Ray Donovan s07e10 Episode Script

1 [LINDA RONSTADT'S COVER OF "DESPERADO".]
Me, O'Malley, and Doyle, we did this job back in '77.
You know who else was on that job? - What the - [SIRENS BLARING.]
Hands up! Desperado Why don't you come to your senses You been out ridin' fences For so long now Oh, you're a hard one But I know that you got your reasons These things that are pleasin' you Will hurt you somehow Don't you draw the queen of diamonds, boy She'll beat you if she's able The queen of hearts Is always your best bet Well, it seems to me some fine things Have been laid upon your table But you only want the things that you can't get Look familiar? I taped every fuckin' thing Jimmy ever said to me.
- You know you - [INDISTINCT CHATTER.]
Ain't gettin' younger Your pain and your hunger - They're drivin' you home - [TIRES SCREECHING.]
And freedom, oh, freedom Well, that's just some people talkin' Fuck this.
Your prison is walkin' through this World all alone I'll kill him, Ray.
I'll fuckin' kill him.
Don't your feet get cold You're still workin' for that piece a shit? The sky won't snow and the sun won't shine - Ugh! - It's hard to tell The nighttime from the day Your losin' all your highs and lows Ain't it funny how the feelin' goes I shot him, he's dead.
What's the difference? Away - Desperado - God damn it, I said stop [PERRY.]
On the ground.
Why don't you come to your senses Come down from your fences Open the gate It may be rainin' Donovan just flipped Judge Scholl.
- But there's a rainbow - Son of a bitch.
- Above you - [GUNSHOT.]
You better let somebody love you Let somebody love you Let somebody love you Before it's too Late [BIRDS TWITTERING IN BACKGROUND.]
[ANIMAL CALLING.]
[RAY GRUNTS.]
[NATURE SOUNDS.]
[SUSPENSEFUL MUSIC.]
[OWL HOOTING.]
[GUNSHOT.]
[GUNSHOT.]
- [GUNSHOT.]
- Aah! [INTENSE MUSIC.]
[LEAVES RUSTLING.]
[TENSE MUSIC.]
- [GUNSHOT.]
- [GRUNTS.]
[MAN.]
Uhh [GUNSHOTS ECHOING.]
[BIRD CALLING.]
[ANIMAL CROAKING.]
[FOREBODING MUSIC.]
- [GUNSHOT.]
- [THUD.]
[FOREBODING MUSIC CONTINUES.]
[PANTING.]
Please, I-I won't say a thing! I-I swear, I won't say a fuckin' thing.
[SHAKY EXHALE.]
Let's go.
[OWL HOOTS.]
How you gonna explain this? You were never here.
Try to keep my daughter off the stand? She'll be waiting for you at the station.
[QUIETLY.]
Thanks.
- [TV PLAYING.]
- [KNOCK ON DOOR.]
[WOMAN.]
One size fit all, huh? - [WOMAN.]
Oh, wow! - [WOMAN.]
Hey, hey! Look at my butt! They fit me like a really gorgeous, beautiful glove.
When I tried these on [CONVERSATION ON TV CONTINUES INDISTINCTLY.]
[DOOR CLOSES.]
Come on, let's get outta here.
[DOOR OPENS.]
[YOUNG BRIDGET ON TAPE.]
I'm goin' to college.
[YOUNG GARY ON TAPE.]
No way Mick's got money for that.
[YOUNG BRIDGET ON TAPE.]
I'm savin' up.
[YOUNG GARY ON TAPE.]
Jim Sullivan is payin' you that much to watch his little brat? [YOUNG BRIDGET TAPE.]
It's none of your fuckin' business.
If I wanna go to college, I'm gonna go to college.
[YOUNG GARY ON TAPE.]
Jesus, fine whatever.
[NEWSCASTER.]
Socialite and philanthropist Delores Young jumped to her death earlier today.
Young had been suffering from stage 4 ovarian cancer.
Young was, as her daughter described, a fighter, not one to give up easily.
In a related story, tempers flared out of control today amidst the finger-pointing [VOICE FADING.]
[SOMBER MUSIC.]
[GASPS.]
[EXHALES.]
Ya all right? Yeah.
Want me to take you somewhere? Someplace quiet.
[AMBIENT BACKGROUND NOISE.]
