Waking the Dead (2000) s06e07 Episode Script
Mask of Sanity: Part 1
SOUND OF CHILDREN SCREAMING IN DISTANCE WHIP CRACKS MAN CRIES IN AGONY (I told you I'd come back for you.
) The key to this is James Jenson - who confessed to the murders originally - he walked in off the street into a police station and signed a confession saying that he was guilty.
What? Just like that? Yeah, but it was thrown straight out of court.
Not quite right, the judge deemed him unfit to stand trial and he was sent for a psychological evaluation.
And while he was there, he beat up the male nurse Yeah.
And he hit him over a hundred times in two minutes.
A hundred times in two minutes? That's major Muhammad Ali speed Well he would've been sent down for GBH but he was unfit to stand so he was sent to .
.
a psychiatric detention centre where he's been for 20 years.
This is the urgency in the situation.
He came out a week ago and two days ago, Mrs Goss received these wallets through the mail.
Yes, now what's the relationship to this Goss, Mrs Goss to Mr Goss? Widowshe's the widow of Henry Goss.
Mr Goss? .
.
Councillor Goss.
Councillor, sorry, Councillor Goss.
Have we got photographs? Yes.
Let's go through the chronology of these deaths, OK? First one killed The first victim wasn't Goss, it was, in fact, Harry Valentine.
And that was in 1979.
Then Frank Reilly.
Then Frank Reilly and that was in 1980.
And the third one is Councillor Goss in 1985.
Now, there's an interesting thing about all of these, that they were all sent together to Mrs Goss in this plastic bag.
Right, OK now, originally the motive for these killings was robbery.
Yeah.
Anyway, the thing is, forensically, what's interesting to me, is that this one in particular, the first one, Harry Valentine, is sealed with blood.
It's never been opened, it's perfectly intact.
This is still full of credit cards? Yes.
Money? And all of them have the credit cards and money.
Then, after the third killing, the investigating officer decided that there was probably a serial killer at work here and that the wallets were actually being taken as trophies.
The serious thing about the return of these three wallets is that the serial killer could either be making amends or he's going to do it again.
Right, which brings us right back to James Jenson and the dilemma, do we monitor him or do we bring him in? Bring him in! They'll be monitoring him.
We don't need to bring him in.
THEY'LL be monitoring him? Yes, he'll have a parole officer, he'll be in a halfway house, he's been deemed fit They never put anybody back anyone who causes any danger to the public? James.
Well, you start at eight and finish at four.
An hour for lunch.
And your parole officer says you can use a fork-lift, yeah? Don't say much, do you? That's good.
I like that in a man.
Yeah, well, put you on the sorting bins, you'll be on fork-lift four And it'll be your responsibility to keep it clean and full of diesel, OK? We wanna have a chat with him, that's all.
And I know what your little chats are like.
Every time we bring someone in you think we'll beat the crap out of them! Maybe cos that's what you do(!) I've read the sensitive policing memo.
Well, I need to crack on with the forensics because there's some interesting traces in this bag.
All right, hang on one second.
Stella? I'll see Goss's wife.
I shall go through the detention centre report.
Good and you can take that stinking stuff No! I bought that stuff especially for you! It's giving me a headache.
Feel the benefits with memory, concentration Are you all right? I feel sick.
James! Jimmy, Jimbo You're looking good.
Been working out while you were inside, have you? What do you want, Ricardo? What d'you think? I've come to give you a job.
I've got a job.
Not some donkey work your parole officer found you.
I mean a real job.
I'll keep the one I have.
James, I'm sensing animosity here.
You know, I mean I know what the word means.
So what's your problem? There's no problem, I just wanna be left alone.
James Leave me alone.
Just trying to help you out.
BOY: 'Mum!' 'Mum!' Where do you think you're going? Come along, James.
Mum! Let go, James! Mum! Come on! Thank you.
Good boy.
No, James, listen! If you're going to get along here, you'll have to behave a lot better than this.
Come on! Calmed down now? It's hard for you to understand things right now, I know that.
You don't know why you're here, do you? Let me explain something to you, James.
I didn't put you in here.
Your parents didn't put you in here.
You put yourself in here by your behaviour, do you understand that? Now the way things are done here is that if you do something wrong, you are punished.
Receiving punishment helps you to be good.
Now that makes sense, doesn't it? You want to be a good boy, don't you, James? Now we're gonna help you to be good.
This is Mr Valentine.
He's the housemaster and he's in charge of giving you the punishments that will help you James! James! You have to learn how to take your punishment! Well I'll leave you to it then.
WHIP CRACKS Hi.
Hey.
I've had several messages for Mel Silver on my extension.
Mel? Someone called Sarah, never leaves a number.
So I had it traced, it's a New York number, the Wiesenthal Center.
I'll get Boyd to deal with it.
So how far have you got today? The original investigation was looking at a Dr Bruno Rivelli.
He was the last person to see Goss alive.
It's here in Goss's diary.
So how far did they get with this Bruno Rivelli? Well, James Jenson confessed before they moved on it.
Have you tracked down James yet? Yeah, his parole officer found him a job.
The address is on my desk.
I'll bring him in.
What about victim number two? Dr Reilly? Yep.
He wasn't on the NHS list.
He was in a private practice.
Patient list? Not yet, but he was based at the Hickley Private Clinic.
OK, follow that up and I'll bring James in.
Jenson! Jenson! Someone to see ya.
DI Jordan You're a policeman? Yeah.
Can you come with me, please? What d'you wanna see me for? Just a chat.
About what? Nothing major.
Come on.
The residue on the victims' clothing I ran some infrared spectroscopic and GC tests, gas chromatography, and it turns out to be a product of the Apis Mellifera.
La cire d'abeille.
La cire d'abeille? Oui.
The bee? Bon! Right.
The residue is a compound, but the main ingredient is beeswax.
Like furniture polish? Close.
Like furniture polish, probably heavier structure, more like floor polish.
On all three victims? On all three victims, deeply imbedded into the fabric of the knees.
They were kneeling? Possibly.
No, nothing about anybody being forced to their knees in the original crime scene report.
MAN GROANS IN PAIN No, I know.
But the bodies were found in three different places around the canal.
What about the floor polish then? It wasn't on the ground there, so if we're not looking at murder sites, we're looking at dump sites.
Yes.
And the reason a killer uses a dump site is because the murder scene will be dangerous for them.
Come and look at this.
Now, dump sites need to be in a geography known to the killer.
We have three victims, Harry Valentine Frank Reilly Henry Goss.
So they were probably murdered in the same spot and then moved.
So, we're looking for a murder scene within that triangle.
What's in there? In there? Nothing.
What's it for? The room.
It's called an interview room.
'James! You have to learn how to take your punishment!' What are you afraid of, James? I don't like rooms I don't like to be on my own in them.
I like outside.
I'll come in with you.
OK.
If he sent the wallets, what d'you think he's expecting to happen next? I'm making you aware that he's probably prepared his answers.
