FOOTSTEPS APPROACHING] Very important.
Very important.
- [GRUNTING IN PAIN] - [FLESH RIPPING] [BREATHING HEAVILY] [BROODING ATMOSPHERIC MUSIC] [GRUNTING IN PAIN] [LOCK CLICKS, DOOR OPENS] [MAN CONTINUES GRUNTING] [DOOR CLOSES] [ANDY] Hawk, are you down here? - Hey.
- [GUN COCKS] [GRUNTS IN PAIN] [CHUCKLES] If it isn't the great, good cop, Deputy Andy [MUMBLING] "Great, good cop, Deputy Andy.
" [WOMAN CONTINUES CHATTERING] come to save the day.
[DRUNK MAN MUMBLING] "Come to save the day.
" You are such a pussy, Andy! [DRUNK MAN MUMBLING] "You're a pussy, Andy.
" See how you like this, right between [METAL CLANKS] [HEAVY THUD] [BODY THUDS] [WOMAN CONTINUES CHATTERING] [SOFT ATMOSPHERIC MUSIC] [HANDCUFFS CLICKING] [TELEPHONE RINGING] Twin Peaks Sheriff's Station.
This is Lucy speaking.
Who? [MUSIC INTENSIFIES] What brings you back to Twin Peaks, Agent Cooper? Unfinished business.
- [INTERCOM BUZZES] - [LUCY] Sheriff Truman? Yes, Lucy? [LUCY] There's a phone call for you on line two, the blinking light.
Take a message, please, Lucy.
[LUCY] It's a very important phone call, Sheriff.
All right, Lucy.
Sorry, Agent Cooper.
[RECEIVER CLATTERS] This is Truman.
Harry, it's Coop.
Federal Bureau of Investigation, Special Agent Dale Cooper.
This is Frank Truman, Harry's brother.
Where are you? We're just entering Twin Peaks city limits.
Is the coffee on? [FAINT ATMOSPHERIC MUSIC] [GUNSHOT ECHOES] [BODY THUDS] What was that? [EXHALES SHARPLY] [FRANK] Lucy.
[SOFT OMINOUS MUSIC] I've got to get you all upstairs.
I think this one's dead, Agent Cooper.
Don't touch him! Stay away from that body.
[BROODING ATMOSPHERIC MUSIC] Andy I understand cellular phones now.
[WOMAN WHIMPERS ODDLY] What the hell? Agent Cooper said don't touch that body.
But that is Agent Cooper.
No it's not.
[CHATTERS ODDLY] [OMINOUS ATMOSPHERIC MUSIC] [ATMOSPHERIC WHOOSHING] [DISTORTED CHATTERING] [TIRES SQUEALING] Andy, where is he? In here.
[THUNDER RUMBLING] [OMINOUS WHOOSHING INTENSIFYING] [OMINOUS ATMOSPHERIC WHOOSH] - [DISTORTED GROWL] - [SONIC THUD] [DISTORTED CHATTERING] - [OMINOUS WHOOSHING] - Oy! [ECHOING] Are you Freddie? [ECHOING] That's right.
And this is me destiny.
[OMINOUS RUMBLING, WHOOSHING] [INTENSE OMINOUS WHOOSHING] [BOTH SCREAMING] [INTENSE DISCORDANT MUSIC] Freddie! [OMINOUS WHOOSH] [INTENSE PUNCH LANDS] [INTENSE PUNCH LANDS] [DISTORTED SCREAMING] - [INTENSE PUNCH LANDS] - [HISSING] [OMINOUS ATMOSPHERIC MUSIC] [OMINOUS RUMBLING] [DISTORTED GROWL] [MUSIC INTENSIFIES] - [DISTORTED GROWLING] - [SONIC THUD] [INTENSE DISCORDANT MUSIC] - [DISTORTED GROWLING] - [SONIC SMACKING] Freddie, get up! [SONIC SMACKING] [DISTORTED CACKLING] [INTENSE OMINOUS WHOOSHING] Catch you with my death bag.
[DISTORTED SCREAMING] [INTENSE PUNCH LANDS] [DISTORTED SCREAM] [INTENSE OMINOUS WHOOSHING] [TENSE ATMOSPHERIC MUSIC] [RUMBLING, WHOOSHING SLOWLY FADE] Did I do it? You did it, Freddie.
