Alias J.J. (2017) s01e03 Episode Script
Episode 3
1 A NETFLIX ORIGINAL SERIES THE FOLLOWING IS A FICTIONAL STORY INSPIRED BY SURVIVING ESCOBAR BY JOHN JAIRO VELÃSQUEZ VÃSQUEZ.
CHARACTERS AND SITUATIONS HAVE BEEN ALTERED FOR THIS PROGRAM.
Weâre on the second floor.
Youâre in no danger here.
Uh-huh.
Tell me, sir.
Just how long are we going to have to stay here? I donât know, ma'am.
Until things calm down.
- Whereâs the phone? - Thereâs no phone here.
Could someone walk me to a store then? I need to make a phone call.
You'll be safer if you don't leave.
What should we do then? I need to talk to my husband.
Donât worry, weâre in contact with him.
Excuse me.
Youâre in charge.
Be on the lookout all the time, you canât move.
Wonderful.
CAPITAL PRISON Take the deal the district attorney is offering.
Go to hell and take that deal with you.
We can do whatever you want, but Alexandra will hear this conversation.
Alexandra will realize what kind of thug you are, that you donât care about your family.
Look, my friend you can paint whatever scene you like, but I wonât be signing anything or saying anything until I speak with my lawyer, do you understand? Yes, I understand.
Except your lawyer has turned up dead.
Go on, call him.
See for yourself.
John Jairo, we want to help you.
Iâm not chatting you up.
I just want you realize that everything that smells of you and Escobar comes with a tombstone stuck on its ass.
No, mamacita.
All good.
I miss you like crazy, mamacita.
When you come this Friday, Iâll treat you the way you deserve.
You know - Whatâs going on? - An emergency.
- Go on, bro.
- Go on then.
Whatâs up? Come inside.
- Easy.
- Are you alone? Easy.
Yes, Iâm alone.
Donât kill me.
I don't know anything.
Easy, brother.
I didnât ask you anything, you fag.
So stop saying that.
- Do you know Alexandra? The neighbor? - Yes.
Thatâs it.
Youâll help me, bro.
Go inside.
- How are you, my friend? - Whatâs up, J.
J.
? So good to hear from you.
Listen, have you seen my wife? What? Just married and already lost her? Stop kidding.
Iâm in no mood for jokes.
Listen to what Iâm saying.
I think that sheâs with the DEA or thatâs what theyâre telling me to pressure me.
What I need is for you to find that out.
If that's the case, get a nice little team together because sheâll need rescuing, understand? Thatâs a done deal, my friend.
Those Pepes have it in for us.
They give us no rest.
They say Caspa is cornered down at ItagüÃ.
They're not after me because no one knows me.
Listen, I need you to work with me because thereâs nothing I can do in here.
No, my friend.
It's way too dangerous to stake a lookout right now.
Iâm sorry.
Stop, Alexandra.
I already did a security search.
Mom, you donât know what these mics look like.
Theyâre tiny little things.
They look like flies.
And I want to be sure that we can talk in peace.
Talk about what? You and I have nothing to talk about, Alexandra.
We need to take the deal the men from the DEA - are offering.
- Listen to you.
Sure, go on and call him! How about that? - Come on, Alexandra.
Listen to me.
- What, Mother? Is what they say true about John Jairo having a stash? A what? Donât play dumb.
You know what Iâm talking about.
- Why ask about that now? - Does he, or doesnât he? Well, he did say something about it before turning himself in.
And what is it that he could have in there? - Well, things for our future - What things? Oh, come on, calm down.
I donât know, Mom.
I donât know what you'd keep in a stash.
Money.
Guns, documents, recordings, cassettes, I donât know.
The evidence these guys are looking for.
Everything that proves that more than half the country is involved.
Thatâs what you'd keep in a stash.
Come.
Come here, Alexandra.
Look.
If Iâm talking to you about that stash, it's because I want you to understand that our chance could be there.
Our chance for what? A chance to save ourselves, darling.
See, you just give those men the location of the stash, right? And they send us to the U.
S.
to live a good life with my grandson.
Plus thereâs good money, right? Thatâs why.
You canât be thinking only about yourself.
Think about that little guy on the way.
CAPITAL PRISON PARAMILITARY CELLBLOCK Howâs the assignment going? Good.
Yes, sir.
Good.
It's all set and packed.
Ready to ship.
Yes, sir.
Quick.
Come on, come on.
Iâm trusting you with this delivery.
You know that load is very - important for the company.
- Donât worry, it will all be fine.
- Donât worry.
- Perfect, weâll be in touch.
Okay, gentlemen.
How's it going? Lights.
- Good luck, boys.
- Thank you.
Careful, careful.
Okay.
So, Gonzaga, I donât want any guards walking nearby tonight.
Is that clear? Yes, donât worry.
Itâs all set.
Everything is ready.
The guys are aware of whatâs going to happen, You just relax.
Everything is set, okay? Look, if weâre caught, theyâll ship me right to the Amazon.
Letâs see.
RodrÃguez.
I canât call you RodrÃguez.
That sounds like Iâm telling you off.
- Whatâs your name? - Rigoberto.