Come on, let's just go through the profile.
I haven't even met the guy! Boyd! Hi.
Who is he? This is Detective Superintendent Boyd, James.
Is he a policeman too? Yes, he is.
OK.
D'you know why you're here? D'you wanna take a wild guess? You don't wanna play that game? Well, I'm here to help you.
WHIP CRACKS James What's wrong? Is he going to hit me? No, I'm not going to hit you.
Why would you think that? Don't know.
Do you still wanna say that you killed Harry Valentine, Frank Reilly and Henry Goss? I don't remember that now.
What d'you mean? The doctors said I was in a state of delusion.
They said I won't remember it I don't.
Yeah, but when the judge threw out your guilty plea, you nearly killed a male nurse to prove him wrong.
I was unwell at the time.
Who told you you were unwell? Doctors.
If you were unwell, how do you know you committed the murders? You were unwell and couldn't remember, right? So how would you have known? D'you know what I'm saying? I don't know.
You don't know.
What about the male nurse that you beat up? Do you remember that? Yeah.
It was my fault hitting the nurse, I didn't mean it.
I just wanted to Wanted to? To go outside I I didn't like the room.
You walked into a police station and said you did it.
Why? I don't know.
I made it up.
I was confused about stuff I had in my head and real stuff.
And now? Now I know the difference, I don't get lost any more.
In here.
But in here, the stuff you made up, how did you know about it? It wasn't even public knowledge What I mean is, the stuff that you made up in here could only have been known by the killer.
Don't know.
He doesn't understand what I'm saying really, does he? D'you understand wh Look, in a copy of your statement it says, well, YOU said, that you took wallets from the victims.
There, those are your words.
You took wallets from the victims.
Now that was not public knowledge.
You know what I'm saying? So, how would you know, Mr Jenson, about the wallets? I never wrote that.
The policeman asked if I took them, I said I did.
Rubbish policing.
You're sweating now, James, why are you sweating? I just want to be left alone.
Or what? What? What, what, what What if you're not left alone? What do you do? What are you gonna do if I don't leave you alone? Leave me alone.
'Boyd' In a minute.
No, now please.
The voices, d'you get them? No.
'Boyd!' Yeah.
OK, I'm coming.
You should get help for that.
Yeahright.
HE LAUGHS What's the problem now? Wasn't I sensitive enough? I was nice It's better if you're aware of who you're talking to before you wind them up.
What's important about him? Ohthat he could've killed you.
Now is that important enough? Really? Really.
Spence, you might wanna pop out here for a second.
I think criticism is a little unfair.
I just think that sort of interview is very destabilising.
That's what I do, I destabilise people in stressful situations.
Yes, well, his particular type of psychology doesn't respond well to stress.
So he may tell me the truth.
So I ran DNA tests on saliva samples that I found inside this bag and I got a hit on two of the victims, victims two and three, Reilly and Goss.
And you cross referenced that? And I cross referenced it with DNA from their personal effects So you know it's them Yes.
So that's the murder weapon? HE GASPS Bag inside a bag.
Yes, for two of the victims, this is the murder weapon, the bag within the bag.
What I don't have is any information to link our first victim, Harry Valentine But there's a whole different signature though, isn't it? There's a different signature.
He was excessively beaten, there were multiple fractures to his skull In factermwe're not even sure if he was actually suffocated to death or beaten to death.
The report does mention asphyxiation, it wasn't sure if that was the cause of death as he was so badly beaten.
That's Jenson's MO, rage attack, savage beating Well, Jenson has a very high propensity for violent rage as we saw when he attacked the nurse, but he has a low propensity to enact.
Taking of the bag to the scene is the work of a controlled killer, it's premeditated.
Now Jenson at the age of 14 wouldn't have the mental capacity to plan and execute a killing, let alone find a dump site Yeah, but this is very different though, cos the Valentine killing is a frenzied attack.
Whereas Reilly and Goss, I mean there's no sign of them being bound or No ligatures.
So they'd be held down when the bag was going over their heads.
Which could imply that there were multiple killers involved.
Yep.
Yeah, it's possible.
Yeah, now the motive Robbery we've ruled out.
Sexual? Nosadistic, yes, in the cases of Reilly and Goss, but not in the case of Valentine.
I think it's probably more to do with social interaction, proximity of the killer So the victim would know the killer or killers? Yeah.
Now the original investigation was pursuing They were looking at a Dr Bruno Rivelli.
Uh huh.
We've still got Jenson in there, we should let him out.
You better follow him, Spence.
Yeah, OK.
Thanks, Eve.
Great.
Thank you.
Hello.
I'm Dr Grace Foley, I have an appointment with Dr Bruno Rivelli.
Yes, if you follow it up to the top of the stairs, his office is straight ahead of you.
Thank you.
How do we feel if someone's not nice to us? Bad.
Bad, angry, distraught Unhappy? Yes.
But if we remember how we feel is up to us, then we don't have to get sad or angry, do we? We can make a choice not to get angry, can't we? Sorry Can I help you? I'm looking for Dr Bruno Rivelli.
Yes, I'll get him for you.
Thank you.
Hello, everyone.
ALL: Hello.
What are you learning today? ALL: Anger management.
Anger management? That's very good.
What makes you angry then? When someone blames me when it wasn't my fault.
Yes, that makes me very angry, yes.
Because it's not fair, is it? It's unjust.
So you ran the Hickley children's home? Yes, I founded the Rivelli Institute when it closed.
And you specialise in? Behaviour.
Or behavioural problems in children to be precise.
Oh? Why did the home close? Funding.
What is this about? I'm trying to get background on one of your former children, James Jenson.
Ah, Jenson.
How's he getting on? Well, he's out.
I'm concerned he's having problems adjusting.
Were you surprised when he admitted to the killing of Henry Goss? It was unexpected, I never had Jenson down as a killer.
Mmm.
Did you know Councillor Goss? Know him? Well, he was on the council's Visiting Committee for the home.
I knew him in that capacity, but not personally.
Did he have any contact with the children? No more than the usual interviews to see how they were doing.
What is it you're actually investigating? Oh, we're investigating the deaths of Harry Valentine and Dr Frank Reilly and Henry Goss.
Did you know these men? As it happens I did.
Valentine worked for me.
And Dr Reilly? He was my personal doctor.
Oh.
Did he attend to the children? No, he didn't.
Forgive me saying this, but it sounds like you're investigating the home.
Oh, no, no.
It's just that two of the victims have connections with the home.
One was a member of staff and one was Councillor Goss.
I believe the police came to see you after Henry Goss died? Yes, they did.
And they've been to see you after Harry Valentine died? Yes, they did.
But as I said, he worked at the home.
It was all fully investigated at the time.
What was the purpose of that last meeting you had with Councillor Goss? I told you, it was in his capacity as chairman of the Visiting Committee.