[EXHALES DEEPLY] [TENSE ATMOSPHERIC MUSIC] [FAINT OMINOUS WHOOSHING] [SOFT RINGING TONE] One for the grandkids.
[RING CLATTERS] - [CLATTERING RESONATES] - [OMINOUS WHOOSHING] Frank, do you have the room key to the Great Northern Hotel, 315? What? How do you know about Major Briggs told me Sheriff Truman would have it.
[EXHALE SOFTLY] [TIRES SQUEALING] [TIRES SCREECH] [SOFT ATMOSPHERIC MUSIC] What's going on around here? Took the fucking words right out of my mouth.
Major Garland Briggs.
Bobby, your father was well aware of what's going on here today.
What is going on? Many years ago, information your father gathered brought him together with Director Gordon Cole, who is here right on time.
Gordon.
Coop.
And that's what's brought us to where we are today.
Now, there are some things that will change.
The past dictates the future.
Come on.
[CLEARS THROAT] It's a good thing we made so many sandwiches.
Frank give my regards to Harry.
Sure will.
[CHATTERING ODDLY] [CHATTERING CALMS] [MOODY ATMOSPHERIC MUSIC] [SOFT WHOOSHING] [CRACKLING, HISSING] [SQUISHING] [OMINOUS HUMMING] [SOFT CLANK] [OMINOUS ATMOSPHERIC HUMMING] Diane.
[INHALES DEEPLY, EXHALES SHARPLY] [FAINT ATMOSPHERIC MUSIC] [EXHALES DEEPLY] [CHUCKLES] Cooper the one and only.
Do you remember everything? Yes.
[EXHALES SHARPLY] [CLOCK TICKING IRREGULARLY] [DEEPLY DISTORTED VOICE] We live inside a dream.
[ECHOES] [NORMAL VOICE] I hope I see all of you again every one of you.
[INTENSE OMINOUS WHOOSHING] Gordon! Coop! [INTENSE OMINOUS WHOOSHING CONTINUES] [WHOOSHING STOPS] [SOFT RINGING TONE] [OMINOUS ATMOSPHERIC HUMMING] [RINGING TONE INTENSIFIES] [DISTANT CLANKING] [RINGING TONE CONTINUES] [LIGHT RUMBLING] [RINGING TONE, RUMBLING CONTINUE] [LOCK CLICKS] Now, listen, I'm going through this door.
Don't try to follow me, either of you.
[RINGING TONE, RUMBLING CONTINUE] Be thinking of you, Coop.
[RINGING TONE, RUMBLING CONTINUE] [LATCH CLICKS] [INTENSE RINGING TONE] See you at the curtain call.
[OMINOUS WHOOSH] [INTENSE RINGING FADES] [LATCH CLICKS, DOOR POUNDS CLOSED] [INTENSE RINGING TONE] [BROODING ATMOSPHERIC MUSIC] Through the darkness of future past, the magician longs to see.
One chants out between two worlds "Fire walk with me.
" [ELECTRICITY CRACKLING] [FAINT WHOOSHING] [STAIRWAY FAINTLY CREAKING] [INTENSE ELECTRICAL RUMBLING] [DISTORTED WHOOSHING] [DOOR CLANKS, OPENS] [INSECTS CHIRPING] [FAINT WHOOSHING] [DEVICE CLANKS, OMINOUS HUMMING] [OMINOUS WHOOSHING] [DEVICE CLANKS, OMINOUS HUMMING] Phillip? [DEVICE CLANKS, OMINOUS HUMMING] [JEFFRIES] Please, be specific.
[DEVICE CLANKS, OMINOUS HUMMING] The date February 23, 1989.
[JEFFRIES] I'll find it for you.
[DEVICE CLANKS, OMINOUS HUMMING] [JEFFRIES] It's slippery in here.
It's good to see you again, Cooper.
[DEVICE CLANKS, OMINOUS HUMMING] [JEFFRIES] Say hello to Gordon if you see him.
He'll remember the unofficial version.
This is where you'll find Judy.
[DEVICE CLANKS, OMINOUS HUMMING] [FAINT WHOOSH] [JEFFRIES] There may be someone [DEVICE CLANKS, OMINOUS HUMMING] [JEFFRIES] Did you ask me this? [DEVICE CLANKS, OMINOUS HUMMING] [SOFT HISSING] [DEVICE CLANKS, OMINOUS HUMMING] [DEVICE CLANKS, OMINOUS HUMMING] [RINGING TONE] [DEVICE CLANKS, OMINOUS HUMMING] [JEFFRIES] There it is.
