Coroner (2019) s02e05 Episode Script

One Drum

1 What're you doing? I'm gonna live outside in the tent.
You can stay here, uh, until we, you know, - we figure something, else out.
- Thanks.
My dad's sundown, so it's not a steady decline.
Get you lookin' handsome again.
WOMAN: Veteran's Affairs.
Are you sure you don't wanna speak with Mental Health? I work two nights a week.
If you need me any of the other five - Consider yourself hired.
- BOTH: [LAUGH.]
Good night, Katie.
I mean, that's, uh that was my sister's name.
GORDON: Are you sleepwalking? You used to do it as kid after your sister died.
[SOMEONE COUGHS NEARBY.]
[PLAYS SCHUBERT'S "AVE MARIA" ON PIANO.]
Ave Maria Gratia plena Maria, gratia plena Maria, gratia plena Ave, ave dominus Tecum Ave Maria - [FLAMES ROAR.]
- Gratia plen [LOUD BANG.]
MAN: [SHOUTS.]
Kawin ishpimig inabi-ken! [MULTIPLE GUNSHOTS FIRE.]
[CONGREGATION SHOUTS AND SCREAMS.]
[LOUD SMASH, SCREAMING.]
[GUNSHOTS FIRE, FIRE ALARM BEEPS OVERLAP.]
- Mom, wake up! - Jenny! [FIRE EXTINGUISHER HISSES.]
[FIRE ALARM CONTINUES BEEPING.]
[EXHALES.]
I'm sorry.
[SHAKY BREATHS.]
[JENNY GASPS, PILLS RATTLE.]
[BIRDS CHIRP OUTSIDE.]
- [PILL BOTTLE THUDS.]
- [EXHALES DEEPLY.]
[SNIFFING.]
Well, I hope that wasn't breakfast.
ROSS: Look, Matteo's home for the weekend.
We were gonna go to a concert, but I think it's gonna rain, so what if we just stayed here and did something fun today? Ross, it's not gonna rain.
Okay? You go, you, uh [INHALES DEEPLY.]
go to the concert with Matteo, okay? You were sleepwalking again? [PHONE CHIMES AND BUZZES.]
Sorry, it's, uh it's work.
Jenny! No, there was a a shooting.
A mass shooting at a church.
I have to go.
LIAM: Jenny, you set the kitchen on fire.
I will I will fix this.
Okay? I will, I will fix this, I promise, when I get back.
I just, I No, come on, what the hell are you doing? Liam, I have to go.
[GURNEY RATTLES.]
ANNOUNCEMENT: Code Orange.
Code Orange.
All right.
We still don't exactly know what happened at the church this morning.
We have bodies A through G so far.
That's seven bodies.
How are we gonna deal with them all? One by one.
River, I want you to start a log of all trace evidence.
No detail is too small.
Once they've had their CT scans, we can identify and document every injury.
Yeah, I want you to test all the victims for GSR as well.
CASEY: Everyone in range would have gunshot residue.
Well, assess who has the highest concentration on their hands.
Cross-contamination is a huge risk factor when dealing with multiple fatalities, so we need to be incredibly careful and keep everything separate.
If our shooter is in this room, we need to isolate them from the rest of the victims.
[ZIPPER UNZIPS, MULTIPLE PHONES BUZZ AND RING.]
So who do we have? [MULTIPLE PHONES RING AND BUZZ.]
The calls are coming from inside the bags.
JENNY: It's, uh it's family members.
They're trying to reach their loved ones.
It's unnerving.
It's sad.
Well, we've got preliminary ID's on the priest, Father Vince Nelson and two elderly members of the congregation, Marge Hamilton and Vandal Fuchs.
We're running background on them right now.
I'll start getting IDs on the four remaining four unknowns, but in the meantime, bag and tag everything you find on the bodies.
It needs to come back to me for chain of custody, okay? No one's claimed responsibility for this yet, so we don't know if it's terrorism or some sort of hate crime, but I've gotta give a press conference in an hour.