Well, forgive me if I'm wrong, but hadn't the home closed three years previously? Yes, he was trying to trace the whereabouts of the boys in order to put together a report.
A report? For a funding application to try to reopen.
Ah.
Well, thank you for your help.
Any time.
I'll bear that in mind in case I want to ask you some more questions.
What now? I've got a message for you.
Post it.
Listen James, you can't just come out and ignore the world.
What's that? It's a gift.
I don't want anything from you.
It's not from me.
I don't want any of his money either.
Take it, if you know what's good for you.
'So, how is he doing?' I don't know.
I'm just trying to find his friends and family.
Why? Well, we're still trying to close the murders he confessed to.
But you know he didn't do it, don't you? Hopefully we'll be able to prove that and catch whoever did it.
OK.
Well, as far as family are concerned, I think you might be out of luck.
Umhe grew up in a home.
He was put in when he was five.
Hickley Children's Home.
Did he have any friends? There was one person who sent him a Christmas card every year.
I have it here.
Alan Pierce.
Alan Pierce D'you have an address? Yep.
This was the return address on the envelopes.
Thanks.
Do you have his parents' address? They don't want that given out.
This is a police investigation.
They have to speak to us whether they like it or not.
SoI have no option but to give it to you, then? No.
Umwe're looking for Mrs Jenson.
I'm Detective Superintendent Boyd.
And I'm Dr Foley.
I'm Mrs Jenson.
We'd like to talk to you about your son.
We don't have a son.
Ah, then we'd like to talk to you about the son you don't have.
May we? Oh, yes.
Come in.
It was my fault, I wanted a child.
So, you adopted James? Yes.
How old? Two months.
He wasn't right.
Sorry? He wasn't right, I could see that in him.
What could you see? Well, for example, wewe we couldn't train him to sleep.
Every night was a battle of the bedroom door.
He needed more than we could give He was coming between us.
Children are demanding.
Yes, but constantly wanting to be picked up Yes.
On the lap always hugging.
You don't think children should hug? I don't know.
Mrs Jenson, do you? Well I Well, it's different for a woman, isn't it? She was vulnerable to him and he knew how to take advantage of her.
He was draining her.
So So you gave him back? Yes.
I'm not sure that it was right, but he might have decided to kill us.
Oh, God.
Excuse me.
I'm very sorry.
DOOR CLOSES Just because they couldn't hack it as parents doesn't mean they're bad people.
I didn't say anything about them being bad people.
I don't want to have this conversation, all right? OK.
ENGINE STARTS Welcome.
Hello, Doctor.
Hello, James.
Go in with Dr Rivelli, it's just for a look round.
I'll wait right here.
Come along.
Go in and have a look round, James! James, come along! Mum! Come along.
James, no messing now.
James Mum! Go with Dr Rivelli.
If we're going to get along, you've got to behave a lot better than this, young man! Come on! Lift up your feet James, come on! Mum! Mum! Mum! Mum! Mum! BIRDSONG DOOR OPENS What are you doing under there? Hiding.
My name's Sophie.
What's your name? James.
Daddy says you're one of the naughty rabbits.
Yeah.
DOOR OPENS Shhhhh! Come on, it's OK.
He's Alan.
He's a naughty rabbit too.
If Alan Pierce came back drunk one night he wouldn't know which flat to go in, would he, they're all the same.
No.
Well, it's this one here.
I'm sober.
Oh, good.
Mind the step.
Thank you.
I believe you're friends with James Jenson? Yeah, I've known him most of my life but it's hard to know if we're friends though.
Well, you sent him a Christmas card each year that he was inside.
Yeah.
Well, he means something to you then? I was one of the lucky ones in the home, you know.
The Hickley Children's Home? Yeah, just up the road there.
It's closed now, it's good riddance, innit? Like, I never had no family, so what you don't have, you don't miss, yeah? But James, he had it rough.
He come in when he was about four or five.
So I sort of looked after him, you know.
Like, I never had no brothers, so So you must have known Dr Bruno Rivelli? Yeah, he was the governor, although I don't think he was a real doctor or nothing.
What was he like? Firm.
Strict? Yeah, he used the cane.
Well, I mean, that's the way it was then.
It's not like now.
What about Harry Valentine? Well, Bruno, yeah? Well, he'd never hit you himself - he'd get Valentine to do it.
Well, he enjoyed doing it, you know what I'm saying? Yes.
Who do you think killed Valentine? I dunno.
But I wish it had been me, you know? Liked to take the cane to him and that beat him till there's nothing left of him, you know? OK, thanks.
What's up with James then, he's not in any trouble, is he? No, no, well we don't know.
If you see him, tell him you was talking to me.
I've got extra room if he needs it.
Oh, right, good.
Thank you, I'll do that.
Thanks, look after yourself.
Yeah, I will, cheers.
Bye.
Hurry up! Halfwit! Hey! I'm talking to you.
Halfwit! Leave him alone, Rivelli.
Leave me alone.
Ricki, what are you doing? What's it to you, Pierce? He's done nothing to you.
Your boyfriend? HE SHOUTS Let him go! What are you doing?! Put him down.
Put him down! Let go! What's going on? It's all right.
Ricardo, are you hurt? I'm OK, Mr Valentine.
HE COUGHS You - come with me.
Stay where you are.
You keep out of this, Wall! Just leave it, Wall.
I'm all right, yeah? Don't bother.
HE COUGHS What's your problem? Don't fancy it? Well? No problem.
Good.
I want to see Harris Wall.
Do you have an appointment? James? What are you doing here? Tell Wall I don't want his money.
Whoa, OK James Take it! One punch - sparked him out cold.
He didn't go crazy? One clinical hit? That was it.
Where was this? A development site, but I'll get to that.
I followed him to work this morning, where he was approached by a guy in a sharp suit who handed him a wad of cash in an envelope.
So anyway, Jenson takes a trip to this development site, is blocked by the security guard, clumps him, throws the money at Mr Sharpsuit, who turns out to be Who? Ricardo Rivelli.
Bruno Rivelli's son? Son.
Yeah.
Now he's the project director of Harris Wall Developments.
Ah, so this is the development Yeah.
Now, Harris Wall is a major building contractor and a local councillor.
With a social conscience - that's unusual, a developer with a social conscience.
Local boy made good, who also grew up in the Hickley Children's Home.
Same time as James Jenson.
I'm coming.
What an addict! Someone didn't have a key! Yeah.
Hello? Rats' piss Right.
I'll go up.
Yeah.
I'll go along here.
DIALS PHONE Harris? Yes, I'll be back at the Institute in a second.
I'm on my way.
They'd have put them up here if they were sick.
It's probably the same floor polish throughout the house.
There's something about this room It's at the top of the house, it's isolated.
You could scream your lungs out up here and no-one would hear you See you down there.
Yeah, see you.
Don't leave without me.
Whoooooooo! I'm coming.
Hang on! I do apologise, I really do - he was called into an emergency meeting and he'll call you as soon as he gets out.