Rigoberto, itâs just a few silly things from the store.
I see nothing wrong with it.
- Well, fine, Mrs.
Alexandra.
- "Mrs.
"? Oh, no.
Do I really look that old? How awful is that? No! - Not old.
How can you think that? - Okay then.
Tell me then.
What do you need? Iâm embarrassed to say.
Just little intimate things.
Understand? - Evening.
- Sergeant.
Agent RodrÃguez Peláez with nothing out of the ordinary to report.
Whatâs the witness doing outside the building? - Sergeant, how are you? - Iâm good, thanks.
I was just telling RodrÃguez how we need a couple things from the store.
Certainly.
Whenever you need something, you need to make a written request sometime during my shift, and Iâll sort it out.
- The thing is I need - The thing is Iâm going to explain something.
This is a witness protection facility, okay? You canât leave here, for your own good.
So when you need something, write it down, and Iâll gladly get it for you.
And thatâs that.
- Thank you so much.
- Youâre welcome.
Come on, Potro, understand.
Alias is gone.
Whatâs going on with you? Already on strike two.
Am I going to have to do this? Look, itâs not that easy.
That broad was taken by the cops, the pigs or the DEA.
The police are behind this.
Damn this life of mine.
Tell me what to do.
Then what? Do you want to go sleep in the box? - As soon as you find them, let me know.
- More? Hello? Hello? Listen, dyke.
Or Sergeant, whatever.
Iâm sick of being locked up here.
Iâm so sorry, miss.
Donât be rude, Alexandra.
- Donât be disrespectful like that.
- Iâll talk as I please.
Canât you see this is illegal? Well, then, what is it you want? What do I want? To leave.
I need a phone.
Tell me, Rosa, what did I miss? When was it that they arrested us? Hold on a minute.
Stop being silly.
You canât leave, and neither can your mom, until I get the order.
Understood? - Holy Mary, Alexandra.
- Holy Mary, what? How about that one? Such disrespect, so silly.
What are you thinking there all quiet, Alexandra? Stuff, mom.
So we have nothing.
Nothing conclusive to pressure him with.
Him or his wife.
Only the recording I made of him yesterday.
Think about your family.
How would you like to see them? Dead or alive? Do what you want.
I donât care about them.
Nothing.
Iâll talk to her.
I know what I can do to soften her up.
I hope you can, Ramos, because tomorrow is the last day of preemptive detention.
If we have nothing, we'll have to let them go.
All right.
PARAMILITARY CELLBLOCK - Itâs going all right, isnât it? - Of course.
Yes.
Weâll see.
When should we be done? Just a little more.
Come on.
Iâll be right back, so get the soap ready.
All fresh and clean.
Of course Iâm worried they didnât kill that J.
J.
guy.
DRUG TRAFFICKERS CELLBLOCK But know what worries me most? That all these assholes think we donât have enough balls to run the organization.
So I want you - to keep your eyes wide open.
- Sure, all good.
Oh, look who showed up.
Call him, call him.
Potro.
Come here, little foal.
Little foal, come here.
You know what happens to foals when they break a leg in the ranch? You were so angry.
Didnât you want to say hello? Hello.
Is there something wrong? - What tickles, baby? - Nothing, sir.
Itâs just that a big punch wonât go away overnight.
A terrible pain lingers.
What happened to Potro? He got angry? PARAMILITARY CELLBLOCK Whoa! Did you lose something or what? Nothing.
Just wanted to sweep in there.
Excuse me.
Excuse me, bro.
Why wonât it turn? What are you doing, darling? I donât know why itâs so hard.
It's stuck or something.
What are you doing, Alexandra? Have you gone mad? - Ah! - Iâll get you out of here today, Mother.
Weâre leaving today.
Come on, Mr.
Iván, let me talk to him.
Our little foal there is all riled up because his hoof was just pierced, but Iâll talk him into it.
Do me a favor, bro.
Start thinking about how youâre going to kill him.
How youâre going to off him.
Donât mess around.
What do you think? That I hired a bunch of Sisters of Mercy? Watch it, bro, watch it.
GUERRILLA CELLBLOCK Mr.
Galeno.
Major.
You're needed in the infirmary.
Itâs urgent.
- Who needs me? - Mr.
Iván Urrego.
- Urrego and who else? - Just Mr.
Urrego, Major.
- Thereâs no catch.
- Why doesnât he come, then? COMMANDER GALENO GUERRILLA LEADER Sir, I wouldnât be so foolish as to get you into trouble.
Take one of your men.
I guarantee there wonât be an inspection.
I wonât be long.
Door.
My dad was one of many judges who were murdered for doing their job.
For chasing drug traffickers that were hurting and still hurt the country so much.
The worst part was that even when they were in jail, nothing happened.
Those thugs continued to break the law, even behind bars.
The war was still there, the same war that fought outside and that the mafia and corruption were, unfortunately, winning.
Door.
You have to go in alone.
You can leave the men outside.
Come in without concern.
Iâm sorry I donât have whiskey.
Our sourcing is really bad, man.
Thereâs no one in there, bro.
Don't worry.
Well, talk to me.
- What do you want? - You know, Major, business.