Got a very frightened public out there.
Yeah.
We will get you answers as soon as we have them.
Thanks.
GORDON: This is hard.
Seven letters - [LOUD BANGING, WHIRRING.]
- "Not surprising.
" "Not surprising"? Well, it's "not surprising," it's it's typical Typical! [LOUD THUDS UPSTAIRS, DRILL WHIRS.]
I'm trying to concentrate down here! Can you please hold it down? All right?! [DRILL CONTINUES WHIRRING.]
[FOOTSTEPS THUD.]
[DOOR CREAKS OPEN.]
[DOOR BANGS SHUT, FAST-APPROACHING FOOTSTEPS.]
- Oh.
- Oh, uh, sorry to interrupt.
Uh, there's a group gathered in the boardroom.
The hospital sent them.
They're looking for missing loved ones.
What should I tell them? Oh, um I'll go.
Hi, everyone.
Uh, my name is Jenny Cooper.
I'm the coroner.
I know this is, uh, an incredibly difficult time for all of you.
Unfortunately, we don't have all the facts.
Uh, officers will be here shortly to speak with you My husband was shot and he was rushed off by ambulance.
But when we went to the hospital, - they sent us here.
- Uh, Ms.
? Wilkins.
Darla Wilkins.
Ms.
Wilkins, we, um we haven't been able to identify everyone, but we're working as quickly as possible.
It would be really helpful if you shared everything you knew with the police, including your loved-one's names His name's Kent.
My husband.
Kent Wilkins.
Okay.
We will, uh we'll get you an update as soon as we can.
[EXHALES.]
[FAMILIES MURMUR.]
CASEY: So far, of everyone we tested for GSR, he had the highest concentration.
Okay, we'll get Homicide to cross-reference his prints with the gun.
But if he's our shooter, then who shot him? These wounds aren't close-range.
You mean I think we have a second shooter.
- RIVER: Jenny! Jenny! - Yeah.
You need to see this.
- Is that a gun? - Sure is.
Okay, uh we are gonna do this very carefully.
[UNZIPS SLOWLY.]
[BODY BAG RUSTLES.]
He's just a kid.
You okay? Yeah.
It's just we see too many brown faces in our line of work, you know what I mean? Yeah.
Okay, you guys, um [BLOWS OUT BREATH.]
Okay [SUSPENSEFUL MUSIC.]
[GUN RUSTLES.]
[NERVOUS BREATHS.]
[BEEPING, LOCK CLICKS.]
JENNY: Okay, we need to figure out how these two are connected.
Both shooters have gunshot wounds to the chest.
So they were shooting at each other.
Yeah.
It was a firefight that turned into a massacre.
ALISON: Uh, these officers are here to take your statements.
So please be as forthcoming as you can with them, any details will help further their investigation.
- Um, can I? - Yes.
Do you wanna come see where I work? Go.
Yes.
Take a little walk? JENNY: These red x's mark where our victims were found.
We've got seven dead and three are still in hospital.
I've run the prints on both our gunmen.
There's nothing on the kid with the shoelace gun.
Yeah, but why a shoelace? It's an old gang trick.
You can drop the gun down your pants and hide it.
Okay.
So he was in a gang.
No ID, no gang tattoos.
He probably saw it on TV or the internet.
The other shooter was Mitchell Sharp, 26, out of Detroit.
- An American.
- Here visiting family.
Looks like he smuggled a weapon across the border.
Our teen had a rosary on him.
Maybe he was part of the congregation.
If he was, why didn't anyone recognize him? And if he wasn't, why shoot up this one? That is a very good question.
It doesn't feel random.
It feels like he was targeting someone specific.
We found most of the shell casing along the aisle and here on the right, where Mitchell was.
Yeah, but Mitchell wasn't shot in the back, so either initiated the gunfire - or - He wasn't the initial target.