Absolutely.
I'll get him to call you as soon as he gets out.
It should be about 15, 20 minutes.
HE WHISPERS What did you say to him? Nothing.
I just gave him the money like you said.
Thing is, we've got to do something about it.
What do you think, Harris? Well, I could go round, talk to him.
Let Harris speak.
Sorry.
I don't want anyone else trying to go near him.
But you can't just leave him out there on his own! I'll be the judge of what I can and can't do, OK? Listen to Harris, he knows what he's talking about.
Sorry.
OK.
You're right.
That's settled then? You'll look after him? So what would Jenson do if he knew that he was being betrayed, that he was being framed, set up? Well, I think he'd be devastated.
I think he'd probably challenge the person or confront the person.
Don't you think he has a right to know though? Don't you think Jenson has a right, a basic human right to know that he's being betrayed? Hm? What are you saying? Are you comfortable? Do you feel all right in this room? Yes.
That's very good.
I'm sorry to have to drag you, er back in here, James.
Do you mind if I call you James? I can call you Mr Jenson if you prefer? James it is then.
Um it's just that I didn't tell you the whole story last time.
I feel bad about that.
Um you see, James .
.
I think you're being set up.
Remember these wallets? These must be familiar to you because you said in your signed statement that you took them from the dead bodies, yeah? Frank Reilly's wallet Harry Valentine Henry Goss Now these three wallets were sent to Mrs Goss, Henry's widow, two days after you came out of prison.
Two days after you got out of prison.
Do you see the significance in that? Do you? I mean, you come out into the big wide world and suddenly the whole thing becomes active again.
So it looks like you sent the wallets, and you did the killings.
Now, I don't think that you are the killer.
I think you know who the killer is but I don't think it's you, all right? Are you with me? Do you have any idea what I'm talking about? Now, this is difficult, huh? I mean Right.
So I want you to tell me who this person is, because they've betrayed you.
They want youback in prison.
They don't like you, so they've betrayed you.
They want everybody in the whole wide world to think that you HE SIGHS Can you tell me the name of the killer? OK.
Go.
Spence? Take him now.
You're free to go.
Out you go, James.
Come on, James.
I'm not comfortable with this.
I know.
I hope you're aware of what you've just done.
Yeah, I've just followed Jenson down to the marina.
Some big posh do.
Stay out of the way.
Because they know you! Don't be an idiot! Stella, come on, lunch over.
Grace Where are we going? You're French, right? Rich and not a bitch.
That's two out of three.
Grace! OK! HE WHISTLES Charming! I hope you're ready to take responsibility for what might happen here.
Yes, I am, I am.
BUZZ OF CONVERSATION Ladies and gentlemen, can I get your attention please? Thank you all for coming .
.
Allow me to introduce to you the visionary behind the Newlands Development Scheme - Councillor Harris Wall.
APPLAUSE Thank you! Who's paying for all this food and drink?! Now before I start, anyone who's not here to make lots of money, please leave.
Good.
Now, normally when I tell my investors that I'm gonna take their money and sink it into community housing development schemes, they usually wanna call security.
When I tell them who my partners are, they actually do call security! Now I would like you to meet my partners.
Guys, come on down! Here they are.
Now don't worry, they're not gonna rob you.
Come on down.
There we are.
Now, I'm not gonna introduce them all, but between the ten of them, they've committed over a thousand petty crimes.
But for the past year they have been working to create this wonderful complex, earning a living, paying tax, contributing.
Why? Ownership.
They will be be living in the houses that they are building.
So they OK, Jenson's on his way over and Spencer can see him.
Got it.
Now the "shut out" policy that a lot of people are trying to advance, won't work.
Gated communities, won't work.
The only thing stopping us is fear It was you! You set me up, Ricardo! James? Sophie? What's going on? He stopped Come with me.
I didn't destabilise him, did I? He didn't turn into some violent attacking monster.
No, you did destabilise him.
If he's so psychotic, where did he get all this self-control from? It's not necessarily about self-control.
You told him something that might have made him kill.
She's told him something that stopped him! You're telling me something.
.
.
I've seen her before.
She was at the Rivelli Institute.
Where have you been since you were released? Why haven't you been to see me? I tried.
When? Earlier.
You weren't there.
But I was in your dad's office.
Listen to me, James.
It's going to be all right, yes? Yeah.
I'm a bit busy now, but we'll have a good talk later, OK? Yeah.
Stella? 'Yes?' Who is the woman? 'I'm not sure.
' Well, I wanna know who the woman 'I can't hear you.
' I wanna know who the woman is! 'The woman?' Yes, and bring Ricardo Rivelli in right now.
All right, geezer? Why are you with Ricardo? You hate him.
I'm not with him.
I saw you with him.
No, no, I'm working for Wall.
Doing what? Driving him.
Right.
Is Sophie coming back? Yeah, well she wants to see you later, in private.
Hey, you getting happy now? Are you going to tell me what all this is about? Yeah, did you know a man called Harry Valentine? Who? He was a member of staff at the children's home that your father ran.
Don't remember him, why? He was murdered in 1979, and we've found new DNA evidence on his clothing which could rule out anyone who may have had contact with him.
Well, I wouldn't know him.
I had nothing to do with the home.
Well, it shouldn't take long to cross-reference and rule you out then.
Yeah.
Thank you very much.
I'll take you over.
Thank you.
What are you doing? We don't have any foreign DNA.
He doesn't know that, does he? I got the results on the floor polish at the home.
It's a match with the victims' clothing.
All three? All three connected to the home.
So I'm not actually charged with anything? No.
Do you know James Jenson? You know I do.
Alan Pierce? Yes.
How do you know Alan Pierce? Same way I know Jenson.
They went to the children's home my father ran.
We see each other about.
I thought you said you had nothing to do with the children's home? Not the staff.
I used to knock about with the kids.
The woman who stopped James Jenson from beating you up.
Who was she? Why d'you want to know that? It's in my nature.
Sophie.
Sophie? Wall.
Sophie Wall.
Married? Yes.
Who? HarrisWall.
How long have you known her? Forever.
She's my sister.
Yeah, I've got cable I've got all the sports channels, Yeah? Hey, come round when the football's on.
Don't like football.
Well, wrestling then? I've got WW and that? Oh, you like that? You could have been a pro at that for real, man.
Yeah.
There you are, Sophie's over there.
You not coming? It's you she wants to see, man.
I'm all right, I've got company! I'll wait.
You take care, yeah? CAR DOOR OPENS CAR DOOR CLOSES MORE CAR DOORS CLOSE Help! Hey, police! JAMES SCREAMS Leave it! Jenson! CAR ALARM BLARES Jenson! CAR ALARM CONTINUES Boyd, get to Alan Pierce's flat fast! Now! James, I didn't know, listen to me! I didn't know! Lying! It was Ricardo, it was his idea.
He told me to take you there and meet Sophie.