[BOAT HORN BLOWS DISTANTLY.]
I don't know how to forgive him.
Smitty? Yeah.
What for? For what he did to our family.
He was tryin' to protect you, Bridge.
Maybe I don't wanna forgive him.
When you walk Through a storm Keep your head Up high And don't Be afraid Of the dark At the end Of a storm There's a golden Sky And the sweet Silver song Of a lark [CROWD MURMURING.]
Walk on Through the wind Walk on Through the rain Though your dreams [BRIDGET.]
Dad? [SINGING VOICE ECHOES, FADES.]
You are you okay? Yeah.
[SIGHS.]
Come on.
Where are we going? I'm takin' ya home.
- Mornin', Bunch.
- Mornin'.
[FOOD SIZZLING.]
Now, who wants eggs? Want some? [TERRY LAUGHS LIGHTLY.]
Ya all right? What? What's wrong? I'm late.
Gotta go.
[DOOR OPENS, CLOSES.]
[SOMBER MUSIC.]
[PLAYING SIMPLE TUNE.]
[LOUD KNOCKING ON DOOR.]
[TERRY.]
Ya remember me? Yeah, of course.
I looked you up.
I-I-I don't mean to give ya the bum rush.
I-I hope it's all right.
No, not at all, I Come on in, Terry.
I, uh I met this lady Well We were looking for some kinda miracle at this ashram.
She was my friend, and she killed herself last night.
Oh, I'm sorry.
Yeah.
It's a'ight.
She's in a better place.
And you? - What? - How are you? [EXHALES.]
Why don't you have a seat? Uh, y-you you fish.
- I did, yeah.
- What f-fly fishin'? Yeah.
Oh, y-you Did ya tie 'em yourself? - The flies? - Used to.
Oh yeah, a course.
Right.
Yeah, I, uh I used to do shit like that too.
One a my favorite things was wrappin' a fighter's hands.
Doin' the wraps and the tapes just right.
It's an art, wrappin' a hand fittin' a glove.
Yeah, I bet.
- It's an art.
- Yeah.
But this disease takes that kinda shit away from us.
It does.
You know who Linda Ronstadt is? Yeah, sure, the singer.
Yeah.
She got Parkinson's too.
You know that? - Yeah, I read about that.
- Yeah.
She's a beautiful woman.
I mean, she could do anything right.
With her voice.
I'm not even a great music lover, but I loved her voice.
And I read that she's got it.
And she can't sing no more.
And that made me cry thinkin' she's lost her gift before she lost her life.
Maybe she doesn't see it that way.
[UNSETTLING MUSIC.]
There's this picture that I saw once.
This woman dove off the top of the Empire State Buildin', and she landed on top a this car and she crushed the roof in.
She was a beautiful woman, but she wasn't broken or crushed or bloody.
She looked like she was just asleep on top a this car.
Not even dead.
Just tranquil, you know? Just restin'.
How long have you been thinking about suicide? [UNSETTLING MUSIC.]
A while.
Huh.
Have you talked to your doctor about that? No.
I'm talkin' to you.
[UNSETTLING MUSIC CONTINUES.]
Okay, come on, get yourself up.
You wait till everything's done, huh? [AMBIENT BACKGROUND NOISE.]
You're not stupid.
[QUIETLY.]
Auspicious.
What? I just seen a robin redbreast on the branch down there.
- Yeah, so? - They're rare.
It's gonna be a good day.
[SUCKS TEETH.]
Gonna get some coffee.
[SIGHS.]
[DOOR OPENS.]
Oh, thank God! Thank God you're all right! What are you doin' here? I got good news, boys.
I made a deal for the papers.
We're gonna be, uh rich.
So where're the where are the papers? Talk to Ray.
Uh Ray's got 'em? [BUNCHY.]
What're ya doin' with him, Mick, hmm? He's family, Bunch.
No, he's not.
He's a fuckin' rat.
Well, Smitty, you're what, my father's new bitch now? N-no.
Smitty [EXHALES.]
you're a good kid, and I like you.
But if you do not get away from my father, you are gonna end up dead.
Do you understand? Please, son.
That's not fair.
- [OMINOUS MUSIC.]
- F-fair? [LAUGHS, MUMBLES.]