According to witnesses, they heard the back door open.
So we can assume the gunman entered through the rear of the church, made his way up the aisle, shooting towards the left.
But then he took defensive fire from the right.
Mitchell.
So he turns, he shoots back into the pews, he kills Mitchell Exactly.
Then he turned back towards the front to finish the job off.
And who's usually up front? [SIGHS.]
The priest.
[SIGHS.]
I've been the administrator for St.
Thaddeus forever.
Nothing like this has ever happened.
What about Father Vince? I mean, not to be indelicate, but any allegations of sexual abuse or misconduct against him? He's been our priest for over a decade.
I lost my son to leukemia two years ago.
I couldn't have gone through it without Father Vince.
He would never harm a child.
All right.
Thank you for your time.
[LOW HUM OF CHATTER, PHONES RING.]
I have more colours in my drawer - if you don't like these.
- [MARKERS CLATTER.]
[TENSE EXHALE.]
I get it.
I mean, if you don't wanna talk.
[PHONE RINGS NEARBY.]
I lost my mom when I was a little older than you.
It was hard.
For a long time, I didn't want to talk.
To anyone.
I was angry.
I was sad.
So I drew.
I mean, you don't have to do that.
Or we can just sit here.
Together.
[DRAWING VIGOROUSLY.]
[MARKER RASPS.]
- [DRILL WHIRS.]
- Liam?! [DRILL WHIRRING.]
- [STARTLED.]
What? What? What? - Watch it, watch it.
What're you doing up here? Well, I'm reinforcing the ceiling.
From what? A hurricane? Uh, I don't know.
I just want it to be secure.
Secure.
Okay, just hold it down.
I'm trying to do my crossword.
I can't even hear myself think.
Just give me 5 more minutes, all right? - Then I'll be done.
- Okay.
Um, want me to help you? Uh pfft.
- You sure? - Yeah, but no.
It's - [DOOR BANGS SHUT.]
- KELLY: Hello? Ugh.
God, a man can get no peace in here.
It's Union Station.
Okay.
[DRILL WHIRS.]
- Kelly.
- Gordon.
- Yeah.
[LAUGHS.]
- [LAUGHS.]
You did a fantastic job on, on the haircut.
I mean, how do I look? You look handsome as ever.
Oh, well, thank you.
Are you, uh, doing a crossword? Yeah, I mean, to stay sharp.
You gotta stay sharp, right? Yeah, I was never very good at those things.
So, my daughter, Jenny, she's not here right now.
- They called her into work.
- I am here to see you, actually.
- Me? - Yeah.
- Why? - Jenny hired me to help out.
I'm here to make your lunch.
I am perfectly capable of making my own lunch.
"Fernandes"? Oh, yeah! How do you feel about watching the rest of the episode together after I fix you something to eat? - Oh, I think I could wait.
- All right.
- What're you gonna make? - I'll surprise you.
Oh, good.
You hungry? [CUPBOARDS CLOSE.]
I baked these yesterday.
[CRUNCHING SOUNDS.]
Mmm.
I heard you play piano.
[TIN SLIDES.]
Take as many as you'd like.
I used to play piano when I was a little girl.
Well, I, I tried, but I could never stretch my fingers far enough to reach the keys.
Kinda short, eh? I did learn to play the hand-drum though.
You play? Maybe we could play together sometime.
The priest has a chest wound, but there's no sign of the bullet.
Yeah, this doesn't look quite like a bullet wound.
It looks unusual.
Wait.
Hold on.
Right there.
That's not a bullet.
[DOORS SLIDE OPEN.]
- Hey! - Hey.
Okay so our priest wasn't shot.
It was actually a secondary projectile.
Uh, a piece of wood to be exact.
A literal stake through the heart.
Yeah.
- What? - Wait a second.
Here.
Take a look at that.
There's a piece missing.
I'm betting that's where the bullet passed through, sent that splinter flying.