It is not the first time you do business with us either.
Things were different in the forest.
You weren't with the paramilitary back there.
Weâre not with them here either, at least not for now, Major.
The sun'll come up, and weâll see, right? Well, what business are we talking about? I need you to fry a couple of pigs for me.
Who? - J.
J.
and Potro.
- And Potro? Isnât he one of yours? Thatâll show you how people are.
- Anyway, what do you say? - Well, Iâve been told that J.
J.
is being protected by Abel Mahecha.
Donât tell me youâre scared, man? Being scared is not the problem, Mr.
Urrego.
If I rattle the hornetâs nest with the paramilitary, weâll have a messy war.
That costs money, guns, men, guards.
Donât beat around the bush, Major.
How much? One hundred million pesos, no less.
Donât be ridiculous.
That's a lot of money.
Youâve gone mad.
Donât be ridiculous.
Thatâs a lot of money, bro.
Itâs about time you realized that a revolution costs money.
And what Iâm asking for is very little compared to what Iâm risking.
Think about it.
Door.
PARAMILITARY CELLBLOCK I can walk by myself, bro.
Did you need me, Major? The toiletâs clogged.
Yes, but I donât have the tools to get the job done.
How about that? He couldnât find a plunger in the whole prison.
I looked everywhere, but thereâs nothing.
Look, tell Gonzaga to take you to the workshop, and get a plunger, and fix that right now.
Yes, sir.
Excuse me.
- Hey, what a mess.
- I donât want the smell of shit - to hit the cells, got it? - Yes, sir.
What a stupid idiot.
Suarez, open up, now.
Go in there.
Wait for me.
Weâll have lunch.
- Yes, sir.
- Letâs go.
Look for what you need.
Come on.
Find it fast, man.
I donât see what I need.
What do you want me to do about it? Where should I get it? Thatâs not my problem.
You know the Major.
He cannot be crossed.
You know what? Iâll go ask if they put them somewhere else.
- You keep looking around here.
- Donât worry.
- Hello.
- Hello.
How are you? How should I be? Worried.
I can imagine.
And your mom? Nothing, she went to bed.
With everything sheâs been through.
How awful.
I brought you some food.
I didnât know what you liked, so I figured Iâd bring pizza and a bottle of wine.
Thank you, but I canât drink.
Iâm sorry.
I forgot you were pregnant.
Oh, donât worry.
Itâs not like itâs yours.
You donât have to remember.
Look, Alexandra, things are bad.
Theyâre still looking for you, high and low.
They threatened your neighbors today.
Donât say that.
CAPITAL PRISON Pipe here.
In position.
R, five-five, weâre here.
Be alert, then.
Eyes wide open.
Weâre 20 minutes away, gentlemen.
Iâll take 3H to the workshop and come back.
Come, Mr.
Abel.
Why do you need to go there and take risks? Why? I just want this 3H job to turn out really well.
I donât want trouble later with that mad man Castañeda.
3H.
3H.
- What is it, Abel? - Letâs go.
Ready.
Hey, Gordo, move that ass, weâre leaving.
Ready.
Plinio and Alfredo, you go first.
Come on, quickly.
Hey, can I ask you a question? Another one? What is it that a woman like you sees in a guy like John Jairo? And I apologize for asking this so bluntly, but you are so different.
Look at that.
According to whom? According to the way I see it.
You are pretty.
Decent.
Smart.
- And he - He is my husband.
Yes, but heâs a murderer.
Oh, sir.
You donât know John.
And you do? Pretty well.
Think of your family, think of Alexandra, think of your son.
How would you like to see them? Alive or dead? Do what you want, I donât care about them.
Come on, faster.
Come on.
Faster, man.
Faster, faster, bro.
Come on, come on.
Ready, letâs go.
Go on, go on.
Faster.
Where are the others? Don Abel, 3H? They must be on their way.
âTonight at 9 p.
m.
, the paramilitary will escape through the tunnel in the workshop.
" What is this crap? Rapid Response Unit, to the workshop.
I repeat, Rapid Response Unit, urgently, to the workshop.
Barra, Gonzaga, weâre going to the workshop.
Someone ratted us out! We have to go back, come on.
No, sir.
After all weâve done to escape.
I donât intend to stay.
Gordo, get out of here, but itâs your responsibility.
- Yes, sir.
Whoâs coming with me? - Weâre going with you, boss.
Go on.
- Go on, hurry.
- Iâm going with them.
Come on, 3H.
Where are you going? Itâs dangerous, 3H.
I canât stay in this prison.
You know that.
Look, 3H, youâre my responsibility.
I wonât let you get killed.
Come on.
Come on.
Go on, come on.
- Come on, boss, you go first.
- No, you go first.
Come on, come on, but quick, man.
Come on, hard, boss.
- Push.
- I canât.
Watch out or Iâll be stuck here, man.
- Come on, man.
- I canât get through.
Freeze! Easy, okay.
Over there, over there.
Theyâre after us! Get back, get back.
Freeze, hands in the air.
Get down.
Look, Alexandra if you cooperate with some information, we can protect you.
We can send you to the U.
S.
You can start a new life.
