My Wife and Kids (2001) s01e10 Episode Script

1 WELL, THAT WAS, UM FAST.
YES, BUT, BABY, IT WAS GOOD FAST.
BABY, YOU'RE THE FASTEST.
I'M SORRY.
THANKS, I THINK.
SEE, THE PROBLEM IS I FEEL LIKE I'M RUSHING 'CAUSE YOU'RE ALWAYS IN A RUSH.
OH, OH, I GET IT.
THIS IS MY FAULT.
NO, IT'S NOT YOUR FAUL ENTIRELY.
I MEAN, IT TAKES TWO.
I MEAN, IT'S YOU AND YOUR JOB.
MICHAEL, THIS IS NO ABOUT MY JOB.
THEN WHAT IS IT? 'CAUSE THIS AIN'T ME.
OKAY, WELL, WE JUST-- I DON'T KNOW.
WE JUST DON'T SEEM TO BE SPONTANEOUS ANYMORE.
ALL RIGHT, LET'S SAY TOMORROW AFTERNOON BEFORE THE KIDS COME HOME FROM SCHOOL.
THAT'LL GIVE US, LIKE, 30 MINUTES.
AS FAST AS I AM, WE COULD MAKE UP FOR, LIKE, EIGHT YEARS.
THAT IS NOT MY IDEA OF BEING SPONTANEOUS, MICHAEL.
ALL RIGHT, THEN TONIGHT.
WHEN I COME HOME FROM WORK, I'M GONNA BE VERY SPONTANEOUS.
I'M GONNA BE SO SPONTANEOUS I DON'T EVEN KNOW WHAT I'M GONNA BE DOING.
SO YOU GET READY FOR SOME SPONTANEOUS COMBUSTION.
AND DON'T WEAR ANYTHING FLAMMABLE.
WE CAN'T.
TONIGH YOUR BROTHER IS COMING.
IS THAT TONIGHT? YEP.
AND HE'S COOKING AND HE'S BRINGING HIS NEW GIRLFRIEND OVER.
THIS ONE? THIS ONE'S CALLED TIARA.
I DON'T GET IT.
I DON'T UNDERSTAND WHY HE JUST DOESN'T SETTLE DOWN AND HAVE A FAMILY.
PROBABLY WANTS TO STAY SPONTANEOUS.
[MUSIC PLAYS.]
THAT'S GOOD.
I THINK IT'S WHACK.
LOOKS LIKE YOU'RE BEING CHASED BY BEES.
YOU'RE JUST JEALOUS 'CAUSE I'M GONNA WIN.
THE ONLY THING YOU'RE GONNA WIN IS THE UGLY CONTEST.
HEY, HEY, HEY.
I DIDN' MAKE ANY UGLY KIDS.
NOT THAT I CLAIMED, ANYWAY.
THANKS, DADDY.
I KNEW I'D GET YOU OFF THAT COUNTER.
WHAT ABOUT ME, DADDY? WHAT ABOUT YOU? YOU'RE ONLY, LIKE, THE MOST BEAUTIFUL FOUR-YEAR-OLD IN THE WHOLE HOUSE.
HEE HEE HEE HEE.
HEE HEE HEE HEE.
HEY, JUNIOR, I DON'T WANNA HEAR YOU TALKING ANY MORE NEGATIVITY TOWARDS YOUR SISTER.
NEGATIVE THOUGHTS BRING NEGATIVE RESULTS.
YOU KNOW THAT? GOT IT.
ALL RIGHT.
AND LISTEN, DINNER'S AT 7:30 SHARP.
BE THERE OR BE WATCHING ME EAT ALL YOUR FOOD.
BUT TONIGHT'S THE NIGH OF THAT BIG RAP CONCERT.
YOU CAN'T GO.
YOUR UNCLE KEN'S COMING OVER.
I'VE BEEN WAITING FOR THIS ALL YEAR.
WELL, YOU'RE GONNA MISS HIS NEW GIRLFRIEND.
I'M STAYING HOME.
WHAT'S THIS ONE'S NAME? TIARA.
I CAN'T WAIT TO MEET HER.
AND NO DROPPING STUFF SO YOU CAN LOOK UP HER DRESS.
WE'RE ALL ONTO THAT.
YEAH, THAT WENT OU WITH MIRRORS ON THE TIPS OF YOUR SHOES.
YOU KNOW, I HOPE THIS ONE DOESN'T THINK THAT APARTHEID IS A LAUNDRY DETERGENT.