Which pretty much confirms that our priest wasn't the intended target.
Maybe the person who's sitting up front was.
I'll check in with Ident, see who was seated there and where they are now.
You mean whoever the target why would somebody do this? - [SIGHS HEAVILY.]
- We'll figure this out.
Yeah.
[DOORS SLIDE OPEN, JENNY SIGHS HEAVILY.]
[SHARP EXHALE AND SNIFF.]
[CLEARS THROAT.]
[PHOTOS SHUFFLE NOISILY.]
RIVER: Jenny! [PHOTOS THUMP LIGHTLY.]
[SIGHS HEAVILY.]
[FOOTSTEPS ECHO IN CORRIDOR.]
Yeah.
[DOOR CREAKS, BANGS SHUT.]
Hello? [GASPING FEARFULLY.]
Don't shoot! [GASPS.]
No.
No What? No.
No, Jenny, no.
No, no, no, no.
No, Jenny, no Ugh! No, no, no [BREATHING HARD.]
- DONOVAN: Jenny.
- [STARTLED GASP.]
Talk to me.
What's going on? [CLEARS THROAT.]
Uh no, sorry, I just [CLEARS THROAT.]
I haven't been sleeping too well.
Insomnia? Uh, yeah, something like that.
But I'm, uh I'm good.
I'm fine.
I'm so sorry, Mrs.
Wilkins.
[WEEPING.]
I know how hard this is.
DONOVAN: Your husband was sitting up front, in line with the gunshots.
Was your husband ever threatened? Or are you aware of anyone who may have wanted to cause him harm? What? You think Kent was the target? We have to consider every possibility.
No.
No, no.
No, Kent was the one who made sure we got to church every Sunday.
[WEEPY, CHOKED BREATHS.]
He was recording Ennis's first piano solo on his phone.
Would you happen to have your husband's phone with you? Yes.
[WEEPING.]
And he was recording at the time - the gunman entered the church? - Yes.
I mean, at least I think so.
I think so.
Yes.
Ennis was up at the piano and we heard the gunshots.
Do you have the password? No, but he used that thumbprint thing.
I mean, we're gonna need to take that phone.
JENNY: It's okay.
Thank you.
[GURNEY RATTLES.]
Well, this isn't Kent Wilkins.
Yeah.
Uh we've got a few more bodies in the hallway that we can check.
Jenny, you need to see this.
It's bad.
[BLOWS OUT HER BREATH, CLEARS HER THROAT.]
He's got a skull fracture, possibly from childhood.
His radial and ulna bones have been fractured in his left arm and they were never properly set.
His ribs were fractured.
His leg was broken.
RIVER: And look.
He's got burn marks on his forearm.
Both arms.
What the hell happened to this kid? He was somebody's punching bag is what happened.
[TAKES DEEP BREATH.]
You okay? We speak for the dead, right? Then we'll speak for him too.
Okay.
We, uh We might have a possible video of the shooting, so, um, you guys take as many breaks as you need, and I'll be back.
[TAKES DEEP BREATH.]
Kent Wilkins.
I got him.
[ZIPPER UNZIPS.]
Are you sure this is legal? Legal? Yes.
Ethical? Jury's still out on that.
- Oh, shit.
Shit! - Hey, I got it.
Sorry.
Sorry.
- It's okay.
It's okay.
- [SIGHS.]
Sorry.
[PHONE PINGS.]
- Come on - [PHONE DINGS.]
All right, let's take a look at this video.
[ENNIS PLAYS "AVE MARIA".]
Ave Mari SHOOTER: Kawin ishpimig inabi-ken! [GUNSHOTS FIRE REPEATEDLY, CONGREGATION SCREAMS IN TERROR.]
[BIRDS CHIRP.]
"Circus activity.
" Eight letters.
Um, I'm Kelly.
Uh, Jenny hired me to look after Gordon.
- Oh, I'm Liam.
- Hi.