From scratch.
Maybe this is a chance for you to forget about the past - and start over.
- It's that easy? Well, not that easy.
Why do you want to remain loyal to a guy whoâs not worth two pesos? Is that the future you want? For you, for your future son? You want him to find out that his fatherâs a murderer and his motherâs a whore? Be very careful, sir.
You owe me respect.
What did you think? That I would fall for a bottle of wine and small talk? - You have me all wrong.
- Oh, Iâm not wrong.
Youâre the one who's getting it wrong.
Youâre so stupid.
You just heard John Jairoâs voice.
He doesnât give a shit about you and your son.
Youâre the one whoâs stupid.
And just so youâre clear, Iâll explain because you donât understand.
- I donât.
- John said what he had to.
- You donât say.
- I do.
You can do whatever you want, but you wonât tear us apart, understand? Look, youâre thinking about this all wrong.
Look where he is, and look where you are.
Iâm not the enemy.
Iâm your safety card.
Can't you see how it is? Can you see it wonât be so easy with me? Perfect.
Donât waste anymore of your time and get out.
What then? Iâm sorry to tell you that John Jairo is being extradited to the United States.
And you just missed the only chance the DEA was offering you.
I thought you were a bit smarter, Alexandra.
- I see that youâre not.
- Get out.
Or do you want another one? Got it? Have a good night.
Goddamn Cuban.
Holy Mary, what a vulgar fellow, darling.
I'd have defended you, but you told me not to come out.
Theyâre taking such good care of us, right? Let them keep taking care of us like this.
There, there, darling.
Easy.
Come on, Alexandra.
Iâve been looking out at that place you want us to jump from, and itâs very high.
Yes.
So why donât we do this? Go get the sheets and some towels.
Help me put a rope together.
No, honey.
I will hit the ground so hard - because Iâm so heavy - You wonât fall.
If we do it right, nothing will happen to us.
Or should we wait for that moron to come back? How did the count go? From the ones who just got here, weâre missing three.
No, two.
We caught one.
- Any maximum security? - Gordo Robledo, but that one was a casualty back at the entrance of the tunnel.
- You mean thereâs casualties? How many? - Two, sir.
Letâs take a walk and see.
Hit it hard.
No need to be careful anymore.
Heâs dead already.
Hit it hard, hit it up here.
- Rosa, whatâs up? Ready? - Ready, look.
But, just these two? These towels wonât do.
- You said to bring towels.
- These wonât do.
- Go and get more sheets.
- You donât have to yell.
Please, go and fetch more sheets, okay? Go then, now.
- Here.
Itâs not like thereâs more.
- This is enough.
Tighten that, Alexandra.
Everybody down.
Twenty-two.
Twenty-three, 24, 25.
Youâre too slow.
Quick, come on.
Dueñas, up.
Do you remember the last conversation we had here? Which part, Major? Step forward.
The part where if 3H hadn't shown up, you would've been the first to go.
What are you doing, dumbasses? Get this trash out of here.
Everyone else is on guard duty.
What happened with that, Gonzaga? Because it was a done deal.
No, there were snitches, my Major.
We had to let it go.
Snitches? The snitch better hide or heâll find trouble with me.
Well, gentlemen, quickly, back to your cell.
Now, gentlemen.
Close that fence there.
Hereâs what weâre going to do.
Wrap yourself around this.
Around your feet.
And grab on to it hard.
Hard, mother.
Letâs do it.
- Letâs do it.
- Letâs do it.
- God bless you, darling.
- Okay.
- Go on.
- Letâs see then.
- Oh, my God.
- Okay.
- Careful, Alexandra.
- Yes.
Careful, thatâs it.
Very careful, darling.
Go with God.
Thatâs it.
Hold on hard, dearest.
Oh, my God.
Youâre doing good, darling, very good.
Thatâs it.
Almost there, darling, youâre almost there.
Thatâs it.
A little more.
- Are you all right? - Oh, yes, letâs go then.
- Look, Iâm fine.
Letâs go then.
- Just a little more.
Thatâs it.
Oh, my blessed God.
- Go on, you can do it.
- No, Iâm too scared, Alexandra.
Come on.
- Hold on hard, careful, Mother.
- Oh, my God.
Careful, Rosa, please.
Hold on hard.
There, thatâs it.
Youâre doing so well.
Oh, my blessed God.
Go on, like that, slowly.
Slowly, slowly.
Slowly.
See how quick that was? Careful.
Oh, Alexandra.
Thatâs it.
Lean there, and thatâs it.
Put your foot there.
Thatâs it.
See? You did it! Mother.
Hey, Rosa.
Damn it.
What should I do? Answer me, Mother.
No, no, no.
Youâre fine.
- Come on, slowly.
- Donât move me, darling.
Donât die on me here, please.
Mother, please.
- Tell me where it hurts.
- Careful with my neck.
Your neck hurts? Tell me where it hurts.
Everything hurts, darling.
Letâs get up really slowly.
Okay then.
- Alexandra, my knee.
- What? Does it hurt? - My knee hurts.
- Get up slowly.
Slowly, slowly.
Be careful.
- Alexandra.