Wait a minute fair? But y-you know what, you know what, Pop? You're right.
It's not fair.
[SUCKS TEETH.]
But it's math.
Close the door on your way out.
[RECEDING FOOTSTEPS.]
[DARK MUSIC.]
[LATCHES SNAP OPEN.]
[FOOTSTEPS.]
You okay? Yeah.
Been listening to those tapes.
Yeah.
There's something I think you should hear.
What? [YOUNG LARRY.]
No, Jim, check this out.
Gary said that she said she went to the drugstore and got one a those, um, uh, pregnancy tests.
[YOUNG JIM.]
Who got a pregnancy test? - [JIM.]
Gary's girlfriend? - Yeah, what's her face, uh - [JIM.]
She bought a pregnancy test? - [LARRY.]
Yeah, what's, uh - [JIM.]
Bridget Donovan.
- [LARRY.]
Bridget fuckin' Donovan, yeah.
[JIM.]
She's in the family way? [LARRY.]
Look, that's what Gary says, Jim.
And you you know what I told Gary? - I said, "That's on her.
" - [CLICK.]
Did you know she was pregnant? [MELANCHOLY MUSIC.]
I'm so sorry, Ray.
[QUIETLY.]
She shoulda told me.
Hey, no, don't do that.
- I coulda done something.
- You weren't responsible.
You weren't back then, you're not now.
I told her [VOICE BREAKS.]
I told her that [RESTRAINED SOB.]
[MELANCHOLY MUSIC.]
Hey, it's okay.
It's okay.
[EXHALES.]
I'm here, okay? I'm here.
I want to be here around you.
[WHISPERS.]
And I want you to stay around me.
I gotta go.
[MELANCHOLY MUSIC CONTINUES.]
I don't really wanna go today.
Why? I'm not feelin' so good.
So? So maybe tonight's not a good night.
Did ya tell him that before? No.
- You're not sick.
- I got cramps.
You don't just cancel on Jim Sullivan.
[SIGHS.]
I'm not his bitch like you, Ray.
I can do whatever the fuck I want.
Yeah? Get outta the fucking car, Bridge.
Go to work.
Right.
[HEAVY MUSIC.]
[GULLS CRYING, BACKGROUND CHATTER.]
[WOMAN.]
Taxi.
Over here! Taxi! [INDISTINCT CHATTER.]
Look, Jews.
Yeah.
Hmm.
- Here, read this.
- What? It's Hebrew.
No, no, right here.
- Oh.
- That's the T'shuvah.
That's Hebrew.
Repentance.
Catholics see, we sin, and we can go to some prick who's a worse sinner than us.
But he tells us, you know, four "Our Fathers," eight "Hail Marys" and that's it, it's done.
We can do that every day a the week, but Jews they, uh, they only get one chance a year of forgiveness.
And they don't fuck around with the middlemen.
They go direct to God.
They say their worst sin direct to Him, hoping He'll give 'em a fuckin' break.
Yeah? Yeah.
So do it.
- Do what? - Say your biggest sin to God.
If He forgives ya and he knows all the shit you did after that, Bridge is a piece a cake.
You'll feel better.
Um, God please forgive me.
[SIGHS.]
I was weak and I betrayed my family.
Whoa.
Well, that's that's That was good.
That's it? Yeah, you're forgiven.
And, uh, your name is written in the in the Book a Life or some fuckin' thing.
- Ha.
Great.
- [PHONE RINGS.]
[RINGING.]
- Hey, Bridget? - [BRIDGET.]
Where are you? Oh, I'm I'm with Mickey.
Can you please come home? We need to talk.
Yeah, I, uh I Absolutely.
I can, uh, I-I'll I'll be right there.
Good.
I think it worked! Where you goin'? I'm goin' home.
I'm goin' home, man.
God You know me.
You know my heart, God.
Please forgive me.
I done [STAMMERS.]
bad things, many bad things.
Adultery.
I sold drugs, pimped.
Stole.
I killed people.
Uh Please forgive me.
I'm sorry if I offended Thee.
Amen.
[PHONE RINGS.]
Oh [RINGING.]
- [BEEP.]
- Frankie Lee? [FRANKIE LEE.]
The original deal fell through.
Shit! But I got you a new one.
- A new one? - A tit for $25 million.