WHY ARE YOU SO DOWN ON HER? YOU HAVEN'T EVEN MET HER.
YES, BUT I KNOW WHAT KIND OF WOMEN HE DATES.
THEY'RE BEAUTIFUL, THEY'RE YOUNG, AND THEY'RE STUPID.
WELL, MEN CALL THA THE TRIFECTA.
BABY GIRL, YOU ALL SE FOR TOMORROW? I'VE GOT IT WON, MOM.
HEY, DON'T GET YOUR HEART SET ON WINNING.
IT'S ABOU GIVING IT YOUR ALL.
YEAH, BUT IT WOULD BE NICE FOR SOMEBODY ELSE AROUND HERE TO WIN SOMETHING.
I MEAN, I'M TIRED OF SHOULDERING THE FAMILY HONOR MYSELF.
STOP IT, JUNIOR.
WHAT? I'M JUST SAYING IT WOULD BE NICE FOR SOMEBODY ELSE IN THIS FAMILY TO WIN SOMETHING FOR ONCE.
JUNIOR, LET ME TEACH YOU AN IMPORTANT LESSON IN LIFE.
WHAT'S THAT? KNOW WHEN A FOOT IS ABOUT TO BE IN YOUR ASS.
ALL RIGHT, LOOK, I GOTTA GET OUT OF HERE.
I'M RUNNING LATE.
YOU GUYS, I WANT YOU ON YOUR BEST BEHAVIOR.
AND REMEMBER, WE ARE WHAT? LEADERS! LEADERS! AND WE DON'T WHAT? FOLLOW! FOLLOW! WHY? All: 'CAUSE NOBODY KNOWS WHERE THEY'RE GOING.
I LOVE YOU ALL.
SEE YOU LATER.
Jay: BYE.
HEY, BABY, TASTE THIS.
MMM.
NOT TOO SWEET, IS IT? WELL, IT'S NO AS SWEET AS YOU.
WELL, SEE, NOW, THAT IS GONNA BE DESSERT.
COME GIVE ME A KISS.
OKAY.
OKAY THERE, KEN.
KEN? YEAH.
IT SURE SMELLS GREAT.
WHAT ARE YOU COOKING? OH, I'M MAKING CAILLE ROTISSE.
THAT'S QUAIL, ISN'T IT? VERY GOOD.
SOMEBODY'S BEEN PAYING ATTENTION IN FRENCH CLASS.
HEY, PEPE LE PEW.
WHEN'D YOU STAR COOKING QUAIL, MAN? WHERE YOU SHOP, AT A ZOO? THAT'S YOUR PROBLEM, MIKE.
YOU NEED TO LEARN THERE'S MORE TO LIFE THAN CHICKEN WINGS AND PIG FEET.
ALL RIGHT, YOU GOTTA OPEN YOUR MIND.
TRY SOME NEW THINGS, YOU KNOW, STUFF YOU NEVER TRIED BEFORE.
I AM.
I KNOW YOU ARE.
TRY THIS.
HEY, HEY, STOP THAT.
JUNIOR.
JUNIOR, KADY, CLAIRE, I WANT EVERYBODY TO GO SET THE TABLE, AND YOU, GO CHANGE YOUR SHOES.
OH, MY GOSH.
THOSE ARE FANCY SNEAKERS.
YEAH, THEY'RE CALLED AIR REFLECTORS.
WOW.
THEY'VE GO MIRRORS ON THEM.
TIARA? HE PUT THOSE MIRRORS ON HIS SHOES SO THAT HE COULD LOOK UP YOUR DRESS AND SEE YOUR PANTIES.
HA HA, WELL, JOKE'S ON HIM, BECAUSE I'M NOT WEARING ANY.
LET'S GO! HEY, KADY, YOU WANNA COME WITH ME TO WORK TOMORROW AT THE RESTAURANT? I'LL TEACH YOU HOW TO MAKE A CHOCOLATE MOUSSE.
YEAH.
MOMMY, UNCLE KEN'S GONNA TEACH ME HOW TO MAKE A BLACK BULLWINKLE.
WOW! UNCLE KEN'S THE BEST MAN IN THE WHOLE WIDE WORLD.
OH, YEAH? WELL, WHO'S GONNA HELP YOU PUT TOGETHER YOUR BARBIE SET? I MEAN DADDY'S THE BEST MAN IN THE WHOLE WIDE WORLD.
WELL, WHO BOUGHT YOU THE BARBIE DOLL SET? I MEAN UNCLE KEN'S THE BEST MAN.