- Go on, Iâm here.
Thatâs it, thatâs it.
- Oh, Alexandra! - Oh, Mother, please.
Weâll go straight to the hospital.
CHARACTERS AND SITUATIONS HAVE BEEN ALTERED FOR THIS PROGRAM.
Weâre on the second floor.
Youâre in no danger here.
Uh-huh.
Tell me, sir.
Just how long are we going to have to stay here? I donât know, ma'am.
Until things calm down.
- Whereâs the phone? - Thereâs no phone here.
Could someone walk me to a store then? I need to make a phone call.
You'll be safer if you don't leave.
What should we do then? I need to talk to my husband.
Donât worry, weâre in contact with him.
Excuse me.
Youâre in charge.
Be on the lookout all the time, you canât move.
Wonderful.
CAPITAL PRISON Take the deal the district attorney is offering.
Go to hell and take that deal with you.
We can do whatever you want, but Alexandra will hear this conversation.
Alexandra will realize what kind of thug you are, that you donât care about your family.
Look, my friend you can paint whatever scene you like, but I wonât be signing anything or saying anything until I speak with my lawyer, do you understand? Yes, I understand.
Except your lawyer has turned up dead.
Go on, call him.
See for yourself.
John Jairo, we want to help you.
Iâm not chatting you up.
I just want you realize that everything that smells of you and Escobar comes with a tombstone stuck on its ass.
No, mamacita.
All good.
I miss you like crazy, mamacita.
When you come this Friday, Iâll treat you the way you deserve.
You know - Whatâs going on? - An emergency.
- Go on, bro.
- Go on then.
Whatâs up? Come inside.
- Easy.
- Are you alone? Easy.
Yes, Iâm alone.
Donât kill me.
I don't know anything.
Easy, brother.
I didnât ask you anything, you fag.
So stop saying that.
- Do you know Alexandra? The neighbor? - Yes.
Thatâs it.
Youâll help me, bro.
Go inside.
- How are you, my friend? - Whatâs up, J.
J.
? So good to hear from you.
Listen, have you seen my wife? What? Just married and already lost her? Stop kidding.
Iâm in no mood for jokes.
Listen to what Iâm saying.
I think that sheâs with the DEA or thatâs what theyâre telling me to pressure me.
What I need is for you to find that out.
If that's the case, get a nice little team together because sheâll need rescuing, understand? Thatâs a done deal, my friend.
Those Pepes have it in for us.
They give us no rest.
They say Caspa is cornered down at ItagüÃ.
They're not after me because no one knows me.
Listen, I need you to work with me because thereâs nothing I can do in here.
No, my friend.
It's way too dangerous to stake a lookout right now.
Iâm sorry.
Stop, Alexandra.
I already did a security search.
Mom, you donât know what these mics look like.
Theyâre tiny little things.
They look like flies.
And I want to be sure that we can talk in peace.
Talk about what? You and I have nothing to talk about, Alexandra.
We need to take the deal the men from the DEA - are offering.
- Listen to you.
Sure, go on and call him! How about that? - Come on, Alexandra.
Listen to me.
- What, Mother? Is what they say true about John Jairo having a stash? A what? Donât play dumb.
You know what Iâm talking about.
- Why ask about that now? - Does he, or doesnât he? Well, he did say something about it before turning himself in.
And what is it that he could have in there? - Well, things for our future - What things? Oh, come on, calm down.
I donât know, Mom.
I donât know what you'd keep in a stash.
Money.
Guns, documents, recordings, cassettes, I donât know.
The evidence these guys are looking for.
Everything that proves that more than half the country is involved.
Thatâs what you'd keep in a stash.
Come.
Come here, Alexandra.
Look.
If Iâm talking to you about that stash, it's because I want you to understand that our chance could be there.
Our chance for what? A chance to save ourselves, darling.
See, you just give those men the location of the stash, right? And they send us to the U.
S.
to live a good life with my grandson.
Plus thereâs good money, right? Thatâs why.
You canât be thinking only about yourself.
Think about that little guy on the way.
CAPITAL PRISON PARAMILITARY CELLBLOCK Howâs the assignment going? Good.
Yes, sir.
Good.
It's all set and packed.
Ready to ship.
Yes, sir.
Quick.
Come on, come on.
Iâm trusting you with this delivery.
You know that load is very - important for the company.
- Donât worry, it will all be fine.
- Donât worry.
- Perfect, weâll be in touch.
Okay, gentlemen.
How's it going? Lights.
- Good luck, boys.
- Thank you.
Careful, careful.
Okay.
So, Gonzaga, I donât want any guards walking nearby tonight.
Is that clear? Yes, donât worry.
Itâs all set.
Everything is ready.
The guys are aware of whatâs going to happen, You just relax.
Everything is set, okay? Look, if weâre caught, theyâll ship me right to the Amazon.
Letâs see.
RodrÃguez.
I canât call you RodrÃguez.
That sounds like Iâm telling you off.
- Whatâs your name? - Rigoberto.
Rigoberto, itâs just a few silly things from the store.
I see nothing wrong with it.
- Well, fine, Mrs.
Alexandra.
- "Mrs.