$25, huh? It's less, but it's real.
You wanna meet today? What time? Sunset Diner, corner of Meeker and Monitor, five o'clock.
Make it five-thirty.
Ya all right? [SOFT ITALIAN SPEECH ON TV.]
Ya wanna tell me what happened? [SOFTLY.]
No? [ITALIAN SPEECH CONTINUES.]
You know when I first found out about you? When Terry told me you even existed? I didn't say nothin' for like a minute.
And Terry thought I was all upset.
He said, "Bunch, you don't ever have to see him.
" Ya know what I said? I said, "Not see him?" [SCOFFS.]
"He's my baby brother, Ter.
" "No matter what he's always gonna be my baby brother.
" [SOMBER MUSIC.]
[PHONE RINGS.]
[RINGING.]
[RINGING.]
[BEEP.]
Yeah.
- Been worried about you, Ray.
- Yeah? Why's that? Well, I haven't heard from you is all.
You got the papers? - Yeah.
- Ha.
You gonna bring 'em to me? No.
Uh Come to my office.
I got 'em there.
[PHONE BEEPS.]
[JIM GRUNTING.]
[HEAVY MUSIC.]
[PHONE RINGS.]
- [BEEP.]
- [WHISPERS.]
Oh, God.
- Ray.
- I heard what you said to me.
About us.
I wish it were possible, Molly.
You wish what were possible? To stay around you.
But it's not.
- Where are you? - Doesn't matter.
No, it does matter.
[EMOTIONAL.]
Ray it was my father, wasn't it? - Good-bye, Molly.
- [PHONE BEEPS.]
[PHONE BEEPS.]
[BACKGROUND CHATTER, MUSIC PLAYING.]
I think you better You better go home, girl You better go home, yeah, yeah I think you better [ARTY.]
Tired of making goddamn excuses.
- It's all he does! - [MARK, INDISTINCT.]
Better go home now Uh, ya owe me for babysitting.
Better go home Sorry to bother you here, Mr.
Sullivan.
It's just that we got rent comin' up.
[MUSIC CONTINUES IN BACKGROUND.]
Okay [CLEARS THROAT.]
Give us a minute, boys.
What are ya what are ya doin' here, Bridget? The fuck am I supposed to do with that? Okay.
[EXHALES.]
Okay, okay.
What's that for? You know damn well what that's for.
[QUIET MUSIC.]
[CAN CLICKING.]
[RECORDING.]
Welcome to the world-famous Empire State Building.
Please proceed to the elevators on your right to go to the observatory.
Welcome to the world-famous Empire State Building.
Please proceed [ANIMAL CALLING.]
[LINE RINGING.]
[RINGING.]
- [CLICK.]
- Dad? Dad, are you there? [CLICK, DIAL TONE.]
[UNEASY MUSIC.]
[TRIGGER COCKS.]
You gonna shoot me, Mick? Don't turn around.
Put the valise down.
Fuck you.
Put the valise on the floor, Ray.
It always comes down to money, doesn't it? I'm not gonna tell ya again, Ray.
This that legacy you were talkin' about? Huh? You don't understand, huh? I did this all for you.
[LAUGHS SOFTLY.]
[QUIETLY.]
Yeah.
Did you know Bridget was pregnant when she killed herself? What? Yeah.
You know Jim Sullivan was the father? Fuck.
[RAY.]
Every one of your children, Mick left alone to be preyed on by wild fucking animals.
And for what? Huh? So you go down to E street and get your dick sucked.
So you'd have your freedom.
And you thought this was gonna make it better, huh? Money.
[HEAVY MUSIC.]
Take it.
It's fuckin' poison.
No one wants it.
No one wants you or your fuckin' money, Mick.
[ITALIAN SPEECH ON TV.]
[PHONE RINGS.]
[RINGING.]
Yeah? - Mick took the stocks.
- How? Doesn't matter.
I put a tracker in the briefcase.
Follow it don't let him outta your sight.
[BEEP.]
Ray wants us to follow the briefcase.
You comin'? [LIGHT LAUGH.]
[SOFTLY.]
Auspicious.
[WHISPERS.]
What? I saw a robin outside the window this morning.
Okay.
Mickey said that that's auspicious.
[LAUGHING.]