WELL, WHO'S GONNA SMASH THE WHOLE THING TO LITTLE PIECES? MOMMY, I'M CONFUSED.
IT'S ALL RIGHT, BABY.
IT'S OKAY.
DON'T LET THEM DO THAT TO YOU.
GO AHEAD, SWEETIE.
JAY, YOU GOT A CORING KNIFE? I DID, BUT SOMEBODY WAS USING I TO DIG STUFF OUT OF THEIR TOES.
HEY, KNIVES ARE FOR JAM.
THIS IS TOE JAM.
HOLD ON.
I'LL GET IT FOR YOU.
NO.
NO, NO, NO, THAT'S ALL RIGHT.
I GOT ONE IN THE CAR.
I'LL GET IT.
I'LL GET IT, HONEY.
NO, SWEETIE, THAT'S ALL RIGHT.
BABY, I'LL GET IT.
WELL, WE CAN GET I TOGETHER.
OH, YOU KNOW HOW MUCH I LIKE GETTING I TOGETHER WITH YOU.
ME, TOO.
HEY, MIKE, IF I'M NO BACK IN 10 MINUTES, YOU, UH, STUFF THAT QUAIL.
LAST ONE TO THE CAR GETS A SPANKING.
HEY, HEY, JAY.
WHAT? WHAT DO YOU SAY YOU HELP ME STUFF THE QUAIL.
STOP BEING SILLY.
I'M NOT BEING SILLY.
I'M BEING SPONTANEOUS.
HMM? UH-HUH.
WHAT DO YOU SAY WE GO-- OH! WHAT PART OF THE QUAIL IS THIS? [IMITATING ED SULLIVAN.]
LADIES AND GENTLEMEN, WE HAVE A REALLY, REALLY BIG SHOW TONIGHT.
PERFORMING HER SOON-TO-BE AWARD-WINNING DANCE PERFORMANCE IS THE LOVELY AND TALENTED MS.
CLAIRE KYLE.
GIVE IT UP FOR CLAIRE KYLE.
[CHEERS AND APPLAUSE.]
HIT IT, DAD.
[HIP-HOP MUSIC PLAYS.]
WORK IT OUT, GIRL.
I CAN DO IT, TOO.
AW, SHUCKS, NOW.
[TURNS OFF MUSIC.]
ALL RIGHT.
THAT WAS GREAT.
HUH? HUH? [CHEERS AND APPLAUSE.]
DADDY, I'M NOT DONE YET.
OH, YES, YOU ARE.
DIDN'T YOU LIKE IT? OH, I LOVED IT.
ALL THIS WAS OOH! YOU WERE WORKING THAT.
BUT WHEN YOU GOT DOWN HERE AND STARTED POP, POP, POP, THAT WAS A LITTLE DISTURBING FOR YOUR DAD.
DAD, YOU GOTTA GE WITH THE TIMES, MAN.
PEOPLE LIKE TO SHAKE IT FAST.
SHOW ME WHA YOU'RE WORKING WITH.
WATCH YOURSELF.
SEE, BABY, WE USED TO SHAKE IT FAST, TOO.
WE JUST DIDN' SHAKE IT ALL, YOU SEE? WE DID THE BUMP.
REMEMBER THE BUMP? [STARTS MUSIC.]
LET ME SHOW YOU THE BUMP.
Jay: WORK IT OUT, BABY.
I WANT SOME OF THAT.
Ken: LET'S GO NOW.
WORK IT, BABY.
TAKE HIM DOWN TO THE FLOOR.
OH, YEAH.
GIVE HIM THAT BOOTY.
GIVE HIM THAT BOOTY NOW.
[TURNS OFF MUSIC.]
OKAY.
WELL, THERE'S A WHOLE PILE OF DISHES THAT NEEDS TO GET DONE, SO LET'S GET TO IT, AND TIARA, WHY DON'T YOU BUMP ON INTO THE KITCHEN AND GIVE ME A HAND.
I'LL BE BACK, BABY.
MISS ME? I ALREADY DO.
AW, YOU'RE SO SWEET.
MAN, WHAT IS THAT LIKE? I FEEL LIKE HUGH HEFNER WHEN THEY DISCOVERED VIAGRA, BROTHER.
I TELL YOU WHAT ELSE IS FUN ABOUT YOUNG GIRLS.
THEIR STORIES IS A WHOLE LOT SHORTER.
TELL ME ABOUT IT.