"? Oh, no.
Do I really look that old? How awful is that? No! - Not old.
How can you think that? - Okay then.
Tell me then.
What do you need? Iâm embarrassed to say.
Just little intimate things.
Understand? - Evening.
- Sergeant.
Agent RodrÃguez Peláez with nothing out of the ordinary to report.
Whatâs the witness doing outside the building? - Sergeant, how are you? - Iâm good, thanks.
I was just telling RodrÃguez how we need a couple things from the store.
Certainly.
Whenever you need something, you need to make a written request sometime during my shift, and Iâll sort it out.
- The thing is I need - The thing is Iâm going to explain something.
This is a witness protection facility, okay? You canât leave here, for your own good.
So when you need something, write it down, and Iâll gladly get it for you.
And thatâs that.
- Thank you so much.
- Youâre welcome.
Come on, Potro, understand.
Alias is gone.
Whatâs going on with you? Already on strike two.
Am I going to have to do this? Look, itâs not that easy.
That broad was taken by the cops, the pigs or the DEA.
The police are behind this.
Damn this life of mine.
Tell me what to do.
Then what? Do you want to go sleep in the box? - As soon as you find them, let me know.
- More? Hello? Hello? Listen, dyke.
Or Sergeant, whatever.
Iâm sick of being locked up here.
Iâm so sorry, miss.
Donât be rude, Alexandra.
- Donât be disrespectful like that.
- Iâll talk as I please.
Canât you see this is illegal? Well, then, what is it you want? What do I want? To leave.
I need a phone.
Tell me, Rosa, what did I miss? When was it that they arrested us? Hold on a minute.
Stop being silly.
You canât leave, and neither can your mom, until I get the order.
Understood? - Holy Mary, Alexandra.
- Holy Mary, what? How about that one? Such disrespect, so silly.
What are you thinking there all quiet, Alexandra? Stuff, mom.
So we have nothing.
Nothing conclusive to pressure him with.
Him or his wife.
Only the recording I made of him yesterday.
Think about your family.
How would you like to see them? Dead or alive? Do what you want.
I donât care about them.
Nothing.
Iâll talk to her.
I know what I can do to soften her up.
I hope you can, Ramos, because tomorrow is the last day of preemptive detention.
If we have nothing, we'll have to let them go.
All right.
PARAMILITARY CELLBLOCK - Itâs going all right, isnât it? - Of course.
Yes.
Weâll see.
When should we be done? Just a little more.
Come on.
Iâll be right back, so get the soap ready.
All fresh and clean.
Of course Iâm worried they didnât kill that J.
J.
guy.
DRUG TRAFFICKERS CELLBLOCK But know what worries me most? That all these assholes think we donât have enough balls to run the organization.
So I want you - to keep your eyes wide open.
- Sure, all good.
Oh, look who showed up.
Call him, call him.
Potro.
Come here, little foal.
Little foal, come here.
You know what happens to foals when they break a leg in the ranch? You were so angry.
Didnât you want to say hello? Hello.
Is there something wrong? - What tickles, baby? - Nothing, sir.
Itâs just that a big punch wonât go away overnight.
A terrible pain lingers.
What happened to Potro? He got angry? PARAMILITARY CELLBLOCK Whoa! Did you lose something or what? Nothing.
Just wanted to sweep in there.
Excuse me.
Excuse me, bro.
Why wonât it turn? What are you doing, darling? I donât know why itâs so hard.
It's stuck or something.
What are you doing, Alexandra? Have you gone mad? - Ah! - Iâll get you out of here today, Mother.
Weâre leaving today.
Come on, Mr.
Iván, let me talk to him.
Our little foal there is all riled up because his hoof was just pierced, but Iâll talk him into it.
Do me a favor, bro.
Start thinking about how youâre going to kill him.
How youâre going to off him.
Donât mess around.
What do you think? That I hired a bunch of Sisters of Mercy? Watch it, bro, watch it.
GUERRILLA CELLBLOCK Mr.
Galeno.
Major.
You're needed in the infirmary.
Itâs urgent.
- Who needs me? - Mr.
Iván Urrego.
- Urrego and who else? - Just Mr.
Urrego, Major.
- Thereâs no catch.
- Why doesnât he come, then? COMMANDER GALENO GUERRILLA LEADER Sir, I wouldnât be so foolish as to get you into trouble.
Take one of your men.
I guarantee there wonât be an inspection.
I wonât be long.
Door.
My dad was one of many judges who were murdered for doing their job.
For chasing drug traffickers that were hurting and still hurt the country so much.
The worst part was that even when they were in jail, nothing happened.
Those thugs continued to break the law, even behind bars.
The war was still there, the same war that fought outside and that the mafia and corruption were, unfortunately, winning.
Door.
You have to go in alone.
You can leave the men outside.
Come in without concern.
Iâm sorry I donât have whiskey.
Our sourcing is really bad, man.
Thereâs no one in there, bro.
Don't worry.
Well, talk to me.
- What do you want? - You know, Major, business.
It is not the first time you do business with us either.
Things were different in the forest.
You weren't with the paramilitary back there.
Weâre not with them here either, at least not for now, Major.