You can go in now.
[HISSING] [JEFFRIES] Cooper - [DEVICE CLANKS, OMINOUS HUMMING] - remember.
Electricity.
[ELECTRICITY CRACKLING] [STATIC SPUTTERING] [OMINOUS ATMOSPHERIC MUSIC] [STATIC AND MUSIC STOP] [DEEP, RHYTHMIC WHOOSHING] [RHYTHMIC WHOOSHING CONTINUES] [FAN BLADES WHOOSHING] [MOTORCYCLE ENGINE REVVING] - [MOTORCYCLE ENGINE STOPS] - [STATIC CRACKLING SOFTLY] [WIND WHOOSHING] [SNIFFS] [JAMES, DISTANTLY] What is wrong with you? [LAURA, DISTANTLY] There's no place left to go, is there, James? [JAMES, DISTANTLY] Say whatever you want.
I know you love me.
[EXHALES DEEPLY] And I love you.
[EXHALES SHARPLY] I do love you, James.
[EXHALES SOFTLY] Let's get lost together.
[BREATHING HEAVILY] [GRUNTS SOFTLY] Shit.
What? He might try to kill you.
[SCREAMING] [GASPS] [JAMES] What's wrong? What? If he finds out Laura, what's the matter? Bobby killed a guy.
What are you talking about? Bobby didn't kill anybody.
Do you want to see? See what? Right.
[SCOFFS] Open your eyes, James.
You don't even know me.
There are things about me Even Donna doesn't know me.
[WEAKLY] Your Laura disappeared.
It's just me now.
- [LAURA SNIFFLES] - Laura.
[LAURA SLAPS HAND AWAY] What about this, James? [CRYING SOFTLY] I think you want to take me home now.
[ELECTRICAL HUM] [ENGINE REVVING] [TIRES SQUEAL] Laura! [CRYING] Don't! - Come on! - [CRYING] Don't! Just don't! [CRYING] Oh! I love you, James! [CRYING] [ENGINE REVVING] [MOTORCYCLE ENGINE REVVING RECEDES] [CRYING] ["LAURA PALMER'S THEME" PLAYING] [GRUNTS] [EXHALES DEEPLY] Who are you? Do I know you? Wait.
I've seen you in a dream.
In a dream.
[WATER LAPPING] [STATIC CRACKLING SOFTLY] Where are we going? We're going home.
[HUMMING SOFTLY] [CONTINUES HUMMING] [SMOOCHES] Going fishing.
[ATMOSPHERIC MUSIC] [BELLS CLANGING DISTANTLY] [HUMS SOFTLY] [HUMMING SOFTLY] [REEL WHIRRING] [DISTORTED LOW MOANING] [OMINOUS ATMOSPHERIC HUM] [LOW, RHYTHMIC WHOOSHING] [MOANING CONTINUES] [LOW, RHYTHMIC WHOOSHING INTENSIFIES] [MOANING CONTINUES] [SARAH SOFTLY WAILING] [SARAH BREATHING HEAVILY] [MOANS] [OMINOUS ATMOSPHERIC HUM CONTINUES] [THUNDEROUS CLATTERING] [INTENSE OMINOUS MUSIC] [OMINOUS SCRATCHING REPEATING] [GLASS SHATTERING] [WAILING] [CONTINUES WAILING] [ODD REVERBERATIONS] [WAILING ODDLY REVERBERATES] [SARAH WAILING] [WAILING STOPS] - [INSECTS CHIRPING] - [WIND WHOOSHING SOFTLY] [FAINT ATMOSPHERIC WHOOSHING] [SOFT CLICKING, SCRATCHING NOISE] [WIND WHOOSHING INTENSELY] [LAURA SCREAMING] [SCREAMING, WHOOSHING STOP] [INSECTS CHIRPING] [FAINT ATMOSPHERIC MUSIC] [JULEE CRUISE'S "THE WORLD SPINS" PLAYS] Halley's Comet's come and gone The things I touch are made of stone Falling through this night alone Love Don't go away Come back this way Come back and stay Forever And ever The world Spins [ELECTRICITY CRACKLING]