ALL JAY WANTS TO DO IS TALK.
AND TALK.
AND TALK SOME MORE.
WE END UP TALKING OURSELVES RIGHT INTO AN ARGUMENT.
YOU GUYS PROBABLY NEVER FIGHT, HUH? ALL THE TIME, BROTHER.
REALLY? I CALL IT FOREPLAY.
SOMETIMES I LIKE TO START IT UP JUST 'CAUSE I KNOW WHERE IT'S GONNA END UP.
YOU KNOW WHAT I'M SAYING? ME, TOO.
COURT.
MAN, YOU KNOW, JAY KEEPS TALKING ABOUT SPONTANEITY IN OUR RELATIONSHIP.
I DON'T KNOW WHAT SHE MEANS.
WHAT SHE MEANS IS SHE WANTS YOU TO DO SOMETHING OUTRAGEOUS, SOMETHING SHE'S NOT EXPECTING.
LIKE NOT PAY THE MORTGAGE? NO, LIKE, YOU REMEMBER THE OTHER NIGH WHEN IT WAS POURING OUTSIDE? MM-HMM.
WELL, ME AND TIARA WENT OUT, TOOK OFF ALL OUR CLOTHES, STARTED DANCING NAKED ON THE LAWN.
STARTED SINGING.
NAKED? OH, YEAH.
[SQUEALS.]
WE WAS HITTING NOTES EVEN PRINCE COULDN'T REACH.
YOU KNOW? YEAH-YEAH! YEAH-YEAH! HE SAID, IF THAT'S NOT MINE, SOMEBODY OWES ME A RING.
[BOTH LAUGH.]
HONEY, ARE YOU COMING TO BED? I'M WAITING FOR YOU.
OH, YEAH, BABY.
I'LL BE THERE IN A MINUTE.
YOU JUST KEEP MY SIDE WARM.
I'LL DO BETTER THAN THAT.
I'LL MAKE IT HOT.
YOU LUCKY DOG.
HONEY? WHEN YOU COMING TO BED? OH, IN ABOUT A HOUR.
I'LL BE ASLEEP BY THEN.
UH-HUH.
YOU WANNA? IF YOU WANNA.
I WANNA IF YOU WANNA.
YOU'RE NOT GONNA IF YOU KEEP SAYING YOU WANNA.
OKAY, THEN I'M GONNA.
CAN YOU TAKE THAT OFF? IS THIS BETTER? YOU WANNA PUT IT BACK ON? WELL, NO.
ALL RIGHT.
ALL RIGHT.
[DOOR SLAMS.]
HEY, SWEETIE.
LOOK WHO'S HERE.
I CAN'T SLEEP.
WHY? WHAT'S WRONG, BABY? THERE'S TOO MUCH NOISE IN THIS HOUSE.
IT'S COMING FROM UNCLE KEN'S ROOM.
OH, UNCLE--YOU KNOW WHAT THAT NOISE IS? THAT'S JUST--WHEN HE EATS THE QUAIL, HE GETS REALLY SILLY.
YEAH, AND THEN HE CLOSES THE DOOR AND THEY HAVE A PILLOW FIGHT.
A PILLOW FIGHT.
THAT'S ALL THEY'RE DOING.
THEY'RE JUST HITTING EACH OTHER WITH PILLOWS AND THEY MAKE NOISE.
[MOANING.]
RIGHT? AND WHOEVER STOPS MAKING THE NOISE GETS HI WITH THE PILLOW.
I'M GLAD YOU AND MOMMY NEVER HAVE PILLOW FIGHTS.
WELL, IF SHE WOULD TAKE THE JIFFY POP THING OFF HER HEAD, WE WOULD.
[KADY LAUGHS.]
DON'T LAUGH AT HIM.
DO NOT LAUGH AT HIM.
HEY, WHERE'S MIKE? I WANNA SAY GOODBYE TO HIM BEFORE HE LEFT.
WELL, HE'S STILL IN BED.
HE DIDN'T GET MUCH SLEEP.
BECAUSE OF YOUR PILLOW FIGHT.
OH, MY BAD.
ALL RIGHT.
KADY, YOU READY TO GO TO WORK WITH ME? I WANNA MAKE SOME COOKIES.
WE GONNA MAKE COOKIES ALL DAY LONG.
ALL RIGHT, LET'S GO.
BYE, MOMMY.
BYE.
BE A GOOD GIRL FOR UNCLE KEN.
I WILL.
SEE YOU LATER, JAY.
BYE, KEN.