Can you people please, please hold it down, okay? I'm-I'm-I'm doing something.
It's really important.
It's Gordon, I made you lunch, and I've got your pills ready.
Oh, Katie Drink this.
- [SNIFFS.]
This is lunch? - [KELLY CHUCKLES.]
This looks like lawn clippings.
Well, it's just the first course.
I will get your sandwich in a minute.
And, uh, you were watching "Fernandes.
" - [TURNS TV ON, SIRENS WAIL.]
- Nope.
No, ma'am.
I can't sit around watching television.
I was, um dammit! Oh! Juggling.
"Circus activity.
" Eight letters.
LUCY: The software's programmed with over a hundred languages, so we should be able to translate - whatever language the shooter is speaking.
- [STARTS VIDEO.]
- SHOOTER: Kawin ishpimig inabi-ken! - [GUNSHOTS RING OUT.]
- LUCY: Hmm.
- JENNY: Did we get it? No, it's not picking it up.
[DOORS SLIDE OPEN.]
- Play it again.
- [VIDEO STARTS.]
SHOOTER: Kawin ishpimig inabi-ken! Is he yelling at the kid? It's, um Anishinaabemowin.
What? Ojibwe.
He's yelling, uh, "Don't look up.
" Loosely translated.
That boy knew the shooter.
So, has he said anything at all to you? Not a word, but I mean, after what he witnessed today, I-I-I don't blame him.
[BLOWS OUT BREATH.]
Hey.
You okay? There's a a reason why I joined the Coroner's Office.
When I was a kid, just a few years older than Ennis is now, my mother died.
I'm so sorry.
You know, it was a school night.
And we'd run out of cereal and I wanted it for breakfast the next day, so my mom popped out to the grocery store like she'd done a million times.
And I remember it was raining because my dad chased after her to give her an umbrella.
And she never made it home.
And the police came to our house around midnight and said that there'd been an accident.
What did they say happened? That she must have fallen, slipped in the rain and hit her head.
The coroner said blunt force trauma to the back of the skull was consistent with a fall.
But you don't think that's what happened.
My dad went in to identify her body and when he saw her, her lip was split, and there was bruising around her face.
Bruising.
You know, if she fell and hit the back of her head, that's one thing.
But then how did she get bruises on her face? How did she get a split lip? The coroner saw a Native woman and he assu I joined this office so that I could make sure that no other kid had to go through what me and my family went through.
You think that's naive? No.
Alison, I think it's incredibly brave.
I'm not telling you this so that you go easy on Ennis.
More to say that we don't know what he's been through up 'til now.
[SHAKY BREATH.]
Yeah.
Thank you.
I will, um I'm gonna keep that in mind, okay? [EMOTIONAL SNIFF.]
[EMOTIONAL EXHALE.]
[COMPUTER KEYS CLACK.]
SABINA: Got your text canceling date night.
Figured you could use a little Jar of salad? [LAUGHS.]
That's very sweet.
It's like an edible terrarium.
[LAUGHS.]
WOMAN 1: Glass of water or a tea? - MAN 1: these down for you? - MAN 2: Great.
- [PHONE RINGS NEARBY.]
- WOMAN 2: Sure.
I don't feel like going down there.
MAN 3: Yeah, I'll go.
I love you.
Your daughter loves you.
- You okay? - Yeah.
Yeah, I'm good.
Hey [SQUISHY SOUNDS.]
MALIK: Sorry to, uh, interrupt.
I'm here to collect the firearm found with the body.
It's in the safe.
All right.
Thanks.
I'll be in and out.
[SAFE KEYPAD BEEPS.]
- [LOCK CLICKS.]
- Nice Uh, guys, you sure you locked the gun in here? Yes, positive.
I put it in there myself.
- [DOOR BANGS SHUT.]
- [EXHALES NERVOUSLY.]
Okay [PANICKED BREATHS.]
Come on, come on Yeah, hello?! This is Detective Abed calling from the autopsy suite.