Always lying to me! James, mate, you're having a laugh, ain't ya? Don't do that please! Don't do that Don't look at me Don't look at me! ALAN SCREAMS
) The key to this is James Jenson - who confessed to the murders originally - he walked in off the street into a police station and signed a confession saying that he was guilty.
What? Just like that? Yeah, but it was thrown straight out of court.
Not quite right, the judge deemed him unfit to stand trial and he was sent for a psychological evaluation.
And while he was there, he beat up the male nurse Yeah.
And he hit him over a hundred times in two minutes.
A hundred times in two minutes? That's major Muhammad Ali speed Well he would've been sent down for GBH but he was unfit to stand so he was sent to .
.
a psychiatric detention centre where he's been for 20 years.
This is the urgency in the situation.
He came out a week ago and two days ago, Mrs Goss received these wallets through the mail.
Yes, now what's the relationship to this Goss, Mrs Goss to Mr Goss? Widowshe's the widow of Henry Goss.
Mr Goss? .
.
Councillor Goss.
Councillor, sorry, Councillor Goss.
Have we got photographs? Yes.
Let's go through the chronology of these deaths, OK? First one killed The first victim wasn't Goss, it was, in fact, Harry Valentine.
And that was in 1979.
Then Frank Reilly.
Then Frank Reilly and that was in 1980.
And the third one is Councillor Goss in 1985.
Now, there's an interesting thing about all of these, that they were all sent together to Mrs Goss in this plastic bag.
Right, OK now, originally the motive for these killings was robbery.
Yeah.
Anyway, the thing is, forensically, what's interesting to me, is that this one in particular, the first one, Harry Valentine, is sealed with blood.
It's never been opened, it's perfectly intact.
This is still full of credit cards? Yes.
Money? And all of them have the credit cards and money.
Then, after the third killing, the investigating officer decided that there was probably a serial killer at work here and that the wallets were actually being taken as trophies.
The serious thing about the return of these three wallets is that the serial killer could either be making amends or he's going to do it again.
Right, which brings us right back to James Jenson and the dilemma, do we monitor him or do we bring him in? Bring him in! They'll be monitoring him.
We don't need to bring him in.
THEY'LL be monitoring him? Yes, he'll have a parole officer, he'll be in a halfway house, he's been deemed fit They never put anybody back anyone who causes any danger to the public? James.
Well, you start at eight and finish at four.
An hour for lunch.
And your parole officer says you can use a fork-lift, yeah? Don't say much, do you? That's good.
I like that in a man.
Yeah, well, put you on the sorting bins, you'll be on fork-lift four And it'll be your responsibility to keep it clean and full of diesel, OK? We wanna have a chat with him, that's all.
And I know what your little chats are like.
Every time we bring someone in you think we'll beat the crap out of them! Maybe cos that's what you do(!) I've read the sensitive policing memo.
Well, I need to crack on with the forensics because there's some interesting traces in this bag.
All right, hang on one second.
Stella? I'll see Goss's wife.
I shall go through the detention centre report.
Good and you can take that stinking stuff No! I bought that stuff especially for you! It's giving me a headache.
Feel the benefits with memory, concentration Are you all right? I feel sick.
James! Jimmy, Jimbo You're looking good.
Been working out while you were inside, have you? What do you want, Ricardo? What d'you think? I've come to give you a job.
I've got a job.
Not some donkey work your parole officer found you.
I mean a real job.
I'll keep the one I have.
James, I'm sensing animosity here.
You know, I mean I know what the word means.
So what's your problem? There's no problem, I just wanna be left alone.
James Leave me alone.
Just trying to help you out.
BOY: 'Mum!' 'Mum!' Where do you think you're going? Come along, James.
Mum! Let go, James! Mum! Come on! Thank you.
Good boy.
No, James, listen! If you're going to get along here, you'll have to behave a lot better than this.
Come on! Calmed down now? It's hard for you to understand things right now, I know that.
You don't know why you're here, do you? Let me explain something to you, James.
I didn't put you in here.
Your parents didn't put you in here.
You put yourself in here by your behaviour, do you understand that? Now the way things are done here is that if you do something wrong, you are punished.
Receiving punishment helps you to be good.
Now that makes sense, doesn't it? You want to be a good boy, don't you, James? Now we're gonna help you to be good.
This is Mr Valentine.
He's the housemaster and he's in charge of giving you the punishments that will help you James! James! You have to learn how to take your punishment! Well I'll leave you to it then.
WHIP CRACKS Hi.
Hey.
I've had several messages for Mel Silver on my extension.
Mel? Someone called Sarah, never leaves a number.
So I had it traced, it's a New York number, the Wiesenthal Center.
I'll get Boyd to deal with it.
So how far have you got today? The original investigation was looking at a Dr Bruno Rivelli.
He was the last person to see Goss alive.
It's here in Goss's diary.
So how far did they get with this Bruno Rivelli? Well, James Jenson confessed before they moved on it.
Have you tracked down James yet? Yeah, his parole officer found him a job.
The address is on my desk.
I'll bring him in.
What about victim number two? Dr Reilly? Yep.
He wasn't on the NHS list.
He was in a private practice.
Patient list? Not yet, but he was based at the Hickley Private Clinic.
OK, follow that up and I'll bring James in.
Jenson! Jenson! Someone to see ya.
DI Jordan You're a policeman? Yeah.
Can you come with me, please? What d'you wanna see me for? Just a chat.
About what? Nothing major.
Come on.
The residue on the victims' clothing I ran some infrared spectroscopic and GC tests, gas chromatography, and it turns out to be a product of the Apis Mellifera.
La cire d'abeille.
La cire d'abeille? Oui.
The bee? Bon! Right.
The residue is a compound, but the main ingredient is beeswax.
Like furniture polish? Close.
Like furniture polish, probably heavier structure, more like floor polish.
On all three victims? On all three victims, deeply imbedded into the fabric of the knees.
They were kneeling? Possibly.
No, nothing about anybody being forced to their knees in the original crime scene report.
MAN GROANS IN PAIN No, I know.
But the bodies were found in three different places around the canal.
What about the floor polish then? It wasn't on the ground there, so if we're not looking at murder sites, we're looking at dump sites.
Yes.
And the reason a killer uses a dump site is because the murder scene will be dangerous for them.
Come and look at this.
Now, dump sites need to be in a geography known to the killer.
We have three victims, Harry Valentine Frank Reilly Henry Goss.
So they were probably murdered in the same spot and then moved.
So, we're looking for a murder scene within that triangle.
What's in there? In there? Nothing.
What's it for? The room.
It's called an interview room.
'James! You have to learn how to take your punishment!' What are you afraid of, James? I don't like rooms I don't like to be on my own in them.
I like outside.
I'll come in with you.
OK.
If he sent the wallets, what d'you think he's expecting to happen next? I'm making you aware that he's probably prepared his answers.
Come on, let's just go through the profile.
I haven't even met the guy! Boyd! Hi.