OH, THANK YOU SO MUCH FOR YOUR HOSPITALITY.
I FEEL LIKE I'M ONE OF THE FAMILY.
DON'T.
SEE YOU LATER.
BYE.
EVERYBODY'S GONE.
MICHAEL! [SPEAKING SPANISH.]
Michael: I'VE BEEN REALLY TRYING, JANET BEEN TRYING TO HOLD BACK THE FEELING FOR SO LONG BUT IF YOU FEEL LIKE I FEEL, BABY THEN COME ON, OH, COME ON EEE, LET'S GET IT ON AAH! LET'S GET IT ON I SEE YOU PEEKIN'.
YOU COME ON OUT HERE IN THE RAIN AND GET SOME OF THIS SUGAR BEFORE IT ALL MELTS.
AAH, BABY! OH, HI, ROSA.
HAVE YOU SEEN MICHAEL? YES, I HAVE.
COME ON, COME ON, COME ON, COME ON DOWN HEY, COME BACK HERE WITH MY PANTS.
[DOG BARKS.]
BABY, LISTEN, SECOND PLACE IS NOT BAD.
IT'S STILL LOSING.
IT'S NOT WHETHER YOU WIN OR LOSE.
IT'S HOW YOU PLAY THE GAME, BABY.
DO YOU TELL THA TO YOUR CLIENTS ON THE STOCK MARKET? IT'S ALL RIGHT.
JUS GIVE HER SOME TIME.
AH-CHOO! SEE? THAT'S WHAT YOU GE FOR RUNNING AROUND IN THE RAIN BUTT-NAKED.
THAT'S NOT WHAT I WAS EXPECTING TO GET.
[KNOCK ON DOOR.]
LOOK, I FEEL RESPONSIBLE, LIKE MAYBE IT WAS MY FAULT YOU DIDN'T WIN.
NO, IT WAS MY FAULT.
I JUST WANTED I TOO BADLY.
WHY? IT'S JUS A STUPID DANCE CONTEST.
JUNIOR, YOU HAVE TROPHIES FOR BASKETBALL, BASEBALL, AND SOCCER.
COME ON, CLAIRE.
WHAT ABOUT THESE TROPHIES YOU HAVE? JUNIOR, TWO OF THEM ARE FOR ATTENDANCE, ONE'S A CONSOLATION PRIZE, AND THE ONE ON THE RIGH IS AN AWARD FOR BEING A GOOD LOSER.
MAN, THAT'S COLD.
BUT YOU REALLY ARE A GREAT DANCER.
ME, I GOT TWO LEFT FEET.
WATCH THIS.
THIS'LL BE THE ONLY TIME YOU SEE IT.
[HIP-HOP MUSIC PLAYS.]
[CLAIRE LAUGHS.]
[TURNS OFF MUSIC.]
ALL RIGHT, ALL RIGHT, ALL RIGHT.
DID DAD PUT YOU UP TO THIS? NO.
I HONESTLY THOUGH YOU SHOULD HAVE WON.
REALLY? REALLY.
THE ONLY REASON WHY THE PUERTO RICAN GIRL BEAT YOU IS 'CAUSE SHE GO A WHOLE LOT OF BOOTY.
WE'RE BACK.
Jay: HEY.
MOMMY, DADDY, I MADE YOU SOME COOKIES.
WELL, WHERE ARE THEY? I ATE 'EM ALL.
NO, YOU DIDN'T.
I SEE SOME RIGHT THERE.
GIVE IT TO ME.
MMM, YUM, YUM, YUM.
UNCLE KEN, WHERE'S TIARA? I DON'T KNOW, MAN.
WE BROKE UP.
WHAT? YOU WHAT? I MEAN TSK, TSK.
THAT'S TOO BAD.
WHY DON'T YOU COME IN THE ROOM.
I WANNA SHOW YOU MY SHREV.
WHAT? THE ZOOTINATOR.
WHAT'S HE TALKING ABOUT? HE WANTS TO HEAR ALL THE DIRT, SO GO TELL HIM SO HE CAN TELL ME.
I DON'T KNOW WHA A ZOOTINATOR IS.
HOW COULD YOU BREAK UP WITH THAT GIRL? SHE WAS PERFECT.
THE GRASS IS ALWAYS GREENER, MIKE.
THAT WASN'T JUS GREEN GRASS.
THAT WAS IRELAND.
ALL SHE WANTED TO DO WAS HAVE SEX.
AND? AND THEN AFTERWARDS THERE WAS NOTHING TO TALK ABOUT.