I have a missing firearm.
I need eyes on the building security footage ASAP.
Yes.
Thank you.
[QUIETLY.]
Oh, my God Yeah, Mac, we got a problem.
[BLOWS OUT BREATH.]
[COFFEE DISPENSES.]
[SCRUBBING.]
[APPROACHING FOOTSTEPS.]
[PLATE CLINKS.]
Flambé gone wrong? Uh yeah, yeah.
It was an accident.
No big deal.
So you are, um you're a caretaker? Um more of someone who needed a job.
Oh.
Yeah.
Jenny's been very good to me since Uh, I was sorry to hear about what ha what happened to your family.
I imagine you've had your fair share of loss.
Jenny told me that you served in the military.
You know, I'm I'm adjusting though.
Yeah me too.
[CHUCKLES.]
[PILL BOTTLE RATTLES.]
Damn, did I miss these? Oh, yeah, it's, it's Jenny's.
It's anti-anxiety drugs.
You know, she she's been sleepwalking.
Oh, like she doesn't have enough to contend with, now the poor thing can't get a good night's sleep? I have to admit, I have a real soft spot for her.
[CHUCKLES.]
It's more than just giving me a job, she sort of, um took me in.
Yeah, me too.
I'm gonna start to think that she has a thing for strays.
BOTH: [LAUGH.]
Yeah.
I know how busy she is it's why I'm here.
But I can be here for you, too.
If you ever wanna talk or hang out or whatever.
Yeah, sure, sure.
Thanks.
- Uh, better go back to work.
- 'Kay.
Yeah.
[CUPBOARD OPENS, PILLS THUMP.]
[LIAM SIGHS HEAVILY.]
I mean, a gun doesn't just go missing.
Malik's reviewing security footage.
What do we know about this kid, Ennis? Uh, according to Alison, he hasn't said a word since he got here.
Hey.
Uh, hey, I need you guys to step back.
Ennis? Okay, I wanna assure you you're not in any trouble here, okay? Where did you find that? All right.
Okay, okay.
Okay, all right.
Can you put it down for me? Right there on that desk.
I promise you nothing bad's gonna happen to you.
- [SHAKY EXHALE.]
- You have my word.
Put it down, son.
[NERVOUS EXHALES.]
[SIGHS.]
[GUN THUMPS LIGHTLY.]
[SIGHS.]
[BLOWS OUT HIS BREATH.]
[SIGHS, RELIEVED.]
It's okay.
It's okay, I'm here.
I got you.
[GASPS.]
I Ennis? I'm gonna let you in on a little secret.
I don't believe in coincidences.
I think you and I were put together on purpose.
[SPEAKING ANISHINAABEMOWIN.]
[SPEAKING ANISHINAABEMOWIN.]
but everyone called him Earnie.
I wasn't gonna hurt anyone with the gun.
It was just his.
Do you know why Earnie would have wanted to shoot your dad? Foster dad.
Kent.
[SPEAKING ANISHINAABEMOWIN.]
[SHAKY EXHALE.]
I know what Earnie did was wrong.
He got the gun because he knew Kent wouldn't be able to punch the bullets.
Jenny, we need to find out how that gun ended up in your office.
Yeah, I know.
I just, it, it doesn't, it doesn't make any sense.
[QUIETLY.]
The shooter's name was Earnest, he was Ennis's older brother.
Darla and Kent Wilkins were their foster parents.
The boys were being brutalized in the Wilkins' care.
That explains the burn marks and broken bones - on Earnest's body.
- On Ennis too.
I know you're gonna call Children's Aid and file a report, but we need to do more.
I'll send Earnest's autopsy report to the pediatric death review committee.
He didn't die of his injuries, but we'll get it on record.
And I will assure you that Darla Wilkins will never foster another child again.
Where's Ennis? Mrs.