Who is he? This is Detective Superintendent Boyd, James.
Is he a policeman too? Yes, he is.
OK.
D'you know why you're here? D'you wanna take a wild guess? You don't wanna play that game? Well, I'm here to help you.
WHIP CRACKS James What's wrong? Is he going to hit me? No, I'm not going to hit you.
Why would you think that? Don't know.
Do you still wanna say that you killed Harry Valentine, Frank Reilly and Henry Goss? I don't remember that now.
What d'you mean? The doctors said I was in a state of delusion.
They said I won't remember it I don't.
Yeah, but when the judge threw out your guilty plea, you nearly killed a male nurse to prove him wrong.
I was unwell at the time.
Who told you you were unwell? Doctors.
If you were unwell, how do you know you committed the murders? You were unwell and couldn't remember, right? So how would you have known? D'you know what I'm saying? I don't know.
You don't know.
What about the male nurse that you beat up? Do you remember that? Yeah.
It was my fault hitting the nurse, I didn't mean it.
I just wanted to Wanted to? To go outside I I didn't like the room.
You walked into a police station and said you did it.
Why? I don't know.
I made it up.
I was confused about stuff I had in my head and real stuff.
And now? Now I know the difference, I don't get lost any more.
In here.
But in here, the stuff you made up, how did you know about it? It wasn't even public knowledge What I mean is, the stuff that you made up in here could only have been known by the killer.
Don't know.
He doesn't understand what I'm saying really, does he? D'you understand wh Look, in a copy of your statement it says, well, YOU said, that you took wallets from the victims.
There, those are your words.
You took wallets from the victims.
Now that was not public knowledge.
You know what I'm saying? So, how would you know, Mr Jenson, about the wallets? I never wrote that.
The policeman asked if I took them, I said I did.
Rubbish policing.
You're sweating now, James, why are you sweating? I just want to be left alone.
Or what? What? What, what, what What if you're not left alone? What do you do? What are you gonna do if I don't leave you alone? Leave me alone.
'Boyd' In a minute.
No, now please.
The voices, d'you get them? No.
'Boyd!' Yeah.
OK, I'm coming.
You should get help for that.
Yeahright.
HE LAUGHS What's the problem now? Wasn't I sensitive enough? I was nice It's better if you're aware of who you're talking to before you wind them up.
What's important about him? Ohthat he could've killed you.
Now is that important enough? Really? Really.
Spence, you might wanna pop out here for a second.
I think criticism is a little unfair.
I just think that sort of interview is very destabilising.
That's what I do, I destabilise people in stressful situations.
Yes, well, his particular type of psychology doesn't respond well to stress.
So he may tell me the truth.
So I ran DNA tests on saliva samples that I found inside this bag and I got a hit on two of the victims, victims two and three, Reilly and Goss.
And you cross referenced that? And I cross referenced it with DNA from their personal effects So you know it's them Yes.
So that's the murder weapon? HE GASPS Bag inside a bag.
Yes, for two of the victims, this is the murder weapon, the bag within the bag.
What I don't have is any information to link our first victim, Harry Valentine But there's a whole different signature though, isn't it? There's a different signature.
He was excessively beaten, there were multiple fractures to his skull In factermwe're not even sure if he was actually suffocated to death or beaten to death.
The report does mention asphyxiation, it wasn't sure if that was the cause of death as he was so badly beaten.
That's Jenson's MO, rage attack, savage beating Well, Jenson has a very high propensity for violent rage as we saw when he attacked the nurse, but he has a low propensity to enact.
Taking of the bag to the scene is the work of a controlled killer, it's premeditated.
Now Jenson at the age of 14 wouldn't have the mental capacity to plan and execute a killing, let alone find a dump site Yeah, but this is very different though, cos the Valentine killing is a frenzied attack.
Whereas Reilly and Goss, I mean there's no sign of them being bound or No ligatures.
So they'd be held down when the bag was going over their heads.
Which could imply that there were multiple killers involved.
Yep.
Yeah, it's possible.
Yeah, now the motive Robbery we've ruled out.
Sexual? Nosadistic, yes, in the cases of Reilly and Goss, but not in the case of Valentine.
I think it's probably more to do with social interaction, proximity of the killer So the victim would know the killer or killers? Yeah.
Now the original investigation was pursuing They were looking at a Dr Bruno Rivelli.
Uh huh.
We've still got Jenson in there, we should let him out.
You better follow him, Spence.
Yeah, OK.
Thanks, Eve.
Great.
Thank you.
Hello.
I'm Dr Grace Foley, I have an appointment with Dr Bruno Rivelli.
Yes, if you follow it up to the top of the stairs, his office is straight ahead of you.
Thank you.
How do we feel if someone's not nice to us? Bad.
Bad, angry, distraught Unhappy? Yes.
But if we remember how we feel is up to us, then we don't have to get sad or angry, do we? We can make a choice not to get angry, can't we? Sorry Can I help you? I'm looking for Dr Bruno Rivelli.
Yes, I'll get him for you.
Thank you.
Hello, everyone.
ALL: Hello.
What are you learning today? ALL: Anger management.
Anger management? That's very good.
What makes you angry then? When someone blames me when it wasn't my fault.
Yes, that makes me very angry, yes.
Because it's not fair, is it? It's unjust.
So you ran the Hickley children's home? Yes, I founded the Rivelli Institute when it closed.
And you specialise in? Behaviour.
Or behavioural problems in children to be precise.
Oh? Why did the home close? Funding.
What is this about? I'm trying to get background on one of your former children, James Jenson.
Ah, Jenson.
How's he getting on? Well, he's out.
I'm concerned he's having problems adjusting.
Were you surprised when he admitted to the killing of Henry Goss? It was unexpected, I never had Jenson down as a killer.
Mmm.
Did you know Councillor Goss? Know him? Well, he was on the council's Visiting Committee for the home.
I knew him in that capacity, but not personally.
Did he have any contact with the children? No more than the usual interviews to see how they were doing.
What is it you're actually investigating? Oh, we're investigating the deaths of Harry Valentine and Dr Frank Reilly and Henry Goss.
Did you know these men? As it happens I did.
Valentine worked for me.
And Dr Reilly? He was my personal doctor.
Oh.
Did he attend to the children? No, he didn't.
Forgive me saying this, but it sounds like you're investigating the home.
Oh, no, no.
It's just that two of the victims have connections with the home.
One was a member of staff and one was Councillor Goss.
I believe the police came to see you after Henry Goss died? Yes, they did.
And they've been to see you after Harry Valentine died? Yes, they did.
But as I said, he worked at the home.
It was all fully investigated at the time.
What was the purpose of that last meeting you had with Councillor Goss? I told you, it was in his capacity as chairman of the Visiting Committee.
Well, forgive me if I'm wrong, but hadn't the home closed three years previously? Yes, he was trying to trace the whereabouts of the boys in order to put together a report.
A report? For a funding application to try to reopen.