AND? I'M TIRED OF BEING SOME WOMAN'S LOVE MONKEY, MIKE.
I'M WITH A DIFFERENT WOMAN EVERY NIGHT, YOU KNOW? IT'S LIKE, YEAH, YOU KNOW, THE CHAMPAGNE BATHS IS COOL AND THE HOT OIL MASSAGES, BUT YOU KNOW, SOMETIMES A BROTHER JUST WANTS A HUG.
YOU KNOW WHAT I MEAN? NO, LOVE MONKEY.
I DON' KNOW WHAT YOU MEAN.
[BEEPER BEEPS.]
TOPAZ.
COME ON, DUDE.
GIVE ME THE DIRT.
WHAT HAPPENED WITH YOU AND TIARA? THE GIRL HAD A FI 'CAUSE I WANTED TO SPEND TIME WITH KADY.
TRUTH IS, I WAS HAVING MORE FUN WITH KADY, AND SHE'S A BETTER SPELLER.
I DON'T KNOW, MAYBE I'M JUS GETTING OLDER, YOU KNOW? TIME FOR ME TO SETTLE DOWN, HAVE SOME KIDS.
TAKE JUNIOR.
I'D TRADE WITH YOU IN A MINUTE.
GIVE ME YOUR BEEPER.
SERIOUSLY, MIKE, YOU AND JAY GOT A GOOD THING GOING ON.
YEAH, I KNOW.
I MEAN, SHE LOVES ME UNCONDITIONALLY, BUT, MAN, LATELY THINGS HAVE GOTTEN SO ROUTINE.
THERE'S NO SPARK IN OUR SEX LIFE, MAN.
IT USED TO BE, LIKE, HALFTIME AT GRAMBLING, YOU KNOW, WITH A MARCHING BAND AND FIREWORKS.
NOW THERE'S LIKE SOME OLD DUDE WITH A BASS HOLDING A MATCH.
I HEAR YOU.
BUT REMEMBER, MIKE, YOU CAN'T HAVE IT ALL.
[BEEPER BEEPS.]
OH, WOW.
THAT'S DIAMOND AND RUBY.
OKAY, I GOT TO BOUNCE.
I THOUGHT YOU SAID YOU CAN'T HAVE IT ALL.
NO, I SAID YOU CAN'T HAVE IT ALL.
I GOT TO SHAKE MY THANG.
DADDY, I MADE YOU SOME CHICKEN NOODLE SOUP.
AW, THAT'S SWEET.
THANK YOU.
HEY, WHAT'S THIS? I PUT A PRIZE IN IT.
WOW! TASTE IT.
DID YOU GET THIS WATER OUT OF THE TOILE LIKE THE LAST TIME? NO, SILLY.
THE FISH TANK.
IT'S MMM-MMM, GUPPY.
YOU KNOW WHAT? I'LL FINISH IT LATER, OKAY? BUT I WANT YOU TO FINISH IT RIGHT NOW SO YOU'LL GE ALL BETTER.
OKAY, I'LL TELL YOU WHAT.
WHEN YOU COME BACK IN THE MORNING, IT'LL ALL BE GONE.
OKAY, DADDY.
YOU GO TO SLEEP NOW, OKAY? I WILL.
[WHINING.]
GOOD NIGHT, APPLEHEAD.
[DOOR SLAMS SHUT.]
IS THERE A SICK BOY IN THIS ROOM? MM-HMM.
WELL, MY NAME IS NURSE JAY.
HI, NURSE JAY.
HI.
YOU LIKE CANDY? MM-HMM.
THAT'S NICE.
WELL, IF YOU'RE REALLY A GOOD BOY, I'M GONNA GIVE YOU A LOLLIPOP.
YOU GONNA GIVE ME MEDICINE AND MAKE ME ALL BETTER? I SURE AM.
BUT FIRST I'M GONNA NEED TO TAKE YOUR TEMPERATURE.
OH, HEY-- COME ON, BABY.
GET OVER HERE.
AND HE HAS A PILLOW FIGHT.
A PILLOW FIGHT.
THAT'S WHAT'S-- AND THEY MAKE NOISE [GRUNTING.]
MAKE ALL THOSE WILD-- AND THE LITTLE CHICKENS AND STUFF YOU HEAR IN THERE? THAT'S JUST, YOU KNOW, THEM BEING SILLY.
AND--[LAUGHS.]
[ALL LAUGH.]
WHAT CHICKENS?