The sun'll come up, and weâll see, right? Well, what business are we talking about? I need you to fry a couple of pigs for me.
Who? - J.
J.
and Potro.
- And Potro? Isnât he one of yours? Thatâll show you how people are.
- Anyway, what do you say? - Well, Iâve been told that J.
J.
is being protected by Abel Mahecha.
Donât tell me youâre scared, man? Being scared is not the problem, Mr.
Urrego.
If I rattle the hornetâs nest with the paramilitary, weâll have a messy war.
That costs money, guns, men, guards.
Donât beat around the bush, Major.
How much? One hundred million pesos, no less.
Donât be ridiculous.
That's a lot of money.
Youâve gone mad.
Donât be ridiculous.
Thatâs a lot of money, bro.
Itâs about time you realized that a revolution costs money.
And what Iâm asking for is very little compared to what Iâm risking.
Think about it.
Door.
PARAMILITARY CELLBLOCK I can walk by myself, bro.
Did you need me, Major? The toiletâs clogged.
Yes, but I donât have the tools to get the job done.
How about that? He couldnât find a plunger in the whole prison.
I looked everywhere, but thereâs nothing.
Look, tell Gonzaga to take you to the workshop, and get a plunger, and fix that right now.
Yes, sir.
Excuse me.
- Hey, what a mess.
- I donât want the smell of shit - to hit the cells, got it? - Yes, sir.
What a stupid idiot.
Suarez, open up, now.
Go in there.
Wait for me.
Weâll have lunch.
- Yes, sir.
- Letâs go.
Look for what you need.
Come on.
Find it fast, man.
I donât see what I need.
What do you want me to do about it? Where should I get it? Thatâs not my problem.
You know the Major.
He cannot be crossed.
You know what? Iâll go ask if they put them somewhere else.
- You keep looking around here.
- Donât worry.
- Hello.
- Hello.
How are you? How should I be? Worried.
I can imagine.
And your mom? Nothing, she went to bed.
With everything sheâs been through.
How awful.
I brought you some food.
I didnât know what you liked, so I figured Iâd bring pizza and a bottle of wine.
Thank you, but I canât drink.
Iâm sorry.
I forgot you were pregnant.
Oh, donât worry.
Itâs not like itâs yours.
You donât have to remember.
Look, Alexandra, things are bad.
Theyâre still looking for you, high and low.
They threatened your neighbors today.
Donât say that.
CAPITAL PRISON Pipe here.
In position.
R, five-five, weâre here.
Be alert, then.
Eyes wide open.
Weâre 20 minutes away, gentlemen.
Iâll take 3H to the workshop and come back.
Come, Mr.
Abel.
Why do you need to go there and take risks? Why? I just want this 3H job to turn out really well.
I donât want trouble later with that mad man Castañeda.
3H.
3H.
- What is it, Abel? - Letâs go.
Ready.
Hey, Gordo, move that ass, weâre leaving.
Ready.
Plinio and Alfredo, you go first.
Come on, quickly.
Hey, can I ask you a question? Another one? What is it that a woman like you sees in a guy like John Jairo? And I apologize for asking this so bluntly, but you are so different.
Look at that.
According to whom? According to the way I see it.
You are pretty.
Decent.
Smart.
- And he - He is my husband.
Yes, but heâs a murderer.
Oh, sir.
You donât know John.
And you do? Pretty well.
Think of your family, think of Alexandra, think of your son.
How would you like to see them? Alive or dead? Do what you want, I donât care about them.
Come on, faster.
Come on.
Faster, man.
Faster, faster, bro.
Come on, come on.
Ready, letâs go.
Go on, go on.
Faster.
Where are the others? Don Abel, 3H? They must be on their way.
âTonight at 9 p.
m.
, the paramilitary will escape through the tunnel in the workshop.
" What is this crap? Rapid Response Unit, to the workshop.
I repeat, Rapid Response Unit, urgently, to the workshop.
Barra, Gonzaga, weâre going to the workshop.
Someone ratted us out! We have to go back, come on.
No, sir.
After all weâve done to escape.
I donât intend to stay.
Gordo, get out of here, but itâs your responsibility.
- Yes, sir.
Whoâs coming with me? - Weâre going with you, boss.
Go on.
- Go on, hurry.
- Iâm going with them.
Come on, 3H.
Where are you going? Itâs dangerous, 3H.
I canât stay in this prison.
You know that.
Look, 3H, youâre my responsibility.
I wonât let you get killed.
Come on.
Come on.
Go on, come on.
- Come on, boss, you go first.
- No, you go first.
Come on, come on, but quick, man.
Come on, hard, boss.
- Push.
- I canât.
Watch out or Iâll be stuck here, man.
- Come on, man.
- I canât get through.
Freeze! Easy, okay.
Over there, over there.
Theyâre after us! Get back, get back.
Freeze, hands in the air.
Get down.
Look, Alexandra if you cooperate with some information, we can protect you.
We can send you to the U.
S.
You can start a new life.
From scratch.
Maybe this is a chance for you to forget about the past - and start over.
- It's that easy? Well, not that easy.