Hey, listen, um Mickey's got somethin' that's big that could make everybody really rich.
W What? No.
Yeah, we could all make so much money, we could do whatever we wanted.
[STAMMERS.]
Just f-forget about the money.
Let's just let's-let's go somewhere.
Where you wanna go? I wanna go back to Los Angeles.
I wanna go home.
Will you will you do that? Will you go there with me? [WHISPERS.]
Yeah.
[NORMAL VOICE.]
Of course.
I'll go anywhere with you.
[DOOR OPENS.]
The NA meeting's two doors down.
Who's buying the Sullivan stock? I'm sorry.
Do I know you? Who's your contact for the Sullivan stock? Look, I don't know who you are, - or what you want - I'm sorry, I Let me introduce myself.
I'm Declan Sullivan.
[INHALES.]
Yeah, you recognize the name? I'm here to find the man who stole from my father.
Are we clear? [DARK MUSIC.]
[DARK MUSIC.]
[GRUNTS.]
[WIND WHISTLING.]
[SOFT MUSIC.]
[DOOR OPENS.]
This the best you could do? Tequila warehouse in Greenpoint? [BREATHING HARD.]
You want, Ray, I got a lotta space I could give ya.
I like it here.
You get the papers? Well done.
Well done, Ray.
Well fuckin' done.
Ha ha.
We gotta we gotta go out.
We gotta go out, uh, celebrate.
Over to Luger's.
Sure.
Well you gonna you gonna give 'em to me or not? The papers.
You read that review in "The Times" about Luger's? I mean, Jesus Christ, how do you give the best steakhouse in the country zero stars? How they how they I mean, that elitist fuck.
What does a what does a guy like that know [LAUGHS.]
about steak, you know? I mean, maybe, uh, truffle-coated cockroach balls or some shit like that but, uh, not steak.
The only problem with, uh, the only problem with with Luger's is gettin' a reservation, you know? Ha.
I kn-I know but I know a guy.
A teamster.
What the fuck is that for? What'd you do to my sister, Jim? What? I-I don't know what the fuck you're talkin' about.
[OMINOUS MUSIC.]
Come on.
Gimme the gun.
Kid, gimme the gun.
[WHISPERS.]
What'd you do to her? Look, Ray, - back - [GUNSHOT.]
[OMINOUS BASS NOTES.]
[UNEASY MUSIC.]
[BACKGROUND CHATTER.]
[CLATTERING IN KITCHEN.]
Things are workin' out, huh? [CHUCKLES.]
So you found Ray? Yeah.
And he just gave it to you? Pffft.
Well well, you got it.
That's what's important.
Hey.
What's goin' on? Nothing comes without a price.
Nothing.
But I was brought back to life to bring my family back to life.
There it is.
Let's go.
So what do you got? Ah, there it is.
Yeah, ha ha, yeah.
That's good.
Now yours.
Ya look familiar.
[MICK.]
Do I know you? [CONTINUING INDISTINCTLY.]
[MICKEY.]
Let's just exchange the fuckin' valises and get the fuck outta here.
Come on.
Kevin.
Hand that stuff over.
Fuck you, Declan! [SUSPENSEFUL MUSIC.]
Hand it the fuck over! - [GUNSHOT.]
- [COMMOTION.]
- [GUNSHOTS.]
- [PEOPLE SCREAMING.]
[PEOPLE SHOUTING.]
[ENGINE TURNS.]
[TIRES SCREECH.]
You did this.
You.
Daryll! [CAR DOORS CLOSE.]
[TIRES SCREECH.]
[GASPING, GAGGING.]
[OMINOUS MUSIC CHANGES TO MELLOW GUITAR.]
- When you walk - [SMITTY GASPING.]
Through a storm - Hold your head - [GASPING.]
- Up high - [SILENCE.]
And don't Be afraid Of the dark [BEEP.]
At the end Of the storm Is a golden sky And the sweet Silver song Of a lark Walk on Through the wind Walk on Through the rain Though your dreams Be tossed And blown Walk on, walk on Walk on, walk on With hope in your heart And you'll never Walk Alone You will never Ever walk A A-ah-lone [ANIMAL CALLING.]
[CRICKETS CHIRPING.]
[SOFT, UNSETTLING MUSIC.]