Ah.
Well, thank you for your help.
Any time.
I'll bear that in mind in case I want to ask you some more questions.
What now? I've got a message for you.
Post it.
Listen James, you can't just come out and ignore the world.
What's that? It's a gift.
I don't want anything from you.
It's not from me.
I don't want any of his money either.
Take it, if you know what's good for you.
'So, how is he doing?' I don't know.
I'm just trying to find his friends and family.
Why? Well, we're still trying to close the murders he confessed to.
But you know he didn't do it, don't you? Hopefully we'll be able to prove that and catch whoever did it.
OK.
Well, as far as family are concerned, I think you might be out of luck.
Umhe grew up in a home.
He was put in when he was five.
Hickley Children's Home.
Did he have any friends? There was one person who sent him a Christmas card every year.
I have it here.
Alan Pierce.
Alan Pierce D'you have an address? Yep.
This was the return address on the envelopes.
Thanks.
Do you have his parents' address? They don't want that given out.
This is a police investigation.
They have to speak to us whether they like it or not.
SoI have no option but to give it to you, then? No.
Umwe're looking for Mrs Jenson.
I'm Detective Superintendent Boyd.
And I'm Dr Foley.
I'm Mrs Jenson.
We'd like to talk to you about your son.
We don't have a son.
Ah, then we'd like to talk to you about the son you don't have.
May we? Oh, yes.
Come in.
It was my fault, I wanted a child.
So, you adopted James? Yes.
How old? Two months.
He wasn't right.
Sorry? He wasn't right, I could see that in him.
What could you see? Well, for example, wewe we couldn't train him to sleep.
Every night was a battle of the bedroom door.
He needed more than we could give He was coming between us.
Children are demanding.
Yes, but constantly wanting to be picked up Yes.
On the lap always hugging.
You don't think children should hug? I don't know.
Mrs Jenson, do you? Well I Well, it's different for a woman, isn't it? She was vulnerable to him and he knew how to take advantage of her.
He was draining her.
So So you gave him back? Yes.
I'm not sure that it was right, but he might have decided to kill us.
Oh, God.
Excuse me.
I'm very sorry.
DOOR CLOSES Just because they couldn't hack it as parents doesn't mean they're bad people.
I didn't say anything about them being bad people.
I don't want to have this conversation, all right? OK.
ENGINE STARTS Welcome.
Hello, Doctor.
Hello, James.
Go in with Dr Rivelli, it's just for a look round.
I'll wait right here.
Come along.
Go in and have a look round, James! James, come along! Mum! Come along.
James, no messing now.
James Mum! Go with Dr Rivelli.
If we're going to get along, you've got to behave a lot better than this, young man! Come on! Lift up your feet James, come on! Mum! Mum! Mum! Mum! Mum! BIRDSONG DOOR OPENS What are you doing under there? Hiding.
My name's Sophie.
What's your name? James.
Daddy says you're one of the naughty rabbits.
Yeah.
DOOR OPENS Shhhhh! Come on, it's OK.
He's Alan.
He's a naughty rabbit too.
If Alan Pierce came back drunk one night he wouldn't know which flat to go in, would he, they're all the same.
No.
Well, it's this one here.
I'm sober.
Oh, good.
Mind the step.
Thank you.
I believe you're friends with James Jenson? Yeah, I've known him most of my life but it's hard to know if we're friends though.
Well, you sent him a Christmas card each year that he was inside.
Yeah.
Well, he means something to you then? I was one of the lucky ones in the home, you know.
The Hickley Children's Home? Yeah, just up the road there.
It's closed now, it's good riddance, innit? Like, I never had no family, so what you don't have, you don't miss, yeah? But James, he had it rough.
He come in when he was about four or five.
So I sort of looked after him, you know.
Like, I never had no brothers, so So you must have known Dr Bruno Rivelli? Yeah, he was the governor, although I don't think he was a real doctor or nothing.
What was he like? Firm.
Strict? Yeah, he used the cane.
Well, I mean, that's the way it was then.
It's not like now.
What about Harry Valentine? Well, Bruno, yeah? Well, he'd never hit you himself - he'd get Valentine to do it.
Well, he enjoyed doing it, you know what I'm saying? Yes.
Who do you think killed Valentine? I dunno.
But I wish it had been me, you know? Liked to take the cane to him and that beat him till there's nothing left of him, you know? OK, thanks.
What's up with James then, he's not in any trouble, is he? No, no, well we don't know.
If you see him, tell him you was talking to me.
I've got extra room if he needs it.
Oh, right, good.
Thank you, I'll do that.
Thanks, look after yourself.
Yeah, I will, cheers.
Bye.
Hurry up! Halfwit! Hey! I'm talking to you.
Halfwit! Leave him alone, Rivelli.
Leave me alone.
Ricki, what are you doing? What's it to you, Pierce? He's done nothing to you.
Your boyfriend? HE SHOUTS Let him go! What are you doing?! Put him down.
Put him down! Let go! What's going on? It's all right.
Ricardo, are you hurt? I'm OK, Mr Valentine.
HE COUGHS You - come with me.
Stay where you are.
You keep out of this, Wall! Just leave it, Wall.
I'm all right, yeah? Don't bother.
HE COUGHS What's your problem? Don't fancy it? Well? No problem.
Good.
I want to see Harris Wall.
Do you have an appointment? James? What are you doing here? Tell Wall I don't want his money.
Whoa, OK James Take it! One punch - sparked him out cold.
He didn't go crazy? One clinical hit? That was it.
Where was this? A development site, but I'll get to that.
I followed him to work this morning, where he was approached by a guy in a sharp suit who handed him a wad of cash in an envelope.
So anyway, Jenson takes a trip to this development site, is blocked by the security guard, clumps him, throws the money at Mr Sharpsuit, who turns out to be Who? Ricardo Rivelli.
Bruno Rivelli's son? Son.
Yeah.
Now he's the project director of Harris Wall Developments.
Ah, so this is the development Yeah.
Now, Harris Wall is a major building contractor and a local councillor.
With a social conscience - that's unusual, a developer with a social conscience.
Local boy made good, who also grew up in the Hickley Children's Home.
Same time as James Jenson.
I'm coming.
What an addict! Someone didn't have a key! Yeah.
Hello? Rats' piss Right.
I'll go up.
Yeah.
I'll go along here.
DIALS PHONE Harris? Yes, I'll be back at the Institute in a second.
I'm on my way.
They'd have put them up here if they were sick.
It's probably the same floor polish throughout the house.
There's something about this room It's at the top of the house, it's isolated.
You could scream your lungs out up here and no-one would hear you See you down there.
Yeah, see you.
Don't leave without me.
Whoooooooo! I'm coming.
Hang on! I do apologise, I really do - he was called into an emergency meeting and he'll call you as soon as he gets out.
Absolutely.
I'll get him to call you as soon as he gets out.
It should be about 15, 20 minutes.