Why do you want to remain loyal to a guy whoâs not worth two pesos? Is that the future you want? For you, for your future son? You want him to find out that his fatherâs a murderer and his motherâs a whore? Be very careful, sir.
You owe me respect.
What did you think? That I would fall for a bottle of wine and small talk? - You have me all wrong.
- Oh, Iâm not wrong.
Youâre the one who's getting it wrong.
Youâre so stupid.
You just heard John Jairoâs voice.
He doesnât give a shit about you and your son.
Youâre the one whoâs stupid.
And just so youâre clear, Iâll explain because you donât understand.
- I donât.
- John said what he had to.
- You donât say.
- I do.
You can do whatever you want, but you wonât tear us apart, understand? Look, youâre thinking about this all wrong.
Look where he is, and look where you are.
Iâm not the enemy.
Iâm your safety card.
Can't you see how it is? Can you see it wonât be so easy with me? Perfect.
Donât waste anymore of your time and get out.
What then? Iâm sorry to tell you that John Jairo is being extradited to the United States.
And you just missed the only chance the DEA was offering you.
I thought you were a bit smarter, Alexandra.
- I see that youâre not.
- Get out.
Or do you want another one? Got it? Have a good night.
Goddamn Cuban.
Holy Mary, what a vulgar fellow, darling.
I'd have defended you, but you told me not to come out.
Theyâre taking such good care of us, right? Let them keep taking care of us like this.
There, there, darling.
Easy.
Come on, Alexandra.
Iâve been looking out at that place you want us to jump from, and itâs very high.
Yes.
So why donât we do this? Go get the sheets and some towels.
Help me put a rope together.
No, honey.
I will hit the ground so hard - because Iâm so heavy - You wonât fall.
If we do it right, nothing will happen to us.
Or should we wait for that moron to come back? How did the count go? From the ones who just got here, weâre missing three.
No, two.
We caught one.
- Any maximum security? - Gordo Robledo, but that one was a casualty back at the entrance of the tunnel.
- You mean thereâs casualties? How many? - Two, sir.
Letâs take a walk and see.
Hit it hard.
No need to be careful anymore.
Heâs dead already.
Hit it hard, hit it up here.
- Rosa, whatâs up? Ready? - Ready, look.
But, just these two? These towels wonât do.
- You said to bring towels.
- These wonât do.
- Go and get more sheets.
- You donât have to yell.
Please, go and fetch more sheets, okay? Go then, now.
- Here.
Itâs not like thereâs more.
- This is enough.
Tighten that, Alexandra.
Everybody down.
Twenty-two.
Twenty-three, 24, 25.
Youâre too slow.
Quick, come on.
Dueñas, up.
Do you remember the last conversation we had here? Which part, Major? Step forward.
The part where if 3H hadn't shown up, you would've been the first to go.
What are you doing, dumbasses? Get this trash out of here.
Everyone else is on guard duty.
What happened with that, Gonzaga? Because it was a done deal.
No, there were snitches, my Major.
We had to let it go.
Snitches? The snitch better hide or heâll find trouble with me.
Well, gentlemen, quickly, back to your cell.
Now, gentlemen.
Close that fence there.
Hereâs what weâre going to do.
Wrap yourself around this.
Around your feet.
And grab on to it hard.
Hard, mother.
Letâs do it.
- Letâs do it.
- Letâs do it.
- God bless you, darling.
- Okay.
- Go on.
- Letâs see then.
- Oh, my God.
- Okay.
- Careful, Alexandra.
- Yes.
Careful, thatâs it.
Very careful, darling.
Go with God.
Thatâs it.
Hold on hard, dearest.
Oh, my God.
Youâre doing good, darling, very good.
Thatâs it.
Almost there, darling, youâre almost there.
Thatâs it.
A little more.
- Are you all right? - Oh, yes, letâs go then.
- Look, Iâm fine.
Letâs go then.
- Just a little more.
Thatâs it.
Oh, my blessed God.
- Go on, you can do it.
- No, Iâm too scared, Alexandra.
Come on.
- Hold on hard, careful, Mother.
- Oh, my God.
Careful, Rosa, please.
Hold on hard.
There, thatâs it.
Youâre doing so well.
Oh, my blessed God.
Go on, like that, slowly.
Slowly, slowly.
Slowly.
See how quick that was? Careful.
Oh, Alexandra.
Thatâs it.
Lean there, and thatâs it.
Put your foot there.
Thatâs it.
See? You did it! Mother.
Hey, Rosa.
Damn it.
What should I do? Answer me, Mother.
No, no, no.
Youâre fine.
- Come on, slowly.
- Donât move me, darling.
Donât die on me here, please.
Mother, please.
- Tell me where it hurts.
- Careful with my neck.
Your neck hurts? Tell me where it hurts.
Everything hurts, darling.
Letâs get up really slowly.
Okay then.
- Alexandra, my knee.
- What? Does it hurt? - My knee hurts.
- Get up slowly.
Slowly, slowly.
Be careful.
- Alexandra.
- Go on, Iâm here.
Thatâs it, thatâs it.
- Oh, Alexandra! - Oh, Mother, please.
Weâll go straight to the hospital.