Wilkins, were you aware that your son purchased a gun? I'm sorry, what? Your foster son, Earnest, 16-years-old, in yours and your husband's care, went out and bought himself a gun.
Were you aware of that?! [PHOTOS RUSTLE.]
[SHARP INHALE.]
I never laid a hand on either of those boys.
I believe you.
I also believe you didn't raise a hand to stop your husband's abuse.
So many people dead.
[LOW HUM OF OFFICE CHATTER.]
[ALISON EXHALES, APPROACHING FOOTSTEPS.]
[ELEVATOR DINGS NEARBY.]
I have a friend who works at Native Child and Family Services.
Her name's Theresa.
She's gonna come and drive you up north to Nipissing.
Theresa has worked out a visitation with your aunty and your cousins.
And if all goes well, you may be able to go and live with them.
With my cousins? This is for you.
Is this us? [CHUCKLES.]
You even drew my barrette.
BOTH: [CHUCKLE.]
It's beautiful.
Chi-miigwech, Ennis.
Who taught you to speak Anishinaabemowin? My mom.
[KNOCK AT THE DOOR.]
Hey, hey.
Uh did you figure out what happened with the gun? I think you better take a look at this for yourself.
[PHONE THUMPS.]
Judging by your reaction, you don't remember doing this.
There is no camera in your office, but it's pretty clear you put the gun in your desk drawer, - where - Ennis found it.
Those restless nights they happen to include sleepwalking? Donovan, I - Jenny! - Look, I will I will, I will make this better.
I will fix this, I promise.
- You're gonna fix this.
- Yeah.
I'm gonna trust you with this, okay? [DOOR CLICKS OPEN AND SHUT.]
[FEARFUL BREATHS.]
[FOLDER CRASHES.]
[HEAVY THUMP, DOOR BANGS SHUT.]
[BOOTS THUMP IN DRYER.]
[DEEP INHALE.]
[TENT SLIDES.]
[DRYER STOPS.]
[BANGING AND THUMPING FROM UPSTAIRS.]
[SHAKY EXHALE.]
[FOOTSTEPS THUMP ON STAIRS.]
Hey! What're you guys doing here? Uh, the concert got rained out.
I told you it was gonna rain.
Why is this here? I don't know.
Your mom left you a note.
What does it say? [READS.]
"You can sleep under your own roof if you want, as long as it's back under mine.
Love, Mom.
" [CHUCKLES SOFTLY.]
[BARRETTE CLICKS.]
[IN ANISHINAABEMOWIN.]
[HUMMING SOFTLY.]
[LIGHTER CLICKS AND HISSES.]
[UNDER HIS BREATH.]
Okay.
Some of this okay, right here.
Mmm! Smells divine.
Oh, my God, yeah, you sit.
I will serve that.
No, whoa, whoa, whoa.
Please.
Come on, guys, guys, this is supposed to be for your mother.
Oh, yeah, no, there's gonna be lots left.
Don't you worry.
- Don't - And, uh, Liam, you know what? I never really got to say this to you or anything, but I am, like, so happy that you're here for her.
Oh, yeah.
Okay, cool.
Thank you, - but please - This food smells amazing! - I know! - Oh, God, I'm starving! - Do you want one? - Did you make this? I did, but yeah, yeah, it's, it's for Jenny and me.
Oh, this is nice of you.
No wonder she keeps you around.
Yeah, but - Hey, uh, Liam? - Yeah? Hey.
Uh I have to do something.
Could you, uh could you give me a ride? Yeah, of course.
Oh, shit, um No, no, no, no, it's okay.
Don't worry.
- I'm sorry.
- No.
Come with me, okay? It's really good.
- Yeah.
- Arski.
CLINICIAN: Welcome to the sleep clinic.
Hmm How does that feel? Uh like if I move, I might strangulate.
BOTH: [CHUCKLE.]
Just give us a buzz on the intercom if you need us, okay? Just try to relax.
[DOOR CLOSES.]

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