HE WHISPERS What did you say to him? Nothing.
I just gave him the money like you said.
Thing is, we've got to do something about it.
What do you think, Harris? Well, I could go round, talk to him.
Let Harris speak.
Sorry.
I don't want anyone else trying to go near him.
But you can't just leave him out there on his own! I'll be the judge of what I can and can't do, OK? Listen to Harris, he knows what he's talking about.
Sorry.
OK.
You're right.
That's settled then? You'll look after him? So what would Jenson do if he knew that he was being betrayed, that he was being framed, set up? Well, I think he'd be devastated.
I think he'd probably challenge the person or confront the person.
Don't you think he has a right to know though? Don't you think Jenson has a right, a basic human right to know that he's being betrayed? Hm? What are you saying? Are you comfortable? Do you feel all right in this room? Yes.
That's very good.
I'm sorry to have to drag you, er back in here, James.
Do you mind if I call you James? I can call you Mr Jenson if you prefer? James it is then.
Um it's just that I didn't tell you the whole story last time.
I feel bad about that.
Um you see, James .
.
I think you're being set up.
Remember these wallets? These must be familiar to you because you said in your signed statement that you took them from the dead bodies, yeah? Frank Reilly's wallet Harry Valentine Henry Goss Now these three wallets were sent to Mrs Goss, Henry's widow, two days after you came out of prison.
Two days after you got out of prison.
Do you see the significance in that? Do you? I mean, you come out into the big wide world and suddenly the whole thing becomes active again.
So it looks like you sent the wallets, and you did the killings.
Now, I don't think that you are the killer.
I think you know who the killer is but I don't think it's you, all right? Are you with me? Do you have any idea what I'm talking about? Now, this is difficult, huh? I mean Right.
So I want you to tell me who this person is, because they've betrayed you.
They want youback in prison.
They don't like you, so they've betrayed you.
They want everybody in the whole wide world to think that you HE SIGHS Can you tell me the name of the killer? OK.
Go.
Spence? Take him now.
You're free to go.
Out you go, James.
Come on, James.
I'm not comfortable with this.
I know.
I hope you're aware of what you've just done.
Yeah, I've just followed Jenson down to the marina.
Some big posh do.
Stay out of the way.
Because they know you! Don't be an idiot! Stella, come on, lunch over.
Grace Where are we going? You're French, right? Rich and not a bitch.
That's two out of three.
Grace! OK! HE WHISTLES Charming! I hope you're ready to take responsibility for what might happen here.
Yes, I am, I am.
BUZZ OF CONVERSATION Ladies and gentlemen, can I get your attention please? Thank you all for coming .
.
Allow me to introduce to you the visionary behind the Newlands Development Scheme - Councillor Harris Wall.
APPLAUSE Thank you! Who's paying for all this food and drink?! Now before I start, anyone who's not here to make lots of money, please leave.
Good.
Now, normally when I tell my investors that I'm gonna take their money and sink it into community housing development schemes, they usually wanna call security.
When I tell them who my partners are, they actually do call security! Now I would like you to meet my partners.
Guys, come on down! Here they are.
Now don't worry, they're not gonna rob you.
Come on down.
There we are.
Now, I'm not gonna introduce them all, but between the ten of them, they've committed over a thousand petty crimes.
But for the past year they have been working to create this wonderful complex, earning a living, paying tax, contributing.
Why? Ownership.
They will be be living in the houses that they are building.
So they OK, Jenson's on his way over and Spencer can see him.
Got it.
Now the "shut out" policy that a lot of people are trying to advance, won't work.
Gated communities, won't work.
The only thing stopping us is fear It was you! You set me up, Ricardo! James? Sophie? What's going on? He stopped Come with me.
I didn't destabilise him, did I? He didn't turn into some violent attacking monster.
No, you did destabilise him.
If he's so psychotic, where did he get all this self-control from? It's not necessarily about self-control.
You told him something that might have made him kill.
She's told him something that stopped him! You're telling me something.
.
.
I've seen her before.
She was at the Rivelli Institute.
Where have you been since you were released? Why haven't you been to see me? I tried.
When? Earlier.
You weren't there.
But I was in your dad's office.
Listen to me, James.
It's going to be all right, yes? Yeah.
I'm a bit busy now, but we'll have a good talk later, OK? Yeah.
Stella? 'Yes?' Who is the woman? 'I'm not sure.
' Well, I wanna know who the woman 'I can't hear you.
' I wanna know who the woman is! 'The woman?' Yes, and bring Ricardo Rivelli in right now.
All right, geezer? Why are you with Ricardo? You hate him.
I'm not with him.
I saw you with him.
No, no, I'm working for Wall.
Doing what? Driving him.
Right.
Is Sophie coming back? Yeah, well she wants to see you later, in private.
Hey, you getting happy now? Are you going to tell me what all this is about? Yeah, did you know a man called Harry Valentine? Who? He was a member of staff at the children's home that your father ran.
Don't remember him, why? He was murdered in 1979, and we've found new DNA evidence on his clothing which could rule out anyone who may have had contact with him.
Well, I wouldn't know him.
I had nothing to do with the home.
Well, it shouldn't take long to cross-reference and rule you out then.
Yeah.
Thank you very much.
I'll take you over.
Thank you.
What are you doing? We don't have any foreign DNA.
He doesn't know that, does he? I got the results on the floor polish at the home.
It's a match with the victims' clothing.
All three? All three connected to the home.
So I'm not actually charged with anything? No.
Do you know James Jenson? You know I do.
Alan Pierce? Yes.
How do you know Alan Pierce? Same way I know Jenson.
They went to the children's home my father ran.
We see each other about.
I thought you said you had nothing to do with the children's home? Not the staff.
I used to knock about with the kids.
The woman who stopped James Jenson from beating you up.
Who was she? Why d'you want to know that? It's in my nature.
Sophie.
Sophie? Wall.
Sophie Wall.
Married? Yes.
Who? HarrisWall.
How long have you known her? Forever.
She's my sister.
Yeah, I've got cable I've got all the sports channels, Yeah? Hey, come round when the football's on.
Don't like football.
Well, wrestling then? I've got WW and that? Oh, you like that? You could have been a pro at that for real, man.
Yeah.
There you are, Sophie's over there.
You not coming? It's you she wants to see, man.
I'm all right, I've got company! I'll wait.
You take care, yeah? CAR DOOR OPENS CAR DOOR CLOSES MORE CAR DOORS CLOSE Help! Hey, police! JAMES SCREAMS Leave it! Jenson! CAR ALARM BLARES Jenson! CAR ALARM CONTINUES Boyd, get to Alan Pierce's flat fast! Now! James, I didn't know, listen to me! I didn't know! Lying! It was Ricardo, it was his idea.
He told me to take you there and meet Sophie.
Always lying to me! James, mate, you're having a laugh, ain't ya? Don't do that please! Don't do that Don't look at me Don't look at me! ALAN SCREAMS